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www. GA I J I N . F R
CONTACTS
FESTIVALS
va l er i e ma ssa d i a n
va l er i e@ga i ji n. fr
+3 3 24 6 6 5 01 51
INTERNATIONAL
SALES
sop h i e er bs
sop h i e@ga i ji n. fr
+3 3 24 6 6 5 01 51
DISTRIBUTION FRANCE
EPICENTRE FILMS www.epicentrefilms.com
+ 33 1 43 49 03 03 jane roger - [email protected]
DISTRIBUTION PORTUGAL
MIDAS FILMES www.midasf ilmes.pt
+351 910 30 19 72 marta fernandes - [email protected]
PRESSE
MAKNA presse www.makna-presse.com
chloe lorenzi&audrey grimaud +33 142 77 00 16 [email protected]
avec
KELYNA LECOMTE
ALAIN SABRAS
MARIE DELMAS
YVES MONGUILLON
LÉO et MAX PENOT
RÉALISATION
VALERIE MASSADIAN
IMAGE
LÉO HINSTIN
VALERIE MASSADIAN
OLIVIER DANDRÉ
JONATHAN LAURENT
SON
MONTAGE
MONTAGE
et MIXAGE SON
COLLABORATRICES
PRODUCTION
DOMINIQUE AUVRAY
VALERIE MASSADIAN
BRUNO EHLINGER
CHRISTIANE FAMER
SOLÈNE COMBEMALE
AXELLE LE DAUPHIN
SOPHIE ERBS
Nana a 4 ans et vit dans une maison de pierres par-dela la foret..
De retour de l’école, une fin d’après-midi, elle ne trouve plus dans
la maison que le silence. Un voyage dans la nuit de son enfance.
Le monde a sa hauteur.
Nana is 4 years old and lives in a stone house beyond the forest.
Back from school, on a late afternoon, all she finds in the house
is silence. A journey into the night of her childhood..
The world at her height.
LOCARNO FESTIVAL DEL FILM 2011 - BEST FIRST FEATURE FILM AWARD
VANCOUVER INTERNATIONAL FILM FESTIVAL 2011
FESTIVAL INTERNACIONAL DE CINE VALDIVIA 2011 - BEST INTERNATIONAL FILM AWARD
FESTIVAL INTERNATIONAL DU FILM FRANCOPHONE DE NAMUR 2011
VIENNALE - VIENNA INTERNATIONAL FILM FESTIVAL 2011
FRANZÖSISCHE FILMTAGE TÜBINGEN STUTTGART 2011
LJUBLJANA INTERNATIONAL FILM FESTIVAL 2011
LEEDS INTERNATIONAL FILM FESTIVAL 2011
EUROPEAN FILM FESTIVAL SEGOVIA (MUCES) 2011
RIO DE JANEIRO INT`L FILM FESTIVAL 2011
FESTIVAL ON WHEELS - GEZICI FESTIVAL TURKEY 2011
FESTIVAL INTERNATIONAL DU FILM DE BELFORT, ENTREVUES 2011
INTERNATIONAL FILM FESTIVAL OF INDIA / GOA 2011
FESTIVAL DU FILM DE VENDÔME 2011
MUSEUM OF THE MOVING IMAGE - FIRST LOOK FILM FESTIVAL 2012
FESTIVAL D’ANGERS - PREMIERS PLANS 2012
INTERNATIONAL FILM FESTIVAL ROTTERDAM 2012
FESTIVAL INTERNATIONAL DU FILM D’ENVIRONNEMENT 2012
!F ISTANBUL INTERNATIONAL INDEPENDENT FILM FESTIVAL 2012 - GRAND PRIX
CLEVELAND INTERNATIONAL FILM FESTIVAL 2012
HONG KONG INTERNATIONAL FILM FESTIVAL 2012
BAFICI - BUENOS AIRES FESTIVAL INTERNACIONAL DE CINE INDEPENDIENTE 2012
JEONJU INTERNATIONAL FILM FESTIVAL 2012
NEW HORIZONS INTERNATIONAL FILM FESTIVAL WARSAW 2012
CINEMA CITY - INTERNATIONAL FILM FESTIVAL NOVI SAD SERBIA 2012
GOLDEN APRICOT - YEREVAN INT’ FILM FESTIVAL 2012
NEW HORIZON INT’ FILM FESTIVAL 2012
NEW ZAELAND INT’ FILM FESTIVAL 2012
MELBOURNE INT’ FILM FESTIVAL 2012
On le recommandait : “Il est beau, faut le voir”. Et il est beau, objectivement, mais ce
n’est pas de beauté que parle ce plongeon sensible dans la vie d’une fille de 4 ans, avant
l’hostilité des relations familiales et du monde qui l’entoure, avant les stratagèmes infantiles
que l’enfant utilise pour se défendre. Voici un enfant sauvage qui ne doit rien à Truffaut, à Pialat, à Doillon et qui prend place, sans en demander la permission, de façon authentique,
dans cette même famille qui a su observer les secrets de l’enfance sans commisération..
Francisco Ferreira - Expresso
Valerie Massadian’s Nana, as disturbing as it is poetic, a quicksilver piece of pure cinema that will
be much discussed.
Robert Koehler
Succinct and mysterious, taut and langorous, hermetic and expansive. Massadian’s pastoral fable
strikes a memorably unnerving chord that only so much context can assuage. Massadian’s very
camerawork seems to be asking the question of whether the world is ever at the mercy of one’s
fingertips, child or adult. Denuded to its cryptic core, Nana may be insular to a fault but is wide
open for identification. In which case the notion of purity in cinema may become subordinate to
preference, whereby states of inattention may be the point of the peril of watching. Nana weaves
a spell by virtue of leaving ample room for both, implying that any given moment the real and
mythic describe each other.
Sometimes films, like children, are terribly incrustable, and have mind of their own.
Jay Kuehner - Cinemascope

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