doc12.15 nov 2015 grand palais
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12.15 nov 2015 grand palais
© MICHAEL EASTMAN - DECO STAIRWELL #2, HAVANA, 2014 - COURTESY EDWYNN HOUK GALLERY DOSSIER DE PRESSE 12.15 NOV 2015 GRAND PALAIS 2 SOMMAIRE EDITO PAR LES DIRECTEURS DE PARIS PHOTO -EXPOSANTS • Galeries • Éditeurs • Chiffres Clés 4 5 --- PROJETS GALERIES • PRISMES Secteur - Salon d’Honneur • Solo & Duo Shows • Projets thématiques • Highlights --- SÉANCES DES DÉDICACES --PROGRAMME 2015 • La Plateforme • L’exposition Collection privée • Le Prix du Livre Paris Photo–Aperture Foundation • Book Machine (Paris Photo, Paris) 8 14 28 40 68 72 77 80 84 --- EXPOSITIONS ASSOCIÉES • ACQUA #6 présentée par Giorgio Armani • On Time, photographies de la JPMorgan Chase Art Collection, présentée par J.P. Morgan • Coup de Foudre de Natasha Caruana, présentée par BMW Art & Culture • J’étais là de Stéphane Duroy & Paulo Nozolino, présentée par Leica • Li Wei, Vision 85 86 87 88 89 --LES PARTENAIRES DE PARIS PHOTO --- L’AGENDA PARIS PHOTO --- À PARIS PENDANT PARIS PHOTO --- INFORMATIONS PRATIQUES --- PLANS DE LA FOIRE --- INFORMATIONS PRESSE & MÉDIAS --- CONTACTS 92 93 94 115 116 118 119 INTRODUCTION Nous sommes particulièrement heureux de vous accueillir pour cette 19e édition de Paris Photo au Grand Palais. Rendez-vous incontournable, lieu de découvertes, Paris Photo propose un panorama de l’histoire de la photographie, de ses premières expressions jusqu’aux créations contemporaines. 4 Le cœur de la foire, ce sont nos 147 galeries internationales, qui mettent en lumière les plus grands talents de la photographie. Chacune a été choisie pour la teneur et l’excellence de son projet, et la qualité des œuvres proposées pour satisfaire notre public de passionnés. 27 éditeurs complètent cette sélection, tant le livre est indubitablement lié à l’histoire de la photographie. Paris Photo, c’est aussi un nouveau secteur dans le Salon d’Honneur, PRISMES, dédié à l’exploration du médium photographique sous toutes ses formes. L’accent y est mis sur les œuvres sérielles et de grand format, rarement vues dans leur intégralité, présentées par 11 galeries pour offrir aux visiteurs une expérience unique. La programmation de Paris Photo est riche cette année encore. La Plateforme nous propose une série d’entretiens, tandis que l’exposition de la collection privée italienne d’Enea Righi, ou celles associées de nos partenaires, offrent un contenu inédit et une valorisation des talents. La 4e édition du Prix du livre, créé avec Aperture Foundation, récompensera 3 ouvrages sur les 1000 présentés. BOOK MACHINE (Paris Photo, Paris) est un nouveau projet pour Paris Photo cette année. Il consiste à mettre en relation des jeunes graphistes avec le public autour de la création d’un livre. Après un appel à projets, 30 livres seront réalisée et imprimés pendant la foire. Sans oublier les signatures d’artistes, qui s’ajouteront à l’effervescence de Paris Photo. Paris Photo est fier de mettre la photographie à l’honneur. Nous vous souhaitons de belles découvertes et surtout, beaucoup de plaisir et d’émotions. --FLORENCE BOURGEOIS Directrice de Paris Photo CHRISTOPH WIESNER Directeur artistique de Paris Photo LISTE EXPOSANTS 174 galeries et éditeurs parvenant de 34 pays ont été sélectionnés pour participer à la 19ème édition Paris Photo. --147 GALERIES SECTEUR PRINCIPAL 143 GALERIES *AIR DE PARIS Paris ALAIN GUTHARC Paris *ANITA BECKERS Frankfort ARTEF Zürich ASYMETRIA Varsovie ATHR Jeddah *ATLAS Londres BEN BROWN Londres BENDANA | PINEL Paris BENRUBI New York BERNHEIMER Munich BEYOND Taipei BO BJERGGAARD Copenhague *BRUCE KAPSON Los Angeles BRUCE SILVERSTEIN New York BRYCE WOLKOWITZ New York CAMERA OBSCURA Paris CAMERA WORK Berlin CARLOS CARVALHO Lisbonne *CHEIM & READ New York CHRISTOPHE GAILLARD Paris CHRISTOPHE GUYE Zürich DANIEL BLAU Munich DANIEL TEMPLON Paris DANZIGER New York DAVID ZWIRNER New York *DE ROUSSAN Paris DIX9 – HÉLÈNE LACHARMOISE Paris DOCUMENT ART Buenos Aires DU JOUR AGNÈS B. Paris EAST WING Doha EDWYNN HOUK New York ERIC DUPONT Paris ERIC FRANCK Londres ESTHER WOERDEHOFF Paris FELDBUSCHWIESNER Berlin FIFTY ONE Antwerp FILOMENA SOARES Lisbonne FLATLAND Amsterdam *FLOWERS Londres FRAENKEL San Francisco FRANCOISE PAVIOT Paris GAGOSIAN Paris *GANDY Bratislava GILLES PEYROULET Paris GITTERMAN New York GRAFIKA LA ESTAMPA Mexico *GRUNDEMARK NILSSON Berlin GUIDO COSTA PROJECTS Turin HACKELBURY Londres HAMILTONS Londres HANS P. KRAUS JR. New York *HARDHITTA Cologne HENRIQUE FARIA New York HOWARD GREENBERG New York ILAN ENGEL Paris IMANE FARÈS Paris IN CAMERA Paris *INGLEBY Edinburgh *JABLONKA MARUANI MERCIER Cologne JAMES HYMAN Londres *JEAN-MARC PATRAS Paris JOHANNES FABER Vienne *JUANA DE AIZPURU Madrid JULIAN SANDER Bonn *JULIE SAUL New York KALFAYAN Athens KARSTEN GREVE Paris *KEITH DE LELLIS New York KICKEN BERLIN Berlin KLEMM’S Berlin LAURENCE MILLER New York LE RÉVERBÈRE Lyon *LELONG Paris *LES DOUCHES Paris LES FILLES DU CALVAIRE Paris LITTLE BIG MAN Los Angeles *LOUISE ALEXANDER Porto Cervo LUISOTTI Santa Monica LUMIÈRE DES ROSES Paris *M97 Shanghai *M+B Los Angeles M BOCHUM Bochum MAGDA DANYSZ Paris 5 6 *MAI 36 Zürich MAGNIN-A Paris MAGNUM Paris MARTIN ASBÆK Copenhague MELANIE RIO Nantes MEM Tokyo MICHAEL HOPPEN Londres MICHÈLE CHOMETTE Paris NATHALIE OBADIA Paris *NEXTLEVEL Paris *NIKOLAUS RUZICSKA Salzbourg ODILE OUIZEMAN Paris PACE/MACGILL New York PACI CONTEMPORARY Brescia PARIS-BEIJING Paris PARROTTA Stuttgart PARTICULIÈRE/FOUCHER-BIOUSSE Paris PATRICIA CONDE Mexico *PETER FETTERMAN Santa Monica PETER FREEMAN New York *PETER LAV Copenhague PHOTO&CONTEMPORARY Turin POLARIS Paris POLKA Paris PURDY HICKS Londres RICHARD SALTOUN Londres ROBERT HERSHKOWITZ Londres ROBERT KLEIN Boston ROBERT KOCH San Francisco ROBERT MANN New York ROBERT MORAT Hamburg ROCIO SANTA CRUZ Barcelone ROLF ART Buenos Aires RX Paris SAGE PARIS Paris SCHEUBLEIN + BAK Zürich SCHOOL OLIVIER CASTAING Paris *SPRÜTH MAGERS Berlin STEPHEN BULGER Toronto STEPHEN DAITER Chicago STEVENSON Cape Town STILLS Sydney SUZANNE TARASIÈVE Paris TAIK PERSONS Helsinki TAKA ISHII Tokyo TANIT Beirut TASVEER Bangalore *TEMNIKOVA & KASELA Tallinn THESSA HEROLD Paris THOMAS ZANDER Cologne TOLARNO Melbourne TOLUCA Paris VINTAGE Budapest VU’ Paris XIPPAS Paris YANCEY RICHARDSON New York YOSSI MILO New York *YUMIKO CHIBA Tokyo ZILBERMAN Istanbul PRISMES SALON D’HONNEUR SECTOR 11 GALERIES (2 CO-STANDS) *AKIO NAGASAWA Tokyo & *JEAN-KENTA GAUTHIER Paris BRUCE SILVERSTEIN New York *ERNA HECEY Luxembourg *FLOWERS Londres M+B Los Angeles M BOCHUM Bochum PACE/MACGILL New York & *CARLIER | GEBAUER Berlin RX Paris TAKA ISHII Tokyo THOMAS ZANDER Cologne 27 ÉDITEURS ACTES SUD Arles *AMANA Tokyo ANDRÉ FRÈRE ÉDITIONS Marseille ANTICUARIA POEMA 20 Buenos Aires APERTURE FOUNDATION New York BOOKSHOP M Tokyo CHLOÉ ET DENIS OZANNE Paris *CONTRASTO Rome DAMIANI Bologne DIRK K. BAKKER BOEKEN Amsterdam *ÉDITIONS TEXTUEL Paris ÉDITIONS XAVIER BARRAL Paris FILIGRANES Paris HARPER’S East Hampton HATJE CANTZ Ostfildern KEHRER Heidelberg *KOMIYAMA TOKYO Tokyo *LA FABRICÀ Madrid LIBRAIRIE 213 Paris LIVRARIA MADALENA São Paulo MACK Londres MÖREL Londres OLIVER J. WOOD Londres ONLY PHOTOGRAPHY Berlin RM Mexico TASCHEN Paris TISSATO NAKAHARA Paris --CHIFFRES CLES 179 STANDS EXPOSANTS – GALERIES & ÉDITEURS (169 en 2014) --CHIFFRES GALERIES 152 STANDS GALERIES – SECTEUR PRINCIPAL & SECTEUR PRISMES *38 nouvelles galeries vs 2014 143 STANDS GALERIES – SECTEUR PRINCIPAL-NEF (143 en 2014) *29 nouvelles galeries vs 2014 9 STANDS GALERIES – SECTEUR PRISMES-SALON D’HONNEUR dont 2 co-stands *5 nouvelles galeries 7 galeries exposant également dans le SECTEUR PRINCIPAL --CHIFFRES EDITEURS 27 ÉDITEURS (26 en 2014) *5 nouveaux vs 2014 --REPRÉSENTATION INTERNATIONALE 34 pays représentés dont 3 nouveaux pays : Estonie, Slovaquie, Luxembourg 99 galeries européennes (67%)dont : • 45 galeries française (31%) • 15 galeries allemandes (10%) • 13 galeries britanniques (9%) 27 galeries américaines (19%) --COMITE DE SELECTION FRANÇOISE PAVIOT - Françoise Paviot Gallery (Paris) GUIDO COSTA - Guido Costa Projects (Turin) HOWARD GREENBERG - Howard Greenberg Gallery (New York) RENOS XIPPAS - Renos Xippas Gallery (Paris, Athens, Montevideo) TIM JEFFERIES - Hamiltons Gallery (Londres) TIMOTHY PERSONS - Gallery Taik (Berlin, Helsinki) THOMAS ZANDER - Galerie Thomas Zander (Cologne) YOSSI MILO - Yossi Milo Gallery (New York) 7 PRISMES SECTEUR GALERIES - SALON D’HONNEUR A picture means I know where I was every minute. That’s why I take pictures. It’s a visual diary. - Andy Warhol A l’occasion de sa 19ème édition, Paris Photo inaugure son nouveau secteur, PRISMES, avec une sélection de projets dédiés aux œuvres sérielles et aux projets hors normes. Depuis les origines, la photographie a généré une démultiplication des images, intégrant dans certain cas le processus sériel au cœur même de l’œuvre. 8 Le portfolio Double Elephant regroupe 60 œuvres historiques de Manuel Alvarez Bravo, Garry Winogrand, Lee Friedlander et Walker Evans. Cet ensemble retrace l’évolution de la culture visuelle depuis les années 30. Daido Moriyama, photographe de l’avant-garde japonaise des années 70, témoigne de cette approche sérielle essentiellement perceptible dans ses nombreuses publications. Cette année et pour la première fois sur Paris Photo, est exposée l’intégralité des 80 tirages de Farewell Photography. La série Flower Love de Nobuyoshi Araki est également une magnifique expression de la sérialité. Considérant la vie et la photographie comme un tout, il nous présente un ensemble de 2000 Polaroïds. Avec Sleeping Portraits, partie intégrante d’une autre série, Paul Graham nous amène à explorer l’éphémère et l’anodin de notre quotidien. Le questionnement surgit du dialogue des images dans une présentation réalisée pour le lieu. Rosalind Solomon Fox nous révèle les aspects douloureux de la condition humaine à travers sa sélection de Portraits in the Time of AIDS de 1988. Témoin de la lutte inexorable pour la survie, ses images poignantes, troublantes et dérangeantes nous interpellent. Dans un autre registre, Stephan Schenk, tel un archéologue, le regard rivé vers la terre, cartographie le sol d’anciens champs de bataille par une succession de tapisseries de grands formats adaptées de photographies. Les paysages déserts de Bae Bien-U nous plongent hors du temps entre communion et harmonie au milieu de forêts de pins, symbole de l’âme du peuple Coréen. La nature incontrôlable, dépourvue de présence humaine, dans un format démesuré, trouve toute son expression chez Boomoon pour tendre vers l’infini. Enfin, l’installation de Suzanne Lafont Situation comedy et Index met en perspective un travail photographique à la croisée des disciplines. Entre théâtre, littérature et performance, elle nous présente une œuvre constituée à partir d’une banque d’images. Ces photos associées à des textes par le jeu du hasard de la projection livre à chaque visiteur une nouvelle expérience visuelle. AKIO NAGASAWA, Tokyo & JEAN KENTA GAUTHIER, Paris - NEW EXHIBITORS SH6 DAIDO MORIYAMA - “FAREWELL PHOTOGRAPHY” Daido Moriyama Born in 1938, Ikeda, Osaka Prefecture, Japan; lives and works in Tokyo Daido Moriyama is widely acknowledged as one of the world’s preeminent living photographers. His career began in the 1960s under the influence of Japanese master photographers Shomei Tomatsu and Eikoh Hosoe, and he was a vital part of the avant-garde generation that formed in Tokyo around the magazine Provoke. Influenced not only by photography in Japan, but by a range of American and European influences, from Jack Kerouac, William Klein and Andy Warhol, to Eugène Atget and Nicéphore Niepce, Moriyama quickly established his own radical and highly original style. Shooting quickly and freely on the streets of Tokyo, taking on board the grain and blur of city life, he built up his own photographic language and by 1972, less than a decade after the start of his career, he had already published three of the most influential photobooks of the post-war period: Japan A Photo Theatre (1968), Farewell Photography (1972) and A Hunter (1972). Member of the avant-garde Provoke movement, Daido Moriyama, along with Takuma Nakahira, burned all the negatives of the photographs included in Farewell Photography a few months after it was published. Some 30 spare negatives were kept safe until a few years ago. This set of 30 prints was purchased in 2012 by Tate, and presented that same year by Tate at Paris Photo. Recently, some 50 other negatives, that Moriyama’s publisher didn’t include in Farewell Photography, despite Moriyama’s deepest wish, were rediscovered. This is the first time that the complete and definitive set of Farewell Photography will be presented to the public. BRUCE SILVERSTEIN, New York SH9 ROSALIND FOX SOLOMON - “PORTRAITS IN THE TIMES OF AIDS” Rosalind Fox Solomon, born in 1930, Highland Park, Illinois; lives and works in New York Artist Rosalind Fox Solomon's presents a personal selection of images from her historic series, Portraits in the Time of AIDS, 1988. Created at the height of the AIDS epidemic, these images are shocking and unabashed depictions of the ravaging symptoms of this illness. This exhibition, shown in the United States in 1988, prompted much debate regarding the polemical nature of depicting persons with AIDS as visibly ill, physically weakened, or doomed, at a time when the general public and media were terrified, grappling with the nature of the illness and its effect on American society. Confronting suffering and death has remained a particular obsession for Solomon, and this body of work is but one part of an investigation she has pursued to the ends of the globe and as long as she has been photographing. In this series of pictures, my goal was to reveal a special character, a relationship, an environment, aspects of the human struggle to survive. In my work these have been ongoing themes. - Rosalind Fox Solomon 9 ERNA HECEY, Brussels - NEW EXHIBITOR SUZANNE LAFONT - “SITUATION COMEDY” & “INDEX” Suzanne Lafont, born in 1949 in Nîmes; lives and works in Paris SH8 Suzanne Lafont practices photography in an extended field that incorporates references to theatre, performance, cinema and literature. The exhibition offers a perspective on Lafont’s work drawing on an ongoing collection of photographs taken since 1987 that comprise a ‘data bank’ of 465 photographs. The twofold presentation (double digital slide projection) offers entries both in French and in English, thereby allowing the random association of images. The starting point may be a word or a phrase; setting up the different order and set of associations in each language. These provide the raw material for each proposition, allowing Lafont to explore different regimes of images in a series of situations. I choose the form of dictionary. By placing role of alphabetically ordered entries, the ordered in a way that is independent of the elements. The arbitrariness of the alphabet world in its diversity. - Suzanne Lafont 10 images in relation to words playing the dictionary allows the sequence to be closeness of the representative provides a way of bringing together the FLOWERS, London - NEW EXHIBITOR SH11 BOOMOON - "SANSU" Boomoon, born in 1955 in Daegu; lives and works in Seoul and Sokcho, South Korea From the 1980s and up to this day, Boomoon has confidently depicted simple scenes of oceans, skies, deserts, mountains, and rivers. He is one of the photographers pioneering the movement to confront "nature itself". With his two recent series, "Sansu", which took material from mountains in winter, and "Naksan", which depicted the sea in winter, he achieved extremely detailed and startling results. Sansu means “Mountain-Water”, a core concept in the representation of nature in Chinese, Korean and Japanese aesthetics. Traditional Sansu aesthetics look for the metaphysical union with nature, conceived as a materialisation of the Confucian value of ren and the Taoist value of tao. Boomoon’s contemporary vision of Sansu considers the image as an attitude. Always produced with huge dimensions with infinitely clear details, Boomoons large-scale works invite contemplation on multiple levels. Untitled 18134 shows the smooth surfaces of newly-fallen snow that has slightly and thinly coated slim branches. The extraction of such minuscule components resonates with the viewer’s grasp of the massif. It is of profound importance to understand Boomoon’s capacity to create an experiential space for the viewer and allow us to embody essential vantage points upon the optical splendor and ordering of the physical world. Significantly, Boomoon’s camera perspective does not simulate an overtly human scale or optical perspective. He goes beyond being a photographer who offers us the sense of an omniscient but still human visual exploration of the world. Instead, his acute avoidance of a hyperbolic signature photographic style means that we are liberated viewers that can move into, above and beyond the natural phenomena that his camera explores, unhindered by an overbearing sense of his authorship. - Charlotte Cotton (from Constellation, Daegu Art Museum) When I’m in the field, the image itself decides what moment I am waiting for. Waiting is part of the encounter. Some might think that it’s just by luck that all the elements come together to reveal the object to be photographed. But the image really is the culminating point in my complex experience of relationships with the world before me. I’m always amazed that it is possible to obtain an image in the fleeting second of an encounter between several physical and mental words. The moment when the shutter opens at last is the conclusion of a situation. - Boomoon M BOCHUM, Bochum SH10 STEPHAN SCHENK - “KREUZWEG” (WAY OF THE CROSS) Stephan Schenk, born in 1962 in Stuttgart; lives and works in Chur, Switzerland. M Bochum presents six tapestries from Stephan Schenk’s series Kreuzweg (Way of the Cross). The tapestries are adapted from photographic images and dominate the walls with their imposing size of 295 x 223 cm each. The woven works show closely observed details of the natural terrain: leaves, twigs, earth, grass, water. Nothing here betrays that we are seeing something extraordinary or spectacular. The viewer’s gaze roams aimlessly over the flora depicted, which differs from tapestry to tapestry. What captivates initially is the simple beauty of these woven pieces of nature. Schenk traveled to the former battlefields and used his camera to record the surface of the ground on which hundreds of thousands of people lost their lives. The location is not evident merely from looking at the resulting works. But their titles then open our eyes to where the photographs were taken. Verdun, Somme, Tannenberg – these names still summon today instant associations with World War I. Schenk’s tapestries deliberately avoid any semblance of objectivity: the steep perspective and strong cropping allow no geographical location to be deduced. Schenk instead works on the assumption that a traumatic event like World War I can never be objectively visualized. The photographs and tapestries in the series The Way of the Cross can therefore be understood more as an occasion and impetus to grapple with the theme, encouraging us to do so in various ways. The execution of the images in the medium of tapestry expresses in a fascinating way the idea of the ‘interwoven-ness’ of fates and history. The title of the series also takes up this theme. Even more than the religious meaning of The Way of the Cross, which by all means plays a role here – World War I was already referred to by contemporaries as a ‘martyrdom’ – Schenk is interested in the idea of standing at a ‘crossroads’ and trying to choose the right path. This thought in turn evokes the fateful chain reactions that led to World War I. Schenk seeks in his works to keep alive the memory of the victims and suffering of World War I – in the form of a culture of remembrance that is decidedly not objective but based instead on experience. The Way of the Cross opens up for the viewer myriad possibilities for reflection. Without a specific reading being imposed by the artist, there unfolds while viewing the works, and with knowledge of the sites they portray, an emotional play of thoughts through which the observer himself fills the images with content and significance. PACE MACGILL, New York & CARLIER GEBAUER, Berlin SH12 PAUL GRAHAM - “SLEEPING PORTRAITS” Paul Graham, born in 1956, Stafford, United Kingdom; lives and works in New York Curated by artist Paul Graham, the gallery presents Sleeping Portraits from the series Does Yellow Run Forever, which pushes deeper into his ongoing exploration of the ephemeral and common in the fabric of our everyday lives. This series consists of three parts and is shot in three different locations images of rainbows from Western Ireland, a young woman (Senami) asleep in different rooms on the far side of the world, and the facades of New York City gold shops. The combination of these images allows us to collectively consider the fleeting things we seek and value in life: love, wealth and happiness, beauty – the metaphorical pot of gold at the end of the rainbow. 11 12 RX, Ivry-sur-Seine SH5 BAE BIEN-U – “SACRED WOOD” Bae Bien-U, born in 1950 in Yeosu, Korea; lives and work in Seoul, Korea Photography emphasizes the relationship between man and nature. Harmony with nature is the leitmotiv of Bae's photographic work. It reflects on the preoccupation of the Korean people to live in harmony with it. Bae sees in a pine tree a contact between the sky and the earth. It succeeds at freezing on paper all the drama and magic of this mythical place and the vital energy of the trees in order to resituate them in intense meditation. Bae has been practicing photography since the 1970s, but since 1985, his work has oriented itself essentially around the immortalization of pine tree forests typical of Korea. This choice doesn't seem to be trivial since the pine tree is a culturally significant tree in Korean culture as it's considered a symbol of longevity. According to him, "pine trees are symbols of the souls of the Korean people." TAKA ISHII, Tokyo SH13 NOBUYOSHI ARAKI - “FLOWER LOVE” Nobuyoshi Araki, born in 1940 in Tokyo, Japan; lives and works in Tokyo Taka Ishii Gallery presents for the first time in France an installation of 2,000 Araki Polaroids shot from 2006 until 2009. ‘Quantity, repetition and time manipulation’ have been dynamically systematized in Araki’s polaroid series. Flowers, skyscapes, food, bondages, nudes among others will show Nobuyoshi Araki’s diaristic relationship with his subjects. Polaroid is the documentation of repetition, which traces the ‘now’; the present. THOMAS ZANDER, Cologne SH7 MANUEL ÁLVAREZ BRAVO, GARRY WINOGRAND, LEE FRIEDLANDER, WALKER EVANS “DOUBLE ELEPHANT", 1973-74 Manuel Alvarez Bravo, born in 1902 in Mexico City; died in 2002 in Mexico City Garry Winogrand, born in 1928 in New York, USA; died in 1984 in Mexico Lee Friedlander, born in 1934 in Aberdeen, WA, USA; lives and works in New York Walker Evans, born in 1903 in St. Louis, Missouri; died 1975 in New Haven, Connecticut From 1973 to 1974, Lee Friedlander and Burt Wolf edited four iconic portfolios at the Double Elephant Press in New York, featuring photographs by some of the most influential photographers of the twentieth century: Manuel Alvarez Bravo, Walker Evans, Garry Winogrand, and Lee Friedlander himself. Each of the four limited edition portfolios contain fifteen photographs by each artist, representing their distinct visions that can be described in the words of Walker Evans as “oddly refreshing, unselfconsciously striking, and unpredictably adventurous.” This special presentation of the original portfolios honors the unique collaborative project that was to become a touchstone in the history of photography. Its title, Double Elephant, is a synonym for materials of the highest grade, which were selected for the production of the portfolios. By the mid-1970s, photography had gained momentum in the art world and had arrived in the museums, galleries, and universities. The photographs on view in this exhibition represent important steps in this process. In 1967, for example, the works of Friedlander and Winogrand were part of the exhibition New Documents at the New York MoMA, which coined the name of a new approach to documentary style photography. Very aware of the medium’s artistic means, the photographers devoted their practice to everyday, personal subject matter. If documentary depictions had formerly been motivated by a social agenda, these artists observed the world and human behaviour. The exuberant energy in Winogrand’s photographs as well as Friedlander’s laconic compositions are reminiscent of Walker Evans’ formative influence on the visual culture of America since the 1930s, when his work was exhibited in the first one-man show of a photographer at the Museum of Modern Art. It is with a surrealistic impulse that Evans’ contemporary, the great Mexican photographer Manuel Álvarez Bravo, portrays the experience in his country in an intimate yet transcending way. Their works are at once clear and ambiguous, and thus they are able to convey the inextricable contradictions of modern life, the search for truth and the longing for poetry. The presentation coincides with the book publication Double Elephant in four volumes, edited by Thomas Zander (Steidl, 2015). Historically, the phrase double elephant was used to describe the size of a book and the technique for binding. However, over the years (a few hundred) the phrase was employed to request the highest grades of paper, ink and materials available. That is why we called it the Double Elephant Press. - Burt Wolf, founder of the Double Elephant Press. 13 SOLO & DUO SHOWS AIR DE PARIS, Paris - NEW EXHIBITOR B33 DUO SHOW - BRUNO SERRALONGUE, TORBJØRN RØDLAND Bruno Serralongue, born in 1968 in Chatellerault, France; lives and works in Paris Torbjørn Rødland, born in 1970 in Stavanger, Norway; lives and works in Los Angeles Air de Paris presents the works of two artists, Bruno Serralongue and Torbjørn Rødland. The works of Bruno Serralongue explore the role of the photographer and its position vis-à-vis the subject. Often political, his photographs are involved in all aspects of the production of the image. Thus, his work is as much an investigation into the political moment as an investigation of the representation itself. Works will also be presented from the series on migrants in Calais, ongoing since 2006. 14 In the photographs of Torbjørn Rødland, reality is constantly questioned, renegotiated. At first sight mundane, situations put in place by Rødland appear strange, often deliciously acidic and offset. They explore a wide range of emotional possibilities. A form of psychological realism? Recent works are selected by the artist for this exhibition. ALAIN GUTHARC, Paris C28 SOLO SHOW - JACQUES HENRI LARTIGUE Jacques Henri Lartigue, born in 1894 in Courbevoie, France, died in 1986 Alain Gutharc gallery presents an entire set of vintage photographs by Jacques Henri Lartigue, taken from his son Dany Lartigue’s private collection and bought in 1991 by a private collector. Dating from 1920 (the year Dany was born) until 1943, the photographs were obviously part of Dany’s personal photo albums and are dated and authenticated by Dany himself. The photo papers and development techniques testify that the prints date back to the moment the pictures were taken. These pictures are as graceful and fragile as personal intimate pictures can be, and of course are not the size photographs are usually shown at an exhibition. The passing of time during which so many hands have handled them make them even more touching. They reflect Jacques Henri Lartigue’s own personal vocabulary: movement, automobiles, fashion, sports… ANITA BECKERS, Frankfurt - NEW EXHIBITOR C14 DUO SHOW - JÜRGEN KLAUKE, PETER WEIBEL Jürgen Klauke, born in 1943 in Cochem, Germany; lives and works in Cologne Peter Weibel, born in 1944 in Odessa, Ukraine; lives and works in Vienna Jürgen Klauke’s work has greatly influenced the performance photography of the last forty years, through its continuous re-examination of everyday reality, sometimes ironic yet penetrating. They have a particular way of overcoming particular pain thresholds. Peter Weibel is a pioneer in action art and performance art genre. His political performances in the 1970s are almost entirely documented by the use of the photographic medium. The show not only displays early works, but also demonstrates how each of his artistic approaches has continuously developed over the last halfcentury highlighting their relevance today. BEYOND, Taipei SOLO SHOW - “THROUGH BEAUTY A SALUTE TO DEATH” Chen Shun-Chu, born in 1963 in Penghu Islands, Taiwan; died in 2014 D27 When he was alive, Chen Shun-Chu often remarked that within his work he had the ability to foresee death. His work centers on two central topics: a record of his family’s emotional life and a frank discussion on the nature of death. Throughout his work, regardless of the subject, Chen’s artistic stance reveals the growth, decay, and eventual death of his family and its members. Through Beauty a Salute to Death highlights the artist’s unique view of death as well as his efforts to bring a sense of dignity and benediction to the deceased. At 17 years of age, Chen witnessed his father’s passing, only 36 at the time. Nineteen years later, himself 36, his 60-year-old mother succumbed. Worried that he would one day share the same untimely fate, Chen worked with a deep passion and focus in the hopes that something of his work would remain after he himself had gone. Chen Shun-Chu quietly passed away in October of 2014. The gallery exhibits some of Chen’s most signature works, including his last pieces created in partnership with the Xindian Boys - Tsong Pu, Wu Tung-Lung and Su Hui-Yu. 15 BRUCE KAPSON, Los Angeles - NEW EXHIBITOR C44 SOLO SHOW - EDWARD SHERIFF CURTIS Edward Sheriff Curtis, born in 1868 in Whitewater, Wisconsin; died in 1952 in Los Angeles Edward S. Curtis is among the most important photographers of the 20th century, and is undoubtedly the most influential photographer of the American West. His work represents a document of a people. He was the first photographer to meet his American Indian subjects on a ground defined by mutual trust and respect; the first photographer to portray them as anything other than objects of curiosity. He was able to create a lasting vision of the American Indian. Many of the images that he produced not only record the daily life of a people, but also convey a dignity, universal humanity and majesty. The solo show, Discovering the Copper Photogravure Plates of Edward S. Curtis includes multiple photographic media to create a historical visual narrative which contextualizes the significance of these works. Each of the plates exhibited is a unique work and a primary document of one of the most significant publishing ventures of the 20th century. CHEIM AND READ, New York - NEW EXHIBITOR SOLO SHOW - ADAM FUSS Adam Fuss, born in 1961 in London; lives and works in New York C23 This Solo Show of the artist Adam Fuss presents the largest daguerreotypes ever made, portraits of individual figures in the Taj Mahal’s dados rail of flowers, notably lilies, roses, tulips and poppies. For the artist, the Taj Mahal is a symbol so clear it is almost a character: a secular temple to love everlasting. In this series, Fuss reflects upon the haunting humanity of love and heartbreak. In addition to love, the Taj Mahal is a Victorian-era monument to power. Fuss references the world as we have found it, and the times that brought us here: employing a Victorian-era technology to reveal the empire, love, and loss in what was once the empire of Victoria. This exhibition includes a single nude study, also in large format daguerreotype, which makes counterpoint between the artificial and the real in Fuss’s work. CHRISTOPHE GUYE, Zürich SOLO SHOW - NICK KNIGHT Nick Knight, born in 1958 in London; lives and works in London B23 Nick Knight’s works reveal a range of often controversial issues, from racism, disability, ageism, and more recently fat-ism. He continually challenges conventional ideals of beauty. The gallery celebrates its recent exclusive collaboration with the artist with the presentation of a solo show for Paris Photo before the inaugural exhibition at the gallery in early 2016. Knight was first known for his book, Skinheads, 1985 which won him the Designers and Art Directors Award for Best Book Cover and his landmark, post-grunge cover of Linda Evangelista for British Vogue in November 1993. He has shot numerous campaigns for Yves Saint Laurent, Vivienne Westwood, Alexander McQueen and Christian Dior and has directed music videos for Björk, Kanye West and Lady Gaga. DANIEL BLAU, Munich SOLO SHOW - WEEGEE WEEGEE, born in 1899 in Złoczew, Poland; died in 1968 in New York 16 B20 Weegee’s success is oftentimes attributed to velocity in which he responded to current events. Though his career began as a dark-room assistant for Acme Newspictures in 1924, Weegee rapidly began working behind the camera as a photojournalist. After installing his very own dark-room in the boot of his car, he was able to keep ahead of the game for the press deadlines and achieved a great proximity with his subjects. His infamous use of a flashgun created what he termed to be “Rembrandt lighting” – a highly contrasted chiaroscuro effect which simultaneously heightened and accentuated visual details, rendering crime scenes less gruesomely whilst maintaining photojournalistic standards for print. Weegee’s unique vision, often showing nocturnal scenes, yet his varied themes have inspired generations of photographers in their thematising the other, the celebrated and the dead. Weegee’s camera often pointed towards the audience as opposed to the event itself. His pictures thus implicate and foreground the sensationalist and voyeuristic elements inherent in photography. This auspicious solo exhibition will debut these prints from the 1930s and 1940s to the public with both well-known pictures and an exciting array of recent discoveries. DANZIGER, New York B9 SOLO SHOW – HANS BREDER Hans Breder, born in 1935 in Herford, Germany; lives and works in Lowa. Danziger Gallery presents a solo show of vintage black and white prints by Hans Breder. For long a missing piece of the puzzle that is the intersection between contemporary art and photography Breder has been recognized as a pioneering figure combining the disciplines of painting, sculpture, installation, performance, music, film, photography and video. In the late 1960s when the social, political, and artistic mores of the West were undergoing dramatic upheaval, Breder was an influential experimental voice. He documented his own artistic “interventions” placing a rectangular mirror alongside living figures and photographing the play between the real and illusory worlds. Photographed in the studio and in nature, these works - collectively known as “Body/Sculptures" bridged the gap between photography,performance, and body art of the late 60s and influenced a whole generation of artists who sought to challenge the traditional definition of art. DE ROUSSAN, Paris - NEW EXHIBITOR A1 SOLO SHOW - LUKAS HOFFMANN Lukas Hoffmann, born in 1981 in Zoug, Switzerland; lives and works in Berlin Lukas Hoffmann’s work shows the turning point of nature’s reclamation of the built environment, a process that results in the creation of wild forms and structures. Far from submitting his images to a theme or subject, Hoffmann primarily strives to perceive and reveal the visual aspects of the natural world. As such, the impetus of the artist is not the object being represented – a trunk or a facade – but rather the arrangement of the landscape that gives structure to the image. Lukas Hoffmann’s photographs capture isolated/individual scenes, pictures taken during the artist’s extended wanderings in the suburbs of Berlin. The photographer chooses his position according to an intuitive, pictorial gaze, in which the scene assumes an order geared towards the beholder. This viewpoint determines the horizon, upon which forms emerge. Hoffmann uses an analog camera and produces his own prints, which allows him to control the entire photographic process and to use the camera lens to paint and sculpt shapes and lights out of reality. FELDBUSHWIESNER, Berlin A5 DUO SHOW - CHRISTIANE FESER, DANIELE BUETTI Christiane Feser, born in 1977 in Würzburg, Germany; lives and works in Frankfurt Daniele Buetti, born in 1955 in Fribourg, Switzerland; lives and works in Zürich Christiane Feser’s multi-dimensional geometric object photographs create a labyrinth of space and time. The presented works consist of repetitive, polydimensional geometric structures. The detailed and clear-cut constructions require up to five steps to fabricate: building with paper models and photographs these, sculpts and folds the photographs, and photographs the structures again. The elaborate method of production is not immediately obvious in the multi-layered results, which share formal qualities with works by El Lissitzky and Mondrian. They evoke architectonic spaces, play with light and shadow – and the viewer’s sense of what is real and what is illusion. Her photographs contain multiple subjects, over layered and intertwined – what can be seen only exists in the work itself. Hypnotic and immersive: Daniele Buetti’s new series Flags is a story of art and perception. The inspiration for the dazzling, luminous colour prints of manipulated national flags came from Buetti’s sound installation It’s all in the mind, which was exhibited in 2014 in the Rotunda of the Schirn Kunsthalle in Frankfurt and explores the interweaving of the virtual and physical experience of colour. The over-saturated colours in Flags increase the intensity of these national symbols beyond recognition. The colour progressions of the digital prints move between lyrical abstraction and colour field painting, immediately capturing the attention of the viewer. 