fidelity bravery integrity - Festival de Télévision de Monte
Transcription
fidelity bravery integrity - Festival de Télévision de Monte
Interview « Frank Gallagher est une Desperate Housewife» William H. Macy a évoqué, hier lors de sa conférence de presse, son personnage dans la série Shameless et a parlé de ses projets notamment avec son épouse Felicity Huffman, alias «Lynette» dans Desperate Housewives. Comment définiriez-vous votre personnage dans la série « Shameless » ? Frank Gallagher est un père alcoolique qui s’occupe seul de ses six enfants, complètement livrés à euxmêmes car sa femme l’a quitté. J’aime cette série car elle aborde des sujets graves sur le ton de la dérision et du comique. Le but étant de faire rire le téléspectateur. C’est un rôle difficile à jouer ? Le principal écueil a été de rendre mon personnage aimable et sympathique sans tenir compte de l’avis du public. Mon travail a consisté à trouver pourquoi il se comporte ainsi. Et dans la seconde saison, le but recherché est de savoir pourquoi il fait tout cela. Je me suis mis à l’écriture du sixième épisode Vous aimez votre personnage ? J’adore Frank Gallagher. C’est le meilleur personnage d’Hollywood en ce moment. J’aurais même payé pour avoir ce rôle. De plus, je me sens bien sur un plateau et j’ai conscience d’avoir de la chance de travailler. Vos enfants regardent la série ? Non. D’abord ils sont trop petits. Et puis avec ma femme nous avons décidé qu’il n’y aurait pas de télé à la maison avant que nos enfants sachent lire. Quels adjectifs choisiriez-vous pour définir votre épouse, Felicity Huffman ? D’abord, elle est chanceuse d’avoir épousé un homme aussi formidable (rires). C’est une maman remarquable, toujours présente pour ses enfants malgré son emploi du temps très chargé. Pour ma part, l’avoir épousée est la plus belle chose qui me soit arrivée. Quelle est votre relation avec le tout Hollywood ? Je sors très peu. Je ne me rends pas aux soirées. De toute façon, lors de ces festivités, on ne peut échanger un mot avec quelqu’un tant la musique est assourdissante. Je préfère donc rester chez moi avec ma famille. Quels sont vos projets ? J’ai bien l’intention de réaliser un film l’année prochaine. D’ailleurs, si l’un d’entre vous a un million de dollars, qu’il vienne me voir (rires). Et lorsque Felicity aura fini de tourner pour «Desperate Housewives», j’aimerais vraiment la mettre en scène. Propos recueillis par Gérard Clétil MACY LIBERATED BY PLAYING CONTROVERSIAL CHARACTER SHAMELESS STAR UNWORRIED ABOUT AUDIENCE REACTION TO FRANK GALLAGHER Shameless star William H Macy has not only created an unforgettable and timeless character in the perma-drunk Frank Gallagher, he has also transformed himself and seems to have become ten years younger: “I like this look and so so the chicks in my family, but one thing I’d really like to ask the women in the room here is, how do you keep it out of your eyes?” Macy has also admitted that some of Frank’s behaviour is based on his mother who, in Macy’s own words ‘liked to drink’: “One thing I do in the show quite regularly is to hold off on lines so that I can pull faces. My Mum’s face would often speak volumes before she had said a single word,” he said. “There has been some criticism of the show saying that alcoholism is not funny, but drunk people can do very funny things. And the fact is that we set out to make a show that truthfully reflects the life of a marginalised and poor family living in conditions that are common where the kids have to raise themselves.” Macy also admitted that making Frank likeable would be very hard: “I never set out to do that,” he said. “And to be honest it is very liberating to not care if you come across as a good or a bad guy. My job is to find out why Frank does what he does, and maybe in series two we’ll discover more about that. What I can say is that I am writing episode 6 of the next series with my partner.” Despite the controversy, Macy believes he has an amazing role: “it’s the best role in Hollywood. In playing a character like Frank, I effectively have a license to kill,” he said. “And don’t tell the producers, but I would pay to play a role like that.” GS 3 FAMILY VALUES Meet The Prichetts The family tree of this “Modern Family” looks like this... Patriarch Jay Pritchett (Ed O’Neill), is divorced but recently wed to a much younger, sexy Colombian woman, Gloria (Sofía Vergara); and to some extent her young son, the overlymature Manny (Rico Rodriguez). © 2010 American Broadcasting Company. All rights reserved. However, Jay also has two grown children from his previous marriage: Claire (Julie Bowen), who is now a “Dunphy” and has three children of her own with goofy husband Phil (Ty Burrell) – the popular Haley (Sarah Hyland ), brainiac Alex (Ariel Winter ), and clueless Luke (Nolan Gould). And then there is Jay’s gay son, Mitchell (Jesse Tyler Ferguson), who lives with his partner Cameron (Eric Stonestreet), and their adopted a Vietnamese baby, Lily. And it is Jay’s son, one half of America’s #1 “gay couple” that will represent the show in Monaco this week -- Jesse Tyler Ferguson (sadly, Cameron has to stay home with Lily). The writer-producers, Christopher Lloyd and Steven Levitan, weave the show’s stories out of various tales of their own “modern families”, as well as those of the cast. For example, Jesse Tyler Ferguson revealed that his character Mitchell’s running joke about how Jay (Ed O’Neill), kept “forgetting” his son is gay, is rooted in Ferguson’s real life. In reality, Jesse had to come out to his father three times over many years before his father actually believed him. Sometimes truth is stranger than fiction. Shot in a mockumentary”fashion (a la “The Office”), the show won instant acclaim in its first season – nominated for the 2010 Screen Actors Guild Award for Best Comedy Series Ensemble. “Not since ‘Frasier’ has a sitcom offered such an ideal blend of heart and smarts,” considered Robert Bianco, the USA Today TV critic, “or proven itself so effortlessly adept at so many comic variations, from subtle wordplay to big-laugh slapstick to everything in between.” He later added: “As good as it was in its first year, it is even better in its second.” Jesse Tyler Ferguson made the decision to become an actor when he was eight years old, and soon after joined the Albuquerque Children’s Theater, where he remained a member for six years. After graduating high school, he moved to New York to attend the American Musical and Dramatic Academy and began performing in Broadway and offBroadway productions, the most notable of which were the critically-acclaimed, Tony Award-winning Broadway musical, “The 25th Annual Putnam County Spelling Bee”. No stranger to television, Ferguson received rave reviews and was honored by The Hollywood Reporter in 2006 as one