FRANCE - German Films
Transcription
FRANCE - German Films
Market Study FRANCE by Split Screen Data Ltd. for German Films July 2013 FRANCE Language Location French a republic in Western europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and atlantic oceans. Metropolitan France extends from the Mediterranean to the english Channel and the North Sea, and from the rhine river to the atlantic Ocean. Population 65,674,325 Capital Paris (pop 2,226,096) Major cities Marseille (pop 1,457,000), Lyon (pop 1,456,000), Lille (pop 1,028,000) Land surface 547,030 square kilometres (Metropolitan France) Time zone Cet (GMt+1) Internet domain .fr IDD +33 Currency euro GDP €2.13 trillion Unemployment 10.6% G E N E R A L C I N E M A S TAT I S T I C S Cinemas Screens Digital screens 3D-capable screens Overall capacity Admissions Per capita attendance Average ticket price (euros) Active theatrical distributors 2010 2011 2012 2,050 5,478 1,860 1,476 1,076,538 206,330,000 5.3 6.31 129 2,030 5,464 3,656 2,368 1,085,424 213,793,358 5.4 6.30 142 2,031 5,465 5,017 2,368 1,065,512 203,135,574 n/a 6.33 154 693 221 215 15 39 144 98 692 223 209 19 42 152 89 730 242 223 12 28 143 103 206,330,000 73,710,000 831,000 0.40 7,164,000 3.47 213,793,358 88,630,000 2,550,814 1.19 2,746,891 1.28 203,135,574 82,000,000* 1,011,596 0.50 3,494,796 1.72 RELEASES Total French US German (100% or majority co-prods) German minority co-prods Other European Other Classification is by main producing country. as a result, there is an inevitable overlap between German minority co-productions and other categories. MARKET SHARE (admissions) Total French German 100% or majority co-prods German 100% or majority co-prods as % German minority co-prods German minority co-prods as % *provisional 2 GerMaN FILMS – Market Study FRANCE R E L E A S E D E TA I L S TITLE DISTRIBUTOR RELEASE DATE twentieth Century Fox France Warner Bros. Pictures France europaCorp distribution Warner Bros. Pictures France Paramount Pictures France Walt disney Studios Motion Pictures (France) Walt disney Studios Motion Pictures (France) Pathé distribution SNd Walt disney Studios Motion Pictures (France) 16.12.09 24.11.10 20.10.10 21.07.10 30.06.10 24.03.10 14.07.10 21.04.10 07.07.10 27.01.10 9,185,337 5,506,304 5,249,345 4,933,551 4,625,118 4,533,414 4,353,253 3,978,114 3,940,301 3,842,600 Gaumont Pathé distribution Metropolitan Filmexport StudioCanal Le Pacte Pyramide distribution uGC distribution Bac Films Jour2Fête Pathé distribution ad Vitam Pyramide distribution Bac Films europaCorp distribution Metropolitan Filmexport Wild Bunch distribution StudioCanal Bodega Films Mk2 diffusion Pyramide distribution Metropolitan Filmexport 10.03.10 03.03.10 22.09.10 03.11.10 30.06.10 17.03.10 30.06.10 10.03.10 13.10.10 13.01.10 07.04.10 01.09.10 21.04.10 17.03.10 29.12.10 05.05.10 10.02.10 22.09.10 07.07.10 27.10.10 21.07.10 2,895,810 1,048,701 911,560 733,237 507,406 281,017 273,459 162,486 159,369 142,536 140,792 132,511 121,318 72,256 60,117 53,373 52,917 49,500 45,758 47,292 41,244 2010 TOP 10 *aVatar (uS) Harry POtter aNd tHe deatHLy HaLLOWS: Part 1 (uS/uk) LeS PetItS MOuCHOIrS (Fr) INCePtION (uS/uk) SHrek FOreVer aFter (uS) aLICe IN WONderLaNd (uS) tOy StOry 3 (uS) CaMPING 2 (Fr) tHe tWILIGHt SaGa: eCLIPSe (uS) tHe PrINCeSS aNd tHe FrOG (uS) * released in previous year(s) ADMISSIONS 2 0 1 0 G E R M A N F I L M S (100% or majority co-productions in red) La raFLe (Fr/Ger) tHe GHOSt (Fr/Ger/uk) reSIdeNt eVIL: aFterLIFe (uk/Ger/uS) La PrINCeSSe de MONtPeNSIer (Fr/Ger) tOurNÉe (Fr/Ger) SOuL kItCHeN (Ger/Fr/It) FLICkaN SOM Lekte Med eLdeN (SWe/Ger) WÜSteNBLuMe (Ger/aut) taNZtrÄuMe (Ger) Mr. NOBOdy (BeL/Fr/CaN/Ger) aJaMI (ISr/Ger/uk) uNCLe BOONMee WHO CaN reCaLL HIS PaSt LIVeS (tHaI/Ger/Fr/SP/uk) tHe COuNteSS (Fr/uS/Ger) SturM (Ger/deN/NL) WIr SINd dIe NaCHt (Ger) eNter tHe VOId (Fr/Ger/It) NINJa aSSaSSIN (uS/Ger) BaL (tur/Ger) CarLOS (Fr/Ger) NOStaLGIa de La LuZ (CHILe/Fr/Ger) WICkIe uNd dIe StarkeN MÄNNer (Ger) GerMaN FILMS – Market Study FRANCE 3 teNGrI, Le BLeu du CIeL (Fr/Ger) tHe HuMaN reSOurCeS MaNaGer (ISr/Ger/Fr) au FONd deS BOIS (Fr/Ger) La VIe SauVaGe deS aNIMauX dOMeStIQueS (Fr/Ger) LeBaNON (ISr/Fr/Ger) a Matter OF SIZe (ISr/Ger/Fr) Le QuattrO VOLte (It/Ger/SWZ) QuartIer LOINtaIN (BeL/LuX/Ger/Fr) uNter BauerN (Ger/Fr) GO Get SOMe rOSeMary (uS/Ger) tHe LaSt StatION (Ger/ruS/uk) LIFe, aBOVe aLL (Ger/Sa) der rÄuBer (aut/Ger) HJeM tIL JuL (NOr/Ger) uNter dIr dIe Stadt (Ger) tHe WOrLd IS BIG aNd SaLVatION LurkS arOuNd tHe COrNer (BuL/Ger/SLO) My JOy (ukr/Ger/NL) CHaQue JOur eSt uNe FÊte (LeB/Fr/Ger) OrNJÄGereNS SON (SWe/Ger) SHe, a CHINeSe (uk/Fr/Ger) dIe Frau MIt deN FÜNF eLeFaNteN (SWZ/Ger) SÜt (tur/Ger/Fr) dIOSeS (Peru/arG/Ger/Fr) dOuBLe take (BeL/Fr/Ger) OrLy (Fr/Ger) daS FreMde IN MIr (Ger) teZa (etH/Ger/Fr/uS) SaLaMaNdra (arG/Ger/Fr) aLLe aNdereN (Ger) rOHteNBurG (Ger) WeLt aM draHt (re, Ger) WHOLetraIN (Ger/POL) INdePeNdeNCIa (PHIL/Fr/Ger/NL) der kLeINe kÖNIG MaCIuS (Ger/Fr/POL) tHe NeVereNdING StOry (re, Ger/Fr/CaN) ** Paris figures only 4 French distribution Pyramide distribution Les Films du Losange StudioCanal CtV International Océan Films distribution Les Films du Losange Wild Bunch distribution Zootrope Fims Sophie dulac distribution kinovista arP Sélection aSC distribution Happiness distribution Bodega Films Épicentre Films arP Sélection Sophie dulac distribution Les Films du Préau Les Films du Paradoxe Nour Films Les acacias Bodega Film e.d. distribution Baba yaga Films Jour2Fête atlantis distribution Bodega Films Why Not Productions kanibal Films distribution Carlotta Films alsace Cinémas Shellac ellipse Films Flash Pictures 28.04.10 15.12.10 13.10.10 14.07.10 03.02.10 27.01.10 29.12.10 24.11.10 16.06.10 28.04.10 08.12.10 01.12.10 10.11.10 08.12.10 15.12.10 09.06.10 17.11.10 27.01.10 17.11.10 08.09.10 13.10.10 22.09.10 23.06.10 22.09.10 11.08.10 17.11.10 28.04.10 21.04.10 08.12.10 04.08.10 06.10.10 13.01.10 21.04.10 19.05.10 22.12.10 34,500 33,386 30,699 29,226 28,457** 28,441 24,110 18,012 15,867 12,555 11,400 10,556 10,120 8,830 8,025 7,492 7,071 6,521 6,060 5,004** 4,903 4,633 4,075 2,911 2,627** 2,434 1,862 1,809 1,808 1,723 1,167 1,096 1,072 320 243 GerMaN FILMS – Market Study FRANCE 2011 TOP 10 INtOuCHaBLeS (Fr) rIeN a dÉCLarer (Fr) Harry POtter aNd tHe deatHLy HaLLOWS – Part 2 (uS/uk) tHe adVeNtureS OF tINtIN: SeCret OF tHe uNICOrN (uS) PIrateS OF tHe CarIBBeaN: ON StraNGer tIdeS (uS) tHe tWILIGHt SaGa: BreakING daWN – Part 1 (uS) rISe OF tHe PLaNet OF tHe aPeS (uS) tHe kING’S SPeeCH (uk/auS) PuSS IN BOOtS (uS) CarS 2 (uS) Gaumont Pathé distribution Warner Bros. Pictures France Sony Pictures releasing (France) Walt disney Studios Motion Pictures (France) SNd distribution twentieth Century Fox France Wild Bunch distribution Paramount Pictures France Walt disney Studios Motion Pictures (France) 02.11.11 02.02.11 13.07.11 26.10.11 18.05.11 16.11.11 10.08.11 02.02.11 16.11.11 27.07.11 15,693,206 8,148,204 6,535,125 5,308,461 4,755,081 3,558,075 3,264,080 3,085,597 3,025,109 2,973,544 Metropolitan Filmexport uGC distribution Les Films du Losange Mars distribution Les Films du Losange Wild Bunch distribution StudioCanal Le Pacte rezo Films/Studio 37 Pyramide distribution Les Films du Losange Les Films du Préau Metropolitan Filmexport Warner Bros. Pictures France Bac Films Sony Pictures releasing France Sophie dulac distribution Wild Bunch distribution Happiness distribution Mk2 diffusion Memento Films distribution Le Pacte Carlotta Films Bellissima Films Jour2Fête Memento Films distribution diaphana distribution 09.02.11 12.10.11 10.08.11 21.12.11 06.04.11 07.12.11 21.09.11 12.10.11 30.03.11 21.12.11 