17 GANDY, Bratislava - NEW EXHIBITOR SOLO SHOW - DANICA DAKIĆ Danica Dakić, born in 1962 in Sarajevo; lives and works in Düsseldorf D36 The Gandy gallery presents, in celebration of ten years of collaboration, a retrospective selection of photographic works by Danica Dakić spanning the last decade. Allegories of transience and their visual equivalents play a central role in the world theater of Danica Dakić.Using the media of photography, video, and film, her work is based on performative and collaborative processes to explore concepts of culture, language, and tradition as well as their ongoing changes. The narrative technique is based, among others, on the genre of the tableau vivant, on theatrical mise-en-scène. The stereotyping of the gaze is interrogated via strategies of theatre and performance while the protagonists actively stage their own roles. By means of rhetorical distancing effect, reality is turned not into a documentary but into an aesthetically heightened, at times fragmentary form in which stereotypes can be cast off and reality is reconceived via fictionalization. 18 Safe Frame III (2012), El Dorado (2007), La Grande Galerie (2004) and Yasmin (2014) all resulting from larger participatory projects: The media installation Safe Frame, is an exploration of the museum space and the relationship between image and frame; a reflection on aspects of historicity and contemporaneity. The group portrait Safe Frame III, inspired by Paul Almásy’s photograph Louvre (1942), was realized in collaboration with a group of young women, scholarship holders of the Crespo Foundation. El Dorado (2007) takes a historic (1848) panoramic wallpaper of the same name as a starting point and the backdrop to stage the aspirations and dreams of a group of young people. The project was developed in the Wallpaper Museum in Kassel in alliance with teenagers from the Hephata Home for underage refugees. In the El Dorado photographic group portrait the teenagers pose in front of the wallpaper, representation of fictional paradise, installed in a public space in Kassel. For the series of photos La Grande Galerie Danica Dakić drew on the generic conventions of the tableau vivant. The work was realized in collaboration with the Roma in the Preoce enclave and the refugee camp Plementina in Kosovo in 2004. The Roma refugees were engaged as actors to take on roles within a pictorial constellation combining the situation on the spot with the paintings from the Louvre collection. Firmly-established cultural forms of representation are investigated in pictorial roles; for example, these are played by a Roma family in Kosovo, photographed in front of the room-sized backdrop of a reproduction of Imaginary View of the Grande Galerie in the Louvre in Ruins (1796) by Hubert Robert. Dakić used this historically charged backdrop to turn participants’ precarious status into a performative mise-en-scène. GRUNDEMARK NILSSON, Berlin - NEW EXHIBITOR D40 SOLO SHOW – DAWID Dawid (Björn Dawidsson), born in 1949 in Orebo, Sweden; lives and works in Stockholm. Dawid has been called Sweden´s first post-modern artist and has for over thirty years been making series of photographically based artworks examining the nature of the medium and exploring issues of perception. He began photographing in the late sixties, documenting incongruous moments with a wry sense of humour, until he established his signature style of stark graphic illustration, initiated by the seminal Rost series. His work often balances on a tight rope between the graphic and the photographic and reflects, criticises and parallels the chequered history and changing status of photography. Dawid’s rare vintage silver gelatin prints are presented as well as recent work exhibiting his continuous experimentation with both ancient and modern techniques and equipment. Dawid has since the 1970s been exhibited at leading galleries and institutions in Sweden and internationally, including the Museum of Modern Art, Folkwang Museum in Essen Germany. He has published numerous books and catalogues, and in 2001 his book Beautiful Frames was published on Steidl with lyrics by Michael Mack. Year 2009 Dawid awarded the Swedish Arts Grants Committee’s Grand Prize for his artistic achievements and significance in the present. GUIDO COSTA, Turin C22 SOLO SHOW - PETER FRIEDL Peter Friedl, born 1960 in Oberneukirchen, Austria; lives and works in Berlin Considered one of the most important conceptual artists currently working in Europe, Peter Friedl has been taking photos since the late ‘80s. The show will display a selection of some of his most relevant photo-projects, starting from Postcards Series created in the ‘90s, to recent works. All the photos are vintage prints, edited in a small numbers of exemplars. ILAN ENGEL, Paris A9 SOLO SHOW - STEPHAN CRASNEANSCKI Stephan Crasneanscki, born in 1969 in Odessa, Ukraine; lives and works in New York Stephan Crasneanscki takes us on a journey of contemplation. A life force. Intimate. As if placing himself on the on the edge of the world - or rather humanity - to better understand its interiority. In the wake of those who have preceded us in these inhabited places of memories impalpable yet so present. For Joseph Beuys, the forest is a place of mystical transformations. It also also coincides to the birth of a myth on which he founds his artistic approach. Collected by Tartar nomads after his plane crashed in Crimea forest June 16, 1944, Beuys owes his salvation to that community that fed him honey, wrapped him in fat and roofed him in felt to bring him back to life. By entering into this individual mythology, he created for therapeutic purposes, using organic materials to unite together in a constellation of energy a shamanic regenerating approach to space. The adventure becomes an agonizing rebirth. Stéphane Crasneanscki gives testament to this scene. He delivers the rustling image between life and death, a ghostly presence shrouded by fog and snow. Some diptychs are vertical to accentuate the elevation. Others are purely monochrome. Color is soundproof, sometimes uniformly white. The horizon is blocked in front, sides, and certainly behind. The purification achieves opacity, like the center of a cloud. By seeing only raw nature, we have a vision of the Stone Age. So many visions that pay homage to an idea, a philosophy, a religion. A human and his mystery finally. 19 IMANE FARÈS, Paris B51 DUO SHOW – SAMY BALOJI, ALI CHERRI Sammy Baloji, born in 1968 in Lubumbashi, Democratic Republic of the Congo; lives and works in Congo Ali Cherri, born in 1976 in Beyrouth, Liban lives and works in Liban. 20 Imane Fares Gallery presents the work of artists: Sammy Baloji (DRC) and Ali Cherri (Lebanon). Born in 1978 in Lubumbashi in the Democratic Republic of Congo, Sammy Baloji explores the cultural, architectural and industrial Katanga region of Congo. To question the official versions of the Belgian colonial history, he researched various archives including those of the Royal Museum for Central Africa in Tervuren, Belgium. The Congo Far West series, begun in 2008, is a reinterpretation of the Belgian scientific expedition to Katanga from 1898 to 1900. Baloji only uses archival documents: the natives under suspicious are glued on watercolor landscapes of the Belgian painter Léon Dardenne. This process, borrowed studio photography, aims to mitigate the view condescending explorers set on "the Other". But thereby the bias amplifies the attitude of the Belgian photographer François Michel that studies, classifies and dehumanizes its subject, this ‘Other’ who has never been a brother and never will. Past and present echo. Congo Far West pushes a tangle of temporality when the colonial exoticism refers to neo-exoticism of a nomadic contemporary globalized society in which the ‘Other’ is not our reflection but the instrument of our desires and our delusions. Ali Cherri’s videos, drawings and sculptural installations, dissect the geopolitical situation of Lebanon and surrounding countries with a look both distanced and involved. Through this new work, which began with the stock market of Sharjah Foundation, the artist redefined its approach to archeology, which is not motivated by love of ruins, but by a desire to unearth what has survived. The discovery of a dig site goes with its destruction: the more we dig more we destroy. The physical process of the search becomes a form of negative sculpting. JEAN-MARC PATRAS, Paris - NEW EXHIBITOR D14 SOLO SHOW - SAMUEL FOSSO Samuel Fosso, born in 1962 in Kumba, Cameroon; lives and works in Bangui, Central African Republic Samuel Fosso has been practicing the art of self-portraiture for 40 years. He opened his first photo studio in Bangui (Central African Republic) in 1975 at the age of 13. Since then, his work has been organized into a set of series, created at irregular intervals. The series, as a whole comprises between 10 and 50 prints, 70’s Life Styles (1975+), Tati (1997), African Spirits (2008), My Grandfather’s Dream (2003),...series such as Memory of a friend (2000), Fosso Fashion (1999), and others have rarely been shown. The show will present a conspectus of Fosso’s oeuvre, organized around his latest series, Pillage/Looting, February 2014, provoked by the looting of his house in Bangui. During the fair Samuel Fosso will organize, one hour a day, by appointment, the Premiere shooting of his next series Fosso Selfie, The Endless Series where he will shoot selfies with collectors for in a signed limited edition compilation. KARSTEN GREVE, Paris A20 SOLO SHOW – BRASSAÏ, “GRAFFITI” SERIES Brassaï, born in 1899 in Brasov, Romania; died in 1984 in Beaulieu-sur-Mer, France Brassaï (1899 - 1984) sought the real and imminent life through spontaneous and urban photographs – most notably through his night views. He was fascinated by the phenomenon of graffiti, which reflects an irresistible and existential need to leave its material presence, immortalizing the unconscious soul born of injuries and hopes. In the figures, animals and reduced faces, deformed and cracked, wrinkled and scared, Brassaï discovers a terrifying magic in this primitive form of expression, questioning the role of man, nature, death and love, while attracting the gaze, the encounter with the unknown. In this series, Brassaï reveals the city as a large prehistoric cave, a wild and anarchic society, devoid of any form of aesthetics. Armed with his camera, the artist captures the mundane traces of people in the streets of Paris in 1930, discovering an expression hidden and unsuspected as well as omnipresent. KLEMM’S, Berlin SOLO SHOW - ADRIAN SAUER Adrian Sauer, born in 1976 in Berlin; lives and works in Leipzig B13 The artistic work of Adrian Sauer questions the limits of the image in a time in which camera images become increasingly hybrid constructs, between light measurement and mathematical re-calculation. In a provocative way, some of his works at first resemble technical test pictures, and yet these questions are included into the language and tradition of concrete and generative photography. While he did devote some of his works to the semantic and pragmatic dimension of the use of images—how are images used and read in a specific context? His other main interest lies in the ‘morphology’ of the digital image, its ‘theory of form’: How is it assembled within its smallest parts? How does it work to transfer visible, physical reality into a saved, calculated image? What does the raster of the new optical instruments provide? Adrian Sauer addresses the new digital world of images as our most pivotal field of communication. The Human Being / The Human Brain in a constant stream of images and visual information with all its implications and effects we can already witness. Specifics artworks: Presence/Ubiquity; Irritation/Concentration or Reflection/Dissolution are some of the key references for the project. A freestanding, glazed object – functioning as a mirror for the works presented. With a shape of an irregular triangle that is almost as tall as the surrounding walls it reminds of a ‘folded screen’ or an oversized prism. The photographs on the wall are mirrored and fragmented; the spectator is completely surrounded by this interplay of constantly changing perspectives: framing and zooming, focusing on a single work and spatial awareness. LELONG, Paris - NEW EXHIBITOR A4 SOLO SHOW - JEAN-BAPTISTE HUYNH Jean-Baptiste Huynh, born in 1966 in Châteauroux, France; lives and works in Paris Galerie Lelong Paris presents a solo show of recent photographs of Jean-Baptiste Huynh exploring the double theme of nudes and plants from France and Vietnam. Jean-Baptiste Huynh was born in Châteauroux in 1966, to a French mother and a Vietnamese father. As an autodidact, he taught himself lighting and printing techniques which he mastered to the point of developing a pure and personal style. The individuality of his photography is recognizable in a large body of work that includes portraits, nudes and still life and is well in evidence in his most recent series: Mirrors, Fire and Twilight. The Villa Médicis Prize and the Kodak Prize stand among his several awards. In 2006, the Ecole Nationale Supérieure des Beaux-Arts in Paris devoted a retrospective to Jean-Baptiste Huynh. In 2012, the Louvre invited Huynh to show a collection of his most recent photographs inspired by objects in the Museum’s collection, along with the book Lumière. 21 LES DOUCHES, Paris - NEW DUO SHOW - SABINE WEISS, Sabine Weiss, born in 1924 Ernst Haas, born 1921 in EXHIBITOR A51 ERNST HAAS in Saint-Gingolph, Switzerland; lives and works in Paris Vienna; died in 1986 in New York Les Douches la Galerie presents two masters of documentary photography, Sabine Weiss and Ernst Haas with exceptional prints, vintage, hitherto jealously kept away in the workshop of two artists. As one of the last living witnesses of humanistic photography, Sabine Weiss was invited by Edward Steichen to participate in the legendary exhibition of MoMA, The Family of Man. His work is traversed by a quest for light and use of heavy photographic material, incomparable. Pioneer, precursor in color photography, Ernst Haas has quickly become a master in the chromatic research in formal compositions lightning and tension towards abstraction. It was in 1962, the first photographer to have a solo exhibition at MoMA in color. Its warm tones, sometimes glowing, deep blacks his mastery, virtuosity in contrast, have earned him an early high international reputation. LOUISE ALEXANDER, Porto Cervo - NEW EXHIBITOR SOLO SHOW - GUY BOURDIN Guy Bourdin, born in 1928 in Paris; died in 1991 in Paris 22 A2 Guy Bourdin, using fashion photography as his medium, sent out a message, exploring the realms between the absurd and the sublime. He is famed for his suggestive narratives and surreal aesthetics, he radically broke conventions of commercial photography with relentless perfectionism and emotional charged energy. During the 1950s, Bourdin launched his career with fashion assignments for Vogue Paris working in B&W. It’s nearly unknown that half of his oeuvre is in black-and-white and is as amazingly powerful as his colour works. A major highlight will be the unseen vintage prints Bourdin shot for Egoïste magazine in 1987. This is the first time the editorial campaign will be exhibited and the only time these significant unique prints will be made visible to the public. MAGDA DANYSZ, Paris B14 SOLO SHOW - MALEONN Maleonn, born in 1972 in Shanghai, China; lives and works in Shanghai, China Maleonn is a young Chinese photographer. Having only recently graduated from Shanghai University, he is described as one of the 50 leading artists in China. Inspired by Chinese Opera, his subjects are costumed and made-up, appearing in total contradiction with the derelict settings. With much irony, Maleonn’s depicts a falsly naïve and metaphorical world, denouncing the complexity of Chinese identity stuck in between its history and the construction of its future. He creates in his photographs an imaginary and colorful world, full of fantasy. MICHELE CHOMETTE, Paris A6 DUO SHOW - ERIC RONDEPIERRE, MARINA GADONNEIX "FORM IS THE SUBSTANCE WHICH RISES TO THE SURFACE" VICTOR HUGO Eric Rondepierre, born in 1950 in Orléans, France; lives and works in Paris Marina Gadonneix, born in 1977 in Paris; lives and works in Paris Marina Gadonneix strips the image of its original subject to focus on shooting devices used to reproduce it, and Eric Rondepierre draws on the sources of films that haunt our memory to retain only the empty sets of characters and actions sharing a common succession of creative acts: evacuation, switching, and rebuilding through photography autonomous icons that celebrate absence. NIKOLAUS RUZICSKA, Salzburg - NEW EXHIBITOR D39 DUO SHOW - AXEL HÜTTE, JOSEF HOFLEHNER Axel Hütte, born 1951 in Essen, Germany; lives and works in Düsseldorf Josef Hoflehner, born 1955 in Wels, Austria; lives and works in Austria Axel Hütte, in his series of photos of Asian and American big cities is interested in the phenomenon that viewing a sea of lights in the dark of night from an elevated position can be particularly fascinating. Hütte places an abstract raster over the chosen picture motif, structuring it frontally and symetrically. The visualization of the brightly illuminated nocturnal city occurs by means of longterm exposure. Hütte uses only analogue technology for his photographs so that the structure and the graphic order of the big city become particularly clear. This capturing of light has a heightened dramatic impact on the radiance of the architecture and is of great importance. Moreover, Hütte’s use of duratrans prints imbues his nocturnal pieces with a mysterious impression of depth. In Josef Hoflehner’s pictures of night and day, light also plays a major role. In the series of works entitled Waiting for the Sun, he makes an analysis through detailed photos of cars from the era of the great American automobile industry. Josef Hoflehner’s œuvre follows on from the American ‘New Topographics’ style of photography from the 1970s. Photographs showing the void, man-made landscape similar to a documentary analysis reflect the analytical gaze, the reduction of the pictorial content to what is essential, the filtering of graphic elements and the structural analysis of a location. They exemplify his absolute mastery of the technical possibilities of photography. Lighting design plays a supporting role in the nocturnal photos of shining car bonnets as well as in the detailed shots of cars parked in the gleaming sunshine. Like Axel Hütte, Hoflehner waits patiently for the most favourable moment to press the shutter. Artificial sources of light from illuminated houses, street lights or advertising billboards focus attention on the cars, illuminating the scenery as if they were spotlights positioned by the artist. ODILE OUIZEMAN, Paris SOLO SHOW - BRIGITTE ZIEGER Brigitte Zieger born in 1959 in Germany; lives and works in Paris A11 Establishing a dialogue between the masked photographs of Brigitte Zieger, and vintage photographs allows for a reinterpretation of the long history of female models in the history of art highlighting the importance, within current artistic creation, of manipulations of the photographic medium. Zieger is interested in the ambivalence of the seductive power of violence. For this series, it is the image of an armed woman, widely portrayed in the media and cinema, which at once fascinates, seduces and frightens. We had already seen in the animated video Shooting Wallpaper, recently acquired by LACMA and Museum of Nevada, a beautiful romantic who aims and shoots at us, loudly, and then returns to blend into a lively toile de Jouy. The viewer is bought into the game by girls, killers, shooters, assassins, vixens or grandmas, unknown or icons of the armed struggle, all brandishing guns at the outermost surface of the image. Working from a precise selection of photographs collected on the Internet, the artist then turned to drawing, but drawing with the colors of eye shadow. Insidious offset and mastered, she also redesigns the explosions with the same attractive and delicate aesthetic eye, which "applied gently contradicts the action ..." "Masked Photographs" is thus tricked by these images that assume fully their visual efficiency and glamor in the style of vintage pin-up posters. A question then arises, have women changed...? 23 PACI CONTEMPORARY, Brescia A39 SOLO SHOW - SANDY SKOGLUND Sandy Skoglund, born in 1946 in Weymouth, Massachusetts; lives and works in New Jersey 24 Paci presents world-premiere of Sandy Skoglund’s latest work Winter, begun in 2008; the second step in the unfinished cycle of her project Four Seasons (begun in 2004). The exhibition will present the most important phases in her career, from the first empirical results with the camera (Reflections, Still Life), through some of her most famous works to the unpublished new The Grey Foxes. However, the culmination of this expositive itinerary will certainly be Winter. The project, expressly conceived for Paris Photo 2015 will be presented in presence of the artist, who will also preview the book, especially conceived for the conclusion of the Winter project with texts by Germano Celant and Walter Guadagnini. The artificial landscape became my subject matter a long time ago. Using this concept, I began a series of works on the “Four Seasons” in 2004. “Fresh Hybrid” was the first in this series, completed in 2008. It was sculpted, fabricated, and photographed to express “Spring” in the post-organic world of artificial everything. […]. “Winter” has obsessed me since 2008. At first, I made ceramic snowflakes, all by hand, for two years struggling with the flatness and shapes. I created photographic images that I melted into the glaze of the ceramic. Ultimately, I felt these ceramic works were just a step on the way to another level of perfection. I began to look into digital processes, more precise and able to take my drawings and translate them into thin metal shapes that worked better as snowflakes. At the same time, about two years ago, I decided to teach myself how to digitally sculpt directly with special computer programs. In this way, I made a figure from nothing except mental effort with the computer. This was another timeconsuming commitment to master the technique myself. Now my digital file, finished after the year of work, has been carved into a life-sized person. The digital figure sculpture and snowflakes are starting to come together, each element important in itself. I see the work as a hybrid of crafted elements to be united and frozen together in the near future by the medium of still photography. This is photography that has a very slow shutter speed, and grows at the speed of a glacier. - Sandy Skoglund PETER FETTERMAN, Santa Monica - NEW EXHIBITOR SOLO SHOW – LILLIAN BASSMAN Lillian Bassman, born in 1917 in Brooklyn; died in 2012 Manhattan D51 Peter Fetterman Gallery presents a solo exhibition of silver gelatin prints by American artist Lillian Bassman (1917-2012). Bassman’s glamorous and unique aesthetic captured feminine mystique and haute couture through experimental printing and an emphasis on female perspective. Along with her contemporaries Penn and Avedon, Bassman’s creative efforts elevated fashion photography out of the art world shadows, and today her prints continue to awe viewers with their nostalgic elegance. PETER FREEMAN, New York C27 SOLO SHOW - JAMES WELLING James Welling, born in 1951 in Hartford, Connecticut; lives and works in Los Angeles James Welling works with the construction of representation, focusing on our relationship to reality. Since the 1970s, he has explored the medium of photography itself, experimenting with all conceivable technical procedures, from capturing an image to the multiple possibilities while printing it. In 1970, after being deeply moved by watching choreographer Merce Cunningham and his company perform, Welling spent one intense year studying modern dance at the University of Pittsburgh. Despite the fact that Welling did not ultimately pursue dancing, corporality and movement have always remained central to his work, particularly evident in his abstract photographs, like his 2005 Torso series. In the summer of 2014, Welling began choreographing and photographing art students from the University of California, Los Angeles. These blackand-white images were layered into Adobe Photoshop RGB color channels and combined with images of architecture and landscape to create intensely chromatic, complex images. The following year, he began adding to this series photographs of other dance companies, including the Los Angeles Dance Project. The new series on view at Paris Photo, Choreograph (2014-2015), continues Welling’s exploration of trichromatic color begun with his Hexachrome (2006), Glass House (2006-2009) and Maison de Verre (2009) series, with the surprising new element of the human form. PETER LAV, Copenhagen - NEW EXHIBITOR SOLO SHOW – TAIYO ONORATO & NICO KREBS Taiyo Onorato, born 1979 in Zurich; lives in Berlin Nico Krebs, born 1979 in Winterthur; lives in Berlin C8 Peter Lav Gallery presents a solo show unveiling the new large-scale project Eurasia by Swiss artist duo Taiyo Onorato & Nico Krebs. The project is a venture reminiscent of the great photographic expeditions of the 19th century. Onorato & Krebs’ expedition took them eastwards through among others Roumania, Ukraine, Georgia, Azerbaijan, Turkmenistan, Uzbekistan, Kirgizstan, Kazakhstan and Mongolia. They travelled through locations in of transition, territories about which Westerners know very little and which is not associated with a familiar iconography nor an established visual language. Using obsolete mediums such as 16 mm film and large-format plate cameras, Onorato & Krebs in Eurasia once again play with the myth of the road trip as well as with the exoticism of the East. In search of the Central Asian fairytale, they expand the terrain of the documentary. The resulting images are both documentations and contrivances, incorporating sculptural reconstructions and visual postproduction, and even ethnographic objects are added. For Onorato & Krebs, the road trip is an experimental approach, in which chance is welcomed as a creative force. In a grotesque way, the idea of a thing stands as much in the foreground as its reality; its possible past and future come together in a single moment. 25 SPRÜTH MAGERS, Berlin - NEW EXHIBITOR DUO SHOW – STEPHEN SHORE, BERND & HILLA BECHER Stephen Shore, born in 1947 in New York; lives and works in New York Bernd Becher, born in 1931 in Siegen, Germany; died in 2007 Hilla Becher, born in 1934, Potsdam, Germany; died in 2015 26 A32 Stephen Shore is a pivotal figure in the history of twentieth-century photography, and his incisive, deadpan and methodical approach to documenting the American landscape has been widely influential. Best known for the series American Surfaces and Uncommon Places, Shore set the standard for two key modes in photography today: the diaristic snapshot and the mundane yet monumentalised landscape. During his recent visits to Israel, Abu Dhabi and Ukraine, Shore has shown a sustained interest in documenting the social landscape, and his photographic eye continues to capture in vivid detail the peculiar traits of time and place while finding at the same time signs of universal cultural and historical change. Bernd and Hilla Becher, over the past five decades, as both teachers and artists, are now considered among the most influential figures in contemporary photography. They first met in 1959 and exhibited together from 1963. Their typologies grew out of their expansive, impartial approach when they first started taking photographs of the commonplace yet disappearing mines, water towers and industrial facades across post-War Germany and Western Europe in the early 1960s, exhibiting the photos in grids that emphasized patterns and peculiarities in the industrial forms. This precise and systematic approach to making and exhibiting their work has influenced a range of both photographers and conceptual artists. In addition to their typologies, the Bechers made individual, larger-scale photographs of vernacular industrial structures, often with peculiarities that make them difficult to use in typologies, buildings that Hilla Becher calls ‘strong characters’. After the recent passing of Hilla Becher in October, this exhibition represents her last curated show with the gallery. STEVENSON, Cape Town A22 DUO SHOW - VIVIANE SASSEN, ZANELE MUHOLI Viviane Sassen, born in 1972 in Amsterdam; lives and works in Amsterdam Zanele Muholi, born in 1972 in Umlazi, Durban; lives and works in Johannesburg Zanele Muholi has been portraying members of the LGBTI community in South Africa and abroad since 2004, following their vicissitudes in joyful and painful events that often seem to go hand in hand. Viviane Sassen’s photographs evoke a sense of displacement and ambiguity. In her carefully staged scenes nothing is what is seems: references and conventions are subverted by means of shadows and materials. She is well-known for her performative ‘portraits’ in which the sitters’ features are obscured by shadow, intertwined limbs echoing intricate sculptures. As it happens with memories or thoughts, her images form a fluid stream of associations and connections. New work will be exhibited alongside older, iconic images to offer an overview of the artists’ aesthetic trajectories over the past decade. TANIT, Beirut A8 DUO SHOW - FOUAD ELKOURY, STEPHEN WADDELL Fouad Elkoury, born in 1952 in Paris; lives and works in Paris and Beirut Stephen Waddell, born 1968 in Vancouver; lives and works in Vancouver Fouad Elkoury and Stephen Waddell have distinct creative processes that both share a strong allegiance to literary influences. At the turn of the nineteenth century, censorship intersected the destinies of two major French literary figures Gustave Flaubert and Charles Baudelaire – from whom the artists draw all their visual and poetic inspiration. The two-way dialogue, instinct driven - from photography, literature and poetry, to where past and present, nostalgia and modernity live forever - exposes the beauty of a world in suspense. La Suite Egyptian by Fouad Elkoury (1989 and 1990, Cairo and Nile Valley) are among these dreamed images, drawn from the nostalgic words of Flaubert the voyager, adventurer, in love with a courtesan dancer. The woman, at least her image, haunts Nada-Kuchuk; its movement in black and white is already cloud. Landscapes scroll across the window of a car without age, the recess of a window already warm light ablaze, and always there, the playing woman, the lying woman lying, the woman from behind, the dancing woman... Through these sensual dreams Fouad Elkoury builds step by step, in an unbroken line, a timeless tribute to Egypt infused with Orientalist narratives. The artist creates a personal fiction between real and imaginary, from which emerges an Eastern voyage played out in history, between the shore of the dead and the living. Investing the city, see at once the spleen and the ideal, the moment and the eternal human condition, there lays the photographic approach of Stephen Waddell. The poet, according to Baudelaire, has the duty to "shoot the eternal transient", to lift the veil that covers the surface of things to reveal the beauties of the surrounding world. Poet of the city, Baudelaire was able to see in it the conditions of possibility for a modern poetic approach; he was able to approach the man in his multiple facets to reveal the beauty of what is there before him, there in front us. Waddel is a true "painter of modern life". The series, Hunt and Gather reveals this urban hunt led by the real that blossoms, meticulously framed by the eye of the photographer. This series depicts the man in the city he inhabits, records the behaviors and environments that from which they are born–not to face them, but to stand alongside a state of the world. TASVEER, Bangalore B5 SOLO SHOW - JYOTI BHATT Jyoti Bhatt, born in 1934 in Bhavnagar, India; lives and works in Vadodara, India Tasveer exhibits a solo show celebrating the life and work of the Indian artist, Jyoti Bhatt. Though more often recognised as a printmaker, Bhatt has been actively engaged with photography since the mid-1960s, and his photographs constitute an important chapter in the history of photography in India. His work, across media, is invested in the preservation of, and inspired by, the fast disappearing folk art traditions of India. The majority of his photographs shown here chronicle Bhatt’s travels through the rural environments in Gujarat, Rajasthan, Haryana, Madhya Pradesh, Orissa, West Bengal and Bihar over three decades; and are occupied with documenting a changing post-independent India, where incursions of modernity and technology were rapidly erasing older traditions of art and craft forms. Having spent many years recording these folk art traditions, Bhatt’s deepened understanding of their form and aesthetic configurations are also reflected in his photographic collages. These photo-collages evoke Indian tribal and folk art through both form and content; and also reflect, in the manner of their construction, Bhatt’s sensibility as a graphic artist. Free from literal interpretation, they produce polysomic responses through the obliteration of all references to reality, indexicality and context in a photograph. 