+ juliana borinski

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+ juliana borinski

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115-117 RUE LA FAYETTE
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JULIANA
BORINSKI
PORTFOLIO
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DU MARDI AU SAMEDI DE 10H À 19H
REZ-DE-CHAUSSÉE, FOND DE COUR
TUESDAY-SATURDAY, FROM 10AM TO 7PM
GALLERY SITUATED IN THE COURTYARD
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S.A.R.L. JÉRÔME POGGI
AU CAPITAL DE 10.000 EUROS
SIRET: 51443173300013
TVA INTRA-COMMUNAUTAIRE: FR88514431733
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JULIANA BORINSKI - BIOGRAPHY
Juliana Borinski is an artist based in Berlin and Paris, and works in the fields of photography and video. She develops facilities at the intersection of the iconography and iconoclasm. Her works often
incorporate techniques and materials that build connections that converge with the theory of deconstructionism. Positioned next to the contemporary technological complexity, they evoke sensory
experiences: the contemplation of abstract phenomena which deeply questioning the legitimacy of
the interface, its deconstruction and therefore the absence of something in the original target of the
media .
Her works can be considered as imperfect translators of the reality, which focus not only to question its operation and aesthetic potential, but that prolong the issue of media as an interface. Her
photographic work, questions in the same vein as the physical subject of the photograph that the
sociological object.
Her work has recently been shown in various art events: IFFR Rotterdam, Huis Sonneveld National
Architecture Institute (NAI) (personal exhibition) the Netherlands, Tantamount, Kanazawa, Japan,
ISEA 2010, MKK Dortmund, Almost Cinema, Voorhuit Gent, Belgium, Disseminação IV, Palacio das
your Ar, Belo Horizonte, Brasil, WRO biennial media for ar t, Wroclaw, Poland. Zur Zeit, Künstler Palais Thurn & Taxis, Bregenz, Austria, trans-territorial Generation, Paco das Artes, São Paulo, Brasil,
Borderline Behaviour, TENT, 2007 IFFR, Rotterdam, Expanded Media, 20th Stuttgarter Filmwinter,
Würtembergischer Kunstverein, Stuttgart, Germany or autopsia andPerforming Media for Ar t Cologne 2006 and 2007.
She was nominated for several awards, including the Tiger Award, Rotterdam (NL) BM.Mediale,
Begheim (DE), Media in Space, Stuttgart (DE), or Liedts Messen-Award Foundation in collaboration
with ZKM (DER), Gent (B) and WRO Media Art Biennale (PL).
Born in 1979 in Rio de Janeiro, Brazil, she studied at the Academy of Media Arts Cologne (KHM) in
Germany under the direction of Valie Export, Jürgen Klauke and Matthias Müller, where she graduated with honors in 2007. Between 2004 and 2005 she studied at the Villa Arson in Nice. Since 2011
she taught at Royal Academy (KASK) in Ghent (B) and currently resides in the Cité Internationale
des Arts Paris (F).
JULIANA BORINSKI - GALERIE JÉRÔME POGGI, PARIS
LCD (Liquid Crystal Display), 2008-2009
Slide projector, cristalline solution, glas slides)
Unique piece Expanded cinema installation (slide projector, cristalline solution, glas slides)
Variable dimensions
exhibition view at ISEA 2010, Museum für Kunst und Kulturgeschichte Dortmund, Août 2010.
Edition of 3 + 1AP
Courtesy Galerie Jérôme Poggi, Paris
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A few drops of a crystalline solution are placed on
an empty slide in a customized projector. The crystallization’s process and all its induced movements
are projected live. Using the projector’s heat, the
reaction’s time varies from 20 min to a few hours
(depending on solution’s concentration and temperature or humidity in the exhibition space). Each
slide is replaced after stabilization of the «image».
As a pure cinematic abstraction, LCD literally
shows the phenomenon of crystallization. This
principle is the chemical basis of picture’s fixation
in photography (an cinema by the way) and is also
in use in modern computers or TV screens based
on liquid crystals displays. Far from any technical
application, LCD simply refers to contemplation
and original magic of the ancient optical apparatus.
