biography - Abou Diarra
Transcription
biography - Abou Diarra
ABOU DIARRA WORLD MUSIC | MALI « One listens to Abou Diarra’s latest album the way they undertake a life journey. » Mondomix «A style uncluttered and molded by a soothing lyric where we feel the breath of the nature» Amina «His music has experience and « mileage » as they say, but it happily abounds with electric guitars. A very humble guy with a bag full of gems who could definitely be the next breakout artist.» Voir BIOGRAPHY Marked by the ancestral culture of the Mandingo hunters, Abou Diarra is a n’goni player (Mandigo harp) with a strange and atypical itinerary. Trained by a virtuoso blind master, he traveled for several months the roads from Abidjan to Bamako and Conakry...on foot, with his instrument as sole companion. Going through the most remote villages of West Africa, as well as modern metropoles, he collected both traditional, hidden musics as well as urban, contemporary sounds... His music talks of travel, exile, movement...Fascinated with blues, jazz, reggae, groove,... his rhythmics and styles mix up countries, sonorities, influences. Nicknamed the ‘n’Goni Jimi Hendrix’, he can successively replace a guitar, a harp, a bass, and leave astounded the best string instrument musicians. Known as a breakthrough artist in Mali and adjacent countries, he is among the new West African hit artists (he can be found in charts, radio shows, interviews...). Performing more and more, he starts establishing himself, defines his own style little by little and goes through the African tradition with his eclectic mix of jazz music, blues music, afro funk... He passes through Europe and Africa since 2008 taking part in numerous concerts and festivals... During his concerts, Abou Diarra is accompanied by his band, “Donko Band”. Coming from West Africa, they are all established musicians who are bursting with passion for Mandingo music, African blues, afro piti and groove... Abou Diarra and the musicians of the Donko Band like to redefine the borders of a mixed universe between blues and Mandingo music, sustained by the acoustics of the n’goni strings, the roundness of the Malian sun, the suave beat of urban praises and the poetical customs and rites of the Wassoulou... THE N'GONI The N’Goni is one of Africa’s treasures, specifically of the Wassoulou area in Mali, used during the Malian rites and celebrations. Incontrovertible instrument of the dozo culture and of the hunter’s world, it has been there since since the dawn of time (approximately 12th century). Initially known under the name of Dozo N’Goni (the hunter’s n’Goni), it was the symbol of the hunters and of their brotherhood, the instrument that would accompany their hunting tales, their musical games, their praises, but also traditional medicine and communication with the spirits. In the 50s, Alata Bourleil and Yoro Diallo, then young musicians appropriated the Dozo N’Goni, willing to emphasize it outside of the initiatic traditional realm and thus creating the Kamele (youth) N’Goni. ALBUMS «Sabou» - April 2013 (Monde) L’Autre Distribution / Mix et Métisse / Warm Up «An Ka Belebele» - October 2010 (France / Afrique) Indiz / Mix et Métisse «Kono Kan Bora» - February 2008 (Afrique) PARTNERSHIPS TELEVISION SELECTIONS PRESS EXTRACTS « One listens to Abou Diarra’s latest album the way they undertake a life journey. » Mondomix - Mai 2013 «A style uncluttered and molded by a soothing lyric where we feel the breath of the nature» Amina - Mai 2013 « In his latest project, the Malian musician successfully associated his ngoni kamale, a harp-lute between tradition and modernism of which he is one of the most brilliant ambassadors, to western instruments. » RFI - Juin 2013 « Abou Diarra’s musical inspiration breaks down the borders. This record is, for once we can’t write it too easily, a genuine invitation to travel!! » Radio Campus - Avril 2013 « He plays n’goni, the Mandigo hunters’ harp-guitar to which he added extra strings, like on a guitar, a bass, a harp or drums, in order to mix wassoulou tradition with blues, jazz and afro-funk. » Télérama Sortir - Juin 2013 « On his new album… he displays an undeniable melodic sense for the ngoni and for singing. » Vibrations - Juillet 2013 «There are eleven long tracks that entice and entrance the listener with such grace and tranquility that it is difficult to turn it off. » Inside World Music - Août 2013 «On Sabou, Diarra combines dazzling fast pieces with irresistible slow tempo material. Abou Diarra demonstrates his chops as a kamale ngoni player, with fabulous solos and fascinating interactions with guitars and other instruments.» World Music Central - Août 2013 «Mature and varied album from highly-talented Malian singer and ngoni player and his excellent group. None of the playing is ever flashy but at every turn you