Laurence Equilbey - International Classical Artists

Transcription

Laurence Equilbey - International Classical Artists
International
Classical Artists
BIOGRAPHY
Laurence Equilbey
Conductor
In complete osmosis with her musicians... Equilbey’s precise gestures
enhance the melodic intensity, amplified by sharp cueing and an
obsessive pulse.
ResMusica
Conductor and musical director of Insula orchestra and accentus, Laurence Equilbey is acknowledged for her
demanding, yet open-minded approach to her art. Her exploration of the symphonic repertory has seen her
conducting the orchestras of Lyon, Bucharest, Warsaw, Café Zimmermann, Brussels Philharmonic, Akademie
für alte Musik Berlin, Concerto Köln, Camerata Salzburg, Mozarteumorchester Salzburg, the philharmonic
orchestras of Liège, Leipzig, Francfort, etc.
She has recently conducted Britten’s Albert Herring (at the Opéra de Rouen Haute-Normandie and the Opéra
Comique), Weber’s Der Freischütz (Opéra de Toulon), Sous apparence (Opéra de Paris) and Reynaldo Hahn’s
Ciboulette (Opéra comique).
She regularly conducts the Orchestra of the Opéra de Rouen Haute-Normandie (Mendelssohn’s Athalie in 2015).
Since 2009, she has been working with accentus as an associate artist of the Paris Chamber Orchestra and will
be joining up with them again in 2015 for Reynaldo Hahn's Ciboulette at the Opéra Comique and Dvořák's
Stabat Mater at the Philharmonie de Paris. She is also an associate artist of the Grand Théâtre de Provence in
Aix-en-Provence and a companion of the Cité de la musique/Philharmonie de Paris.
In 2012, with support from the Conseil général des Hauts-de-Seine, she founded Insula orchestra, an ensemble
devoted to the classical and pre-Romantic repertory, using period instruments. The 2014-2015 season will
feature the orchestra’s maiden appearance outside France as part of the annual Mozartwoche in Salzburg, as
well as the release of its first recording, Mozart’s Requiem (naïve).
With accentus, Laurence Equilbey continues to focus on the great vocal music repertoire, while also supporting
contemporary creation. The extensive recorded work of accentus on the naïve label has received wide critical
acclaim. She is also Artistic Director and Director of Education at the Department for Young Singers at the Paris
Conservatory.
Laurence Equilbey has studied music in Paris, Vienna and London, and conducting, notably with Eric Ericson,
Denise Ham, Colin Metters and Jorma Panula.
http://laurenceequilbey.com/en/
http://www.insulaorchestra.fr/en/
www.accentus.fr
Contact
Stephen Wright – ([email protected] / +44 (0)20 7539 2642)
Aurelie Baujean – ([email protected] / +44 (0)7944 070231)
Béatrice Hörtnagel (Hörtnagel Konzertdirektion) - agent for Germany ([email protected])
January 2015 - Updated biographies are available at www.icartists.co.uk
International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520
International
Classical Artists
BIOGRAPHY
Laurence Equilbey
Repertoire
Symphonic
BARTOK Bela (1881-1945), Divertimento (Sz 113)
BEETHOVEN Ludwig von (1770-1827), Die Geschšpfe des Prometheus (op. 43)
BEETHOVEN Ludwig von (1770-1827), Symphonie n¡1 (op. 21)
BEETHOVEN Ludwig von (1770-1827), Symphonie n¡6 « Pastorale » (op. 68)
BEETHOVEN Ludwig von (1770-1827), Symphonie n°7 (op. 92)
