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O
R
MARLY-LE-
Caillebotte Gustave (1848-1894) Le Nageur (détail) © RMN-Grand Palais (musée d’Orsay) / Photo : Adrien Didierjean
FIRST IMPR
ESSIONS
the
iration to
p
s
in
f
o
ting
at source
as a gre
ents in pain
w
m
e
v
is
o
r
r
a
p
P
tifs
ailway, im
the new
m new mo
on of the r
e
Whereas
ti
th
c
u
d
d
e
o
r
e
tr
the
tivities off
nists, the in
ountry of
leisure ac
c
Impressio
f
o
e
t
th
n
e
v
in
d
a
Seine,
re
t and the
atmosphe
ops of the
lo
d
e
equipmen
e
ll
fi
th
n
in
fu
s
that the
and. It wa
Renoir’s
e la Jatte
d
e
close at h
Îl
e
nouillère”,
e
th
r
n
G
o
a
d
L
“
n
a
s
nists,
. Monet’
midi à la
Impressio
as enjoyed
he aprèsc
w
n
g
a
n
im
ti
d
a
o
n
and b
urat’s “U
of dances
s”, and Se
r
e
ti
o
n
a
period.
C
des
ons of this
ti
ic
p
“Déjeuner
e
d
b
r
pe
tte” are su
genteuil
Grande Ja
lived in Ar
,
e
in
e
S
e
e work
s along th
Some of th
westward
.
t
y
n
n
e
r
w
e
iv
o
h
G
net, w
s, east
nently in
Claude Mo
e at Yerre
ng perma
m
li
o
tt
h
e
s
y
il
e
r
m
oing.
uil befo
y his fa
oret-sur-L
and Véthe
inspired b
M
s
t
a
a
w
fe
e
li
tt
o
is
e Cailleb
est is
ears of h
of Gustav
bleau For
e last 20 y
e
th
in
t
ta
n
n
e
o
p
F
s
such
edge of
nd Sisley
painters (
of Paris, a
on on the
e
iz
p
b
a
r
c
a
s
B
d
n
h
f the
r throug
of the la
cursors o
The detou
footsteps
e
r
p
e
e
th
th
in
l,
Schoo
to follow
e Barbizon
a pretext
th
in
)
u
a
e
and Rouss
as Millet
nists.
Impressio
13
OOD
F
IN SISLEY’S
© musée départemental des peintres de Barbizon / Y. Bourhis
© OT de MSL / Une Terre d’Image
©CRT Paris Île-de-France
PLA
H THE M
C
T
A
C
O
T
CES
OOTSTEPS
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lfred Sisle
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li
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ur-Loing a
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re
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a
e
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s
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alised
1880. H
he immort
re
e
h
w
,
re
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his life th
that still
ieval town
d
e
m
ll
a
m
the s
e circuits
today. Fiv
rm
a
h
c
s
retains it
admire
chance to
offer the
by Sisley
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HOUSE-CUM ÇOIS MILLET
AN
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© D. Blon
ERS DISC
IZON PAINT
OVERY CIR
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footsteps
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PI D F
© Christophe Brachet
ATTE
ÎLE DE LA J -SEINE
UR
(NEUILLY-S RRET)
-PE
LEVALLOIS
ted
it, illustra
nist circu
io
s
s
re
p
rks
The Im
els on wo
ation pan
rm
fo
in
h
it
w
ing of
y the sett
inspired b
chance
tte, is the
Ja
la
e
d
famous
the Île
ce made
la
p
is
th
r
t’s
to discove
rges Seura
rld by Geo
o
w
e
th
i
d
-mid
aroun
che après
Un diman
painting “
e Jatte”.
à la Grand
il a b le o n
R o u te a va
om
s m e 9 2 .c
ri
w w w .t o u
E FAMILY H
OME
es
se in Yerr
to the hou
d
e
v
o
m
most
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ome of his
hen his p
s
w
d
te
ld
o
in
a
rs
p
a
9 he
was 12 ye
use,
75 to 187
aillebotte
aster’s ho
. From 18
e
m
o
h
Gustave C
r
tains a m
e
n
o
m
c
m
h
u
elements
s
ic
h
e
ir
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perty, w
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e
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e
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alongside
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SSIONIS
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© OT Pays des impressionnistes
ise
nt his pra
did not sti
ir
o
n
e
R
Auguste
ise, which
on Fourna
is
a
M
e
e
th
for
lace in th
prettiest p
e
th
“
d
e
e
ll
tt
ue
he ca
This guing
nd Paris”.
