2007 - UniFrance

The British and Irish theatrical and television markets in
2007
9/29/16 9:34:28 PM
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A successful year all round
An expanding market
After doubling its size between 1990 and 2000, the United Kingdom’s theatrical market stabilized in 2007 as one of
Europe’s two leading markets along with France. Unlike in most of the major European markets, however, all market
indicators in the United Kingdom showed an upward trend in 2007. Following two years of slightly declining movie
attendance, 2007 saw a 3.7% rise, with a total of 162.4 million spectators registered. Box office revenues rose even
more significantly, up 7% to €1,198.7 million. This was largely due to constantly increasing ticket prices, standing at
€7.37 in 2007. This was €1.25 higher than in Germany, which has the second highest ticket price of all of the major EU
member states.
UK audiences are among the most enthusiastic moviegoers in Europe, with an average of 2.71 cinema visits per person
annually, almost matching figures in France (2.77 films) and higher than those of Spain (2.6 films), Italy (1.8 films), and
Germany (1.5 films).
In spite of a slight increase in the number of movie theaters (up 2%) in this period, the UK lags behind other European
countries. With 3,514 screens serving a population of 60 million, the UK counts just 58.5 screens per million people, one
of the lowest figures in Europe (compared to 95 screens in Spain and 84.3 in France, where a similar population has
access to 5,398 screens). This figure is partly attributable to a disparity between the number of theaters operating in the
major cities and rural/regional locations, with the London area accounting for more than one quarter of the nation’s
admissions. To compensate for this imbalance and to offer the more "disadvantaged" regional sites access to a greater
variety of films, the UK Film Council launched an ambitious plan to equip theaters with digital facilities. The first
installations began in 2006, and since the summer of 2007, all of the 240 screens involved in the Digital Screen Network
program are operational. Exhibitors must now respect new agreements concerning the variety of cinema programming.
Initial results of this project will be evaluated in 2008.
A DVD market in slight decline
The third largest international entertainment market after the USA and Japan, the UK is Europe’s largest DVD market,
with an estimated value of €3.8 billion in 2007 (up 3.7% over 2006). The DVD market thus tripled box office revenues,
with 89% of the market derived from sales and 11% derived from rentals. In 2007, 250 million DVDs were sold in the UK
(75% films) and 98 million DVDs were rented (98% films). 86% of homes in the UK were equipped with DVD players and
30% of DVD rentals were made online (against 24% in 2006).
A television industry more receptive to foreign-language productions
In 2007, 5,858 French movie titles were broadcast on British and Irish television networks, with 35.4% of these aired on
terrestrial channels, 25.6% on subscriber-only movie channels, and 56.4% on other channels. 2,182 films were
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broadcast on Britain’s five terrestrial channels (+8.5%). Of these, 63 titles (46 broadcast on Channel 4, 14 broadcast on
BBC 1 and 2; 3 broadcast on Five, none on ITV), were shot in a foreign language, highlighting a spectacular hike of 54%
compared to 2006!
This figure represents 3% of the total number of films broadcast (against 2% in 2006), which attracted 0.2% of viewing
audiences, as in 2006.
The number of films broadcast on British and Irish television is currently five times higher than ten years ago, largely due
to the greater number of pay-TV channels available. In 2007, 3.1 billion UK viewers watched a film on television
(excluding pay-per-view viewings), 19 times higher than the number of spectators registered at movie theaters.
Homegrown films take the spotlight
The United Kingdom boasts a highly active local film production industry, although the distribution scale and success rate
of films vary considerably from year to year, partly due to the scale of co-productions with the United States.
After a lackluster year in 2006 in which national productions captured just 19% of the market, 2007 proved more
successful, with a 28.5% market share, the highest score since the record-breaking year of 2005 (33%). This figure can
be largely credited to Harry Potter and the Order of the Phoenix, a British co-production which raked in €72 million in the
UK and hit the top of the charts. All up, 7 films produced or co-produced by the UK feature among the year’s top 20 films.
The UK-produced titles were Mr. Bean’s Holiday, Hot Fuzz, and St. Trinian’s, while The Golden Compass, The Bourne
Ultimatum, and Stardust were co-produced with the United States.
As in 2006, 107 local films hit the screens in 2007, the highest number in the past 20 years.
