FRANCE - German Films

Transcription

FRANCE - German Films
Market Study
FRANCE
by Split Screen Data Ltd.
for German Films
July 2013
FRANCE
Language
Location
French
a republic in Western europe with several
overseas territories and islands located on
other continents and in the Indian, Pacific,
and atlantic oceans. Metropolitan France
extends from the Mediterranean to the
english Channel and the North Sea, and
from the rhine river to the atlantic Ocean.
Population
65,674,325
Capital
Paris (pop 2,226,096)
Major cities
Marseille (pop 1,457,000),
Lyon (pop 1,456,000), Lille (pop 1,028,000)
Land surface
547,030 square kilometres
(Metropolitan France)
Time zone
Cet (GMt+1)
Internet domain .fr
IDD
+33
Currency
euro
GDP
€2.13 trillion
Unemployment 10.6%
G E N E R A L C I N E M A S TAT I S T I C S
Cinemas
Screens
Digital screens
3D-capable screens
Overall capacity
Admissions
Per capita attendance
Average ticket price (euros)
Active theatrical distributors
2010
2011
2012
2,050
5,478
1,860
1,476
1,076,538
206,330,000
5.3
6.31
129
2,030
5,464
3,656
2,368
1,085,424
213,793,358
5.4
6.30
142
2,031
5,465
5,017
2,368
1,065,512
203,135,574
n/a
6.33
154
693
221
215
15
39
144
98
692
223
209
19
42
152
89
730
242
223
12
28
143
103
206,330,000
73,710,000
831,000
0.40
7,164,000
3.47
213,793,358
88,630,000
2,550,814
1.19
2,746,891
1.28
203,135,574
82,000,000*
1,011,596
0.50
3,494,796
1.72
RELEASES
Total
French
US
German (100% or majority co-prods)
German minority co-prods
Other European
Other
Classification is by main producing country. as a result, there is an inevitable overlap between German minority co-productions and other categories.
MARKET SHARE
(admissions)
Total
French
German 100% or majority co-prods
German 100% or majority co-prods as %
German minority co-prods
German minority co-prods as %
*provisional
2
GerMaN FILMS – Market Study FRANCE
R E L E A S E D E TA I L S
TITLE
DISTRIBUTOR
RELEASE
DATE
twentieth Century Fox France
Warner Bros. Pictures France
europaCorp distribution
Warner Bros. Pictures France
Paramount Pictures France
Walt disney Studios Motion Pictures (France)
Walt disney Studios Motion Pictures (France)
Pathé distribution
SNd
Walt disney Studios Motion Pictures (France)
16.12.09
24.11.10
20.10.10
21.07.10
30.06.10
24.03.10
14.07.10
21.04.10
07.07.10
27.01.10
9,185,337
5,506,304
5,249,345
4,933,551
4,625,118
4,533,414
4,353,253
3,978,114
3,940,301
3,842,600
Gaumont
Pathé distribution
Metropolitan Filmexport
StudioCanal
Le Pacte
Pyramide distribution
uGC distribution
Bac Films
Jour2Fête
Pathé distribution
ad Vitam
Pyramide distribution
Bac Films
europaCorp distribution
Metropolitan Filmexport
Wild Bunch distribution
StudioCanal
Bodega Films
Mk2 diffusion
Pyramide distribution
Metropolitan Filmexport
10.03.10
03.03.10
22.09.10
03.11.10
30.06.10
17.03.10
30.06.10
10.03.10
13.10.10
13.01.10
07.04.10
01.09.10
21.04.10
17.03.10
29.12.10
05.05.10
10.02.10
22.09.10
07.07.10
27.10.10
21.07.10
2,895,810
1,048,701
911,560
733,237
507,406
281,017
273,459
162,486
159,369
142,536
140,792
132,511
121,318
72,256
60,117
53,373
52,917
49,500
45,758
47,292
41,244
2010 TOP 10
*aVatar (uS)
Harry POtter aNd tHe deatHLy HaLLOWS: Part 1 (uS/uk)
LeS PetItS MOuCHOIrS (Fr)
INCePtION (uS/uk)
SHrek FOreVer aFter (uS)
aLICe IN WONderLaNd (uS)
tOy StOry 3 (uS)
CaMPING 2 (Fr)
