BORTOLAMI

BO R T O LA M I Jutta Koether (b. 1958 in Cologne, Germany)
Lives and works in New York, New York and Berlin, Germany
Solo Exhibitions
2017-2018
Museum Brandhorst, Munich, Germany (forthcoming)
Serralves Foundation, Porto, Portugal (forthcoming)
Bonnefantenmuseum, Maastricht, Netherlands (forthcoming)
2015
Fortune, Bortolami, New York, NY
2014
A Moveable Feast – Part XV, Campoli Presti, Paris, France
th
10 Annual Shanghai Biennial, Shanghai, China
Galerie Francesca Pia, Zurich, Germany
Champrovement, Reena Spaulings Fine Art, New York, NY
2013
Etablissement d'en face, Brussels, Belgium
Two person show with Gerard Byrne, Praxes Center for Contemporary Art, Berlin, Germany
The Double Session, Campoli Preston, London, United Kingdom
Seasons and Sacraments, Arnolfini, Bristol, United Kingdom
Seasons and Sacraments, Dundee Contemporary Arts, Dundee, United Kingdom
2012
The Fifth Season, Bortolami, New York, NY
2011
Mad Garland, Campoli Presti, Paris, France
The Thirst, Moderna Museet, Stockholm, Sweden
Berliner Schlüssel, Galerie Daniel Buchholz, Berlin, Germany
2009
Van Abbemuseum, Eindhoven, Netherlands
Lux Interior, Reena Spaulings Fine Art, New York, NY
Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2008
New Yorker Fenster, Galerie Daniel Buchholz, Cologne, Germany
No.5, Kunsthall Landmark, Bergen, Norway
JXXXA LEIBHAFTIGE MALEREI, Sutton Lane, Paris, France
Touch and Resist, Song Song, Vienna, Austria
Galerie Francesca Pia, Zürich, Germany
2007
Änderungen aller Art, Kunsthalle Bern, Bern, Switzerland
2006
love in a void, with Silke Otto-Knapp, Akademie der Bildenden Künste, Vienna, Austria
Fantasia Colonia, Kölnischer Kunstverein, Cologne, Germany
Susanne Vielmetter, Los Angeles Projects, Los Angeles, CA
Metalist Moment, Performance, Herald Street, London, United Kingdom
2005
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I Very Lost Highway, Simultanhalle, Cologne, Germany
extreme harsh, Ausstellungsraum Ursula Werz, Tübingen, Germany
I Is Had Gone, Thomas Erben Gallery, New York, NY
Her Noise, South London Gallery, London, United Kingdom
2005
Blankness is not a Void, Standard Oslo, Oslo, Norway
Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London, United
Kingdom
2004
Fresh Aufhebung - Künstlerisches Interesse am philosphisch verneinten Wunderglauben,
Kölnischer Kunstverein, Cologne, Germany
Galerie Meerrettich, Berlin, Germany
Fresh Aufhebung, 371 Grand Street, New York, NY
Curious Crystals of Unusual Purity, P.S.1 Institute for Contemporary Art, New York, NY
2003
The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachte,
conTEMPorary, New York, NY
desire is war, Galerie Meerrettich, Berlin, Germany
2002
Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York, NY
Galerie Daniel Buchholz, Cologne, Germany
2000
Galerie Daniel Buchholz, Cologne, Germany
Zur grünen schenke-fünf uhr nachmittags. die geheimen Bilder, Galerie Freund, Vienna,
Austria
1999
Pat Hearn Gallery, New York, NY
1998
Billet-Doux, Galerie Daniel Buchholz, Cologne, Germany
Songs of New York & c, Pat Hearn Gallery, New York, NY
1996
after shows, Pat Hearn Gallery, New York, NY
Warmer Stern, Galerie Daniel Buchholz, Cologne, Germany
1995
Frontage, Pat Hearn Gallery, New York, NY
1993
Unter, Galerie Bruno Brunnet, Berlin, Germany
Affective Import: Antibodies I-V, Pat Hearn Gallery, New York, NY
1992
100% Malerei, Galerie Sophia Ungers, Cologne, Germany
1991
Massen. Malerei und Versammlung, Generali Foundation, Vienna, Austria
Kissing the Canvas, Pat Hearn Gallery, New York, NY
The Halal File, Standard Graphik, Cologne, Austria
Galerie Bleich-Rossi, Graz, Austria
1989
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I 20 Minuten, Galerie Monika Sprüth, Cologne, Germany
1987
The Things Art Makes, Galerie Bleich-Rossi, Graz, Austria
Werkschau Jutta Koether, Kunstraum Stuttgart, Stuttgart, Germany
1985
Road to Cairo, CC Galerie, Graz, Austria
Keeping the Issues Alive, Galerie Janrig, Krefeld, Germany
Group Exhibitions
2016
Putting Rehearsals to the Test, Leonard & Bina Ellen Gallery, SBC Gallery of
Contemporary Art and VOX, centre de l’image, Montreal, Canada
Painting 2.0: Expression in the Information Age, curated by Achim Hochdörfer, David
Joselit, and Manuela Ammer, mumok, Vienna, Austria
Fantasie, Halle fuer Kunst, Lüneburg, Germany
Spring Awakening, Galerie Francesca Pia, Zurich, Switzerland
2015
Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American
Art, New York, NY
Painting 2.0: Expression in the Information Age, curated by Achim Hochdörfer, David
Joselit, and Manuela Ammer, Museum Brandhorst, Munich, Germany
The Radiants, curated by Jacob King and UNITED BROTHERS, Bortolami, New York, NY
2014
Beating Around the Bush #4, Bonnefantmuseum, Maastricht, Netherlands
