Laurence Equilbey - International Classical Artists
Transcription
Laurence Equilbey - International Classical Artists
International Classical Artists BIOGRAPHY Laurence Equilbey Conductor In complete osmosis with her musicians... Equilbey’s precise gestures enhance the melodic intensity, amplified by sharp cueing and an obsessive pulse. ResMusica Conductor and musical director of Insula orchestra and accentus, Laurence Equilbey is acknowledged for her demanding, yet open-minded approach to her art. Her exploration of the symphonic repertory has seen her conducting the orchestras of Lyon, Bucharest, Warsaw, Café Zimmermann, Brussels Philharmonic, Akademie für alte Musik Berlin, Concerto Köln, Camerata Salzburg, Mozarteumorchester Salzburg, the philharmonic orchestras of Liège, Leipzig, Francfort, etc. She has recently conducted Britten’s Albert Herring (at the Opéra de Rouen Haute-Normandie and the Opéra Comique), Weber’s Der Freischütz (Opéra de Toulon), Sous apparence (Opéra de Paris) and Reynaldo Hahn’s Ciboulette (Opéra comique). She regularly conducts the Orchestra of the Opéra de Rouen Haute-Normandie (Mendelssohn’s Athalie in 2015). Since 2009, she has been working with accentus as an associate artist of the Paris Chamber Orchestra and will be joining up with them again in 2015 for Reynaldo Hahn's Ciboulette at the Opéra Comique and Dvořák's Stabat Mater at the Philharmonie de Paris. She is also an associate artist of the Grand Théâtre de Provence in Aix-en-Provence and a companion of the Cité de la musique/Philharmonie de Paris. In 2012, with support from the Conseil général des Hauts-de-Seine, she founded Insula orchestra, an ensemble devoted to the classical and pre-Romantic repertory, using period instruments. The 2014-2015 season will feature the orchestra’s maiden appearance outside France as part of the annual Mozartwoche in Salzburg, as well as the release of its first recording, Mozart’s Requiem (naïve). With accentus, Laurence Equilbey continues to focus on the great vocal music repertoire, while also supporting contemporary creation. The extensive recorded work of accentus on the naïve label has received wide critical acclaim. She is also Artistic Director and Director of Education at the Department for Young Singers at the Paris Conservatory. Laurence Equilbey has studied music in Paris, Vienna and London, and conducting, notably with Eric Ericson, Denise Ham, Colin Metters and Jorma Panula. http://laurenceequilbey.com/en/ http://www.insulaorchestra.fr/en/ www.accentus.fr Contact Stephen Wright – ([email protected] / +44 (0)20 7539 2642) Aurelie Baujean – ([email protected] / +44 (0)7944 070231) Béatrice Hörtnagel (Hörtnagel Konzertdirektion) - agent for Germany ([email protected]) January 2015 - Updated biographies are available at www.icartists.co.uk International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520 International Classical Artists BIOGRAPHY Laurence Equilbey Repertoire Symphonic BARTOK Bela (1881-1945), Divertimento (Sz 113) BEETHOVEN Ludwig von (1770-1827), Die Geschšpfe des Prometheus (op. 43) BEETHOVEN Ludwig von (1770-1827), Symphonie n¡1 (op. 21) BEETHOVEN Ludwig von (1770-1827), Symphonie n¡6 « Pastorale » (op. 68) BEETHOVEN Ludwig von (1770-1827), Symphonie n°7 (op. 92) BEETHOVEN Ludwig