On the production front, the number of films produced in 2007 (slated for release in 2008) was slightly lower than in
2006. Nonetheless, 117 films were in production stage in 2007 (against 134 in 2006), the 4th highest number since 1990.
This figure remains within the range of the previous six years (between 100 and 150 films produced) and is well above
figures of the 1990s (between 50 and 100 films produced annually from 1996 to 2001, with less than 50 films produced
annually from 1990 and 1995).
Among these 117 films, 60 titles were UK productions (up 9%), with an average budget of €2.7 million. 29 titles were
international co-productions (up 44%) and 28 titles were co-financed abroad (as in 2006). After a dramatic increase in
film investment in 2006 (due to a handful of high budget films such as Harry Potter), spending on UK productions in 2007
fell back by 11.6% to €1.09 billion.
The British and Irish film production sector is currently undergoing a period of change. After the expiry of the sales and
lease back scheme (Section 42 and 48 of the Finance Act introduced in 1997 and extended until July 2005), the new
market context has begun to take effect, with the former scheme that applied to all sectors replaced by a tax credit
system specifically designed for the film industry implemented in January 2007. We will not be able to evaluate the
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effectiveness of this new system until 2008, once the various stages of films’ development, financing, production, postproduction, and commercial release have been completed.
French films continue to gain ground
French films have traditionally struggled to make their mark in this market in which non-British foreign-language films
tend to be relegated to the category of “specialized films.”
Despite the fact that between 30 and 40 French titles hit British and Irish screens each year, French films have only vary
rarely gained a market share above 1%. Admissions hover around the 500,000 spectators mark, reaching 1.5 million in a
good year.
Despite this bleak market scenario, French films have achieved considerable progress in the past three years. 2007 was
an exceptionally good year, with 44 French titles released and ticket sales reaching €21 million. Close to 3 million*
admissions were registered and French films’ market share jumped to a record high of 1.8%. For the third consecutive
year, French films’ market share broke the 1% threshold, even coming close to 2%.
French majority productions dominated these results, accounting for almost 87% of all admissions to French fare. A
number of films deserve particular credit, such as Luc Besson’s Arthur et les Minimoys (Arthur and the Invisibles),
distributed by Alliance/Momentum. Although benefiting from being shot in English and its international cast, this film
nonetheless achieved impressive results, attracting 1.1 million spectators. Also in the English-language category were
fine performances by Two Days in Paris by Julie Delpy (140,000 admissions, released by The Works) and La Science
des reves (The Science of Sleep) by Michel Gondry (125,000 admissions, released by Warner Bros.).
The big surprise of the year came from French-language films, with UK distributors turning up trumps with their choice of
titles. Icon Films Entertainment showed their support for Edith Piaf with an ambitious release of Olivier Dahan’s La Mome
(La Vie en Rose). This film pulled in around 325,000 spectators, an excellent achievement for a foreign-language
production. The fledgling distribution outfit Revolver threw its weight behind a film of a different genre, releasing the
French-style action film Ne le dis a personne (Tell No One) by Guillaume Canet with excellent results (250,000
admissions). Spurred on by these success stories, these distributors went on to acquire other French titles, including
Hors de prix (Priceless) and Les Femmes de l’ombre (Female Agents). Fine results were also earned by Mon meilleur
ami (My Best Friend) by Patrice Leconte (80,000 admissions, released by Optimum) and Moliere by Laurent Tirard
(75,000 admissions, released by Pathe UK).
Despite the difficulties of this market for non-English language films, French cinema benefits from strong support from
longstanding relationships with a number of distributors, who have recently been joined by several dynamic newcomers
who have brought new impetus to the distribution of French films in the UK.
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In this ever-changing cinema landscape, Artificial Eye remains the mainstay of French film distribution, releasing 14 titles
in 2007 despite undergoing internal restructuring during the year. 2007 marked the departure of two of its founding
members, Pamela Engel and Robert Beeson, following the sale of the company in 2006. Only the future will tell what is
in store for the new Artificial Eye, now associated with the Curzon cinemas, the central keystone for independent film
distribution in the United Kingdom.
Under the control of StudioCanal since 2006, Optimum has now stamped itself as the number 2 distributor of French
films in the UK, with 7 titles released in 2007. The other French operator in this territory, Pathe UK showed limited
support for French fare, releasing just 3 titles in this period.