tHe tWILIGHt SaGa: eCLIPSe (uS)
tHe PrINCeSS aNd tHe FrOG (uS)
* released in previous year(s)
ADMISSIONS
2 0 1 0 G E R M A N F I L M S (100% or majority co-productions in red)
La raFLe (Fr/Ger)
tHe GHOSt (Fr/Ger/uk)
reSIdeNt eVIL: aFterLIFe (uk/Ger/uS)
La PrINCeSSe de MONtPeNSIer (Fr/Ger)
tOurNÉe (Fr/Ger)
SOuL kItCHeN (Ger/Fr/It)
FLICkaN SOM Lekte Med eLdeN (SWe/Ger)
WÜSteNBLuMe (Ger/aut)
taNZtrÄuMe (Ger)
Mr. NOBOdy (BeL/Fr/CaN/Ger)
aJaMI (ISr/Ger/uk)
uNCLe BOONMee WHO CaN reCaLL HIS PaSt LIVeS (tHaI/Ger/Fr/SP/uk)
tHe COuNteSS (Fr/uS/Ger)
SturM (Ger/deN/NL)
WIr SINd dIe NaCHt (Ger)
eNter tHe VOId (Fr/Ger/It)
NINJa aSSaSSIN (uS/Ger)
BaL (tur/Ger)
CarLOS (Fr/Ger)
NOStaLGIa de La LuZ (CHILe/Fr/Ger)
WICkIe uNd dIe StarkeN MÄNNer (Ger)
GerMaN FILMS – Market Study FRANCE
3
teNGrI, Le BLeu du CIeL (Fr/Ger)
tHe HuMaN reSOurCeS MaNaGer (ISr/Ger/Fr)
au FONd deS BOIS (Fr/Ger)
La VIe SauVaGe deS aNIMauX dOMeStIQueS (Fr/Ger)
LeBaNON (ISr/Fr/Ger)
a Matter OF SIZe (ISr/Ger/Fr)
Le QuattrO VOLte (It/Ger/SWZ)
QuartIer LOINtaIN (BeL/LuX/Ger/Fr)
uNter BauerN (Ger/Fr)
GO Get SOMe rOSeMary (uS/Ger)
tHe LaSt StatION (Ger/ruS/uk)
LIFe, aBOVe aLL (Ger/Sa)
der rÄuBer (aut/Ger)
HJeM tIL JuL (NOr/Ger)
uNter dIr dIe Stadt (Ger)
tHe WOrLd IS BIG aNd SaLVatION LurkS arOuNd tHe COrNer (BuL/Ger/SLO)
My JOy (ukr/Ger/NL)
CHaQue JOur eSt uNe FÊte (LeB/Fr/Ger)
OrNJÄGereNS SON (SWe/Ger)
SHe, a CHINeSe (uk/Fr/Ger)
dIe Frau MIt deN FÜNF eLeFaNteN (SWZ/Ger)
SÜt (tur/Ger/Fr)
dIOSeS (Peru/arG/Ger/Fr)
dOuBLe take (BeL/Fr/Ger)
OrLy (Fr/Ger)
daS FreMde IN MIr (Ger)
teZa (etH/Ger/Fr/uS)
SaLaMaNdra (arG/Ger/Fr)
aLLe aNdereN (Ger)
rOHteNBurG (Ger)
WeLt aM draHt (re, Ger)
WHOLetraIN (Ger/POL)
INdePeNdeNCIa (PHIL/Fr/Ger/NL)
der kLeINe kÖNIG MaCIuS (Ger/Fr/POL)
tHe NeVereNdING StOry (re, Ger/Fr/CaN)
** Paris figures only
4
French distribution
Pyramide distribution
Les Films du Losange
StudioCanal
CtV International
Océan Films distribution
Les Films du Losange
Wild Bunch distribution
Zootrope Fims
Sophie dulac distribution
kinovista
arP Sélection
aSC distribution
Happiness distribution
Bodega Films
Épicentre Films
arP Sélection
Sophie dulac distribution
Les Films du Préau
Les Films du Paradoxe
Nour Films
Les acacias
Bodega Film
e.d. distribution
Baba yaga Films
Jour2Fête
atlantis distribution
Bodega Films
Why Not Productions
kanibal Films distribution
Carlotta Films
alsace Cinémas
Shellac
ellipse Films
Flash Pictures
28.04.10
15.12.10
13.10.10
14.07.10
03.02.10
27.01.10
29.12.10
24.11.10
16.06.10
28.04.10
08.12.10
01.12.10
10.11.10
08.12.10
15.12.10
09.06.10
17.11.10
27.01.10
17.11.10
08.09.10
13.10.10
22.09.10
23.06.10
22.09.10
11.08.10
17.11.10
28.04.10
21.04.10
08.12.10
04.08.10
06.10.10
13.01.10
21.04.10
19.05.10
22.12.10
34,500
33,386
30,699
29,226
28,457**
28,441
24,110
18,012
15,867
12,555
11,400
10,556
10,120
8,830
8,025
7,492
7,071
6,521
6,060
5,004**
4,903
4,633
4,075
2,911
2,627**
2,434
1,862
1,809
1,808
1,723
1,167
1,096
1,072
320
243
GerMaN FILMS – Market Study FRANCE
2011 TOP 10
INtOuCHaBLeS (Fr)
rIeN a dÉCLarer (Fr)
Harry POtter aNd tHe deatHLy HaLLOWS – Part 2 (uS/uk)
tHe adVeNtureS OF tINtIN: SeCret OF tHe uNICOrN (uS)
PIrateS OF tHe CarIBBeaN: ON StraNGer tIdeS (uS)
tHe tWILIGHt SaGa: BreakING daWN – Part 1 (uS)
rISe OF tHe PLaNet OF tHe aPeS (uS)
tHe kING’S SPeeCH (uk/auS)