06.07.11 19.10.11 31.08.11 29.06.11 09.02.11 06.07.11 27.07.11 20.04.11 17.08.11 30.03.11 26.01.11 04.05.11 13.07.11 03.08.11 01.06.11 16.02.11 09.02.11 1,036,381 441,260 415,735 371,540 346,243 336,865 281,084 249,252 217,776 141,227 123,652 120,200 116,262 108,460 92,551 87,964 73,287 70,764 46,804 46,134 43,883 43,497 38,548 31,927 30,434 30,259 26,395 2 0 1 1 G E R M A N F I L M S (100% or majority co-productions in red) kONFereNZ der tIere (Ger) tHe tHree MuSketeerS (Ger/Fr/uk/uS) MeLaNCHOLIa (deN/SWe/Fr/Ger) a daNGerOuS MetHOd (Ger/CaN/uk/SWZ) PINa (Ger/Fr) CarNaGe (Fr/Ger/POL) Le COCHON de GaZa (Fr/Ger/BeL) POuLet auX PruNeS (Fr/Ger/BeL) Je N’aI rIeN OuBLIÉ (Fr/Ger) Le HaVre (FIN/Fr/Ger) uN aMOur de JeuNeSSe (Fr/Ger) tHe GruFFaLO (uk/Ger) CaVe OF FOrGOtteN dreaMS (uS/Fr/Ger/CaN) NICOStratOS, Le PÉLICaN (Fr/Ger) daS SaNdMÄNNCHeN – aBeNteuer IN trauMLaNd (Ger/Fr) HaNNa (uS/uk/Ger) LOurdeS (at/Fr/Ger) dIe FreMde (Ger) MICHeL PetruCCIaNI, BOdy aNd SOuL (Fr/Ger/It) SNaBBa CaSH (SWe/deN/Ger) SHaHada (Ger) La SOLItudINe deI NuMerI PrIMI (It/Ger/Fr) deeP eNd (re, uk/Brd/uS) uNa VIta traNQuILLa (Fr/It/Ger) MedIaNeraS (arG/Ger/SP) POSt-MOrteM (CHL/Ger/MeX) Na Putu (BOS/Ger/aut/CrO) GerMaN FILMS – Market Study FRANCE 5 PIaNOMaNIa (aut/Ger) aN uNS GLauBt GOtt NICHt MeHr (re, at/Brd/SWZ)* WeLCOMe IN VIeNNa (re, at/Brd/SWZ)* WOHIN uNd ZurÜCk – SaNta Fe (re, at/Brd/SWZ)* kINSHaSa SyMPHONy (Ger) WOMeN WItHOut MeN (Ger/at/Fr) SVet-akÉ (kyrG/Fr/Ger/NL) daS LIed VON deN ZWeI PFerdeN (Ger) MetrOPOLIS (re, Ger) JOHN raBe (Ger/Fr/CHI) tHe HuNter (Ira/Ger) a tOrINÓ LÓ (HuN/Fr/Ger/SWZ) SkOONHeId (Sa/Fr/Ger) CIrkuS COLuMBIa (BOS/Fr/Ger/uk/SLO/BeL) ICH WILL dOCH Nur, daSS IHr MICH LIeBt (re) (Brd) tHe Future (Ger/uS) PLaStIC PLaNet (at/Ger) daS LetZte SCHWeIGeN (Ger) SLOVeNka (SLV/Ger/Ser/CrO) LudWIG (re, It/Brd/Fr) der FaLL CHOdOrkOVSky (Ger) CONtraCOrrIeNte (Per/COL/Fr/Ger) autOBIOGraFIa LuI NICOLae CeauSeSCu (rOM/Ger) NOIr OCeaN (BeL/Fr/Ger) tHe BaLLad OF GeNeSIS aNd Lady Jaye (uS/Ger/uk/NL/BeL/Fr) eL BuLLI: COOkING IN PrOGreSS (Ger) GIGaNte (urG/Ger/arG) aLICe (re, CZ/uk/Brd/SWZ) La LISIÈre (Fr/Ger) BeyONd tHIS PLaCe (SWZ/Ger) dIe BLeCHtrOMMeL (re, Brd/Fr) L.a. ZOMBIe (uS/Ger/uk) Water MakeS MONey (Ger) uNe trOP BruyaNte SOLItude (Fr/Ger/CZ) *released as a trilogy. admission figure covers all three films Jour2Fête Le Pacte Le Pacte Le Pacte Hévadis Films kMBO Zed Jupiter Communications Mk2 diffusion albany Films/aramis Films Sophie dulac distribution Sophie dulac distribution Équation Happiness distribution Carlotta Films Haut et Court distribution Zootrope Films distriB Films Épicentre Films Les acacias Happiness distribution Outplay Mandragora International eurozoom Épicentre Films Zootrope Films Océan Films Mission Zootrope Films Nour Films tamasa distribution Outplay La Mare au Canards accatone distribution 05.01.11 30.11.11 30.11.11 30.11.11 14.09.11 13.04.11 02.03.11 13.07.11 19.10.11 27.04.11 16.02.11 30.11.11 12.10.11 23.03.11 20.04.11 17.08.11 06.04.11 27.04.11 02.02.11 03.08.11 09.11.11 23.11.11 13.04.11 22.06.11 26.10.11 12.10.11 27.04.11 07.09.11 27.04.11 12.10.11 10.08.11 07.12.11 23.03.11 16.11.11 24,337 23,744* 23,744* 23,744* 23,507** 22,758 21,018 20,745 20,398 19,127 15,155 15,066 14,397 12,931 12,911 9,695 8,365 7,129 6,783 6,351 6,150 6,055 5,878 5,734 5,109 4,392 3,220 2,624 2,463 1,100 1,049 506 331** 293 **Paris and suburbs only 6 GerMaN FILMS – Market Study FRANCE 2012 TOP 10 SkyFaLL (uS/uk) ICe aGe: CONtINeNtaL drIFt (uS) Sur La PISte du MarSuPILaMI (Fr) La VerIte SI Je MeNS! 3 (Fr) tHe aVeNGerS (uS) tHe dark kNIGHt rISeS (uS/uk) tHe tWILIGHt SaGa: BreakING daWN – Part 2 (uS) aStÉrIX et OBÉLIX: au SerVICe de Sa MaJeStÉ (Fr) MadaGaSCar 3: eurOPe'S MOSt WaNted (uS) Le PrÉNOM (Fr/BeL) Sony Pictures releasing (France) twentieth Century Fox France Pathé