of ‘Ten to Watch’ for his role on the ensemble sitcom, “The Class.” Additional television credits include “Do Not Disturb” and “Ugly Betty.” For his work on ‘Modern Family,’ Ferguson was nominated for an Emmy Award for Outstanding Supporting Actor in a Comedy Series and also received a Screen Actors Guild Award nomination (2010) for Outstanding Performance by an Ensemble in a Comedy Series. The funny truth about America’s #1 gay couple is that Stonestreet is straight, and Ferguson is not. In fact, Ferguson jokingly calls Stonestreet... “gay-for-pay.” DIDJA KNOW? Baby Lily is played by twins. NEW FRONTIERS IN 3D Arnaud Pasquali 4 Christian Lelong Ian Christie Jérôme Kanapa Michael Eaton Pascal Stewart Charpentier Dickison Meet The Bravermans daughter’” to compensate for the behavioural problems of her younger brother, Max, who has Asperger’s syndrome (a form of Autism). Youngest daughter, Julia (Erika Christensen), is a busy attorney trying to make time for her little girl while keeping other young mums away from her stay-at-home husband. Her older sister, Sarah (Lauren Graham), is a divorced single mother, who is forced to move back home with her two teenage kids as she struggles to establish a career for herself. Meanwhile, their brother, Crosby (Dax Shepard), is about to settle down with girlfriend when an ex-girlfriend reappears, this time, bringing with her his six-year-old son he never even knew she was pregnant with. Some brood, right?! ”Parenthood” can best be described as “Brothers & Sisters” TC meets “Modern Family.” DIDJA KNOW? “Parenthood” is based on the 1989 movie of the same name. The first attempt at a TV version was in 1990 when one of the kids was a then unknown Leonardo DiCaprio. Representing ”Parenthood” at the festival is Bonnie Bedelia. She plays Camille, the matriarch of the Braverman clan. After starting out as a teenage member of the Porter clan in the ‘60s soap opera, “Love of Life,” she took her first Broadway bow in “Isle of Children” with Patty Duke. Following that, she appeared in “My Sweet Charlie,” and her touching performance in the play garnered her a Theatre World Award for ‘promising new artist.’ (Paradoxically, Duke recreated her role in the TV version). Having conquered the small screen and stage, Bonnie set her sights on the big screen. She played Bruce Willis’ wife in the “Die Hard” franchise, starred opposite Harrison Ford in “Presumed Innocent” and opposite Fred Ward in “The Prince of Pennsylvania.” She also received critical acclaim, and a Golden Globe nomination, for her role as race car driver Shirley Muldowney in “Heart Like A Wheel.” Bonnie has also filmed two Stephen King books and starred in one of the few honest appraisals of the life and work of U.S. policewomen during 88 hours of the drama series, “The Division.” © Florian Schneider/NBCUniversal Families make the world go ‘round…particularly in the world of entertainment. Through television, we’ve watched them all - from the royals of Elsinore to the Garnetts of London’s East End; the Texan Ewings, the Swiss Robinsons and the Cunninghams. There was once an American TV show called “The Royal Family” while Britain had a sitcom based on the Royle family. More recently, one of the most notable TV families has been Sally Field’s Walker clan on “Brothers & Sisters”, but now, please welcome the Bravermans from “Parenthood”! The three generations of the Braverman family tree can be described as this: Craig T. Nelson (Zeek) and Bonnie Bedelia (Camille) are the head of the Berkeley unit. Together, they have two sons and two daughters, each of whom have their own families. All are trying to cope with parenthood and other issues that may come along with it (ie: autism, drug use, infidelity, balancing wor and personal life, etc.) The eldest son, Adam, is played by Peter Krause (last seen as Nate Fisher in “Six Feet Under”). He’s wed to Kristina (Monica Potter). They have two children; a straight A, soccer-playing student trying hard to be the “perfect TV XCHANGES PUT THE ART OF 3D UNDER THE SPOTLIGHT IN THE SALLE VAN DONGEN Script Development for Creative Stereoscopy will kick-off today’s TV Xchanges program at 10.30. The round table is organised with the participation of the Media Consulting Group. The conference will start with a quick overview of the history of thinking in depth, exploring the ways in which filmmakers have responded to new formats from earlier periods of 3D production, and laying the foundation for current challenges in S-3D script-writing. Discussions will focus on technical opportunities in thematic development and scenic construction. Alongside that, case studies will identify the genres and effects that can be implemented in stereoscopic storytelling, as well as the constraints and limitations creative personnel will have to cope with. Taking part are Ian Christie of Birkbeck College London, Michael Eaton, Screenwriter and Christian Lelong of Cinedoc. The afternoon session - Producing and Directing in 3D Stereoscopy - will address the subjects of direction, production and post-production, the limits of human vision, the stereoscopic window, the influence of the size of the screen and the importance of camera movements. There will also be a discussion about what sorts of content style and story fit S-3D best, and a presentation of the tools and techniques for shooting in 3D. A segment of the round table will also be taking a look at the process of releasing a production to television, including the current state of the implementation of quality standards, the most recent developments in the market and the how much TV channels are likely to need 3D content. Participating in the session are Pascal Charpentier, Motion Designer S-3D, Stewart Dickison of Sony, Jérôme Kanapa, of CIFAP, and Arnaud Pasquali, of the European Community’s Media Programme. 