Beth Stuart - Battat Contemporary
Transcription
Beth Stuart - Battat Contemporary
Beth Stuart BIOGRAPHIE Née à Saskatoon en Saskatchewan, Beth Stuart obtient sa maîtrise au département des beaux-arts à l’Université de Guelph en Ontario en 2009. Elle prit part à de nombreuses expositions, à des projets solos à La Centrale (what bonds are these?) à Montréal, à Erin Stump Projects à Toronto et à la Fondation Esker (Doubting Thomas) à Calgary ainsi qu'à des expositions de groupes à la Galerie de l'UQÀM (Le projet peinture) à Montréal et à The Power Plant (One, and Two, and More than Two) à Toronto. Elle a présenté WARM.WORN.UNIFORM à la Battat Contemporary à l'automne 2014 et READ.PLAID.CLAD à Open Studio à Toronto en 2015. Elle vit et travaille à Toronto, en Ontario. ÉDUCATION 2009 2004 MFA, University of Guelph, Guelph, Ontario, Canada BFA, Université Concordia, Montréal, Québec, Canada EXPOSITIONS INDIVIDUELLES 2015 2014 2013 2012 2011 2009 2003 READ.PLAID.CLAD, Open Studio, Toronto, ON WARM.WORN.UNIFORM, Battat Contemporary. Montréal, QC Doubting Thomas, Esker Foundation, Calgary, AB LOUD.BROWN.SHROUD. Erin Stump Projects, Toronto, ON what bonds are these? August/September 2012, Latcham Gallery, Stoufville, ON what bonds are these? March/April 2012, La Centrale, Montréal, QC The Cliques, Erin Stump Projects, Toronto, ON two sticks in a shed, Battat Contemporary, Montréal, QC if not this, what? BOARD OF DIRECTORS, Toronto, ON Braiding A Hole, MacDonald Stewart Arts Centre, Guelph, ON Exquisite Stiff, Galerie VAV Gallery, Montréal, QC EXPOSITIONS DE GROUPE 2015 2014 2013 2012 2011 Marie-Michelle Deschamps - Julie Favreau - Sophie Jodoin - Beth Stuart, Battat Contemporary There is no There, commissaire: Stefan Hancherow, Hamilton Artists’ Inc., Hamilton, ON Lacis, organisé par Claire Bartleman, OCAD U Student Gallery, Toronto, ON Rendering Emblems, avec Austin Eddy et Olivier Kosta-Thefaine, LVL3 Gallery, Chicago, Illinois Painting Hamilton, Art Gallery of Hamilton, Hamilton, ON One, and Two, and More Than Two, The Power Plant, Toronto, ON L'image en question, Battat Contemporary, Montréal, QC Le projet peinture, Galerie de l’UQÀM, commissaire: Louise Déry, Montréal, QC 60 Painters, Humber College, Toronto Ontario Vendu-Sold: Encan Bénéfice, éditions ESSE, Musée des Beaux Arts de Montréal, Montréal, QC Chicago NEXT Fair, LVL3 Gallery, Chicago, IL RBC Canadian Painting Competition Exhibition (tour), Art Gallery of Alberta, Edmonton, The Power 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 1 2010 2009 2007 Plant, Toronto, Hamilton Art Gallery, Hamilton Group Exhibition, Erin Stump Projects, Toronto, ON RBC Canadian Painting Competition Exhibition (tour), The Power Plant Centre for Contemporary Art, Toronto, ON; Dalhousie Art Gallery, Halifax, NS; Art Gallery of Calgary, Calgary, AB Vendu-Sold: Encan Benefice, éditions ESSE, Musée des Beaux Arts de Montréal, Montréal, QC Phoenix Art, Galerie Simon Blais, commissaire: Robert Enright, Montréal, QC 1:15, Georgia Scherman Projects, Toronto, ON art in the automne / Nuit Blanche, 401 Richmond, Toronto, ON the end (ORANGEBROWN), Queensland University of Technology in Brisbane, Australia BIBLIOGRAPHIE 2015 2014 2013 2012 2011 2010 2009 Clément, Éric, "Virée des galeries: les autres expos", La Presse (1er novembre 2015) En ligne Campbell, James D., « Beth Stuart », Frieze Magazine, no. 170 (Avril 2015): 150-51. Soboleva, Elena, « 9 Emerging Artists You Should Buy at Art Brussels », Artsy, 21 avril 2015. En ligne. Delgado, Jérôme, « Du théâtre entre la peinture et la sculpture », Le Devoir, 8 novembre 2014 Potter, Naomi et Shauna Thompson, eds. Beth Stuart: Doubting Thomas, contrib. Jon Davies, Beth Stuart, et Shauna Thompson. Calgary, Esker Publications, 