dance
to
area arou
o came
h
w
s
d
w
cro
new
attracted
oking for
ainters lo
p
d
n
a
t,
and flir
s.
their work
ing
motifs for
s the sett
a
nt recre te
ra
e
u
ta
s
re
Th e
the terrac
particular
in
,
d
o
ri
e
e
n
Déjeu r
of the p
painting “
s
u
o
m
fa
rves
in Renoir’s
taurant se
”. The res
rs
e
ti
o
n
a
des C
isine.
um
French cu
the muse
tinues to
n
o
c
it
is
v
Th e
ction of
h its colle
,
which, wit
nd rowing
graphs, a
to
o
h
p
,
s
engraving
ts, evokes
team boa
s
d
n
a
g
as
sailin
boating w
in which
free
re
the period
a
erful, c
d the che
n
a
e
r
la
u
p
e
po
at th tim
at reigned
th
re
e
h
p
s
atmo
.
ressionists
of the Imp
© OT Pays des Impressionnistes
© CDT 92
MAISON FO
DE LA G
THE MUSÉE
RENOUILLÈ
RE
tte
is guingue
d 1928 th
n
a
5
5
8
1
tion
Between
for recrea
ians avid
s
ri
a
P
w
dre
as Monet
y, as well
it
c
e
res
th
e
eral pictu
outsid
ainted sev
p
o
h
w
ir
d
and Reno
objects an
anvases,
c
h
it
W
.
g
of it
settin of
ibited in a
h
x
e
s
g
in
que,
engrav
Belle Épo
tte of the
e
u
g
in
u
g
p
a
this lace
eeps alive
k
m
u
e
s
u
nd
the m
, culture a
to leisure
ryone,
e
v
e
dedicated
loved by
s
a
w
t
a
th
.
pleasure
especially
ssionists
re
p
the Im
r
e
C h a n o ri e
-s u r- S ei n
Espace
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PI D F
S
R
E
V
AU ISE,
O
R
SU E
H
T
F
IN
O
S
P
E
T
S
T
FOO GOGH
N
A
V
R-OIS
U
S
S
R
E
V
U
A
E
Vincent van Gogh, L’église d’Auvers-sur-Oise, 1890 (détail), Collection Dr Gachet © RMN-Grand Palais (musée d’Orsay) / Hervé Lewandowski
FIRST IMPR
ESSIONS
ther
to his bro
h
g
o
G
n
a
ne,
Vincent v
and Cézan
l”, wrote
o
r
fu
r
ti
a
u
s
a
is
e
P
b
y Corot,
fter
seriously
its made b
g 1890, a
is
“Auvers is
v
in
r
e
p
s
th
r
in
e
ft
a
-sur-Oise
ty years a
confined to
to Auvers
Theo. Thir
n
in
e
e
d
b
le
d
tt
a
e
s
e
re he h
an Gogh
ance, whe
provided th
r
F
e
Vincent v
f
g
o
la
il
th
v
u
e
So
het in th
from the
f his life
of Dr Gac
e
returning
c
n
e
70 days o
s
t
e
s
r
p
la
e
e
h
th
T
t
l.
spita
tist spen
ore than
mental ho
ed. The ar
painted m
ir
e
u
h
q
:
e
y
r
it
h
v
g
ti
an Go
inary crea
r-Oise”.
security V
f extraord
o
d
io
r
’Auvers-su
e
d
p
e
a
s
li
g
g
in
’é
r
L
mous “
there, du
ding the fa
lu
c
in
,
s
e
s
buried
80 canva
tery. He is
s
y
m
in
d
s-surces veile
day Auver
o
ircumstan
T
c
.
d
ic
r
g
a
a
y
tr
e
ere in
tain its
lage grav
He died th
d to main
in the vil
e
g
o
a
e
n
h
a
T
m
r
e
broth
that has
beside his
ir museum
a
n
e
p
o
veritable
cter.