distribution Mars distribution Walt disney Studios Motion Pictures (France) Warner Bros. Pictures France SNd Wild Bunch distribution Paramount Pictures France Pathé distribution 24.10.12 27.06.12 04.04.12 01.02.12 25.04.12 25.07.12 14.11.12 17.10.12 06.06.12 25.04.12 6,827,640 6,625,903 5,303,217 4,613,791 4,499,613 4,418,240 4,362,480 3,754,598 3,412,055 3,340,231 StudioCanal Les Films du Losange Metropolitan Filmexport Bac Films rezo Films Pyramide Sony Pictures releasing (France) Jour2Fête/Chrysalis Films Les Films du Losange Les Films du Préau Haut et Court distribution Shellac Metropolitan Filmexport Le Pacte Sophie dulac distribution eurozoom Sophie dulac distribution Sony Pictures releasing (France) Épicentre Films Jour2Fête arP Sélection Films sans Frontières Les Films du Losange Sophie dulac distribution Pretty Pictures Carlotta Films acrobates Films 08.02.12 24.10.12 26.09.12 28.11.12 28.03.12 02.05.12 16.05.12 21.11.12 04.07.12 17.10.12 01.02.12 05.12.12 09.05.12 19.12.12 20.06.12 30.05.12 18.04.12 04.01.12 01.02.12 02.05.12 14.03.12 04.01.12 19.12.12 04.04.12 06.06.12 28.03.12 14.03.12 632,448 619,650 519,415 440,320 438,793 291,284 287,364 202,995 189,963 153,583 110,001 102,987 101,762 71,214 60,420 44,471 42,049 41,399 31,906 22,664 19,147 12,321 11,368 8,408 7,610 7,095 5,480 2 0 1 2 G E R M A N F I L M S (100% or majority co-productions in red) tINker taILOr SOLdIer SPy (uk/Fr/Ger) aMOur (Fr/Ger/at) reSIdeNt eVIL: retrIButION (Ger/CaN) NIkO 2 – LeNtÄJÄVeLJekSet (FIN/deN/Ire/Ger) 2 dayS IN NeW yOrk (Fr/Ger/BeL) BarBara (Ger) tHe VOW (uS/BrZ/Fr/auS/uk/Ger) eN kONGeLIG aFFÆre (deN/CZ/SWe/Ger) HOLy MOtOrS (Fr/Ger) tHe GruFFaLO (uk/Ger) eLLeS (Fr/POL/Ger) taBu (POr/Ger/BrZ/Fr) StreetdaNCe 3d (uk/Ger/It) der MONdMaNN (Ger/Fr/Ire) FauSt (ruS/Ger) aLMaNya – WILLkOMMeN IN deutSCHLaNd (Ger) ÜBer uNS daS aLL (Ger) aNONyMOuS (uk/Ger) Sur La PLaNCHe (MOr/Fr/Ger) BaByCaLL (NOr/Ger/SWe) aLÖIS NeBeL (CZ/Ger/SVk) IM aLter VON eLLeN (Ger) deN SkaLdede FrISØr (deN/Fr/It/SWe/Ger) HaLt auF FreIer StreCke (Ger) GerHard rICHter – PaINtING (Ger) deSPaIr (re, Ger/Fr) BI, dON’t Be aFraId (VIet/Fr/Ger) GerMaN FILMS – Market Study FRANCE 7 BLaCk ButterFLIeS (NL/Ger/Sa) SHarQIya (ISr/Fr/Ger) GeLeCek uZuN Surer (tur/Ger/Fr) tÖte MICH (Ger/Fr/SWZ) PLayOFF (Ger/ISr/Fr) HOuSe OF BOyS (LuX/Ger) tHe GreeN WaVe (Ger) GIrIMuNHO (BrZ/SP/Ger) SeNtadOS FreNte aL FueGO (CHILe/Ger) aurOra (rOM/Fr/SWZ/Ger) MarIeke, MarIeke (BeL/Ger) ICH BIN eINe terrOrIStIN (Fr/POL/Ger) ParaISO (Peru/Ger/SP) Zootrope Films aSC distribution arizona Films Les Films du Losange Wild Bunch distribution Outplay distrib Films damned distribution arizona Films Shellac kMBO kanibal Films distribution JML distribution SALES AGENTS FOR GERMAN FILMS RELEASED IN FRANCE aLLe aNdereN aLMaNya – WILLkOMMeN IN deutSCHLaNd BarBara a daNGerOuS MetHOd eL BuLLI: COOkING IN PrOGreSS der FaLL CHOdOrkOVSky dIe FreMde daS FreMde IN MIr tHe Future GerHard rICHter – PaINtING tHe GreeN WaVe HaLt auF FreIer StreCke IM aLter VON eLLeN JOHN raBe kINSHaSa SyMPHONy der kLeINe kÖNIG MaCIuS kONFereNZ der tIere tHe LaSt StatION daS LetZte SCHWeIGeN daS LIed VON deN ZWeI PFerdeN LIFe, aBOVe aLL der MONdMaNN PINa PLayOFF reSIdeNt eVIL: retrIButION rOHteNBurG daS SaNdMÄNNCHeN – aBeNteuer IN trauMLaNd SHaHada SOuL kItCHeN 8 22.02.12 07.11.12 18.04.12 25.04.12 04.07.12 07.11.12 18.01.12 15.08.12 22.08.12 21.03.12 29.08.12 06.06.12 25.07.12 5,214 4,438 3,315 2,795 2,750 2,657 2,184 2,056 1,800 1,635 1,025 330 86 (not including re-releases) Global Screen Beta Cinema the Match Factory HanWay Films autlook Filmsales rezo Films Global Screen Global Screen the Match Factory the Match Factory Visit Films the Match Factory the Match Factory Beta Cinema C Major entertainment Global Screen timeless Films the Little Film Company Global Screen atrix Films Global