New Dawn, curated by Leidy Churchman, Silberkuppe, Berlin, Germany
No Drink No Talk Just Beautiful, On Stellar Rays, New York, NY
2013
Death by Water. Death by Fire, curated by David Lewis with works by Lucy Dodd, Jutta
Koether, Nora Schultz, and Viola Yeşiltaç, Campoli Presti, Paris, France
NYC 1993. Experimental Jet Set, Trash and No Star, New Museum, New York, NY
Blues for Smoke, Whitney Museum of American Art, New York, NY
2012
A Bigger Splash: Painting after Performance, Tate Modern, London, United Kingdom
São Paulo Biennial 2012, São Paulo Museum of Art, São Paulo, Brazil
Whitney Biennale 2012, Whitney Museum of American Art, New York, NY
2011
Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin, Germany
Invitation to the Voyage, Algus Greenspon Gallery, New York, NY
The Rose-Colored Room, Overduin and Kite, Los Angeles, CA
Antidepressiva, Galerie Peithner Lichtenfels, Vienna, Austria
Sovereign Woman, Texte zur Kunst zum Gallery Weekend Berlin, Linienstr.160, Berlin,
Germany
Abstract-Mad-Stir-Delirium-Copper-Bottomed-Work-Stick-Shop, daad Galerie, Berlin,
Germany
Gesamtkunstwerk: New Art From Germany, Saatchi Gallery, London, United Kingdom
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I 2010
Utopie und Monument II, Steirischer Herbst, Graz, Austria
Sammlung Reininghaus, Sammlung Falckenberg - Phoenix Kulturstiftung, Hamburg,
Germany
2009
Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, The Kitchen,
New York, NY
Palindrom, curated by Tom Holert und Michael Dreyer, Hermes und der Pfau – Project
Space for Contemporary Art, Stuttgart, Germany
Reena Spaulings. The Belgian Marbles, Sutton Lane, Brussels, Belgium
Grand Openings, Sculpture Center, Long Island, New York, NY
See This Sound, Lentos Kunstmuseum, Linz, Austria
Schere, Stein, Papier, Kunsthaus Graz, Graz, Austria
Quodlibet II, Galerie Daniel Buchholz, Cologne, Germany
Sonic Youth etc.: Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf, Germany
Bijoux de Famille, Galerie Chantal Crousel, Paris, France
Celebration, Galerie Isabella Bortolozzi, Berlin, Germany
Cave Painting, PSM Gallery, Berlin, Germany
Born to Be Wild, Kunstmuseum St. Gallen, St. Gallen, Switzerland
Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia, Italy
2008
Her Noise Archives, Badischer Kunstverein, Karlsruhe, Germany
Black Noise, A tribute to Steven Parrino, Ile des impressionnistes, Chatou, France
Light is a kind of rhythem (part 2), Glaspavillion, Berlin, Germany
Jutta Koether / John Miller, Neuer Berliner Kunstverein, Berlin, Germany
CA.BU. + BA.D.AL.MO, Galerie Thomas Flor, Düsseldorf, Germany
Altered State of Paint, Dundee Contemporary Arts, Dundee, Scotland
Artists Space, (Performance), New York, NY
Shedhalle Zürich, Zürich, Switzerland
Bastard Creature (1 of 3 parts of‚ La Marque Noir: Steven Parrino’), Palais de Tokyo, Paris,
France
Painting as Fact – Fact as Fiction, dePury & Luxembourg, Zürich, Switzerland
Dead Already, Reena Spaulings Fine Art, New York, NY
Symbolismus und die Kunst der Gegenwart, von der Heydt-Museum, Wuppertal, Germany
Shandyismus – Autorschaft als Genre – Ausstellungsgespräch, Secession, Vienna, Austria
Kunsthaus Dresden, Dresden, Germany
zwischen zwei toden between two deaths, Center for Art and Media, Karlsruhe, Germany
2007
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution Part II, Museum of
Contemporary Art, Antwerp, Belgium
Deaf 2 - From the Audible to the Visible, Galerie Fank Elbaz, Paris, France
Jutta Koether / Rodney McMillian, Susanne Vielmetter Berlin Projects, Berlin, Germany
From the Audible to the Visible, Galerie Frank Elbaz, Paris, France
Stubborn Materials, Peter Blum Gallery, New York, NY
Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermächtigung, Basis
Wien, Vienna, Austria
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I For the People of Paris, Sutton Lane, Paris, France
Quotidian, BUIA Gallery, New York, NY
What we do is secret, Blancpain Art Contemporain, Geneva, Switzerland
Fit to print, Gagosian Gallery, New York, NY
Sutton Lane, Paris, France
Epileptic Seizure Comparison, Greene Naftali Gallery, New York, NY
2006
Make your own life, Institute of Contemporary Art, University of Pennsylvania, Philadelphia,
PA
The Power Plant, Toronto, Canada
Henry Art Gallery, Univ. of Washington, Seattle, WA
Museum of Contemporary Art, North Miami, FL
2006
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, de Appel arts centre,
Amsterdam, Netherlands
Hot Spring…In Autumn, Galerie Krinzinger, Vienna, Austria
Music is a better noise, P.S.1 Contemporary Art Center, Long Island City, NY
3. Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan
Gifts go in one direction, Apexart, New York, NY
Bring the war home, Elizabeth Dee Gallery, New York, NY