hear some happy incident» fRoots - Septembre 2013 « A timeless character is felt while listening to Ka Sikoum and its Mandingo lyricism. A sensitivity daringly cherished... it all offers a surprising dreamlike setting. » Cumbe - Mai 2013 « A true cultural and musical mix, a real culture you must discover ! » Africanaute - Avril 2013 « Mystic and hot, his music is planante and leads us somewhere else on unknown, but familiar ground» Métro - Juillet 2013 «Insatiable ngonifola (player of ngoni), Abou Diarra so proposes something of the happiness, between blues, jazz, Afro-funk and reggae.» Touki Montréal - Juillet 2013 «His music has experience and « mileage » as they say, but it happily abounds with electric guitars. A very humble guy with a bag full of gems who could definitely be the next breakout artist.» Voir - Juillet 2013 « Diarra is not a powerful singer but a sensitive artist who can rise on the slow rythms. In his more or less bluesy afropop, he draws atmospheric lines, sometimes more paced, close to reggae or borderline impressionist. Moments of blues provide spirit and elegance. » Le Devoir - Juillet 2013 «A peculiar world music with the ngoni instrument (Malian harp-guitar), a curious man coming from an atypical journey who gives us a beautiful opening to unusual sounds, yet a true delight. A revelation!”» Info-Culture - Juillet 2013 RADIO PLAYLISTS RFI - Vous m’en direz des nouvelles, RFI - Musique du Monde, France Inter - Live Me Do , Afrika N° 1 - Interview spécial Nuit d’Afrique, RADIO RCF , Radio Canada (CA), Onda Corta (CA), Radio première (CH), Radio Aligre Résonnance africaine, Radio Rennes - Chemin de terre. PLAYLISTS RFI - Playlist RFI et sélection Afrique, Radio Campus Paris, Playlist Próxima Estación, Radio Campus Rennes, Radio Campus Tours, Ferrarock - Have a travel, Have a trip, Radio Fréquence Mistral - Playlist et coup de coeur du mois, Radio Rec, Radio Transparence, Alternances FM, Radio Canal Bleu - Gens de la Terre, Cybl - Palmarès francophone, Radio Gresivaudan, Radio La Boucle, Radio Coteaux, Sorgia FM , Canal Bleu RADIOS FIP (FR), RFI (FR), Radio Campus Paris (FR), Radio Clapas (FR), RCV Lille (FR), Radio Gresivaudan, BBC (UK), All FM (UK), 7AFM Radio Arc en ciel, HRT / Radio Split (HR), Job On Radio (BE), Vivante 105.3 (BE), Kaya FM (ZA), Kol Ha Campus 106 FM (IL), KPFK - Emission Afrodicia (USA), WRIR 97.3 FM (USA), JPR Podcast (USA), WRIR (USA), WUWF FM (USA), Laut.fm / Jaliya (DE), Oceane Fm (NC), Otago Access Radio (NZ), Polskie Radio Lublin (PL), Radio Archiwum (PL), Power 102 fm, Prisma Virus 93.8 FM (GR), Pulsar (BF), Radio Internationale d’Athènes (GR), Radio RTHK / Radio 3 (CN), Uribe FM (ES), Radio Canada (CA), Stele Radio (CA), Radio RCFM (CZ), Groovalizacion (ES), Waiheke Radio (NZ) PRESS Télérama Sortir, Vibrations, Mondomix, Le Parisien, Trad Mag, Le Télégramme, Ouest France, Couleur Jazz, Cumbe, Musique Terrienne, Union de Reims, Africanaute, ENA, Globalsound (DE), Inside World Music (UK), World Music Centras (USA), Diskunion (JP), El Sur Records (JP), Métro (CA), Black Milk (CA), BlogueElle (CA), Consul France (CA), Géo Tourisme (CA), Info Culture Biz (CA) , L’éveil (CA), Le Devoir (CA), Nord Info (CA), Post Info Web (CA), Spectacle Canada (CA), Touki Montréal (CA), Voir Ca (CA) SOME CONCERTS Studio de l’Ermitage (FR), New Morning (FR), Nuits d’Afrique (CA), Journée d’Afrique (CA), Rythme du Monde de Sherbrooke (CA), Festival Silhouette (FR), Festival Africolor (FR), Festival Complet Mandingue (FR), Festival Solstice d’Antony (FR), Nuit d’Afrique (CA), Traditions du Monde de Sherbrooke (CA), Journée d’Afrique (CA), Festival l’Eco Della Muscia (IT), Festival Art geni (GE), Black Sea Jazz Festival (GE), Festival Cinéma d’Afrique (FR), Festival Maison l’Afrique (FR), Tambours Battants (FR), Plein Sud (FR), Festival de la Solidarité (FR), Les Traver’Cé Musicales (FR), Festival des Pays du Sahel (FR), Festival des Voix du Monde de Bovel (FR), Festival Wassa (FR), Festival Ciné Sud (FR), Festival International du Film Panafricain (FR), Festival des Kora du Ministère de la Culture du Mali (ML), Festival World Art’Koustik (FR).. PROJECT FOR 2015 /2016 NOVEMBER 2014 : SELECTION SOW CASE «VISA FOR MUSIC» (MAROC) APRIL / MAY 2015 : NEW CD / DVD LIVE with 5 new songs - Production Koala Production APRIL / MAY 2016 : MUSICAL DOCUMENTARY WITH THE STORY OF N’GONI / VS ABOU DIARRA Production Koala production + NEW RELEASE CONTACTS Internet www.aboungoni.com www.facebook.com/aboungoni www.twitter/aboungoni Vidéo www.youtube.com/aboungoni www.dailymotion.com/aboungoni Management Maet Charles [email protected] +33 (0)6 75 83 35 65 Booking Emelyne Humez [email protected] +33 (0)6 77 56 56 93 Press Valérie Mauge [email protected] +33 (0)6 15 09 18 48 Credits Capture Life (page 1 & 3) - Plo (page 2) - Maet Charles (page 4) - Isabelle Nègre (page 6)