Beth Stuart - Battat Contemporary

Transcription

Beth Stuart - Battat Contemporary
 Beth Stuart
BIOGRAPHIE
Née à Saskatoon en Saskatchewan, Beth Stuart obtient sa maîtrise au département des beaux-arts à
l’Université de Guelph en Ontario en 2009. Elle prit part à de nombreuses expositions, à des projets solos à
La Centrale (what bonds are these?) à Montréal, à Erin Stump Projects à Toronto et à la Fondation Esker
(Doubting Thomas) à Calgary ainsi qu'à des expositions de groupes à la Galerie de l'UQÀM (Le projet peinture)
à Montréal et à The Power Plant (One, and Two, and More than Two) à Toronto. Elle a présenté
WARM.WORN.UNIFORM à la Battat Contemporary à l'automne 2014 et READ.PLAID.CLAD à Open Studio à
Toronto en 2015. Elle vit et travaille à Toronto, en Ontario.
ÉDUCATION
2009
2004
MFA, University of Guelph, Guelph, Ontario, Canada
BFA, Université Concordia, Montréal, Québec, Canada
EXPOSITIONS INDIVIDUELLES
2015
2014
2013
2012
2011
2009
2003
READ.PLAID.CLAD, Open Studio, Toronto, ON
WARM.WORN.UNIFORM, Battat Contemporary. Montréal, QC
Doubting Thomas, Esker Foundation, Calgary, AB
LOUD.BROWN.SHROUD. Erin Stump Projects, Toronto, ON
what bonds are these? August/September 2012, Latcham Gallery, Stoufville, ON
what bonds are these? March/April 2012, La Centrale, Montréal, QC
The Cliques, Erin Stump Projects, Toronto, ON
two sticks in a shed, Battat Contemporary, Montréal, QC
if not this, what? BOARD OF DIRECTORS, Toronto, ON
Braiding A Hole, MacDonald Stewart Arts Centre, Guelph, ON
Exquisite Stiff, Galerie VAV Gallery, Montréal, QC
EXPOSITIONS DE GROUPE
2015
2014
2013
2012
2011
Marie-Michelle Deschamps - Julie Favreau - Sophie Jodoin - Beth Stuart, Battat Contemporary
There is no There, commissaire: Stefan Hancherow, Hamilton Artists’ Inc., Hamilton, ON
Lacis, organisé par Claire Bartleman, OCAD U Student Gallery, Toronto, ON
Rendering Emblems, avec Austin Eddy et Olivier Kosta-Thefaine, LVL3 Gallery, Chicago, Illinois
Painting Hamilton, Art Gallery of Hamilton, Hamilton, ON
One, and Two, and More Than Two, The Power Plant, Toronto, ON
L'image en question, Battat Contemporary, Montréal, QC
Le projet peinture, Galerie de l’UQÀM, commissaire: Louise Déry, Montréal, QC
60 Painters, Humber College, Toronto Ontario
Vendu-Sold: Encan Bénéfice, éditions ESSE, Musée des Beaux Arts de Montréal, Montréal, QC
Chicago NEXT Fair, LVL3 Gallery, Chicago, IL
RBC Canadian Painting Competition Exhibition (tour), Art Gallery of Alberta, Edmonton, The Power
7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577
www.battatcontemporary.com
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2010
2009
2007
Plant, Toronto, Hamilton Art Gallery, Hamilton
Group Exhibition, Erin Stump Projects, Toronto, ON
RBC Canadian Painting Competition Exhibition (tour), The Power Plant Centre for Contemporary Art,
Toronto, ON; Dalhousie Art Gallery, Halifax, NS; Art Gallery of Calgary, Calgary, AB
Vendu-Sold: Encan Benefice, éditions ESSE, Musée des Beaux Arts de Montréal, Montréal, QC
Phoenix Art, Galerie Simon Blais, commissaire: Robert Enright, Montréal, QC
1:15, Georgia Scherman Projects, Toronto, ON
art in the automne / Nuit Blanche, 401 Richmond, Toronto, ON
the end (ORANGEBROWN), Queensland University of Technology in Brisbane, Australia
BIBLIOGRAPHIE
2015
2014
2013
2012
2011
2010
2009
Clément, Éric, "Virée des galeries: les autres expos", La Presse (1er novembre 2015) En ligne
Campbell, James D., « Beth Stuart », Frieze Magazine, no. 170 (Avril 2015): 150-51.
Soboleva, Elena, « 9 Emerging Artists You Should Buy at Art Brussels », Artsy, 21 avril 2015. En ligne.