An Ongoing Low-Grade Mystery, Paul Cooper Gallery, New York, NY
Love Letter, Herald St, London, United Kingdom
Galerie Daniel Buchholz at Metro Pictures, Metro Pictures Gallery, New York, NY
The Dimes of March, Reena Spaulings Fine Art, New York, NY
The Subversive Charm of the Bourgeoisie, Van Abbemuseum, Eindhoven, Netherlands
Whitney Biennial 2006, Whitney Museum, New York, NY
TBILISI 3. / Let’s stay alive till Monday, Tbilisi, Georgia
Reena Spaulings‚ Bialystoker, Sutton Lane, London, United Kingdom
Replay – The Aesthetics of Art and Music/Punk, MAGASIN – Centre National d’Art
Contemporaine de Grenoble, Grenoble, France
Metalist Moment, (Performance), Herald St, London, United Kingdom
2005
Painters Without Paintings & Paintings Without Painters, Orchard Gallery, New York, NY
Blankness is not a Void, Standard, Oslo, Norway
Afterall, Apexart, New York, NY
Trade, White Columns, New York, NY
Performa 05, (Performance), Performa, New York, NY
Thomas Erben Gallery, (Performance), New York, NY
Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London, United
Kingdom
2004
Jetzt und zehn Jahre davor, KW Institute of Contemporary Art, Berlin, Germany
Rheinschau, Cologne, Germany
Teil 1 Müllberg, Galerie Daniel Buchholz, Cologne, Germany
Publish and be damned, Cubitt, London, United Kingdom
Born to be a Star, Künstlerhaus Vienna, Austria
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I The Big Nothing, ICA Philadelphia, Philadelphia, PA
The personal is political, und peinlich, Kunsthalle Exnergasse, Vienna, Austria
Curious Crystals of Unusual Purity, P.S.1, New York, NY
Fresh Aufhebung, Performance im Rahmen d. Ausst. Dass die Körper sprechen, auch das
wissen wir seit langem, Generali Foundation, Vienna, Austria
Europe Extreme III: Farbenfieber, (Performance), Berlin, Germany
2003
Vom Horror der Kunst, Steirischer Herbst, Grazer Kunstverein, Graz, Austria
20th Anniversary Show, Monika Sprüth - Philomene Magers, Cologne, Germany
The Melvins, Anton Kern Gallery, New York, NY
deutschemalereizweitausenddrei, Frankfurter Kunstverein, Frankfurt/Main, Germany
Holler Color Holler, Special Event in the Backroom of Greene Naftali, New York, NY
2002
Unknown Pleasures, Daniel Reich, New York, NY
Black Bonds, (Performance), Swiss Institute, New York, NY
2000
Kim’s Bedroom, MU Art Foundation/De Witte Dame, Eindhoven, Netherlands
Prophecies, Swiss Institute, New York, NY
Hex Enduction Hour by the Fall, curated by Bob Nickas, Team Gallery, New York, NY
1999
Malerei, INIT-Kunsthalle, Berlin, Germany
1998
Brushholder Value, Westfälischer Kunstverein, Münster, Germany
Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, Pat Hearn Gallery, New York,
NY
1997
Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers to Paradise, Three
German Artists in California, Newspace, Los Angeles, CA
1996
A / Drift, curated by Joshua Decter, Bard College, Annandale-on-Hudson, New York, NY
Painting the Extended Field, Magasin 3, Center for Contemporary Art, Malmö, Sweden
Screen, curated by Joshua Decter, Friedrich Petzel Gallery, New York, NY
Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women
Artists, Soho 20, New York, NY
1995
When Techno Turns to Poetry, Kunstwerke, Berlin, Germany
Joy of Painting, curated by Ami Arnault und Alix Lambert, Here, New York, NY
1994
Spielverderber, Forum Stadtpark, Graz, Austria
Rehearsal for ‘frontage’, innerhalb von “Taste Venue”, Pat Hearn Gallery, New York, NY
Dysfunction USA, curated by Bob Nickas und Peter Halley, Arthur Rogers Gallery, New
Orleans, LA
Reflex: Die Neunziger, curated by Martin Prinzhorn, Secession, Vienna, Austria
The Use of Pleasure, curated by Bob Nickas, Terrain Gallery, San Francisco, CA
1993
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I The Good, the Bad and the Ugly, curated by Peter Hopkins, Galerie Jousse Cequin, Paris,
France
Malerei 2000, curated by ARTFAN, Vienna, Austria
June, Galerie Thaddaeus Ropac, Paris, France
Abstract for Affective Import, Whitney Museum of American Art, Independent Study
Program, New York, NY
Annual Open Studio Competition, New York, NY
Parallax View: Cologne-New York, curated by Daniela Salvioni, P.S. 1 Institute for
Contemporary Art, New York, NY
X- Art Foundation, Blast Art Benefit, New York, NY
Galerie Christian Nagel, curated by Cosima von Bonin und Michael Krebber, Cologne,
Germany
1992
7 Rooms, 7 Curators, curated by Lois Nesbitt, Institute for Contemporary Art, New York,
NY
Projezioni, curated by Gregorio Magnani, Buchholz & Buchholz, Cologne, Germany
1968, curated by Bob Nickas, Le Consortium, Dijon, France
Bruno Brunnet Fine Arts, with Merlin Carpenter, Michael Krebber, Cosima von Bonin,
Berlin, Germany
Galerie Laage Salomon, with L. Joubert, Paris, France
