Vita PDF - Galerie Thomas Zander

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TREVOR PAGLEN
Geboren 1974 in Camp Springs, Maryland, USA.
Lebt und arbeitet in New York, USA.
Ausbildung / Lehrtätigkeiten
2002 - 2008
2000 - 2002
1993 - 1996
University of California at Berkeley
Ph.D. in Geografie mit Schwerpunkt Neue Medien
School of the Art Institute of Chicago, Chicago, IL
M.F.A. in Kunst und Technologie
University of California at Berkeley
B.A. in Religionswissenschaft, Nebenfach musikalische Komposition
Auszeichnungen und Preise
2015
2014
2011 – 2012
2008
2007
2006
2005
2004
2003
Kulturpreis 2015, Deutsche Gesellschaft für Photographie, Köln, Deutschland
2014 Pioneer Award, The Electronic Frontier Foundation, San Francisco, USA
artist-in-residence, Smithsonian Air and Space Museum & Massachusetts Institute of
Technology (MIT)
Aperture West Prize, Aperture Foundation, New York, NY
“Utne Visionary,” Utne Reader
Society for the Encouragement of Contemporary Art Award (SECA), San Francisco
Museum of Modern Art, San Francisco, CA
Art Matters Grant, New York, NY
nominiert für den Alpert Award in the Arts
Artadia Grant, New York, NY
nominiert für den Baum Award for Emerging American Photographers Outstanding GSI
Teaching Award, University of California at Berkeley
Production Commission. Eyebeam Art and Technology Center, New York
Commission, Rhizome.org (Projekt mit dem Institute for Applied Autonomy)
Research/Travel Grant, New American Media (travel funding to research Torture Taxi
book)
Fellowship, Vectors Journal, University of Southern California
Exhibition Grant, LEF Foundation (Support for Recording Carceral Landscapes exhibition)
Writers Grant, Institute for Anarchist Studies (for Recording Carceral Landscapes
book/catalog)
Individual Artist Grant, Dlabal Foundation, (for Remnants of California project)
Block Grant, Department of Geography at U.C. Berkeley (research grant)
Einzelausstellungen (Auswahl)
2015
2014
2013
The Octopus (Im Rahmen der RAY 205 Fotografieprojekte Frankfurt Rhein/Main),
Frankfurter Kunstverein, Frankfurt, Deutschland
Outer Space, Kunstmuseum Bonn/Kunst- und Ausstellungshalle der Bundesrepublik
Deutschland, Bonn
Broad Museum, Los Angeles, USA
Visibility Machines (gemeinsame Ausstellung mit Harun Farocki), Center for Art Design &
Visual Culture, Baltimore, MD
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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2012
2011
2010 - 2011
2010
2009
2008
2006
2005
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2001
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Code Names, Van Abbemuseum, Eidenhoven, Niederlande
Prototype for a Nonfunctional Satellite (Design 4; Build 3), Protocinema, Istanbul, Türkei
Trevor Paglen, Galerie Thomas Zander, Köln
Trevor Paglen, The Last Pictures, Metro Pictures Gallery, New York, USA
The Last Pictures, Creative Time, New York, USA
The Last Pictures, Museum of Modern Art, New York, USA
Geographies of Seeing, Lighthouse, Brighton, UK
A Hidden Landscape, Aksioma, Ljubljana, Slowenien
American University Museum at the Katzen Arts Center, Washington, USA
Unhuman, Altman Siegel, San Francisco, CA
Trevor Paglen, SECESSION, Wien, Österreich
The Other Night Sky, Kunsthall Oslo, Oslo, Norwegen
A Compendium of Secrets, Kunsthalle Gießen, Gießen, Deutschland
San Francisco Museum of Modern Art (SECA Award Ausstellung)
Bellwether Gallery, New York
Altman-Siegel Gallery, San Francisco
A Compendium of Secrets, Galerie Thomas Zander, Köln
The Other Night Sky / MATRIX 225, Berkeley Art Museum, Berkeley, CA