Among the traditional supporters of French films, Tartan Films shows waning enthusiasm, while Alliance/Momentum
restricted its support to the more commercial productions.
2007 was also marked by the arrival on the scene and the return of a host of distributors who had either rarely distributed
French films or had backed off in recent years. These include Icon and Revolver (mentioned earlier) as well as The
Works, Metrodome, and ICA. Finally, a number of highly specialized distributors, such as Soda Pictures, Peccadillo, and
Dogwoof, showed their motivation for developing an audience for the less accessible French titles.
*Estimations based on box office receipts and the official average ticket price.
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Statistics for French films (theatrical release) - United Kingdom
Release details
Film title- 2007
Box Office
Admissions
(€)
8,137,601.19 1,164,452
Number of
prints
434
Sales agents Local
distributors
1
Arthur and the
Invisible
2
La Vie en rose
2,317,175.14 324,331
78
TF1
International
3
Tell No One
1,749,243.83 243,911
55
EuropaCorp
4
1,550,842.63 214,344
101
Summit
Entertainment
962,178
136,093
37
Rezo
893,941.98
125,147
47
Gaumont
7
Perfume : The
story of a
murderer
Two Days in
Paris
The Science of
Sleep
Molière
567,781.35
74,118
49
Wild Bunch
8
My Best Friend
562,507.2
78,410
56
Wild Bunch
9
The Ugly
Ducking and
Me!
I Did It My Way
419,580.43
62,040
99
SND Groupe
M6
Alliance films /
Momentum
Pictures
Icon Films
Entertainment
and Distribution
Revolver
Entertainment
Pathé
Entertainment
(UK)
The Works UK
Distribution
Warner Bros.
(UK)
Pathé
Entertainment
(UK)
StudioCanal
Limited (exOptimum
Releasing)
Eclipse Pictures
Limited
55,721
52,254
15
5
EuropaCorp
Artificial Eye
Golden Door
387,814.45
374,331.79
Wild Bunch
12
Lady Chatterley
352,241.63
49,422
51
13
Paris, je t'aime
321,268.03
44,883
13
14
Days of Glory
314,219.54
43,617
32
15
Fauteuils
d'orchestre
202,180.89
20,855
15
Films
Distribution
Celsius
Entertainment
Films
Distribution
STUDIOCANAL
StudioCanal
Limited (exOptimum
Releasing)
Artificial Eye
16
Climats (Les)
190,109.1
26,474
8
17
189,843.81
26,579
6
186,200.87
26,315
3
19
The Family
Friend
Goodbye
Bafana
Them
174,970.04
24,200
43
20
Cœurs
170,298.69
24,447
3
5
6
10
11
18
EuropaCorp
Pyramide
International
Wild Bunch
The Works UK
Distribution
Metrodome
Distribution
StudioCanal
Limited (exOptimum
Releasing)
Artificial Eye
Artificial Eye
Celluloid
Paramount
Dreams
Pictures (UK)
STUDIOCANAL Metrodome
Distribution
STUDIOCANAL Artificial Eye
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Not Here to Be
Loved
Band's Visit
(The)
122,349.98
17,053
5
Rezo
Artificial Eye
122,314.76
19,213
5
Bleiberg
Entertainment
NC (GrandeBretagne)
23
Dans Paris
100,601.4
13,948
8
24
Prête-moi ta
main
90,392.77
13,310
5
25
84,978.54
12,390
11
26
La Faute à Fidel
!