Massenverhältnisse – Standards, Galerie Sophia Ungers, Cologne, Germany
The Inside Job, innerhalb von The Real Thing, organized by Eric Oppenheim, Water Bar,
New York, NY
1991
Regard sur la Jeune Creation Allemande, 36., Salon de Montrouge, Montrouge, France
Koether - Malerei 2, curated by Francoise Claire Prodhon and Alain Reinaudo, Auvers-surOise, France
Auf Tod folgt Tod, innerhalb von “The Köln Show”, 9 Kölner Galerien, Cologne, Germany
1989
Hypostatics, curated by minimal club, Kunstverein München, Munich, Germany
1987
... of Everyday Life, curated by Martin Kippenberger, innerhalb der Ausstellung “Broken
Neon”, Forum Stadtpark, Graz, Austria
Information in Jutta Koether, Secession, f. Plakat (Buch), Vienna, Austria
Spectacle of the West, with Bettina Semmer und Rosemarie Trockel, La Maquina
Espanola, Sevilla, Spain
Practical Relations of Everyday Life, Raum Lothringer Straße, Munich, Germany
1986
Terminal Islands, curated by Diedrich Diederichsen, Forum Stadtpark, Graz, Austria
1985
Trockel Semmer Koether, with Bettina Semmer and Rosemarie Trockel, La Grande Serre,
Rouen, France
Bibliography
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I 2013
Jay Sanders, Michael Sanchez & Jeff Nagy, Graham Domke, and Axel Wieder, Jutta
Koether: Seasons and Sacraments, Dundee Contemporary Arts, 2013
2011
“Mad Garland“, Jutta Koether, in “Art and Subjecthood. The Return of the Human Figure in
Semiocapitalism”, Sternberg Press, 2011, p. 80 - 94
“Signal Processing”, Joselit, David, Artforum, Summer 2011, p. 356 - 361
“Jutta Koether at Daniel Buchholz“, Contemporaryartdaily.com, January 31, 2011
“Jutta Koether: Berliner Schlüssel“, Petra Reichensperger, Zitty Berlin, Issue 3, January 27
– February 9, 2011, p. 81
"Painting In and Out", David Joselit, in: exh. cat. Jutta Koether, Moderna Museet, 2011, pp.
17-23
2011
"Painting Abuse. A Conversation between Isabelle Graw and Jutta Koether", in: exh. cat.
Jutta Koether, Moderna Museet, 2011, pp. 25-40
“Jutta Koether“, Steven Cairns, Artforum.com, January 22, 2011
“Jutta Koether / The Inside Job”, Kim Gordon, Flash Art, No. 276, January – February 2011,
p. 84 - 87
“Jutta Koether – Moderna Museet, Stockholm”, Ina Blom, Artforum, Summer 2011, p. 394 395
“Jutta Koether”, Peio Aguirre, in: “P2 / New Perspectives in Painting”, Phaidon, 2011
2010
“Die Subjekte wundern sich”, Swantje Karich, Frankfurter Allgemeine Zeitung, Nr. 298,
22.12.2010, p. N4
“Kleinteilige Experimente“, Christian Schaernack, Z-Die schönsten Seiten 4/2010,
December 2010, p.10
“XXXMacarena”, Dan Fox, Frieze, Issue 130, April 2010, p.33
“Ready – Made Painting”, Barbara Buchmaier, Spike, Issue 24, Summer 2010, p. 30 - 41
“Jutta Koether”, Ausstellungsführer “Utopie und Monument II”, Steirischer Herbst 2010,
Graz, 2010, p. 22
“Jutta Koether”, in exh. cat. “27 Senses”, Kunstmuseet KUBE, Norway, 2010, Electra,
p. 91 - 101
2009
“Painting Beside Itself”, David Joselit, October, Issue 130, Fall 2009, p. 125-134
“Tranchen von Hase und Ente”, Hans-Jürgen Hafner, artnet.de, Issue 19, November 2009
“Jutta Koether. Unganzheitssymbole: K (Hommage an Kenneth Anger)”, Christian Höller in:
exh. cat. “See this Sound. Versprechungen von Bild und Ton”, Lentos Kunstmuseum Linz,
Verlag Walther König, Köln, 2009, p. 100
“Pyrrhossiege. Jutta Koether bei Reena Spaulings Fine Art, New York”, Sam Lewitt,Texte
zur Kunst,Issue 75, p. 183 - 186
“Raison d’être“, Dennis Mijnheer, Blend Special & Vanabbemuseum, June 2009, p. 86 - 97
“Jutta Koether – Susanne Vielmetter Los Angeles Projects“, Michael Ned Holte, Artforum,
May 2009, p. 245
“Jutta Koether”, Carrie Peterson, Flash Art, May-June 2009, p. 121
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I “Sonic Youth - Eine Band zwischen den Welten“, Hanno Stecher und Christian Steinbrink,
Intro, Issue 72, Juni 2009, p. 29 – 32
“Jutta Koether”, Georg Gatsas und Konrad Bitterli, exh. cat. “Born to be wild – Homage to
Steven Parino”, Kunstmuseum St. Gallen, 2009, p. 54 -57
“A Hidden Reserve“, Achim Hochdörfer, Artforum, February 2009, p. 153 – 158
“Entspannt in den Konjunkturen der Sympathie”, Max Dax und Martin Hossbach, Spex,
Issue 318, January/February 2009, p. 106 -109
“Jutta Koether“, in exh. cat. “Bijoux de Famille”, Galerie Chantal Crousel, 2009
“Schere, Stein, Papier“, Elke Buhr, Monopol, June 2009, p. 117
“The Artists’ Artist – Francis Bacon”, Jutta Koether, Artforum, Dezember 2009, p. 93
2008
“On Sonic Youth“, Jutta Koether and Alan Licht, exh. cat. “Sonic Youth etc. Sensational
Fix”, 2008, p. 52-64
“Jutta Koether: New Yorker Fenster“, Stadt Revue Köln, Issue 12, 2008, p. 65
2008
“Das Einmaleins der Stunde Null”, Hans Jürgen Hafner; Artnet Magazin, November 21,
2008
“Anschaulich Werden”, Georges Didi-Hubermann, Texte zur Kunst, Issue 70, June 2008, p.