27 THEMATIC SHOWS 28 ARTEF, Zürich CAPTURING THE LEGEND OF THE MATTERHORN Exhibited artists: Hugo Brehme/ Emanuel Gyger/ Jean Pascal Imsand/ Arnold Klopfenstein/ Alvarez Bravo Manuel/ Roberto Raineri-Seith/ Ernestine Ruben/ Xanti Schawinsky/ Gotthard Schuh /Albert Steiner B48 To commemorate the 150th anniversary of the first ascent of the Matterhorn in 1865 by the Briton Edward Whymper, Zurich’s Artef gallery presents a special exhibition featuring a selection of black and white vintage photographs (1900 to 1950) of this legendary mountain photographed by a number of Swiss photographers including the Frères Charnaux, Emile Gos, Emanuel Gyger and Arnold Klopfestein. Artef gallery also presents a selection of Swiss photographers. The photomontages by Xanti Schawinsky, the “enfant terrible” of Bauhaus, reveal a polyhedral artist who experimented with photograms in a completely abstract manner. Swiss photojournalism is also compellingly represented with poignant photographs by Gotthard Schuh and Hans Baumgartner. The winter landscapes of Engadine by Albert Steiner and the images of winter sports captured by Emil Meerkämper and Emanuel Gyger. A look at contemporary photography wraps up the exhibition with a series of colour photographs entitled Loveballs by Roberto Raineri-Seith. ASYMETRIA, Warsaw SURREALISM AS ANTI-COLONIALISM IN THE POLISH PHOTOGRAPHY Exhibited artists: Jerzy Lewczynski/Anna Orłowska/Evgenyi Pavlov/ Marek Piasecki/Ronit Porat/Zofia Rydet B35 Asymetria presents Surrealism as anti-colonialism in the Polish photography: Jerzy Lewczyński, Photo–theatre, 1959 and his Negatives found in New York, 1979 and Marek Piasecki, The dolls, 1957-67. As the contemporary counterpart, the gallery presents the works of the young Polish artist, Anna Orłowska form the series Leakage (2011)with images and some her new works such as Tribute to Jerzy Lewczyński (2015) and Homage a Andrzej Wróblewski (2015). The recent works of Tel-Aviv artist Ronit Porat such as the Hippocampus series exploring the psychology and history of places and spaces through abandoned objects will also be presented. The gallery also presents works from classic Ukraine master, Yevgeniy Pavlov (co-founder together with Boris Mikhailov of the photographic group Vremya in the 1970s.), his Archive series (1965-1988) and Life Factory (1990). BENRUBI, New York SPACIAL FRONTIERS Exhibited artist: Stéphane Couturier/Karine Laval/Michael Najjar/ Matthew Pillsbury/Massimo Vitali D46 Spacial Frontiers unites gallery artists: Stéphane Couturier, Michael Najjar and Matthew Pillsbury in a dialogue of photographic meditations on the politics and poetics of space. Michael Najjar’s large format photographs document the artist’s training at various aerospace training centers in the USA, Germany and Russia and reveal the most current scientific research and technology in space travel, the final frontier, (also the subject of the artist’s newly released monograph, outer space, Distanz, 2014.) Najjar intends to become the first artist to travel into space, on the future suborbital space flight with Virgin Galactic – a commercial spaceflight program. His otherworldly, surreal images are composites of both his own experiential research and sourced scientific data, combined to create new topographies, once science-fiction fantasy these concepts are now the subject of serious feasibility studies. Stéphane Couturier presents quite a different investigation of space in his images of Alstom’s nuclear thermal power and locomotive plants in Belfort, France. Rooted in documentary photographic practice, Couturier’s images comprise of two images merged together, employing the retinal persistence effect, where the eye is forced to keep track of two real visual layers within the same singular image. They speak of the complexity of the industrial process and the blurring of borders between the figurative and the abstract. The work questions the notion of time: two temporal moments, merged to create a new virtual reality, alluding to the continuous transformative element that is this synthesis, images of industry simultaneously out of control and in perfect harmony. Couturier has a retrospective at La Maison Européenne de la Photographie this November in Paris. Matthew Pillsbury, like Couturier and Najjar, has emerged as one of the most significant photographers of his generation. Pillsbury, since his earliest images of subjects watching television and museum going, has been a steadfast observer of secular ritual within the physical environment and how this manifests as form en masse in the public arena. The photographs in his recent monograph and accompanying solo exhibition (City Stages, Aperture, 2013-2014), employ a long exposure photographic technique, calling attention to the passage of time and people within spaces both public and private. His work addresses the growing role that technology is playing in our lives and the sense of modern seclusion that can seem at odds with the constant connectivity being offered by our smartphones and tablets. CARLOS CARVALHO, Lisbon APPROPRIATION & FORMAL DECONSTRUCTION Exhibited artists: Carla Cabanas/Roland Fischer/Noé Sendas C36 Carlos Carvalho Arte Contemporanea presents appropriation and formal deconstruction procedures in photography through three different approaches in art. These works show how there’s a combinatorial and referential style that changes photographic reality and marks these artists in a very own language. Noé Sendas’ work presents a principle of perturbation showing arbitrariness and irregularity in order to question the aesthetic of regulated form. Carla Cabanas’ carvings and appropriated landscapes are valued as agents to form a metaphor of the identity loss and the role of time in failing memory. Roland Fischer removes any real landscape of architectural renowned buildings reducing them to abstract visual forms that allows him to produce his own compositions. 29 DANIEL TEMPLON, Paris STAGED PHOTOGRAPHY Exhibited artists: James Casebere/Jitish Kallat/David LaChapelle/ Vik Muniz/Pierre et Gilles/Chiharu Shiota C41 Galerie Templon’s presents a focus on staged photography, and on the painstaking working process in the studio of three artists: James Casebere, David LaChapelle, and Pierre et Gilles. James Casebere, is an American pioneer of "staged photography”, whose architectural structures, standing lost and alone in the midst of unchanging nature, continue his examination of the home as the utopian symbol of American society. David LaChapelle, American photographer whose startling Landscape series, based on handcrafted scale models, reflects the environmental and ecological concerns that have marked his work over recent years. Internationally renowned artistic duo Pierre et Gilles, will unveil, one year after the success of their portrait of singer Stromae, a series of new pieces they have worked on together, where painting and photography meet. 30 The gallery will also be presenting for the first time Indian artist Jitish Kallat’s photographic experiments. In the wake of his new solo show in Paris The Infinite Episode (on view until Oct 31 at the gallery), the artist plays with scales and proximities: with the seven-part lenticular photographic work Sightings D9M4Y2015 close details of the surfaces of fruits and their negatives begin to appear like telescopic snapshots of cosmic supernova explosions, contemplating the macro as manifesting within the micro. DIX9 – HÉLÈNE LACHARMOISE, Paris THE MATERIALITY OF PHOTOGRAPHY Exhibited artists: Leyla Cardenas/Sophia Pompery/Sebastian Riemer A37 Dix9 – Hélène Lacharmoise presents a focus on the materiality of the image and the layers of time that are simultaneously revealed. This conceptual approach to the photographic medium unites artists from different cultures. They experiment and explore the possibilities of the photographic medium using singular methods, without exterior links, focusing only on their subject: Pompéry performs a minimalist approach, working its way into the folds of the image illusion when Riemer and Cardenas have an archeological approach. Riemer works from existing documents, at times found images, archives or paintings and uses close-up, repro or negative prints. Cárdenas photographs urban remains right before their disappearance, in an attempt to reveal the spectrum of time and explore its sediments. Her artworks featuring images of remains of buildings reflect on “the decay of the image” and its inability to represent the object or moment to which it refers. ERIC DUPONT, Paris BUT RUNS AWAY IN THE MEANTIME Exhibited artists: Taysir Batniji/Pascal Convert/Lee Friedlander/ Nicholas Nixon/Mathieu Pernot/Regina Virserius B41 Time is at the very heart of photography. Suspension, acceleration, concretisation… are processes attached to this practice, considerations we want to bring to light. Intimate, Nicholas Nixon’s photography confuses us by its propinquity. Teenagers on the beach, embraced lovers, lonely sick people, and bedridden moribunds: Nixon enters lives and faithfully exposes them to us. Though time seems suspended, it is all about it passing. Time is also at the heart of Mathieu Pernot’s project. Connecting photographs of Kodak stores from the Sixties with images of those very places 50 years later, he reveals decay, disappearance and reminiscence. What remains from photography? There is no more art of photography. ESTHER WOERDEHOFF, Paris HANDCRAFTING PHOTOGRAPHY Exhibited artists: Chema Madoz/PUTPUT/Marc Sommer/Elene Usdin D48 In our 21st century saturated with images and the ubiquity of digital technologies, it sometimes seems that everything has already been photographed and that reality does not offer enough to look at anymore. But in this increasingly virtual world, some photographers continue to use their imagination and create the subjects of their images from their own hands, refusing post-production. The Spanish Chema Madoz composes black and white haikus, the duo PUTPUT magically transforms household objects, the French Elene Usdin imagines enchanted scenes and the young Maia Flore creates poetic situations. And Marc Sommer is a real discovery, one of a few, and the gallery shows his work in exclusivity at Paris Photo. A self-taught photographer based in Strasbourg, has been working secretly for several years and has never shown his photographs before. In his color photographs, he creates absurd scenes with invented objects to set his stories and characters. A complete novelty, this remarkable work describes a world of paradox, wild and fanciful but where cruelty and an unexpected humor always lingers. Chema Madoz, creates his photographs like visual poems, from a vocabulary of randomly found objects he assembles and opposes to construct unexpected and surreal encounters. Celebrated at the Rencontres d’Arles in 2014 and represented by the gallery since its beginnings, the Spanish photographer continues to create a poetic inventory of his own illusionist reality with beautiful black and white silver prints and his latest works present at Paris Photo. PUTPUT, an interdisciplinary art collective composed of Stefan Friedli and Ulrick Martin Larsen. PUTPUT was created in 2011 and is based in Copenhagen. Their universe is at the intersection of contemporary photography, sculpture and design. With staggered constructions where cleaning sponges become popsicles and dusters exotic plants, their works question our perception of reality and invite us to look differently at our immediate environment. They renew the genre of still life in a fun and witty humor that goes with a conceptual and formal research. FIFTY ONE, Antwerp B40 THE FLOWER Exhibited artists: Delphine Burtin/Tom Butler/Seydou Keïta/William Klein/ Saul Leiter/Malick Sidibé/Jacques Sonck/Bruno V. Roels/Friederike von Rauch/ Michael Wolf FIFTY ONE celebrates its 15th anniversary at Paris Photo is a special exhibition devoted to the theme of the flower. The Gallery presents works by artists focusing on the concept of the flower as subject or an essential aspect of composition or history or even as a transcendent and universal theme of vanitas. The booth itself is transformed as well. GILLES PEYROULET, Paris B15 ELI LOTAR AND HIS FRIENDS Exhibited artists: Eli Lotar/Ilse Bing/Erwin Blumenfeld/Germaine Krull/Roger Parry/ Raoul Ubac Umbo/André Steiner/Sasha Stone Eli Lotar was born in Romanian. He studied in Bucharest before moving to Paris in 1924 to work in film. In 1927 he met German photographer Germaine Krull who became his companion. He began working in photography and collaborated with the magazines of the period: Jazz, Variety, or Bifur and Documents. The couple participated in several exhibitions together. Between 1927 and 1930, his photograph was marked by the ‘unusual’ and a pessimism that brought him closer to the surrealist group. He made many films with filmmakers Joris Ivens, Jean Renoir and Jean Painlevé… Aubervilliers-1945-46 is his only film as a director. Alongside an ensemble of vintage photographs of Eli Lotar, the gallery offers ten vintage prints by photographers that Lotar met in 1930s: Ilse Bing, Erwin Blumenfeld, Germaine Krull, Roger Parry, Raoul Ubac, Umbo, Andre Steiner, Sasha Stone… Contemporary counterpoint, the gallery will offer an ensemble entitled Margins by New York artist Mikael Levin. Margins is composed of an album of 10 original photographs edited by the gallery in 5 copies of black and white photographs and Pause, a color video presented on small wall screen. Margins were realized in the artist's studio on West 29th Street in New York between 2007 and 2009. 31 HENRIQUE FARIA, New York B25 SOCIAL AND POLITICAL ISSUES Exhibited artists: Alessandro Balteo Yazbeck/Anna Bella Geiger/Carlos Ginzburg/ Leandro Katz/Jonier Marín/Luis Molina-Pantin/Claudio Perna/Nicolas Schöffer/ Yeni & Nan Between the mid-1960s and the mid-1980s a wave of harsh military dictatorships spread throughout many countries in Latin America. As societal and political limitations bore down upon civilians, artists sought alternative modes of creative expression as a mean to continue developing artistically while, importantly, responding to the harsh realities of their current situation. Through their different series of works, Carlos Ginzburg, Jonier Marin, Leandro Katz, the duo Yeni & Nan, Alessandro Balteo Yazbeck and Luis Molina-Pantin explore, through diverse photographic techniques, the effects that globalization, capitalism and violence had on the body, public space and the natural environment, and interpersonal communication. 32 In 1972, Carlos Ginzburg embarked on a decade-long project titled the Voyages of Ginzburg. His voyages took him around the world –including such countries as Mexico, Malaysia, Indonesia, Thailand and Egypt– in an attempt to survey and document how the spread of information and communication systems were affecting globalization and tourism. Through his various inquiries into the qualities inherent or ascribed to a given place, and to the borders and norms that govern the inhabitants or visitors to these places, Ginzburg puts forward a meditation on how societal power structures can transform physical space and become an unseen “marker” that is nonetheless intensely felt. Jonier Marin, Leandro Katz and Yeni & Nan use photography to explore the passage of time and the relationship to natural environments. Marin’s intervened black and white photographic series from 1972 depicts modernist buildings in São Paulo being overtaken by globules of green, symbolizing the vengeance of nature upon humanity and their sense of progress. Katz’s Lunar Alphabet is composed of 26 progressive variations of the faces of the moon, starting from the first visible crescent, through the full moon and ending with the new moon. As seen in his photograph Lunar Typewriter (1979), each of the 26 individual images was matched to a letter of the alphabet, which the artist used to compose words, phrases and sentences, thus inventing a lunar language. Yeni and Nan’s collaboration in the early 80s focused on the energetic interaction between the body and the environment surrounding it. The series Symbolismo de la cristalización – Araya (1984-86/2010) features the artists in the Araya salt flat in Venezuela and is an example of how they used their bodies as the primary tool for their investigations of nature’s essential elements. The indexical works of Luis Molina-Pantin probe popular and material culture, especially through Venezuela’s recent economic breakdown, showing the interconnection between economic and material landscapes. The series 28 Piggy Banks from Venezuelan Intervened or Bankrupted Banks (2011), portrays a biting contradiction: despite the fun, toy-like aspect of these piggy banks, Venezuela’s inflation rate is the highest in Latin America and the nation’s currency is essentially useless. Building on the platforms of political and institutional critique, Alessandro Balteo Yazbeck’s photographs and installations explore how the use of certain technologies can both shape and influence cultural and societal beliefs. His Standard Creole with Bikini, 1940s (2006-09) portrays the early evolution of oil culture and prosperity in Venezuela through archival images of oil rigs in the Maracaibo lake, new schools built to accommodate workers’ children, and ultimately, the exploitation of land and labor represented by prostitution. Dealing with themes of globalization, social and political landscapes, institutional critique and personal expression, these bodies of work remain utterly relevant in today’s society and for today’s audiences. They offer unique perspectives on Latin American history of the last fifty years and show how art played a crucial role in interpreting its events and sentiments. With these works, the artists have not only left their innovative marks, but have created a visual bridge that connects their past and their fervor with our present and our search for greater understanding JABLONKA MARUANI MERCIER, Cologne - NEW EXHIBITOR B42 AMERICAN ARTISTS FROM THE 80s Exhibited artists: Nobuyoshi Araki/Lyle Ashton Harris/David LaChapelle/ Sherrie Levine/McDermott et McGough Jablonka Maruani Mercier Gallery is specialized for more than 20 years in contemporary art and more specifically in american artists from the 80’s. Located in Brussels and Knokke, Belgium, the gallery presents a selection of photographs among the artists the gallery works with on a regular basis with recent works by Nobuyoshi Araki and Lyle Ashton Harris, David LaChapelle's Aristocracy, Sherrie Levine's After Edward Curtis black&white photographs, McDermott&McGough's Carbro Prints, Bettina Rheims's Pierres de rêve. M97, Shanghai - NEW EXHIBITOR C49 NATURAL RE-VISIONS Exhibited artists: Adou/Wensheng Dong/Lei Han/Lei Hong/Wang Ningde/Feiming Shan/ Wenhuan Shao M97 Shanghai is pleased to propose a group exhibition of works by four prominent contemporary photography artists from China: Adou, HAN Lei, SHAO Wenhuan, and WANG Ningde. Linked to the Darwinian concept of ‘natural selection’ M97’s Natural Re-Visions presentation offers a re-envisioning of what imagery and photographic art practice can be in today’s world. All the artists and photographers in this proposal are working with innovative processes and techniques or reinventing and reinterpreting the medium based on past traditions. Central to this theme, the subject matter of these works all relate to the natural world. From Wang Ningde’s sculptural photographic light installations made up of thousands of pieces of transparency films; to Han Lei’s 3-D lenticular triptychs of bonsai trees; from Shao Wenhuan’s hand-painted canvas and emulsion photographs to Adou’s composed silver gelatin assemblages of leaves, grass, and other materials, this focused and powerful presentation of Chinese artists is an intriguing and informative contemporary take on the trends and innovative breakthroughs in today’s contemporary artistic practice. MAGNIN-A, Paris C11 PHOTOGRAPHY FROM CONGO Exhibited artists: Nathalie Boutté/Filipe Branquinho/Jean Depara/Omar Victor Diop/ Kiripi Katembo/Ambroise Ngaimoko. MAGNIN-A gallery presents Photography from Congo with a selection of contemporary prints and vintages of photographers from different generations: the young photographer Kiripi Katembo with his dreamlike vision of the city of Kinshasa, Jean Depara, witness of Kinshasa nights on the eve of independence and the portraitist Ambroise Ngaimoko (Studio 3Z). They are accompanied by photographs by Filipe Branquinho, Omar Victor Diop and collages by Nathalie Boutté. 33 MELANIE RIO, Nantes A14 DOCUMENTARY SERIES Exhibited artists: Philippe Chancel/Edgar Martins/Jean-Claude Pondevie/ Silvana Reggiardo/Ambroise Tezenas/Patrick Tourneboeuf 34 The Gallery presents the series Dark Tourism by Ambroise Tezenas. Recently exhibited at Rencontres Photographiques d’Arles, this work is the subject of two books, Tourisme de la désolation by Actes Sud editions and Dark Tourism by Dewi Lewis, and enjoys extensive media coverage in France and abroad. Places of natural disasters or wars, crime scenes, disaster areas, the list of these desolate places accessible to tourists continues to grow. The point that they have in common: death, danger, visible scars and most of all a proximity in time that makes drama tangible. Ambroise Tezenas questions this confusing attraction to the macabre. Several photographs by Philippe Chancel from his series Workers and Datazone rely on this same documentary vein. Datazone, work in progress for which the photographer explores different regions of the world including North Korea, Dubai, Fukushima, and the Niger Delta, reveals “accurate detailed images, stripped of stylistic effects and poses. The photographer sticks to reality, his images avoid the pitfall of exoticism or other forms of sensationalism.” Alongside this exhibition about documentary photography, the second part of the booth shows more artistic images: Blow Up series by Patrick Tourneboeuf, a sequence of de l’Air ou l’Optique by Silvana Reggiardo, many sublimated objects by Edgar Martins and black monochromes by Jean-Claude Pondevie. MEM, Tokyo C12 THE BODY AND PERFORMATIVITY IN PHOTOGRAPHY Exhibited artists: Natsumi Hayashi/Tomoaki Ishihara/Yasumasa Morimura/Tomoko Sawada For Paris Photo 2015, MEM will be holding an exhibition showcasing artists whose work center around the theme of the body: bodily gestures as well as the body’s relationship with time and space, and studies of bodily expressions in particular situations. Many of the featured artists specialize in self-portraiture which focus on their own bodily expressions. Their work can be considered as a kind of closed performance carried out in studios or production sites. Through portraiture, Yasumasa Morimura has made references to historical paintings with the entire or partial use of his own body. His series dedicated to the study of hands focuses on hand expressions of figures depicted in Matthius Grünewald’s Crucifixion, Da Vinci’s Mona Lisa, and Michelangelo’s paintings on the Sistine Chapel ceiling. By presenting photographs of herself jumping in mid-air as incidents of herself levitating, free from gravity, Natsumi Hayashi’s Today’s Levitation series sheds light on the capacities of photography which stands at the interface of scientific fact and fiction, In Facial Signature, Tomoko Sawada presents 300 different versions of her own face. Inspired by her experience of living in New York, the work focuses on how an Asian woman’s face influences both Western and Asian societies. Tomoaki Ishihara questions the fundamentals of photography and sculpture as an art form. From the early 2000s, the artist began creating a series of self-portraits, in which he created leather sculptures without a pedestal that suspended from his mouth as an extension of his body. His photographic work presents an experimental situation, one in which the artist becomes the artwork and at the same time the artwork is subordinate to the artist himself, functioning as a study of the relationship between the artwork and the artist and also the artwork and the viewer, from both ends of the relationship. Through the work of the above mentioned artists, the exhibition will consider how, the body and bodily gestures, through experimental practices, are consummated as a work of photography. MICHAEL HOPPEN, London C10 PERFORMANCE Exhibited artists: Eamonn Doyle/Masahisa Fukase/Kati Horna/Ishiuchi Miyako/ Rex Shutterstock artists/Shomei Tomatsu/Tim Walker Michael Hoppen is pleased to present Masahisa Fukase’s iconic Bukubuku series at Paris Photo 2015. Fukase is widely regarded as one of the pre-eminent Japanese photographers of the postwar period, and internationally famed for The Solitude of Ravens. Bukubuku is a personal and unique series of self-portraits taken in Fukase’s bathtub over a two-month period with a Nikonos camera. It is his last ever published photobook and the prints have never been seen outside of Japan prior to Paris Photo 2015. An extraordinary contemporary performance artwork, the series presents a whimsical if somewhat morbid game of solitaire that charts new territory for the photographic self-portrait. The entire set of Bukubuku will be exhibited at Tate Modern in 2015. The theme of Performance binds the concept of the Michael Hoppen Gallery stand, and includes an entire wall which records the rise of punk culture in the United Kingdom with press photographs from Rex Images, whose tattered object quality mimics the movement they document. Rare vintage prints by Kati Horna are also on display. Documenting her years in Mexico, the images capture her friends and fellow artists in theatrical and surrealist compositions. The Michael Hoppen Gallery presents also Eamonn Doyle’s new photobook, ON. His subjects stand out and strike out against their environments, often looming against skies in a way that speaks of possibility even as they nurse wounds or eye each other suspiciously. Following upon his acclaimed series ‘i’, this second body of work re-invents the often tired concept of street photography. PACE/MACGILL, New York C18 PANORAMA SERIES Exhibited artists: Richard Avedon/Bernd&Hilla Becher/Richard Benson/Harry Callahan/ Gowin Emmet/Robert Frank/Lee Friedlander/Jim Goldberg/David Goldblatt/Paul Graham/ Hiro/Peter Hujar/Ken Kitano/Josef Koudelka/Jocelyn Lee/Richard Misrach/ Susan Paulsen/Irving Penn/Robert Rauschenberg/Paolo Roversi/Michal Rovner/Tomoko Sawada/Fazal Sheikh/Christer Strömholm/Hiroshi Sugimoto/Larry Sultan/Guy Tillim/ Henry Wessel/Tomoko Sawada Since 1983, Pace/MacGill Gallery has established itself as one of the premier venues for the representation of modern and contemporary photography. The gallery presents a diverse selection of work, including a 2015 video from Michal Rovner’s Panorama series, Harry Callahan’s pictures of Eleanor, and photographs from Robert Frank’s Park/Sleep and Partida and Richard Misrach’s Border. Work by David Goldblatt, Paul Graham, Josef Koudelka, Irving Penn, and Hiroshi Sugimoto are also on view. PARROTTA, Stuttgart B38 CONCEPT AND METHODS Exhibited artists: Kilian Breier/Detlef Orlopp/Timm Rautert/Otto Steinert Parrotta presents Kilian Breier, Detlef Orlopp, Timm Rautert and their teacher Otto Steinert for his 100TH ANNIVERSARY. Otto Steinert has been an influencial teacher of photography from 1948-1959 at Saarbrücken. He also has been very important as a curator in post-war Germany and created the famous exhibition triology Subjektive Photographie. The Gallery exhibits only rare vintages created in the late 1950s until early 1970s. Kilian Breier was one of the leading impulse providers for Concrete and Generative Photography since the1950s. On view are also works from Detlef Orlopp’s seascapes series, begun in 1972 and works by Timm Rautert, widely known for his ground-breaking project Bildanalytische Photographie, a grammer of photography, which is part of numerous prominent museum collections. 35 PARTICULIERE/FOUCHER-BIOUSSE, Paris A46 ABOUT PORTRAIT & MEDIUM Exhibited artists: Virgile Ittah/Laurent Millet/Robert et Shana Parke Harrison Particuliere/Foucher-Biousse presents a thematic show focusing on the portrait and the medium questioning the self and the practice of photography, i.e. the medium on which the image is printed and one of its first characteristics: its reproducibility. On the subject of the artist himself, the gallery presents two series by prizewinner of the prestigious 2015 Niepce Award French artist Laurent Millet, born in 1968. In his iconic series about a roaming and daydreaming man from the late 90’s, My Story with Stones made up of photos realized from different tracing papers, the photographer, through writing and lines, becomes directly part of his artwork. Through the Somnium series of Ambrotypes, began in 2014, Laurent Millet shows us the artist facing his work-to-be. French visual artist Virgile Ittah, born in 1981 (lives in London), questions the persistence of her artworks and their images. The Ambrotypes, sculpted portraits (self-portraits) made of wax, differ with every shooting. These photos are developed on glass plates and the artist makes them evanescent through a chemical process till the sculptures’ features are completely melt into the medium which gave life to them. Through a series of studies by Shana&Robert Parkeharrison, the gallery explores from the inside the creative act together with the poetic thought of these photographers. The images, often heterogeneous, are made from collages of different photos, treated with wax, varnished, enhanced with washing and black printing inks or even acrylic. 36 POLKA, Paris A52 SPACE Exhibited artists: Wim Wenders/Jacob Aue Sobol/Alexander Gronsky/William Klein/ Yves Marchand & Romain Meffre/Sebastião Salgado/Toshio Shibata Much the same as in theater, photography makes use of scenic space (the space captured by the photographer when they are framing the image), as well as the use of real space, whatever is out of frame. It is the link between these two spaces that is examined in this presentation. The new series Cyclopaedia, launched in Saint-Petersburg by Alexander Gronsky, then continued in Japan and Israël, is composed of diptychs, whereas Gronsky’s past work Cyclopaedia focused on landscape and photographed with a large format camera, juxtaposes two images - shot in the same location but at a different angles - with a 35mm camera, casting doubts on what is real and what is fake. Deviating from the conventional codes of Street Photography, Gronsky invites the viewer to a new level of reality. With the Theaters series launched in 2006, Yves Marchand & Romain Meffre provide a typology of American movie theater. After systematically photographing abandoned theaters with a large format camera, today they focus on the old mecca of culture sacrificed on the altar of fast-profit, transformed into gyms or supermarkets. The result is a surreal set of images overlapping and inducing the emergence of two spaces – the grand past and the present consumerism. William Klein, with his acute sense of framing, renewed photography in the sixties. His work translates the energy of the city condensed in this New York and Tokyo series, in night views of city lights and movie theaters. In the same vein as William Klein’s photo-journal, Danish photographer Jacob Aue Sobol boards in 2012 the Trans-Siberian for an introspective photographic journey in Arrivals & Departures series. In response to this singular use of photography – a direct opposition to the Provoke Era – Toshio Shibata offers a photography in the third person. His series Night Photographs is a set of images taken at night, when the real world wears off and becomes a universal space free of any structural markers. Places of the Mind - recent works by Wim & Donata Wenders presents photographs realized by the couple during the production of the last movie of the German film maker: Everything Will Be Fine. This project highlights the artistic complicity between Wim Wenders and his wife Donata since their encounter in the 1990s. And in an Off selection, Sebastião Salgado presents for the first time a unique piece from Migrations series and exhibits an exclusive portfolio of 20 prints from the series Other America. RICHARD SALTOUN, London B44 VINTAGE RUSSIAN AVANT-GARDE PHOTOGRAPHS FROM THE 1920S & FEMINIST GENDER ART FROM THE 1970S Exhibited artists: Helena Almeida/Helen Chadwick/Valie Export/Friedl Kubelka/ Pierre Molinier/Gina Pane/Alexander Rodchenko/Jo Spence/VKhUTEMAS WORKSHOPS/Valie Export Richard Saltoun Gallery presents vintage Russian Avant-Garde photographs from the 1920s and feminist/gender art from the 1970s. The Russian selection includes works by Alexandro Rodchenko (1891-1956) and the VKHUTEMAS Workshops, the school for design and architecture created by Vladimir Tatlin in 1920, influential for Constructivism and Suprematism. The ‘gender’ section highlights photography in relation to gender and performance, with works by artists Helena Almeida (1934-), Helen Chadwick (1953-1996), Valie Export (1940-), Gina Pane (1939-1990) and Pierre Molinier (1900-1976). ROBERT HERSHKOWITZ, London C5 EARLY EUROPEAN PHOTOGRAPHY Exhibited artists: John Dillwyn Lewelyn/Hunt and Baker/Edouard Baldus/ Julia Margaret Cameron/Charles Clifford/Camille d’Olivier/Louis de Clercq/ Duc de Massa/Andre-Adolphe-Eugene Disderi/P.H. Emerson/Frederick Fiebig/ Francis Frith/André Giroux/Le Dien & Le Gray/Scherer and Nabholz/Charles Negre/ Eugene Piot/Oscar Gustav Rejlander/Thomas Rodger/Roger Fenton/Antoine Sevruguin/ William Henry Fox Talbot/Felix Teynard/Linnaeus Tripe/Benjamin Brecknell Turner/ Henry White Robert Hershkowitz Ltd specialises in masterworks of the earliest European photography and for Paris Photo 2015, the gallery is exhibiting images made by British and French photographers made mainly between the 1840’s and 1860. The gallery is featuring a number of early photographs of Paris, including one of the earliest of Paris, taken by the inventor of the negative/positive process, William Henry Fox Talbot in 1843. Other early photographs of Parisian scenes include works by the important photographers, Charles Marville and Edouard Baldus. The gallery is showing two large and magnificent photographs taken in Egypt by Francis Frith in 1857, of pyramids and of Philae, and two fine winter scenes in Russia by Scherer and Nabholz dating to the 1850’s. Other photographs being shown include the works of major innovative artists such as Julia Margaret Cameron (her son Henry), Roger Fenton (Salisbury Cathedral), Gustave Le Gray (Rome) and Linnaeus Tripe (Burma). The gallery features also some of the earliest photographs of scenes of life in Iran in the nineteenth century taken by Antoine Sevruguin. ROLF ART, Buenos Aires THE POLITICS IMAGE REPRESENTATION THROUGH THE PHOTOGRAPHIC BOUNDARIES Exhibited artists: Milagros de la Torre/Humberto Rivas/Graciela Sacco/ Gabriel Valansi D23 In the contemporary world, artists do not often utilize photography as a mean to produce an image; instead they use the image as an instance in which to deconstruct the photographic language. The artists selected for Paris Photo 2015 are recognized within the Latin American photography tradition, but where their defining commitment to social reality cannot be reduced to the reiteration of the well-known documentary reportage. Instead, they are able to reinvent and strengthen their approach to photography by investigating the multiple layers of its own language. Traditional documentary photography relies on the ability of an issue to convey a message in order to raise awareness. These artists do not believe in Photorealism. They look forward to the quest of a new beauty, which through their tensions and ambiguities, appeals to the senses and feelings of the viewer. They rely on sensitivity (aisthēsis) as a mean of transforming or questioning of the ways in which we perceive and inhabit reality (and the images) that surround us. If their art is political, it becomes so by the materials and methods chosen. This is achieved in the ways they occupy or sabotage foreign images and also through the ways in which they dispose the elements in space. All in all, their art is political because it is presented as a decision making place, and as a mise en scène of subjective alternatives, able to defy standardized or predictable modes that conform our daily affections. 