Delgado, Jérôme, « Du théâtre entre la peinture et la sculpture », Le Devoir, 8 novembre 2014
Potter, Naomi et Shauna Thompson, eds. Beth Stuart: Doubting Thomas, contrib. Jon Davies, Beth
Stuart, et Shauna Thompson. Calgary, Esker Publications, 2014
Ritchie, Christina, « Micah Lexier: Making It Make Itself », Canadian Art 30, no. 3 (Automne 2013)
Campbell, James D., « The Image in Question », Magenta Magazine 4, no. 2 (Été 2013). En ligne.
Dault, Gary Michael, « Beth Stuart: Rapture Rupture Raptor », Border Crossings 126 (Mai 2013): 6469.
Déry, Louise, Jonathan Shaughnessy et al., The Painting Project, Galerie de l'UQÀM, Montréal
Campbell, James D., « Bondage Unbound: Rupture and Suture in the art of Beth Stuart », ETC,
no. 97 (octobre 2012/février 2013): 64-70.
Ninacs, Ann-Marie, « Portfolio », ESSE, no.70 (Automne 2012): 66-73.
Vaughan, R.M., « Double visions and scary dolls », The Globe and Mail, 22 octobre 2011
Bethune-Leamen, Katie, « Beth Stuart », Canadian Art 29, no. 2 (Été 2011): 116.
Isé, Claudine, « Don’t Cry for Me, Art Chicago », Bad at Sports: Contemporary Art, 2 mai 2011
Enright, Robert, « Immodest Modesty », Border Crossings 30, no. 2 (mars 2011): 17.
« Artist of the week – interview », LVL3 Gallery, Chicago, En ligne.
Campbell, James D. «The Phoenix Art », Frieze Magazine, no.131 (Mai 2010): 146-47.
Babin, Sylvette, ed., «Beth Stuart,» dans VENDU-SOLD, Montréal, Les éditions ESSE, p.138-141.
« The Phoenix Art: Viewing Painting’s Renewed Power », Canadian Art (17 décembre 2009), En ligne.
Delgado, Jerome, Étincelles et enterrement de la peinture, Le Devoir. Friday December 18, 2009
Landry, Michael, « Braiding a Hole », Things of Desire 1, no. 36 (21 au 27 mai), En ligne.
PRIX ET BOURSES
2016
2013
2011
Conseil des arts du Canada, Programme de résidence internationale, La Cité des arts internationale,
Paris, France
Conseil des arts de l’Ontario (CAO)
Conseil des arts du Canada – Bourse Recherche et création
Gagnante, mention honorable, Concours de peintures canadiennes RBC
Conseil des arts de l’Ontario (CAO)
Conseil des arts du Canada – Bourse Recherche et création
7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577
www.battatcontemporary.com
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2010
2008
2007
2003
Demi-finaliste au concours de peintures canadiennes RBC
Bourse d’études supérieures de l’Ontario 2008/2009
Bourse d’études supérieures Tony Scherman 2007/2008
Bourse du doyen, Guelph University
Prix Ada Lovelace, Université Concordia
Prix d’excellence en peinture Heinz Jordan Award, mention honorable, Université Concordia
RÉSIDENCES
2016
2015
2014
2009
Conseil des arts du Canada, Programme de résidence internationale, La Cité des arts internationale,
Paris, France
Residence VA à Open Studio, Toronto, On
Residence VA à Open Studio, Toronto, On
Why Are Conceptual Artists Painting Again? Avec Jan Verwoert, Banff Centre for the Arts, Banff, AB
PROJET DE COMMISSARIAT
2014
CAMOUFLEURS: Kathleen Ritter, G Gallery, Toronto, ON
ÉCRITS ET PUBLICATIONS
2011
2009
2009
JOINERY/MENUISERIE, éditions Battat Contemporary, Montréal, 2011
«Amna Malik: Au Naturel,» C Magazine, Issue 105 (printemps 2010) p. 55
«Cinema and Painting», pour Mixing the Message: Painting and Translation, International Painting
Symposium, Macdonald Stewart Art Centre, Guelph, ON
CONFÉRENCES
2015
2013
2012
2011
2009
2008
Conférence d'artiste invité, NSCAD University, Halifax, NS
Conférence d’artiste invité, dans le cadre de Art Now, University of Lethbridge, AB
Conférence d’artiste, School of Fine Arts, Concordia University, Montréal, QC
Conférence d’exposition, LA CENTRALE Galerie Powerhouse, Montréal, QC
Conférence d’artiste invité, Painting and Drawing Department, OCADU, Toronto, ON
Conférence d’artiste, University of Toronto, School of Visual Studies, Toronto, ON
Présentation, Mixing the Message: Painting and Translation, MacDonald Stewart Art Centre, Guelph,
ON
Présentation du panel Cinema and Painting, Colloque annuel de l'UAAC, York University, Toronto, ON
COLLECTIONS
TD Canada Trust
Banque Nationale
7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577
www.battatcontemporary.com
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BETH STUART
BIOGRAPHY
Born in Saskatoon (Saskatchewan), Beth Stuart works in an expanding range of media including writing,
painting, ceramic, textiles, and sculptural installation. Often picking up on overlooked historical moments,
characters and material techniques; she creates alternative plot points in the narrative of modernist
abstraction. Improbable and conflicting ideologies form new negotiations, straight lines collapse, facts blend
into feelings and hard structures dissolve into soft bodies. Notable recent presentations include a solo project
at the Esker Foundation in Calgary Alberta, The Painting Project curated by Louise Dery at UQAM and More
than Two: Let it Make Itself, curated by Micah Lexier at the Power Plant. In 2010 she was shortlisted for the
RBC Painting Prize and in 2011 she received an honorable mention. Beth Stuart is based in Toronto, Ontario.