5 Counterintelligence Fore....! Chances are we may not see very much of “Criminal Minds” star Thomas Gibson in Monaco this week. Because he has a thing about golf. He’s extremely keen on the game. He’s also extremely good at it. He plays in the AT&T Pebble Beach National Pro-Am every year and is pally with top golfer Corey Pavin. Married, with three children (two sons and a daughter), Gibson lives in San Antonio, Texas, home town of his wife, Cristina. He was born in Charleston, South Carolina and actually started acting at age ten - in children’s theatre. No game for him. He took it as seriously as he was to take golf. Golfers tend to recognise other golfers, whatever their profession, and it’s obvious that after his numerous visits to the festival, that Dennis Haysbert will have spread the word among the cognoscenti of the greens about the beauties - and the pitfalls - of the the superlative course overlooking Monaco, just over the French border at Mont Agel. When not playing God’s game - as some devotees call it - Gibson has been portraying the often tragic trajectory of Aaron “Hotch” Hotchner , head of the BAU team - the FBI’s Behavioral Analysis Unit in Quantico, Virginia - in 135 episodes during the last six years. We’ve seen him up and and we’ve seen him down... Divorced by his wife, who is later slain by the serial killer known as The Reaper, who also attacked Hotch. Hardly surprising then that such happenings led to him being replaced by Shemar Moore’s Supervisory Special Agent Derek Morgan for a spell. Hotch has been back in charge since the killing of the grim Reaper. In actual fact, the tall Gibson has been in charge of the whole show for some time now, the one steadyhand, surehand during all the comings and goings on the show. All this dark criminality is a radical switch from Gibson’s previous hit series. He was half of the married opposites, “Dharma & Greg,” with Jenna Elfman. And before that, he starred in two other important series: “Tales of the City,” from Armistead Maupin’s book, and as Dr. Danny Nyland in “Chicago Hope.” Tony Crawley DIDJA KNOW? Thomas Gibson was born on the same day - July 3, 1962 - as Tom Cruise. They co-starred in two 90s’ movies, “Far and Away” and “Eyes Wide Shut.” Fidelity Bravery Integrity The Gube Cometh The Gube’s in town. Matthew Gray Gubler, aka the super-geek Dr. Spencer Reid of “Criminal Minds” for six years (and two chiefs) with one more to go. Another year, that is, not another chief. Well, iin TV, one never knows... Reid is part of Joe Mantegna’s team of elite profilers from the FBI Behavioral Analysis Unit (BAU) at Quantico, Virginia. He is a genuine wiz. A living, breathing (but why working for the FBI?) genius... with PhDs in Mathematics, Chemistry, Engineering, BAs in Psychology and Sociology, and chasing another in philosophy. He also has eidetic memory, able to recall a huge amount of information - like the Swedish “Millennium” heroine, Lisbeth Salander. His work led to a serious drug problem, after he was kidnapped, tortured and drugged by a multiple personality serial killer. Dr. Reid’s then boss (Mandy Pantinkin) and colleague “Hotch” (Thomas Gibson) helped him through it. Like his role, Matthew was also born, bred, educated in Las Vegas - where his maternal grandparents founded KENO, the town’s first radio station. He was in film school in New York when he was noticed and became a DNA Model for Tommy Hilfiger, Marc Jacobs, etc. In 2002, he majored in film directing at NYU’s Tisch School of the Arts and has since directed several shorts: “The Cactus That Looked Just Like a Man,” “Claude: A Symphony of Horror” and (behind the pseudonym Strudel Goolar) his improvised You Tube series. “I’m incredibly proud of those.” He also uses hidden cameras, so watch out in Monaco or you, too, could wind up on “Matthew Gray Gubler: The Unauthorized Documentary.” Oh, no that’s done. Now he’s into “The Authorized Version”... He didn’t stop there. With an indefatigability reminiscent of the young David Hemmings (not to mention James Franco), The Gube is also a sketch artist, painter, photographer, webmastergeneral (he has a hand-written website: www. matthewgraygubler.com - “gublerland is loading, whistle while you wait”) and, the last we heard, an aspiring children’s author and illustrator. TC 7 WORLD ACTRESS Felicity Huffman pas si desperate que ça ! Contrairement à son personnage Lynette Scavo dans la série Desperate Housewives, dont le succès ne se dément pas à travers le monde, Felicity Huffman attache bien plus d’importance à son apparence ! En effet, c’est sur son 31 que l’actrice est apparue à sa conférence de presse hier après-midi, devant un parterre de journalistes conquis. Pour résumer cette différence de perception entre fiction et réalité, notre héroïne raconte qu’à son arrivée à l’aéroport de Nice, une femme l’a reconnue en tant que Lynette Scavo et lui dit, avec un accent français prononcé qu’elle imita parfaitement « On the show, you’re fat and ugly ! But in real life, you’re beautiful ! ». [Dans la série, vous êtes grosse et moche ! Mais en fait dans la vraie vie, vous êtes magnifique !] Felicity se sent très proche de son personnage, et ce bien évidemment à cause de son rôle de mère. Mais elle avoue être beaucoup plus souple avec son mari dans la vie (l’acteur William H. Macy, qui l’a accompagnée ici à Monte-Carlo) que Lynette ne l’est avec Tom Scavo dans la série. « Comme n’importe quelle femme, j’amène et vais chercher mes enfants à l’école, je vais au supermarché… » Fille d’une famille nombreuse (7 filles et un garçon), Felicity Huffman est la cadette et reste proche de ses frères et sœurs : « Ils sont ma bonne étoile ! ». Au commencement de l’aventure des « ménagères » de Wisteria Lane, elle avait auditionné pour le rôle de Bree (joué par Marcia Cross), et avait pris soin de bien se préparer. Pourtant, c’est avec humour qu’elle raconte que le producteur savait au premier regard qu’elle incarnerait Lynette : « Car vous étiez dans un tel état ! Avec des tâches sur vos vêtements et vos cheveux décoiffés ! ». Quelle ironie … ! Si elle est encore sous contrat avec la série pour 2 ans, l’infatigable Lynette grouille de projets mais elle l’avoue avec honnêteté : «J’adore travailler depuis chez moi… Histoire de passer plus de temps avec VB / CH mes filles ! ». FELICITY HUFFMAN ON LYNETTE SCAVO When asked about the similarities between herself and Lynette Scavo of Desperate Housewives, Felicity Huffman revealed that she finds being a mother quite challenging: “I think we both feel a little bit buried by the whole motherhood thing,” she said. “And we are both ambitious. On the other hand I think Lynette is tougher on her husband than I am.” Earlier in the day, her husband William Macy had told journalists at the Grimaldi Forum that she was an amazing Mother. When this was mentioned to her, she returned the compliment: “You could not wish for a better Dad than Bill, he’s very good at holding everything together, he’s the root of the family,” she said. In terns of what Huffman does in the rare periods when she isn’t working, she admitted to being ‘quite boring’: “I’d like to say that I hang-glide and attempt to save the planet, but in fact, alongside taking the kids to school, shopping and picking up the dry-cleaning, I like to run, I love my garden and I enjoy reading in bed. I’m currently reading a book by William Manchester, which makes me sound terribly smart, but I like everything from historical stuff through to Danielle Steel.” Desperate Housewives first became famous for being a show that made woman in their 40s look sexy and viable, something for which Huffman is very grateful: “It really changed Hollywood in that as an actress you used to fall off a cliff around the age of 40, but now it’s 50 and I’m not far