37 SCHEUBLEIN + BAK, Zürich B45 FROM GENERATIVE PHOTOGRAPHY TO DIGITAL PHOTOGRAPHY Exhibited artists: Dan Holdsworth/Ursel Jäger/Gottfried Jäger/Michael Reisch "The aim of generative aesthetics is the artificial production of probabilities of innovation or deviation from the norm." (Max Bense) Generative photography was an important and long neglected artistic movement in the 1960s in Germany and at the same time the birth of computer aesthetic and cybernetic art, which retrospectively can be regarded as the beginning of the discourse on data images and digital photography. Among the pioneers and mentors of the group of generative photographers was the Austrian artist Herbert W. Franke who became also the founder of Ars Electronica in Linz as well as the Stuttgart based philosopher Max Bense who defined the term "generative aesthetics". Based on this philosophical term, Kunsthaus Bielefeld opened the legendary group show Generative Fotografie presenting works by Gottfried Jäger, Hein Gravenhorst, Kilian Breier and Pierre Cordier in 1968. Generative photography articulates the idea of artistic constructivism onto which has been grafted the numerical programming of apparative systems as for example the pinhole structures by Jäger. Jäger and Karl Martin Holzhäuser were teaching the theory of generative photography over decades at Werkkunstschule Bielefeld and published in 1975 the manifesto-like compendium Generative Fotografie. The notion "to play against the apparatus" by theorist and philosopher Villém Flusser set the tone for this particular style of photography. The yearly symposiums on photography in Bielefeld have become legendary over the course of thirty years and have transmitted ideas, which have radiated on the art of younger generation artists such Michael Reisch and Dan Holdsworth. SCHEUBLEIN + BAK re juxtaposed to digital camera-less photography of the most cutting edge contemporary artists such as Dan Holdsworth and Michael Reisch who developed the idea of generative photography to the age of digital art. 38 SUZANNE TARASIÈVE, Paris LES CHOSES DE LA VIE Exhibited artists: Delphine Balley/Stanislas Guigui/Boris Mikhailov/ Jeffrey Silverthorne/Mikhael Subotzky/Juergen Teller C37 The Gallery presents the works of Delphine Balley, Jeffrey Silverthorne, Boris Mikhailov and Juergen Teller around the theme of a film by Claude Sautet, Things of Life (1970). The film begins with a violent car accident shattering the life of the main character, who in the light of the event reconsiders his whole life. The works evoke the time when life changes, where a shock, happy or unhappy, separating it into two parts: before and after. In the photography of Delphine Balley, Assassination, two contradictory events coincide: the wedding, and the murder of the bride, who suddenly wiped out a life that promised to be happy. Following the same concept, Stanislas Guigui photographs depict knife fights between men in poor neighborhoods of Bogota. The left hand opponents are attached by a scarf that forces them to stay close, within reach of the brilliance of the knife in an instant slice a life. A life can also switch for reasons that are external, crushed by the mechanisms of history. This is the harsh reality that Boris Mikhailov shows in his series Case History made in Kharkov in 1997, in a neighborhood where all the inhabitants, who worked for the state, were expelled. There is thus seen two women, mother and daughter, forced into prostitution to support themselves. Others survive outside homeless in freezing winter. Mikhailov shows how thousands of lives have switched when the Soviet bloc collapsed. But a turning point in life is not necessarily linked to unhappiness. The black and white photographs of Jeffrey Silverthorne show us the transvestites with whom he associated in the 70s at the crucial moment of their processing, the day they become woman. This life shift is still widely viewed as scandalous, and the glow of challenge or humor in the eyes of the models remains a response to the judgment they receive. Finally, after sex and death, it’s life that transforms us. The birth of a child marks a life, turns it over on all levels. This is what Juergen Teller shows his photo I Love my Wife in which appears the rounded belly of his pregnant wife, and his own beer-lover belly. A second photo, a self-portrait with his son in his arms, also refers to this idea. Children change the life of the artist as much as they enter into the artist’s work from their birth and regularly thereafter. TAIK PERSONS, Helsinki C32 NORDIC ABSTRACTION Exhibited artists: Joakim Eskildsen/Adam Jeppesen/Ulla Jokisalo/Pertti Kekarainen/ Ola Kolehmainen/Tanja Koljonen/Milja Laurila/Anni Leppälä/Niko Luoma/Jaana Maijala/ Nelli Palomäki/Mikko Rikala/Mikko Sinervo/Santeri Tuori/Iveta Vaivode/Niina Vatanen Paris Photo 2015 represents a new milestone for Gallery Taik Persons. The gallery proposes an installation that questions and challenges the new frontiers of photography, both formally and technically. The Gallery presents thematic exhibition curated around two central themes. On the one hand, Nordic Abstraction is presented through a number of artists who through their technical experimentation are examining form, colour, pattern and texture. On the other hand, the gallery presents a strand of younger artists working consistently with conceptual usages of the photograph. Whether picking up certain fluxus strands or highlighting the intangible, these artists present the very freshest of contemporary conceptual photography from the Helsinki School. THESSA HEROLD, Paris B46 PHOTOGRAPHY IN THE FEMININE Exhibited artists: Laure Albin Guillot/Hans Bellmer/Denise Bellon/ Edouard Boubat/Louve Delfieu/Flor Garduno/Raoul Hausmann/Béatrice Helg/ Man Ray/Robert Mapplethorpe/Gabriela Morawetz/Barbara Morgan/Dawn Ng/ Loan Nguyen/Emile Joachim Constant Puyo/Raoul Ubac/ Valérie Winckler/Wolfgang Wols/Sophie Zénon Thessa Herold Gallery celebrates women as models or photographers. The female body and face remain a plastic subject by excellence. Male photographers express their fascination and desire of women through their portraits while women photographers mainly approach their models either politically or socially. Hans Bellmer, Louve Delfieu, Flor Garduño, Raoul Hausmann, Robert Mapplethorpe, Man Ray, Gabriela Morawetz and Raoul Ubac show the particular and constant attention that have brought artists to the female figure in the early days of photography. While men were the forerunners of this medium, women have gradually managed to become artists in their own right. Laure Albin-Guillot, Denise Bellon, Barbara Morgan, Valérie Winckler and Sophie Zénon come complete in their own way this female panorama. The gallery gives particular attention to Beatrice Helg’s works Cosmos. XIPPAS, Paris DISTORTIONS Exhibited artists: Darren Almond/Rhona Bitner/Petros Chrisostomou/ Valérie Jouve/Panos Kokkinias/Vera Lutter/Vik Muniz C17 By putting together seven photographers from different countries, Xippas gallery presents a selection of works reflecting the distortion of the image. The exhibited photographs, based on distorted or deformed visions, challenge the realistic representation. Following the collage and photomontage tradition, Vik Muniz recomposes images by using hundreds of fragments of other pictures, thus creating a visual stratification. In her urban photographs, Valerie Jouve focuses on the reflections of the shiny facades of buildings. Vera Lutter and Darren Almond focus on the specificities of the photographic medium. Lutter’s works, created by using the camera obscura technique, and those by Darren Almond, based on the moonlight, reveal different states of spatiotemporal perception. Following another procedure, in the Circus series, Rhona Bitner shows the distortion of the photographed bodies. 39 HIGHLIGHTS ATHR, Jeddah Exhibited artists: Ahmed Mater/Hazem harb/Aymand Yossari 40 D11 Ahmed Mater’s scanned x-rays reprinted onto backlit film push the boundaries and potentials of what Islamic art might mean in a contemporary context. Whilst we are given privileged access to their inner form, we are reminded that we are essentially slightly modified versions of the same structure— the skeletal images suggesting some elemental form of humanity, stripped of the skin, hair, eyes and clothes that differentiate as well as separate us. The human X-ray and the text become fully engaged one with the other, a striking contrast tightening the intensity of the word-filled broken bones, the hands and the almost tender vulnerability of the skeletal neck and spine. Palestinian artist Hazem Harb captures photographs of collages overlapped from preexisting photographers. The multi-layering and photography is Harb’s attempt at referencing modernism in relation to architecture: the photographs show a landscape devoid of people thus representing a biblical landscape while the concrete cut outs preempt the arrival within the horizon of the cities of colonial modernizing concrete. Harb's work is not only a nuanced affirmation of an irony of the existence of humans without land, but also of a land without humans, conditioned and created by humans themselves. Palestinian artist Ayman Yossri explores notions of human belonging and identity within his Subtitle series. The work is compiled of scenes in which a Palestinian woman with American nationality is antagonistically searched at a check-point in Palestinian. The language, when deducted from its cruel context and re-exported with the new still captured photo, changes its function from confirming meaning to producing it, by transforming itself into a unique source of new mental images. ATLAS, London - NEW EXHIBITOR A13 Exhibited artists: Werner Bischof/Raoul Hausmann/László Moholy-Nagy/Man Ray/ Floris Neusüss The ATLAS Gallery presents a broad selection of photogram artists including Lazlo Maholy-Nagy, Man Ray, György Kepes, and lesser known practioners such as Barbara Morgan and pioneering fine art photographer turned photojournalist Werner Bischof. The presentation represents a rare opportunity to see the work of Neusüss alongside that of Moholy-Nagy, where they were jointly exhibited as part of the historic exhibition at Europa Centrum, Berlin in 1966. BEN BROWN, London B16 Exhibited artists: Bernd & Hilla Becher/Kitty Chou/Ori Gersht/Candida Höfer/ Ye Linghan/Vik Muniz/Thomas Ruff/Hiroshi Sugimoto/Kwong Chi Tseng/Chen Wei Ben Brown presents work from Vik Muniz’s brand new Gift Shop series, The Prado Museum, Bacchanal of the Andrians, after Titian (2015), which has never before been exhibited as well as Hermitage St. Petersburg XII (2014) from Candida Höfer’s new St. Petersburg series and Evaders, Far Off Mountains and Rivers (2009) by Prix Pictet nominee Ori Gersht. For the first time at Paris Photo Ben brown also exhibits work by Awol Erizku. BENDANA | PINEL, Paris C45 Exhibited artists: Niklas Goldbach/Pablo Lobato/Caio Reisewitz/Miguel Rothschild The apparent truth: Illusion is a false interpretation of the real world. Bendana Pinel Art Contemporain presents works that oscillate between two perceptions without opting for one interpretation since each is possible. The photographs of Caio Reisewitz raise the question of right and wrong, the natural and the artificial, the reflection of reality and the artist's interpretation. Miguel Rothschild focuses on metaphorical works, perforating photographs to reveal new spaces, pinning, and tacking to provide three-dimensionality. Niklas Goldbach's work revolves around antagonisms, such as standardization and individuality, ostentation and sobriety. Pablo Lobato works on the sense of touch through images. The photograph shows a traumatic event, far from idealistic representation. BERNHEIMER, Munich D9 Exhibited artists: Lucien Clergue/Annie Leibovitz/Julien Schnabel/Toni Schneiders/ Jeanloup Sieff Bernheimer presents French photographer Lucien Clergue (1934 – 2014) in cooperation with his estate. The small retrospective will feature works from all periods during his long lasting career from 1953 until 2007, including vintage prints from early periods and unique Polaroids. The Photographer is the founding father of the Rencontres d’Arles and his photographs are part of numerous well-known museum and private collections. This year, during Paris Photo, an exhibition will open at the Grand Palais curated by François Hébel and Christian Lacroix concentrating on his first albums. The Gallery also presents a selection of classic and contemporary photography setting a strong focus on works by French Photographer Jeanloup Sieff (1933-2000). His works will be completed by photographes from the American artist Annie Leibovitz, the new portrait series of Jan C. Schlegel. Additionally Bernheimer will exhibit Arctica landscape photographs by American Adventurer and Photographer Sebastian Copeland with his recently released book Arctica – The Vanishing North. BO BJERGGAARD, Copenhagen Exhibited artists: Per Bak Jensen/Erik Steffensen/Janaina Tschäpe D32 Gallery Bo Bjerggaard presents an exhibition by two acclaimed Danish artists: Erik Steffensen and Per Bak Jensen, as well as New York-based artist Janiana Tschäpe. Per Bak Jensen is a pioneer in his field. In his tireless search for photographic expression, he has created a number of photographic series which establish him as one of the most important art photographers in Scandinavia. For Bak Jensen, who never manipulates his images, it is essential to catch a certain timelessness which, in his own words, captures “the being of places”. In the work Titel Savnes (Title Missing), Per Bak Jensen combines 12 photographs into one larger piece. The fragmented work portrays defiance, resistance and fragility at the same time. Erik Steffensen works are classical black and white photographs which evinces his original background as a painter. His motifs are often found under foreign skies. In Steffensen’s latest works from the series New York, New York, his focus is on two iconic city landmarks: the Fuller Building nicknamed the Flatiron Building and Lady Liberty. Steffensen’s body of work explores places and phenomena that are part of contemporary mythology. The works are full of atmospheric effect, soft tones and simple shapes. Janiana Tschäpe works investigates the artistic alternation between the formally based focus and an interest in the field of a utopia, a super natural, an idealistic place. In her work The Space Between Us natural growths are equated with balloon-like shapes; man-made elements in various shapes which points into a universe of abstraction. The meeting results in a kind of artistic magic realism gone mad; a longing for the fantastic where everything is possible. 41 BRUCE SILVERSTEIN, New York D30 Exhibited artists: Bernd & Hilla Becher/Erwin Blumenfeld/Constantin Brancusi/ Marie Cosindas/Mishka Henner/Todd Hido/Nicolai Howalt/André Kertész/ Nathan Lyons/Maria Antonietta Mameli/Shinichi Maruyama/Lisette Model/ Barbara Morgan/Eileen Neff/Max Neumann/Man Ray/Larry Silver/Aaron Siskind/ Keith Smith/Rosalind Solomon/Frederick Sommer/Trine Sondergaard/Brea Souders/ Alfred Stieglitz/Zoe Strauss/Randy West/Joel Peter Witkin/Silvio Wolf/ Michael Wolf/John Wood Bruce Silverstein Gallery presents a selection of work by represented artists including new work by emerging artist Brea Souders, whose complex images explore her interest in the origins of things, the elemental, and the vast unknown. BRYCE WOLKOWITZ, New York B8 Exhibited artists: Yorgo Alexopoulos/Edward Burtynsky/Jim Campbell/Robert Currie/ Jimmy Nelson 42 Bryce Wolkowitz Gallery presents work focusing on unique interpretations on the medium of photography and the photographic image - its varied methods and methodologies. Selected gallery artists are working in a multitude of mediums including photography, video, sculpture and painting. The diversity of their materials includes LEDs, CGI, acrylic on monofilament and time-lapse photography. The gallery’s exhibition highlights the materiality by which photography has emerged and continues to evolve. CAMERA OBSCURA, Paris A48 Exhibited artists: Gilbert Garcin/Jungjin Lee/Hervé Lucien/Arno Rafael Minkkinen/ Sarah Moon/Bernard Plossu/Patrick Taberna/Shoji Ueda Camera Obscura presents a set of photographs by Harry Callahan of his wife Eleanor. This work is certainly one of the finest tributes the photographer devoted to his wife. Gilbert Garcin also photographed his wife in a different perspective. The artist takes the stage in a duet with delicious visual metaphors on married life, its gentle absurdities and its main principles. Also following the theme in a tribute to their wives, are works by Shoji Ueda, Bernard Plossu, Arno Rafael Minkkinen... After the exceptional reception of his work Unnamed Road, the Gallery also presents news works from the series Everglades by Korean artist Lee Jungjin. CAMERA WORK, Berlin B47 Exhibited artists: Ansel Adams/Richard Avedon/Peter Beard/Ilse Bing/Anton Corbijn/ Patrick Demarchelier/David Drebin/František Drtikol/Andreas Feininger/ Gilbert et George/Yousuf Karsh/Peter Keetman/Alvarez Bravo Manuel/Martin Munkacsi/ Robert Polidori/Blaise Reutersward/Bettina Rheims/Herb Ritts/Yoram Roth/ Steve Schapiro/Martin Schoeller/Christian Tagliavini Camera Work visualizes the remarkable international progress of photographic art over 175 years through the presentation of several genres of photography. A selection of exceptional classic and contemporary works are presented such as Aklis, a unique work by Gilbert & George, a stunning unique work by Robert Polidori and a portfolio by Peter Keetman consisting of 10 works. CHRISTOPHE GAILLARD, Paris Exhibited artists: Rachel De Joode/Hannah Whitaker/Letha Wilson B23 Particularly involved in a photographic field where the classical use of the medium is mistreated in favor of experiments as diverse as rewarding (Pierre Molinier, Miroslav Tichy, Arnulf Rainer), the Galerie Christophe Gaillard confirms, amplifies and states its commitment to a new generation of artists amongst which Hannah Whitaker, Letha Wilson or Rachel De Joode are the most innovative representatives. Following in the footsteps of the ICP exhibition in New York What is a Photograph? or that of the Centre Photographique d'Île de France À l’envers, à l’endroit, the Galerie Christophe Gaillard presents works by these three artists and leads us to a new photographic image, resolutely contemporary, since they question both form and content in the making of an image today. The photographic film isn’t an idol anymore in front of which the worshippers of the sun kneel (cf. Baudelaire/Isabelle Le Minh). The development of digital photography and the seeming obsolescence of film photography have opened a field of investigation that questions the very essence of photography, its ontologic nature. Today, a photographic image is not necessarily a trace of ‘that which was’ in front of the camera. For digital revolution has come along, upsetting the situation by freeing the medium from its assignment to represent reality. To allow ‘the humble servant of the arts’ (and of many other things as well) to finally stand for itself, there was only a short step. Coming from different backgrounds, these artists have turned their back to the dogma of indexability, they acknowledge other qualities to a photograph and - even if they sometimes push it around as to better understand its essence -they take it for what it is: a material to work on, an autonomous object that unfolds in space, is freed from its frame and offers a surface with depth. - Isabelle Le Minh (Extract from the One Step Beyond press release, Galerie Christophe Gaillard, 2014). DAVID ZWIRNER, New York Exhibited artists: Philip-Lorca diCorcia/Thomas Ruff/James Welling B32 David Zwirner presents a selection of gallery artists, including Philip-Lorca diCorcia, Stan Douglas, Thomas Ruff, and James Welling. Philip-Lorca diCorcia creates images poised between documentary and theatrically staged photography, between fact and fiction. His practice takes everyday occurrences beyond the realm of banality, infusing insignificant gestures with psychology and emotion. Stan Douglas creates films and photographs that reexamine particular locations or past events. Using both new and outdated technologies, he appropriates Hollywood genres (including murder mysteries and the Western) and borrows from classic literary works (notably, Samuel Beckett, Herman Melville, and Franz Kafka). Thomas Ruff explores a breadth of themes that is reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist alongside computer generated imagery, photographs from scientific archives, and pictures culled and manipulated from newspapers, magazines, and the Internet. James Welling has been questioning the norms of representation since the 1970s. His work centers on an exploration of photography, shuffling the elemental components of the medium to produce a distinctly uncompromising body of work. Welling is also intensely interested in cultural and personal ideas of memory in his work. 43 DOCUMENT ART, Buenos Aires D13 Exhibited artists: Ansel Adams/Richard Avedon/Peter Beard/Ilse Bing/ Anton Corbijn/Patrick Demarchelier/David Drebin/František Drtikol/ Andreas Feininger/Gilbert et George/Yousuf Karsh/Peter Keetman/ Alvarez Bravo Manuel/Martin Munkacsi/Robert Polidori/Blaise Reutersward/ Bettina Rheims/Herb Ritts/Yoram Roth/Steve Schapiro/Martin Schoeller/ Christian Tagliavini 44 Document Art Gallery presents three contemporary Latin American photographers who each approach the medium in a different way, but who all have strong conceptual threads in their work: Andrés Orjuela (Colombian, lives in Mexico City), Luz María Bedoya (Peruvian, lives in Lima), and Zoé T. Vizcaíno (Mexican, lives in Madrid). Founded in 2009, Document Art Gallery is a Latin American project that combines conceptual and experimental artists from the 1960s and 1970s with new contemporary perspectives. The objective of this combination is to create a bridge between these generations, and therefore a dialogue about the relationship between their artworks and artistic practices within the South American idiosyncrasy. Furthermore, the gallery has an archive of original documents (manifestos, publications, photographs etc) specialized in the avant-garde movements that emerged in the continent from the 1940s onwards. DU JOUR AGNES B., Paris B11 Exhibited artists: Bovet Emanuel/Samuel Gratacap/Lucien Hervé/Rinko Kawauchi/ Seydou Keïta/Jonas Mekas/Bollendorff Samuel/Malick Sidibé/Massimo Vitali Galerie du jour agnès b. has been supporting Photography and photographers since its early creation in 1984. Its history is rich of meetings and discoveries of artists opening new territories. From panAfrican to the American Youth photography, the wide spectrum and eclecticism of our gallery makes it a 'laboratory' open towards a wide field of possibilities. For this new edition and as previously, a selection of the artists represented by our gallery is exhibited, as well as some 'discoveries'. EAST WING, Doha B36 Exhibited artists: Philippe Chancel/Jojakim Cortis and Adrian Sonderegger/ Cédric Delsaux/Sarker Protick/Robert Zhao Renhui/Christto Sanz & Andrew Weir/ Phillip Toledano Presenting a series of works composed of intriguing narratives, East Wing asks audiences to become complicit in the ultimate crime of illusion. The artists exhibited use photography to negotiate their questions, beliefs and ideas about reality. Using fiction, contrasted with the optical precision of the camera the images introduce authentic moments where illusion is not recognized as such, but as an alternative or re-visit of reality. The sense of play and blurring of boundaries resoundingly reflects a fascination with spectacle. EDWYNN HOUK, New York A30 Exhibited artists: Gail Albert-Halaban/Valérie Belin/Ilse Bing/ Erwin Blumenfeld/Bill Brandt/Brassaï/Sebastiaan Bremer/Elliott Erwitt/ Lalla Essaydi/Sissi Farassat/Robert Frank/André Kertész/Mona Kuhn/Man Ray/ Sally Mann/Michael Eastman/Tina Modotti/Abelardo Morell/Vik Muniz/ Cathleen Naundorf/Robert Polidori/Herb Ritts/Stephen Shore/Edward Weston Edwynn Houk Gallery exhibits the history of modern and contemporary photography through a carefully selected group of masterworks in the medium. Unique and rare vintage photographs present alongside mid-century and contemporary examples in an effort to create a dialogue between the eras and establish a method of understanding the visual vocabulary, styles, resources, philosophies and influences that unite these artists and continue to percolate throughout the history of photography. Furthermore, this juxtaposition of historical and contemporary photographs presents a framework in order to discern, appreciate, and understand each artist’s individuality and distinctive contribution to the field. Vintage photographs dating from 1917-1939, with an emphasis on the Modernist era, illustrate the way in which the New Vision and more experimental forms of photography were embraced for the first time. Key examples by Bill Brandt, Man Ray, Alfred Stieglitz, and Brassaï are included. The gallery presents also a selection of iconic mid-century works by Robert Frank, Danny Lyon, and Lee Friedlander. Photographs by contemporary artists such as Valerie Belin, Sally Mann, Abelardo Morell, and Sebastiaan Bremer have been chosen for their unique vision, as well as a strong connection to modernist photography. ERIC FRANCK, London C40 Exhibited artists: Kiichi Asano/Cecil Beaton/Henri Cartier-Bresson/ Gerard Castello-Lopes/Geraldo de Barros/Thomaz Farkas/Martine Franck/ Gaspar Gasparian/Heinz Hajek-Halke/Chris Killip/Karen Knorr/Josef Koudelka/ Marketa Luskacova/Norman Parkinson/Graham Smith/Al Vandenberg/Tom Wood Erick Franck presents a selection of work by Heinz Hajek-Halke (1898-1983) who was part of the “subjective photography” movement in post-war Germany. Hajek-Halke was known for using experimental photographic techniques – among them light montages, double exposures, photo collages and photomontages. His pictures were innovative and made use of the newly discovered possibilities for manipulating photographs. The gallery also exhibits a selection of masterpieces of 20th century photography, which includes works by: Kiichi Asano who documented Kyoto and its traditions at a time when the historical city was transforming into a metropolis. As well as some of his most important photographic essays which include Snow Country 1955-1958, where he documented the rural life in Echigo, the Noto Peninsula and the Tōhoku region; and The Gion Quarter which Asano photographed at several points in his career; Cecil Beaton, who is best known for his fashion photographs and society portraits, and who was one of the pre-eminent British photographers of the twentieth century; as well as a selection of classical works by Josef Koudelka, Henri Cartier-Bresson), Gaspar Gasparian, Geraldo de Barros, Gérard Castello-Lopes, Thomas Farkas and Norman Parkinson. FILOMENA SOARES, Lisbon C13 Exhibited artists: Pilar Albarracín/Helena Almeida/Pedro Barateiro/ Slater Bradley/Miguel Rio Branco/Dias & Riedweg/Didier Faustino/ Kiluanji Kia Henda/Carlos Motta/Rodrigo Oliveira/João Penalva/João Tabarra Since its foundation, in 1999, Galeria Filomena Soares’ main objective is to foster contemporary artistic production, by nurturing a productive dialogue between artists, curators and institutions. Throughout its 15 years of existence, the gallery, representing artists of different generations and nationalities, has played a key role in the Portuguese and in the international art scenes and continuously contributed to the promotion and dissemination of contemporary art. Considering the importance of Paris Photo in the international art scene and the breadth of the event, Galeria Filomena Soares extends its participation towards the creation of an active discussion platform between artists, curators, critics and public. For this edition of Paris Photo the gallery continues stating our commitment to discover, promote and nurture young artists but also to support the production of well-known and highly acclaimed ones, with works scoping a myriad of uses and approaches to contemporary art. 45 FLATLAND, Amsterdam C47 Exhibited artists: Katharine Cooper/Jeroen Robert Kramer/Anoek Steketee/ Ruud van Empel/Paolo Ventura Flatland Gallery presents works focusing on the space between representation and expression as felt and exhibited by Katharine Cooper, Ruud van Empel, Jeroen Robbert Kramer, Anoek Steketee and Paolo Ventura. Their work eloquently reminds us that a photograph is as much a representation of the maker as it is of the ostensible subject. The Love Radio project by Anoek Steketee is about grasping the careful hope of both the Tutsis and the Hutus in Rwanda in the perspective of peace building in this conflict prone community. Love Radio is a transmedia project and consists of a web documentary, mobile Tap stories and photographs. Yet it does not only have a purely documentary character; her personal approach brings light to the faces of her subjects; an intensity into the pictures and a logical darkness to their surroundings: the dusty sand floors with all its different browns. It is thus that Love Radio has also become a beautiful story of possible resilience of any people by giving a luminous beauty to the pensiveness of her subjects. Part of Love Radio was exhibited at the Stedelijk Museum, Amsterdam. FLOWERS, London - NEW EXHIBITOR C3 Exhibited artists : Boomoon/Julie Cockburn/Nadav Kander/Jason Larkin/Tom Lovelace/ Simon Roberts/Michael Wolf 46 Flowers brings together new works that blur the intersection between observed reality, constructed photography, appropriation and found objects. From the sculptural to the sociological, this is a cross section of works that encourages wanderings across modes of photographic practice. Tom Lovelace’s interdisciplinary practice explores the architecture of time and light, along with studies of function and form through unexpected manipulations of everyday materials and industrial objects. Untitled Red (date unknown - 2014) is a naturally occurring photogram created using sections of felt, which were once hung on the exterior walls of a theatre in Spoleto, Italy. In taking common support structures, such as the picture frame or the stool, Lovelace re-organizes and subverts their functional hierarchies. Works such as Stargazing, 2015 and Monteluco Sole, 2013 collapse the notion of the object’s usefulness altogether their formal reduction showcases what Lovelace has called a further ‘controlled slippage’ into a minimal, abstract image plane. Michael Wolf is known for his long term documentation of Hong Kong’s vernacular architecture and back alley sensibilities. Through typologies of everyday found objects Wolf is building an alternative encyclopedia of informal design arrangements. Industrial #26 depicts the reverse side of a building, its pipes and air conditioning units representing a complex readymade installation whilst providing a framework for its inhabitant’s personalities. Jason Larkin, while living in Johannesburg, was struck by the ever-present reality of people waiting. Inactive yet expectant, this condition becomes a visual echo of Boomoon’s, Waterfall #518, 2015. Julie Cockburn, in reassembling, stitching into and over-painting found studio portraits from the 1940’s and 1950’s, creates an imaginative and internal response “making tangible the emotions that are invoked in me by the people or places in the found images.” Geometric patterns and gestural scrawls stitched in brightly coloured thread re-work and transform the head and shoulders of the sitter. Cockburn conceives her carefully balanced colour combinations digitally before taking her needle to the original print. Often in striking contrast to the de-saturated vintage photographs, her vivid woven embellishment delivers the images out of redundancy into a meaningful present. Boomoon together with Nadav Kander explore the complex relationship between mankind and the landscape, reflecting upon our connection with, and impact on the environment. In contrast the grid-like compositions of Michael Wolf together with Tom Lovelace’s playful rectangular forms create a tension between the domestic and the industrial. Through the figurative works of Simon Roberts and Jason Larkin important social, economic and political conditions are revealed and framed. Finally a freestanding structure will house a set of specially commissioned unique works by Julie Cockburn. Appropriated and embellished, this represents a mixed media approach at the extremities of the photographic arts. FRAENKEL, San Francisco B30 Exhibited artists: Robert Adams/Diane Arbus/Lee Friedlander/Adam Fuss/ Katy Grannan/Peter Hujar/Idris Khan/Richard Learoyd/Christian Marclay/ Ralph Eugene Meatyard/Richard Misrach/Nicholas Nixon/Alec Soth/Hiroshi Sugimoto/ Garry Winogrand Among the highlights to be exhibited are Seal Rocks, 2015, by the British artist Richard Learoyd. Seal Rocks is a geologic grouping of small rock islands in the Pacific Ocean near San Francisco, photographed in 1868 by the great 19th century photographer, Carleton Watkins. Learoyd's new work is an enormous black and white contact print (119.4 x 185.4 cm). A recent color portrait by the artist is also on view. Learoyd's portraits, still lifes, and landscapes are made with the artist's giant, hand-built camera obscura, and his work is the subject of a new publication by Aperture, Richard Learoyd: Day for Night. A new monoprint by visual artist and composer Christian Marclay is also on view. Marclay uses musical cassette tapes to create stunning abstract images that give nod to his musical practice. Adam Fuss's recent large camera-less self-portrait portrays the artist silhouetted against water using one of the earliest techniques of photographic practice, the photogram. Also on view are an important group of Lee Friedlander portraits made in 1985, in which Friedlander focuses on workers staring into their computer screens. These works were made in the early years when computers were first introduced to the workplace, and focus on the hollow stare that has since become ubiquitous in the digital age. FRANCOISE PAVIOT, Paris B34 Exhibited artists: Juliette Agnel/Jocelyne Alloucherie/Dieter Appelt/Eugène Atget/ Anna & Bernhard Blume/Brassaï/Walker Evans/Raymond Hains/Bogdan Konopka/ Eli Lotar/Charles Marville/Christian Milovanoff/László Moholy-Nagy/Jürgen Nefzger/ Charles Nègre/Man Ray/Arthur Siegel/Barbara Steinman/Louis Vigne/ Marius de Zayas Galerie Françoise Paviot presents "vintage and contemporary" photographs focusing on several topics. Presented works include: a set of one hundred ten prints by Charles Nègre for the publication of the Atlas of the journey of the duc de Luynes in 1864; an previously unknown daguerreotype by Charles Nègre; a photographic vision of the 'Arts Lointains' at the time of its links with the artistic creation awareness between 1916 and 1936 [photographs by Marius de Zayas, Paul Burty-Haviland, Man Ray and Walker Evans]; and a photographic journey of the city from Charles Marville to Lazslo Moholy-Nagy. GAGOSIAN, Paris B18 Exhibited artists: Balthus (Balthasar Klossowski de Rola)/Diane Arbus/ Richard Avedon/Roger Ballen/Gregory Crewdson/Denise De La Rue/William Eggleston/ Roe Ethridge/Douglas Gordon/Andreas Gursky/Carsten Höller/Inez & Vinoodh/ Vera Lutter/Florian Maier-Aichen/Sally Mann/Jean Pigozzi/Richard Prince/ Robert Rauschenberg/Thomas Ruff/Ed Ruscha/Cindy Sherman/Elisa Sighicelli/ Taryn Simon/Cy Twombly Gagosian Gallery presents a wide selection of photos by Richard Avedon, recent works by Gregory Crewdson, Vera Lutter, Thomas Ruff or Taryn Simon as well as emblematic photos by Dennis Hopper, Peter Lindbergh, Ed Ruscha and Cy Twombly. 