EDUCATION
2009
2004
MFA, University of Guelph, Guelph, Ontario, Canada
BFA, Concordia University, Montreal, Quebec, Canada
SOLO EXHIBITIONS
2015
2014
2013
2012
2011
2009
2003
READ.PLAID.CLAD, Open Studio, Toronto, ON
WARM.WORN.UNIFORM, Battat Contemporary, Montreal, QC
Doubting Thomas, Esker Foundation, Calgary, AB
LOUD.BROWN.SHROUD. Erin Stump Projects, Toronto, ON
what bonds are these? August/September 2012, Latcham Gallery, Stoufville, ON
what bonds are these? March/April 2012, La Centrale, Montreal, QC
The Cliques, Erin Stump Projects, Toronto, ON
two sticks in a shed, Battat Contemporary, Montreal, QC
if not this, what? BOARD OF DIRECTORS, Toronto, ON
Braiding A Hole, MacDonald Stewart Arts Centre, Guelph ON
Exquisite Stiff, Galerie VAV Gallery, Montreal, QC
GROUP EXHIBITIONS
2015
2014
2013
2012
2011
Marie-Michelle Deschamps - Julie Favreau - Sophie Jodoin - Beth Stuart, Battat Contemporary
There is no There, curated by Stefan Hancherow, Hamilton Artists’ Inc., Hamilton, ON
Lacis, organized by Claire Bartleman, OCAD U Student Gallery, Toronto, ON
Rendering Emblems, with Austin Eddy and Olivier Kosta-Thefaine, LVL3 Gallery, Chicago, Illinois
Painting Hamilton, Art Gallery of Hamilton, Hamilton, ON
One, and Two, and More Than Two, The Power Plant, Toronto, ON
The Image in Question, Battat Contemporary, Montreal, QC
The Painting Project, Galerie UQÀM, curated by Louise Déry, Montreal, QC
60 Painters, Humber College, Toronto, ON
Vendu-Sold: Encan Bénéfice, éditions ESSE, Montreal Museum of Fine Arts, Montreal, QC
Chicago NEXT Fair, LVL3 Gallery, Chicago, IL
RBC Canadian Painting Competition Exhibition (tour), Art Gallery of Alberta, Edmonton, AB, The Power
Plant, Toronto, ON, and Hamilton Art Gallery, Hamilton, ON
7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577
www.battatcontemporary.com
4
2010
2009
2007
Group Exhibition, Erin Stump Projects, Toronto, ON
RBC Canadian Painting Competition Exhibition (tour), The Power Plant, Toronto, ON, Dalhousie Art
Gallery, Halifax, NS, Art Gallery of Calgary, Calgary, AB
Vendu-Sold: Encan Benefice, éditions ESSE, Montreal Museum of Fine Arts, Montreal, QC
Phoenix Art, Galerie Simon Blais, curated by Robert Enright, Montreal, QC
1:15, Georgia Scherman Projects, Toronto, ON
art in the fall / Nuit Blanche, 401 Richmond, Toronto ON
the end (ORANGEBROWN), Queensland University of Technology in Brisbane, Australia
BIBLIOGRAPHY
2015
2014
2013
2012
2011
2010
2009
Clément, Éric, "Virée des galeries: les autres expos", La Presse (november 1, 2015) Online
Campbell, James D., « Beth Stuart,» Frieze Magazine, no. 170 (April 2015): 150-51.
Soboleva, Elena, « 9 Emerging Artists You Should Buy at Art Brussels,» Artsy (April 21, 2015), Online.