Screen Le Pacte HanWay Films Wild Bunch Sony Pictures Global Lightning entertainment Bac Films Memento Films International the Match Factory GerMaN FILMS – Market Study FRANCE SturM taNZtrÄuMe tHe tHree MuSketeerS tÖte MICH ÜBer uNS daS aLL uNter BauerN uNter dIr dIe Stadt Water MakeS MONey WHOLetraIN WICkIe uNd dIe StarkeN MÄNNer WIr SINd dIe NaCHt WOMeN WItHOut MeN WÜSteNBLuMe * production company trustNordisk Films Boutique Summit entertainment Les Films du Losange Global Screen recreation the Match Factory kern Filmproduktion* Global Screen timeless Pictures Celluloid dreams Coproduction Office the Match Factor TELEVISION AND VIDEO Launched in 1931, French television is one of the most highly regulated in europe, coming under the supervision of the Conseil Supérieur de l’audiovisuel. But it is also one of the most forward looking, vying with the uk to be in the forefront of delivering tV entertainment via new channels and platforms. In terms of overall choice, France comes third in europe with 833 channels, after Spain (1,262) and Italy (1,109) but comfortably ahead of the uk (695) and Germany (568). as in most european countries, French television is provided by a public broadcaster – formerly a number of separate units but a single company, France télévisions, since February 2010 – and an array of private companies most of them delivering their programming as digital terrestrial television (dtt, or tNt – télévision Numérique terrestre – as it is known in France). In terms of audience share, the free-to-air dtt channels are catching up with the state broadcaster at a rate of around 2% a year. But, although they get good audiences, the smaller companies are finding it hard to generate enough revenue to stay on air; indeed, one of the original champions of dtt programming, Canal J, went off air in 2009. the four main channels account for over 60% of the market: tF1 for around 23%, France 2 for around 18% and M6 and France 3 for around 10% each. No other channel of the dozen or so important enough to be measured gets a share of much over 3% and half of them less than 2%. MAIN FRENCH CHANNELS’ AUDIENCE SHARE, 2011- 2012 (as a %) TF1 France 2 M6 France 3 France 5 TMC Canal + W9 Direct 8 NRJ 12 GerMaN FILMS – Market Study FRANCE 2011 2012 22.8 17.0 10.5 10.1 3.1 3.4 3.3 3.2 2.5 2.4 22.6 14.4 11.3 9.1 3.6 3.6 3.5 3.2 2.9 2.6 9 AVAILABLE CHANNELS Adult Children News Local Lifestyle Music Film Sport Other Total 39 31 60 21 21 67 47 56 491 833 two facts sum up the paradoxes of the French television market. On the one hand, there are a lot of laws: recent legislation barred public broadcaster France télévisions from showing advertisements between 8.00pm and 6.00am (an attempt to block advertising during the remaining hours was postponed after intensive lobbying by the industry but can be expected to happen eventually). On the other hand, there is a lot of innovation: 10 million or more French homes receive their television over an adSL (broadband) line, putting France well ahead of the european pack in this respect. the sending of tV signals to handheld devices (mobile phones or tablets) is also a growth sector. Given the close links between French tV and the French cinema business – tV companies are obliged by law to invest a certain amount of their revenue in film production – films play a significant part in the television business. But, with a very robust (and robustly subsidised) national film industry and a strong sense of film culture, the space left over after the demand for French and Hollywood films has been met is fairly limited. a complete survey of films screened on French television would be impossible, but we believe that a snapshot of three of the top French movie channels provides a pretty clear picture of what is on offer to ‘mainstream’ subscribers: much as