Bamako
72,655.78
8,982
8
27
Le Serpent
70,215.65
10,098
43
28
The Witnesses
66,820.69
10,367
9
29
Belle de Jour
59,506.36
8,300
7
30
52,901.12
7,500
5
48,470.51
7,782
2
32
The Page
Turner
Les Poupées
Russes
Transylvania
40,069.88
7,000
3
33
The Caiman
29,076.67
4,511
4
34
Last Tango in
Paris
28,763.49
4,076
1
35
Daratt (Saison
sèche)
L'Homme sans
âge
24,939.05
3,500
2
24,174.53
3,797
13
37
38
Love Songs
22,533.62
21,073.65
3,423
3,000
10
4
The Bureau
Artificial Eye
Sales
STUDIOCANAL StudioCanal
Limited (exOptimum
Releasing)
Gaumont
ICA Films
Limited
Les Films du
Artificial Eye
Losange
Wild Bunch
Metrodome
Distribution
TF1
Artificial Eye
International
Tamasa
StudioCanal
Distribution
Limited (exOptimum
Releasing)
Films
Artificial Eye
Distribution
STUDIOCANAL CineFile (exCinéfrance)
Pyramide
Peccadillo
International
Pictures
StudioCanal
Limited (exOptimum
Releasing)
MGM - Metro
NC (GrandeGoldwyn Mayer Bretagne)
USA
Pyramide
Soda Pictures
International
Pathé
Pathé
Distribution
Entertainment
(UK)
Le Pacte
Artificial Eye
39
Asterix and the
Vikings
20,984.92
2,900
61
40
The Child
18,566.73
2,734
3
41
Ruby & Quentin
16,468.39
3,300
1
42
Lagerfeld
Confidential
Quelques jours
en septembre
14,820.39
2,171
1
14,215.19
1,190
11
21
22
31
36
43
Flanders
Films
Distribution
SND Groupe
M6
Celluloid
Dreams
TF1
International
Films
Distribution
The Bureau
Sales
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Soda Pictures
StudioCanal
Limited (exOptimum
Releasing)
Artificial Eye
CineFile (exCinéfrance)
Revolver
Entertainment
Transmedia
Pictures
1,987
1,800
1,773
2
4
2
Wide
8,681.64
1,559
2
7,083.43
6,479.6
1,030
988
2
2
Films
Distribution
Wide
L' Héritage
3,495.16
2,404.55
550
373
1
2
52
Hotel Harabati
2,374.97
373
2
53
Sheitan
1,881.08
260
1
54
The Right of the
Weakest
Lila Says
1,097.62
170
1
978.23
153
1
44
45
46
47
48
49
50
51
55
Stolen Holidays
13,244.99
Gabrielle
12,981.08
The Comedy of 11,431.82
Power
Anna M.
Ecoute le temps
The Duchess of
Langeais / Don't
Touch the Axe
Klimt
Dogwoof
STUDIOCANAL Artificial Eye
Wild Bunch
Les Films du
Losange
ICA Films
Limited
Metrodome
Distribution
Dogwoof
Artificial Eye
Soda Pictures
mk2
Films
Distribution
Wild Bunch
Films
Distribution
Pyramide
International
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Revolver
Entertainment
Soda Pictures
Tartan
Palisades
Tartan
Palisades
Lionsgate UK
(ex-Redbus)
French films acquired (production year : 2007)
Film title
Film export
Local distributor
companies/International
distributors
Production status
Boarding Gate
Memento Films International Revolver Entertainment
No Body is Perfect
Wild Bunch
Tartan Palisades
Ca$h
TF1 International
Tartan Palisades
No theatrical release
No theatrical release
Film acquired
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Market development
Year
Admissions Admissions
(all
to French
nationalities) films
2014
157,500,000 2,914,041
2013
165,500,000 1,219,522
2012
172,500,000 7,431,194
2011
171,600,000 2,776,573
2010
169,200,000 2,292,283
2009
173,500,000 1,431,266
2008
164,200,000 3,709,154
2007
162,400,000 2,999,174
2006
156,600,000 1,924,311
2005
164,700,000 2,393,231
2004
171,300,000 612,823
2003
167,300,000 1,307,781
2002
182,181,811 644,903
2001
156,000,000 1,368,294
Box office for
films of all
nationalities
(€)
1,312,669,16
2
1,275,500,00
0
1,355,900,00
0.3
1,198,599,99
9.86
987,999,999.
61
1,176,144,41
3.04
1,435,331,41
4.55
1,198,660,03
1.32
1,120,257,98
2.55
1,124,200,02
9.37
1,131,900,02
2.03
1,075,900,03
5.38
885,037,398.
