The turning circle
Transcription
The turning circle
Session 3 Chair Preston Singletary (Tlingit artist) 14:30 One collection, many perspectives. The Johan Adrian Jacobsen Collection in the future Humboldt Forum in Berlin Viola König, Director, Ethnologisches Museum in Berlin 15:00 Creating Mutual Heritage. North American Collections and St. Petersburg Kunstkamera Yuri Christov, Director, and Julia Kupina, Deputy Director, Peter the Great Museum of Anthropology and Ethnography (Kunstkamera), Saint Petersburg 15:30 Beyond the partnership, the dialogue between Boulogne and Kodiak Céline Ramio, Director, musée de Boulogne-sur-mer and April Laktonen Counceller, Director of the Alutiiq Museum 16:00 Coffee break Session 4 Chair Marie Mauzé (CNRS) 16:15 Two Museums for one Heritage. A Comparative Perspective on the Aleut Collections from Unga Island Marie-Amélie Salabelle, Affiliate researcher, Laboratoire d'anthropologie sociale, Claire Alix ,Assistant professor, Université Paris 1 Panthéon-Sorbonne 16:45 Displaying Heritage and Identity at Sealaska Heritage Institute Chuck Smythe, History and Culture Director, Sealaska Heritage Institute, Juneau 17:15 Discussion International symposium: The turning circle Boulogne-sur-Mer, June 25th Paris, june 27th 2016 Organizers : Céline Ramio, director, Musée de Boulogne-sur Mer, Aron Crowell, Alaska director, Arctic Studies Center, Smithsonian Institution at Anchorage, and Marie Mauzé, Senior Researcher, Laboratoire d’anthropologie sociale (CDF-CNRS-EHESS). Alaska Native artists live and create with the full consciousness of indigeneity – of belonging to a place, a history, a turning circle of generations. Their works - so diverse and individual in conception - draw energy and meaning from the collective essence of community. The rediscovery of ancestral art, dispersed in centuries past to museums around the world, has been a powerful impetus to the contemporary arts movement in Alaska, for such pieces speak to indigenous identities in the present. As the Musée de Boulogne-sur-mer celebrates the unprecedented European debut of new works by twenty Alaska Native artists from across this Arctic region, it convenes The Turning Circle as a forum for reflection on art, indigeneity, and the evolving relationship between museums and source communities Université du Littoral (ULCO) Amphithéâtre 1, 34 grande rue 62200 Boulogne sur Mer Entrée libre Renseignements : Musée de Boulogne-sur-Mer, 03.21.10.02.20 ou [email protected] Institut National de l’Histoire de L’art (INHA) Auditorium, Galerie Colbert, 2 rue Vivienne 75002 Paris Université du Littoral, Amphithéâtre 1 Boulogne-sur-Mer, samedi 25 juin 2016 Institut national de l’histoire de l’art, auditorium Paris, lundi 27 juin 2016 9 h : accueil 9:00 Welcome 9h 30: Art, Museums, and Identity on Kodiak Island, Alaska Gordon Pullar: Associate Professor Emeritus, University of Alaska Fairbanks 9:15 : Opening address, Marie Mauzé, Senior researcher, Laboratoire d’anthropologie sociale (CNRS) 10h: : La mise en place du partenariat entre Boulogne et Kodiak (titre à préciser) Anne Claire Laronde, directrice de la Cité internationale de la dentelle de Calais et Will Anderson, Chief Executive Officer of KIC in Kotzebue Alaska Session 1 Chair: Joëlle Rostkowski (ethno-historian) 10h30 : pause-café 10h45: Du passé au présent, les enjeux d’une collection d’art contemporain autochtone au Musée de Boulogne sur mer Céline Ramio, Directrice du Musée de Boulogne-sur-Mer 9:30 The Alaskan collections in the musée du quai Branly. André Delpuech, Senior Curator, musée du quai Branly and Guénaële Guigon, lecturer at the Ecole du Louvre 10:00 Some early ethnographic Estonian collections from Russian America Jean-Loup Rousselot, Guest Lecturer at the Culture Academy Viljandi 11h45: discussion 10:30 Ivory and Intellect – the role of British Inupiat collections in the history of ideas Jonathan King, Von Hügel Fellow, Museum of Archaeology and Anthropology, University of Cambridge 12h : repas 11:00 : Coffee break 14h : Museums and Alaska Native Artists Aron Crowell, Alaska Director, Arctic Studies Center, Smithsonian Institution at Anchorage Session 2 Chair Alvin Amason (Sugpiaq artist, Professor of Alaska Native Art, University of Alaska) 14h30: Where We Come From: Lifeways, Art and Education Alvin Amason, Sugpiaq artist, Professor of Alaska Native Art, University of Alaska 11:15 The new museum paradigm of Indigenous collaboration Aron Crowell, Alaska Director, Arctic Studies Center, Smithsonian Institution at Anchorage 15h: Modern Heritage Art: Injun-uity in Glass Preston Singletary, Tlingit artist 11:45 The Etholén collection in the Museum of Cultures – Contents and Contributions Pilvi Vainonen, Curator, Museum of Cultures, Finland 11h15: Museum Partnerships: Building Meaningful Relationships Perry Eaton, Sugpiaq artist 15h30: Beyond Materials: Contemporary Artistic Expression in Alaska Native Art Sonya Kelliher-Combs, Inupiaq artist 16h : pause-café 16h15: Giving Voice: Conversations with Alaska Native Artists (Video presentation) Dawn Biddison, Museum Specialist at the Alaska office of the Smithsonian Arctic Studies Center 16h45: discussion 12:15 Out of the silence: Alaskan and Canadian Collections in the National Museum of Denmark Martin Appelt, Curator, the National Museum of Denmark 12:45 Discussion 13:00 Lunch