Black World, Bellwether Gallery, New York
The LAB, San Francisco, CA
California College of Arts and Crafts, San Francisco
Deadtech, Chicago, IL
Salina Art Center, Salina, KS
Gruppenausstellungen (Auswahl)
2015
2014
Covert Operations: Investigating the Known Unknowns, San Jose Museum of Art, San
Jose, CA
Las variaciones Sebald, CCCB - Centre de Cultura Contemporània de Barcelona,
Barcelona
Panopticon, Utah Museum of Contemporary Art, Salt Lake City, UT
Networked Disruption - Rethinking Oppositions In Art, Hacktivism And Business, MMSU Museum of Modern and Contemporary Art Rijeka, Rijeka, Kroatien
Border Cultures: Part Three (security, surveillance), Art Gallery of Windsor, Windsor, ON
Visibility Machines: Harun Farocki and Trevor Paglen, Gallery 400 - University of Illinois at
Chicago, Chicago, IL
Fotofestival Mannheim - Ludwigshafen - Heidelberg
Eppur Si Muove, MUDAM, Musée d´Art Moderne Grand-Duc Jean, Luxemburg
modes of democracy, DOX - Centre for contemporary art, Prag, Tschechische Republik
They Used To Call It The Moon, BALTIC Centre for Contemporary Art, Gateshead
Donkere Kamers, Museum Dr. Guislain, Gent, Belgien
Covert Operations: Investigating the Known Unknowns, Scottsdale Museum of
Contemporary Art - SMoCA, Scottsdale, AZ
Schwindel der Wirklichkeit, AdK - Akademie der Künste, Berlin
Netz - Vom Spinnen in der Kunst, Kunsthalle zu Kiel, Kiel
Desert Serenade: Drones, Fences, Cacti, Test Sites, Craters And Serapes, Lannan
Foundation, Santa Fe, NM
Vom Jagen und Sammeln, Kunstforum Montafon, Schruns, Österreich
Distant Images, Local Positions, EFA Project Space - The Elizabeth Foundation for the Art,
New York, NY
The Last Pictures, Photomonth Festival, Krakau, Polen
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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2013
2012 - 2013
2012
2011 – 2012
2011
2010 - 2011
2010
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Smart New World, Kunsthalle Düsseldorf, Düsseldorf, Deutschland
Cartagena Biennial, Kolumbien
Para-Real, 601 Artspace, New York, USA
Trace Recordings, UTS Gallery, University of Technology Sydney, Australien
Quiet Earth, Rauschenberg Project Space, New York, USA
Quiet Earth, Ballroom Marfa, Texas, USA
Anamericana, Depart Foundation, Rom, Italien
Dread – Fear in the Age of Technological Acceleration, De Hallen, Haarlem, Niederlande
The Wizard’s Chamber, Kunsthalle Winterthur, Winterthur, Schweiz
Where Did She Go?, Stockholm Music & Arts, Tensta Konsthall, Stockholm, Schweden
Un Viaje a la Luna, Proyectos Moncolva, Mexico City, Mexiko
A Democracy of Images, Smithsonian American Art, Washington, USA
More Real? Art in the Age of Truthiness, The Minneapolis Institute of Arts, Minneapolis,
USA
A Different Kind of Order: The ICP Triennial International Center of Photography, New
York, USA
On Watching and Being Seen, Northern Illinois University Art Museum, DeKalb, Illinois,
USA
The Automated Image, Le Mois de la Photo, Montreal, Kanada
sammlung neue kunst VI,H2 - Zentrum für Gegenwartskunst im Glaspalast,
Kunstsammlungen und Museen Augsburg, Augsburg
In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts, USA
How Much Fascism?, BAK basis voor actuele kunst, Utrecht, Niederlande
The Unseen: Fourth Guangzhou Triennial, Museum of Art, Guangzouh, China
More Real? Art in the Age of Truthiness, SITE Santa Fe, Santa Fe, USA
Liverpool Biennial: The Unexpected Guest, Liverpool, UK
BILD-GEGEN-BILD, Haus der Kunst, München
Status - 24 Dokumente von heute, Fotomuseum Winterthur, Winterthur, Schweiz
Hinter der Landschaft, H2 - Zentrum für Gegenwartskunst im Glaspalast, Augsburg