4
710,000,000
2000
1999
1998
1997
142,506,684
139,750,000
135,200,000
139,500,000
628,000,000
570,499,968
539,000,000
531,600,000
788,853
962,428
651,249
3,510,526
Box office for Number of
French films screens
(€)
Average
ticket price
(€)
24,587,165.0 3,909
1
9,419,262.6 3,867
6.72
58,438,843.6
5
19,250,412.3
8
15,514,359.3
9
8,272,126.36
3,817
6.4
3,767
6.07
3,671
5.83
3,651
5.1
6.54
27,199,822.7 3,610
6.03
21,263,358.8 3,514
1
15,643,147.9 3,440
2
24,644,316.2 3,357
5.07
6,338,832.04 3,342
4.5
12,867,956.1 3,318
3
6,617,972.39 3,220
4.43
13,096,332.5
7
7,182,693.93
6,507,318.12
4,082,963.41
19,810,375.4
8
3,005
4.32
3,039
2,758
2,581
2,356
4.3
3.8
3.99
3.81
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4.93
4.66
7
Market share for French films, filtered by distributor - 2007
Distributor
1
2
3
4
5
6
7
8
9
10
11
Alliance films /
Momentum Pictures
Icon Films
Entertainment and
Distribution
Pathé Entertainment
(UK)
Artificial Eye
Revolver
Entertainment
The Works UK
Distribution
StudioCanal Limited
(ex-Optimum
Releasing)
Warner Bros. (UK)
Metrodome
Distribution
Eclipse Pictures
Limited
Paramount Pictures
(UK)
Number of films
released
1
Total admissions
Market share (%)
1,164,452
0
1
324,331
0
3
292,259
0
14
3
249,438
246,455
0
0
2
180,976
0
7
180,540
0
1
4
125,147
79,474
0
0
1
62,040
0
1
26,315
0
12
NC (GrandeBretagne)
2
23,289
0
13
14
ICA Films Limited
2
2
14,163
11,082
0
0
4
1
2
1
2
1
7,423
7,000
3,017
1,190
430
153
0
0
0
0
0
0
15
16
17
18
19
20
CineFile (exCinéfrance)
Soda Pictures
Peccadillo Pictures
Dogwoof
Transmedia Pictures
Tartan Palisades
Lionsgate UK (exRedbus)
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Films co-produced with this country - 2007
Running time
Film title
Directors
French producers
Feature film
Feature film
Backwoods (The)
Koldo Serra
Divine Productions
Dorothy Mills
Agnès Merlet
Feature film
Elvis Pelvis
Kevin Aduaka
Feature film
Short film
Far North
Asif Kapadia
Fidélité Films, Wild
Bunch
Love Streams agnès b.
Productions
The Bureau Sales
Hésitation
Virginia Gilbert
1.85 Films, Neon
Productions
Feature film
I Come with the Rain
Tran Anh Hung
Feature film
Feature film
Feature film
Oxford Murders (The)
Alex de la Iglesia
Central Films, Lumière
International,
STUDIOCANAL
La Fabrique de Films
The Duchess
Saul Dibb
Pathé Production
Gabor Csupo
Davis Films
Feature film
The Secret of
Moonacre
Under the bombs
Philippe Aractingi
Feature film
Vinyan
Fabrice du Welz
Art'mell, Capa, Every
Pictures
The Film
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Co-producers from
this country
Top films, all nationalities - 2007
Film title
Harry Potter et l'Ordre du Phenix
Pirates des Caraïbes : jusqu'au
bout du monde
Shrek 3
Les Simpsons : le film
Spiderman 3
A la croisée des mondes : La
Boussole d'or
Je suis une légende
Ratatouille
La Vengeance dans la peau
Transformers
Box office (€)
72,300,000
59,400,000
Admissions
9,800,000
8,000,000
56,600,000
56,500,000
49,100,000
38,100,000
7,700,000
7,700,000
6,600,000
5,200,000
37,400,000
36,300,000
34,700,000
34,400,000
5,100,000
4,900,000
4,700,000
4,700,000
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Statistics for French film broadcasts - United Kingdom
Details
of French
feature films,
by channel
- 2007
TV channelon TV broadcasts
Number
of films broadcast
Number
of broadcasts
Sky Movies Classics (fusion Sky
Cinema 1 + Sky Cinema 2)
Film Four Channel
Film Four +1
Sky Movies Modern Greats