von (1770-1827), Triple concerto (op. 56) BERLIOZ Hector (1803-1869), Ouverture des Francs-Juges (op. 3) BIZET Georges (1838-1875), Suites de Carmen BIZET Georges (1838-1875), Suites de l’Arlésienne BIZET Georges (1838-1875), Symphonie n° 1 BRAHMS Johannes (1833-1897), Sérénades 1 et 2 (op. 11 et 16) BRUCH Max (1838-1920), Die Lorelei, ouverture DVORAK Antonin (1841-1904), Poèmes symphoniques DVORAK Antonin (1841-1904), Sérénade pour cordes (op. 22) DVORAK Antonin (1841-1904), Symphonies FAURE Gabriel (1845-1924), Pelléas et Mélisande (op. 80) FIELD John (1782-1837), Concerto pour piano n¡5 « L’Incendie par l’orage » FRANCK César (1822-1890), Ce qu’on entend sur la Montagne HAYDN Joseph (1732-1809), Concertos pour violoncelle HAYDN Joseph (1732-1809), Symphonies LISZT Franz (1811-1886), Les Préludes LISZT Franz (1811-1886), Von der Wiege bis zum Grabe (107) MARTIN Frank (1890-1974), Petite symphonie concertante (op. 54) MENDELSSOHN Félix (1809-1847), Meeresstile und glückliche Fahrt (op. 27) MENDELSSOHN Félix (1809-1847), Ouverture des Hébrides (op. 26) MENDELSSOHN Félix (1809-1847), Symphonies MENDELSSOHN Fanny (1805-1847), Ouverture en ut MENDELSSOHN Félix (1809-1847), Sommernachstraum (op. 61) MOZART Wolfgang Amadeus (1756-1791), Concertos pour piano MOZART Wolfgang Amadeus (1756-1791), Ouvertures MOZART Wolfgang Amadeus (1756-1791), Symphonies MOZART Wolfgang Amadeus (1756-1791), Symphonie Concertante (K. 364) PROKOFIEV Sergue• (1891-1953), Symphonie n°1 « Classique » RAVEL Maurice (1875-1937), Ma Mère l’Oye ROSSINI Gioachino (1792-1868), Ouvertures ROUSSEL Albert (1869-1937), Symphonie n°3 (op. 42) SAINT-SAENS Camille (1835-1921), Concerto pour piano n¡5 (op. 103) SAINT-SAENS Camille (1835-1921), La Danse macabre (op. 40) SCHUBERT Franz (1797-1828), Ouvertures SCHUBERT Franz (1797-1828), Symphonie n°5 (D485) SCHUBERT Franz (1797-1828), Symphonie n°4 « Tragique » (D. 417) SCHUBERT Franz (1797-1828), Claudine von villa bella (ouverture) SCHUBERT Franz (1797-1828), Alfonso und Estrella (ouverture) SCHUBERT Franz (1797-1828), Die Verschworenen SCHUBERT Franz (1797-1828), Symphonie n°8 « Inachevée » SCHUBERT Franz (1797-1828), Die Zauberharfe (ouverture) SCHUMANN Robert (1810-1856), Concerto pour piano SIBELIUS Jean (1865-1957), Rakastava (op. 14) SIBELIUS Jean (1865-1957), Andante festivo WAGNER Richard (1813-1883), Siegfried-Idyll WEBER Carl Maria von (1786-1826), Konzertstück (op. 79) January 2015 - Updated biographies are available at www.icartists.co.uk International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520 International Classical Artists BIOGRAPHY VOCAL BEETHOVEN Ludwig von (1770-1827), Elegischer Gesang (op. 118) BEETHOVEN Ludwig von (1770-1827), Fantaisie pour piano, choeur et orchestre (op. 80) BEETHOVEN Ludwig von (1770-1827), Meeresstile und glückliche Fahrt (op. 112) BERLIOZ Hector (1803-1869), Cléopâtre BERLIOZ Hector (1803-1869), Les Nuits d’été (op. 7) BRAHMS Johannes (1833-1897), Liebeslieder Waltzer (op. 52 & 65) BRAHMS Johannes (1833-1897), Rhapsodie pour alto (op. 53) BRAHMS Johannes (1833-1897), Schicksaldslied (op. 54) DALAPICOLLA Luigi (1904-1975), Canti di prigionia DE FALLA Manuel (1876-1946), El Amor brujo FELDMAN Morton (1926-1987), Rothko Chapel KURTAG Gyorgy (1926), Songs of dispair and