PuSS IN BOOtS (uS)
CarS 2 (uS)
Gaumont
Pathé distribution
Warner Bros. Pictures France
Sony Pictures releasing (France)
Walt disney Studios Motion Pictures (France)
SNd distribution
twentieth Century Fox France
Wild Bunch distribution
Paramount Pictures France
Walt disney Studios Motion Pictures (France)
02.11.11
02.02.11
13.07.11
26.10.11
18.05.11
16.11.11
10.08.11
02.02.11
16.11.11
27.07.11
15,693,206
8,148,204
6,535,125
5,308,461
4,755,081
3,558,075
3,264,080
3,085,597
3,025,109
2,973,544
Metropolitan Filmexport
uGC distribution
Les Films du Losange
Mars distribution
Les Films du Losange
Wild Bunch distribution
StudioCanal
Le Pacte
rezo Films/Studio 37
Pyramide distribution
Les Films du Losange
Les Films du Préau
Metropolitan Filmexport
Warner Bros. Pictures France
Bac Films
Sony Pictures releasing France
Sophie dulac distribution
Wild Bunch distribution
Happiness distribution
Mk2 diffusion
Memento Films distribution
Le Pacte
Carlotta Films
Bellissima Films
Jour2Fête
Memento Films distribution
diaphana distribution
09.02.11
12.10.11
10.08.11
21.12.11
06.04.11
07.12.11
21.09.11
12.10.11
30.03.11
21.12.11
06.07.11
19.10.11
31.08.11
29.06.11
09.02.11
06.07.11
27.07.11
20.04.11
17.08.11
30.03.11
26.01.11
04.05.11
13.07.11
03.08.11
01.06.11
16.02.11
09.02.11
1,036,381
441,260
415,735
371,540
346,243
336,865
281,084
249,252
217,776
141,227
123,652
120,200
116,262
108,460
92,551
87,964
73,287
70,764
46,804
46,134
43,883
43,497
38,548
31,927
30,434
30,259
26,395
2 0 1 1 G E R M A N F I L M S (100% or majority co-productions in red)
kONFereNZ der tIere (Ger)
tHe tHree MuSketeerS (Ger/Fr/uk/uS)
MeLaNCHOLIa (deN/SWe/Fr/Ger)
a daNGerOuS MetHOd (Ger/CaN/uk/SWZ)
PINa (Ger/Fr)
CarNaGe (Fr/Ger/POL)
Le COCHON de GaZa (Fr/Ger/BeL)
POuLet auX PruNeS (Fr/Ger/BeL)
Je N’aI rIeN OuBLIÉ (Fr/Ger)
Le HaVre (FIN/Fr/Ger)
uN aMOur de JeuNeSSe (Fr/Ger)
tHe GruFFaLO (uk/Ger)
CaVe OF FOrGOtteN dreaMS (uS/Fr/Ger/CaN)
NICOStratOS, Le PÉLICaN (Fr/Ger)
daS SaNdMÄNNCHeN – aBeNteuer IN trauMLaNd (Ger/Fr)
HaNNa (uS/uk/Ger)
LOurdeS (at/Fr/Ger)
dIe FreMde (Ger)
MICHeL PetruCCIaNI, BOdy aNd SOuL (Fr/Ger/It)
SNaBBa CaSH (SWe/deN/Ger)
SHaHada (Ger)
La SOLItudINe deI NuMerI PrIMI (It/Ger/Fr)
deeP eNd (re, uk/Brd/uS)
uNa VIta traNQuILLa (Fr/It/Ger)
MedIaNeraS (arG/Ger/SP)
POSt-MOrteM (CHL/Ger/MeX)
Na Putu (BOS/Ger/aut/CrO)
GerMaN FILMS – Market Study FRANCE
5
PIaNOMaNIa (aut/Ger)
aN uNS GLauBt GOtt NICHt MeHr (re, at/Brd/SWZ)*
WeLCOMe IN VIeNNa (re, at/Brd/SWZ)*
WOHIN uNd ZurÜCk – SaNta Fe (re, at/Brd/SWZ)*
kINSHaSa SyMPHONy (Ger)
WOMeN WItHOut MeN (Ger/at/Fr)
SVet-akÉ (kyrG/Fr/Ger/NL)
daS LIed VON deN ZWeI PFerdeN (Ger)
MetrOPOLIS (re, Ger)
JOHN raBe (Ger/Fr/CHI)
tHe HuNter (Ira/Ger)
a tOrINÓ LÓ (HuN/Fr/Ger/SWZ)
SkOONHeId (Sa/Fr/Ger)
CIrkuS COLuMBIa (BOS/Fr/Ger/uk/SLO/BeL)
ICH WILL dOCH Nur, daSS IHr MICH LIeBt (re) (Brd)
tHe Future (Ger/uS)
PLaStIC PLaNet (at/Ger)
daS LetZte SCHWeIGeN (Ger)
SLOVeNka (SLV/Ger/Ser/CrO)
LudWIG (re, It/Brd/Fr)
der FaLL CHOdOrkOVSky (Ger)
CONtraCOrrIeNte (Per/COL/Fr/Ger)
autOBIOGraFIa LuI NICOLae CeauSeSCu (rOM/Ger)
NOIr OCeaN (BeL/Fr/Ger)
tHe BaLLad OF GeNeSIS aNd Lady Jaye (uS/Ger/uk/NL/BeL/Fr)
eL BuLLI: COOkING IN PrOGreSS (Ger)
GIGaNte (urG/Ger/arG)
aLICe (re, CZ/uk/Brd/SWZ)
La LISIÈre (Fr/Ger)
BeyONd tHIS PLaCe (SWZ/Ger)
dIe BLeCHtrOMMeL (re, Brd/Fr)