50 Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art,
San Francisco, USA
Invisible Fields, Arts Santa Monica, Barcelona, Spanien
The Hulon Center for Digital Media, Israel
Details, Bergen Kunsthall, Norwegen
Architecture of Fear, Z33 – huis voor actuele kunst, Hasselt, Belgien
Invisibles Fields, Contemporary Arts Centre, Arts Santa Mònica, Barcelona, Spanien
After the Crash, Universitá delle Marche, Rom, Italien
Gwangju Design Bienniale, Gwangju, South Korea
The Encuentro de Medellin, 2011, Museo de Antioquia, Medelin, Colombia
The Actions of Things, Bard CCS, Annandale-on-Hudson, NY
Graphic Design – Now in Production, The Walker Art Center, Minneapolis, MN, (traveling)
Wild Sky, Edith-Ruß-Haus, Oldenburg, Deutschland
Magical Consciousness, Arnolfini, Bristol, UK
The Spectacle of War, The empty quarter, Dubai
Secret Satellites, Belfast Exposed, Belfast, Irland
After the Gold Rush: Contemporary Photographs from the Collection, Joyce and Robert
Menschel Hall for Modern Photography, Metropolitan Museum, New York, USA
The Israeli Center for Digital Art/Mobile Archive im Kunsthaus Baselland, Muttenz, Schweiz
Nous ne notons pas les fleurs, dit le géographe, Bétonsalon, Paris, France
Fondazione Palazzo Strozzi, Florenz, Italien
Free, kuratiert von Lauren Cornell, The New Museum, New York, NY
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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2009 - 2010
2009
2008
2007
2006
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Schritte ins Verborgene. Kunst und das Geheimnisvolle, Kunstmuseum Thurgau, Warth,
Schweiz
Rethinking Location. Anytime Anywhere Everything, Galerie Sprüth Magers, Berlin
Catastrophe? Quelle catastrophe!, Quebec City biennial, Manif d'art 5, Quebec, Kanada
[Out of] Control, 7. International Biennal for Photography and Visual Arts, Liège, Belgien
Road to Nowhere?, FotoFest, Houston, Texas, USA
The Art of War, CEPA Gallery, Buffalo, NY
Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London, UK and San
Francisco Museum of Modern Art, San Francisco, CA, Walker Art Center, Minneapolis, MN
Disappeared, Goff and Rosenthal, New York, NY
California Invitational, Museum of Photographic Arts, San Diego, CA
Vortexhibition Polyphonica, Henry Art Museum, Seattle, WA
OTHERS – The Biennals of Art from Marrakech, Istanbul and Athens in Palermo and
Catania, Fondazione Puglisis Cosentino, Palazzo Valle, Catania, Italien
I Spy: Security and Surveillance, Sun Valley Arts Center, Sun Valley, ID
Experimental Geography, Miller Gallery at Carnegie Mellon University, Pittsburgh und
Colby College Museum of Art, Waterville, USA
Feed Forward. The Angel of History, LABoral Centro de Arte y Creación Industrial,Gijón,
Spanien
11th International Istanbul Biennial, Istanbul, Türkei
Havana Biennial, Havana, Kuba
Schneider Museum of Art, Southern Oregon University, Ashland, OR
Tech Tools of the Trade: Contemporary New Media Art, de Saisset Museum, Santa Clara
University, CA
CONTACT Photo Festival, Toronto, Kanada
Universal Code, The Power Plant, Toronto, Kanada
Red Thread, TANAS - Raum für zeitgenössische türkische Kunst, Berlin
Close Encounters 2: Acts of Social Imagination, Nathan Cummings Foundation, New York,
NY
Material Witness, Berkeley Art Museum, Berkeley, CA
Desert Secrets, Utah Museum of Fine Art, Salt Lake City, UT
A Universe We Can Believe In, Oliver Art Center, California College of the Arts, Oakland,
CA
Off the Grid, Neuberger Museum of Art, SUNY Purchase, Purchase, NY
Experimental Geography, kuratiert von Nato Thompson, organisiert von iCI, Richard E.