sorrows (op. 18) MAHLER Gustav (1860-1911), Rückert Lieder MOZART Wolfgang Amadeus (1756-1791), Airs de Concert SCHUBERT Franz (1797-1828), Lazarus (D 689) SCHUMANN Robert (1810-1856), Manfred (op. 115) SCHUMANN Robert (1810-1856), Nachtlied (op. 108) STRAUSS Richard (1864-1949), Vier letzte Lieder (op. 150) WAGNER Richard (1813-1883), Wesendonck Lieder OPERA BEETHOVEN Ludwig von (1770-1827), Fidelio (op. 72) BRITTEN Benjamin (1913-1976), Albert Herring (op. 39) BRITTEN Benjamin (1913-1976), Albert Herring DE FALLA Manuel (1876-1946), El Retablo de Maese Pedro DUSAPIN Pascal (1955), Medeamaterial GLUCK Christoph Willibald (1714-1787), Orfeo ed Euridice HAHN Reynaldo (1874-1947), Ciboulette MENDELSSOHN Félix (1809-1847), Athalie MOZART Wolfgang Amadeus (1756-1791), Bastien und Bastienne (K. 50) MOZART Wolfgang Amadeus (1756-1791), Der Schauspieldirektor (K. 486) MOZART Wolfgang Amadeus (1756-1791), Die Zauberflöte (K. 620) MOZART Wolfgang Amadeus (1756-1791), Don Giovanni (K. 527) RAVEL Maurice (1875-1937), L’Enfant et les sortilèges SCHUMANN Robert (1810-1856), Genoveva (op. 81) SIBELIUS Jean (1865-1957), Jungfrun i tornet (La jeune Fille et la tour) WEBER Carl Maria von (1786-1826), Der Freischütz ORATORIOS / CANTATAS BACH Carl Philipp Emmanuel (1714-1788), Magnificat BACH Johann Sebastian (1685-1750), Johannes Passion (BWV 245) BEETHOVEN Ludwig von (1770-1827), Auf den Tod Kaiser Josephs II (WoO 87) BEETHOVEN Ludwig von (1770-1827), Kšnig Stephan (op. 117) BERLIOZ Hector (1803-1869), L’Enfance du Christ (op. 25) BRAHMS Johannes (1833-1897), Ein deutsches Requiem (op. 45) BRUCKNER Anton (1824-1896), Messe en mi mineur DAVID Félicien (1810-1876), Le Désert DUSAPIN Pascal (1955), Dona eis DVORAK Antonin (1841-1904), Stabat Mater (op. 58) DVORAK Antonin (1841-1904), Messe en Ré (op. 86) FAURE Gabriel (1845-1924), Requiem (op. 48) HAYDN Joseph (1732-1809), Die Sieben letzten unseres Erlšsers am Kreuze (Hob XX Ð 04) HAYDN Joseph (1732-1809), Die Schöpfung (Hob.XXIÊ: 2) HAYDN Joseph (1732-1809), Die Jahreszeiten (Hob.XX1Ê: 3) IVES Charles (1874-1954), The Unanswered Question MENDELSSOHN Félix (1809-1847), Athalie (op. 74) MENDELSSOHN Félix (1809-1847), Choralkantaten January 2015 - Updated biographies are available at www.icartists.co.uk International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520 International Classical Artists BIOGRAPHY MENDELSSOHN Félix (1809-1847), Christus (op. 97) MENDELSSOHN Félix (1809-1847), Paulus (op. 36) MENDELSSOHN Félix (1809-1847), Die Erste Walpurgisnacht (op. 60) MOZART Wolfgang Amadeus (1756-1791), Thamos, König in Agypten (K. 345/336a) MOZART Wolfgang Amadeus (1756-1791), Requiem (K. 626) MOZART Wolfgang Amadeus (1756-1791), Messe en ut (K. 427) MOZART Wolfgang Amadeus (1756-1791), Messe du Couronnement (K. 317) MOZART Wolfgang Amadeus (1756-1791), Meistermusik (K. 477) SCHUBERT Frank (1797-1828), Messe en la b SCHUMANN Robert (1810-1856), Das Paradies und die Peri (op. 50) SIBELIUS Jean (1865-1957), Snöfrid (op. 29) WEBER Carl Maria von (1786-1826), Kampf und Sieg (op. 44) ZELENKA Jan Dismas (1679-1745), Miserere (ZW 57) January 2015 - Updated biographies are available at www.icartists.co.uk International Classical Artists Dunstan House 14a St Cross Street London EC1N 8XA Tel: +44 20 7902 0520