Bbc 4
Channel 4 TV Corporation
More 4
BBC2 - British Broadcasting
Corporation
BBC1 - British Broadcasting
Corporation
Channel 5 Broadcasting
BBC3 - British Broadcasting
Corporation
38
215
51
51
11
26
25
13
13
147
147
133
28
25
17
14
11
11
8
1
8
2
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Title, details of countries of distribution - 2007
Country
Number of films broadcast
Number of TV broadcasts
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Titles of films shown - 2007
Film title
Number of countries
Number of TV broadcasts
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SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069
Titles of films shown - 2007
Film title
Director(s)
VIE PRIVEE DE SHERLOCK
HOLMES (LA)
Barbarella
Number of TV broadcasts
46
Roger Vadim
Portes du paradis (les)
Michaël Cimino
The Piano
Jane Campion
Casino
Martin Scorsese
25
25
24
20
20
19
19
15
15
15
15
MARATHON MAN
MES FUNERAILLES A BERLIN
The Train
John Frankenheimer
LAWRENCE D'ARABIE
David Lean
MILLIARDAIRE (LE)
Georges Cukor
Oliver Twist
Roman Polanski
COMMANDO POUR UN HOMME
SEUL
BONS BAISERS D'ATHENES
JACK & SARAH
Tim Sullivan
UN CHATEAU EN ENFER
La Cage aux folles (Birds of a Feather) Édouard Molinaro
LOCAL HERO
Land of the dead
George A. Romero
Breaking the Waves
Lars Von Trier
RETOUR DES MOUSQUETAIRES
(LE)
The Good Thief
Richard Lester
Le Patient anglais
Anthony Minghella
Stealing Beauty
Bernardo Bertolucci
Week-End à Paris
Gordon Parry
The Transporter
Louis Leterrier
Jean de Florette
Claude Berri
The World
Jia Zhang-Ke
Le Divorce
James Ivory
Manon des sources / Manon of the
Spring
Our Music
Claude Berri
5x2
François Ozon
The Dreamers
Bernardo Bertolucci
Danny The Dog
Louis Leterrier
8 Women
François Ozon
The Last Mitterrand
Robert Guédiguian
Neil Jordan
Jean-Luc Godard
14
12
11
11
11
11
10
10
9
9
9
9
9
8
8
8
8
8
7
7
7
7
7
Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org
SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069
ROMANOFF ET JULIETTE
Peter Ustinov
The Golden Coach
Jean Renoir
Kings and Queen
Arnaud Desplechin
Amelie
Jean-Pierre Jeunet
City of God
The Eighth Day
Fernando Meirelles, Katia Lund
Jaco Van Dormael
Roma
Federico Fellini
Vera Drake
Mike Leigh
MOULIN ROUGE
Swimming pool
François Ozon
Land and Freedom
Ken Loach
The Last Metro
François Truffaut
Dogville
Lars Von Trier
Army of Shadow
Jean-Pierre Melville
DU SANG POUR DRACULA
Paul Morrissey
Doulos: The Finger Man
Jean-Pierre Melville
Moolaadè
Ousmane Sembene
The Pillow Book
Peter Greenaway
Microcosmos
Jules and Jim
Claude Nuridsany, Marie Perennou
François Truffaut
Innocence
Lucile Hadzihalilovic
LIVE FLESH
Pedro Almodovar
The Red Circle / Le Cercle rouge
Jean-Pierre Melville
RENCONTRE DU 3 EME TYPE
Bob le flambeur
Jean-Pierre Melville
The Piano Teacher
Michael Haneke
L'Étau
Alfred Hitchcock
Land Girls
David Leland
Cinq jours ce printemps-là
Fred Zinnemann
The Magdalene Sisters
Peter Mullan
The Great Silence
Sergio Corbucci
Under the Sand
François Ozon
Love Me If You Dare
Yann Samuell
Before the Rain
Milcho Manchevski
The Tenant
Roman Polanski
Assault on Precinct 13
Jean-François Richet
ORCA
Hidden
Michael Haneke
The Girl on the Bridge
Patrice Leconte
Three Colours : White
Krzysztof Kieslowski
Nelly and Mr Arnaud
Claude Sautet
6
6
6
6
6
6
6
5
5
5
5
5
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
3
3
3
3
2
2
2
2
2
Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org
SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069
First Came the Silence
Pierre Filmon
A NOUS LA VICTOIRE
John Juston
La Dolce Vita
Federico Fellini
TWELVE MONKEYS
Terry Gilliam
Confidentially Yours
François Truffaut
Thos Daring Young Men In Their
Jaunty Jalopies
Heaven
Ken Annakin
Behind the sun
Walter Salles
Baril de poudre
Goran Paskaljevic
Secret Things
Jean-Claude Brisseau
The 400 Blows
François Truffaut
Winged Migration
HOMMES DE LAS VEGAS (LES)
Jacques Perrin, Michel Debats,
Jacques Cluzaud
Antonio Isasi
Three Colours : Blue
Krzysztof Kieslowski
The Ordeal
Fabrice du Welz
A Very Long Engagement
Jean-Pierre Jeunet
Les Diaboliques / Diabolique
Henri-Georges Clouzot
36
Olivier Marchal
Beat That My Heart Skipped (The)
Jacques Audiard
All About my Mother
Pedro Almodovar
Frantic
Roman Polanski
WATERLOO
Sergueï Bondartchouk
Un homme perdu
Danielle Arbid
Le Grand Voyage
Ismaël Ferroukhi
Tosca
Benoit Jacquot
A Pornographic Affair
Frédéric Fonteyne
MORT A VENISE
Luchino Visconti
Life and Nothing But
Bertrand Tavernier
At five in the afternoon
Samira Makhmalbaf
Crime contre l'humanité
Norman Jewison
The Ninth Gate
Roman Polanski
Tom Tykwer
STAND BY ME
YOUNG POISONER'S HANDBOOK
Benjamin Ross
Metroland
Philip Saville
Asterix and Obelix versus Cesar
Claude Zidi
BLACK SUNDAY
The Double Life of Véronique
Krzysztof Kieslowski
Nuit des tournesols (La)
Jorge Sanchez-Cabezudo
Gosfork park
Robert Altman
Metteur en scène de mariages (Le)
Marco Bellocchio
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org
SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069
13 - Tzameti
Gela Babluani
CHACAL (LE)
Passager (Le)
Geoffrey Reeve
Kandahar
Mohsen Makhmalbaf
Intimate Strangers
Patrice Leconte
Harry, He is Here to Help
Dominik Moll
Warm Water Under a Red Bridge
Shohei Imamura
Red Satin
Raja Amari
The Vertical Ray of the Sun
Tran Anh Hung
Hideous Kinky
Gillies McKinnon
Brodeuses
Éléonore Faucher
Steal
Gérard Pirès
The Trench
William Boyd
Viva Algeria
Nadir Moknèche
The Dinner Game
Francis Veber
MONTE WALSH
The Lady and the Duke
Éric Rohmer
The Chorus
Christophe Barratier
Elisabeth I
Shekhar Kapur
Merry Christmas
Christian Carion
Bitter Moon
Roman Polanski
Since Otar Left
Julie Bertuccelli
ZEPPELIN
Enemy at the Gates
Jean-Jacques Annaud
TOPKAPI
Jules Dassin
The Motorcycle diaries
Walter Salles
Revenger's Comedies (The)
Malcolm Mowbray
Claire's Knee
Éric Rohmer
Alexandre Le Grand
Fat Girl
Catherine Breillat
Kolya
Jan Sverak
Exils
Tony Gatlif
2046
Wong Kar Wai
TURBANS ROUGES (LES) (THE
LONG DUEL)
Love on the Run
Ken Annakin
All or nothing
Mike Leigh
Roberto Succo
Cédric Kahn
Green Card
Peter Weir
Femme Fatale
Brian De Palma
India Song
Marguerite Duras
François Truffaut
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org
SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069
To Be and to Have
Nicolas Philibert
Mouchette
Robert Bresson
Mille mois
Faouzi Bensaïdi
Diabolique
Jeremiah S. Chechik
Aaltra
Benoît Delépine, Gustave Kervern
Gabriele Salvatores
Nirvana
Assassinats en tout genre
How I Killed my Father
Anne Fontaine
Viva Maria!
Louis Malle
The man who cried
Sally Potter
Balthazar
Robert Bresson
1
1
1
1
1
1
1
1
1
1
1
Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org
SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069
View details of all broadcasts
Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org
SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069