Peeler Art Center, DePauw University, Greencastle, IN; Colby College Museum of Art,
Waterville, Maine (Wanderausstellung bis 2010)
In the Private Eye, kuratiert vonYaelle Amir, ISE Cultural Foundation, New York, NY
Berkeley Big Bang 08, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA
Vera List Center for Art and Politics at The New School, New York
The New Normal, kuratiert von Michael Connor durch ICI, Artists Space, New York, NY;
Huarte Centro de Arte Contemporáneo, Huarte, Spain; Canzani Center Gallery, Columbus
College of Art & Design, Columbus, OH (Wanderausstellung 2010)
Conspire, Transmediale.08, Berlin
2008 Taipei Biennial, Taiwan
6 Billion Perps Held Hostage! Artists Address Global Warming, The Andy Warhol Museum,
Pittsburgh, PA
Crimes of Omission, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
Ominous Atmosphere, Heather Marx Gallery, San Francisco
Dark Matters: Artists See the Impossible, Yerba Buena Center for the Arts, San Francisco
The Landscape of War, San Jose Institute of Contemporary Art, San Jose, CA
Only the Paranoid Survive, Hudson Valley Center for Contemporary Art, Peekskill, NY
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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Dataesthetics Reloaded, Galerija Nova, Zagreb, Croatia
Dystopische Landschaft, Kunstraum München, München
A Historic Occasion, Massachusetts Museum of Contemporary Art, North Adams, MA
The Culture of Fear/Die Kultur der Angst, Halle 14, Leipziger Baumwollspinnerei, Leipzig
The Look of Law, ROOM University Art Gallery, Irvine, CA
Thought Crimes: The Art of Subversion, Diverse Works, Houston, TX
Echo Local, Gallery 400, Chicago
The Big Nothing: A Void, Philadelphia Institute of Contemporary Art, Philadelphia
Mills College Art Museum, Oakland, CA (collaboration with Greg Niemeyer)
Operation How, Now, Wow, 16 Beaver Space, New York
Version 3, Museum of Contemporary Art, Chicago
Plug and Play, Artswatch, Louisville, KY
Version 2.0, Museum of Contemporary Art, Chicago
POW!, California College of Arts and Crafts, San Francisco
Book Show, Temporary Services, Chicago
The Summer Show, Gallery 312, Chicago
Resynthesis, Betty Rymer Gallery, Chicago
Book Show, Temporary Services, Chicago
Counter Productive Industries, 1926 Gallery, Chicago
Vorträge (Auswahl)
2013
2012
2010
2009
2008
Artist Talk: The Last Pictures, Proyectos Monclova, Mexico City, Mexiko, Galerie Thomas
Zander, Köln, Garage Center for Contemporary Culture, Moskau
Artist Talk: The Last Pictures, Los Angeles County Museum of Art (LACMA), Los Angeles,
USA; San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA, USA;
Hirshhorn Museum and Sculpture Garden, Washington DC, USA; Goethe Institut,
Amsterdam, Niederlande; ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe;
Moderna Galerija, Ljubljana, Slowenien; Salt, Istanbul, Türkei; Witte De WIth Center For
Contemporary Art, Rotterdam, Niederlande, Museum of Modern Art, New York, USA
Is photography over?, Symposium, Phillis Wattis Theater, SFMOMA, San Francisco, USA
Art Papers Live Lecture at Emory University, organisiert durch das Magazin Art Papers
University of Georgia at Athens, Visiting Artist Lecture
Animating Archives conference at Brown University
Authors at Google. Google, Mountain View, CA
Soul of the New Machine Conference (Keynote Address), UC Berkeley Human Rights
Center
C-Span Book TV (National Television Broadcast)
Platform Garantie, Istanbul, Türkei
Gallatin School at New York University
OXBOW visiting artist, Oxbow School, Napa, CA
Transitio Festival, Mexico City, Mexiko
Pomona College, Visiting Artist Lecture
Scripps College, Visiting Artist Lecture
State University of New York, Buffalo. Visiting Artist Lecture
U.C. Berkeley Human Rights Center, Mobilizing Shame Conference
Power Plant, Toronto, Kanada. Visiting Artist Lecture
UC Irvine, Arts Computation Engineering (ACE) Colloquium, Irvine, CA
Democracy in America, lecture as part of Creative Time festival/exhibition. New York, NY
Paraflows Festival, Wien
UC Santa Barbara, Art Department Colloquium, Santa Barbara, CA
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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2007
2006
2005
2004
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Berkeley Art Museum, Berkeley, CA
The Influencers, Barcelona, Spanien
Secrecy, Suspicion, and Intelligence, Workshop, Duke University, NC
Recoding Conference, University of Aberdeen, Schottland
Radars and Fences Conference, New York University, NY
Rhizome.org at the New Museum, New York, NY
Sarah Lawrence College, Bronxville, NY
Vera List Center for Art and Politics, New School, New York, NY
Interventions series, Harvard University, Cambridge, MA (with Yates McKee)
Art and Technology Colloquium, Berkeley Center for New Media, Berkeley, CA
Spark Visiting Artist Series, San Francisco State University, organized and sponsored by
KQED Television
Stedelijk Museum of Modern Art, “Toward a New Visualization of Secrecy” Conference,
Amsterdam, Niederlande
Yale Law School, Invited Lecturer, New Haven, CT
Trinity College, Invited Lecturer, Hartford, CT.