away from that,” she said. “Whether playing Lynette has been the role of a lifetime is very hard to say, but certain story lines really stick in my mind. In the last series, when me and Tom were on the verge of splitting up, it took me out of my comfort zone, even if it was only my TV husband played by Doug Savant.” GS 9 SUPER SOAP Ever Young, XXXX Ever Restless This year, “The Young & the Restless” is represented here by members of the Abbott, Baldwin and Ashby clans… one of whom is reported dead in a current cliff-hanger! Hunky Australian, Daniel Goddard who has played Cane Ashby since 2007, will be walking the red carpet alongside glamorous soap beauty Tracey E. Bregman who has played Lauren Fenmore Baldwin for more than 748 episodes as well as Judith Chapman, the legendary soap actress. Judith Chapman is the terrific Cruella DeVille of soaps. She has recently completed her 663rd episode as Gloria Fisher Abbott Bardwell in “The Young & the Restless.” Judith spoke exclusively to Televisual Magazine saying “I’m very excited about re-visiting one of the most glamorous capitals, et, aussi, tout la cote d’Azur... speaking with the Press and the fans... and getting their reactions to this show. En francais, si je peux. I’ve lived in England and Spain, worked in Spain and have family in Europe. It’s like visiting home. I have seen our show in Italian, and look forward to seeing it in French. I think the voices are fabulous! I’d love to meet these actors. It is such an honour!” “She’s the girl who came from nothing, and raised two sons alone.” says Judith. “She is always involved with the wrong men, until John Abbott, and has ambitions that match her natural intelligence. She means no ill, but, very often, makes mistakes that get her into trouble.” And Judith reveals: “Gloria’s TV family does everything they can to support each other and make each other laugh. But whenever she can battle with the Abbott children - those are the best scenes. Ahh, Gloria!” Judith’s career has spanned many hit soaps which include “As The World Turns” in 1956 as well as “General Hospital,” “One Life to Live,” “Days of Our Lives,” and “Ryan’s Hope” in 1975. Tracey E. Bergman is no stranger to Europe as she was born in Munich and raised in London until almost eleven. “I love to go see my friends in London and I love Italy and France. I took French as a child and one year of Italian so, I speak this great language called Fratalian. I can never get through one sentence without both languages in it!” The Bregman legend says Tracey E. added the E to her name (quite legitimately; her second name is Elizabeth) after Tracey Bregman, Daniel Goddard et Judith Chapman an astrologer suggested in 1985 that it would help her career. A month later, Tracey moved her “Bold and Beautiful” role of Lauren Fenmore to “Y&R” . - and won a Daytime Emmy. “Lauren used to be a bitch with no redeeming qualities! Luckily, through the years she has grown and changed into a heroine who hasn’t lost her edge. I’m thrilled that we are seen around the world and that so many people enjoy our show.” “I’m so excited to be in beautiful Monte Carlo!, I’ve wanted to come to this event for years. I’m looking forward to meeting all the people who will be there. To meet the Prince and his fiancee.” Daniel Goddard first auditioned for “Y&R» using his best US accent but once CBS network discovered his Australian background, they made Ethan “Cane” Ashby an Aussie bartender, “he is a workingclass kind of guy who mined opals and raised goats,” searching for his birth family in Genoa City... who prove to be millionaire Phillip Chancellor II and Jill Foster. He also found a Lady Chatterley-style romance with lovely Lily. “Cane is like an onion and over the years the layers have been peeled back to slowly reveal who he really is - a good, loving man and fiercely loyal to his family and friends. Even if he enjoys a fight now and then! I’m truly honoured that we’re seen in so many countries and cultures. I’d like to take out all the guys who dub me into their own languages and buy them a bottomless beer.” Already a great fan of Portugal, Daniel and his wife have been getting to know le Midi before driving here by rented car from Nice. “I’m a huge F1 fan and having watched the Monaco Grand Prix for years, the first thing I did was drive through the tunnel down to the chicane and the Piscine S-bend! Later I’m going to Germany for a mate’s 40th birthday... and some days racing the Nürburgring!” DIDJA KNOW? Judith started acting in a spaghetti western in Spain as a teen in Franco Giraldi’s “Up the MacGregors”...Daniel plays practical jokes on his male colleagues - “I’m saving Eric Braeden to last, when I’ve built up the courage to mess with him”... Tracey’s cousin is The Sultan of Sequins: Bob Mackie, fashion designer for Cher, Madonna, Tina Turner... and Elton John. 11 RENCONTRE PubliquE Aujourd’hui A 18 heures, rencontre avec le public et sEance de dEdicaces LE FESTIVAL SUCCOMBE AUX « MYSTERES DE L’AMOUR » Lakshan ABENAYAKE, Isabelle BOUYSSE, Coralie CAULIER, Carole DECHANTRE, Patrick PUYDEBAT, Hélène ROLLES et Philippe VASSEUR vous attendent au Grimaldi Forum. Souvenez-vous, dix-huit ans plus tôt : Hélène, Nicolas, José, Bénédicte, Christian, Johanna, Laly, Jimmy sont étudiants à la fac, jeunes adultes qui partagent la même maison quelques années après... Ils sont tous partis chercher le soleil et la liberté à Love Island où ils ont rencontré Jeanne et Rudy... Ils sont de retour à Paris, toujours amis, toujours unis, toujours remplis de joie et d’émotion pour vivre une nouvelle série d’aventures. Suivre des personnages pendant aussi longtemps est un véritable bonheur pour un auteur. Profiter du talent des mêmes comédiens pour continuer à interpréter leurs rôles, retrouver des réalisateurs et des équipes techniques de qualité capables de donner vie à ces histoires est un véritable bonheur» explique le producteur Jean-Luc Azoulay C’est le premier feuilleton TV produit et créé par une chaîne de la TNT. TMC a relevé cet ambitieux défi en donnant vie à la suite d’Hélène et le Garçons. Dans « Les Mystères de l’Amour » on retrouve donc les personnages qui ont marqué toute une génération. Ce sont toujours les meilleurs amis du monde, ils savent qu’ils peuvent compter les uns sur les autres, que l’amitié est plus forte que tout. Nos héros préférés restent soumis aux errements du cœur, aux variations des sentiments, à la précarité des liens amoureux. Ils vivent aujourd’hui dans un monde plus dur, sans l’insouciance de leurs aventures passées : un monde où chacun de nos héros est plus solitaire et où la part de mystère, de thriller occupe plus de place dans leurs aventures jusqu’à parfois prendre le pas sur l’amitié. Le synopsis : Nicolas est devenu photographe. Il vit sur une péniche amarrée au bord de la