2014 Ritchie, Christina, « Micah Lexier: Making It Make Itself », Canadian Art 30, no. 3 (Automne 2013) Campbell, James D., « The Image in Question », Magenta Magazine 4, no. 2 (Été 2013). En ligne. Dault, Gary Michael, « Beth Stuart: Rapture Rupture Raptor », Border Crossings 126 (Mai 2013): 6469. Déry, Louise, Jonathan Shaughnessy et al., The Painting Project, Galerie de l'UQÀM, Montréal Campbell, James D., « Bondage Unbound: Rupture and Suture in the art of Beth Stuart », ETC, no. 97 (octobre 2012/février 2013): 64-70. Ninacs, Ann-Marie, « Portfolio », ESSE, no.70 (Automne 2012): 66-73. Vaughan, R.M., « Double visions and scary dolls », The Globe and Mail, 22 octobre 2011 Bethune-Leamen, Katie, « Beth Stuart », Canadian Art 29, no. 2 (Été 2011): 116. Isé, Claudine, « Don’t Cry for Me, Art Chicago », Bad at Sports: Contemporary Art, 2 mai 2011 Enright, Robert, « Immodest Modesty », Border Crossings 30, no. 2 (mars 2011): 17. « Artist of the week – interview », LVL3 Gallery, Chicago, En ligne. Campbell, James D. «The Phoenix Art », Frieze Magazine, no.131 (Mai 2010): 146-47. Babin, Sylvette, ed., «Beth Stuart,» dans VENDU-SOLD, Montréal, Les éditions ESSE, p.138-141. « The Phoenix Art: Viewing Painting’s Renewed Power », Canadian Art (17 décembre 2009), En ligne. Delgado, Jerome, Étincelles et enterrement de la peinture, Le Devoir. Friday December 18, 2009 Landry, Michael, « Braiding a Hole », Things of Desire 1, no. 36 (21 au 27 mai), En ligne. PRIX ET BOURSES 2016 2013 2011 Conseil des arts du Canada, Programme de résidence internationale, La Cité des arts internationale, Paris, France Conseil des arts de l’Ontario (CAO) Conseil des arts du Canada – Bourse Recherche et création Gagnante, mention honorable, Concours de peintures canadiennes RBC Conseil des arts de l’Ontario (CAO) Conseil des arts du Canada – Bourse Recherche et création 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 2 2010 2008 2007 2003 Demi-finaliste au concours de peintures canadiennes RBC Bourse d’études supérieures de l’Ontario 2008/2009 Bourse d’études supérieures Tony Scherman 2007/2008 Bourse du doyen, Guelph University Prix Ada Lovelace, Université Concordia Prix d’excellence en peinture Heinz Jordan Award, mention honorable, Université Concordia RÉSIDENCES 2016 2015 2014 2009 Conseil des arts du Canada, Programme de résidence internationale, La Cité des arts internationale, Paris, France Residence VA à Open Studio, Toronto, On Residence VA à Open Studio, Toronto, On Why Are Conceptual Artists Painting Again? Avec Jan Verwoert, Banff Centre for the Arts, Banff, AB PROJET DE COMMISSARIAT 2014 CAMOUFLEURS: Kathleen Ritter, G Gallery, Toronto, ON ÉCRITS ET PUBLICATIONS 2011 2009 2009 JOINERY/MENUISERIE, éditions Battat Contemporary, Montréal, 2011 «Amna Malik: Au Naturel,» C Magazine, Issue 105 (printemps 2010) p. 55 «Cinema and Painting», pour Mixing the Message: Painting and Translation, International Painting Symposium, Macdonald Stewart Art Centre, Guelph, ON CONFÉRENCES 2015 2013 2012 2011 2009 2008 Conférence d'artiste invité, NSCAD University, Halifax, NS Conférence d’artiste invité, dans le cadre de Art Now, University of Lethbridge, AB Conférence d’artiste, School of Fine Arts, Concordia University, Montréal, QC Conférence d’exposition, LA CENTRALE Galerie Powerhouse, Montréal, QC Conférence d’artiste invité, Painting and Drawing Department, OCADU, Toronto, ON Conférence d’artiste, University of Toronto, School of Visual Studies, Toronto, ON Présentation, Mixing the Message: Painting and Translation, MacDonald Stewart Art Centre, Guelph, ON Présentation du panel Cinema and Painting, Colloque annuel de l'UAAC, York University, Toronto, ON COLLECTIONS TD Canada Trust Banque Nationale 