Aperture Foundation, Artist Talk, New York, NY
University of California at San Diego, Visiting Artist Lecture, San Diego, CA
University of Pennsylvania, Visiting Artist Lecture, Philadelphia, PA
New York University, Visiting Artist Lecture in Marisa Olson’s “Tactical Media” Class, New
York, NY
San Francisco Art Institute, Spheres of Interest series, Visiting Artist Lecture, San
Francisco, CA
Portland Institute of Contemporary Art, TBA Festival, Invited Speaker, Portland, OR
Cinema Texas, Parallax View, Program, Invited Lecture, Austin, TX
Massachusetts Institute of Technology – Center for Advanced Visual Studies, Visiting Artist
Lecture, Cambridge, MA
PS1, Long Island City, NY (part of the Fine Print exhibition, hosted by Bidoun Magazine)
University of California at Santa Cruz, Digital Arts and New Media Visiting Artist Series,
Invited Speaker, Santa Cruz, CA
Vera List Center for Art and Politics at the New School, Panel Discussion: Prison Industry:
Artistic Approaches to Activism, Invited Speaker, New York, NY
State University of Illinois, Visiting Artist Series, Carbondale, IL
Cooper Union, Visiting Artist Talk in David Thorne’s Class, New York, NY
16 Beaver Group, Invited Speaker, New York, NY
Other Cinema, Artists’ Television Access, Invited Speaker, San Francisco, CA
USC Geography Department Colloquium, Invited Speaker, Los Angeles, CA
UCLA Geography Department Colloquium, Invited Speaker, Los Angeles, CA
UC Santa Barbara, English Department, Invited Speaker in Rita Raley’s Class, Santa
Barbara, CA
Artists’ Television Access, Other Cinema Series, Invited Speaker, San Francisco, CA
16 Beaver Group, Invited Speaker, New York, NY
Hammer Museum, Fieldworks Lecture, Invited Speaker, Los Angeles, CA
Mess Hall space, Invited Speaker, Chicago, IL
University of Illinois, Walking as Knowing as Making Lecture Series, Invited Speaker,
Urbana-Champaign, IL
U.C. San Diego Department of Visual Art, Invited Speaker in Natalie Jermijenko’s class,
San Diego, CA
U.C. Irvine, Defense: Models, Strategies, Media, Conference, Invited Speaker, Irvine, CA
Los Angeles Forum for Architecture and Urban Design (New Spaces, New Cartographers
series), Invited Speaker, Los Angeles, CA
Version Festival – Invisible Networks, Heaven Gallery, Chicago, IL
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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2003
2002
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C-Level Space, Invited Speaker, Los Angeles, CA
Museum of Contemporary Art, Version 2.0 Event, Invited Speaker, Chicago, IL
Filmvorführungen und Festivals (Auswahl)
2004
2003
Activating the Medium Festival, SomArts Gallery, San Francisco, CA
Recontres Internationales Festival, Podewil, Berlin
Performances und weitere Projekte (Auswahl)
2013
2012
2009
2008
2007
2006
2005
2004
ICP Triennale 2013, International Center of Photography, New York, NY
9th Mercosur Bienniale 2013, Porto Alegre, Brasilien
Guangzhou Triennale 2012, Guangzhou, China
Star Party: öffentliches Event zusammen mit Power Plant in Toronto. “star gazing” Party
mit dem Satelliten-Beobachter Ted Molczan um Aufklärungssatelliten über Toronto zu
betrachten.
Stargazing: Sternen-Party um geheime amerikanische Satelliten zu beobachten. Event
organisiert von dem Berkeley Art Museum als Teil der “Other Night Sky”-Ausstellung.
UC Berkeley, Campus-Führung, die den Fokus auf den Militarismus an der Universität legt.
In Auftrag gegeben von dem Berkeley Art Museum für die UCIRA Konferenz.