L.a. ZOMBIe (uS/Ger/uk)
Water MakeS MONey (Ger)
uNe trOP BruyaNte SOLItude (Fr/Ger/CZ)
*released as a trilogy. admission figure covers all three films
Jour2Fête
Le Pacte
Le Pacte
Le Pacte
Hévadis Films
kMBO
Zed
Jupiter Communications
Mk2 diffusion
albany Films/aramis Films
Sophie dulac distribution
Sophie dulac distribution
Équation
Happiness distribution
Carlotta Films
Haut et Court distribution
Zootrope Films
distriB Films
Épicentre Films
Les acacias
Happiness distribution
Outplay
Mandragora International
eurozoom
Épicentre Films
Zootrope Films
Océan Films
Mission
Zootrope Films
Nour Films
tamasa distribution
Outplay
La Mare au Canards
accatone distribution
05.01.11
30.11.11
30.11.11
30.11.11
14.09.11
13.04.11
02.03.11
13.07.11
19.10.11
27.04.11
16.02.11
30.11.11
12.10.11
23.03.11
20.04.11
17.08.11
06.04.11
27.04.11
02.02.11
03.08.11
09.11.11
23.11.11
13.04.11
22.06.11
26.10.11
12.10.11
27.04.11
07.09.11
27.04.11
12.10.11
10.08.11
07.12.11
23.03.11
16.11.11
24,337
23,744*
23,744*
23,744*
23,507**
22,758
21,018
20,745
20,398
19,127
15,155
15,066
14,397
12,931
12,911
9,695
8,365
7,129
6,783
6,351
6,150
6,055
5,878
5,734
5,109
4,392
3,220
2,624
2,463
1,100
1,049
506
331**
293
**Paris and suburbs only
6
GerMaN FILMS – Market Study FRANCE
2012 TOP 10
SkyFaLL (uS/uk)
ICe aGe: CONtINeNtaL drIFt (uS)
Sur La PISte du MarSuPILaMI (Fr)
La VerIte SI Je MeNS! 3 (Fr)
tHe aVeNGerS (uS)
tHe dark kNIGHt rISeS (uS/uk)
tHe tWILIGHt SaGa: BreakING daWN – Part 2 (uS)
aStÉrIX et OBÉLIX: au SerVICe de Sa MaJeStÉ (Fr)
MadaGaSCar 3: eurOPe'S MOSt WaNted (uS)
Le PrÉNOM (Fr/BeL)
Sony Pictures releasing (France)
twentieth Century Fox France
Pathé distribution
Mars distribution
Walt disney Studios Motion Pictures (France)
Warner Bros. Pictures France
SNd
Wild Bunch distribution
Paramount Pictures France
Pathé distribution
24.10.12
27.06.12
04.04.12
01.02.12
25.04.12
25.07.12
14.11.12
17.10.12
06.06.12
25.04.12
6,827,640
6,625,903
5,303,217
4,613,791
4,499,613
4,418,240
4,362,480
3,754,598
3,412,055
3,340,231
StudioCanal
Les Films du Losange
Metropolitan Filmexport
Bac Films
rezo Films
Pyramide
Sony Pictures releasing (France)
Jour2Fête/Chrysalis Films
Les Films du Losange
Les Films du Préau
Haut et Court distribution
Shellac
Metropolitan Filmexport
Le Pacte
Sophie dulac distribution
eurozoom
Sophie dulac distribution
Sony Pictures releasing (France)
Épicentre Films
Jour2Fête
arP Sélection
Films sans Frontières
Les Films du Losange
Sophie dulac distribution
Pretty Pictures
Carlotta Films
acrobates Films
08.02.12
24.10.12
26.09.12
28.11.12
28.03.12
02.05.12
16.05.12
21.11.12
04.07.12
17.10.12
01.02.12
05.12.12
09.05.12
19.12.12
20.06.12
30.05.12
18.04.12
04.01.12
01.02.12
02.05.12
14.03.12
04.01.12
19.12.12
04.04.12
06.06.12
28.03.12
14.03.12
632,448
619,650
519,415
440,320
438,793
291,284
287,364
202,995
189,963
153,583
110,001
102,987
101,762
71,214
60,420
44,471
42,049
41,399
31,906
22,664
19,147
12,321
11,368
8,408
7,610
7,095
5,480
2 0 1 2 G E R M A N F I L M S (100% or majority co-productions in red)
tINker taILOr SOLdIer SPy (uk/Fr/Ger)
aMOur (Fr/Ger/at)
reSIdeNt eVIL: retrIButION (Ger/CaN)
NIkO 2 – LeNtÄJÄVeLJekSet (FIN/deN/Ire/Ger)
2 dayS IN NeW yOrk (Fr/Ger/BeL)
BarBara (Ger)
tHe VOW (uS/BrZ/Fr/auS/uk/Ger)
eN kONGeLIG aFFÆre (deN/CZ/SWe/Ger)
HOLy MOtOrS (Fr/Ger)