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 3 BETH STUART BIOGRAPHY Born in Saskatoon (Saskatchewan), Beth Stuart works in an expanding range of media including writing, painting, ceramic, textiles, and sculptural installation. Often picking up on overlooked historical moments, characters and material techniques; she creates alternative plot points in the narrative of modernist abstraction. Improbable and conflicting ideologies form new negotiations, straight lines collapse, facts blend into feelings and hard structures dissolve into soft bodies. Notable recent presentations include a solo project at the Esker Foundation in Calgary Alberta, The Painting Project curated by Louise Dery at UQAM and More than Two: Let it Make Itself, curated by Micah Lexier at the Power Plant. In 2010 she was shortlisted for the RBC Painting Prize and in 2011 she received an honorable mention. Beth Stuart is based in Toronto, Ontario. EDUCATION 2009 2004 MFA, University of Guelph, Guelph, Ontario, Canada BFA, Concordia University, Montreal, Quebec, Canada SOLO EXHIBITIONS 2015 2014 2013 2012 2011 2009 2003 READ.PLAID.CLAD, Open Studio, Toronto, ON WARM.WORN.UNIFORM, Battat Contemporary, Montreal, QC Doubting Thomas, Esker Foundation, Calgary, AB LOUD.BROWN.SHROUD. Erin Stump Projects, Toronto, ON what bonds are these? August/September 2012, Latcham Gallery, Stoufville, ON what bonds are these? March/April 2012, La Centrale, Montreal, QC The Cliques, Erin Stump Projects, Toronto, ON two sticks in a shed, Battat Contemporary, Montreal, QC if not this, what? BOARD OF DIRECTORS, Toronto, ON Braiding A Hole, MacDonald Stewart Arts Centre, Guelph ON Exquisite Stiff, Galerie VAV Gallery, Montreal, QC GROUP EXHIBITIONS 2015 2014 2013 2012 2011 Marie-Michelle Deschamps - Julie Favreau - Sophie Jodoin - Beth Stuart, Battat Contemporary There is no There, curated by Stefan Hancherow, Hamilton Artists’ Inc., Hamilton, ON Lacis, organized by Claire Bartleman, OCAD U Student Gallery, Toronto, ON Rendering Emblems, with Austin Eddy and Olivier Kosta-Thefaine, LVL3 Gallery, Chicago, Illinois Painting Hamilton, Art Gallery of Hamilton, Hamilton, ON One, and Two, and More Than Two, The Power Plant, Toronto, ON The Image in Question, Battat Contemporary, Montreal, QC The Painting Project, Galerie UQÀM, curated by Louise Déry, Montreal, QC 60 Painters, Humber College, Toronto, ON Vendu-Sold: Encan Bénéfice, éditions ESSE, Montreal Museum of Fine Arts, Montreal, QC Chicago NEXT Fair, LVL3 Gallery, Chicago, IL RBC Canadian Painting Competition Exhibition (tour), Art Gallery of Alberta, Edmonton, AB, The Power Plant, Toronto, ON, and Hamilton Art Gallery, Hamilton, ON 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 4 2010 2009 2007 Group Exhibition, Erin Stump Projects, Toronto, ON RBC Canadian Painting Competition Exhibition (tour), The Power Plant, Toronto, ON, Dalhousie Art Gallery, Halifax, NS, Art Gallery of Calgary, Calgary, AB Vendu-Sold: Encan Benefice, éditions ESSE, Montreal Museum of Fine Arts, Montreal, QC Phoenix Art, Galerie Simon Blais, curated by Robert Enright, Montreal, QC 1:15, Georgia Scherman Projects, Toronto, ON art in the fall / Nuit Blanche, 401 Richmond, Toronto ON the end (ORANGEBROWN), Queensland University of Technology in Brisbane, Australia BIBLIOGRAPHY 2015 2014 2013 2012 2011 2010 2009 Clément, Éric, "Virée des galeries: les autres expos", La Presse (november 1, 2015) Online Campbell, James D., « Beth Stuart,» Frieze Magazine, no. 170 (April 2015): 150-51. Soboleva, Elena, « 9 Emerging Artists You Should Buy at Art Brussels,» Artsy (April 21, 2015), Online. Delgado, Jérôme, « Du théâtre entre la peinture et la sculpture, » Le Devoir (November 8, 2014) Potter, Naomi and Shauna Thompson, eds.,Beth Stuart: Doubting