Ausgewählte CIA Aircraft Flights & Rendition Routes 2001-2006. In Auftrag gegebene
Reklametafel, 6150 Wilshire, Los Angeles, CA.
Secret Base Expedition, dreitägige öffentliche Performance/Expedition zu geheimen
Militärstützpunkten in Nevada.
San Diego is a Secret Base, eintägige öffentliche Performance/Expedition zu geheimen
Militärstützpunkten in der Gegend von San Diego, CA.
Secret Base Expedition, eintägige öffentliche Performance/Expedition zu geheimen
Militärstützpunkten in Southern California, Arroyo Arts Collective, Los Angeles, CA
Secret Base Expedition, dreitägige öffentliche Performance/Expedition zu geheimen
Militärstützpunkten in Nevada
Delta Remnants, Skulptur im öffentlichen Raum in Stockton, CA, In Auftrag gegeben von
der University of the Pacific and the City of Stockton, CA
Powering Up/Powering Down Festival, U.C. San Diego, San Diego, CA
Activating the Medium Festival, SomArts Gallery, San Francisco, CA
Publikationen (Auswahl)
2015
2014
2013
„NSA-Tapped Fiber Optic Cable Landing Site, Mastic Beach, New York, United States” DIS
Magazine, The Data Issue, Februar 2015.
Canales, Jimena and Van Tomme, Niels, Visibility Machines: Harun Farocki and Trevor
Paglen, Center for Art, Design and Visual Culture UMBC, April
“Is Photography Over?” Fotomuseum Winterthur Blog, März 3, 2014.
Goodman, Abigail Ross, ed. Art for Rollins: The Alfond Collection of Contemporary Art:
Band 1. Rollins College, Winter Park, S. 96-7
Walleston, Aimee, Trevor Paglen at Metro Pictures, Art in America, Mai, S.163-4
Lehan, Joanna, Kristen Lubben, Christopher Phillips, and Carol Squiers, A Different Kind of
Order: The ICP Triennial. International Center of Photography, New York and DelMonico
Books – Prestel, New York, S. 144-9
Gonzalez, Desi, Trevor Paglen at Metro Pictures, The Brooklyn Rail, März, S. 43
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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2010
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Mack, Joshua, Trevor Paglen at Metro Pictures, ArtReview, Ausgabe 68, Mai, S. 116-7
Harris, Jane, The Last Pictures: An Interview with Trevor Paglen, The Huffington Post, 26.
März
Diaz, Eva, Trevor Paglen at Metro Pictures. Artforum, April, S. 258-9
Squibb, Stephen, Trevor Paglen, Art-Agenda.com, Februar 28
Cotter, Holland, Trevor Paglen, The New York Times, 1. März
Quin, John, Trevor Paglen: Geographies of Seeing, Lighthouse, Brighton, ArtReview,
Januar/February, S. 114, 116
Pendle, George, Horror Vacui – Trevor Paglen and the Final Frontier, Frieze, Ausgabe
152, Januar-Februar 2013
Considine, Austin, A Time-Capsule Launched into Space for Aliens to Find When All the
Humans Are Gone, The Atlantic, 30. November, 2012
Weiner, Jonah, Prying Eyes – Trevor Paglen Makes Art out of Government Secrets, 22.