196 – 201
“Now, Then! Now, Then! Now, Then!”, Jutta Koether, Artforum, September 2008, p. 408 411
“Altered States of Paint”, Sarah Lowndes, Frieze, September 2008, p. 203
“Cut and Paste”, Charlie Finch, Artnet, 2008
2007
“Between two deaths at ZKM”, Artnews.info, May 25, 2007
“Stubborn Materials”, Peter Blum und Suzanne Hudson, Artforum, November 2007, p. 370f
“‘Oh ah’ The fire! By Mrs. Benway 1985”, exh. cat. “Witness to Her Art”, 2007, p. 205
“Reena Spaulings“, Seth Zucker, Radical Art, 2007, p. 329 ff, 347f
“Niemand is een vrouw, De antiautortaire kunst van Jutta Koether“, Catrin Lorch, Metropolis
M, Issue 2, April/May 2007, p. 68 – 73, 112ff
“Use Me Up”, Jan Verwoert, Metropolis M, Issue 1, 2007, p. 50 – 56
“Kampf gegen die geschmackliche Langeweile”, Paulina Szczesniak, Tages Anzeiger
Zürich, February 8, 2007, p. 43
“Bern: Jutta Koether in der Kunsthalle”, Alice Henkes, Kunstbulletin, February 23, 2007
“Die Fröhliche Wallfahrt/The Merry Pilgrimage“, Jutta Koether and Diedrich Diederichsen,
press release Andrea Rosen Gallery, New York, 2007
“Ohrenbetäubende Entgrenzung”, Nicola Schröder, Ensuite, issue 3, February 3, 2007, p.
39
“Jutta Koether in der Kunsthalle“, AH, Kunst Bulletin, 3/07, 2007, p.60-61
“Statements zur Malerei”, Barbara Miesch, Aargauer Zeitung, January 25, 2007
“Wirre Klangwelten im Dunkeln”, Stefanie Christ, Berner Zeitung, January 22, 2007
“Grellrote Sternennächte”, Alice Henkes, Der Bund, January 9, 2007
“Jutta Koether in der Kunsthalle Bern – Gestische Malerei im Prüfstand – Kritik”, Barbara
Miesch, Schweizer Depeschenagentur, January 19, 2007, p. 54
“Jutta Koether in Bern”, www.kunstmarkt.com, January 2007
“Jutta Koether in der Kunsthalle”, Kunst Bulletin, March 2007, p. 60f
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I “Jutta Koether – Aenderungen Aller Art“, Indepth Arts News, January 2007
“Crossover-Kunst”, Stefanie Christ, Berner Oberländer, January 18, 2007, p. 33
“Mehr als «nur» Künstlerin”, Kulturagenda, January 11, 2007, p. 16
“Jutta Koether – Kunsthalle Bern”, www.art-in.de, January 10, 2007
“Jutta Koether, Shirly”, exh. cat. “Born to be a Star”, K/Haus, Wien, 2007, p. 33 – 37
“Jutta Koether”, Stefan Wagner, Flash Art, March/April 2007, p. 132
”Jutta Koether at Kunsthalle Bern“, press release, Kunsthalle Bern, Bern, January 2007
“Symbolismus und die Kunst der Gegenwart”, exh. cat., Wuppertal, 2007, p. 135
“Bloß keine Diskurs – Kacke”, Dorothee Baer-Bogenschütz, Kunstzeitung, May 1, 2007, p.