47 GITTERMAN, New York B43 Exhibited artists: Machiel Botman /Josef Breitenbach/Chargesheimer/ Lois Connor/Eliot Elisofon/Kenneth Josephson/William Larson/Daniel Masclet/ Herbert Matter/Arthur Siegel/Aaron Siskind/Edmund Teske Gitterman presents William Larson's Fireflies series (1969-1978) composed of unique “electronic drawings” made with early fax machines that converted pictures, text & sound into digitally-generated audio signals, burned onto a special carbon-based paper. Also presented are avant-garde works by: Josef Breitenbach; Chargesheimer; František Drtikol; Eliot Elisofon; Oliver Gagliani; Man Ray; Herbert Matter; & Edmund Teske. Platinum prints by Lois Conner of lotus plants & vertical landscapes from China, New York and Arizona are also featured. GRAFIKA LA ESTAMPA, Mexico D42 Exhibited artists: Patiño Adolfo/Blanco Fuentes Lázaro/Leo Matiz/López Nacho Grafika La Estampa is specialized in prints and Mexican graphic arts. The gallery presents two series by Colombian artist Leo Matiz, one of the most important photographers of the 20th century. 48 Macondo is a series of forty photographs taken by Leo Matiz of his childhood village, Aracataca. During an extensive period of time and work (late 1930’s – late 1970’s), Matiz photographed his land and relentlessly meditated on what he could see through his camera. At the same time, famous writer Gabriel García Márquez was giving life to his masterpiece “One hundred years of solitude”. Both the photographer and the writer shared their same birth village as an inspiration to their creation. Gerald Martin, Gabriel García Márquez’s official biographer said that each one of these images could have illustrated the pages of what is a fundamental work of Magical Realism, “100 years of Solitude”. Fireworks of Freedom - The 55 abstract images from this series are photographs of the fireworks that were sparked to celebrate the end of the occupation and the end of the Second World War. On the night of July 14th 1945, young artist Leo Matiz captured the eerie feeling of happiness and freedom that illuminated the city of lights. This series consists of luminous drawings of the Parisian sky. About this unique night, General Charles de Gaulle said: “Today, more than ever it is our national holiday, but it also the day that France celebrates its victory as well as its liberation.” Grafika la Estampa presents iconic pictures of Mexican photography by important important photographers: Hugo Brehme’s portrait of Emiliano and Eufemio Zapata with their wives, Antonio Garduño’s nude studies of Nahui Olin, Librado GarcÍa Smarth’s pictorialist prints of early gay pictures, Manuel Álvarez Bravo’s poetic scenes, Lola Álvarez Bravo’s portraits of Frida Kahlo, Nacho López and Hector García’s urban characters, Armando Salas Portugal’s landscapes, Lázaro Blanco’s silent walls and abstract landscapes and much more. HACKELBURY, London Exhibited artists: Garry Fabian Miller/William Klein/Ian McKeever/ Mike and Doug Starn A10 HackelBury presents five internationally acclaimed artists pushing the boundaries of perception and understanding; exploring the role and function of photography relative to painting, drawing and sculpture. The gallery features recent works from British artist Ian McKeever, RA, combining photography and painting; new mixed media pieces from Doug & Mike Starn, American artists who continue to defy categorization as they have since their 1987 Whitney Biennale debut, and luminous unique camera-less works from British artist Garry Fabian Miller, along with his recently launched artist book and accompanying prints ‘Bliss’. American painter and photographer Saul Leiter is represented with unique painted portrait fragments, and finally HackelBury features early abstract experiments from the legendary William Klein, along with contact strips from his 1958 film, ‘Broadway by Light’. HAMILTONS, London C30 Exhibited artists: Roger Ballen/Gilles Bensimon/Murray Fredericks/Horst P. Horst/ Kobi Israel/Annie Leibovitz/Don McCullin/Guido Mocafico/Daido Moriyama/ Cathleen Naundorf/Helmut Newton/Jedd Novatt/Erwin Olaf/Irving Penn/Herb Ritts/ Tomiko Seike/Steve Shapiro/Jeanloup Sieff/Christopher Thomas/Albert Watson Hamiltons Gallery presents large format prints of Don McCullin in celebration of his 80th year. Also featured are selection of Irving Penn's sublime dye-transfer Flowers, Robert Frank's 'Paris' pictures; new work by Erwin Olaf from his 'Skin Deep' series; portraits of 'soldiers' from the Battle of Waterloo by Sam Faulkner; unique polaroid prints by Paolo Roversi from his archive. HANS KRAUS, New York C9 Exhibited artists: Edouard Baldus/Bisson Frères/Julia Margaret Cameron/ Eugène Cuvelier/Adalbert Cuvelier/André Giroux/Hill and Adamson/ Reverend Calvert Jones/Gustave Le Gray/Charles Negre/Hugh Owen/Roger Fenton/ William Henry Fox Talbot/Felix Teynard/Linnaeus Tripe/Joseph Vicomte Vigier On the occasion of the Musée d’Orsay exhibition Who’s Afraid of Women Photographers?, Hans P. Kraus Jr. Inc. presents the work of women who practiced photography between the 1840s and 1870s. The gallery provides a showcase of unique camera-less images by Anna Atkins, Bessie Parkes, Julia Margaret Cameron, Amelia Bergner and others. Made by placing botanical specimens directly on the sensitive paper and exposing it to sunlight, these photograms share a connection with William Henry Fox Talbot’s earliest photogenic drawing negatives. However, each of these differs according to the author’s personal choice in process, composition and aesthetic. The display also includes portraits by Julia Margaret Cameron and some recently discovered prints from calotype negatives by Hugh Owen, Linnaeus Tripe, and others. HARDHITTA, Cologne - NEW EXHIBITOR D25 Exhibited artists: Gregory Bojorquez/Arlene Gottfried/Joseph Rodriguez/ Jamel Shabazz/Miron Zownir Hardhitta Gallery presents a group show including American photographers Gregory Bojorquez, Arlene Gottfried, Joseph Rodriguez, Jamel Shabazz and German photographer Miron Zownir. The five photographers have been documenting urban life for the last forty years. HOWARD GREENBERG, New York C20 Exhibited artists: Berenice Abbott/Frederic Brenner/Edward Burtynsky/ Bruce Davidson/Edward Steichen/William Klein/Jungjin Lee/Joel Meyerowitz Howard Greenberg Gallery presents a selection of photographs from our strong stable of gallery artists as well as a selection of works that the gallery has assembled exclusively for the fair. Highlights include recently discovered iconic, vintage prints by Bruce Davidson, recently acquired prints by Pierre Dubreuil, a set of new dye transfer prints by Joel Meyerowitz and an exceptionally rare 1923, platinum print by Edward Weston. The gallery also looks forward to introducing the work of our most recent addition — Jungjin Lee. 49 IN CAMERA, Paris A19 Exhibited artists: Evgenia Arbugaeva/Jerry Berndt/Edouard Boubat/Alexandra Catiere/ Krass Clement/Jean-Noël De Soye/Txema Salvans In Camera presents for the first time, photographs by Krass Clement, one of the most prominent Danish photographers of his generation. 50 Evgenia Arbugaeva’s color prints from the series Weather Man (2013-2014) depict the meteorologist Slava Korotkiy, who lived alone for thirteen years in a weather station located on a small peninsula in the Barents Sea. The nearest town was an hour away by helicopter. These photographs were taken in the dark polar nights in the middle of a hostile landscape. Arbugaeva received the Leica Oskar Barnack in 2013 and ICP Infinity Award - Young Photographer in 2015. Jerry Berndt’s black and white photographs taken in the United States between 1964 and 1978 from his beauitiful America series (to be published by Steidl) are also on view with Edouard Boubat’s black and white vintage prints and original prints, never-before-seen photographs and other more emblematic of the work of this great humanist. Alexandra Catiere’s black and white prints from Nobody Believes That I'm alive (to be published by GwinZegal in 2015), from the former Soviet Union to France via the United States, Alexandra made ‘timelessness’ one of the major aspects of his creation. Krass Clement’s black/ white and coulour photographs extracted from his last two books published by Gyldendal: Venten på i går auf gestern warten (Wait yesterday, 2012), the disillusionment created by the combination of both Germany and Bag Saga Blok 2014 which includes photographs taken in the popular Vesterbro district of Copenhagen, his hometown. Krass Clement is one of the most prominent Danish photographers of his generation. Txema Salvans’ color prints excerpts from The Waiting Game (RM Editions, 2013). For six years, 2005-2011, Txema Salvans photographed with a 4x5 lens, prostitutes along roads on the Spanish mediterranean coast Jean Noël de Soye’s black and white prints from the series, Ceux que j’ai rencontrés ne m’ont peut-être pas vu (The ones I've met have perhaps not seen me) (Watermarks Editions, 2014) taken in Madagascar between 2004 and 2013. INGLEBY, Edinburgh - NEW EXHIBITOR C46 Exhibited artists: Ben Cauchi/Thomas Joshua Cooper/Susan Derges/Garry Fabian Miller/ Peter Liversidge Ingleby Gallery presents new, and important archive works by Gallery artists whose practices look to the founding principles of photography, while remaining firmly contemporary in attitude and technique. Exhibited artists include Thomas Joshua Cooper, Ben Cauchi, Peter Liversidge and - in an echo of the 'Shadow Catchers' exhibition at the V&A Museum, London in 2011 – the gallery presents new work by two of the UK’s most renowned cameraless photographers; Garry Fabian Miller and Susan Derges. JAMES HYMAN, London A38 Exhibited artists: Berenice Abbott/Robert Adams/Diane Arbus/Bill Brandt/ Brassaï/Harry Callahan/Julia M. Cameron/Edward Weston/Eugène Atget/Walker Evans/ Anna Fox/Robert Frank/Ken Grant/Bert Hardy/André Kertész/Gustave Le Gray/ Dora Maar/Martin Parr/Mark Power/Tony Ray-Jones/Roger Fenton/Aaron Siskind/ Alfred Stieglitz/Homer Sykes/Jon Tonks/Andy Warhol James Hyman Gallery presents a specially-curated selection of vintage photographs, creating a dialogue between important 19th Century and 20th century works, most notably vintage prints by Robert Adams, Brassai, Harry Callahan, Andre Kertesz, Gustave Le Gray Dora Maar, Man Ray Alfred Stieglitz and Clarence White. Also included in the selection are groups of work by important British photographers including Paul Hill, John Blakemore, and Homer Sykes. JOHANNES FABER, Vienna B1 Exhibited artists: Irene Andessner/Andreas H. Bitesnich/ Dennis Hopper/ Horst P. Horst/ Rudolf Koppitz/Heinrich Kühn/Irving Penn/Alfred Seiland/ Josef Sudek/Edward Weston Johannes Faber presents 20th century vintage and contemporary photographs with a specialisation in Czech and Austrian as well as American and European classic modern photographs. JUANA DE AIZPURU, Madrid - NEW EXHIBITOR C7 Exhibited artists: Eric Baudelaire/Jordi Colomer/Carmela Garcia/ Alberto Garcia Alix/Cristina Garcia Rodero/Pierre Gonnord/Yasumasa Morimura/ Tim Parchikov/Andres Serrano/Cindy Sherman/Montserrat Soto Juana De Aizpuru presents an international project including several Spanish photographers as well as others including Alberto García Alix, Cristina García Rodero, Cristina Lucas, Jordi Colomer, Yasumasa Morimura, Eric Baudelaire, Tim Parchikov. JULIAN SANDER, Bonn C2 Exhibited artists: Chargesheimer/Sean Hemmerle/Jory Hull/Jiang Jian/August Sander/ Alfredo Srur/Xu Yong Galerie Julian Sander has developed a curatorial concept focused on the ability of contemporary photography to capture and assign new meanings to the events and changes going on around us. One of the highlights of our booth is a selection of photographs from the series “Archives on Orphans” by Chinese photographer Jiang Jian. The gallery is also presents for the first time in Europe the series “Ciudades del Este” by Argentinian photographer Alfredo Srur. Also on view on our booth is Sean Hemmerle’s “Media Nodes”, a visual study of the transforming work environments of news media in the digital age, and Jory Hull’s “Flyover State”, a series of photographs taken from the window seat during transcontinental flights across the U.S. Galerie Julian Sander also displays also works by August Sander, Chargesheimer and Chinese photographer Xu Yong as well as a fine selection vintage photographs from our inventory. JULIE SAUL, New York - NEW EXHIBITOR C6 Exhibited artists: Nikolay Bakharev/Adam Magyar/Richard Artschwager/Orit Raff/ Arne Svenson Through a variety of photo-based processes, these artists offer distinctive perspectives into the seemingly ordinary. As the public confronts ever-evolving issues of identity, self-awareness, and surveillance, these works explore the enigmatic relationship between the artist, his subject and surroundings. Two early projects by American Artschwager that make use of the blp are shown: a portfolio of six color prints recording his cross-country trip in 1968, and a 1971 proposal for a public park in Arnem, Netherlands. Siberian, self-trained photographer Bakharev finds his subjects at recreational sites and records couples and family groupings. He was included in the 2013 Venice Biennale and Arles Festival, and was one of four nominees for the Deutsche Börse prize in 2015. Hungarian Magyar records the individual fused within urban spaces, bending space and time. The gallery shows selections from his Squares, Urban Flow and Stainless series that have been carried out in Paris, London, Rome, Hong Kong and Tokyo. Martinez-Canas and Svenson present intimate images, the former through abraded and appropriated photographic reproductions, and the latter with details of construction workers shown in an oval format. Svenson’s Neighbors series is exhibited for the first time in Europe following extensive coverage in the international press. A monograph is available. 51 KALFAYAN, Athens Exhibited Artists: Hrair Sarkissian/Panos Tsagaris/Raed Yassin C4 Kalfayan Galleries present a curated exhibition with three artists whose work evokes the fragility of personal, cultural and historical memory and navigates these themes in a metaphorical visual language. Hrair Sarkissian’s works revolve around individual and collective memory and identity.His photographs of urban environments and landscape employ traditional documentary techniques to reevaluate larger historical, religious or social narratives. Transparencies (2012) is a continuation of Syrian artist Hrair Sarkissian’s exploration of abandoned urban spaces, which sprawl across the landscapes of many developing countries, often arrested in mid-construction as a result of economic or political corruption. This series documents such an unfinished housing development project on the outskirts of Amman, Jordan. The photographs are presented as a series of negative light boxes resembling xrays, enhancing the skeletal quality of the structures. At the same time, Sarkissian bestows an almost monumental quality on the hollow and life-less spaces. 52 Greek artist Panos Tsagaris, on the other hand, focuses on real-life sociopolitical events that dramatically depict the social unrest instigated by austerity measures taken to combat the economic crisis in Greece. The works are based on a series of New York Times newspaper covers that the artist has been collecting from 2010 and onwards and whose feature article has been the current Greek circumstances. The juxtaposition of the gold leaf with which the artist covers all the texts and the cover feature photograph is a poetic study of contemporary sociopolitical reality. With references to Byzantine icons and modernist artistic traditions, the works of Tsagaris juxtapose the transformation that Greece has been going through during the last few years with the symbolic transformation in the Alchemical work during which the undeveloped consciousness (lead) transforms into a fully developed consciousness (gold). In dialogue with Sarkissian and Tsagaris, Lebanese artist Raed Yassin reconstructs personal history in works from the King of Disco (2011), among others, by fabricating a storyboard similar to that of a second-rate film. The real story is that of the unsolved murder of his father during the civil war, and the method used to portray it are scenes from outdated Egyptian films, shot as Polaroids and then enlarged to unnatural sizes. Yassin’s memory of war is inextricably linked to Arabic cinema, as he was watching Arabic films on a daily basis throughout the duration of the conflict. Because the actual events surrounding the murder were unknown, he was forced to imagine them through the narratives of these films, which often sensationalized and dramatized the truth. By blurring the lines between fact and fiction the artist elaborated on the power of memory to create, erase and transform real events according to the emotional investments made in them. KEITH DE LELLIS, New York - NEW EXHIBITOR B39 Exhibited artists: Berenice Abbott/Anthony Barboza/Margaret Bourke-White/ Enrico Cattaneo/Harold Haliday Costain/Gordon Coster/Louise Dahl-Wolfe/Loomis Dean/ Alfred Eisenstaedt/Mikki Ferril/Mario Giacomelli/George Hoyningen-Huene/ Daniel Masclet/Herbert Matter/Nino Migliori/Hans Namuth/Edward Quigley/ Beuford Smith/Edward Steichen/Claude Tolmer/Doris Ulmann Keith de Lellis presents important modernist photographs including important modernist photographs, portraits, fashion photography, surrealist photographs and post war American advertising photography. The Gallery features a two-panel panorama of the studio of Marcel Duchamp in New York by Frederick Kiesler in 1945; a grouping of surrealist photographs by Herbert Matter, George Platt Lynes and Philippe Halsman; as well as Italian neo realist photography by Mario Giacomelli, Nino Migliori, Renzo Tortelli and late color-work by Luigi Ghirri. Additionally presented is elegant fashion photography of Louise Dahl Wolfe, Hoyningen-Huene and Edward Steichen and a selection of post war American advertising photography by pioneering innovator Ralph Bartholomew. KICKEN BERLIN, Berlin B31 Exhibited artists: Dieter Appelt/Ursula Arnold/Bauhaus/Bernd & Hilla Becher/ Sibylle Bergemann/Karl Blossfeldt/Anna & Bernhard Blume/Erwin Blumenfeld/ Joachim Brohm/Arno Fischer/Ernst Fuhrmann/André Gelpke/F.C. Gundlach/ Jitka Hanzlova/Kozo Haramoto/Klaus Kinold/Martin Kippenberger/Heinrich Kühn/ Ute Mahler/Werner Mantz/Helmut Newton/Kiyoshi Niiyama/Kaoru Ohto/Helga Paris/ Sigmar Polke/Albert Renger-Patzsch/Heinrich Riebesehl/Tata Ronkholz/ August Sander/Hans-Christian Schink/Wilhelm Schürmann/Anton Stankowski/ Otto Steinert Kicken Berlin presents a survey of photography from East and West Germany during the 1970s and 1980s. Stemming from a scintillating time of rebellion and quiet protest, a period of contemplation and introspection, the photographs bear testimony through many different kinds of imagery to an era that was both unsettling and full of promise. Works by Dieter Appelt, Bernd and Hilla Becher, Sibylle Bergemann, Anna und Bernhard Blume, André Gelpke, Ute Mahler, Helga Paris, Sigmar Polke, Heinrich Riebesehl, Tata Ronkholz, Wilhelm Schürmann, a.o. are presented. To celebrate his centenary, Kicken Berlin pays tribute to Otto Steinert, the key figure of international subjective photography with a selection of his work as well as a special sample of Japanese 1950s subjectivism. Steinert was a prominent important teacher, curator and collector in 1950s Germany. LAURENCE MILLER, New York C48 Exhibited artists: Luca Campigotto/Miguel Angel Garcia/David Graham/Helen Levitt/ Ray Metzker/Simone Rosenbauer/Toshio Shibata/Edward Steichen/Val Telberg/ Bruce Wrighton Laurence Miller features masterworks of the 20th Century, including a rare original Edward Steichen portrait of J.P. Morgan, 1903; Larry Burrows' classic Vietnam War image Reaching Out, a rare Burk Uzzle carbon print of 1969 Woodstock Festival album cover, and vintage prints by American photographers Ray Metzker, Helen Levitt, David Graham and Bruce Wrighton. The gallery features contemporary color work as well, in particular Simone Rosenbauer's magical portraits of popsicles melting, from her series Like Ice in the Sunshine, a grand vista of New York at night by Luca Campigotto; and a powerful view of a red mountain bridge from Okawa, Japan by Toshio Shibata. LE RÉVERBÈRE, Lyon Exhibited artists: Serge Clément/Pierre de Fenoÿl/Emmanuelle Fructus/ Bernard Plossu/Denis Roche D4 Denis Roche unveils for the first time at a fair a series of four photographs, synthesis of his reflection on time and autobiography: Le pont de Montvert. This metaphysical series, punctuated by thirty-four years of life sets the tempo of this ensemble. Bernard Plossu shows a selection of "his" Italy, a poetic ensemble realized over time. Pierre de Fenoÿl presents a selection of photographs from Datar and his Egyptian series. Serge Clément show an unique selection from Dépaysé that brings together thirty years of photographs. Each of these four photographers was the subject of an institution retrospective accompanied by the publication of a book this year. Finally, Emmanuelle Fructus shows for the first time two fascinating, obsessive and meticulous cutting and assembly works of characters taken from a collection of vintage anonymous images. 53 LES FILLES DU CALVAIRE, Paris B10 Exhibited artists: Thibaut Cuisset/Antoine d’Agata/Gilbert Fastenaekens/ Thierry Fontaine/Noémie Goudal/Claudia Huidobro/Karen Knorr/Corinne Mercadier/ Paulo Nozolino/Yusuf Sevinçli/Dorothée Smith/Esther Teichmann Filles du Calvaire gallery presents Thierry Fontaine whose conceptual work goes way beyond staged photography. Using all tools at hand to craft each image in a unique way, Fontaine twists reality and open doors to a poetic and political world that echoes his aesthetical and philosophical concerns, referring both to the tradition of contemporary art and to his own background: the Reunion island and the African continent. The Gallery also presents new pieces by Corinne Mercadier and Karen Knorr. Karen Knorr introduces Japanese works and Corinne Mercadier unveils images of her French and Parisian rooftops constellations. Also presented are: Dorothée Smith’s ongoing project and thermal images; Claudia Huidobro’s feminine, skin-based, surprising photographic collages; Antoine d’Agata’s iconic photographs; exceptional brightness of his last American commissioned photographs Thibaut Cuisset; and Matt Wilson’s photographs -from his adoption country’s roads- that build on this typical American light; Gilbert Fastenaekens’ historical series Nocturnes and the rarely shown Paulo Nozolino’s dark black photographs; Noémie Goudal exhibits new cosmic black moon; new black and white photographs by Yusuf Sevinçli shot in Vichy; and video artist and photographer Esther Teichmann. LITTLE BIG MAN, Los Angeles D1 Exhibited artists: Roger Ballen/Asger Carlsen/Motoyuki Daifu/Mikiko Hara/ Fumiko Imano/Stacy Kranitz/Doug Rickard/Keiko Sasaoka/Scot Sothern/ Deanna Templeton/Nick Waplington/ 54 Little Big Man presents Contemporary Female Photography featuring works by 3 Japanese and 2 American artists. Each forms their work based on personal experiences of the world around them. Also in dedication to furthering modern photography the Gallery presents original works for the first time in Europe by Asger Carlsen, Roger Ballen, Keizo Kitajima, Motoyuki Daifu, Scot Southern, Doug Rickard and Nick waplington. LUISOTTI, Santa Monica C39 Exhibited artists: Lewis Baltz/Joachim Brohm/John Divola/Ron Jude/Barbara Kasten/ Mark Ruwedel/Wilhelm Schürmann Luisotti presents a multi-generational conversation that spans from the California desert to the forests of Germany. The gallery is delighted to introduce its newly represented artist CJ Heyliger to Paris and the international collecting community; after his fantastic win at Paris Photo Los Angeles, we’re thrilled to show a selection from his brilliant series Hell Mirage, which pushes landscape and descriptive photography to new frontiers. Also making its debut at Paris Photo is Ron Jude’s series Lago, which renegotiates the desert setting as a narrativedriving character. These two mentioned series are an exciting conversation waiting to take place. Rounding out the booth is stunning and noir works from Lewis Baltz, John Divola, Mark and Wilhelm Schurmann as well as evocative and lush works by Simone Nieweg, Catherine Wagner and Ursula Schulz-Dornburg. LUMIÈRE DES ROSES, Paris Exhibited artists: Anonymes A16 Gallery Lumière des Roses explores the vast and fertile field of the anonymous photography to extract images that the eye, indifferent to the name of the artist, recognizes for its intrinsic value, its freedom, its evocative power or any other reason that may remain unnamed. The Gallery presents an exceptional series of self-portraits made by an amateur between 1940 and 1970. This set which tells the story of an raw obsession, subject of a book published by the gallery, Zorro ou le portrait d’un autre (Zorro or Likeness of Another) accompanied by a text by François Cheval, Curator of the Museum Nicephore Niepce. M BOCHUM, Bochum A42 Exhibited artists: Evelina Cajacob/Louisa Clement/Lucinda Devlin/ Thomas Florschuetz/Claus Goedicke/Evelyn Hofer/Aino Kannisto/Laura Letinsky/ Melanie Manchot/Simone Nieweg/Arnulf Rainer/Dirk Reinartz/Stephan Schenk/ Peter Wegner Galerie m Bochum presents for the first time Louisa Clement, student of Andreas Gursky with an installation combining works of several series including the series, Heads. Additionally, the Gallery presents Evelyn Hofer, whose photographs are currently on view in a retrospective at Villa Stuck in Munich and the subject of a comprehensive catalogue by Steidl; new works of Aino Kannisto and Thomas Florschuetz as well as still lifes by Claus Goedicke; a triptych of Buildings Made of Sky by Peter Wegner; recent Lake Pictures by Lucinda Devlin (published by Steidl); a forest panorama by Stephan Schenk, Landscapes and Gardens by Simone Nieweg and vintage prints by Dirk Reinartz. M+B, Los Angeles - NEW EXHIBITOR B22 Exhibited artists: Matthew Brandt/Ellen Carey/Jessica Eaton/Whitney Hubbs/ Matthew Porter Mike Brodie (b. 1985) captured the raw spirit of adventure and unbridled freedom for three intense and prolific years, crisscrossing the United States hopping trains. Self-trained, his archive of photographs makes up one of the few true collections of American travel photography. Matthew Brandt (b. 1982) is known for his formal and material consideration of the natural world; images of the Oahu rainforest from his new series bear the imprint of the actual site. Ellen Carey’s (b. 1952) extensive career in photography culminated with her breakthrough work in Polaroids. Presented in the booth are her early self-portraits, lit with colored gels with intricate collages of graphic images. Jessica Eaton (b. 1977) focuses on the cube as subject in her cfaal (Cubes for Albers and LeWitt) series, using this basic form to explore the behavior and production of color in analog photography. Influenced by Surrealism and New Wave cinema, Whitney Hubbs (b. 1977) captures the classic subject of the female nude in rich black and white tones. Matthew Porter (b. 1975) works within various photographic genres, creating multiple-exposure still life studio compositions, layered portraits and landscapes. MAGNUM, Paris Exhibited artists: Bruno Barbey/Bruce Davidson/Elliott Erwitt/ Jean Gaumy/Bruce Gilden/Harry Gruyaert/Thomas Hoepker/David Hurn/ Hiroji Kubota/Herbert List/Paolo Pellegrin/Moises Saman/Jérôme Sessini A43 Magnum Photos presents a selection of contemporary and vintage prints that celebrates the wealth and diversity of its photographers through a cross section: from the classic black and white icons of Elliott Erwitt, David Hurn, Thomas Hoepker, Chris Steele-Perkins, Bruce Davidson and Bruno Barbey to striking contemporary documentary works of Jerome Sessini, Moises Saman, Harry Gruyaert, Bruce Gilden and Paolo Pellegrin. Moreover, in resonance with the World Conference on Climate Change, Magnum Photos, features the work of several photographers who explore our relationship to the natural landscape and bear witness to the effects of climate change, in particular, works by Jean Gaumy. Photographs by Hiroji Kubota and Donovan Wylie will also be presented. 55 MAI 36, Zürich - NEW EXHIBITOR C21 Exhibited artists: Luigi Ghirri/Andreas Gursky/Candida Höfer/Peter Hujar/ Axel Hütte/Robert Mapplethorpe/Thomas Ruff/Jörg Sasse/Thomas Struth Mai 36 Galerie presents a selection of photographs grouped by the geographical origin of their artists and distinguished by their different visions of the subjects at the moment the images are captured. The works by the American photographers Peter Hujar and Robert Mapplethorpe are centered on the body (which by the first artist is presented in its erotic connotation, by the second as architecture), while the photographs of the so-called Düsseldorf School (Thomas Ruff, Wolfgang Struth, Andreas Gursky, Axel Hütte, Andreas Sasse among the others) are characterized by the very German ability to portray architectures as well as landscapes strongly modified by human intervention in an extremely analytical and detached way. As for the third group of works, the gallery presents photographs by the Italian artist Luigi Ghirri, who like very few others, was able to catch the landscapes of a changing Italy from the early `70s, in a manner that suggests a certain melancholy rather than critique; a gaze that was applied also while depicting other countries. 56 MARTIN ASBÆK, Copenhagen Exhibited artists: Elina Brotherus/Nicolai Howal/Trine Sondergaard/ Ebbe Stub Wittrup/Martin Liebscher E5 Elina Brotherus focuses in her works on the relationship between individual and space. In the exhibited photographs Brotherus also touches upon visual storytelling and creates a universal narrative that is based on own experiences. Nicolai Howalt´s works spans across documentary, conceptual art and installation. The artist´s interest in duality, connections and relationships is a study of life and its fragility. Danish photographer Astrid Kruse Jensen explores the borderland between the hidden and the apparent, the real and the imaginary. Trine Søndergaard’s work is marked by a precision and a sensibility that co-exists with an investigation of the medium of photography, its boundaries and what constitutes an image. Layered with meaning and quiet emotion, her works are highly acclaimed for their visual intensification of our perception of reality. Ebbe Stub Wittrup´s photographic practice marks a mysteriousness that makes one think of a series of narrative worlds and also, reality on the basis of a specific conception of the world. Martin Liebscher´s digital photographs are produced with an automatic shutter release. The figures are digitally manipulated. They are images of a real person in action. NATHALIE OBADIA, Paris Exhibited artists : Valérie Belin/Luc Delahaye/Patrick Faigenbaum/ Youssef Nabil/Andres Serrano/Mickalene Thomas/Agnès Varda B26 Galerie Nathalie Obadia presents the work of Valérie Belin, recently exhibited in the solo exhibition at the Centre George Pompidou; Luc Delahaye, winner of the Prix Pictet 2012; Patrick Faigenbaum, winner of the Cartier-Bresson Award 2013 exhibited at the Foundation and the Gallery Kolkata/Calcutta; Youssef Nabil also exhibited at the gallery; Andres Serrano, with two solo exhibitions at the Musées Royaux des Beaux-Arts, Belgium and the Maison Européenne de la Photographie, Paris in 2016; Mickalene Thomas and Agnes Varda, with the forthcoming solo exhibition VARDA/CUBA at the Centre George Pompidou, from 11 November to 1 February 2016. NEXTLEVEL, Paris - NEW EXHIBITOR D45 Exhibited artists: Hugo Aveta/John Chiara/Ronan Guillou/Martina Hoogland Ivanow/ André Kertész NextLevel presents works by André Kertész, Martina Hoogland Ivanow, John Chiara, Ronan Guillou and Hugo Aveta. From different generations and cultures, their singular work nonetheless shares several fundamental aspects: the expression of a precise and highly personal vision, the exploration of the photographic process, the application of finely honed craftsmanship in the construction of both the visual content and physical production of their photographic project. While each artist creates a unique photographic language - only color work is presented in this selection - they share a certain timelessness, in the sense of being ‘not identified with a specific time’: while André Kertész’ Polaroids from the late 1970s are incredibly contemporary, Martina Hoogland Ivanow’s somber images bring to mind the Flemish palette yet are catapulted into today by her eery, colordrenched landscapes. John Chiara’s hand-built camera, handmade and unique prints seem to bear a response, with poetry, simplicity and traditional techniques, to the anxieties of an over-technologized and stressed society; Hugo Aveta creates dense yet shadowy images that seem to move, like an old film flickering through our mind, rerunning the subconscious vestiges of history, politics and memory. PARIS-BEIJING, Paris Exhibited artists: Wang Bing/Liu Bolin/Zhang Kechun D2 Galerie Paris Beijing presents a selection of works by three emblematic artists from different waves of Chinese photography: documentary photography, photo performance, and the young generation. Documentary photography presented by Wang Bing is internationally known and recognized for his films and photoreportages on human realities at the margin of Chinese society that have been shown last year at the Centre Pompidou Acclaimed by critics and reconized as one of the most important Chinese artists, documentary makers and film directors of his time, his first passion was photography that he studied in Shenyang, at the Lu Xun Academy of Fine Arts. His photographic series have been recently shown on the occasion of the retrospectives of his entire work in major museums, as the Centre Popidou in Paris and the Cinemathèque Royale de Belgique (2014). The Man with No name black and white series (2013) documents the life of a silent vagabond in the uninhabited and abrid landscape of Hebei, in Northern China. Liu Bolin is internationally known and recognized artist for his camouflage photoperformances series Hiding in the City, he has recently launched a new series of works named Target, always inspired by social contradictions and civilization pains. Today, human beings are too often in danger like innocent targets of economic interests and politic or religious conflicts. For this series, the artist doesn’t stage the performances alone, but invites many people to be camouflaged into selected sceneries, thanks to the help of his team of painters and photographs. Zhang Kechun is acclaimed by critics during the last edition of the Rencontres d’Arles, his first work The Yellow River (2012) was published and exhibited worldwide. Inspired by the legendary novel River of the North by Zang Chengzhi, the artist has travelled and took images of the current life along the river that has been plagued with flooding, pollution and destruction caused by China’s push to modernize. 