Delgado, Jérôme, « Du théâtre entre la peinture et la sculpture, » Le Devoir (November 8, 2014)
Potter, Naomi and Shauna Thompson, eds.,Beth Stuart: Doubting Thomas, Contrib. Jon Davies, Beth
Stuart, and Shauna Thompson, Calgary: Esker Publications, 2014
Ritchie, Christina, « Micah Lexier: Making It Make Itself, » Canadian Art 30, no. 3 (Fall 2013).
Campbell, James D., «The Image in Question,» Magenta Magazine 4, no. 2 (Summer 2013) Online.
Dault, Gary Michael, «Beth Stuart: Rapture Rupture Raptor,» Border Crossings 126 (May 2013): 64-9.
Déry, Louise, Jonathan Shaughnessy et al., The Painting Project, Montreal: Galerie de l'UQÀM, 2013.
Campbell, James D., « Bondage Unbound: Rupture and Suture in the art of Beth Stuart,» ETC, no.
97 (October 2012/February 2013): 64-70.
Ninacs, Ann-Marie, « Portfolio, » ESSE, no. 70, (Fall 2012): 66-73.
Vaughan, R.M., « Double visions and scary dolls, » The Globe and Mail (October 22, 2011)
Bethune-Leamen, Katie, « Beth Stuart, » Canadian Art 29, no. 2 (Summer 2011): 116.
Isé, Claudine, « Don’t Cry for Me, Art Chicago, » Bad at Sports: Contemporary Art (May 2nd, 2011)
Online.
Enright, Robert, « Immodest Modesty, » Border Crossings 30, no. 1 (March 2011): 17.
Artist of the week – interview, LVL3 Gallery, Chicago. Online.
Campbell, James D. «The Phoenix Art,» Frieze Magazine, no. 131 (May 2010): 146-147.
Babin, Sylvette, ed., «Beth Stuart,» in VENDU-SOLD, Montreal: Les éditions ESSE, p.138-141
«The Phoenix Art: Viewing Painting’s Renewed Power, » Canadian Art (December 17, 2009) Online.
Delgado, Jerome, « Étincelles et enterrement de la peinture, » Le Devoir (December 18, 2009)
Landry, Michael, « Braiding a Hole,» Things of Desire 1, no. 36 (May 21 to 27, 2009)
AWARDS AND GRANTS
2016
2013
2011
2010
Canada Council for the Arts, International Residency Program, La Cite des Arts Internationale, Paris,
France.
Ontario Arts Council Grant
Canada Coucil for the Arts - Research and Creation Grant
Winner, Honourable Mention, RBC Canadian Painting Competition
Ontario Arts Council Grant
Canada Coucil for the Arts - Research and Creation Grant
RBC Canadian Painting Competition Semi-Finalist
7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577
www.battatcontemporary.com
5
2008
Ontario Graduate Scholarship 2008/2009
2007
Tony Scherman Graduate Scolarship 2007/2008
Dean’s Scholarship, Guelph University
Ada Lovelace Award, Concordia University
Heinz Jordan Award for excellence in painting, Honourable Mention, Concordia University
2003
RESIDENCIES
2016
2009
Canada Council for the Arts, International Residency Program, La Cite des Arts Internationale, Paris,
France.
Why Are Conceptual Artists Painting Again? w/ Jan Verwoert, Banff Centre for the Arts, Banff, AB
CURATORIAL PROJECTS
2014
CAMOUFLEURS: Kathleen Ritter, G Gallery, Toronto, ON
PUBLISHED WRITINGS
2011
2009
2009
JOINERY/MENUISERIE, éditions Battat Contemporary, Montréal, 2011
«Amna Malik: Au Naturel,» C Magazine, Issue 105 (Spring 2010) p. 55
«Cinema and Painting,» in Mixing the Message: Painting and Translation, International Painting
Symposium, Macdonald Stewart Art Centre, Guelph, 2009
PUBLIC LECTURES
2015
2013
2012
2011
2009
2008
Visiting Artist Lecture, NSCAD University, Halifax, NS
Visiting Artist Lecture, Georgian College, Barrie, ON
Art Now Lecture, University of Lethbridge, AB
Visiting Artist Lecture, School of Fine Arts, Concordia University, Montreal, QC
Exhibition Lecture, LA CENTRALE Galerie Powerhouse, Montreal, QC
Guest Artist Lecture, Painting and Drawing Department, Ontario College of Art and Design, Toronto,
ON
Visiting Artist Lecture, School of Visual Studies, University of Toronto, Toronto, ON
Mixing the Message: Painting and Translation, MacDonald Stewart Art Centre, Guelph, ON
UAAC, panel presentation Cinema and Painting, York University, Toronto, ON
COLLECTIONS
TD Canada Trust
Banque Nationale
7245 Alexandra, suite 100, Montréal (Québec) H2R 2Y9 - T 514 750 9566 F 514 750 9577
www.battatcontemporary.com
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