Seine. Bénédicte et José ont pris la gérance d’un restaurant sur l’île de la Jatte. Après le départ de Johanna pour le Texas, Christian a rejoint ses amis de toujours. Il poursuit son rêve de devenir une star de la musique, soutenu par Angèle, sa jeune fiancée. Olga est devenue la meilleure amie de Bénédicte, après avoir sauvé la vie de Léa, la fille que Bénédicte a eue avec Jimmy. Quant à Jeanne, tous la croient morte dans un terrible accident d’avion. Et seul Nicolas sait ce qu’est devenue Hélène... Expériences professionnelles, rencontres, séparations, réconciliations, la vie de cette inséparable bande de copains va s’avérer riches en péripéties. AFTER HEMINGWAY COREY STOLL IS LOOKING FOR LAUGHS Corey Stoll, who portrayed Detective Tomas Jaruszalski in Law & Order: L.A., has just finished what he happily admits was a dream role with legendary director Woody Allen. Stoll played the writer Ernest Hemingway in Allen’s Midnight In Paris: “I know this gets said a lot and it can sound disingenuous, but really just to be asked to the audition was an honour, and then to be offered the role was complete and utter joy.” Stoll had no idea what he would be asked to do at the audition and received no script in advance: “In fact it can be very liberating because very often your first reaction is the most powerful and if then you have time to mull it over, that reaction can be diluted,” he said. Having finished Midnight In Paris, the actor has had several offers including another film whose subject is still a secret, but Stoll also wants to do comedy: “It’s a very challenging genre, and not something I’ve been involved with very much, so I would love to land a comedy role or two,” he said. “And I would really like to do more theatre, but it’s a big commitment in terms of time, with a typical contract lasting six months at least, and this really isn’t the time for that.” Working with Allen exposed Stoll to the director’s highly individual way of doing things: “He has two quite distinct modes,” Stoll said. “Some scenes with quite a few actors involved would be shot with a steady-cam, and nobody really knew exactly what was happening, and even though some lines would be fluffed, he liked that spontaneous grittiness. But then especially for my role, he really mined down into the character, most specifically in regards to Hemingway’s particular style of speaking. I used to read his books aloud as often as possible in order to Gary Smith try to make the words come alive.” 12 EN VEDETTE Xavier Deluc l’authentique Xavier Deluc n’arrive toujours pas à s’expliquer les succès d’audience enregistrés par la série « Section de recherches » sur TF1… Pour l’analyse détaillée des scores, l’acteur-gendarme renvoie volontiers vers sa productrice Dominique Lancelot. Lui évoque pêle-mêle des personnages et situations proches de la réalité, des décors forcément familiers et surtout la ferme volonté de ne pas imiter les séries-clones américains. «Autant dire que nous revendiquons notre cachet d’authenticité». Quant au personnage du major Bernier promu au fil des six saisons lieutenant, «c’est ni plus ni moins que l’image du gendarme bien ancré dans sa région, un gars du terroir qui dégage une espèce de force tranquille» déclare son interprète. Bien sûr au fil des années, il a mûri, il se sent plus dans la peau d’un chef d’équipe, tout l’acteur et l’homme ai-je envie de rajouter». Maix Xavier Deluc avoue ne ressentir aucune lassitude «tant la production est exigeante et sans cesse ne mouvement». Il est vrai qu’à raison d’un tournage d’épisodes deux par deux pour un total de 14 sur 12 mois, le rythme ne mollit pas… Des évolutions à venir ? «On va dire, qu’après un savant dosage, mon personnage va tenter un brin d’humour. Je vous rassure, on ne va pas sombrer dans la comédie, juste faire sourire un peu». Le Lieutenant Bernier plus attendrissant, HZ cela correspond plus à la personnalité du vrai Xavier Deluc… from patrol car to cafe llorca Ready for tonight’s Universal Networks International (UNI) cocktail in the Café Llorca, the cast of Rookie Blue line-up on the red carpet. Gregory Smith, Charlotte Sullivan and Travis Milne will be at the event alongside other personalities from several of UNI’s top series. 15 INTERVIEW New Lucrezia. Following such beauties as Maria Grazia Buccella, Martine Carol, Edwige Feuillère, Ava Gardner, Lisa Gastoni, Paulette Goddard, Sirpa Lane, Belinda Lee, Simonetta Stefandlli, even Joan Sutherland... Germany’s Russianborn Isolda Dychauk is the screen’s 37th sister of Rodrigo’ in «Borgia» There could hardly be a better cholce in Europe for President of the TV Series jury than Takis Candilis. As ceo of Lagardère Entertainment in Paris, he is the #1 drama producer in France, if not all Europe. He’s had a meteoric rise from film editor, cinematographer, writer, producer, director, creator and television producer, booker, buyer, instigator and distributor to heading the varied production outlets under his umbrella at Lagardère - responsible for more than 950 hours of programming per year. He started out in cinema - with a prize-winning short “Le Retour Du Prive” in 1977 - but was soon thwarted and plain bored by how long it took to - “maybe!” - get a film off the page and into cinemas. TV offered greater rapidity. He formed and worked for various companies, including a memorable 90s spell in cultural programming - opera and ballet for ZDF, Arté, BBC, NHK. He returned to drama at Ellipse, then Hamster and TF1 - “Navarro,” “L’instit,” “Quai N°1.” For a full decade he was head of fiction and programmes at TFI before joining Lagardère Entertainment in 2008 - becoming le patron within two years. He talked to us in his ninth floor office, overlooking the River Seine in Paris, before coming to Monte Carlo to head the TV Series jury. Let’s begin with the obvious: Ever headed a jury before? No, this is the first time and I’m looking forward to it. I hope I’m a good choice... TV drama is your life. It used to be cinema. Why the switch? That was a long time ago - 1982. It simply took too long - years! - to make one movie. And I had no time. I always wanted to make many things at the same time. So, I became a producer and tried to make not one film but two or three films per year. Then, I became a bigger producer and managed 20 or 25 per year. Then, at a TV channel - it became more than 80. Now I’m head of the 17 companies forming Lagardère Entertainment, it’s around 135 hours - 14% of our our annual 950 hours of programming. If you can relax before a TV like the rest of us, what were your favourite series recently? “Rome” was a major shock - to all of us. Then, “The Tudors.” And I loved “Mad Men,” “CSI,” “Oz.” Shocked because you felt costume drama wouldn’t work today? But also this was, I think, the first time where, despite the historic