Oktober, 2012
Trevor Paglen, The Last Pictures, 208 Seiten, University of California Press, 2012
Simon, Joshua, According to Foreign Sources, Domus Magazine, Januar 2012
Vogel, Carol, Orbiting Photo Exhibition, The New York Times, C20, 6. Juli 2012
The Last Pictures: Interview with Trevor Paglen (Nato Thompson), e-flux, 2012
A temporal map in geostationary orbit: The cover etching on the echostar XVI artifact (mit
Joel M. Weisberg), Astronomical Journal, August 2012
Cembalest, Robin, Alien Nation, ARTnews, November, S. 46-47
Keenan, Thomas, Disappearances: On the Photographs of Trevor Paglen, Sensible
Politics: The Visual Culture of Nongovernmental Activism, Zone Books, New
York, S. 42-49
Cuy, Sofîa Hernándes Chong, Under Constant Surveillance, Mousse, Sommer, 162-167
Ruri, Viviana, Paisajes del Control – Trevor Paglen, Código, September, S. 94-97
Portfolio: Trevor Paglen – The Last Pictures, Monopol. September, p. 10, 88-98
ART, 08/2011 (Thomas Wagner)
Stallabrass, Julian, Negative Dialectics in the Google Era: A Conversation with Trevor
Paglen, October Magazine, 10/2011, S. 3-14
Labey, Christina, Limits of the Visible World: A Dialogue with Trevor Paglen, Conveyor,
Autumn, S. 49-53
Lee, Pamela, Open Secret, The Work of Art Between Disclosure and Redaction, Artforum,
05/2011, S. 220-229
Chang, Helen, Trevor Paglen, Secession, Frieze, 04/2011 S. 136-7
Coburn, Tyler, Future Greats. ArtReview Magazine, 03/2011
Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art,
San Francisco, CA
The Altered Landscape: Photographs of a Changing Environment, Skira Rizzoli, Nevada
Museum of Art, Reno, NV
Smith, Chris, Strange Renderings – The Secret Geographies of Trevor Paglen, California
Magazine, Frühling 2010, Cal Alumni Association
Trevor Paglen, Visiting the Planetarium, Images of the Black World, Secession, Texte von
Brian Holmes (dt./engl.), Revolver Verlag, 2010
Trevor Paglen. A Compendium of Secrets, Ausst.-Kat., hg. v. Ute Riese und Kunsthalle
Gießen, Kerber Verlag, 2010
Invisible, 160 Seiten, New York: Aperture Foundation, 2010
Goatsucker: Toward a Spatial Theory of State Secrecy, Environment and Planning D:
Society and Space, Band 28, S. 759-771, 2010
Contemporary U.S. Photography: Fotofest 2010, Schilt Publishing, Amsterdam
Moore, Timothy und Rory Hyde, Secret Moons and Black Worlds, Volume Magazine,
Herbst
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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Morris, Roderick Conway, Images With Volumes to Tell, New York Times, 2. November
Baker, Kenneth, Exposed at SFMOMA, San Francisco Chronicle, 30. Oktober
Knight, Christopher, Art and Modern Warfare, Los Angeles Times, 10. September
Romig, Rollo, Off The Shelf: Trevor Paglen’s ‘Invisible’, The New Yorker, 26 Juli
Tiven, Benjamin, Artist Trevor Paglen Exposes the Shadowy World of Black Operations,
The National, 30. Juli
Blank Spots on the Map: The Dark Geography of the Pentagon’s Secret World. New York:
Penguin/Dutton, Spring 2009
Thompson, Nato and Independent Curators Internatioal (eds.) Experimental Geography:
Radical Approaches to Landscape, Cartography, and Urbanism. New York: Melville House,
2009
Vanderbilt, Tom, 1000 Words – Trevor Paglen talks about „The Other Night Sky“, 2007,
Artforum, März 2009, S. 224-229
Loudis, Jessica, Planet of Torture, The Brooklyn Rail, Februar
Dr. Paglen, I Presume?, black octavo.com, 27. Januar
Tomme, Niels Van. Seeing Things. Foreign Policy in Focus, 16. April
Fulton, Ben, Sly and dry: UMFA’s ‘Desert Secrets’ twists mythic terrain Salt Lake Tribune,
20 Juli
50 Visionaries, Utne Reader, Nov-Dez, S. 44
Davis, Ben, Esthetic Politics?, Artnet, 6. September
Gannon, Victoria, Trevor Paglen: The Other Night Sky, Art Review, 9. Juli
Interview on NBC11, San Francisco, 28. Juli
Lower, Seth, Trevor Paglen at the Berkeley Art Museum, Buzzine, 16. Juli
Carlin, T.J., Net Effect, Time Out New York, 4. Juni
Merjian, Ara H., Critic's Picks: Trevor Paglen, Artforum, 22. Juni
Gardiner, Bryan, Photographer Documents Secret Satellites-All 189 of Them, Wired,
20. Juni
Buckwalter, Timothy, Artist Trevor Paglen has his eye on satellites, San Francisco
Chronicle, 31. Mai
Knapp, George, I-Team: Inside the Underworld of Black Projects, Las Vegas Now, 2. Mai
Johnson, Paddy, Trevor Paglen at the New Museum, Art Fag City, 19. Mai
Keenan, Thomas, Disappearances: The Photographs of Trevor Paglen, Aperture, 1. Mai
Goetzman, Keith, Pentagon patches betray otherwise secret missions, Utne Reader, Mai
Interview with Stephen Colbert, The Colbert Report, Comedy Central, 7. April
Cox, Billy, Black patches and black secrets, HeraldTribune.Com, 25. April
Heller, Steven, Political Persuasion, The New York Times Book Review, 20. April
Broad, William J., Inside the Black Budget, The New York Times, 1. April
Interview mit Trevor Paglen, Interviewer Angela Ellis, NPR News, 14. Januar, The Bryant
Park Project
Breidenbach, Tom, Trevor Paglen – Bellwether, Artforum, Februar 2007, S. 295-296
I Could Tell You but Then You Would Have to Be Destroyed by Me: Emblems from the
Pentagons, 2007
Black World, Brooklyn, NY: Melville House Publishing, 2007
Reyes, Oscar, The 'Black Ops' of America, Red Pepper, Juli
Zjawinski, Sonia, Limit-Telephotographer Spies on Stealth Military Installations, Wired, 26.