13
2006
“The Davs of Our Lives”, Jan Verwoert, Artforum, Issue 103, November/December 2006,
p.131 – 135
2006
“Du bist nicht allein / Ein Roundtablegespräch mit Stephan Geene, Jutta Koether, Markus
Müller, Bernadette Van-Huy und Antek Walczak, moderiert von Mirjam Thomann”, Mirjam
Thomann, Texte Zur Kunst, September 2006, p.106 – 120
“Fantasia Colonia", Michael Kerkmann, in ex. cat. "Fantasia Colonia", Kölnischer
Kunstverein, Köln / Kunsthalle Bern, pp. 6-13
"Die Verletzung der Regeln für die Regelverletzung / Transgressing the Rules for
Transgression", Martin Printzhorn, in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein,
Köln / Kunsthalle Bern, pp. 36-43
"Das Treffen der anwesenden mit der abwesenden Künstlerin / The Meeting of the Present
with the Absent Artist", Diedrich Diedrichsen, in ex. cat. "Fantasia Colonia", Kölnischer
Kunstverein, Köln / Kunsthalle Bern, pp. 74-80
"Klassiker der Moderne. Über die Bearbeitung kanonischer Maler bei Jutta Koether /
Classics of Modernism: On Jutta Koether's Treatment of Canonic Painters", Isabelle Graw,
in ex. cat. "Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 114-127
"Große Erwartungen. Jutta Koether im Gespräch mit Sam Lewitt und Eileen Quinlan / Great
Expectations. Jutta Koether in conversation with Sam Lewitt and Eileen Quinlan", in ex. cat.
"Fantasia Colonia", Kölnischer Kunstverein, Köln / Kunsthalle Bern, pp. 148-161
“Im Fantasialand der Malerei“, Michael Krajewski, Stadt Revue, July 2006 p. 84
“Manet, Courbet, van Gogh und sie”, Georg Imdahl, Kölner Stadt-Anzeiger, May 27/28,
2006
“Jutta Koether”, Bob Nickas, ArtForum, May 2006
“Der Nachtmaler und die Lichtprinzessin”, Heidrun Wirth, Kölnische Rundschau, May 25,
2006, p. 27
“Chelsea is a Battlefield: Galleries Muster Groups”, Roberta Smith, The New York Times,
July 28, 2006
“A message in the starkness”, Holly Myers, Los Angeles Times, August 18, 2006
“Must See Art”, Amra Brooks, LA Weekly, August 2, 2006
“Cross Plattform: Jutta Koether”, Lina Dzuverovic, WIRE, June 2006, p. 18
“Make Your Own Life, Artists In & Out of Cologne”, Bennett Simpson, p. 8 – 28
“Make Your Own Life, Artists In & Out of Cologne”, Jutta Koether, p. 8 – 28
“Flash-back sur Steven Parrino”, Gauthier Huber, Kunst-bulletin, April 2006, p. 49f
5 2 0 W E S T 2 0 T H S T R E E T N E W Y O R K N Y 1 0 0 1 1 T 2 1 2 7 2 7 2 0 5 0 W W W . B O R T O L A M I G A L L E R Y . C O M BO R T O LA M I “Martin Kippenberger”, Jutta Koether, interview, Flash Art, Issue 247, March/April 2006, p.
92-96 (first publishedin Flash Art, issue 156, January/February 1991)
“Hallo Wände. Sven Johne / Fergus Greer / Jutta Koether W/ Steven Parrino”, Oliver Tepel,
Spex, Issue 296, March 2006, p. 76
“Her Noise”, Brian Dillon, Wire, Issue 263, January 2006
“Jutta Koether”, Day for Night, Whitney Biennial, 2006
“Peripheral Vision”, Isabelle Graw, Artforum, March 2006, p. 258 – 263
“Jutta Koether on Martin Kippenberger“, Jutta Koether, Tate etc., Issue 6, Spring 2006, p.
36
“Make Your Own Life: Artist’s in & Out of Cologne“,ICA Gallery Notes, 2006
“Masters and Servants or Lovers”, Jan Verwoert, 2006
“Verträumter Kringel und clowneske Fratzen“, Heiko Klaas, Art-Das Kunstmagazin, No. 6,
June 2006, p. 90
2005
“Heart of Noise”, Texte zur Kunst, Jutta Koether, Issue 60, December 2005, p. 144f
“Extreme harsh, extrem Haus“, Lokale Kultur, July 1, 2005, p. 23
“Die 80er Jahre sind unter uns/The 80ies are in our midst. Roundtable
Gespräch/Discussion with John M. Armleder, Benjamin H.D. Buchloh, Werner Büttner,
Isabelle Graw, Kasper König, Jutta Koether and Thomas Ruff, moderated by Philipp
Kaiser”, exh. cat. “Flashback”, Kunstmuseum Basel, 2005, p. 21 - 93
Rita Vitorelli in conversation with Jutta Koether, Spike, issue 5, Autumn 2005, p. 72 - 78
“Arbeiten von Jutta Koether bei Werz”, Schwäbisches Tagesblatt, August 9, 2005, p. 19
“Jutta Koether. Interview 1994“, in: “Mike Kelley: Interviews, Conversations and Chit-Chat
(1986-2004)”, Welchmann, John C. (editor), Zürich, 2005, p. 94 - 117
“Jutta Koether: Very Lost Highway”, Stadt Revue, September 2005, p. 87
di Blasi, Johanna, “Alles verfließt mit allem”, Kölner Stadt-Anzeiger, issue 210, September
9, 2005, p. 29
“Kollektive Erhebung. Über das Projekt Orchard in New York”, Melanie Gilligan, Texte zur
Kunst, Issue 59, September 2005, p. 76 - 85
“When bands turn into the art of noise”, Christian Egger, Spike Art Quarterly, Issue 4,
Summer 2005, p. 110 -114
“Jutta Koether, Thomas Erben Gallery”, Jan Avgikos, Artforum, Summer 2005, p. 327f
“Jutta Koether at Thomas Erben”, Edward Leffingwell, Art in America, June/July 2005, p.