Sine (digital / analog converter) Juliana Borinski & Pierre-Laurent Cassière, 2006
Expanded cinema installation, variable dimensions
(Digibeta video tape, projector, fan, contact microphone, sound system)
Edition of 3 + 1 AP
exhibition view Borderline Behaviour- Drawn towards Animation, TENT, Rotterdam, 2007
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A strip of digital videotape, activated by a fan, flies
and snakes a theatre spotlight’s
cone of light. A sinuous, undulating shadow dances
randomly on the wall. A contact
microphone captures the videotape’s vibrations which
are then amplified and played into the room.
In the art work Mnemosigne the afterlife as
fundamental concept of images and their significance (Aby Waburg) is rendered to an abstract
slide projection of cinematographic codes written
into the material of celluloid invented by Kodak.
These historical signification codes were to find
on the border of the material of projection and
normally stayed invisible. In this anachronogical
approach to our time based media is turned ad
absurdum, slides disappear, Kodak disappears, as
also its related knowledge of interpretation…
Exhibtion view at the Galerie Jérôme Poggi, 2013
LCD copper plate I, 2012
Copper plate, resulting from the direct exposure of the expanded cinema installation LCD
110 x 80 cm
unique
LCD copper plate I, 2012
Copper plate, resulting from the direct exposure of the expanded cinema installation
LCD
110 x 80 cm
unique
In the Soul of Film, 2010
Scanning Electron Microscopy (SEM) zoom on 35 mm celluloid,
series of 12 images 16 cm x 17 cm, bw Inkjet print, mat on pvc, 2010
Edition of 3 + 1 AP
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In the soul of film is an art work focusing
on the observation of the cinematographic material itself by a movement of
zooming into the tiniest possible scale
(inframence) of the surface of a blanck
35mm celluloid image frame.
Surfaces of Plateau (1,001 pictures)
Series of Photograms
39 cm x 41 cm
exhibition view at the galerie Jérôme Poggi, 2013
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Borinski is also devoting one ongoing project to the figure of Joseph Plateau. Every book on the
history of film mentions this Belgian professor (1801- 1881) as the scientist that perfected the
basic principle for creating the suggestion of motion, which eventually led to the development
of cinema. However well accredited for his scientific demonstration of animation as an optical
illusion, most of his other pioneering achievements still remain underexposed. In 2011 Borinski
started an ongoing project that refers back to Plateau’s research on surface tension and the visual aids he created to investigate this phenomenon, including wire models. 7 With the pun in her
title Surfaces of Plateau (1001 pictures) she alludes both to the digital realm (one’s and zero’s),
to Arab fairy tales and to the Mille Plateaux book by Deleuze and Guattari. The same verbal
playfulness Borinski also recurs in works such as the slide projections Mnemosigne (2012) and
LCD (2008).
text by Edwin Carels, 2013
The Dark Mirror #2, 2012
inkjet print
46 cm x 87 cm
Edition of 3 + 1 AP
With the same conceptual wit Borinski has printed twenty-four frames of found 35mm footage
on top of each other, compressing one second of average film viewing into a single snapshot: The
Dark Mirror (2011-2013). In the contemporary context of digital ‘horror vacui,’ driven by an endless
accumulation of information on silicon chips, flash drives and virtual clouds, such a physical layering
of time fragments seems totally primitive. Analogue media are rapidly becoming an anomaly. The
pratical requirements are too labour intensive, factories and laboratories close one after the other and
what was once the standard, is now rapidly becoming the exception. Yet these ‘slow’ characteristics
are exactly what appeals to Borinski. With each of her composite, simple and yet complex pictures
she invites us to
Edwin Carels
inkjet print
46 cm x 87 cm
inkjet print
46 cm x 87 cm
inkjet print
46 cm x 87 cm
inkjet print
46 cm x 87 cm
Surfaces of Plateau (1,001 pictures) /scanography, 2011
c-print on perl photographic paper
70 cm x 100 cm
Edition of 3 + 1 AP
Who’s Afraid of the Void II, 2013
Silver print on Cybachrome, 270 x 90 cm
unique
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Who is afraid of the void? is the title of one of the newest works by Juliana Borinski. In the present
solo show most images indeed seem to depict nothing recognizable. Borinski provides an answer to
this metaphysical question by offering her public a confrontation with the very physical properties
of the image. In her unorthodox hands, a picture becomes an object, it’s material manifestation
is foregrounded to the point that the signifier becomes the signified. A discarded remainder of a
photographic roll of film is exposed and then printed on large perl paper: Who is Afraid of the Void
(2013). A typical piece of insignificant ‘waste’ is thus upgraded to receive maximum attention. Posthumously, so to speak, as such photographic materials are disappearing quickly out of circulation.