setting, everyone was doing what you’d expect them to be doing today. They spoke like today. It was a contemporary show even though dressed as in ancient Rome. Totally amazing! Plus this was the first time we saw such a high level production quality in a series. Cinema quality. How close are the French to matching that quality? That’s a very difficult question. Because I am now producing “Borgia” and asked Tom Fontana to be the executive producer 16 and showrunner, it’s very difficult for me to discuss French talents. One thing I know for sure: such a market didn’t use to exist in France, but it does now, and French writers who learn fast, will deliver the goods. During your cultural years, you were one of the first Euro producers to shoot in High Definition. How do you view the apparent rising demand for 3-D - the suject for our Xchanges today and tomorrow. When I started with HD, it was an extremely complicated technique. We needed more lights, the cameras were big bulky. But, yes, the results were worth it - fantastic! Today, the cameras are smaller, much easier to handle, and you can shoot at night with no light - incredible. Now it’s a huge business to shoot in 3D. But shooting TV in 3D is not the same shooting in 3D for the cinema - the screen is not the same scale. We need to study all the differences. You’re testing equipment, how best to utilise it? Oh, yes. We’re use 3D already - in sports, for example. Again that’s not the way it would be used in fiction. It’s very interesting to understand how to do it. We have to re-invent the way to make shots. I have in mind to make a show in 3D. I am sure than within a few years, 3D will be the TV norm. How much has TV drama production changed since your Ellipse and Hamster days in the early 90s? That was really a most fantastic time. The beginning in France of making shows the public loved: between 1995 and 2005, French shows were a huge success with viewers. When we started that at Ellipse we went through a major learning process. Just as we’re doing today with 3D. We had to understand how to write series - there are some rules about writing good shows for TV. How to produce and direct them... and how to launch them. We began how to understand how to pace a show and its characters... We were, learning, in fact, how best to speak to people through TV drama. Then at TF1, it was the first time we made longform shows, 90 minutes instead of the usual 52. Inspired by BBC or USA? Oh, the American way. For example, “Navarro” was inspired by “Kojak.” Also at TF1, when we were not moving ahead fast enough, I began buying formats. So we made a French version about “The Tudors.” He said: “It’s impossible for us to do such a show.” “But we have to, ” I said. “Any ideas?” And I said one word. “Borgia” He said: “Wow!” And we’ve just finished shooting the first season in April - in Prague. Then, “The Transporter” (from the Luc Besson movie franchise) for M6. Why is the budget higher than for “Borgia” - 30m Euros. Due to the cars, the crashes...? Exactly! Because of the cars, the chases, the stunts, the crashes - and shooting in different European cities. Production starts next month. About 80% of each episode will be shot in Toronto, with different locations per episode - Paris, London, Moscow, etc. Also, the fans of the movies will expect a matching high quality of production. We can’t make this in a small way with two cars in a corner... After all, we found the money because of the success of the movies... so we are really obliged to match them. Or surpass them! Replacing Jason Statham’s hero is as difficult as changing James Bond... Very difficult! But we’ve found him - a great English guy called... Chris Vance. You certainly have a packed portfolio. Do you ever get home at night? Oh yes... I even have time to spend a few days in Monte Carlo. Tony Crawley It will be great! “Borgia.” The deadliest family of them all... © Bernard Benant of “Law & Order.” I tried to buy the “CSI” format, too; instead we bought an Italian version and that became “RIS: Police scientifique.” And we made an agreement with Warner for “Without A Trace” “Interpol.” Working on a format is the best school for young writers, they learn how to write their own series Even as the #1 TV drama production company in France, is the language quota still a problem for Lagardère? It’s no longer the problem it was. Two years ago there were new quotas drawn up. It used to be French language only on TF1, France Television, etc. Now there is a special window of 10% where you can shoot in English. So I immediately went to Canal Plus and said: “OK, now we can make a show ln English” - and we made “Borgia.” Next, and for the first time, the BBC came to France Television and asked: “Can we produce something together?” They came to us at Atlantique and we said: ‘Yes, it’s possible!’ And right now, we’re shooting eight episodes of “Death in Paradise,” a cop show for BBC and France 2, in Guadaloupe. That, of course, is the major change in TV drama - coproduction. And it works far better than all those Europudding movies we used to have. That started due to the economic crisis. Budgets were slashed by between 10% and 20% by various networks and channels. And yet, at the same time, they all sought a higher level of production quality. You say you’re in “an industry of prototypes.” Can we hear about two of your biggest current prototypes... We have two Borgia projects - yours and Neil Jordan’s, which is in competition here. Yes, there are two. But I think there is only one that is good! [Laugh]. I’m joking! No, you’re not. You mean it. I mean it! [Laugh]. I think we really have the better writer. Yes, you have some great people involved (Tom Fontana, etc), a serious investment (22m Euros) but, strangely... no stars! The title is the star. “Borgia”! The genesis of this show was when I talking with Rodolphe Belmer [Managing Director of Canal+,] © Patrick Curtet New Transporter. The new Frank Martin is Chris Vance, a BBC series star lately busy in Hollywood: in short from “Doctors” to “Prison Break.” “Talking about “The Tudors,” he said: “It’s impossible for us to do such a show.” “But we have to, ” I said. “Any ideas?” And I said one word. “Borgia” He said: “Wow!” And we’ve just finished shooting the first season.” 