in theatres, a mixture of French and american movies, with a few library titles to fill the off-peak hours. all channels repeat their main titles three or more times over a one-week period. Snapshot: France US German UK Italy Other European Other Total Country of origin of films on three French movie channels* CinéCinéma Premier CinéCinema Classic Orange Cine Novo 17 16 0 4 0 2 0 39 19 7 0 5 13 2 0 46 10 11 0 1 1 3 2 28 *dates surveyed: april 11-17, 2013. Channels surveyed: two of the half-dozen Vivendi-owned CinéCinéma channels, CinéCinéma Premier and CinéCinéma Classic (the latter having close links with the Cinémathèque Française), plus mobile phone provider Orange’s ‘arthouse’ channel Cine Novo, which features several hours of non-film programming daily. No German films or co-productions were screened on any channel surveyed. On other channels – free-to-air or subscriber-based – surveyed over the same seven-day period by French website Cinefil.com, the picture was much the same, although slightly more nuanced by the inclusion of Franco-German cultural channel arte in the mix: 10 GerMaN FILMS – Market Study FRANCE US France German UK Other European Other 54 41 3 7 6 4 Germany was represented by three films, one on Canal+, BarBara; and two on arte: GerHard rICHter – PaINtING and silent classic der StudeNt VON PraG. as for the non-tV ancillary business, France came somewhat late to home-video – in the early years, when rental was booming and sell-through beginning to take off, the country lagged behind – and French audiences were initially slow to embrace the idea of buying dVds and Blu-ray discs to an extent found in the other two european market leaders, Germany and the uk. It remains, however, a very large market, of which the small slice that will always be the lot of a non-French-speaking/non-Hollywood supplier of product, can still be an attractive proposition. Figures published by the International Video Federation in its 2012 annual report give the following basic statistics: BASIC DVD AND BLU-RAY STATISTICS 2009 2010 2011 Number of DVD households Number of Blu-ray households Retail DVD units sold (millions) Retail Blu-ray units sold (millions) Average DVD retail price (in euros) Average Blu-ray retail price (in euros) 19,200,000 390,000 89.3 6.2 14.30 20.33 19,300,000 970,000 86.8 10.2 13.97 21.30 19,400,000 2,300,000 76.0 10.7 13.80 21.12 according to the Centre National du Cinéma et de l’Image animée in March 2013, using figures which are both more recent and go into much greater depth than those of the IVF, the physical distribution of dVd and Blu-ray units has declined by 25.2% in France since 2009 (when the CNC’s previous report was published) but still accounted for 85% of the ancillary market, leaving just 13% for the emerging phenomenon of VOd. Most of the drop was caused by a decline in dVd sales; Blu-ray sales increased slightly, but not enough to offset the dVd trend. ANCILLARY TURNOVER BY BUSINESS TYPE (millions) 2010 2011 2012 DVD turnover DVD units sold Blu-ray turnover Blu-ray units sold €1,211.68 134.4 €173.74 9.69 €1,108.72 116.18 €204.66 12.58 €892.59 105.86 €223.69 14.09 ancillary sales as a whole were down 11.2% over the three-year period, with price reductions more or less across the board in an effort to slow the decline. the only real exception was dVd backcatalogue prices, suggesting that it is still a seller’s market for those retailers supplying hard-core film fans. as for content, the message is broadly the same as for theatrical and television: French and uS films vie for the lead, with the latter well ahead on the home-entertainment front. VOd is certainly a growth sector, with the CNC identifying 75 current suppliers (not all of them, of course, film channels). GerMaN FILMS – Market Study FRANCE 11 VOD PLATFORMS IN FRANCE (not