185
“Jutta Koether, Thomas Erben Gallery”, Roberta Smith, The New York Times, April 15,
2005
“Ich Ist War Weg. Jutta Koether in der Thomas Erben Gallery, New York”, Melanie
Gilligan,Texte zur Kunst, June 2005, p. 192 - 195
“Dark Star”, Jutta Koether and Bob Nickas, Artforum, Issue 7, March 2005, p.59
“Trading Post!”, Jutta Koether and Kim Gordon, in exh. cat., “Trade - The W.C. # 1”, exh.
cat., February 4 - March 12, 2005
“I Am Woman, Hear Me Roar”, Jam Avgikos, in exh. cat. “Her Noise”, South London
Gallery, 2005, p. 28 - 29
“Kim Gordon Interview by Jutta Koether”, in exh. cat. “Her Noise”, South London Gallery,
2005, p. 30 - 34
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“Sondersphärig! Zwanzig Minuten vor der Marc-Jacobs-Show”, Jutta Koether, Texte zur
Kunst, December 2004, p. 96 - 101
“Alles in Allem. Ein Interview mit Karl Lagerfeld von Jutta Koether”, Jutta Koether, Texte zur
Kunst, December 2004, p. 32 - 43
“Inteview mit Jutta Koether”, Christian Egger, Löhfelm, Issue 7, November 2004, p. 30 - 40
“Ana Da Silvia”, Tim Stüttgen, Spex, December 2004, p. 97
“Shirly”, Jutta Koether, exh. brochure “Born to be a star”, Künstlerhaus Wien, p. 4f
2003
“& c“, Jutta Koether, Helvetica, Wien, issue 4, September 2003, p. 19 - 25
“Roundtable: Barney im Abspann. Eine Gesprächsrunde mit Tom Holert, Gertrud Koch,
Jutta Koether, Sebastian Schipper und Tom Tykwer“, Texte zur Kunst,Issue 51, September
2003, p. 104 – 117
2003
“All alone (1957). Fautrier in den Vereinigten Staaten”, Jutta Koether, Texte zur Kunst,
Issue 50, June 2003, p. 54 - 61
“How to write about ... Jutta Koether”, Bob Nickas, Afterall, July 2003, p. 42 - 51
“Unfinished Sympathies: On Jutta Koether’s art”, Thomas Groetz, Afterall, July 2003, p. 52
– 55
“Peripher im Zentrum - Jutta Koether”, Isabelle Graw, in “Die bessere Hälfte. Künstlerinnen
des 20. und 21. Jahrhunderts”, Köln 2003, p. 143 – 154
“‘Girls Gone Wild’. Bronwyn Keenan Gallery“, Roberta Smith, The New York Times, July 4,
2003
“Galleries-SoHo. ‘Girls Gone Wild’“, The New Yorker, June 30, 2003
“Deutschemalereizweitausenddrei”, Nicolaus Schafhausen (ed.), exh. cat., Frankfurter
Kunstverein, Frankfurt/Main 2003, p. 60f
2002
“Jutta Koether”, Lyrik-Ecke, Texte zur Kunst, Issue 48, December 2002, p. 104f.
“The Heavenly Tree Grows Downward”, Holland Cotter, The New York Times, September
20, 2002
“Illustration - avocation – illustration”, Jutta Koether, ecstatic peace, poetry journal, Issue 5,
July 2002
“Found artist N.Y.”, Jutta Koether, Starship, issue 5, Spring 2002, p. 17 - 21
“Gogogo”, Jutta Koether, ecstatic peace, poetry journal, Issue 4, Summer 2002
2001
“Teaser’s trail”, Jutta Koether, ecstatic peace, poetry journal, issue 3, Winter 2001/2002
“Mali thep”, Jutta Koether, ecstatic peace, poetry journal, issue 3, Winter 2001/2002
“Nur dass nicht. Bruchstücke einer Performance von Jutta Koether”, Jutta Koether, in: Carl
Hegemann (editor),
‘Erniedrigung geniessen. Kapitalismus und Depression III’, Berlin 2001, p. 142 - 156
“No Trouble No Energy No Energy No Life. Jutta Koether spielt, spricht und hämmert zu
ihren Bildern”, Aram Lintzel, in: ebd., p. 157ff (Nachdruck in Frankfurter Allgemeinen
Zeitung February 3/4, 2001)
“The life they make me lead”, Jutta Koether, ecstatic peace, poetry journal, Issue 1, Spring
2001
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Seiten, January 3, 2001
“Jutta Koether im roten Salon”, Harald Fricke, Tageszeitung, February 1, 2001
2000
“Jutta Koether”, Anja Dorn, Metropolis M, Issue 3, June/July 2000, p. 30f
1999
“Lichtecht (= sunfast)”, Jutta Koether, A.N.Y.P., Issue 9, 1999, p. 8
“Free time – Ein Gespräch mit Rita Ackermann und Jutta Koether”, Carina Plath, KunstBulletin, Issue 1/2, January/February 1999, p. 15 – 19
“I love New York – Gespräche mit Künstlern”, Heinz-Norbert Jocks, Free Time: “Freiraum
Zum Malen”, Kunstforum International, Issue 143, January/February 1999, p. 316f
“Free Time: Rita Ackermann, Kim Gordon, Jutta Koether”, Claudia Funke, I love New York.