57 PATRICIA CONDE, Mexico B17 Exhibited artists: Hugo Brehme/Hector García/Kati Horna/Patricia Lagarde/ Mary Ellen Mark/Rodrigo Moya/Juan Ocón/Manuel Ramos/Mariela Sancari Patricia Conde Gallery presents the most outstanding vintage archives of Mexican modern photography emphasizing the impact of Mexican cameras in the world of photography and the particular imagery their deep sensitivity and appreciation of the technique reveals. Exclusive vintage work by Kati Horna, Héctor García, Agustín Jiménez, Manuel Ramos and Hugo Brehme, is presented. Dialoguing with these referential artists for Mexican photography, recognized contemporary artist, Patricia Lagarde, exhibits her latest work Instrumentos para mirar el universo, an exquisite piece formed by a series of objects and ambrotypes. PHOTO&CONTEMPORARY, Turin B6 Exhibited artists: Béatrice Helg /Georges Rousse/Silvio Wolf/Hiroyuki Masuyama 58 PHOTO&CONTEMPORARY presents a group-show investigating the concept of visual perception and constructed image in the Staged Contemporary Photography through different approaches and techniques. The Gallery presents large format photo-anamorphoses by French artist George Rousse, who paints and sculpts empty buildings interiors before taking a final picture that changes the view, the perspective and the soul of the places depicted. Swiss artist Béatrice Helg creates theatrical large-format sets, moving weathering steels, glass, marble sheets and creating a sophisticated geometrical imagery with a rare perspectival ambiguity. Manipulated and abstract images from the full colour series Horizon by the Italian Silvio Wolf, derived from details of wasted scraps of the analogic photographic process, selected, assembled and enlarged by the artist in medium and large-sized Diasec. These “scriptures of light” represent a borderline between photographic objectivity and abstraction, a reflection on the roots of the language. Japanese Hiroyuki Masuyama creates intriguing pictures assembling images (150-1000 for each final work) during his long worldwide journeys or flights, returning to the sites captured by the famous painters-travellers of the Nineteenth Century as J.M.W.Turner or Caspar David Friedrich. Also presented are new works from his series of large-format lightboxes after Turner paintings, following step-by-step the English Master’s Grand Tour between 1820 and 1840, retraced through thousands of images taken from the same view points as the Old Master’s famous paintings and watercolours. POLARIS, Paris Exhibited artists: Eric Aupol/Matthias Bruggmann/Louis Heilbronn/ Anthony Hernandez/Nigel Rolfe D35 Polaris presents a retrospective of vintage photographs by Los Angeles artist, Anthony Hernandez including the series Shooting Sites made in 1988 and never-since exhibited. Anthony Hernandez is currently preparing his retrospective at the San Francisco Museum of Modern Art for Spring 2016. The Gallery also presents British artist Nigel Rolfe, with a box of 50 photographs retracing 20 years of performance from 1975 to 1995. Also on show are new photographs by Swiss artist, Matthias Bruggmann back from Syria, and finally, a new series by young American photographer Louis Heilbronn on water problems in India. PURDY HICKS, London Exhibited artists: Susan Derges/Tom Hunter/Anni Leppala/Diana Matar/ Jorma Puranen/Tessa Traeger/Bettina von Zwehl D43 The camera has been perceived for most of its life as a recording device, with portraiture as one of its main functions. The instant record, however, has never been a totally satisfactory result for artists to whom photography is but a tool. Their main challenge has been to overcome that time-stopping moment of the aperture click and play the viewers’ memory. Purdy Hicks shows how artists continue to look for innovative ways to portray the human being, often referring back to early images with a presentation of works by artists Susan Derges, Tom Hunter, Anni Leppala, Diana Matar, Jorma Puranen, Tessa Traeger and Bettina von Zwehl. ROBERT KLEIN, Boston D3 Exhibited artists: Magda Biernat/Henri Cartier-Bresson/Mark Cohen/Gohar Dashti/ Jim Dow/Alireza Fani/Shadi Ghadirian/Mario Giacomelli/Cig Harvey/ Horst P. Horst/Bill Jacobson/Bahman Jalali/Tahmineh Monzavi/Gordon Parks/ Irving Penn/Sebastião Salgado/Paulette Tavormina/Francesca Woodman Robert Klein Gallery presents a selection of contemporary work focusing on the Earth as a mutable habitat for humankind, an ecosystem that can be at times delicate and benevolent and at other times, harsh and dangerous. This booth exhibits landscapes made in a nontraditional sense, photographs that stretch the boundaries of the genre and offer Western and Eastern perspectives side-byside. For the press, the gallery features one artist from each hemisphere: Prints from Iranian photographer Gohar Dashti’s 2015 series Stateless, which mythicizes the future of refugees in the natural world, are featured. Dashti is the foremost fine art photographer in Iran and has exhibited at Museum of Fine Arts, Boston, MA, USA; Carnegie Museum of Art, Pittsburgh, PA, USA; Somerset House, London, UK; and L’Institut des Cultures d’Islam, Paris, FR, among others. American Bill Jacobson, a 2012 Guggenheim Fellow, has been exploring the human passage through the world for over thirty years. Place (Series) focuses on the contradictions between architecture and nature, the man-made and the natural by honing in on the tensions created in intersecting planes. Jacobson is signing copies of Place (Series), Radius Books, 2015, at the fair on Friday, November 13. 59 ROBERT KOCH, San Francisco Exhibited artists: Trent Davis Bailey/František Drtikol/Jaromír Funke/ Robert Heinecken/Jaroslav Rössler/Michael Wolf 60 C51 Robert Heinecken is known for his alternative approaches and processes that challenged and expanded traditional notions of the photographic medium. Heinecken rarely used a camera, instead drawing on appropriated imagery from magazines and newspapers, and employing techniques like lithography, etching, camera-less exposure and photo emulsion on canvas. Robert Heinecken was the subject of a 2014 retrospective exhibition at the Museum of Modern Art, New York; and the Hammer Museum, Los Angeles, California. On view in our booth will be his Recto/Verso portfolio. TR Ericsson's Cleveland Museum of Art catalog Crackle and Drag is short listed for the 2015 Paris Photo-Aperture Photography Catalog of the Year. Ericsson explores his eccentric family history using his own biography as a point of departure to explore universal themes of identity, grief, and loss. Trent Davis Bailey received the 2015 Museum of Contemporary Photography Snider Award for his intimate images of the people and landscape of a remote agrarian community in Colorado. Bailey's work is driven as much by storytelling as by the artist's vested self-interest in his family's history, presenting us with a sense of kinship, community, and wonder in a land of unrelenting beauty. Tamas Dezso's monograph Notes for an Epilogue, recently released by publisher Hatje Cantz, presents a beautiful yet somber look at the pastoral landscapes and forgotten way of life of an economically exhausted Romania & isolated regions within the country. Tamas Dezso will be at Paris Photo for book signings. Steve Fitch's influential, landmark photographic images pay homage to the American highway and peculiar roadside attractions. Vintage contact prints of Fitch's anthropological studies of the American West will be displayed in the Koch Gallery booth. Rachelle Bussières Blurs the lines of photography, painting and sculpture, Bussières employs photographic materials and processes to fabricate images that explore our relationship to the physical world, time, and perception. Bussieres is the recipient of the 2016 Graduate Fellowship Award from the Headlands Center for the Arts. ROBERT MANN, New York D18 Exhibited artists: Julie Blackmon/Jeff Brouws/Eugène Atget/Walker Evans/Cig Harvey/ Dorothea Lange/Maroesjka Lavigne/Liudmila et Nelson/José Julián Martí/ Alejandro Pérez/Alfredo Ramos/Arthur Rothstein/Aaron Siskind/Lissette Solórzano Robert Mann Gallery presents a collection of perennial favorites with new works by Julie Blackmon and Cig Harvey. Blackmon places a whimsical lens over the face of family life and domesticity while Harvey’s newest series Gardening at Night, which heralded the gallery’s season, shares the intimacy of moment through carefully curated images. A monograph of the same title has recently been released. Following the tremendous critical success of our spring exhibition The Light in Cuban Eyes, a portion of the display features the images of Cuban photographers. This work represents the extraordinary scope of diverse talent that transcends Cuba’s borders to find its place within the global art community. Robert Mann is also excited to include works from a recent acquisition of a notable private collection. Features of the group include the works of Walker Evans, Dorothea Lange, Aaron Siskind, Harry Callahan, and Joe Deal. ROBERT MORAT, Hamburg Exhibited artists: Jessica Backhaus/Bernhard Fuchs/Michael Lange/ Ute + Werner Mahler/Robert Voit A47 From Ute and Werner Mahler -key figures in East German photography in the 1970s and 1980s, founders of the prestigious Ostkreuz agency after German re-unification and influential teachers and artists today– to Bernhard Fuchs, student of Bernd and Hilla Becher in Dusseldorf, to Robert Voit, master class student of Thomas Ruff, to Jessica Backhaus, German by decent, but educated in Paris and equally established in France and the US, the gallery presents a cross section of contemporary photography out of Germany and presents five artists whose work has given them distinguished positions in the international field today. ROCIO SANTA CRUZ, Barcelona B37 Exhibited artists: Mar Arza/Vari Caramés/Blanca Casas Brullet/Jordi Mitjà/ Xavier Miserachs/Montserrat Soto/Miguel Trillo/Mayte Vieta Rocio Santa Cruz presents photography from the period of the 1950s to the picturing the atmosphere of Francoist Spain by the work of Oriol Maspons, the most recognized representatives of the so called School of Barcelona. unseen work by Spanish photographer Miguel Trillo visualize the 1980s and period of Spanish Transition. Contemporary poetic-abstract photography by and Jordi Mitjà (Figueras, 1970) complete the exhibition project for this 1970s one of So far the Mar Arza year. RX, Paris D15 Exhibited artists: Bae Bien-U/Denis Darzacq/Du Zhenjun/Anna Malagrida/George Rousse The RX gallery presents a selection of five large photographs by French artist Georges Rousse as well as a collective exhibition of other artist-photographers including Denis Darzacq with a collective artworks DoubleMix a mix photograph and ceramic created with the earthenware of Anna Lüneman. Also presented is the Display series by Anna Malagrida, and Babel Tower by Du Zhenjun. SAGE, Paris C34 Exhibited artists: Richard Avedon/Michio Harada/Naoya Hatakeyama/Tatsuo Kawaguchi/ André Kertész/Germaine Krull/Carlo Mollino/Daido Moriyama/Irving Penn/ Akiko Takizawa/Wolfgang Tillmans/Andy Warhol SAGE Paris honors Japanese photography allowing viewers to discover or rediscover a major work by Naoya Hatakeyama -the extraordinary Blast series, from his 2011 retrospective at the Tokyo Metropolitan Museum of Photography- as well as two of the Cosmos by Tatsuo Kawaguchi, founder of the artist group "i" whose works precedes by a few years ARTE POVERA and the French and American conceptual scenes. His works were notably at the Tokyo Biennale in 1970 and the Paris Biennale in 1973. SAGE Paris show also a selection of important works by Richard Avedon, Nan Goldin, André Kertész, Germaine Krull, Annette Messager, Carlo Mollino, Daido Moriyama, Irving Penn, Akiko Takizawa, Wolfgang Tillmans, Andy Warhol. 61 SCHOOL OLIVIER CASTAING, Paris Exhibited artists: Bachelot-Caron/Gilles Caron/Sacha Goldberger 62 D8 Olivier Castaing presents Gilles Caron, major figure in photography in France. The gallery devoted to him a solo exhibition in June-July 2015, marking the beginning of the collaboration initiated between Gilles Caron Foundation and School Gallery. Gilles Caron deserves a rightful place in the history of journalism, art and photography. Scrapbook and more broadly the work undertaken by the Foundation since its inception aim to make known to a wider public, Gilles Caron in his work, his life and his commitment. Pictures of Caron enter today in the great art collections, museums, and some have become synonymous of masterpieces (exhibition Masterpieces Beaubourg-Metz, 2011). Gilles Caron would today be 75 years-old; it only took him 5 years in the late 60s to leave his outstanding mark in the history of photography. May 68, the 6 Day War, Vietnam, Biafra, the riots in Londonderry. This young photographer is present on all fronts. And it leaves behind more than 100 000 photographs. Discovering Gilles Caron’s archives is like going through a history book, as they contain portraits of legendary men and women. De Gaulle, Mendès France, Sartre and Beauvoir, Cohn-Bendit, Bob Kennedy, but also music and cinéma stars as Louis Armstrong, James Brown, Jacques Brel. Romy Schneider, Jeanne Moreau, François Truffaut, Faye Dunaway, Warren Betty, to name a few. Gilles Caron was an extraordinary portraitist who knew how to capture moments of grace revealing intimate personalities, as in the portrait of Gainsbourg and Birkin on the set of Slogan. More than all, photographs taken by Gilles Caron as a war reporter impress. Each photograph contains an innate sense of framing, dramaturgy, tempo, it is there or it is necessary when to reveal some truth to these experiences conflict from the inside, on the battlefield among the fighters in the heat of the moment; a harsh truth, sent, sound. Each image is as augmented reality, the sludge and hints sweating soldiers in Vietnam the smell of charred bodies of Biafra. Everything is captured on film, indelible, to demonstrate the commitment of one of the great photographers of our time. STEPHEN BULGER, Toronto A41 Exhibited artists: Sara Angelucci/Scott Conarroe/Max Dean/Joseph Hartman/Dave Heath/ Clive Holden/André Kertész/Vivian Maier/Deanna Pizzitelli/Elaine Stocki/ Larry Towell Stephen Bulger Gallery exhibits work by Canadians who have used photography to create engaging work in various genres. Showcasing mid-20th Century works through to contemporary, the gallery highlights artists celebrated in Canada, and more recently recognized internationally. Documentary work is represented by Larry Towell’s work from Afghanistan that was the subject of a major monograph recently published by APERTURE, as well as in the Artist Studios project by Joseph Hartman. This tradition is subverted in the contemporary approaches of Sara Angelucci and Elaine Stocki. Social Commentary from a personal, poetic stance is represented by Dave Heath’s B&W work from the 1960’s; as well as Deanna Pizzitelli’s contemporary works that explore intimate settings and moments. Landscape is exemplified in work by Scott Conarroe, which celebrates North American infrastructure and is the subject of new media work by Clive Holden. Ruminations on interstellar space are witnessed through new work by Sanaz Mazinani and the creative process is explored by Max Dean. STEPHEN DAITER, Chicago A33 Exhibited artists: Dawoud Bey/Lou Bonin-Tchimoukow/Brassaï/Josef Breitenbach/ Robert Frank/John Gossage/Kenneth Josephson/Gyorgy Kepes/André Kertész/ László Moholy-Nagy/Martin Parr/Aaron Siskind/Joseph Sterling Stephen Daiter presents THE POND by John Gossage, a series of forty-nine beautiful and tonal vintage prints. It is the only integral set for sale. Related to the “New Topographic” movement, this work has also been published as a book of the same title by Aperture in 1985. Also on view is vintage photographs associated with the New Bauhaus and the Institute of Design of Chicago: a large format print (50 x 40 inch) from Aaron Siskind’s Martha’s Vineyard work, a photogram by György Kepes, and a reversed photogram by László Moholy-Nagy. The gallery exhibits rare photo-collages by Joseph Breitenbach, Marion Palfi and French artist Lou Bonin-Tchimoukov, member of the October Group. Another portion of our booth is dedicated to the “New York Photographic School”, from Robert Frank to Helen Levitt, including Lewis Hine, Sid Grossman and David Heath. Both versions Night & Day of Washington Square, New York, by André Kertész exceptionally is shown at the same time. Contemporary photographers Martin Parr, Gary Schneider, and Dawoud Bey—guest speaker for the Paris Photo 2015 Platform— are also exhibited. STILLS, Sydney A36 Exhibited artists: Trent Parke/Patrick Pound/Justine Varga Stills Gallery presents three contemporary Australian artists who offer uniquely expansive approaches to the photographic medium. Magnum photographer Trent Parke transforms personal narratives into universal themes of life and loss; conceptual artist Patrick Pound finds amusing and poetic connections within a vast collection of found photographs; and Justine Varga uses camera-less photography to accumulate time and performative gestures within seductive fields of colour. TAKA ISHII, Tokyo D22 Exhibited artists: Araki Nobuyoshi/Hosoe Eikoh/Iturbide Graciela/Kodaira Masahiro/ Moriyama Daido/Murakoshi Toshiya/Narahara Ikko/Suzuki Kiyoshi/Suzuki Risaku/ Tahara, Keiichi/Takanashi Yutaka/Tsuda Nao/Yoshino Erika Taka Ishii presents both established and emerging photographers with vintages by masters of modern photography including Nobuyoshi Araki, Daido Moriyama, Eikoh Hosoe and Graciela Iturbide and three different daily presentations of younger Japanese photographers; Toshiya Murakoshi, Masahiro Kodaira and Erika Yoshino. 63 TEMNIKOVA & KASELA, Tallinn - NEW EXHIBITOR Exhibited artists: Krista Mölder/Jaanus Samma/Sigrid Viir A15 Temnikova & Kasela Gallery presents works by three Estonian artists with an installation by Sigrid Viir, a series of photographs by Jaanus Samma, and works by Krista Mölder. 64 Sigrid Viir's practice is situated between photography, installation and performance. Often evolving around the private sphere of family and domestic situations, her works explore existing social models and question the functionality of their structures, while simultaneously trying to locate her own role as an artist within these systems. Jaanus Samma’s body of work includes photographs, installations and videos that were initially concerned with subjective experiences of urban space. His interest later shifted towards gender studies, representations of male sexuality and ways of portraying it artistically. Samma's current research is focused on mapping out gay narratives of Soviet Estonia by combining fieldwork with more subjective and artistic output produced based on the findings. As a photographer, Krista Mölder is interested in the relationship between the person and the space. Her melancholic photo series often highlight a distinctive absence of a subject, while presupposing an active viewer position. Mölder’s exhibitions are increasingly site-specific, taking her interest in spatial context beyond the photographs themselves. THOMAS ZANDER, Cologne A18 Exhibited artists: Manuel Álvarez Bravo/Robert Adams/Lewis Baltz/Lothar Baumgarten/ Peter Downsbrough/Mitch Epstein/Walker Evans/Lee Friedlander/Andrea Geyer/ Philippe Gronon/Anthony Hernandez/Candida Höfer/Helen Levitt/Dieter Meier/ Trevor Paglen/Tod Papageorge/Max Regenberg/Judith Joy Ross/Santiago Sierra/ Larry Sultan/Henry Wessel/Garry Winogrand Thomas Zander presents highlights by Mitch Epstein, Lee Friedlander, and Candida Höfer. In his latest series of rocks and clouds in his native city of New York, photographer Mitch Epstein inverts people’s usual view of the city. The large format black and white prints illuminate the spatial and temporal dimension of these contrasting elements in an urban environment and continue Epstein’s investigation into the city’s accommodation and alteration of nature. In 1964, Lee Friedlander was hired by Harper’s Bazaar to photograph the highly anticipated new car models of that year: Chryslers, Buicks, Pontiacs, and Cadillacs. Friedlander, however, photographed the brand new vehicles against mundane urban backdrops like parking lots, run-down storefronts or even a used-car lot. As Friedlander says, “I just put the cars out in the world, instead of on a pedestal.” Eventually not published at the time— Friedlander rediscovered the photographs in 2010. The 33-part series of black and white prints are on view. For more than thirty years, Candida Höfer has created meticulously composed images of architectural interiors—mostly of public and institutional spaces—spaces that bespeak human interaction, yet are devoid of human presence. At Paris Photo, the gallery is pleased to present a large format colour work of the Palace of Versailles. Höfer studied photography under renowned professor Bernd Becher from 1976 until 1982. She is the senior member of the first class of students to study at the Düsseldorf Academy under Becher’s tutelage. In 2003 the Cologne based photographer represented Germany at the Venice Biennial and is one of the most important contemporary artists in Germany today. TOLARNO, Melbourne Exhibited artists: Bill Henson/Rosemary Laing/Tim Johnson B4 Tolarno Galleries presents the work of three contemporary artists with distinctive approaches to photography. Tim Johnson, a key player in conceptual art in Australia, documented people exactly as they were on the streets of Sydney in the early 1970s. Rosemary Laing creates spectacular panoramas that explore the possibilities of re-inventing landscape photography, and unfettering the body from the mechanics of flight. Bill Henson, the ‘maker of magic’, composes painterly tableaux that resonate with a profound sense of truth and beauty. Influenced by Marcel Duchamp’s ‘objet trouve,’ Tim Johnson, in his early twenties, used a camera in 1972 to record women’s dresses blown up by the wind on Sydney streets, documenting the time and place of each photograph over a period of three months. The gallery presents a selection of these rare grainy black-and-white photographs from the series titled Public Fitting. Public Fitting broke from the tradition of a static contemplated image as it captured real people caught at a specific moment in time. Rosemary Laing’s large-scale photographic scene of a woman wearing a bridal dress suspended in the air is one of her most enigmatic and surreal images. Tolarno features this work, flight research #5, 1999, which suggests freedom and transcendence, alongside more recent photographs from her 2006 weather series. In the weather photographs the woman spins out of control, caught in a vortex of printed matter. Rosemary Laing’s compelling images reflect on our natural and cultural environments. Meticulously staged, these unlikely scenes have been created without any digital manipulation. Untitled 1974 (ballet) is Bill Henson's earliest photographic series, made when he was just 19 and forming his first solo show at the National Gallery of Victoria in Melbourne, Australia. When photographing the young ballerinas who are the entrancing subjects of these photographs, he found himself fascinated by faces, “lost to the world, absorbed in the dance. So I photographed their faces rather than their bodies. I was drawn to the spirit of some person in a space,”(Bill Henson, 2004). Bill Henson accompanies the launch of Particle Mist, (Stanley/Barker London). This is the first book devoted to the ballet series. TOLUCA, Paris C24 Exhibited artists: Johanna Calle/Armando Cristeto/Facundo de Zuviria/León Ferrari/ Fernell Franco/Paolo Gasparini/Pablo Hare/Graciela Iturbide/Jorge Ortiz/ Santiago Rebolledo/Miguel Rio Branco/Victor Robledo/Miguel Angel Rojas/ Leonora Vicuña/Manuel Zavala Latin-American photography, championed by Éditions Toluca since the creation of the publishing house, has earned a place internationally as a photography of mutations, whether urban, demographic, esthetic, or political. The 1970s and 1980s played a key role in the region’s transition to modernity and on to postmodernity, even as the two currents overlapped. They were violent times. Colombia saw its population double. In the aftermath of a civil war, out of the fractures left in rural areas by processes of urban industrialization, a powerful guerilla movement was born. Drug cartels attempted to take over the state. In Peru, thousands of people were disappeared during the conflict between the Shining Path revolutionaries and the military. What traces of these events, what presences are captured by photography? How to photograph what has disappeared, what is disappearing? The searing posters of Sergio Trujillo, with their play of masks, the abstract expressionism of Santiago Rebolledo’s compositions, torn from the walls of the city, the billiard halls of Fernell Franco, vestiges of a bygone era, condemned to destruction, the landscapes of Johanna Calle, cut into the sensitive layers of old Polaroids, the peeling plaster and remnants of fresco painting of Jorge Heredia call us to a memorial liturgy. 65 VINTAGE, Budapest D37 Exhibited artists: Gabor Attalai/Karoly Escher/Tibor Hajas/Karoly Halasz/ Gyula Holics/Kata Kalman/André Kertész/Imre Kinszki/Gyorgy Lorinczy/Dora Maurer/ Geza Perneczky/Erno Vadas Vintage Gallery presents artists representing different positions in Hungarian modernist photography and post-war neo-aventgarde art. This comparison of pre-war oeuvres of internationally recognized artists like André Kertész, or Imre Kinszki and their post-war followers lightens the breaks in history of progressive Hungarian art. In this selection the Gallery shows surviving pieces of the Hungarian neo-avantgarde art scene parallel with modernist pieces. Conceptual artists like Dóra Mauer, Tibor Hajas or Gábor Attalai were colleagues, friends collaborated on certain projects and were very important to the non-official art-scene in the 70-ies and 80-ies in Hungary. These artworks were not accessible to a greater public at the time of their creation, but noticed by different museum collections in the last few years. VU’, Paris Exhibited artists: Juan Manuel Castro Prieto/Pierre Elie de Pibrac/ Pierre Olivier Deschamps/Alexia Monduit/Ester Venplon/Guillaume Zuili 66 B2 Galerie VU’ highlights artists who utilize photography as a medium to question the precariousness of our world and of the visible. Faithful to our exploration of the Spanish photography scene, the gallery showcases the images of Juan Manual Castro Pietro (unpublished, unique pieces) and Israel Ariño, who both transfigure and transform “the real” through their photography. Three other artists offer us their visions of the fragility of the planet: Pierre-Olivier Deschamps with his vertiginous yet pictorial images of the disused wastelands in Samaria; Guillaume Zuili with his series Scrap Metal, which reveals the devastation resulting from our consumerist excesses; and the unique pieces—made on silk panels—by Ester Vonplon, which are taken on rocky mountainsides as part of the artist’s recurring questions around disappearance and absence. The gallery also welcomes young talent: a new series by Alexia Monduit – created since her exhibition Into My Song at Galerie VU’ as well as Analogia by Pierre-Elie de Pibric, a piece which was shot at the Opéra Garnier and conveys the echoes between the majestic space and the bodies of the dancers themselves. YANCEY RICHARDSON, New York Exhibited artists: Olivo Barbieri/Sharon Core/Andrew Moore/Ed Ruscha/ Sebastião Salgado/Masao Yamamoto A34 Yancey Richardson Gallery is pleased to present work by a select group of gallery artists including Olivo Barbieri, Bryan Graf, Andrew Moore, Hellen van Meene, and Sebastiao Salgado in addition to early examples of three important American photographers: Lewis Baltz, Robert Mapplethorpe, and Ed Ruscha. The gallery showcases a selection of color photographs by Italian photographer Olivo Barbieri whose mid-career retrospective is currently on view at MAXXI, Rome. Emerging American artist Bryan Graf uses found objects, low-fi processes and an experimental approach to produce large-scale unique photograms that explore the opposing forces of control and chance. Andrew Moore’s latest series Dirt Meridian explores the settlement and subsequent abandonment of the region along the 100th meridian bisecting the American Plains. Hellen van Meene’s portraits of girls and adolescents examine the intimacy of the photographer/ subject relationship and highlight the beauty of imperfection. Her contemporary take on photographic portraiture is the subject of The Years Shall Run Like Rabbits, a 250 page monograph by Aperture, published to coincide with van Meene’s mid-career retrospective at the Fotomuseum den Haag. Lastly, the gallery presents examples from Genesis, the eight-year project by internationally renowned artist Sebastiao Salgado, which highlights the pressing issues of environmental degradation and climate change. YOSSI MILO, New York Exhibited artists: Marco Breuer/Markus Brunetti/Chris McCaw D20 Yossi Milo Gallery presents three artists who push the boundaries of photography in different directions. Inspired by historic processes, Chris McCaw makes one-of-akind photographs using homemade cameras, vintage gelatin silver paper and the sun. Dispensing with a camera entirely, Marco Breuer directly manipulates the surface of color photo paper by hand. Markus Brunetti masterfully utilizes digital tools to capture the façades of sacred European architecture in hyper-realistic detail. YUMIKO CHIBA, Tokyo - NEW EXHIBITOR D10 Exhibited artists: Norio Imai/Masafumi Maita/Jiro Takamatsu/Keiji Uematsu/ Kanji Wakae From the end of ‘60s to the early ‘70s, photography was a prevalent art form in Japanese contemporary art. Influenced by the mainstream Mono-ha art movement in Japan after the World War II, photography posed fundamental questions to art itself in terms of perception and recognition as well as representation, and the experimental action by the artists used who photography as a means of expression. However, compared with Mono-ha, meaning and significance of this art form are still in question today. This exhibition examines the art and photographs created in the ‘60s and‘70s in each genre, from the point of today’s contemporary art by featuring five Japanese artists, Jiro Takamatsu, Kanji Wakae, Keiji Uematsu, Masafumi Maita and Norio Imai, who were very active in the art movement. ZILBERMAN, Istanbul Exhibited artists: Ahmet Elhan/Zeynep Kayan/Şükran Moral C42 Galeri Zilberman exhibits works by artists whose practices are at once political and poetic, specifically dealing with timely issues in representation through photography —a medium that expounds on the slippage between the document and the fictional, if there is such a distinction. Expanding on the notion of photography, the artists converge in pushing the limits of what they know, to seek answers to understand through the photographic surface and further complicate the political and social phenomena and their representations. The artists included in this presentation are Ahmet Elhan, Zeynep Kayan, and Şükran Moral. The presentation contributes to the artistic discourse through the medium of photography via three divergent practices from different generations that address the place of contemporary photography in artistic practice. 