The Visual Arts in French Society (G46.2339)
Transcription
The Visual Arts in French Society (G46.2339)
The Visual Arts in French Society (G46.2339) Kenneth E. Silver FALL 2003 Objective: This course is designed as an intensive survey of a half-century of art-making in France, with special emphasis on representations and constructions of French identity. Course requirements: regular attendance, extensive reading, class participation, culminating in class presentation based on a 15 page term paper (which will be read and commented upon by entire class). September 9: Introductory remarks September 16: The Look of the Third Republic: What (Who) is France? Debora L. Silverman, Art Nouveau in Fin-de-Siècle France: Politics, Psychology, and Style (Berkeley: U. of Cal., 1989). Chapter 2:"Aristocratic Ralliement and Social Solidarité," pp. 43-51; Chapter 10: "Art Nouveau: Craft Modernism and the State,@ pp. 172-185(plus notes: pp. 322-325; 453-355). Paul Hayes Tucker, Monet in the '90s: The Series Paintings (exh. cat. Museum of Fine Arts, Boston; Yale U. Press, 1989), Chapter 5: "Rooted in la France: Monet's Poplar Paintings of 1891," pp. 106-141(plus notes: pp. 275-277). Margaret Werth, The Joy of Life: The Idyllic in French Art. Circa 1900 (Berkeley: U. of Cal., 2002)). Chapter 1: “Idyll of the Living Dead: Puvis de Chavannes,” pp. 20-82, (plus notes pp. 241-261). Phillip Dennis Cate, AThe Paris Cry: Graphic Artists and the Dreyfus Affair,@ in Kleeblatt, ed. The Dreyfus Affair: Art, Truth, and Justice (exh. cat. The Jewish Museum, New York; U. of Cal., 1987), pp. 62-95. September 23: Forward-Looking Regression and the Avant-Garde James D. Herbert, Chap. 3: "Painters and Tourists in the Classical Landscape," pp.82-111; Chap. 4: "The Golden Age and the French National Heritage," pp. 112-145; plus notes, pp. 196-205, in Herbert, Fauve Painting: The Making of Cultural Politics (Yale U. Press, 1992). Jody Blake, Chap. 1: "Taking the Cake: The First Steps of Primitivism in Modern Art," pp. 11-36, and notes, pp. 168172, in Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900-1930 (Penn State Press, 1999). Nancy J.Troy, Chap. 2: "Responses to Industrialization and Competition from Germany," pp. 52-102; plus notes, pp. 238-247, in Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier (Yale, 1991). September 30: Museum study session: Metropolitan Museum of Art, 5th Ave. at 81st. Meet at Main Desk by 4:05. October 7: Cubism(s) Mark Antliff, AThe Body of the Nation: Cubisms Celtic Nationalism,@ in Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (Princeton, 1993), pp. 107-34, plus notes, pp. 189-208. Patricia Leighten, "Picasso's Collages and the Threat of War, 1912-13," The Art Bulletin (December 1985), pp. 653672. Kenneth E.Silver, AThe Heroism of Understatement: the Ideological Machinery of La Fresnayes Conquest of the Air,@ in Self and History: A Tribute to Linda Nochlin (Thames and Hudson, 2001), pp.116-126. October 14: About Face: Art and La Grande Guerre Kenneth E. Silver, Chap. I: "In the Nightmare Through Which We are Passing," pp. 3-27; Chap. II: "The Rewards of War," pp. 28-73;plus notes: pp.401-429; Chap III “comme il faut,” pp. 74-145,” plus notes: pp. 420-429, in Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1914-1925 (Princeton, 1989). Philippe Dagen, Le Silence des Peintres: Les artists face à la grande guerre (Fayard, 1996),"Introduction," pp. 7-23. October 21: Modernity and Le Corbusier Kenneth E. Silver, "Purism: Straightening Up After the Great War," Artforum (March 1977), pp. 56-63. Mary McLeod, "'Architecture or Revolution': Taylorism, Technocracy, and Social Change" Art Journal (Summer 1983), pp. 132-147. Jody Blake, Chap. 6: "Toeing the Line: Purism," pp. 137-162,plus notes, pp. 186-189, in Le Tumulte Noir Mark Antliff, "Georges Valois, Le Corbusier, and Fascist Theories of Urbanism," pp.134-170, in Affron and Antliff, eds. Fascist Visions: Art and Ideology in France and Italy (Princeton, 1997). October 28: Museum study session: Metropolitan Museum of Art, 5th Ave. at 81st. Meet at Main Desk by 4:05. November 4: Outsiders/Insiders Kenneth E. Silver, "Where Soutine Belongs: His Art and Critical Reception in Paris Between the Wars," pp. 19-40, in N. Kleeblatt and K. Silver, An Expressionist in Paris: The Paintings of Chaim Soutine (exh. cat. Prestel/The Jewish Museum, 1998). Malcolm Gee, “Le Réseau économique” in L’Ecole de Paris, 1904-1929, la part de l’Autre (Paris: Musée d’Art Moderne de la Ville de Paris, 2000), pp. 127-137. Patricia A. Morton, "National and Colonial: The Musée des Colonies at the Colonial Exposition, Paris, 1931," The Art Bulletin (June 1998), pp. 357-377. November 11: The Organic, the Biomorphic, the Engagé James Clifford, "On Ethnographic Surrealism," pp. 117-151, in Clifford, The Predicament of Culture: TwentiethCentury Ethnography, Literature, and Art (Harvard U. Press, 1988). James Herbert, Chap.2: "Gods in the Machine," pp. 40-67, plus notes pp. 178-186, in Paris 1937: Worlds on Exhibition (Cornell, 1998). Romy Golan, Chap. 3:"A Crisis of Confidence: from Machinism to the Organic," pp. 61-,plus notes, pp. 181-187,in Modernity and Nostalgia: Art and Politics in France between the Wars (New Haven and London: Yale, 1995). Pascal Rousseau,"L'Art Mural: Le monumental au service de la collectivité;" in Le Front Populaire et l'Art Moderne: Hommage à Jean Zay (exh. cat. Orléans: Musée des Beaux Arts,1995 ), pp.56-65. November 18: Occupation and the Post-War Moment [term papers due] Laurence Bertrand Dorléac, "Le Maréchal à l'infini," p. 107-168, plus notes, pp. 336-356, in Dorléac, L'Art de la défaite 1940-1944 (Seuil, 1993). Michèle Cone, "Decadence and Renewal in the Decorative Arts under Vichy," pp. 239-262, in Affron and Antliff, eds. Fascist Visions: Art and Ideology in France and Italy (Princeton, 1997). Golan, AL "Eternel décoratif: French Art in the 1950s,@ Yale French Studies, no. 98 (2000), pp. 98-118. Serge Guilbaut, A1955: The Year the Gaulois Fought the Cowboy,@ in Ibid., pp. 167-181. November 25: Presentation of term papers December 2: Presentation of term papers