tHe GruFFaLO (uk/Ger)
eLLeS (Fr/POL/Ger)
taBu (POr/Ger/BrZ/Fr)
StreetdaNCe 3d (uk/Ger/It)
der MONdMaNN (Ger/Fr/Ire)
FauSt (ruS/Ger)
aLMaNya – WILLkOMMeN IN deutSCHLaNd (Ger)
ÜBer uNS daS aLL (Ger)
aNONyMOuS (uk/Ger)
Sur La PLaNCHe (MOr/Fr/Ger)
BaByCaLL (NOr/Ger/SWe)
aLÖIS NeBeL (CZ/Ger/SVk)
IM aLter VON eLLeN (Ger)
deN SkaLdede FrISØr (deN/Fr/It/SWe/Ger)
HaLt auF FreIer StreCke (Ger)
GerHard rICHter – PaINtING (Ger)
deSPaIr (re, Ger/Fr)
BI, dON’t Be aFraId (VIet/Fr/Ger)
GerMaN FILMS – Market Study FRANCE
7
BLaCk ButterFLIeS (NL/Ger/Sa)
SHarQIya (ISr/Fr/Ger)
GeLeCek uZuN Surer (tur/Ger/Fr)
tÖte MICH (Ger/Fr/SWZ)
PLayOFF (Ger/ISr/Fr)
HOuSe OF BOyS (LuX/Ger)
tHe GreeN WaVe (Ger)
GIrIMuNHO (BrZ/SP/Ger)
SeNtadOS FreNte aL FueGO (CHILe/Ger)
aurOra (rOM/Fr/SWZ/Ger)
MarIeke, MarIeke (BeL/Ger)
ICH BIN eINe terrOrIStIN (Fr/POL/Ger)
ParaISO (Peru/Ger/SP)
Zootrope Films
aSC distribution
arizona Films
Les Films du Losange
Wild Bunch distribution
Outplay
distrib Films
damned distribution
arizona Films
Shellac
kMBO
kanibal Films distribution
JML distribution
SALES AGENTS FOR GERMAN FILMS RELEASED IN FRANCE
aLLe aNdereN
aLMaNya – WILLkOMMeN IN deutSCHLaNd
BarBara
a daNGerOuS MetHOd
eL BuLLI: COOkING IN PrOGreSS
der FaLL CHOdOrkOVSky
dIe FreMde
daS FreMde IN MIr
tHe Future
GerHard rICHter – PaINtING
tHe GreeN WaVe
HaLt auF FreIer StreCke
IM aLter VON eLLeN
JOHN raBe
kINSHaSa SyMPHONy
der kLeINe kÖNIG MaCIuS
kONFereNZ der tIere
tHe LaSt StatION
daS LetZte SCHWeIGeN
daS LIed VON deN ZWeI PFerdeN
LIFe, aBOVe aLL
der MONdMaNN
PINa
PLayOFF
reSIdeNt eVIL: retrIButION
rOHteNBurG
daS SaNdMÄNNCHeN – aBeNteuer IN trauMLaNd
SHaHada
SOuL kItCHeN
8
22.02.12
07.11.12
18.04.12
25.04.12
04.07.12
07.11.12
18.01.12
15.08.12
22.08.12
21.03.12
29.08.12
06.06.12
25.07.12
5,214
4,438
3,315
2,795
2,750
2,657
2,184
2,056
1,800
1,635
1,025
330
86
(not including re-releases)
Global Screen
Beta Cinema
the Match Factory
HanWay Films
autlook Filmsales
rezo Films
Global Screen
Global Screen
the Match Factory
the Match Factory
Visit Films
the Match Factory
the Match Factory
Beta Cinema
C Major entertainment
Global Screen
timeless Films
the Little Film Company
Global Screen
atrix Films
Global Screen
Le Pacte
HanWay Films
Wild Bunch
Sony Pictures Global
Lightning entertainment
Bac Films
Memento Films International
the Match Factory
GerMaN FILMS – Market Study FRANCE
SturM
taNZtrÄuMe
tHe tHree MuSketeerS
tÖte MICH
ÜBer uNS daS aLL
uNter BauerN
uNter dIr dIe Stadt
Water MakeS MONey
WHOLetraIN
WICkIe uNd dIe StarkeN MÄNNer
WIr SINd dIe NaCHt
WOMeN WItHOut MeN
WÜSteNBLuMe
* production company
trustNordisk
Films Boutique
Summit entertainment
Les Films du Losange
Global Screen
recreation
the Match Factory
kern Filmproduktion*
Global Screen
timeless Pictures
Celluloid dreams
Coproduction Office
the Match Factor
TELEVISION AND VIDEO
Launched in 1931, French television is one of the most highly regulated in europe, coming under the supervision of the Conseil Supérieur de l’audiovisuel. But it is also one of the most forward
looking, vying with the uk to be in the forefront of delivering tV entertainment via new channels and platforms. In terms of overall choice, France comes third in europe with 833 channels, after
Spain (1,262) and Italy (1,109) but comfortably ahead of the uk (695) and Germany (568).