67 DÉDICACES DES LIVRES JEUDI 12 NOV 13h 15h 68 Elliott Erwitt, Magnum, A43 RAYMOND CAUCHETIER, James Hyman, A38 DAVID ALAN HARVEY, Magnum, A43 EMINE GOZDE SEVIM, Kehrer Verlag, EE9 RENÉ GROEBLI, Esther Woerdehoff, D48 SEBASTIAN RIEMER, Dix9 - Hélène Lacharmoise, A37 15h30 THOMAS VAN DEN DRIESSCHE, André Frère Éditions, EE16 16h ROGER BALLEN, Oliver J Wood, EE20 MARTIN ESSL, Kehrer Verlag, EE9 PATRICK FAIGENBAUM, Éditions Xavier Barral, EE8 MARINA GADONNEIX, Michèle Chomette, A6 NAN GOLGIN, Aperture EE7 OTTO HAINZL, Kehrer Verlag, EE9 EDGAR MARTINS, Oliver J Wood, EE20 MARTIN PARR, Dirk Bakker Boeken, EE15 TIMM RAUTERT, Parrotta, B38 WILLY & DOMINIQUE RIZZO, Eric Franck, C40 MARIELA SANCARI, La Fabrica, EE14 ROSALIND FOX SOLOMON, Bruce Silverstein, D30 16h30 PAULO NOZOLINO & STÉPHANE DUROY, Leica, EE30 17h BRUNO BARBEY, Magnum, A43 VERONIQUE BOURGOIN, Dirk Bakker Boeken, EE15 FRANÇOIS CHEVAL, Lumière des Roses, A16 ANTOINE D’AGATA, André Frère Éditions, EE16 CÉDRIC DELSAUX, East Wing, B36 CRISTINA DE MIDDEL, La Fabrica, EE14 CHRISTIAN MILOVANOFF & BERNARD LATARJET, Françoise Paviot, B34 MARTIN PARR, Éditions Xavier Barral, EE8 ERIC RONDEPIERRE, Michèle Chomette, A6 MIGUEL ROTHSCHILD, Bendana | Pinel, C45 JUAN TRAVNIK, Anticuaria Poema 20, EE17 MAURICE VAN ES, Dirk Bakker Boeken, EE15 BETTINA VON ZWEHL, Purdy Hicks, D43 17h30 DAWID, Grundemark Nilsson, D40 THOMAS MAILAENDER, Oliver J Wood, EE20 18h ANTOINE D’AGATA, Éditions Xavier Barral, EE8 ESTEFANIA D’ESPERIES, Anticuaria Poema 20, EE17 HARRY GRUYAERT, Éditions Textuel, EE22 ALAIN LABOILE, Kehrer Verlag, EE9 THOMAS MAILAENDER, Dirk Bakker Boeken, EE15 BETTINA RHEIMS, Taschen, E1 VALÉRIE WINCKLER, Thessa Herold, B46 18h30 JANE EVELYN ATWOOD, André Frère Éditions, EE16 VIVIANE SASSEN, Stevenson, A22 -- VENDREDI 13 NOV 12h ANTONY CAIRNS, Oliver J Wood, EE20 IÑAKI DOMINGO, RM, E11 12h30 ADRIAN SAUER, Klemm’s, B13 13h VALÉRIE BELIN, Nathalie Obadia, B26 FRANK HORVAT, Fifty One, B40 14h BRUNO CESCHEL, Aperture, EE7 CHRISTOPHE GIN, Kehrer Verlag, EE9 JOHN GOSSAGE, Stephen Daiter, A33 BILL JACOBSON, Robert Klein, D3 DESIREE VAN HOEK, Dirk Bakker Boeken, EE15 15h TONI AMENGUAL, Livraria Madalena, EE2 JACOB AUE SOBOL, Polka, A52 ANDREAS H. BITESNICH, Dirk Bakker Boeken, EE15 NOEL BOWLER, Kehrer Verlag, EE9 LUDOVIC CESARI, Damiani, EE19 JOSÉ PEDRO CORTES, Komiyama Tokyo, EE18 KAYLYNN DEVENEY, Kehrer Verlag, EE9 DAVID DREBIN, Camera Work, B47 PAOLO GASPARINI, Anticuaria Poema 20, EE17 DAVID HURN, Magnum, A43 RICHARD LEAROYD, Aperture, EE7 KAZUMA OBARA, RM, E11 CHRISTIAN PATTERSON,Harper’s Books, EE6 15h30 CLAUDIO EDINGER, Livraria Madalena, EE2 ANTOINE D’AGATA, Les Filles du Calvaire, B10 FRANCILINS, Livraria Madalena, EE2 JASON LARKIN & TOM LOVELACE, Flowers, C3 PHILLIP PRODGER, Bruce Silverstein, D30 SÉBASTIEN VAN MALLEGHEM, André Frère Éditions, EE16 16h OLIVO BARBIERI, Hatje Cantz, EE10 JEAN-ROBERT DANTOU & FLORENCE WEBER, Kehrer Verlag, EE9 FACUNDO DE ZUVIRÍA, RM, E11 TAMAS DEZSO, Robert Koch, C51 YAAKOV ISRAEL, Fifty One, B40 TOM JANSSEN, Dirk Bakker Boeken, EE15 LUCAS LENCI, Livraria Madalena, EE2 ERIC MAILLET, Damiani, EE19 EDGAR MARTINS, Mélanie Rio, A14 JAMES MOLLISSON, Aperture, EE7 TIMM RAUTERT, Parrotta, B38 GARY SCHNEIDER, Stephen Daiter, A33 YURY TOROPTSOV, Kehrer Verlag, EE9 16h30 ELLA A., Livraria Madalena, EE2 HANS-MICHAEL KOETZLE, Leica, EE30 KAREN KNORR, Eric Franck, C40 YUSUF SEVINCLI, Les Filles du Calvaire, B10 SABINE WEISS, Les Douches, A51 17h RONALD ANSBACH, Livraria Madalena, EE2 OLIVIER CULMANN, Éditions Xavier Barral, EE8 RAYMOND DEPARDON, Magnum, A43 REGIS DURAND, PAWEŁ MOŚCICKI & TOMASZ SZERSZEŃ, Asymetria, B35 BÉATRICE HELG, Thessa Herold, B46 WILLIAM KLEIN, Hackelbury, A10 KAREN KNORR, Oliver J Wood, EE20 NICOLA LO CALZO, Kehrer Verlag, EE9 DETLEF ORLOPP, Parrotta, B38 CAIO REISEWITZ, Bendana | Pinel, C45 MANUEL RIVERA-ORTIZ, Kehrer Verlag, EE9 POIKE STOMPS, Dirk Bakker Boeken, EE15 MASATO SUDO, Komiyama Tokyo, EE18 ISSA TOUMA, André Frère Éditions, EE16 ROBERT VOIT, Hatje Cantz, EE10 CEMRE YESIL, La Fabrica, EE14 17h30 JULIO BITTENCOURT, Livraria Madalena, EE2 GILBERT FASTENAEKENS, Les Filles du Calvaire, B10 RUBEN LUNDGREN & MARTIN PARR, Aperture, EE7 69 18h ESTEFANIA D’ESPERIES, Anticuaria Poema 20, EE17 ALEJANDRO CHASKIELBERG, RM, E11 SERGE CLÉMENT, Le Réverbère, D4 CÉDRIC DELSAUX, Éditions Xavier Barral, EE8 ANDRÉ GUNTHERT, Éditions Textuel, EE22 BILL HENSON, Oliver J Wood, EE20 LUKAS HOFFMANN, De Roussan, A1 ANATOL KOTTE, Hatje Cantz, EE10 RANIA MATAR, Damiani, EE19 SUSAN MEISELAS, MARTIN PARR, ALEC SOTH & DONOVAN WYLIE, Aperture, EE7 JULI SUSIN, Dirk Bakker Boeken, EE15 CÁSSIO VASCONCELOS, Livraria Madalena, EE2 18h30 THIERRY FONTAINE, Les Filles du Calvaire, B10 BÉRANGÈRE FROMONT, André Frère Éditions, EE16 19h MICHEL COMTE, Damiani, EE19 -- SAMEDI NOV 14 70 12h SOHEI NISHINO, Amana, EE24 12h30 SEBASTIAN COPELAND, Bernheimer, D9 MATT HENRY, Michael Hoppen, C10 13h JH ENGSTRÖM, Aperture, EE7 PHILLIP TOLEDANO, East Wing, B36 13h30 ANDERS EDSTROM, Mack, EE5 MATTHEW PORTER, Mack, EE5 14h SHELLEY CALTON, Kehrer Verlag, EE9 SCOTT CONARROE, Stephen Bulger, A41 CHARLOTTE COTTON, Aperture, EE7 JOEL FISHER & JUSTIN LEONARD, Stephen Daiter, A33 SATOSHI FUJIWARA, Amana EE24 PAUL GRAHAM, Pace/MacGill, C18 MARTINA HOOGLAND IVANOW, Nextlevel, D45 SHEILA ROCK, Kehrer Verlag, EE9 DAISUKE YOKOTA, Harper’s Books, EE6 WOLFGANG ZURBORN, Dirk Bakker Boeken, EE15 15h MORTEN ANDERSEN , Dirk Bakker Boeken, EE15 EVGENIA ARBUGAEVA, In Camera, A19 JANE EVELYN ATWOOD & ROGER BALLEN & DIDI BOZZINI, Karsten Greve, A20 ROGER BALLEN & DIDI BOZZINI, Karsten Greve, A20 CHRISTINE BARTHE & XAVIER BARRAL, Éditions Xavier Barral, EE8 DANIEL BLAUFUKS, Komiyama Tokyo, EE18 SOPHIE BRAMLY, Librairie 213, EE3 ELINA BROTHERUS, Kehrer Verlag, EE9 CALEB CAIN MARCUS, Damiani, EE19 CLÉMENT CHÉROUX, Éditions Textuel, EE22 DOUG DUBOIS, Aperture, EE7 PAOLO GASPARINI, Anticuaria Poema 20, EE17 BRUCE GILDEN, Magnum, A43 AAPO HUHTA, Kehrer Verlag, EE9 RON JUDE, Mack, EE5 JEAN-CLAUDE PONDEVIE, Mélanie Rio, A14 WILLY & DOMINIQUE RIZZO, Eric Franck, C40 CARLOS SPOTTORNO, La Fabrica, EE14 SOPHIE ZÉNON, Thessa Herold, B46 15h30 DAWOUD BEY, Stephen Daiter, A33 BAE BIEN-U, RX, D15 TAISUKE KOYAMA, Oliver J Wood, EE20 VINCENTE PAREDES, Livraria Madalena, EE2 16h MARCO BREUER, Yossi Milo, D20 CRISTINA DE MIDDEL, RM, E11 TAMAS DEZSO, Hatje Cantz, EE10 EAMONN DOYLE, Michael Hoppen, C10 ROLAND FISCHER, Carlos Carvalho, C36 BRUCE GILDEN, Kehrer Verlag, EE9 CLAUDIA JAGUARIBE, Livraria Madalena, EE2 YOHEI KICHIRAKU, Amana, EE24 NINA KORHONEN, Dirk Bakker Boeken, EE15 LUIS MOLINA-PANTIN, Henrique Faria, B25 MARIELA SANCARI, La Fabrica, EE14 ALEC SOTH, Mack, EE5 JONI STERNBACH, Damiani, EE19 AMBROISE TÉZENAS, Mélanie Rio, A14 HELLEN VAN MEENE, Aperture, EE7 AGNÈS VARDA, Éditions Xavier Barral, EE8 16h30 BILL HENSON, Tolarno, B4 ROBERTO LINSKER, Livraria Madalena, EE2 PAULO NOZOLINO & STÉPHANE DUROY, Leica, EE30 ANDERS PETERSEN, André Frère Éditions, EE16 17h THIERRY BOUËT, Éditions Xavier Barral, EE8 DAVID CAMPANY, Mack, EE5 PHILIPPE CHANCEL, Mélanie Rio, A14 MAX DE ESTEBAN, La Fabrica, EE14 HARRY GRUYAERT, Éditions Textuel, EE22 MARKUS HENTTONEN, Hatje Cantz, EE10 THOMAS HOEPKER, Magnum, A43 HIROJI KUBOTA, Aperture, EE7 ALEJANDRO MAROTE, RM, E11 ANDRÉ PRÍNCIPE & MARCO MARTINS, Komiyama Tokyo, EE18 BETINA SAMAIA, Livraria Madalena, EE2 CARLY STEINBRUNN, Mack, EE5 ALEXEY TITARENKO, Damiani, EE19 JUAN TRAVNIK, Anticuaria Poema 20, EE17 ALEXEY TITARENKO, Damiani, EE19 MARTIN USBORNE, Kehrer Verlag, EE9 17h30 IVARS GRAVLEJS, Mack, EE5 ANDRÉ PENTEADO, Livraria Madalena, EE2 CASPER SEJERSON, Mack, EE5 18h MATTHEW BROOKES, Damiani, EE19 STEFANO CERIO, Hatje Cantz, EE10 CRISTINA DE MIDDEL, Livraria Madalena, EE2 ROB HORNSTRA, Aperture, EE7 WILLIAM MARK INGRAM, Dirk Bakker Boeken, EE15 CARLOS SPOTTORNO, RM, E11 NEWSHA TAVAKOLIAN, Kehrer Verlag, EE9 18h30 ANTOINE D’AGATA, André Frère Éditions, EE16 19H FRANK HORVAT, Hatje Cantz, EE10 -- DIMANCHE 15 NOV 12h PHILIPPE CHANCEL, East Wing, B36 EMINE GOZDE SEVIM, East Wing, B36 14h RONAN GUILLOU, Nextlevel, D45 15h SAMUEL BOLLENDORFF, Éditions Textuel, EE22 ALEXANDRA CATIERE, In Camera, A19 PAOLO GASPARINI, Anticuaria Poema 20, EE17 HIDEYUKI ISHIBASHI, Amana, EE24 15h30 ANDREA GRAZIOSI, André Frère Éditions, EE16 Programme sujet à des modifications. Télécharger l’appli Paris Photo ou visitez parisphoto.com pour les dernières mises à jour. 71 PROGRAMME 2015 LA PLATEFORME AUDITORIUM - NIVEAU 1 La Plateforme, forum expérimental, proposera pendant quatre jours une série d’entretiens, de témoignages et de discussions construite autour de 3 axes : LA COLLECTION S’appuyant sur le thème de l’exposition J.P. Morgan, consacrée au temps, la directrice et curatrice en chef de la collection Lisa K. Erf réunira des intervenants internationaux, collectionneurs, artistes et ayants-droits à débattre sur la constitution, la conservation et la diffusion des collections de photographie dans l’histoire. APRES LA CRISE « La photographie est traditionnellement considérée comme l’origine d’une crise de la représentation qui s’exprima, au début du XIXe siècle, dans la politique, la littérature et l’art. Deux siècles plus tard, il semble possible de suturer cette rupture, et d’envisager quelles peuvent être, aujourd’hui, les formes de vie d’une forme après la crise ». Donatien Grau, (Université d’Oxford), invitera penseurs et praticiens à converser autour de ce sujet. 72 LE RAPPORT QUE LE LIVRE ENTRETIENT A LA PHOTOGRAPHIE Le livre est-il encore le meilleur medium pour la diffusion de la photographie ? Au travers de trois échanges avec des artistes utilisant principalement la photographie, Christophe Boutin (co-fondateur de onestar press et de Three Star Books) reviendra sur l’élaboration de leurs ouvrages. Ils mettront en perspective leurs pratiques en relation avec le livre et la fascination que ce médium opère encore sur ces artistes. --INTERVENANTS DE LA PLATEFORME 2015 CHRISTOPHE BOUTIN (co-fondateur de onestar press et de Three Star Books) LISA K. ERF (directrice et curatrice en chef, JPMorgan Chase Art Collection) DONATIEN GRAU (Université d’Oxford) VINCE ALETTI (critique, The New Yorker) PHILIPPE ARTIÈRES (directeur de recherche, CNRS) LISA ANNE AUERBACH (artiste) DAWOUD BEY (artiste) ELISABETH BRONFEN (professeur, Université de Zürich et Université de New York) EMANUELE COCCIA (maître de conférences) DOMINIQUE DE FONT-REAULX (directrice, Musée Delacroix) RUSSELL FERGUSON (professeur, UCLA) PIERPAOLO FERRARI (photographe) MARC FUMAROLI (historien, essayiste) DANIEL GORDON (artiste) LEIGH LEDARE (artiste) KIERAN LONG (conservateur en chef, Victoria & Albert Museum) RENZOMARTENS (artiste) TOM McCARTHY (écrivain, artiste) PASCALE MONTANDON-JODOROWSKY (artiste, designer) ORLAN (artiste) LORENZO PAINI (commissaire, Collection Enea Righi) CAY SOPHIE RABINOWITZ (rédactrice en chef, Osmos, NY) CHRISTIAN RATTEMEYER (conservateur associé, département design, Harvey S. Shipley Miller, MoMA, NY) ALICE RAWSTHORN (critique design, International New York Times) DAVID RAYMOND (collectionneur) JEFF ROSENHEIM (Metropolitian Museum of Art) THOMAS SEELIG (co-directeur, Fotomuseum Winterthur) BRUNO SERRALONGUE (artiste) VÉRONIQUE SOUBEN (directrice, Frac Haute-Normandie) MARIA SUKKAR (collectionneur, membre du comité d’acquisitions de photographies et du Moyen-Orient, Tate) ABDELLAH TAÏA (écrivain) OLIVIERO TOSCANI (photographe) MUNA TSENG (directrice artistique, Muna Tseng Dance Projects, représentante de la succession, Tseng Kwong Chi) WIM WENDERS (réalisateur) RICHARD WENTWORTH (artiste) LORETTA WÜRTENBERGER (fondatrice & associée, Fine Art Partners) --La Programme de la Plateforme 2015 JEUDI 12 NOV 13:30-14:30 LA COLLECTION : PATRONAGE LISA K. ERF LORENZO PAINI THOMAS SEELIG VERONIQUE SOUBEN MARIA SUKKAR 15:00-16:30 PEINTURE ET PHOTOGRAPHIE : LA RECONCILIATION POSSIBLE ? DONATIEN GRAU La crise que l’invention technique de la photographie a imposée à la peinture a donné lieu à la genèse de l’art postromantique, puis moderne : aujourd’hui, deux cents ans plus tard, qu’en est-il ? DOMINIQUE DE FONT-REAULX RUSSELL FERGUSON WIM WENDERS 17:00-17:45 DANIEL GORDON EST AUX MANETTES : DIGITAL / ANALOGUE / TROIS & DEUX DIMENSIONS CHRISTOPHE BOUTIN Daniel Gordon mixe sans complexe toutes les techniques qui sont à sa portée pour créer des images extraordinaires. Cay Sophie Rabinowitz, la rédactrice en chef d’Osmos (NY) – un magazine sur les « usages » et « abus » de la photographie – sera en conversation avec l’artiste. DANIEL GORDON CAY SOPHIE RABINOWITZ 73 18:15-19:45 PHOTOGRAPHIE & POLITIQUE : LES REGLES DU JEU DONATIEN GRAU La photographie a accompagné les mouvements politiques. Dans la civilisation de l’image, elle fait plus que bien des mots. Et pourtant, sa prolifération l’a rendue invisible. La photographie peut-elle encore faire voir le monde et la cité, tels qu’ils sont ? RENZO MARTENS BRUNO SERRALONGUE ABDELLAH TAÏA --74 VENDREDI 13 NOV 13:30-14:30 VOYAGE ÉPIQUE : LEGS PHOTOGRAPHIQUE LISA K. ERF DAVID RAYMOND MUNA TSENG LORETTA WÜRTENBERGER 15:00-16:30 PHOTOGRAPHIE & ÉVÉNEMENT ARTISTIQUE : L’UNIQUE RECRÉÉ DONATIEN GRAU L’événement advient et change le tissu même du monde. Il est limité, mais son impact est grand. Tout comme l’art. Comment la photographie peut-elle capturer et peut-être redéfinir l’unicité du moment ? PHILIPPE ARTIÈRES PASCALE MONTANDON-JODOROWSKY, ORLAN 17:00-17:45 MEGACHURCHES & MEGAZINES : L’ART DE LISA ANNE AUERBACH CHRISTOPHE BOUTIN Artiste et photographe, Lisa Anne Auerbach réside à Los Angeles. Auerbach nous expose sa vision des USA au travers de deux de ses projets : les Megachurches et l’American Megazine. LISA ANNE AUERBACH CHRISTIAN RATTEMEYER 18:15-19:45 PHOTOGRAPHIE & PROLIFERATION DES IMAGES : PERDUS AU PAYS DE NULLE PART ? DONATIEN GRAU Les images photographiques ont proliféré plus que jamais - du fait de l’Internet, et des nouveaux outils. Le fait photographique en a-t-il été changé ? KIERAN LONG TOM McCARTHY OLIVIERO TOSCANI SAMEDI 14 NOV 13:30-14:30 CONVERSATION LISA K. ERF Le photographe afro-américain Dawoud Bey est un des portraitistes les plus reconnus de la scène contemporaine. Il sera en conversation avec le critique de photographie, Vince Aletti qui a suivi son travail pendant des décennies. VINCE ALETTI DAWOUD BEY 15:00-16:30 LA PHOTOGRAPHIE & LES CHOSES : LA TRANSMUTATION DE TOUTES LES VALEURS DONATIEN GRAU Toute représentation photographique fait de son objet un objet. Tout ce qu’elle saisit court le risque de devenir une chose. Et toute ‘chose’ dont elle s’empare devient plus qu’une chose. Comment la photographie affecte-t-elle notre relation au monde ? EMANUELE COCCIA ALICE RAWSTHORN RICHARD WENTWORTH 75 76 17:00-17:45 TOILET PAPER MAGAZINE : SECRETS DE FABRICATION CHRISTOPHE BOUTIN Pierpaolo Ferrari, l’associé photographe de Maurizio Cattelan pour la création et la fabrication de Toilet Paper Magazine, nous dévoile leur méthode de travail; de la conception à la réalisation d’un numéro de la revue. PIERPAOLO FERRARI 18:15-19:45 PHOTOGRAPHIE & FICTION : INVENTION & ARCHEOLOGIE DONATIEN GRAU La photographie peut être utilisée non seulement pour dire ce qui est, mais aussi comme un outil ambigu destiné à changer la nature de la représentation. Comment pouvons-nous inventer des fictions sous l’apparence de capturer la réalité ? ELISABETH BRONFEN LEIGH LEDARE JEFF ROSENHEIM DIMANCHE 15 NOV 14:00-15:00 CONVERSATION SPÉCIALE DE CLÔTURE : UN DIALOGUE AVEC MARC FUMAROLI DONATIEN GRAU MARC FUMAROLI 2015 PROGRAMME COLLECTION PRIVÉE PHOTOGRAPHIE DE LA COLLECTION ENEA RIGHI ESPACE SH2 - SALON D’HONNEUR Organisée par Lorenzo Paini, commissaire de la Collezione Enea Righi L’exposition de la Collection privée offre un aperçu unique du rôle pionnier du collectionneur. Cette année, Paris Photo est heureux de vous présenter une sélection d’oeuvres issues de l’une des collections privées les plus renommées d’Italie, la collection Enea Righi. Depuis les années 1980, Enea Righi a acquis plus de 1000 oeuvres d’art contemporain. La photographie est le support essentiel de cette collection, et reflète au mieux la vision de Righi, conférant une importance identique aux choix esthétiques et à la responsabilité sociale. Le public est invité à découvrir la sphère intime du collectionneur, une rencontre qui ouvre le dialogue entre les deux univers. L’exposition englobe des oeuvres des artistes suivants : Trisha Donnelly, Hans-Peter Feldmann, Nan Goldin, Douglas Gordon, Sania Ivekovic, Joan Jonas, Zoe Leonard, Anna Maria Maiolino, Martha Rosler, Cy Twombly et Andy Warhol. L’exposition présentée au 1er étage dans le Salon d’Honneur du Grand Palais est organisée avec le soutien de J.P. Morgan, Partenaire officiel depuis 2011. 11 ARTISTES PRÉSENTÉS : TRISHA DONNELLY (née en 1974 à San Francisco, États-Unis) HANS PETER FELDMANN (né en 1941 à Düsseldorf, Allemagne) NAN GOLDIN (née en 1953 à Washington, D.C, États-Unis) DOUGLAS GORDON (né en 1966 à Glasgow, Grande-Bretagne) SANIA IVEKOVIĆ (née en 1949 à Zagreb, Croatie) JOAN JONAS (né en 1936 à New York, États-Unis) ZOE LEONARD (née en 1961 à Liberty, New York, États-Unis) ANNA MARIA MAIOLINO(née en 1942 à Scalea, Italie ) MARTHA ROSLER (née en 1943 à Brooklyn, États-Unis) CY TWOMBLY (né en 1928 en Virginia, États-Unis – Mort en 2011 à Rome, Italie) ANDY WARHOL (né en 1928 à Pittsburgh, États-Unis – Mort en 1987, New York, États-Unis) 77 ŒUVRES EXPOSÉES : 78 DOUGLAS GORDON Punishment exercise, 2008 117 photos of variable dimensions MARTHA ROSLER Patio View (Serie Bringing the War home: House beautiful), 1967/1972 C-Print Made by a collage 61 x 51 cm MARTHA ROSLER Make-up/Hands up (Serie Bringing the War home: House beautiful), 1967/1972 C-Print Made by a collage 61 x 51 cm MARTHA ROSLER Woman with cannon (Serie Bringing the War home: House beautiful), 1967/1972 C-Print Made by a collage 61 x 51 cm MARTHA ROSLER Tron - amputee (Serie Bringing the War home: House beautiful), 1967/1972 C-Print Made by a collage 61 x 51 cm MARTHA ROSLER Ballons (Serie Bringing the War home: House beautiful), 1967/1972 C-Print Made by a collage 61 x 51 cm ANNA MARIA MAIOLINO Entrevidas (between lives) from « Fotopoemação » series, 1981/2000 Photo B/W Triptych 88 x 56 cm each ANNA MARIA MAIOLINO Por um fio (by a thread) from « Fotopoemação » from Photo-poem-action series, 1967/2000 Photo B/W 67 x 97 cm ANNA MARIA MAIOLINO In-out Antropofagia, 1973/1974 Color super 8 mm transcribed to video in 2000 ZOE LEONARD Preserved head of a bearded woman, 1991 gelatin prints 5 photos of variable dimensions SANIA IVEKOVIĆ Inaugurazione alla Tommaseo, 1977 B/W vintage photographs and audio tape collage 8 photos 60 x 33,5 cm each HANS PETER 100 Yahre, 101 Photos 101 photos FELDMANN No date B/W – 44 x 31 cm each CY TWOMBLY Peonies, 1980 Print on paper 43,20 x 28 cm CY TWOMBLY Peonies, 1980 Print on paper 43,20 x 28 cm CY TWOMBLY Angel’s trumpets, 1990 Print on paper 43,20 x 28 cm NAN GOLDIN Timmy Paulette and tabboo! Undressing, 1991 101,5 x 69,5 cm Cibacrome CY TWOMBLY Angel’s trumpets, 1990 Print on paper 43,20 x 28 cm NAN GOLDIN Untitled Boston, 1971/1974 B/W vintage print 25 x 20 cm NAN GOLDIN Untitled Boston, 1971/1974 B/W vintage print 25 x 20 cm CY TWOMBLY Detail of neoclassic sculpture, 1992 Print on paper 43,20 x 28 cm NAN GOLDIN Untitled Boston, 1971/1974 B/W vintage print 25 x 20 cm CY TWOMBLY Detail of neoclassic sculpture, 1992 Print on paper 43,20 x 28 cm JOAN JONAS Twilight, 1975/2003 Archival gelatin Print 39 x 50 cm CY TWOMBLY Detail of neoclassic sculpture, 1992 Print on paper 43,20 x 28 cm TRISHA DONNELLY Untitled, 2010 Digital print and video projection 52,5 x 37,7 cm NAN GOLDIN Gina at Bruce’s dinner party, 1991 Cibacrome 69,5 x 101.5 cm ANDY WARHOL Andy Warhol in drag, 1981 Gelatin silver print 20,3 x 25,4 cm CY TWOMBLY Angel’s trumpets, 1990 Print on paper 43,20 x 28 cm 79 LE PRIX DU LIVRE PARIS PHOTO-APERTURE FOUNDATION ESPACE EE31 Créé en partenariat avec la Fondation Aperture avec le soutien d’amana La 4e édition du « prix du livre » Paris Photo – Aperture Foundation récompensera trois lauréats dans les catégories suivantes : - Premier livre - Livre de l’année - Catalogue photographique de l’année Les ouvrages sélectionnés seront présentés dans le numéro 009 de PhotoBook Review, édition bi-annuelle créée par Aperture Foundation, en partenariat avec Paris Photo, et distribuée pendant la foire. 80 La sélection des 35 ouvrages retenus, parmi plus de 1000 titres reçus, a été faite par un jury international composé de : Christoph Wiesner (directeur artistique, Paris Photo), Julien Frydman (directeur du développement, Luma Foundation), Lesley Martin (directrice artistique de l’Aperture book program et du PhotoBook Review), Yannick Bouillis (fondateur, Offprint Projects), Mutsuko Ota (directrice éditoriale de l’IMA magazine). Le lauréat du premier Prix du Livre Photographique recevra une récompense de 10 000 $. Les critères retenus seront notamment : la qualité de la photographie ainsi que du concept global et de l’exécution du livre (y compris la conception et la production graphique), l’impact potentiel de l’artiste/du photographe sur l’évolution de la photographie, et l’originalité de l’approche de la forme du livre. Le jury final se réunira le 13 novembre à Paris : Lorenzo Paini (curateur, Collection Enea Righi, Bologne), Clément Chéroux (conservateur, Chef de service, Cabinet de la photographie, Centre Pompidou), Donatien Grau (auteur), Christophe Boutin (co-fondateur, onestar press) et Frish Brandt (President, Fraenkel Gallery). Le prix sera décerné à 13h au Grand Palais. Après Paris Photo, l’exposition sera présentée à Self Publish Riga, Riga Photomonth 2016, Latvia (12 mai-3 juin), 15eme Festival International de Łódź – Fotofestiwal 2016, (9-19 juin) et Landskrona Foto Festival, Landskrona, Suède, (19-27 Août), ainsi que d’autres lieux à déterminer. --- En 2014, le Prix du premier livre a récompensé Hidden Islam de Nicoló Degiorgis et le Prix du livre de l’année a été octroyé à Imaginary Club d’Oliver Sieber (Editions GwinZegal et BöhmKobayashi). Le prix du catalogue photographique de l’année est revenu aux deux volumes de Christopher Williams publiés séparément : The production Line of Happiness (Art Institute of Chicago) et Printed in Germany (Walther König). Une mention spéciale a été donné à : Vytautas V. Stanionis pour Photographs for Documents (Kaunas Photography Gallery) LE PRIX DU LIVRE TITRES PRESÉLÉCTIONNÉES PREMIER LIVRE (in matters of) Karl ANNETTE BEHRENS Fw:Books, Pays-Bas Hush: Israel Palestine 2000–2014 NOA BEN-SHALOM Sternthal Books, Canada Walk This Way SOPHIE BRAMLY Galerie 213, France Fire in Cairo MATTHEW CONNORS SPBH Editions, Grande-Bretagne Ser Sangre IÑAKI DOMINGO RM Verlag/La Kursala/Here Press, Espagne Landmark J.W. FISHER & J.T. LEONARD Daylight, États-Unis Ramps, Pools, Ponds and Pipes DOMINIC FORDE Auto-édité, Australie Hold the Line SIEGFRIED HANSEN Verlag Kettler, Allemagne Transmission LUCY HELTON Silas Finch, États-Unis A Geological Index of the Landscape BENOÎT JEANNET Auto-édité, Suisse Paper Planes SJOERD KNIBBELER Fw:Books, Pays-Bas 5 PTOHOGRAHPIES — 40×28 CM MADELEINE KOTTE & CORNELIUS DE BILL BABOUL Auto-édité, Allemagne 81 You Haven’t Seen Their Faces DANIEL MAYRIT Riot Books, Espagne Anna Konda KATARZYNA MAZUR dienacht Publishing, Allemagne Jean-Jaurès GILLES RAYNALDY Purpose Éditions, France Greetings from Auschwitz Edition Patrick Frey/ Foundation for Visual Arts, Suisse Mass HIROSHI TAKIZAWA Newfave, Japon Now Will Not Be With Us Forever MAURICE VAN ES RVB Books, France t My Lens, Our Ferguson ADRIAN OCTAVIUS WALKER Auto-édité, États-Unis 82 Brick Yard AKIHITO YOSHIDA Auto-édité, Japon --- LIVRE DE L’ANNÉE LDN EI ANTONY CAIRNS Auto-édité, Grande-Bretagne Imperial Courts 1993–2015 DANA LIXENBERG Roma Publications, Pays-Bas Illustrated People THOMAS MAILAENDER Archive of Modern Conflict/ RVB Books, France Good 70s MIKE MANDEL J&L Books/D.A.P., États-Unis Studio 54 TOD PAPAGEORGE Stanley/Barker, Grande-Bretagne Bottom of the Lake CHRISTIAN PATTERSON Walther König, Allemagne The Erasure Trilogy FAZAL SHEIKH Steidl, Allemagne Deadline WILL STEACY b.frank books, États-Unis Taratine DAISUKE YOKOTA Session Press, États-Unis Negatives XU YONG New Century Press, Hong Kong --- MENTION SPÉCIALE DU JURY - LIVRE DE L’ANNÉE Chizu (The Map) KIKUJI KAWADA Akio Nagasawa, Japon --- CATALOGUE PHOTOGRAPHIQUE DE L’ANNÉE A Guide for the Protection of the Public in Peacetime TIMOTHY PRUS, ED JONES & DAVID ALAN MELLOR Archive of Modern Conflict, Grande-Bretagne Beastly/Tierisch DUNCAN FORBES, MATTHIAS GABI & DANIELA JANSER Spector Books/Fotomuseum Winterthur, Allemagne & Suisse TR Ericsson: Crackle & Drag TR ERICSSON, ARNAUD GERSPACHER & BARBARA TANNENBAUM Yale University Press/Cleveland Museum of Art, Etats-Unis William Eggleston: A Cor Americana THYAGO NOGUIERA Instituto Moreira Salles, Brésil Images of Conviction: The Construction of Visual Evidence DIANE DUFOUR avec CHRISTIAN DELAGE, THOMAS KEENAN, TOMASZ KIZNY, LUCE LEBART, JENNIFER MNOOKIN, ANTHONY PETITEAU, ERIC STOVER & EYAL WEIZMAN Le Bal/Éditions Xavier Barral, France 83 BOOK MACHINE PARIS PHOTO, PARIS 84 ESPACE EE32 Paris Photo présente BOOK MACHINE (Paris Photo, Paris), un événement consacré au processus de production de livres dans son acception la plus large. Au coeur de cet engagement se trouve un atelier de production de livres ouvert au public. Les 30 candidats l’opportunité de 5 graphistes, en Paris pour créer sélectionnés, annoncés le 9 novembre sur parisphoto.com, auront travailler au Grand Palais pendant Paris Photo avec dernière année de l’École de Communication Visuelle (ECV), et produire un livre. Les 30 livres photographiques produits par BOOK MACHINE (Paris Photo, Paris) seront présentés, le dimanche 15 novembre à 17h, et commentés par un jury. La cérémonie de clôture est ouverte à tous (munis d’un titre d’accès valable pour un accès le 15 novembre 2015). BOOK MACHINE est un projet conçu par Christophe Boutin et Melanie Scarciglia, co-fondateurs de onestar press. GIORGIO ARMANI PRESENTS ACQUA #6 STAND SH3 - SALON D’HONNEUR Partenaire officiel de Paris Photo depuis 2011, Giorgio Armani renouvelle sa participation avec la 6e édition de l’exposition ACQUA, consacré au thème de l’eau dans la photographie. ACQUA #6, intitulé « Reflecting on water », inclura un ensemble de photographies qui se répondent en jeux formels et poétiques autour du thème de la réflexion. Donnant toute sa place au grand format, l’exposition regroupe des œuvres sélectionnées par Giorgio Armani - de grands noms de la photographie et de jeunes artistes dont Lee Friedlander, Noémie Goudal, Joseph D. Jachna, et Dolorès Marat. Présente depuis toujours dans la création de Giorgio Armani, l’eau fait également l’objet depuis 2009 d’un engagement citoyen du designer, à travers l’opération « Acqua for Life™ », qui lors de sa dernière édition a permis de collecter des millions de litres d’eau potable en faveur de Green Cross International (Unicef pour les Etats-Unis) et de ses programmes dans plusieurs pays. Les œuvres seront présentées au Salon d’Honneur du Grand Palais. Artistes exposés : LUCIEN CLERGUE LEE FRIEDLANDER GASPAR GASPARIAN NOÉMIE GOUDAL HELENA ALMEIDA LOIS CONNER PIERRE GONNORD RISAKU SUZUKI JOSEPH D. JACHNA DEBRA BLOOMFIELD JORY HULL DOLORÈS MARAT 85 J.P. MORGAN PRÉSENTE ON TIME JPMORGAN CHASE ART COLLECTION 86 STAND SH1 - SALON D’HONNEUR Treize artistes utilisent leur appareil photo pour altérer, développer, perturber et unir les notions relatives à la nature du temps. Cette exposition spéciale, conçue par Lisa K. Erf, directrice et curatrice de la collection, et provenant exclusivement de la JPMorgan Chase Art Collection, rassemble des photos et des films qui jouent avec le passé, le présent et le futur, pour fasciner tout en donnant matière à penser. À l’occasion du 55e anniversaire de la collection (et pour célébrer les 100 ans de son fondateur, David Rockefeller), J.P. Morgan est fière de sponsoriser Paris Photo pour la 5e année consécutive. Exposition présentée au 1er étage dans le Salon d’Honneur du Grand Palais. Artistes exposés : JOSH AZZARELLA DAWOUD BEY BRASSAÏ SOPHIE CALLE HAROLD EDGERTON ELIOT ELISOFON DAN GRAHAM DINH Q. LÊ RICHARD LEAROYD ALLEN RUPPERSBERG LUCAS SAMARAS EVE SONNEMAN BMW ART & CULTURE PRÉSENTE COUP DE FOUDRE NATASHA CARUANA RÉSIDENCE BMW 87 STAND EE0 Lauréate 2014 de la Résidence BMW, Natasha Caruana présente « Coup de Foudre », une tentative de compréhension de la passion amoureuse mêlant théâtralisation de l’instant, commentaire scientifique et illustration des facteurs influençant le coup de foudre. La Résidence BMW est née, en 2011, du souhait commun de BMW Art & Culture et du musée Nicéphore Niépce de soutenir la photographie contemporaine et sa diffusion auprès du plus grand nombre. François Cheval, conservateur en chef du musée Nicéphore Niépce, accompagne, chaque année, avec l’équipe technique du laboratoire du musée, la réalisation du projet personnel d’un jeune artiste photographe, choisi après un appel à candidatures. LEICA PRÉSENTE J’ÉTAIS LÀ STÉPHANE DUROY & PAULO NOZOLINO 88 BOOTH EE30 Leica Camera présente cette année une exposition inédite de Stéphane Duroy et Paulo Nozolino, initiée par Paul Cottin. Les travaux menés en parallèle par les deux photographes à l’occasion d’une résidence du Centre d’Art GwinZegal en Bretagne du Nord, exhument des recoins de notre Histoire, les échos d’un monde qui s’efface sans bruit, héritage d’une société paysanne en voie de disparition, sondant par là même les valeurs qui gouvernent nos sociétés contemporaines « virtualisées », anthropocentrées et mondialisées. Deux photographes dont l’écriture dépouillée, l’économie d’images et le refus du spectaculaire sont les traits communs. Deux regards austères et sans concession. Deux artistes majeurs. LI WEI, VISION 89 STAND C1 L’artiste Li Wei présente l’exposition VISION, issue de la carte blanche qui lui a été offerte par Pernod Ricard dans le cadre de la campagne photographique annuelle qui met en scène les collaborateurs du Groupe. À travers l’Europe, le photographe-performeur chinois a fait voler, comme il aime le dire, 40 femmes et hommes sur les sites emblématiques de Pernod Ricard. Par une mise en scène qui est sa signature, Li Wei transforme la convivialité de l’aventure collective en une expérience artistique unique qui fait entrer ses modèles dans ses iconiques illusions vertigineuses. En écho à cet ensemble seront présentées d’autres photo-performances prises dans l’espace public par Li Wei, des œuvres issues de ses séries emblématiques. MÉDIAS EXPOSANTS ARTPRESS - FRANCE 8, rue François Villon 75015 Paris www.artpress.fr 90 BEAUX ARTS MAGAZINE - FRANCE TTM Editions 3, rue Carrefour de Weiden 92441 Issy-les-Moulineaux cedex www.beauxartsmagazine.com BLOW PHOTO - IRELAND 46 North Great Clarence treet Dublin 1, Ireland www.blowphoto.com CAMERA - FRANCE Publications Camera 136, rue Saint-Honoré 75001 Paris www.camera-publications.com DE L’AIR - FRANCE 31, avenue Ségur 75007 Paris www.delair.fr DEAR DAVE - UNITED STATES 209 East 23rd Street 10010 New York, NY www.deardavemagazine.com FLAUNT - ETATS-UNIS 1422 North Highland Avenue Los Angeles, Ca 90028 www.flaunt.com FOAM Magazine - PAYS-BAS De Ruyterade 128 101 AC Amsterdam www.foam.org/magazine GUP MAGAZINE - PAYS-BAS Nieuwe Herengracht 141hs 1011 SG Amsterdam www.x-publishers.com www.gupmagazine.com HOTSHOE INTERNATIONAL - ROYAUME-UNI 29 - 31 Saffron Hill London EC1N 8SW www.hotshoeinternational.com L’OFFICIEL ART - FRANCE Les Editions Jalou 5 rue Bachaumont 75002 Paris www.jaloumediagroup.com LE JOURNAL DES ARTS / L’OEIL - FRANCE Artclair Editions 8 rue Borromée 75015 Paris www.artclair.com PHOTO - FRANCE 50, avenue Wagram, 75017 Paris www.photo.fr TELERAMA – FRANCE 8, rue Jean-Antoine de Baïf 75013 Paris www.telerama.com THE EYES - FRANCE Créatis – la Gaîté Lyrique 226, rue Saint Denis 75002 Paris www.theeyes.eu MEDIA KIOSK 1814 Magazine - États-Unis Aperture - Etats-Unis Art in America - États-Unis Art Passions - Suisse Art Review - Royaume-Uni Arte Brasileiros - Brésil Avenir Magazine - Royaume-Uni Baku - Royaume-Uni British Journal of Photography - Royaume-Uni Camera Austria - Autriche Die Nacht Magazin - Allemagne Eikon - Autriche Elephant - Pays-Bas FILAF - France Fisheye - France Flash Art - Italie Gente Di Fotografia - Italie Ideat - France Kaleidoscope - Italie L’Insensé - France Magazine - France N-O-O-N - Royaume-Uni Photofile - Australie Photograph - États-Unis Photonews - Allemagne Photoworks - Royaume-Uni Pipeline - Hong Kong SFAQ - États-Unis Sleek - Allemagne TAR Magazine - Italie The Steidz - France TL Mag - France Vivre Côté Paris - France 91 PARTENAIRES DE PARIS PHOTO 2015 PARIS PHOTO REMERCIE L’ENSEMBLE DE SES PARTENAIRES POUR LEUR ENGAGEMENT EN FAVEUR DE LA PHOTOGRAPHIE ET LEUR SOUTIEN À PARIS PHOTO. PARTENAIRES OFFICIELS GIORGIO ARMANI Partenaire du secteur PRISMES JPMorgan Partenaire de l’exposition Collection privée 92 BMW Partenaire du programme VIP Paris Photo --- PARTENAIRES DE LA PROGRAMMATION FONDATION APERTURE Partenaire Prix du livre PARIS PHOTO – APERTURE FOUNDATIONT avec le soutien d’amana --- PARTENAIRE ASSOCIÉ LEICA PARTENAIRE OFFICIEL DE L’AGENDA J’ÉTAIS LÀ par Stéphane Duroy & Paulo Nozolino présentée par leica --PARTENAIRE MÉDIAS Télérama IDEAT Konbini LCI --- CONTIBUTIONS SPÉCIALES diptyque Champagne Ruinart Le Champagne Ruinart sera servi à Paris Photo. L’abus d’alcool est dangereux pour la santé. À consommer avec modération. L’AGENDA PARIS PHOTO Avec le soutien de Leica En avril 2013, Paris Photo a lancé l’AGENDA, plateforme digitale d’actualité en continu, sélectionnant le meilleur de la photographie parmi plus de 200 galeries et institutions dans le monde entier.. 