including sub-channels) 613tV aBCtek academy Vidéo acetrax Movies arte VOd Bangoo BBox VOd Boomerang CanalPlay VOd Carlotta VOd Ciné-archives Cinéma(s) à la demande Clapfeeder Classica Club Vidéo Coach Club disney Channel avant Première disneytek dissidenz Éditions Montparnasse europa Film treasures FilmotV Films d’afrique Films&documentaires.com Game One Music Gongvision Google Play Gulli VOd Harmattan tV I-Concerts Iguane Illikopresto imineo INa itunes kZPlay La VOd Orange Lardux Ludo MCS VOd Medici.tV MegaVOd Mezzo VOd Mouviz Mubi MySkreen MytF1VOd MyZen.tV VOd NC 3d Pass Cinéma Playstation Boutique Vidéo Pluzz VOd Pointligneplan Purescreens ShortstV VOd Sundance Channel tennis Play universciné Vidéofuture Vidéo unlimited Vidéo@volonté Viewster Virgin Média VOd Mangas Vodeo tV Vodexa VOdMania Wakanim.tV Warner Bros VOd XBox Vidéo Zaoza Zooloo kids It is, however, hard to be sure what exactly is meant by VOd in a market as developed as the French one. Most streaming platforms also sell dVds and Blu-ray discs online in transactions which are just like any other online purchase. and subscription television companies allow subscribers to view a film over a 48-hour period for a small extra payment in exactly the same way as do streaming video suppliers. Finally, platforms labeled as VOd often include a ‘buy’ option, putting them in the same business as the many retail internet portals. It is, therefore, not always easy to say where tV stops and VOd begins, or which retailers should be counted as dVd retailers and which as on-demand suppliers. detailed analysis by country of origin of the dVds and Blu-ray discs sold in France is simply not available. However, the same process which governs the more traditional ancillary markets – a film receives a theatrical window, thereby generating ancillary demand and making a home-video release viable – shows every sign of also happening on the VOd market. Price structures are also sometimes puzzling, suggesting that, once a subscriber has signed up, prices are no longer sensitive. It can also be cheaper to buy a dVd version of a title than it is to rent or stream the same title. Of the 79 German films (not including minority co-productions) released in France over the past five years, about a third (28) are available online. Prices below were correct at time of writing and are in euros, with rental prices first and retail prices in brackets. VOD AVAILABILITY OF GERMAN FILMS RELEASED THEATRICALLY IN FRANCE BETWEEN 2008 AND 2012 LISTED BY AVAILABILITY (number of sites) Title CanalPlay FilmoTV imineo iTunes PINa dIe WeLLe JOHN raBe daS SaNdMÄNNCHeN aLMaNya: WILLkOMMeN IN deutSCHLaNd 3.99 (7.99) 4.99 (7.99) 3.99 (7.99) 3.99 (7.99) 3.99 3.99 3.99 (9.99) 3.99 3.99 (9.99) (7.99) 0.99 (5.99) 3.99 3.99 (7.99) 12 4.99 (13.99) 3.99 (9.99) universciné vidéo@volonté Vidéofutur VirginMedia 4.99 (9.99) 3.99 (7.99) 4.99 (9.99) 3.99 (7.99) 2.99 (9.99) (14.99) 2.99 2.99(9.99) (14.99) 3.99 (9.99) 3.99 (9.99) GerMaN FILMS – Market Study FRANCE Title a daNGerOuS MetHOd dIe FreMde JaSPer uNd daS LIMONadeNkOMPLett PLayOFF BarBara eL BuLLI: COOkING IN PrOGreSS daS LetZte SCHWeIGeN SHaHada SOuL kItCHeN ÜBer uNS daS aLL VIer MINuteN daS WeISSe BaNd der FaLL CHOdOrkOVSky tHe Future GeLIeBte CLara JerICHOW kINSHaSa SyMPHONy kONFereNZ der tIere PaNdOruM reSIdeNt eVIL; retrIButION rOHteNBurG tHe tHree MuSketeerS yeLLa CanalPlay FilmoTV imineo (12.99) (9.99) 5.99 (13.99) (13.99) 4.99 4.99 (13.99) 3.99 3.99 3.99 (7.99) 3.99 3.99 (7.99) iTunes universciné vidéo@volonté Vidéofutur VirginMedia (9.99) (9.99) (13.99) 3.99 (7.99) (7.99) (7.99) (9.99) (7.99) (13.99) 3.99 (9.99) 3.99 (13.99) 3.99 (13.99) 3.99 (7.99) (9.99) 4.99 (19.99) (9.99) 4.99 (13.99) 3.99 3.99 (9.99) (10.99) 2.99 (7.99) 3.99 (7.99) (7.99) (13.99) 3.99 (13.99) 2.99 (13.99) (7.99) (9.99) 4.99 (13.99) 