as in most european countries, French television is provided by a public broadcaster – formerly a number of separate units but a single company, France télévisions, since February 2010 – and
an array of private companies most of them delivering their programming as digital terrestrial television (dtt, or tNt – télévision Numérique terrestre – as it is known in France). In terms of
audience share, the free-to-air dtt channels are catching up with the state broadcaster at a rate of around 2% a year. But, although they get good audiences, the smaller companies are finding
it hard to generate enough revenue to stay on air; indeed, one of the original champions of dtt programming, Canal J, went off air in 2009.
the four main channels account for over 60% of the market: tF1 for around 23%, France 2 for around 18% and M6 and France 3 for around 10% each. No other channel of the dozen or so important
enough to be measured gets a share of much over 3% and half of them less than 2%.
MAIN FRENCH CHANNELS’ AUDIENCE SHARE, 2011- 2012 (as a %)
TF1
France 2
M6
France 3
France 5
TMC
Canal +
W9
Direct 8
NRJ 12
GerMaN FILMS – Market Study FRANCE
2011
2012
22.8
17.0
10.5
10.1
3.1
3.4
3.3
3.2
2.5
2.4
22.6
14.4
11.3
9.1
3.6
3.6
3.5
3.2
2.9
2.6
9
AVAILABLE CHANNELS
Adult
Children
News
Local
Lifestyle
Music
Film
Sport
Other
Total
39
31
60
21
21
67
47
56
491
833
two facts sum up the paradoxes of the French television market. On the one hand, there are a lot of laws: recent legislation barred public broadcaster France télévisions from showing advertisements between 8.00pm and 6.00am (an attempt to block advertising during the remaining hours was postponed after intensive lobbying by the industry but can be expected to happen eventually).
On the other hand, there is a lot of innovation: 10 million or more French homes receive their television over an adSL (broadband) line, putting France well ahead of the european pack in this
respect. the sending of tV signals to handheld devices (mobile phones or tablets) is also a growth sector.
Given the close links between French tV and the French cinema business – tV companies are obliged by law to invest a certain amount of their revenue in film production – films play a significant
part in the television business. But, with a very robust (and robustly subsidised) national film industry and a strong sense of film culture, the space left over after the demand for French and Hollywood films has been met is fairly limited. a complete survey of films screened on French television would be impossible, but we believe that a snapshot of three of the top French movie channels
provides a pretty clear picture of what is on offer to ‘mainstream’ subscribers: much as in theatres, a mixture of French and american movies, with a few library titles to fill the off-peak hours.
all channels repeat their main titles three or more times over a one-week period.
Snapshot:
France
US
German
UK
Italy
Other European
Other
Total
Country of origin of films on three French movie channels*
CinéCinéma Premier
CinéCinema Classic
Orange Cine Novo
17
16
0
4
0
2
0
39
19
7
0
5
13
2
0
46
10
11
0
1
1
3
2
28
*dates surveyed: april 11-17, 2013. Channels surveyed: two of the half-dozen Vivendi-owned CinéCinéma channels, CinéCinéma Premier and CinéCinéma Classic (the latter having close links
with the Cinémathèque Française), plus mobile phone provider Orange’s ‘arthouse’ channel Cine Novo, which features several hours of non-film programming daily. No German films or co-productions were screened on any channel surveyed.
On other channels – free-to-air or subscriber-based – surveyed over the same seven-day period by French website Cinefil.com, the picture was much the same, although slightly more nuanced
by the inclusion of Franco-German cultural channel arte in the mix:
10
GerMaN FILMS – Market Study FRANCE
US
France
German
UK
Other European
Other
54
41
3
7
6
4
Germany was represented by three films, one on Canal+, BarBara; and two on arte: GerHard rICHter – PaINtING and silent classic der StudeNt VON PraG.
as for the non-tV ancillary business, France came somewhat late to home-video – in the early years, when rental was booming and sell-through beginning to take off, the country lagged behind
– and French audiences were initially slow to embrace the idea of buying dVds and Blu-ray discs to an extent found in the other two european market leaders, Germany and the uk. It remains,
however, a very large market, of which the small slice that will always be the lot of a non-French-speaking/non-Hollywood supplier of product, can still be an attractive proposition.