Juni
McDonnell, Jerome, Secret Airlines for Secret Prisons, WBEZ Chicago Public Radio, 13.
Juni
Crabtree, Susan, Forthcoming film to shed light on top-secret rendition program, The Hill,
20. April
Shactman, Noah, Most Awesomely Bad Military Patches, Wired.com, 11. Dezember
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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Kilston, Lyra Liberty, Introducing Seven Obscure(d) Artists in Profile, Modern Painters,
Dezember, S. 70-71
Boucher, Brian, Trevor Paglen at Bellwether, Art in America, März, S. 170-1
Itzenson, Jen, The Experimental Geography of Trevor Paglen, The Brooklyn Rail, Februar
Neil, Jonathan T. D., New York: Another 48 Hours, Art Review, Januar
Beckman, Karen, Telescopes, Transparency, and Torture: Trevor Paglen and the Politics
of Exposure, Art Journal, College Art Association, Fall, S. 62-7
Zjawinski, Sonia, This Art Is Classified, Wired, July, S. 78
Torture Taxi: On the Trail of the CIA's Rendition Flights, Hoboken: Melville House (Paglen
war Erstautor, Ko-Autor AC Thompson), 2006
Late September at an Undisclosed Location in the Nevada Desert, Cultural Geographies,
Spring Editors Derek Gregory and Allan Pred, Groom Lake and the Imperial Production of
Nowhere, Violent Geographies (collection), Routledge, 2006
Roychoudhuri, Onnesha, Secret CIA Prisons in Your Backyard, AlterNet, 22. September
Waters, Drew, Investigating a World That Doesn't Exist-Trevor Paglen-Black World,
Newmedia FIX, 9. Dezember
Davis, Ben, Black Site Specific, Artnet, 7. Dezember
Cotter, Holland, Art in Review: Trevor Paglen Black World, The New York Times, 15.
Dezember
Lemons, Peter, Actualizing Area 51, The Campus, 27. November, S. 9
Olson, Marisa, Tracking Torture, Rhizome.org, 15. November
The Approval Matrix, New York Magazine, 4. Dezember, S. 96
Gach, Aaron, Trevor Paglen, Bomb Magazine, Juni
Torture Air, San Francisco Bay Guardian, Vol. 40, No. 11, 14-20. Dezember
The Black World of the Military, Interview mit Trevor Paglen, 15. August
The New American Landscape, Spark, broadcast on KQED, 5. April
Thompson, AC, Spying on the Government, San Francisco Bay Guardian, Vol. 39, Nr. 31,
4-10. Mai
Finoki, Bryan, Hitchhiking Stealth, Archinect.com, August
Weidenbaum, Mark, Lets Active, Disquiet.com
Thompson, Nato, Strategic Visuality: a Project by Four Artists/Researchers, Art Journal,
Spring
Engaging the Audience in New Media and Information Art, NYFA Interactive, October
Recording California's Carceral Landscapes, Art Journal, Spring, 2004
Gemeinsam verfasst Aaron Gach, Tactics Without Tears, Journal of Aesthetics and
Protest, Herbst, 2003
Remapping Chicago, Blu Magazine, 2001
Sounding the Panorama, Rant Magazine, 2001
Sammlungen
KMS Fine Art Group, Baar, Schweiz
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com