Oise is a
que chara
s
e
r
tu
ic
p
d
r-Oise
bucolic an
Auvers-su
in
s
n
o
ti
a
“Van
al organis
theme of
e
the cultur
th
t,
s
d
u
n
g
u
u
o
A
ril to 28
events ar
From 2 Ap
itions and
ib
h
x
e
f
o
e).
a season
ng the Ois
lo
a
h
g
o
will offer
G
” (Van
l de l’Oise
Gogh au fi
19
P
H THE
C
T
A
C
O
T
S
LACE
MOOD
l Départ
© Consei
© ParisCityVision / MIR
DISCOVER
COME AND OISE
RAUVERS-SU
ord
Gare du N
ks Paris’s
n
li
in
a
,
tr
ay
A direct
ery Saturd
ur-Oise ev
-s
rs
e
v
u
A
m
with
oliday fro
d public h
6
Sunday an
1
0
ber 2 .
to 30 Octo
h
rc
a
M
6
2
Paris
• Leaving
9.38am
du Nord –
1am
Leave Gare
ise – 10.2
ers-sur-O
v
u
A
e
iv
rr
A
to Paris
• Return
– 6.25pm
rs-sur-Oise
Leave Auve
s – 6.55pm
Arrive Pari
chan
p o ss ib le
su b je c t to
m
T im et a b le
o
s il ie n .c
w w .t ra n
C o n su lt w
g e.
-OISE
UVERS-SUR
A
&
Y
N
R
E
GIV
US
IN A MINIB ITYVISION
C
WITH PARIS
se
it the hou
rny to vis
e
iv
G
r
fo
e
ud
Depart
ged to Cla
that belon
io
d
with
tu
s
n
d
e
n
a
s gard
rgetting it
fo
t
it
o
n
t,
n
e
Mon
e. The vis
ese bridg
n
a
p
Ja
s
u
s in
its famo
sionnisme
es impres
d
e
é
s
u
rnoon,
m
e
ft
the
In the a
.
h
c
n
lu
efore
ed
Giverny b
for a guid
-sur-Oise
rs
e
v
u
A
gh
head to
re Van Go
illage whe
v
e
th
to
fe
visit
ys of his li
last 70 da
nown
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Monet let
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removed
Monet”.
black for
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CULTURE T
28
adegond
e,
VERNON
Vernon on
Giverny, in
m
o
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k
ections,
nly 5
in its coll
seum is o
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rn
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29
GENI,
DISCOVER ICATED
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THE APP D
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TO THE EU
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ROUEN
Claude Monet (1840-1926), la cathédrale de Rouen par temps gris, 1894, musée des beaux-arts de Rouen © .Lancien/C. Loisel, RMN
&
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during a
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Tourist Off
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ght. He
ictures of
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he never o
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at any one
ed in Rou
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ta
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31
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donation,
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the larg
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the heart
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ra l
th e O ff ic
th e c a th ed
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© Jean-François Lange / Métropole Rouen Normandie
P
H THE
C
T
A
C
O
T
S
LACE
BEAUX-A
MUSÉE DES
DE ROUEN
33
FIRST IMPR
nists.
Impressio
e
th
y
b
voured
me
subject fa
dy to beco
n
ly
a
n
m
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r
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was not
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ll
The Seine
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tings.
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tt
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And Eugè
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s
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Normand
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paint la
Some set
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d
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utiful”.
are so bea
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tat, Féca
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n
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Dieppe
nfleur an
Conseque
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in
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te
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a
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tr
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resse.
bourg,
arro illus
Sainte-Ad
rt in Cher
mille Piss
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ndie”
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the Moris
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tings.
bolic “C
in 16 pain
t and sym
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in 1865.
S
S
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IM T
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I
N
IO
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A
M
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Frits Thaulow (1847-1906), Moulin à eau, 1892 © Museum of art, Philadelphie
CHE
DIEP
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A
C
,
G
R
RBOU
HAVR
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,
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L
F
, HON
ESSIONS
35
© musée Thomas Henry / D.Sohier
P
H THE
C
T
A
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O
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S
LACE
MOOD
SEUM IN D
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tory
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nist work
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MUSÉE THO
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Five circu
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INFORMAT
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O ff ic es d
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36
BEAUXMUSÉE DES
ARTS DE C
AEN
um
arts muse
aen’s fine
C
r,
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e
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ra
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e sev l
the Con
ngs includ
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Eugène B
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f
M
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Located in
Claud
collection
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tstanding
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by the Am
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laude Mon
Note that
).
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37
MAS HENR
Y
est
s the larg
useum ha
m
is
rg
u
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an-Franço
Cherb
tings by Je
in
a
p
f
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collectio
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e of Paris
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ily.
t
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Mil
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m
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IMPRESSIONNISTES
FESTIVAL DU 16/04 AU 26/09/2016
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