Figures published by the International Video Federation in its 2012 annual report give the following basic statistics:
BASIC DVD AND BLU-RAY STATISTICS
2009
2010
2011
Number of DVD households
Number of Blu-ray households
Retail DVD units sold (millions)
Retail Blu-ray units sold (millions)
Average DVD retail price (in euros)
Average Blu-ray retail price (in euros)
19,200,000
390,000
89.3
6.2
14.30
20.33
19,300,000
970,000
86.8
10.2
13.97
21.30
19,400,000
2,300,000
76.0
10.7
13.80
21.12
according to the Centre National du Cinéma et de l’Image animée in March 2013, using figures which are both more recent and go into much greater depth than those of the IVF, the physical distribution of dVd and Blu-ray units has declined by 25.2% in France since 2009 (when the CNC’s previous report was published) but still accounted for 85% of the ancillary market, leaving just 13%
for the emerging phenomenon of VOd. Most of the drop was caused by a decline in dVd sales; Blu-ray sales increased slightly, but not enough to offset the dVd trend.
ANCILLARY TURNOVER BY BUSINESS TYPE (millions)
2010
2011
2012
DVD turnover
DVD units sold
Blu-ray turnover
Blu-ray units sold
€1,211.68
134.4
€173.74
9.69
€1,108.72
116.18
€204.66
12.58
€892.59
105.86
€223.69
14.09
ancillary sales as a whole were down 11.2% over the three-year period, with price reductions more or less across the board in an effort to slow the decline. the only real exception was dVd backcatalogue prices, suggesting that it is still a seller’s market for those retailers supplying hard-core film fans. as for content, the message is broadly the same as for theatrical and television:
French and uS films vie for the lead, with the latter well ahead on the home-entertainment front.
VOd is certainly a growth sector, with the CNC identifying 75 current suppliers (not all of them, of course, film channels).
GerMaN FILMS – Market Study FRANCE
11
VOD PLATFORMS IN FRANCE (not including sub-channels)
613tV
aBCtek
academy Vidéo
acetrax Movies
arte VOd
Bangoo
BBox VOd
Boomerang
CanalPlay VOd
Carlotta VOd
Ciné-archives
Cinéma(s) à la demande
Clapfeeder
Classica
Club Vidéo
Coach Club
disney Channel avant Première
disneytek
dissidenz
Éditions Montparnasse
europa Film treasures
FilmotV
Films d’afrique
Films&documentaires.com
Game One Music
Gongvision
Google Play
Gulli VOd
Harmattan tV
I-Concerts
Iguane
Illikopresto
imineo
INa
itunes
kZPlay
La VOd Orange
Lardux
Ludo
MCS VOd
Medici.tV
MegaVOd
Mezzo VOd
Mouviz
Mubi
MySkreen
MytF1VOd
MyZen.tV VOd
NC 3d
Pass Cinéma
Playstation Boutique Vidéo
Pluzz VOd
Pointligneplan
Purescreens
ShortstV VOd
Sundance Channel
tennis Play
universciné
Vidéofuture
Vidéo unlimited
Vidéo@volonté
Viewster
Virgin Média
VOd Mangas
Vodeo tV
Vodexa
VOdMania
Wakanim.tV
Warner Bros VOd
XBox Vidéo
Zaoza
Zooloo kids
It is, however, hard to be sure what exactly is meant by VOd in a market as developed as the French one. Most streaming platforms also sell dVds and Blu-ray discs online in transactions which
are just like any other online purchase. and subscription television companies allow subscribers to view a film over a 48-hour period for a small extra payment in exactly the same way as do
streaming video suppliers. Finally, platforms labeled as VOd often include a ‘buy’ option, putting them in the same business as the many retail internet portals. It is, therefore, not always easy to
say where tV stops and VOd begins, or which retailers should be counted as dVd retailers and which as on-demand suppliers.
detailed analysis by country of origin of the dVds and Blu-ray discs sold in France is simply not available. However, the same process which governs the more traditional ancillary markets – a
film receives a theatrical window, thereby generating ancillary demand and making a home-video release viable – shows every sign of also happening on the VOd market. Price structures are
also sometimes puzzling, suggesting that, once a subscriber has signed up, prices are no longer sensitive. It can also be cheaper to buy a dVd version of a title than it is to rent or stream the
same title.
Of the 79 German films (not including minority co-productions) released in France over the past five years, about a third (28) are available online. Prices below were correct at time of writing and
are in euros, with rental prices first and retail prices in brackets.