17 EN VEDETTE LES heureux EvEnements D’Adeline Blondieau Commençons par le plus important et le plus visible : celui de la naissance prochaine d’une petite fille. Entre temps, la future maman va passer derrière la caméra et écrire deux livres. Impliquée dans de nombreuses associations, liées au monde de l’enfance, il était quasiment écrit qu’Adeline Blondieau soit cette année la présidente du jury Amade. Qu’il est loin le temps où la jeune fille faisait la une des magazines people après avoir épousé le rocker le plus célèbre de France. «Je n’ai aucune nostalgie de cette époque. Je ne regarde jamais en arrière. Ce qui m’intéresse, c’est le présent. D’ailleurs, arrivée aujourd’hui à la quarantaine, je suis en train d’écrire un livre sur ma vie. « En chemin, j’ai rencontré…», aux éditions Guy Trédaniel, va raconter mon parcours, mes réussites, mes échecs, mes joies et mes peines. Ce ne sera pas une introspection mais plutôt un ouvrage destiné à tous ceux qui, dans leur vie, ont connu, sur un registre différent, les mêmes choses. Expliquer comment, à travers l’expérience de vie, nous pouvons trouver les clés de notre existence ». C’est une femme épanouie, calme et sereine qui se raconte sans se la raconter. En étroite relation avec ce qu’elle vit en ce moment, Adeline Blondieau va écrire un ouvrage sur «Yoga et grossesse». Un ouvrage explicatif sur les différentes positions à adopter suivant l’avancée de l’accouchement. «Mes propos seront validés par des grands maîtres de yoga et agrémentés de photos ». L’écriture, partie intégrante de son quotidien, ne lui fait pas pour autant oublier la télévision. «J’ai réalisé et coproduit avec Alizés Films, un programme court d’après ma bande dessinée «Ma vie Pipole». L’idée est d’interviewer une personnalité dans n’importe quel domaine, un acteur, un sportif, un artiste et lui demander de nous raconter une rencontre décalée et originale dans son quotidien. Cette histoire sera ensuite mise en scène à travers un film d’animation». Que de naissances en perspective… Gérard Clétil 19 20 PHOTOCALL CLASSIC ORMOND GET SOME THERAPY ORMOND DRAFTED IN TO SORT OUT GOREN She is the new recruit to Law & Order: Criminal Intent, but Julia Ormond, joining the 10th and final season as Dr. Paula Severin, a police psychologist conducting mandatory sessions with Vincent D’Onofrio’s tormented cop, is giving nothing away. “I can’t say anything really, and as for some sort of love interest with Vincent, wouldn’t that be an interesting form of therapy?” The ever-busy Ormond has also just finished filming My Week With Marylin, featuring Michelle Williams as Marylin Monroe: “It was really interesting to play the older actress looking at how the business affects the younger one,” she said. “Plus it is set in London at a pivotal moment in UK history, the beginning of the 1950s, when the empire was falling apart and Britain’s place in the world order was fading.” As if that was not enough, Ormond has a further three movies set for release over the next few months including The Green, an independent film from the US and coming of age film Albatross. “I think it’s far from over-dramatic to say that the independent film sector is in trouble because it is such a struggle to get finance and distribution,” she said. “And then even when you do, finding more money for the press and marketing is again very difficult.” Despite these difficulties, Ormond is optimistic: “Online distribution provides a real alternative to theatrical, and there are some very clever people currently trying to work out ways to make it work and make it pay,” she said. “And the great thing is that these days anyone can make a film, there are even going to be films made on phones and that’s all very healthy for the future of film making. These days the ultimate arbiter of what is popular is YouTube, because it’s honest GS and all based on word of mouth.” 23 24 DUOS AU PALAIS « J’accepte toujours de jouer le gentil, et j’aime ça ! »… D’entrée, Patrick Duffy donne le ton de sa conférence de presse. L’acteur, qui a joué dans les séries Notre belle famille, Dallas et L’Homme de l’Atlantide, a tournée également dans 60 épisodes d’Amour, Gloire et Beauté (entre 2006 et 2010), sans jamais se lasser. Marié depuis 39 ans à une femme qu’il a rencontrée juste après l’université, il confie « avoir trouvé celle qui lui convient » et ne peut donner de conseil pour faire durer un mariage, car il est conscient que « chaque histoire est différente, chaque couple est unique ». Un de ses deux fils et sa femme ont d’ailleurs créé une série internet sur lui : Patrick Duffy and the crab [Patrick Duffy et le crabe] accessible sur YouTube, qu’il tourne avec plaisir durant son temps libre. Il se plaît à dire qu’il qu’un sentiment de loyauté est né envers son personnage dans Amour, Gloire et Beauté : « Quand on commence à être présent dans la vie quotidienne de quelqu’un cinq fois par semaine, une certaine relation se crée ; ça vous donne envie d’y rester, vous ne pouvez plus vous en passer ». S’il ne cache pas sa joie de se retouver sous les projecteurs ici à Monte-Carlo, il ne peut s’empêcher « de compter combien d’heures et de minutes le séparent de son retour à la maison ». C’est sa belle V.B / C.H famille à lui… LIFE ABOARD PLANET GLEE FLAGSHIP COMEDY MUSICAL’S THIRD SERIES TAKING SHAPE Ian Brennan, one of the team of three writers behind Glee, has been widely quoted as saying that he initially found the idea behind the show to be ‘hard to rationalise’: “There seemed to be something very un-cool about the whole High School scenario,” he said. “And even though I long ago saw the positive sides of the show, my contribution script-wise is the biting wit. But that can’t work in isolation, the show needs an emotional point of view as well, and then it becomes more than a musical comedy.” The fact of working in a team of three also gives the show its multi-layered character: “We have found that we can have different tones within any given episode that make it seem like there’s more than one show happening at the same time.” Brennan said. “Plus from week to week the show is so vastly different because, having stumbled on a re-vitalised genre, we have a lot of tools at our disposal, which is perhaps why the show is perceived as being revelatory.” Series 3 is already being planned, and one thing for sure is that there will be changes: “It’s senior year for a lot of the kids, which gives us a lot to work with, looking at what they’ll do after graduating,” he said. “So I’m very excited about that, plus there’ll be a new character and Sue Sylvester will be running for congress.” Coach Sylvester is Brennan’s favourite character: “I can identify with her cynicism,” he said. “But we have such an amazing cast, and so many great characters that we are obliged to rest some of them sometimes and bring others in. Of course there is the pressure from the actors, which makes it a very interesting challenge and a huge pleasure working with such an amazing pool of talent. GS GLEE TM & © 2010-2011 Twentieth Century Fox Film Corporation. EN VEDETTE Patrick Duffy pense a sa (belle) famille 27 © NBC FULL MONTE Quote. Asked by Telerama magazine about his filmgoing, French president Nicolas Sarkozy quickly admitted a “passion” for “The Tudors.” “Yes, I call that cinema.,” he added. “I find there’s more