Thomas, Contrib. Jon Davies, Beth Stuart, and Shauna Thompson, Calgary: Esker Publications, 2014 Ritchie, Christina, « Micah Lexier: Making It Make Itself, » Canadian Art 30, no. 3 (Fall 2013). Campbell, James D., «The Image in Question,» Magenta Magazine 4, no. 2 (Summer 2013) Online. Dault, Gary Michael, «Beth Stuart: Rapture Rupture Raptor,» Border Crossings 126 (May 2013): 64-9. Déry, Louise, Jonathan Shaughnessy et al., The Painting Project, Montreal: Galerie de l'UQÀM, 2013. Campbell, James D., « Bondage Unbound: Rupture and Suture in the art of Beth Stuart,» ETC, no. 97 (October 2012/February 2013): 64-70. Ninacs, Ann-Marie, « Portfolio, » ESSE, no. 70, (Fall 2012): 66-73. Vaughan, R.M., « Double visions and scary dolls, » The Globe and Mail (October 22, 2011) Bethune-Leamen, Katie, « Beth Stuart, » Canadian Art 29, no. 2 (Summer 2011): 116. Isé, Claudine, « Don’t Cry for Me, Art Chicago, » Bad at Sports: Contemporary Art (May 2nd, 2011) Online. Enright, Robert, « Immodest Modesty, » Border Crossings 30, no. 1 (March 2011): 17. Artist of the week – interview, LVL3 Gallery, Chicago. Online. Campbell, James D. «The Phoenix Art,» Frieze Magazine, no. 131 (May 2010): 146-147. Babin, Sylvette, ed., «Beth Stuart,» in VENDU-SOLD, Montreal: Les éditions ESSE, p.138-141 «The Phoenix Art: Viewing Painting’s Renewed Power, » Canadian Art (December 17, 2009) Online. Delgado, Jerome, « Étincelles et enterrement de la peinture, » Le Devoir (December 18, 2009) Landry, Michael, « Braiding a Hole,» Things of Desire 1, no. 36 (May 21 to 27, 2009) AWARDS AND GRANTS 2016 2013 2011 2010 Canada Council for the Arts, International Residency Program, La Cite des Arts Internationale, Paris, France. Ontario Arts Council Grant Canada Coucil for the Arts - Research and Creation Grant Winner, Honourable Mention, RBC Canadian Painting Competition Ontario Arts Council Grant Canada Coucil for the Arts - Research and Creation Grant RBC Canadian Painting Competition Semi-Finalist 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 5 2008 Ontario Graduate Scholarship 2008/2009 2007 Tony Scherman Graduate Scolarship 2007/2008 Dean’s Scholarship, Guelph University Ada Lovelace Award, Concordia University Heinz Jordan Award for excellence in painting, Honourable Mention, Concordia University 2003 RESIDENCIES 2016 2009 Canada Council for the Arts, International Residency Program, La Cite des Arts Internationale, Paris, France. Why Are Conceptual Artists Painting Again? w/ Jan Verwoert, Banff Centre for the Arts, Banff, AB CURATORIAL PROJECTS 2014 CAMOUFLEURS: Kathleen Ritter, G Gallery, Toronto, ON PUBLISHED WRITINGS 2011 2009 2009 JOINERY/MENUISERIE, éditions Battat Contemporary, Montréal, 2011 «Amna Malik: Au Naturel,» C Magazine, Issue 105 (Spring 2010) p. 55 «Cinema and Painting,» in Mixing the Message: Painting and Translation, International Painting Symposium, Macdonald Stewart Art Centre, Guelph, 2009 PUBLIC LECTURES 2015 2013 2012 2011 2009 2008 Visiting Artist Lecture, NSCAD University, Halifax, NS Visiting Artist Lecture, Georgian College, Barrie, ON Art Now Lecture, University of Lethbridge, AB Visiting Artist Lecture, School of Fine Arts, Concordia University, Montreal, QC Exhibition Lecture, LA CENTRALE Galerie Powerhouse, Montreal, QC Guest Artist Lecture, Painting and Drawing Department, Ontario College of Art and Design, Toronto, ON Visiting Artist Lecture, School of Visual Studies, University of Toronto, Toronto, ON Mixing the Message: Painting and Translation, MacDonald Stewart Art Centre, Guelph, ON UAAC, panel presentation Cinema and Painting, York University, Toronto, ON COLLECTIONS TD Canada Trust Banque Nationale 7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577 www.battatcontemporary.com 6