Edwin Carrels
A Photographer’s Nightmare, 2013
Lightbox
122 x 122 x 25 cm
unique
Courtesy Galerie jérôme Poggi, Paris
credit Aurelien Mole
1+1=0, 2009-2011
Ring, Unilimted edition
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By cutting the nickel silver borders of two oneeuro coins and by joining them in a configuration
where two spheres get into contact, Juliana Borinski obtains an apparently harmless but striking
product. This permutation interferes with the
modes of functioning of money, as it rectifies its
function and redirects its circulation. The metal
coin — understood as a reserve of value which
can be accumulated while keeping its fluidity —
migrates from a status of “mean of exchange” to
a status of “luxury good” and “design object”.
Simone Frangi
1+1=0, 2009-2011
Ring, Unilimted edition
EXPOSITIONS / EXHIBITIONS
2013
Film Festival Gent (BE)
«1+1=0», Contemporary art Museum Rijeka, (HR)- solo show
Pensé(z) Cinéma, CAC Meymac, Meymac (FR)
Exposition personnelle, Galerie Jérôme Poggi, Paris (FR)
L’apparition des images, exposition collective, fondation d’entreprise Ricard, Paris (FR) - curator Audrey Illouz
2012
We do not remember the Berlin Wall, Quincaillerie Vander Eycken, Brussels (BE) - Emilie Pischedda & Barthélémy Schöller
ARTISSIMA 19, Torino (IT)
Surfaces of Plateau ( 1,001 images), solo Show Cécile Jaime Gallery, Gent (BE)
L’Archeologie un mythe contemporain, espace d’art contemporain La Tôlerie, Clermont-Ferrand (FR)
Divus, London (UK)
Graphology, The Drawing Room, London (UK)
1+1=0, Galerie 22,48m 2, Paris (exposition personnelle) (FR)
Traveling Time, Amsterdam (NL)
WORDS, WORDS, WORDS, Athens (GR)
Hosted in Athens; Archeologcal Istitute Athens (GR)
Du monde clos à l’univers infini, Centre d’art Quartier à Quimper (FR)
2011
Graphology Chapter 4, Lonely at the top, Mu ka Antwerp (BE)
Lyquid Crystal Displays, Huis Sonneveld (NAI), IFFR Rotterdam (cur. Edwin Carels), exposition personnelle
(NL)
Formules exposition collective Mulhouse (cur. Sandrine Wymann /
La Kunsthalle Mulhouse) (FR)
Entre le cristal et la fumée, Galerie Poggi & Bertoux, Paris (FR)
Video, vidi, visum II, Galerie Poggi & Bertoux, Paris (FR)
2010
Tatamount, Gent (BE) & Kanazawa, (JP)
Politique 0, espace Niemayer Paris, (FR)
ISEA 2010, MKK Dortmund, (DE)
VI Muestra Monográfica de Media Art, Manizales, (CO)
2009
Disseminaçåo, Palaciò das Artes Belo Horizonte, (BR)
Almost Cinema, Vooruit Gent, (BE)
X Media Forum, Festival de Film Moscou, (RU)
Expanded City, 13ème Biennale d’Art Media, Centre d’Art WRO, Wrocaw, (PL)
2008
Update II, ZKM, Karlsruhe & Fondation Liedts-Meesen Gand (cur. Peter Weibel / Stef van Bellingen), (BE)
Zur Zeit, Kunstlerhaus Palais Thurn & Taxis, Bregenz, (cur. Dr. Meusburger & Marie Lousie Angerer), (AT)
BM. Mediale, Rhein Erft Kreis, (cur. Jurgen Klauke & Mischa Kubal) (DE)
2007
Transterritoriale Generation II, Paço das Artes, São Paulo,(cur. Tereza Arruda) (BR)
Borderline Behaviour-Drawn towards Animation, TENT(cur. Edwin Carels) (NL)
Performing Media, Art Cologne, ( curateur Jurgen Klauke) (DE)
KINOHNE, Moltkerei Werkstatt Cologne, (exposition personelle) (DE)
Expanded Media-Media in Space, Wurttembergischer Kunstverein Stuttgart, (cur. Hans Christ & Iris Dressler) (DE)
2006
Autopsia, Art Cologne, (curateur Matthias Muller) (DE)
Geladen-Videokunst, Projections au Musée Ludwig Cologne (DE)
zur Sache Schätzchen, Wallraf Richartz-Museum / Fondation Courboud, Cologne (DE)
Verschwendung und der Medienschatten, Glas Moog, Cologne, exposition personelle (DE)
PUBLICATIONS
2013
Une Photographie Rebelle - texte de Marc Lenot - Bliog lunette Rouge
Juliana Borinski par Marc Bembekoff.
