Design Programm 10
Transcription
Design Programm 10
Geschichte und Theorie des Designs VU 2.0 Univ. Prof. Dr. Ina Wagner Vorlesungsteil Theories of Design 16.3. > John Dewey - Theorie der Kunst als Erfahrung > Lave and Wenger - Situated learning, peripheral participation > Don Schön - Educating the reflective practitioner > Design studies > Bruno Latour - Immutable mobiles, circulating references Qualitäten einer inspirationalen Designumgebung 23.3. > Materiality and the diversity of representations > Creative density > The transient and ephemeral > Configurability > Narrativity > Dimensionality and scaling > Re-programming > Die Rolle einer inspirationalen Umgebung > ‘Cross- dressing ’ - Beispiele aus Kunst und Architektur Ethnographische Untersuchungen von Designarbeit 13.4. > Design as metamorphing > Time in design work > The object of design > Design as performing > Design as place-making Designdisziplinen – Geschichte > The Bauhaus and the theory of form > Multimedia theatre of the 20ies > The ‘Grand Utopia’ and Russian Constructivism Opposite styles – the 50 ies > Italian ‘Radical Architecture’ > 20.4. Referatsthemen > Das Bauhaus > Multimedia Theater der 20er Jahre > Industrielles Design I 1851-1917 > Industrielles Design II 1946-1993 > Industrial Design III Contemporary Themes > Neue Materialien > Workplace Design > Fashion Design > Geschichte der Werbung > Architekten/Stilrichtungen in der Architektur > Ausstellungsdesign > Bühnendesign > und andere …. Präsentationstermine: 11.5. und 18.5. (1.6. optional) Literatur Archplus – Zeitschrift für Architektur und Städtebau (2004). Materialien, Vol. 172 (Dec 2004). Antonelli, Paola (2001). Workspheres. Design and Contemporary Work Styles. New York, The Museum of Modern Art. Brauneck, Manfred (1993). Theater im 20. Jahrhundert. Programmschriften, Stilperioden, Reformmodelle. Reinbek bei Hamburg, Rowohlt. Brown, Bill, Ed. (2004). Things. Chicago and London, The University of Chicago Press. Bucciarelli, Louis L. (2002). Between Thought and Object in Engineering Design. Design Studies 23: 219-231. Dewey, John (1980/1934). Art as Experience. New York, Berkley Publishing Group. Goldschmidt, G (1991). The dialectics of sketching. Design Studies 4: 123-143. Goldschmidt, G. (1994). On Visual Design Thinking: the Vis Kids of Architecture. Design Studies 15(2): 158-174. Henderson, Kathryn (1995). The Visual Culture of Engineers. The Cultures of Computing. S. L. Star. Oxford, Blackwell: 197-218. Kiaer, Christina (2004). The Russian Constructivist Flapper Dress. Things. B. Brown. Chicago and London, The University of Chicago Press: 245303. Latour, Bruno (1999). Pandora's Hope. Essays on the Reality of Science Studies. Cambridge Mass., Harvard University Press. Lave, Jean and Etienne Wenger (1991). Situated Learning.Legitimate Peripheral Participation. Cambridge MA, Cambridge University Press. Lawson, Bryan (2004). Schemata, Gambits and Precedent: Some Factors in Design Expertise. Design Studies 25: 443 - 457. Lupton, Ellen and J. Abbott Miller (1991). The ABC's of the Bauhaus and Design Theory. Princeton, The Princeton Architectural Press. Lynch, Michael and Steve Woolgar, Eds. (1990). Representation in Scientific Practice. Cambridge, MA, MIT Press. Margolin, Victor (1997). The Struggle for Utopia. Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. Chicago and London, The University of Chicago Press. Metz, Christian (1990). Photography and Fetish. The Critical Image. Essays on Contzemporary Photography. C. Squiers. Seattle, Bay Press: 155-164. Mori, Tishiko, Ed. (2002). Immaterial/Ultramaterial. Architecture, Design, and Materials. New York, Harvard Design School/George Braziller Publ. De Noblet, Jocelyn, Ed. (1993). Industrial design. Rflections of a Century, Paris: Flammarion). Schnapp, Jeffrey T. (2004). The Romance of Caffeine and Aluminium. Things. B. Brown. Chicago and London, The University of Chicago Press: 304-329. Schön, D. (1987). Educating the Reflective Practitioner. San Francisco, Jossey-Bass. Schon, D. A. and G. Wiggins (1992). Kinds of seeing and their function in designing. Design Studies 13: 135-156. Schwind, Klaus (1995). Die Entgrenzung des Raumzeiterlebnisses im 'vierdimensionalen Theater'. Plurimediale Bewegungsrhytthmen in Piscators Inszenierung von 'Hoppla, wir leben!' (1927). TheaterAvantgarde. E. Fischer-Lichte. Tübingen/Basel, Francke: 59-88. Suwa, Masaki and Barbara Tversky (1997). What Do Architects and Students Perceive in Their Design Sketches? A Protocol Analysis. Design Studies 18: 385-403. Tomes, Anne, Caroline Oates, et al. (1998). Talking design: negotiating the verbal-visual translation. Design Studies (19): 127-142. Wick, Rainer K. (2000). Teaching at the Bauhaus, Ostfildern-Ruit: Hatje Cantz Verlag.