4.99 (9.99) (14.99) 4.99 (14.99) 4.99 4.99 (14.99) 3.99 3.99 (9.99) 3.99 (7.99) 4.99 (14.99) GENERAL NOTES around 700 films a year are released in France – nearly 14 a week or two a day – which means that, even with some of the highest cinema-going figures in europe, France is a difficult market into which to release a film without the obvious marketing hooks of a major star, some very high-end action or a director with an international reputation. the last-named is worth stressing, since directors count for a great deal in the French cinema business, where the possessory credit – ‘un film de…’ – is more or less obligatory. this trilogy of recommendations is reflected in the list of German films which have sold over 100,000 tickets in France over the past five years, putting them in the top third of box-office performers. On the stars-and-action front, top marks have gone to the reSIdeNt eVIL franchise, tHe INterNatIONaL and tHe tHree MuSketeerS. German or German-produced auteurs recognised by the French cinema-going public include Michael Haneke (daS WeISSe BaNd and aMOur), Wim Wenders (PINa), Fatih akin (SOuL kItCHeN), with Christian Petzold also finding a place on the list with the 2012 release BarBara, which sold almost 300,000 tickets. the only other category in which it has recently been possible for German films to make a mark at the French box office has been in the children’s sector, with der MONdMaNN, kONFereNZ der tIere and films featuring Hexe Lilli and baby dinosaur umbel (known as Impy in both english and French) have performed well. Of the remaining 80 or so German films released in France since 2008, dIe WeLLe is virtually alone in bagging a substantial audience without having a star, lots of action sequences, an esteemed director or a cute little animal to its name. GerMaN FILMS – Market Study FRANCE 13 Given the close ties between French television and the French film industry (see above), television is a difficult market for non-French and non-Hollywood film to crack. as a result, German films are more or less absent from the main free-to-air channels (with the exception of arte), and sparsely represented on the key pay-to-view ones. the French dVd market is, like that in most developed countries, in decline, while VOd in all its forms is still responsible for less than 15% of the non-theatrical market. What is more, the VOd market is close to saturation, with 75 different platforms on offer. the most likely outcome seems to be a polarisation which will mirror the theatrical market. a few major distributors are likely to account for most of the market – the top 18 theatrical distributors sold 90% of the tickets in 2012, leaving the remaining 138 companies, many of them distinctly boutique operations, to divide up the rest. On the VOd market, establishing a name seems to have been the main priority, with those that are already recognisable – such as Canal+, Orange and itunes – having a clear advantage. Interestingly, this seems more important than price competitiveness, suggesting that customers sign on for one or perhaps two platforms, rather than shop around for the one with the cheapest titles. It is probably this combination of saturation and major player dominance that led uS VOd giant Netflix to conclude that the French VOd market was of little interest. Sources: Institute National de la Statistique et des Études Économiques (National Institute of Statistics and economic Studies), World Bank, tradingeconomics.com, european audiovisual Observatory, Médiametrie, Centre National du Cinéma et de l’Image animée (CNC), allocine.fr, Le Film Français, voirunfilm.com, cinefil.com, International Video Federation, Ciné-chiffres, Split Screen data Ltd., Picture credits page 1 and 2: tuBS europe on the globe/wikimedia 14 GerMaN FILMS – Market Study FRANCE