93 A PARIS PENDANT PARIS PHOTO ACADÉMIE DES BEAUX-ARTS 94 ÉRIC PILLOT. IN SITU - ÉTATS UNIS 22 OCT - 22 NOV 2015 — Institut de France, 23, quai de Conti, 75006 Paris www.academie-des-beaux-arts.fr Métro : Pont Neuf 7 / Odéon 4, 10 Tous les jours (sauf le lundi), 11h-18h ATELIER NÉERLANDAIS FOAM TALENT 2015 11 NOV - 20 DEC 2015 — 121, rue de Lille, 75007 Paris - www.atelierneerlandais.com Métro : Assemblée Nationale 12 Tous les jours (sauf le lundi), 13h-19h LES ARTS DÉCORATIFS KOREA NOW! DESIGN, CRAFT, MODE ET GRAPHISME EN CORÉE 19 SEP 2015 - 3 JAN 2016 107, rue de Rivoli, 75001 Paris - www.lesartsdecoratifs.fr Métro : Palais Royal Musée du Louvre 1, 7 Mardi au dimanche, 11h-18h, jeudi jusqu’à 21h LE BAL A HANDFUL OF DUST - FROM THE COSMIC TO THE DOMESTIC 16 OCT 2015 - 17 JAN 2016 6, impasse de la Défense, 75018 Paris - www.le-bal.fr Métro : Place de Clichy 2, 13 Mercredi au vendredi, 12h-20h, jeudi jusqu’à 22h Samedi et dimanche, 11h-20h, dimanche jusqu’à 19h BIBLIOTHÈQUE NATIONALE DE FRANCE GRAPHISME CONTEMPORAIN ET ENGAGEMENT(S) À LA BNF 22 SEP - 22 NOV 2015 LES ANNÉES OVAHIMBA / RINA SHERMAN UNE ETHNOGRAPHIE MULTIMÉDIA EN NAMIBIE ET EN ANGOLA 29 SEP - 15 NOV 2015 ANSELM KIEFER, L’ALCHIMIE DU LIVRE 20 OCT 2015 - 7 FEV 2016 IMAGES DU GRAND SIÈCLE, L’ESTAMPE FRANÇAISE AU TEMPS DE LOUIS XIV, 1660-1715 3 NOV 2015 - 31 JAN 2016 Site François Mitterrand - Quai François Mauriac, 75013 Paris - www.bnf.fr Métro : Quai de la gare 6 / Bibliothèque François Mitterrand 14 Mardi au samedi, 10h-19h, dimanche, 13h-19h CENTRE CULTUREL CANADIEN AUDE MOREAU. LA NUIT POLITIQUE 25 SEP 2015 - 13 JAN 2016 5, rue de Constantine, 75007 Paris - www.canada-culture.org Métro : Invalides 8, 13 Lundi au vendredi, 10h-18h CENTRE CULTUREL IRLANDAIS TOM WOOD : PAYSAGES INTIMES 13 NOV 2015 - 10 JAN 2016 5, rue des Irlandais, 75005 Paris - www.centreculturelirlandais.com Métro : Place Monge 7 / Cardinal Lemoine 10 Mardi au samedi, 14h-18h, mercredi jusqu’à 20h, dimanche, 12h30-14h30 CENTRE CULTUREL SUISSE URS LÜTHI 11 - 15 NOV 2015 38, rue des Francs-Bourgeois, 75003 Paris - www.ccsparis.com Métro : Saint-Paul 1 Tous les jours (sauf le lundi), 13h-19h CENTRE POMPIDOU KAREL APPEL 21 OCT 2015 - 11 JAN 2016 VARDA / CUBA 11 NOV 2015 - 1 FEV 2016 Place Georges Pompidou, 75004 Paris - www.centrepompidou.fr Métro : Rambuteau 11 / Hôtel de Ville 1, 11 / Châtelet 1, 4, 7, 11, 14 Tous les jours (sauf le mardi), 11h-21h, jeudi jusqu’à 23h 95 CENTRE TCHÈQUE BARBORA BÁLKOVÁ - FANTÔMES 5 NOV - 18 DEC 2015 18, rue Bonaparte, 75006 Paris - paris.czechcentres.cz Métro : Saint-Germain-des-Près 4 / Mabillon 10 Mardi au samedi, 13h-18h, mercredi jusqu’à 20h LA CINÉMATHÈQUE FRANÇAISE SCORSESE L’EXPOSITION 14 OCT 2015 - 14 FEV 2016 51, rue de Bercy, 75012 Paris - www.cinematheque.fr Métro : Bercy 6, 14 Lundi au vendredi (sauf le mardi), 13h-19h, jeudi jusqu’à 22h, samedi et dimanche, 10h-20h CITÉ DE L’ARCHITECTURE & DU PATRIMOINE 96 CHANDIGARH : 50 ANS APRÈS LE CORBUSIER 11 NOV 2015 - 29 FEV 2016 RENZO PIANO - BUILDING WORKSHOP, LA MÉTHODE PIANO 11 NOV 2015 - 29 FEV 2016 45, avenue du Président Wilson, 75016 Paris - www.citechaillot.fr Métro : Trocadéro 6, 9 Tous les jours (sauf le mardi), 11h-19h, jeudi jusqu’à 21h FESTIVAL PHOTO SAINT-GERMAIN 7 - 22 NOV 2015 4e édition www.photosaintgermain.com FONDATION CALOUSTE GULBENKIAN AU SUD D’AUJOURD’HUI. ART CONTEMPORAIN PORTUGAIS [SANS LE PORTUGAL] 16 SEP - 13 DEC 2015 39, boulevard de la Tour-Maubourg, 75007 Paris - www.gulbenkian-paris.org Métro : La Tour-Maubourg 8 Tous les jours (sauf le mardi), 9h-18h, samedi et dimanche à partir de 11h FONDATION CARTIER POUR L’ART CONTEMPORAIN BEAUTÉ CONGO - 1926-2015 - CONGO KITOKO 11 JUIL 2015 – 10 JAN 2016 261, boulevard Raspail, 75014 Paris - www.fondation.cartier.com Métro : Raspail 4, 6 / Denfert-Rochereau 4, 6 Tous les jours (sauf le lundi), 11h-20h, mardi jusqu’à 22h FONDATION HENRI CARTIER-BRESSON JEFF WALL - SMALLER PICTURES 9 SEP - 20 DEC 2015 2, impasse Lebouis, 75014 Paris - www.henricartierbresson.org Métro : Gaîté 13 / Edgar Quinet 6 Tous les jours (sauf le lundi), 13h-18h30, samedi, 11h-18h45, mercredi jusqu’à 20h30 FONDATION PIERRE BERGÉ - YVES SAINT LAURENT JACQUES DOUCET - YVES SAINT LAURENT, VIVRE POUR L’ART 15 OCT 2015 - 14 FEV 2016 3, rue Léonce Reynaud, 75116 Paris - www.fondation-pb-ysl.net Métro : Alma-Marceau 9 Mardi au dimanche, 11h-18h, jeudi jusqu’à 21h FRAC ILE-DE-FRANCE - LE PLATEAU HARIS EPAMINONDA. VOL. XVI 24 SEP - 6 DEC 2015 22, rue des Alouettes, 75019 Paris - www.fraciledefrance.com Métro : Buttes Chaumont 7bis / Jourdain 11 Mercredi au dimanche, 14h-19h GALERIE DES GALERIES ALEX PRAGER 20 OCT 2015 - 23 JAN 2016 Galeries Lafayette, 1er étage (1st floor) 40, boulevard Haussmann, 75009 Paris www.galeriedesgaleries.com Métro : Chaussée d’Antin Lafayette 7, 9 / Trinité 12 / Opéra 3, 7, 8 Mardi au samedi, 11h-19h GOETHE INSTITUT / PASSAGE DU DÉSIR 25 OSTKREUZ 12 - 29 NOV 2015 Goethe Institut 17, avenue d’Iéna, 75116 Paris - www.goethe.de/paris Métro : Iéna 9 / Trocadéro 6 / Boissière 6 Lundi au vendredi, 9h-21h, samedi, 9h-14h Passage du désir 85-87, rue du Faubourg Saint-Martin, 75010 Paris - www.passagedudesir.com Métro : Château d’eau 4 / Gare de l’Est 4, 5, 7 Mercredi au dimanche, 11h-21h 97 INSTITUT HONGROIS PHOTOCOLLAGE ET PHOTOMONTAGE DANS L’ART HONGROIS 5 NOV - 12 DEC 2015 92, rue Bonaparte, 75006 Paris - www.instituthongrois.fr Métro : Rennes 12 / Saint-Sulpice 4 Mardi au vendredi, 9h-19h30, samedi, 13h30-19h30 JEU DE PAUME NGUYEN TRINH THI - SATELLITE 8 : UNE PROPOSITION DE ERIN GLEESON 20 OCT 2015 - 24 JAN 2016 OMER FAST 20 OCT 2015 - 24 JAN 2016 PHILIPPE HALSMAN - ÉTONNEZ-MOI 20 OCT 2015 - 24 JAN 2016 1, place de la Concorde, 75008 Paris - www.jeudepaume.org Métro : Concorde 1, 8, 12 Tous les jours (sauf le lundi), 11h-19h, mardi jusqu’à 21h LA MAISON ROUGE, FONDATION ANTOINE DE GALBERT 98 COLLECTION ARTUR WALTHER 17 OCT 2015 - 17 JAN 2016 10, boulevard de la Bastille, 75012 Paris - www.lamaisonrouge.org Métro : Quai de la Rapée 5 / Bastille 1, 5, 8 Mercredi au dimanche, 11h-19h, jeudi jusqu’à 21h MAISON DE L’AMÉRIQUE LATINE LOLA ÁLVAREZ BRAVO 23 SEP - 12 DEC 2015 DEPARDON - LOUSTAL/CARTHAGÈNE 12 NOV - 12 DEC 2015 217, boulevard Saint-Germain, 75007 Paris - www.mal217.org Métro : Solférino 12 / Rue du Bac 12 Lundi au vendredi, 10h-20h, samedi, 14h-18h MAISON EUROPÉENNE DE LA PHOTOGRAPHIE BRUNO BARBEY 12 NOV 2015 - 17 JAN 2016 DAOUD AOULAD SYAD 12 NOV 2015 - 17 JAN 2016 STÉPHANE COUTURIER 12 NOV 2015 - 17 JAN 2016 5/7, rue de Fourcy, 75004 Paris - www.mep-fr.org Métro : Saint-Paul 1 / Hôtel de Ville 1, 11 / Pont Marie 7 Mercredi au dimanche, 11h-19h45 MUSÉE D’ART ET D’HISTOIRE DU JUDAÏSME MOÏSE. FIGURES D’UN PROPHÈTE 14 OCT 2015 - 21 FEV 2016 71, rue du Temple, 75003 Paris - www.mahj.org Métro : Hôtel de Ville 1, 11 / Rambuteau 11 Lundi au vendredi, 11h-18h, mercredi jusqu’à 21h, dimanche, 10h-19h MUSÉE D’ART MODERNE DE LA VILLE DE PARIS WARHOL UNLIMITED 2 OCT 2015 - 7 FEV 2016 CO-WORKERS. LE RÉSEAU COMME ARTISTE 9 OCT 2015 - 31 JAN 2016 11, avenue du Président Wilson, 75116 Paris - www.mam.paris.fr Métro : Iéna 9 / Alma-Marceau 9 Tous les jours (sauf le lundi), 10h-18h, jeudi jusqu’à 22h MUSÉE D’ORSAY SPLENDEURS ET MISÈRES. IMAGES DE LA PROSTITUTION 1850-1910 22 SEP 2015 - 17 JAN 2016 QUI A PEUR DES FEMMES PHOTOGRAPHES ? 1918 À 1945 14 OCT 2015 - 24 JAN 2016 1, rue de la Légion-d’Honneur, 75007 Paris - www.musee-orsay.fr Métro : Solférino 12 Tous les jours (sauf le lundi), 9h30-18h, jeudi jusqu’à 21h45 MUSÉE DE L’ORANGERIE QUI A PEUR DES FEMMES PHOTOGRAPHES ? 1839 À 1919 14 OCT 2015 - 24 JAN 2016 JARDIN DES TUILERIES, CÔTÉ SEINE, 75001 PARIS - WWW.MUSEE-ORANGERIE.FR Métro : Concorde 1, 8, 12 Tous les jours (sauf le mardi), 9h-18h MUSÉE DE LA CHASSE ET DE LA NATURE GEORGE SHIRAS : L’INTÉRIEUR DE LA NUIT 15 SEP 2015 - 14 FEV 2016 62, rue des Archives, 75003 Paris - www.chassenature.org Métro : Rambuteau 11 / Hôtel de Ville 1, 11 Tous les jours (sauf le lundi), 11h-18h, mercredi jusqu’à 21h30 MUSÉE DU QUAI BRANLY PHOTOQUAI - 5E BIENNALE DES IMAGES DU MONDE 22 SEP - 22 NOV 2015 ESTHÉTIQUES DE L’AMOUR - SIBÉRIE EXTRÊME-ORIENTALE 3 NOV 2015 - 17 JAN 2016 SEPIK - ARTS DE PAPOUASIE-NOUVELLE-GUINÉE 27 OCT 2015 - 31 JAN 2016 37, quai Branly, 75007 Paris - www.quaibranly.fr Métro : Alma-Marceau 9 / Iéna 9 / École Militaire 8 / Bir Hakeim 6 Mardi, mercredi et dimanche, 11h-19h, Jeudi, vendredi et samedi, 11h-21h 99 MUSÉE GUIMET CARTE BLANCHE À LEE BAE 18 SEP 2015 - 25 JAN 2016 INTÉRIEUR CORÉEN, L’OEUVRE DE IN-SOOK SON 18 SEP 2015 - 14 MAR 2016 TIGRES DE PAPIER, CINQ SIÈCLES DE PEINTURE EN CORÉE 14 OCT 2015 - 22 FEV 2016 6, place d’Iéna, 75116 Paris - www.guimet.fr Métro : Boissière 6 / Iéna 9 Tous les jours (sauf le mardi), 10h-18h MUSÉE JACQUEMART-ANDRÉ 100 FLORENCE, PORTRAITS À LA COUR DES MÉDICIS 11 SEP 2015 - 25 JAN 2016 158, boulevard Haussmann, 75008 Paris - www.musee-jacquemart-andre.com Métro : Miromesnil 9, 13 / Saint-Philippe du Roule 9 / Saint-Augustin 9 Tous les jours, 10h-18h, lundi jusqu’à 20h30 MUSÉUM NATIONAL D’HISTOIRE NATURELLE MATTHIEU PALEY. HADZA, DERNIERS DES PREMIERS HOMMES 30 SEP 2015 - 31 JAN 2016 ROBERT DOISNEAU, UN PHOTOGRAPHE AU MUSÉUM 7 OCT 2015 - 19 JAN 2016 57, rue Cuvier, 75005 Paris - www.mnhn.fr Métro : Jussieu 7, 10 / Place Monge 7 / Gare d’Austerlitz 5, 10 Tous les jours (sauf le mardi), 10h-18h PALAIS DE TOKYO UGO RONDINONE. I LOVE JOHN GIORNO 21 OCT 2015 - 10 JAN 2016 RAGNAR KJARTANSSON. SEUL CELUI QUI CONNAÎT LE DÉSIR 21 OCT 2015 - 10 JAN 2016 MELANIE MATRANGA — [FANFU] 21 OCT 2015 - 10 JAN 2016 13, avenue du Président Wilson, 75016 Paris - www.palaisdetokyo.com Métro : Alma-Marceau 9 / Iéna 9 Tous les jours (sauf le mardi), 12h-00h 101 --CHRISTIE’S PARIS PHOTOGRAPHIES Exposition publique 9-14 NOV 2015, 10h-18h 9, avenue Matignon, 75008 Paris - www.christies.com Métro : Franklin D. Roosevelt 1, 9 SOTHEBY’S FRANCE PHOTOGRAPHIES Exposition publique 9 NOV 2015, 13h-18h 10, 11, 12 NOV 2015, 10h-18h 76, rue du Faubourg Saint-Honoré, 75008 Paris - www.sothebys.com Métro : Champs-Élysées - Clémenceau 1, 13 / Miromesnil 9, 13 PARTENAIRE OFFICIEL DEPUIS 2011 102 La société Giorgio Armani S.p.A. a été fondée à Milan le 24 juillet 1975 par Giorgio Armani, actuel Président-Directeur Général de la société. Le Groupe Armani figure parmi les leaders mondiaux dans l’industrie de la mode et du luxe et compte pas moins de 10,500 employés ainsi que 12 unités de production. Le groupe créé, produit, distribue et vend des produits de mode et “lifestyle” tels que de la lunetterie, des montres, des bijoux, de la cosmétique, des parfums, des meubles ainsi que de la décoration d’intérieur, le tout sous les marques suivantes: Giorgio Armani Privé, Giorgio Armani, Emporio Armani, Armani Collezioni, AJ Armani Jeans, A/X Armani Exchange, Armani Junior and Armani/Casa. Le Groupe totalise 2,704 boutiques dont 166 boutiques Giorgio Armani, 324 boutiques Emporio Armani, 634 boutiques Armani Collezioni, 276 boutiques A/X Armani Exchange, 779 boutiques AJ Armani Jeans, 170 boutiques Armani Junior et 55 boutiques Armani/Casa dans plus de 60 pays à travers les continents. --CONTACTS MÉDIAS AGATHE VERNAZOBRES PR Manager France & Benelux Giorgio Armani Tél: +33 (0)1 55 73 22 50 [email protected] LARS SEIFERT Communications Director France L’Oréal Luxe Tél: +33 (0)1 49 64 82 58 [email protected] www.armani.com PARTENAIRE OFFICIEL POUR LA 5 E ANNÉE CONSECUTIVE Avec 2 500 milliards de dollars d’actifs, JPMorgan Chase & Co. (NYSE: JPM) est un groupe financier global présent dans plus de 60 pays, leader en banque d’investissement, services financiers pour les particuliers, petites et moyennes entreprises et en banque commerciale, transactions financières, gestion d’actifs, banque privée et capital investissement. J.P. Morgan est implantée en France depuis 1868. J.P. Morgan et son engagement dans l’art La JPMorgan Chase Art Collection, créée en 1959 par David Rockefeller, comprend plus de 30 000 oeuvres d’art, exposées dans 450 bureaux dans le monde. Elle est considérée comme l’une des plus importantes collections d’art d’entreprise au monde. Avec plus de 6 000 oeuvres, la photographie, qu’elle soit historique ou contemporaine, a toujours eu une place importante dans cette collection. Déjà en 1990, PhotoPlay, une exposition de photographies contemporaines provenant exclusivement de la JPMorgan Chase Art Collection, avait été présentée dans plusieurs pays d’Amérique latine – une première en son temps. La Banque Privée de J.P. Morgan a l’honneur de compter parmi les partenaires officiels de Paris Photo depuis 2011 et aujourd’hui, de Paris Photo Los Angeles. Dans le cadre de ce partenariat, la banque expose à Paris Photo, On Time, une sélection originale de photographies et films provenant de la JPMorgan Chase Art Collection, spécialement choisies par sa directrice et curatrice, Lisa K. Erf, qui invite les visiteurs à réfléchir sur le concept de temps et interroge notre perception du passé, du présent et du futur. Cette sélection comprend les œuvres de 12 artistes comprenant entre autres Richard Learoyd, Sophie Calle, Jeff Wall, Lucas Samaras, Eve Sonneman, Dinh Q. Lê, Dawoud Bey, Harold Edgerton et Allen Ruppersberg. Véritable fenêtre sur le monde, l’art encourage à considérer de nouvelles perspectives et à exprimer ouvertement ses propres idées. C’est dans cet état d’esprit que les collaborateurs de J.P. Morgan travaillent au quotidien avec leurs clients. --CONTACT MÉDIAS ARMELLE VERCKEN Head of Corporate Communication J.P. Morgan 14 Place Vendôme Paris 75001 Tél: +33 (0)1 40 15 42 37 [email protected] www.jpmorganchase.com 103 PARTENAIRE OFFICIEL DE PARIS PHOTO « C’est dans la diversité des parcours et des projets que résident l’essence et la richesse même du mécénat et de la Résidence BMW. Tout comme les artistes, nous nous attachons au quotidien, dans l’exercice de notre activité, à demeurer des pionniers, pour toujours savoir innover et rendre l’impossible possible ». Serge Naudin, Président du Directoire BMW Group France BMW GROUP MÉCÈNE ENGAGÉ DEPUIS 40 ANS DANS LA CRÉATION CONTEMPORAINE BMW Group soutient depuis plus de 40 ans plus de 100 projets culturels dans le monde entier, dans l’art moderne et contemporain, le jazz et la musique classique, ainsi que l’architecture et le design. BMW France est partenaire de Paris Photo Paris depuis 13 ans et pour la seconde année également partenaire du programme VIP. BMW Group est partenaire de Paris Photo Los Angeles depuis sa création. BMW FRANCE ENGAGÉ DANS LA PHOTOGRAPHIE :LA RÉSIDENCE BMW AU MUSÉE NICÉPHORE NIÉPCE 104 Créé en 2011 en partenariat avec le musée Nicéphore Niépce, la Résidence BMW permet à un artiste photographe de réaliser un projet personnel pendant trois mois à Chalon-sur-Saône, sous la direction de François Cheval, Conservateur en chef du musée. Outre une bourse de 6000 € et le financement de son hébergement, l’artiste lauréat se voit proposer par BMW Group France l’exposition de son travail aux Rencontres d’Arles et à Paris Photo, la publication d’un livre aux éditions Trocadéro et la réalisation d’un film sur les coulisses de la résidence. A Paris Photo 2015, BMW Art & Culture expose « Coup de foudre » par Natasha Caruana, lauréate de la Résidence BMW 2014 et montre les premières images de Alinka Echeverria actuellement en résidence. --CONTACTS MÉDIAS MARYSE BATAILLARD BMW Group France Tél: +33 1 30 43 93 23 [email protected] CHANTAL NEDJIB L’image par l’image Tél: +33 (0)6 40 23 65 10 [email protected] MAUD PRANGEY Attachée de presse Tél: +33 (0)6 63 40 54 62 [email protected] www.bmw.com amana inc. est une entreprise de solutions audiovisuelles d’envergure fondée au Japon en 1979. Les principales activités du groupe impliquent la création et la vente de photographies d’illustration, la production de contenus audiovisuels et publicitaires, ainsi que la réalisation d’animations en trois dimensions. En 2012, le groupe amana a fait son entrée sur le marché de la photographie d’art avec le lancement de son projet media IMA, sous le slogan « Living with Photography ». A travers la publication du magazine de photographie artistique IMA, son portail web consacré à ce medium IMA Online et l’organisation d’expositions et d’événements, IMA propose un tout nouveau concept d’art de vivre au Japon : le plaisir, l’achat et la décoration au moyen de la photographie artistique. amana inc. a commencé l’édition et son activité de production avec Salto Ulbeek en Belgique en 2012. amanasalto, une joint-venture de amana and Salto Ulbeek, se concentre sur l’édition haut de gamme et la production en édition limitée de tirages photographiques, livres et portfolios durables et de qualité. Dans sa volonté de stimuler et soutenir le monde de la photographie artistique japonaise, amana inc. a également entamé en 2011 la collection amana. A PROPOS DU MAGAZINE IMA IMA est un magazine de photographie fondé en août 2012 à Tokyo. Malgré le grand nombre d’amateurs de photographie au Japon, aucun magazine n’avait jusque-là donné aux lecteurs les moyens de critiquer et d’apprécier les images produites par des photographes contemporains. En publiant les dernières actualités du monde de la photographie, les oeuvres les plus captivantes de jeunes photographes prometteurs ou d’artistes reconnus, et des essais critiques et historiques sur la photographie, l’IMA accomplit sa principale mission: offrir à ses lecteurs plusieurs manières d’apprécier la photographie. amana a lancé son propre label d’édition en novembre 2013 – IMA photobooks – pour promouvoir les jeunes talents emergents japonais. Le projet comprend aussi une galerie – librairie – IMA CONCEPT STORE – crée en mars 2015, au cœur du quartier Roppongi de Tokyo. amana inc. et Paris Photo amana inc. participe à Paris Photo en tant que partenaire et expert en communication visuelle, le groupe amana partage avec Paris Photo une même passion pour la photographie. Par conséquent, amana inc. est fier de soutenir le Prix du Livre cette année. --CONTACT MÉDIAS KINYA HORIKOSHI Tél: +81 3 3740 2032 [email protected] www.amana.jp 105 LEICA ET PARIS PHOTO Leica présente cette année une exposition inédite de Stéphane Duroy et P aulo Nozolino, initiée par Paul Cottin. Les travaux menés en parallèle par les deux photographes à l’occasion d’une résidence du Centre d’Art GwinZegal en Bretagne du Nord, exhument des recoins de notre Histoire, les échos d’un monde qui s’efface sans bruit, héritage d’une société paysanne en voie de disparition. Deux photographes dont l’écriture dépouillée, l’économie d’images et le refus du spectaculaire sont les traits communs. Deux regards austères et sans concession. Ce travail est exposé pour la première fois dans le cadre de Paris Photo. Le livre sera disponible pendant la foire et fera l’objet d’une signature. 106 Engagement Leica pour la photographie Leica Camera met en exergue la diversité des regards et de la création des artistes contemporains à travers un réseau de 14 galeries dans le monde et son soutien de festivals comme les Rencontres d’Arles, le festival de Sète, et des foires telles que Paris Photo (Paris et Los Angeles) et pour la première fois cette année Photo Shanghai. Le groupe Leica attribue également trois prix de renommée internationale: le prix Oskar Barnack Leica depuis 1979, le prix Leica Newcomer ainsi que le Hall of Fame. Une page d’histoire Leica puise sa notoriété au début du XX siècle, et a bouleversé les pratiques photographiques liées à la technologie. Grâce à la commercialisation du petit format d’appareil photo 24 x 36 Leica en 1925, le photographe devenait « mobile dans le flux de l’action ». Ainsi, une page de l’histoire de la photographie allait s’ouvrir avec l’avènement du photojournalisme. Cette histoire est l’objet d’une grande exposition et d’un livre paru chez Kehrer « Eye Wide Open, 100 years of Photography Leica » qui réunit plus de 500 photographies, livres et documents historiques. Elle éclaire divers aspects de la photographie réalisée au format 35 mm, du photojournalisme à l’avant-garde, en passant par la photographie d’auteur, couvrant ainsi quatorze chapitres de l’histoire de la photographie. Cette exposition itinérante qui a commencé à Hamburg, compte déjà plus de 70000 visiteurs. Elle est actuellement à la Fondation C/O Berlin. --CONTACT MÉDIAS GAËLLE GOUINGUENÉ [email protected] www.leica-camera.fr Pernod Ricard, numéro deux mondial des Vins et Spiritueux, est né en 1975 du rapprochement des sociétés françaises Ricard et Pernod. Depuis 40 ans, Pernod Ricard fait rayonner à travers le monde sa signature « Créateurs de convivialité » portée par ses marques iconiques que sont la vodka Absolut, les Scotch Whiskies Ballantine’s et Chivas Regal, le rhum cubain Havana Club ou encore le cognac Martell. « L’Art est par nature un acte convivial parce qu’il se vit d’abord dans le partage. Une œuvre d’art n’a de sens que dans le regard de l’autre » rappelait Alexandre Ricard lors de l’annonce de la 40ième campagne artistique de Pernod Ricard réalisée par l’artiste chinois Li Wei. Depuis 6 ans, le Groupe s’associe plus particulièrement à des photographes de renommée internationale : Marcos Lopez, Denis Rouvre, Eugenio Recuenco, Olaf Breuning, Vee Speers…. Pernod Ricard a donné « carte blanche » à tous ces photographes de talent. Une seule contrainte : prendre pour modèles les collaborateurs du Groupe. En cette année du quarantième anniversaire de Pernod Ricard, le photographe chinois Li Wei, connu pour ses performances aériennes, a donc choisi de « faire voler » 40 collaborateurs du Groupe au-dessus de quelques-uns de ses sites historiques les plus emblématiques. France, Ecosse, Espagne, Suède ou encore Irlande ont été les décors d’une campagne vécue comme une aventure artistique collective. « Que l’on travaille dans un vignoble, sur une chaine d’embouteillage, dans un service comptable, ou encore au marketing, à mille lieux de la scène artistique, c’est la convivialité, le désir d’être ensemble qui devient alors le moteur de la créativité » déclarait Li Wei à l’issue de cette campagne. Pour la première fois, Pernod Ricard et Li Wei exposeront le résultat de cette campagne photo baptisée « Vision » à l’occasion de Paris Photo du 11 au 15 novembre au Grand Palais. --CONTACTS MÉDIAS SYLVIE MACHENAUD Directrice Communication Externe Pernod Ricard Tél: +33 (0)1 41 00 42 74 [email protected] EMMANUEL VOUIN Responsable Relations Presse Pernod Ricard Tél: +33 (0)1 41 00 44 04 [email protected] MARTIAL HOBENICHE 2e bureau T.: +33 (0) 1 42 33 93 05 [email protected] NOEMIE GRENIER 2e bureau Tél: +33 (0) 1 42 33 93 05 [email protected] www.pernod-ricard.com 107 CHAMPAGNE RUINART 108 La Maison Ruinart a posé la première pierre de son histoire le premier septembre 1729. Depuis, elle n’a eu de cesse de bâtir l’excellence de ses vins. Son choix œnologique, déterminé par la prédominance du Chardonnay dans ses cuvées, est la signature de son savoir-faire authentique et reconnu. Elégance, pureté, lumière définissent aujourd’hui l’univers de la Maison Ruinart. Elle tire de ses trois siècles d’histoire la force de ses créations. L’équilibre entre ses racines et l’audace de ses engagements est la clef de son succès et en fait une Maison perpétuellement contemporaine. La Maison Ruinart est née au cœur du « siècle des lumières », courant intellectuel qui a fortement contribué à l’art de vivre à la française. Le vivre, le développer et l’exporter est donc une mission très naturelle pour la doyenne des Maisons de champagne. Son engagement dans le domaine de l’Art s’exprime à travers sa participation aux plus grandes foires d’art internationales mais aussi et surtout via ses commissions auprès d’artistes de renom qui donnent leur vision de la Maison. Une manière de faire partager son patrimoine, son histoire, son savoir-faire et ses cuvées à travers le monde. --CONTACT MÉDIAS JEAN-CHRISTOPHE LAIZEAU MARIE-CHARLOTTE WAMBERGUE [email protected] www.ruinart.com L’histoire de diptyque débute à Paris, au 34 boulevard Saint-Germain, autour de trois amis animés d’une même passion créative : Christiane Gautrot est architecte d’intérieur, Desmond Knox-Leet est peintre, et Yves Coueslant est administrateur et décorateur de théâtre. Insatiable curiosité, sens aigu du beau et du savoir-faire, un héritage qui guide depuis plus de 50 ans les créations olfactives de la Maison. Parfums pour soi, art du soin ou senteurs pour la maison sont empreints d’une signature distinctive et singulière. Tissées des plus belles matières premières, bousculées par la fantaisie d’un accord inattendu, les créations s’expriment hors des sentiers battus pour mieux ravir les fidèles initiés et les amateurs éclairés. Un monde mystérieux mais étonnamment familier, s’empare de chaque création. Graphisme, logo ovale, ou scénettes racontant l’inspiration des eaux de toilette, dessinent une esthétique attachante et inimitable. De par son histoire et sa sensibilité, la création artistique, sous toutes ses formes fut toujours liée à l’histoire de la Maison. C’est donc tout naturellement que diptyque est heureux de s’associer, à nouveau, à l’édition de Paris Photo 2015 où la richesse et le dynamisme des galeries et des artistes présentés, contribuent à une diversité stimulante. --CONTACTS MÉDIAS diptyque DM Media / DOVIE MAMIKUNIAN 7 passage du Grand Cerf, 75002 Paris Tél : +33 (0)1 40 26 55 55 LAURE HUGONIN [email protected] CÉDRIC GALONSKÉ [email protected] www.diptyqueparis.com 109 La RATP aime la ville, et participe tout naturellement à son rayonnement artistique et culturel : un engagement qui s’exprime notamment à travers son partenariat avec Paris Photo. La RATP est heureuse de compter parmi les partenaires de la 18ème édition de Paris Photo, rendez-vous international des passionnés de photographie contemporaine. À travers la politique culturelle de la RATP, les transports parisiens prennent une part active à l’effervescence de la vie artistique de la capitale. La RATP s’attache à rendre son réseau de transports vivant, agréable, plus humain et surprenant, en organisant des animations et des évènements culturels, et en invitant les voyageurs à découvrir la création contemporaine. La Photographie au cœur de la politique culturelle de la RATP 110 Grâce à la photographie, forme d’expression artistique accessible au plus grand nombre, l’entreprise souhaite renforcer ses liens et échanges avec tous ses publics, en donnant une plus grande envergure à la politique d’animation de ses espaces, par le choix d’un parti-pris ambitieux. Faire découvrir des artistes, sensibiliser à des sujets de société, inviter au voyage, accompagner des talents… une façon de proposer à ses voyageurs de porter un nouveau regard sur la ville. Avec le dispositif « La RATP invite… », l’entreprise met régulièrement à l’honneur le travail de photographes exposés dans des festivals ou expositions de la région parisienne, en investissant massivement ses espaces. Du 20 octobre 2015 au 24 janvier 2016, « La RATP invite Philippe Halsman » avec le Jeu de Paume, et expose dans 16 stations des œuvres exclusives. Sa devise « Étonnez-moi ! » s’illustre par ses étonnants portraits et mises en scène, ou encore ses fameux jumps. Retrouvez plus d’informations sur : www.ratp.fr/expophoto La RATP partenaire de Paris Photo C’est donc tout naturellement que l’entreprise s’associe à Paris Photo, rendez-vous incontournable de la photographie, qui propose un panorama international. Au 5ème rang mondial des opérateurs de transports urbains, le groupe RATP assure quotidiennement la mobilité de 12 millions de personnes en France et dans le monde. En facilitant la mobilité des nombreux visiteurs de cette nouvelle édition de Paris Photo, la RATP réaffirme son engagement pour la promotion des arts et de la culture, afin de satisfaire au mieux à sa mission d’opérateur des transports publics d’une métropole --CONTACT MÉDIAS Tél: +33 (0)1 58 78 37 37 [email protected] www.twitter.com/groupeRATP www.facebook.com/RATPofficiel www.ratp.fr Une fois encore, Télérama est fier d’accompagner Paris Photo, rendez-vous international des passionnés de photographie. Un magazine dont la vocation est de rendre accessible au plus grand nombre toutes les créations, toutes les cultures qui font la culture, peut-il ignorer la photo ? Télérama la soutient depuis longtemps. Dans ses pages d’abord, où elle n’apparaît jamais en simple illustration, mais en contre-point, en témoignage aussi important que l’écrit. Télérama est aussi de plus en plus attentif aux meilleurs photographes – d’hier à aujourd’hui – et leur consacre portraits, entretiens, décryptages ; cherche à analyser leurs images. Notre magazine a même consacré, depuis 1982, plusieurs hors-séries à de grands maîtres, tels Richard Avedon ou Raymond Depardon. Et récemment trois albumshommage de 68 pages à André Kertész , Eug ène Atget et Walker Evans. Notre supplément parisien Sortir propose encore nombre d’expositions à visiter ; et notre site web, riche en images, publie régulièrement des portfolios… C’est donc naturellement, et heureusement, que Télérama est devenu le partenaire privilégié de Paris Photo. --CONTACT MÉDIAS ANNE DE LAGARDE Télérama 6/8 rue Jean Antoine de Baïf 75013 Paris Tél : +33 (0)1 55 30 56 98 M. : +33 (0)6 16 38 03 79 [email protected] www.telerama.fr 111 112 J’ai toujours pensé que le mariage photo + mobilier contemporain était parfait ! Quoi de plus joli qu’un beau tirage placé au-dessus d’un meuble créé par un grand architecte de renom ? La photo s’intègre subtilement au décor et lui donne une force, une âme. Bien souvent, elle fait ressortir la personnalité de son propriétaire, ses tentations, ses rêves, ses fantasmes, ses non-dits, ses doutes… C’est pourquoi IDEAT va de plus en plus entrer dans le monde de la photo. Du reste, le magazine a consacré l’ensemble de son numéro d’avril dernier à l’un des plus grands photographes du moment, Erwin Olaf, qui, à, l’occasion de ce numéro exceptionnel, a shooté une douzaine de photos pour le magazine. IDEAT a délibérément choisi de tester la modernité. Notre partenariat avec Paris Photo est une manière de montrer notre engagement dans ce chemin vers la modernité. C’est surtout l’occasion de partager notre enthousiasme avec un public sans cesse plus curieux de découvrir à la fois des artistes et des tendances, et désireux d’être, lui aussi, au cœur de ce qui fera toujours avancer le monde : la culture. Laurent Blanc, fondateur & éditeur d’IDEAT --CONTACT MÉDIAS OLIVIA BÉDERÈDE T. : +33 (0)01 44 75 74 29 [email protected] www.ideat.fr 113 Konbini est heureux d’accompagner la nouvelle édition de Paris Photo, le rendez-vous mondial incontournable de la photographie. Avec une équipe éditoriale internationale, Konbini cultive au quotidien la curiosité et l’inspiration d’une communauté connectée, célébrant la création sous toutes ses formes, et où la photographie est une forme d’expression très appréciée. Créé en 2008, Konbini® est le média nouvelle génération qui touche aujourd’hui plus de 10 millions de visiteurs uniques par mois dans 30 pays. Avec son approche repensée du journalisme et le ton décalé de ses articles, Konbini s’impose comme un acteur global de la pop culture. Porté par une communauté active et influente, Konbini se démarque par la viralité record de ses contenus sur les réseaux sociaux. Basé à Paris, Londres, New York, Mexico, Konbini traite de thématiques variées : entertainment, culture, lifestyle, société avec un esprit pop, créatif et singulier. All pop everything sur www.konbini.com --www.konbini.com 114 La Chaîne Info, c’est l’information en temps réel (50 éditions par jour), l’actualité analysée et expliquée grâce à des débats et des magazines et tous les grands événements en direct (éditions spéciales, breaking news…) C’est également plus de 5000 invités par an (politiques, grands patrons, scientifiques, philosophes, sportifs, artistes…) qui se relaient dans les différentes éditions pour commenter l’actualité. Analyses, témoignages, décryptage,… Les grandes signatures de la chaîne (Valérie Expert, Vincent Hervouët, Romain Hussenot…) apportent également leur éclairage sur les événements. Depuis sa création, LCI soutient la culture sous toutes ses formes à travers une politique de partenariats engagée. Mettre en lumière, témoigner, questionner… Autant de missions communes à l’information et à l’art en général. C’est donc tout naturellement que la Chaîne Info est fière de s’associer à Paris Photo 2015. Le rendez-vous incontournable de la création artistique moderne et contemporaine à suivre sur LCI et sur MYTF1News. --MEDIA CONTACT VIRGINIE PERRE [email protected] www.lci.fr PRACTICAL INFORMATION DATES 12 – 15 novembre, 2015 LOCATION Grand Palais – Avenue Winston Churchill – Paris 8 Metro: Champs-Élysées — Clemenceau HEURES D’OUVERTURES 11 NOV 2015 • 11h – 14h pré-vernissage/ GUEST (GUEST badges uniquement) • 14h – 17h Vernissage VIP / GUEST & VIP (GUEST & VIP badges uniquement) • 17h – 21h30 Vernissage (Badges Presse & invitations uniquement) 12-15 NOV 2015 • 10:30 – noon Accès privé GUEST & VIP (GUEST & VIP badges uniquement) • 12 – 20h(19h dimanche 16 Novembre) Vernissage public PARIS PHOTO BOUTIQUE EN LIGNE 30€ PLEIN TARIF 15€ TARIF REDUIT - ETUDIANTS GRATUIT ENFANTS MOINS DE 12 ANS Paris Photo est accessible aux personnes à mobilité réduite. Les accompagnateurs des personnes à mobilité réduite entrent gratuitement. PRE-ACHAT est disponible dans la boutique en ligne : www.parisphoto.com €47 PACK ENTRÉE + CATALOGUE €25 CATALOGUE NOUVEAU ! DES VISITES GUIDEES SONT EN VENTE SUR LA BOUTIQUE EN LIGNE EN ADDITION D’UN TICKET D’ENTRÉE 20€ VISITE GUIDÉE 24€ VISITE GUIDÉE “PRIVELEGE” (pendant les heures privées de la foire) Les places des visites guidées sont limitées et doivent être réservées en avance sur la boutique en ligne de Paris Photo. SUIVEZ PARIS PHOTO EN LIGNE ! News de la foire : www.parisphoto.com L’AGENDA Paris Photo : Evénements... http://www.parisphoto.com/agenda Facebook : https://www.facebook.com/ParisPhoto Twitter/Instagram : @ParisPhotoFair/#ParisPhoto2015 L’Appli Paris Photo 2015 SAVE THE DATE PARIS PHOTO LOS ANGELES - Paramount Pictures Studios 29 avril– 01 mai 2016 PARIS PHOTO - Grand Palais 20ème anniversaire 10-13 Novembre 2016 115 FAIR MAP COURS LA REINE / LA SEINE LI WEI VISION LEV. -1 LEV. 0 VIP NIV. -1 D3 C5 B4 D8 D9 C6 C8 C10 D11 C11 B11 B10 B9 A10 C9 B5 A8 B8 A6 C7 D4 B6 C4 A4 A9 A11 D D18 C14 C C17 B16 B17 A16 A19 A18 COLLECTION PRIVÉE ENEA RIGHI SH2 VIP LOUNGE PRISMES B30 C30 D30 EE3 EE4 C28 D27 E5 D C C27 B26 STANDS PRESSE / PRESS BOOTHS INFORMATION A30 B31 KIOSK EE31 SH3 EE32 BOOK MACHINE GIORGIO ARMANI ACQUA # 6 SH8 SH9 SH10 SH13 SH12 EE23 RX SH5 SALON D’HONNEUR NIVEAU 1 / LEVEL 1 EE19 EE26 EE22 EE25 EE18 EE24 EE21 E11 EE14 EE17 EE13 EE20 EE10 EE0 C23 E NATASHA EE8 CARUANA RESIDENCE EE6 BMW D22 EE2 EE5 EE7 EE12 EE9 E3 EE1 EE15 EE16 D20 E1 D25 C22 C24 D23 C21 B SORTIE / EXIT A B25 B22 B23 A22 CATALOGUES STANDS PRESSE / PRESS BOOTHS A20 B20 C20 JPMORGAN CHASE ART COLLECTION SH1 S.DUROY & P.NOZOLINO LEICA VISITES GUIDÉES / GUIDED TOURS PLATEFORME CONVERSATIONS AUDITORIUM NIVEAU 1 / LEVEL 1 D36 D40 D39 D32 C36 D D35 D37 C40 B41 C44 D45 C46 D42 D46 D43 B44 B51 B48 C51 C48 D51 D48 B46 A48 A51 C45 C47 C49 C42 B42 A47 A46 B43 B45 B47 A42 A41 A43 B38 B40 C41 C34 C39 C C37 B36 B39 A36 A38 A37 A39 B34 B B37 A A34 B35 A33 A32 B33 B32 C32 PARIS PHOTO APERTURE FOUNDATION PHOTOBOOK AWARDS EE30 LOUNGE EXPOSANTS / EXHIBITORS B18 C18 COMMISSARIAT GÉNÉRAL, SERVICE DE PRESSE / FAIR OFFICE, PRESS OFFICE C12 D15 D10 D14 D13 C13 B14 B A B13 B15 A14 A13 A15 E D C B A A52 CHAMPS-ELYSÉES D2 D1 C2 C3 B2 B1 A2 A1 A5 AVENUE WINSTON CHURCHILL PORTE NORD NIV. 0 ROTONDE ALEXANDRE III 116 C1 PORTE SUD FAIR MAP EE30 COLLECTION PRIVÉE ENEA RIGHI SH2 JPMORGAN CHASE ART COLLECTION SH1 VIP LOUNGE THOMAS ZANDER SH7 PRISMES SH13 TAKA ISHII SALON D’HONNEUR NIVEAU 1 / LEVEL 1 AKIO NAGASAWA & JEAN-KENTA GAUTHIER SH6 RX SH5 117 ERNA HECEY SH8 BRUGE M BOCHUM SILVERSTEIN SH10 SH9 SH11 GIORGIO ARMANI ACQUA # 6 SH3 FLOWERS PACE/ MACGILL & CARLIER | GEBAUER SH12 PLATEFORME CONVERSATIONS AUDITORIUM NIVEAU 1 / LEVEL 1 INFORMATIONS PRESSE & MÉDIAS ACCRÉDITATION PRESSE Les accréditations en ligne sont ouvertes jusqu’au 06 novembre. http://www.parisphoto.com/fr/paris/page/press-accreditations Merci de noter que les badges presse sont réservés uniquement aux journalistes réalisant un reportage ou un article sur PARIS PHOTO. Seuls les photographes de presse effectuant un reportage sur Paris Photo seront accrédités « Presse ». Une carte de presse et une lettre de la rédaction attestant de sla couverture seront exigées pour les demandes d’accréditation. ACCES PRESSE Afin d’accéder à Paris Photo au Grand Palais, vous devez être obligatoirement munis de votre carte de presse en cours de validité ou d’une confirmation d’accréditation délivrée par notre agence de presse Claudine Colin Communication. Entrée principale - Grand Palais avenue Winston Churchill - 75008 Paris 118 MATÉRIAUX PRESSE Les informations suivantes sont disponibles pour téléchargement dans la section presse www.parisphoto.com/presse/paris: • Pré-dossier and Dossier de presse • Communiqués de presse • R oyalty-free images (accèss reservé aux membres de la presse – Pour demander les codes d’accès : [email protected]) Également disponible sur le site parisphoto.com : • Programme officiel et plan de la foire • Derniers mis-à-jour du programme de la Plateforme et des dédicaces des livres • Les mini-site des galeries et éditeurs exposants • Programme A Paris pendant Paris Photo --CLAUDINE COLIN COMMUNICATION 28, rue de Sévigné 75004 Paris Tel: +33 (0)1 42 72 60 01 [email protected] www.claudinecolin.com [email protected] CONTACTS Presse France MARIKA BEKIER [email protected] Presse Internationale THOMAS LOZINSKI [email protected] CONTACTS REED EXPOSITIONS France MICHEL FILZI Président et Directeur Général de Reed Expositions France JEAN-DANIEL COMPAIN Directeur Général du Pôle Culture, Luxury & Leisure Division LAURENCE PAUL KELLER Directrice de la Division Art & Culture ÉQUIPE DE PARIS PHOTO Directeur : FLORENCE BOURGEOIS Directeur artistique : CHRISTOPH WIESNER Relations exposants : AUDREY LECLERC Assistants relations exposants: RAPHAELLE LECOMTE / NORA AZZA-ARELLANO Relations Collectionneurs & Institutions : AURELIA BOURQUARD-TOURDJMAN/ JOSEPHINE DABILLY Assistante relations VIP : LUCIE ROUX DIDIER Assistante partenariats : MARIE-ANNE HALLAIS Coordination & Programmation : AGATHE MOULONGUET Sponsoring & Partnerships : ANABEL BOUKHITINE Plan média : OLGA VASILJEVA / BERENICE GEORGE RP & éditions : KATHERINE COLIN REED EXPOSITIONS FRANCE 52/54 QUAI DE DION-BOUTON CS 80001 92806 PUTEAUX CEDEX, FRANCE Tél: +33 (0)1 47 56 64 69 Fax: +33 (0) 1 47 56 64 78 [email protected] www.parisphoto.com 119 120 20TH ANNIVERSARY 10.13 NOV 2016 GRAND PALAIS THE INTERNATIONAL ART FAIR FOR PHOTOGRAPHY AND MOVING IMAGE APR 29 - MAY 1 2016 PARAMOUNT PICTURES STUDIOS LOS ANGELES