creativity in the great AngloSaxon series like “24,” “Mad Men,” “Dexter” or “Breaking Bad” than in certain films.” Attaboy! Some years ago, James Gandolfini - Tony Soprano, himself - was due to portray Ernest Hemingway in the biopic, “Papa.” Never happened. But it whetted his yearning to turn producer (he calls his company, Attaboy) and film Papa’s love story with another U.S. correspondent during the Spanish Civil War. Clive Owen and Nicole Kidman are now playing them in “Hemingway & Gellhorn.” No role for Gandolfini... too busy making “Cinema Verite,” “Taxi-22,” and the amazing true tale of a guy from New Jersey deciding to negotiate with North Korea. From the book called, wait for it... “Eating with the Enemy: How I Waged Peace With North Korea from my BBQ Shack in Hackensack.” Zombies are coming... Another 2011/12 trend is the walking dead. Such as Nicholas Hoult in “Warm Bodies”... “Zombies vs Robots “... “Boy Scouts vs. Zombies”... a very expensive movie called “World War Z”... and Ryan Reynolds heading the undead cops in “R.I.P.D.”. No one is safe. Hence, “Pride and Prejudice and Zombies”... and even The Beatles are zombs in “Paul Is Undead”... The Man everyone wants. That’s British actor Jason Isaacs - perhaps better known to you as Lucius Malfoy in the “Harry Potter” franchise. For the second successive year, Isaacs had close to a dozen offers during the recent pilots season. He selected Fox’s “Awake” for NBC. He will also produce the thriller which has more than a touch of “ Inception.” (But of course). His cop lives in two different realities. In one, he’s killed his son, in the other, his wife... He also keeps busy providing voices for various video games - “Avatar,” “Batman,” “Castlevania,” “Green Lantern,” “Napoleon,” “Spartan” - and he’s Siddeley in the upcoming Disney toon, “Cars 2.” The female Isaacs, by the way, is Christina Applegate. She also had about a dozen offers and chose “Saturday Night Live” writer Emily Spivey’s new comedy, “Up All Night.” Separation. Mr. and Mrs. Rich from “The Riches” are back - but separated. UK comic and marathon runner Eddie Izzard is launching his own untitled drama about a disgraced congressman turned political fixer - and the beautous Brit Minnie Driver is solving crime in “Hail Mary.” PS Eddie Izzard is live at the Hollywood Bowl on July 20 - not to be missed...as used to say about Elvis It’s 2008 and Ed Harris is John McCain and Julianne Moore is his undoing, in “Game Change,” set up by Tom Hanks at where else but HBO. Lots of others are booked for McCain folk, but all eyes will be on Julianne’s Sarah Palin. Carry On Carell. Wait a minute, didn’t he quit “The Office” to spend more time with his family...? Instead, Steve Carell is rushing from one movie to another. “Crazy, Stupid Love” opens soon. Then, he flies from “Good Hope Springs,” opposite Meryl Streep no less to headlining (and producing via his Carousel company), “Dogs of Babel”... in which he attempts to teach his dog to talk to explain how his wife died. Love the pitch for the US Adult Swim Channel’s satire, “The Heart, She Holler” - “a soap opera about folk who ain’t never used soap or seen an opera.” P.C. ENTERTAINMENT ONE CONCLUDES DEAL WITH SÉRIE CLUB FOR CRITICALLY-ACCLAIMED SERIES, CALL ME FITZ Is It A Bird, is it a plane - no, it’s more of a salary hike! He lost a ‘Superman” movie but Matt Bomer continues to do well as con man Neal Caffrey in “White Collar.” So much so his salary has been bumped to around the $100,000 mark for the third season. Ricky Gervais who turned Hollywood into two camps - for him and ag’in him - as the great compere of the Golden Globes has invited one of his targets, Johnny Depp, into his new BBC2 sitcom, “Life’s Too Short.” Starring Warwick Davis as an egomaniac dwarf running a talent agency for other dwarves. Career. New Yorker Raphael Sbarge, so wasted in ‘The Guardian’ (until almost the end). has won his 134th screen role in “Once Upon a Time. His first role was in “Sesame Street” in 1969. When he was 4 1/2. This is Tom Wilkinson as JFK’s father in “The Kennedys” series. He has also played such historical figures as Benjamin Franklin, James Baker, the Marquis of Queensbury, General Lord Charles Cornwallis. But the reason, he’s now appearing in the Full Monte is that, of course, he is one of the stars of... all together now! ... “The Full Monty.” Leading independent studio, Entertainment One (eOne) is proud to announce it closed a deal with French channel Série Club to license the cable satellite rights on the dark comedy series starring Jason Priestley, CALL ME FITZ. Priestley (My Name is Earl, Beverly Hills 90210) stars as Richard «Fitz» Fitzpatrick, a morally bankrupt yet charismatic used-car salesman who is forced to become business partner with his inner «conscience» - a lanky do-gooder named Larry. CALL ME FITZ tells the story of a handsome, substance-abusing scoundrel who torments his naive co-workers, stoops to shameful lows to get the best of the competition, sleeps with any woman who has a pulse and thinks his life is perfect, that is until Larry comes along. The 13-part made-in-Canada half-hour comedy series debuted on HBO Canada in Fall 2010 to rave reviews and big numbers and was included in the Globe & Mail’s Top 10 end-of-year round up. U.S. premium satellite television service DIRECTV, which is provided to more than 19 million American households, premiered FITZ on April 21st 2011 on DIRECTV’s Audience Network. The series has been sold to 14 international broadcasters and will be seen in over 60 countries world-wide. CALL ME FITZ season one will be released in France on DVD in March 2012. >>FIFTH SEASON OF “MAN MEN” BEGINS WHEN JON HAMM DIRECTS THE OPENER IN 2012 >>MATTHEW “LOST” FOX IS THE VILLAIN IN “I, ALEX CROSS” >>DELECTABLE HALLE BERRY, THE ONLY OSCAR-WINNING BOND GIRL HEADS BACK TO TV<< 29 EN compet’ aujourd’hui THURSDAY JUNE 9 Le journal * MINI SERIES 09:30 THE PILLARS OF THE EARTH (USA) 90’ TELE VISIONS est réalisé et édité par ISOPRESS * TELEVISION FILMS 09:30 THE GODDESS OF THE TOILET (Japan) * NEWS DOCUMENTARIES 09:00 MY NAME IS PORTUGAL (Portugal) TUNISIA: REVOLUTIONON THE MARCH (France) © www.isopress.fr 102’ 30’ 30’ Toutes ces oeuvres peuvent être visionnées par les festivaliers, sur simple demande auprès du service de la Vidéothèque. en collaboration avec le Festival de Télévision de Monte-Carlo Grimaldi Forum / Niveau -1 T: +377 99 99 30 80 [email protected] David TOMATIS Directeur de publication Hervé Zorgniotti Soiree-evenement Le Festival «trône» sur la plage Rédacteur en Chef Gérard Clétil Journaliste Tony Crawley Journaliste Gary Smith Journaliste Jean-Charles Vinaj Coordinateur Ahmed Bachir Photographe Denis Guignebourg Photographe Caroline Pons Photographe Aurély Antzemberger Graphiste Miriam Berger Iconographe Multiprint Impression