«Amor Vacui - Juliana Borinski», texte de Edwin Carrels
2012
Graphology, texte Edwin Carrels (BE/GB)
Décadrages, cinéma à travers les champs, texte Adeena May ( CH)
Aspect, the cinematic vol 20 ( USA)
Dead Citizens, ed Horror Vacui ( Monographic )
1+1=0, with text by Nathalie Desmet, Simone Frangi, Jérôme Glicenstein, Géraldine Miquelot, Samuel O. Ronsin, Septembre Tiberghien, ed 22,48 m2, Paris ( Monographic)
2011
The image in all its states / On the work of Juliana Borinski - Pieter Bogaert2010
ISEA 2010 Dortmund (DE)
2009
Almost Cinema, Kunstcentrum Vooruit, Ghent, (BE)
2008
Update II, Liedts-Meesen Foundation, Gand (B) & ZKM, Karlsruhe (DE)
Code Magazine, (BE)
Zur Zeit, Thurn & Taxis Kunstlerhaus, Bregenz, (AT)
2007
Expanded Media-Media in Space, Wurtembergischer Kunstverein, Stuttgart (DE)
Transterritioriale Generation Phase I-III, Paço das Artes, São Paulo, (BR)
Borderline Behaviour- Drawn towards Animation, Féstival international de film (IFFR) Rotterdam (NL)
Große Kunstausstellung NRW, Dusseldorf, (DE)
2006
Autopsia, KHM ART COLOGNE, (DE) texte Matthias Müller
Fuites Statiques, Projet Diligence, Nice, (FR)
Große Kunstausstellung NRW, Dusseldorf, (DE)
PRIX ET NOMINATIONS / AWARDS
2011
Aide à la Création, DRAC Ile - de - France (FR)
nomination pour le jury, MFA diplome Academie Royale d’Art, KASK Gent (BE)
nomination pour Tiger Award IFFR Rotterdam (NL)
2009
mentions honorable at 13ème Biennale d’Art Media, WRO 09, (PL)
nomination pour X Media Forum, International Film Festival, Moscow, (RU)
2008
BM. Mediale, Prix pour jeunes artistes, Bergheim, (DE)
nomination pour New Media Award ZKM Center for Media Art, Karlsruhe (DE) & Liedts-Meesen Foundation,
Gent, (BE)
2007
nomination pour Tiger Award, Festival international de Film (IFFR), Rotterdam (NL)
mentions honorable Expanded Media-Medien in Space, Wurttembergischer Kunstverein, Stuttgart, (DE)
RESIDENCES / RESIDENCIES
2011 - 2012
Seminaire Academie Royale d’Art, KASK Gent, (BE)
2010
Conference Surfaces of Plateau (1,001 Pictures) Timelab, Gent, (BE)
Conference Expanded Cinema & the extended Eye KASK, Royal School of Arts Gent, (BE)
Artiste en Résidence Timelab, Gent, (BE)
Artiste en Résidence la Kunsthalle Mulhouse et Université Haute Alsace (UHA), (FR)
Conference, cinéma expérimental et maintenant, Le Quai, École de Beaux Arts, Mulhouse (FR)
2009
Summercamp Electrified, Centre d’Art Vorhuit & Timelab, Gand (BE)
Artist in residence Ososphère, Artefact, Strasbourg (FR)
Anima-Son, workshop image en movement, Artefact, Strasbourg (FR)
2008
Artiste en Résidence Atélier experimental Clans, (FR)
Artiste en Résidence Bains::Connective, Brussels, (BE)

+ juliana borinski

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