BEETHOVEN Ludwig von (1770-1827), Triple concerto (op. 56)
BERLIOZ Hector (1803-1869), Ouverture des Francs-Juges (op. 3)
BIZET Georges (1838-1875), Suites de Carmen
BIZET Georges (1838-1875), Suites de l’Arlésienne
BIZET Georges (1838-1875), Symphonie n° 1
BRAHMS Johannes (1833-1897), Sérénades 1 et 2 (op. 11 et 16)
BRUCH Max (1838-1920), Die Lorelei, ouverture
DVORAK Antonin (1841-1904), Poèmes symphoniques
DVORAK Antonin (1841-1904), Sérénade pour cordes (op. 22)
DVORAK Antonin (1841-1904), Symphonies
FAURE Gabriel (1845-1924), Pelléas et Mélisande (op. 80)
FIELD John (1782-1837), Concerto pour piano n¡5 « L’Incendie par l’orage »
FRANCK César (1822-1890), Ce qu’on entend sur la Montagne
HAYDN Joseph (1732-1809), Concertos pour violoncelle
HAYDN Joseph (1732-1809), Symphonies
LISZT Franz (1811-1886), Les Préludes
LISZT Franz (1811-1886), Von der Wiege bis zum Grabe (107)
MARTIN Frank (1890-1974), Petite symphonie concertante (op. 54)
MENDELSSOHN Félix (1809-1847), Meeresstile und glückliche Fahrt (op. 27)
MENDELSSOHN Félix (1809-1847), Ouverture des Hébrides (op. 26)
MENDELSSOHN Félix (1809-1847), Symphonies
MENDELSSOHN Fanny (1805-1847), Ouverture en ut
MENDELSSOHN Félix (1809-1847), Sommernachstraum (op. 61)
MOZART Wolfgang Amadeus (1756-1791), Concertos pour piano
MOZART Wolfgang Amadeus (1756-1791), Ouvertures
MOZART Wolfgang Amadeus (1756-1791), Symphonies
MOZART Wolfgang Amadeus (1756-1791), Symphonie Concertante (K. 364)
PROKOFIEV Sergue• (1891-1953), Symphonie n°1 « Classique »
RAVEL Maurice (1875-1937), Ma Mère l’Oye
ROSSINI Gioachino (1792-1868), Ouvertures
ROUSSEL Albert (1869-1937), Symphonie n°3 (op. 42)
SAINT-SAENS Camille (1835-1921), Concerto pour piano n¡5 (op. 103)
SAINT-SAENS Camille (1835-1921), La Danse macabre (op. 40)
SCHUBERT Franz (1797-1828), Ouvertures
SCHUBERT Franz (1797-1828), Symphonie n°5 (D485)
SCHUBERT Franz (1797-1828), Symphonie n°4 « Tragique » (D. 417)
SCHUBERT Franz (1797-1828), Claudine von villa bella (ouverture)
SCHUBERT Franz (1797-1828), Alfonso und Estrella (ouverture)
SCHUBERT Franz (1797-1828), Die Verschworenen
SCHUBERT Franz (1797-1828), Symphonie n°8 « Inachevée »
SCHUBERT Franz (1797-1828), Die Zauberharfe (ouverture)
SCHUMANN Robert (1810-1856), Concerto pour piano
SIBELIUS Jean (1865-1957), Rakastava (op. 14)
SIBELIUS Jean (1865-1957), Andante festivo
WAGNER Richard (1813-1883), Siegfried-Idyll
WEBER Carl Maria von (1786-1826), Konzertstück (op. 79)
January 2015 - Updated biographies are available at www.icartists.co.uk
International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520
International
Classical Artists
BIOGRAPHY
VOCAL
BEETHOVEN Ludwig von (1770-1827), Elegischer Gesang (op. 118)
BEETHOVEN Ludwig von (1770-1827), Fantaisie pour piano, choeur et orchestre (op. 80)
BEETHOVEN Ludwig von (1770-1827), Meeresstile und glückliche Fahrt (op. 112)
BERLIOZ Hector (1803-1869), Cléopâtre
BERLIOZ Hector (1803-1869), Les Nuits d’été (op. 7)
BRAHMS Johannes (1833-1897), Liebeslieder Waltzer (op. 52 & 65)
BRAHMS Johannes (1833-1897), Rhapsodie pour alto (op. 53)
BRAHMS Johannes (1833-1897), Schicksaldslied (op. 54)
DALAPICOLLA Luigi (1904-1975), Canti di prigionia
DE FALLA Manuel (1876-1946), El Amor brujo
FELDMAN Morton (1926-1987), Rothko Chapel
KURTAG Gyorgy (1926), Songs of dispair and sorrows (op. 18)