Crossover der aktuellen Kunst, Museum Ludwig, Köln 1999, p. 52
“Snacks. New York (ausgeleuchtet)”, Jutta Koether, ebd., p. 56 - 60
1998
“Prozeß-Expressionismus”, John Miller, Texte zur Kunst, Issue 29, March 1998, p. 121ff
“Interview mit Jutta Koether”, Ulrike Gross and Markus Müller, in: “Make it Funky –
Crossover zwischen Musik,
“Pop, Avantgarde und Kunst”, Jahresring 45, Bernhard Loeffelholz and Brigitte Oetker
(editors), Köln 1998, p. 277 – 284
“Freundesbriefe. Jutta Koether sammelt Gratulationen, poetische Notizen und persönliche
Nachrichten”, Jürgen Raap, Kölner Illustrierte, August 1998, p. 67
1997
Jerry Saltz, Time-Out, New York, issue 108, 1997, p. 46
“Art in Review: Jutta Koether”, Holland Cotter, The New York Times, October 4, 1997
“Gallery Go Round: Jutta Koether”, Victoria Pedersen, Paper Magazine, Issue 10, 1997
“Voice Choices: Galleries: Jutta Koether”, Kim Levin, The Village Voice, September 30,
1997
1996
“Transidentity Express 2. Versuch über die Schnittstellen von Kunst und Musik”, Jutta
Koether, Kunstforum International, issue 135, October 1996, p. 188ff
“Echte Massen werden zur Tapete, das ist ihr Schicksal. Ein Gespräch mit Jutta Koether
über Archäologie, Kopfbedeckungen, Künstlertum, Malerei und die Massen als Opfer”,
Diedrich Diedrichsen, Kunstforum International, Issue 135, 1996, p.170 ff
“Jutta Koether: ‘100 % Malerei’ oder Wie aus Musik Malerei wird und umgekehrt”, Mike
Kelley, Kunstforum, Issue 134, May-September 1996, p. 242-248
“Art in Review: Jutta Koether”, Sarah Schmerler, Time Out, New York, March 6, 1996
“Jutta Koether: aftershows”, Holland Cotter, The New York Times, February 1996
1995
“Jutta Koether at Pat Hearn” Jeanne Siegel, ARTIS, March/April 1995, p. 227f
“Choices: Jutta Koether” Kim Levin, The Village Voice, February 28, 1995
“Jutta Koether”, Roberta Smith, The New York Times, February 24, 1995
“Deliratio III So frei”, Jutta Koether, Spex, October 1995, p. 60 – 63
1994
“Weiterspielen: Ein Symposium führt zum nächsten Symposium”, Jutta Kother, in: Elisabeth
Fiedler (editor), Spielverderber, Forum Stadtpark Grz, steirischer Herbst, 1994, p. 240 - 246
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“Jutta Koether“, Jutta Koether, Programmheft, 1993
“Choices: Jutta Koether”, Kim Levin, The Village Voice, June 29, 1993
“Goings On About Town”, The New Yorker, June 21, 1993
“Jutta Koether”, Roberta Smith, The New York Times, June 4, 1993
“German Art Still Breathes the Air of Ideas”, Roberta Smith, The New York Times, April 23,
1993
“Punishment and Decoration: Art in an Age of Militant Superficiality”, Michael Corris,
ARTFORUM, April 1993
“Achtung Baby: Pressing the Flesh. Jutta Koether and Diedrich Diederichsen on News from
Germany”, Jutta Koether, Diedrich Diederichsen, ARTFORUM, April 1993
“Jutta Koether - Laurent Joubert”, Olivier Zahm, ARTFORUM, February 1993
“Achtung Baby. Diedrich Diederichsen and Jutta Koether on Springtime for Hitler”, Jutta
Koether, Diedrich Diederichsen, ARTFORUM, January 1993
1990
“‘Halal’; Hans Nieswandt: ‘The Halal File”, Jutta Koether, Texte zur gleichnamigen CD,
Standard Graphik, Köln 1990
1988
“Michael Krebber/ Jutta Koether”, Walter Titz, Artscribe, January/February 1988
1986
“Jutta Koether”, Diedrich Diedrichsen, Steirischer Herbst 86/ Forum Stadtpark Graz
1985
“Smell of Female”, Jutta Koether, in: exh. cat. “Trockel, Semmer, Koether”, La Grande
Serre, Rouen 1985
“Road to Cairo”, Jutta Koether, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld 1985
Collections
The Whitney Museum of American Art, New York, NY
Museum of Modern Art, New york, NY
Kunsthalle Bern, Bern, Switzerland
Museum of Contemporary Art, Los Angles, CA
Nationalgalerie Berlin, Berlin, Germany
Musée d’Art Moderne de la Ville de Paris, Paris, France
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