VOD AVAILABILITY OF GERMAN FILMS RELEASED THEATRICALLY IN FRANCE BETWEEN 2008 AND 2012 LISTED BY AVAILABILITY (number of sites)
Title
CanalPlay
FilmoTV
imineo
iTunes
PINa
dIe WeLLe
JOHN raBe
daS SaNdMÄNNCHeN
aLMaNya: WILLkOMMeN
IN deutSCHLaNd
3.99 (7.99)
4.99 (7.99)
3.99 (7.99)
3.99 (7.99)
3.99
3.99
3.99 (9.99)
3.99
3.99 (9.99)
(7.99)
0.99 (5.99)
3.99
3.99 (7.99)
12
4.99 (13.99)
3.99 (9.99)
universciné
vidéo@volonté
Vidéofutur
VirginMedia
4.99 (9.99)
3.99 (7.99)
4.99 (9.99)
3.99 (7.99)
2.99 (9.99)
(14.99)
2.99
2.99(9.99)
(14.99)
3.99 (9.99)
3.99 (9.99)
GerMaN FILMS – Market Study FRANCE
Title
a daNGerOuS MetHOd
dIe FreMde
JaSPer uNd daS
LIMONadeNkOMPLett
PLayOFF
BarBara
eL BuLLI: COOkING
IN PrOGreSS
daS LetZte SCHWeIGeN
SHaHada
SOuL kItCHeN
ÜBer uNS daS aLL
VIer MINuteN
daS WeISSe BaNd
der FaLL CHOdOrkOVSky
tHe Future
GeLIeBte CLara
JerICHOW
kINSHaSa SyMPHONy
kONFereNZ der tIere
PaNdOruM
reSIdeNt eVIL; retrIButION
rOHteNBurG
tHe tHree MuSketeerS
yeLLa
CanalPlay
FilmoTV
imineo
(12.99)
(9.99)
5.99 (13.99)
(13.99)
4.99
4.99 (13.99)
3.99
3.99
3.99 (7.99)
3.99
3.99 (7.99)
iTunes
universciné
vidéo@volonté
Vidéofutur
VirginMedia
(9.99)
(9.99)
(13.99)
3.99 (7.99)
(7.99)
(7.99)
(9.99)
(7.99)
(13.99)
3.99 (9.99)
3.99 (13.99)
3.99 (13.99)
3.99 (7.99)
(9.99)
4.99 (19.99)
(9.99)
4.99 (13.99)
3.99
3.99 (9.99)
(10.99)
2.99 (7.99)
3.99 (7.99)
(7.99)
(13.99)
3.99 (13.99)
2.99 (13.99)
(7.99)
(9.99)
4.99 (13.99)
4.99 (9.99)
(14.99)
4.99 (14.99)
4.99
4.99 (14.99)
3.99
3.99 (9.99)
3.99 (7.99)
4.99 (14.99)
GENERAL NOTES
around 700 films a year are released in France – nearly 14 a week or two a day – which means that, even with some of the highest cinema-going figures in europe, France is a difficult market into
which to release a film without the obvious marketing hooks of a major star, some very high-end action or a director with an international reputation. the last-named is worth stressing, since
directors count for a great deal in the French cinema business, where the possessory credit – ‘un film de…’ – is more or less obligatory. this trilogy of recommendations is reflected in the list of
German films which have sold over 100,000 tickets in France over the past five years, putting them in the top third of box-office performers.
On the stars-and-action front, top marks have gone to the reSIdeNt eVIL franchise, tHe INterNatIONaL and tHe tHree MuSketeerS. German or German-produced auteurs recognised by
the French cinema-going public include Michael Haneke (daS WeISSe BaNd and aMOur), Wim Wenders (PINa), Fatih akin (SOuL kItCHeN), with Christian Petzold also finding a place on the
list with the 2012 release BarBara, which sold almost 300,000 tickets.
the only other category in which it has recently been possible for German films to make a mark at the French box office has been in the children’s sector, with der MONdMaNN, kONFereNZ
der tIere and films featuring Hexe Lilli and baby dinosaur umbel (known as Impy in both english and French) have performed well. Of the remaining 80 or so German films released in France
since 2008, dIe WeLLe is virtually alone in bagging a substantial audience without having a star, lots of action sequences, an esteemed director or a cute little animal to its name.
GerMaN FILMS – Market Study FRANCE
13
Given the close ties between French television and the French film industry (see above), television is a difficult market for non-French and non-Hollywood film to crack. as a result, German films
are more or less absent from the main free-to-air channels (with the exception of arte), and sparsely represented on the key pay-to-view ones. the French dVd market is, like that in most
developed countries, in decline, while VOd in all its forms is still responsible for less than 15% of the non-theatrical market. What is more, the VOd market is close to saturation, with 75 different
platforms on offer. the most likely outcome seems to be a polarisation which will mirror the theatrical market. a few major distributors are likely to account for most of the market – the top 18
theatrical distributors sold 90% of the tickets in 2012, leaving the remaining 138 companies, many of them distinctly boutique operations, to divide up the rest.
On the VOd market, establishing a name seems to have been the main priority, with those that are already recognisable – such as Canal+, Orange and itunes – having a clear advantage. Interestingly,
this seems more important than price competitiveness, suggesting that customers sign on for one or perhaps two platforms, rather than shop around for the one with the cheapest titles. It is
probably this combination of saturation and major player dominance that led uS VOd giant Netflix to conclude that the French VOd market was of little interest.
Sources: Institute National de la Statistique et des Études Économiques (National Institute of Statistics and economic Studies), World Bank, tradingeconomics.com, european audiovisual Observatory, Médiametrie, Centre National du Cinéma et de
l’Image animée (CNC), allocine.fr, Le Film Français, voirunfilm.com, cinefil.com, International Video Federation, Ciné-chiffres, Split Screen data Ltd., Picture credits page 1 and 2: tuBS europe on the globe/wikimedia
14
GerMaN FILMS – Market Study FRANCE

Documents pareils