MAHLER Gustav (1860-1911), Rückert Lieder
MOZART Wolfgang Amadeus (1756-1791), Airs de Concert
SCHUBERT Franz (1797-1828), Lazarus (D 689)
SCHUMANN Robert (1810-1856), Manfred (op. 115)
SCHUMANN Robert (1810-1856), Nachtlied (op. 108)
STRAUSS Richard (1864-1949), Vier letzte Lieder (op. 150)
WAGNER Richard (1813-1883), Wesendonck Lieder
OPERA
BEETHOVEN Ludwig von (1770-1827), Fidelio (op. 72)
BRITTEN Benjamin (1913-1976), Albert Herring (op. 39)
BRITTEN Benjamin (1913-1976), Albert Herring
DE FALLA Manuel (1876-1946), El Retablo de Maese Pedro
DUSAPIN Pascal (1955), Medeamaterial
GLUCK Christoph Willibald (1714-1787), Orfeo ed Euridice
HAHN Reynaldo (1874-1947), Ciboulette
MENDELSSOHN Félix (1809-1847), Athalie
MOZART Wolfgang Amadeus (1756-1791), Bastien und Bastienne (K. 50)
MOZART Wolfgang Amadeus (1756-1791), Der Schauspieldirektor (K. 486)
MOZART Wolfgang Amadeus (1756-1791), Die Zauberflöte (K. 620)
MOZART Wolfgang Amadeus (1756-1791), Don Giovanni (K. 527)
RAVEL Maurice (1875-1937), L’Enfant et les sortilèges
SCHUMANN Robert (1810-1856), Genoveva (op. 81)
SIBELIUS Jean (1865-1957), Jungfrun i tornet (La jeune Fille et la tour)
WEBER Carl Maria von (1786-1826), Der Freischütz
ORATORIOS / CANTATAS
BACH Carl Philipp Emmanuel (1714-1788), Magnificat
BACH Johann Sebastian (1685-1750), Johannes Passion (BWV 245)
BEETHOVEN Ludwig von (1770-1827), Auf den Tod Kaiser Josephs II (WoO 87)
BEETHOVEN Ludwig von (1770-1827), Kšnig Stephan (op. 117)
BERLIOZ Hector (1803-1869), L’Enfance du Christ (op. 25)
BRAHMS Johannes (1833-1897), Ein deutsches Requiem (op. 45)
BRUCKNER Anton (1824-1896), Messe en mi mineur
DAVID Félicien (1810-1876), Le Désert
DUSAPIN Pascal (1955), Dona eis
DVORAK Antonin (1841-1904), Stabat Mater (op. 58)
DVORAK Antonin (1841-1904), Messe en Ré (op. 86)
FAURE Gabriel (1845-1924), Requiem (op. 48)
HAYDN Joseph (1732-1809), Die Sieben letzten unseres Erlšsers am Kreuze (Hob XX Ð 04)
HAYDN Joseph (1732-1809), Die Schöpfung (Hob.XXIÊ: 2)
HAYDN Joseph (1732-1809), Die Jahreszeiten (Hob.XX1Ê: 3)
IVES Charles (1874-1954), The Unanswered Question
MENDELSSOHN Félix (1809-1847), Athalie (op. 74)
MENDELSSOHN Félix (1809-1847), Choralkantaten
January 2015 - Updated biographies are available at www.icartists.co.uk
International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520
International
Classical Artists
BIOGRAPHY
MENDELSSOHN Félix (1809-1847), Christus (op. 97)
MENDELSSOHN Félix (1809-1847), Paulus (op. 36)
MENDELSSOHN Félix (1809-1847), Die Erste Walpurgisnacht (op. 60)
MOZART Wolfgang Amadeus (1756-1791), Thamos, König in Agypten (K. 345/336a)
MOZART Wolfgang Amadeus (1756-1791), Requiem (K. 626)
MOZART Wolfgang Amadeus (1756-1791), Messe en ut (K. 427)
MOZART Wolfgang Amadeus (1756-1791), Messe du Couronnement (K. 317)
MOZART Wolfgang Amadeus (1756-1791), Meistermusik (K. 477)
SCHUBERT Frank (1797-1828), Messe en la b
SCHUMANN Robert (1810-1856), Das Paradies und die Peri (op. 50)
SIBELIUS Jean (1865-1957), Snöfrid (op. 29)
WEBER Carl Maria von (1786-1826), Kampf und Sieg (op. 44)
ZELENKA Jan Dismas (1679-1745), Miserere (ZW 57)
January 2015 - Updated biographies are available at www.icartists.co.uk
International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520

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