Bibliography

HUANG YONG PING
Solo Exhibition Catalogues and Monographs
2016 Memorandum: Bat Project I, II, III, 2001-2004. Köln: Buchhandlung Walther König and
Museum Ludwig, 2016.
2011 Wu Zei: Huang Yong Ping. Paris: Kamel Mennour and Nouveau Musée de Monaco
Villa Paloman, 2011.
2009 Huang Yong Ping: Myths. Paris: Galerie Kamel Mennour, 2009.
2008 Pantheon: Huang Yong Ping. Milan: Centre international d'art et du paysage de l'île de
Vassivière, Silvana editoriale, 2008.
Huang Yong Ping: Ping Pong, Oslo: Astrup Fearnley Museet for Moderne Kunst,
2008.
Bonami, Francesco ed. Huang Yong Ping. Milan: Electa, 2008.
2005 Doryun, Chong and Phillippe Vergne, eds. House of Oracles: A Huang Yong Ping
Retrospective. Minneapolis: Walker Art Center, 2005.
1999 Huang Yong Ping, Travel Guide for 2000-204. Kitakyoshu: CCA Kitakyoshu, 1999.
Huang Yong Ping Cahier, interview Hans-Ulrich Obrist. Paris: Flux, 1999.
1998 Huang Yong Ping, texts by Evelyne Jouanno and Hou Hanru. Amserdam: De Appel
Foundation,1988.
1996 Trois Pas - Neuf Traces, texts by Fei Dawei, Yan Bailleul, Karen Faure Comte, and
Valérie Hervieu. Marseille: Ateliers d’Artistes de la Ville de Marseille, 1996.
1995 Huang Yong Ping, introduction by Jean-Hubert Martin, interview with Huang Yong
Ping and Philippe Garcia de la Rosa. Paris: Musée National des Arts d’Afrique et
d’Océanie, 1995.
1992 La Maison d’augures 1989-1992. Paris: Galerie Froment & Putman, 1992.
Group Exhibition Catalogues and General Publications
2015 Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal,
2015.
2013 Lévy, Bernard-Henri. Les aventures de la vérité. Paris: Grasset, 2013.
Steeds, Lucy. Making Art Global (Part 2), ‘Magiciens de la Terre’ 1989. London:
Afterall, 2013.
2012 To Be With Art is All We Ask: Astrup Fearnley Museet. Oslo: Astrup Fearnley, 2012.
2011 Song Dong: Dad and Mom, Don’t Worry About Us, We Are All Well. New York: DAP
and YBCA, 2011.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon,
2011.
Komrij, Gerrit. Kunst Wonderen. Amsterdam: De Bezige Big, 2011.
2009 Bonami, Francesco and Alison Gingeras, eds. Mapping the Studio: Artists from the
François Pinault Collection. Venice: Palazzo Grassi, 2009.
2008 Traces du Sacré. Paris: Le Centre Pompidou, 2008.
God & Goods: Spiritualità e Confusione di Massa/Spirituality and Mass Confusion.
Italy: Villa Manin Centro d’Arte Contemporanea, 2008.
Qu’est-ce que La Sculpture Aujourd’hui? Brussels: Beaux Arts Editions, 2008.
2007 Ice Cream. London: Phaidon Press Limited, 2007.
!0th International Istanbul Biennial. Istanbul: Kültür Sanat Vakfi, 2007.
2005 On the Edge, text by Britta Erickson. Hong Kong: timezone 8, 2007.
Vitamin D: New Perspectives in Drawing. New York: Phaidon Press, 2005.
2003 Boutoux, Thomas, ed. Hans Ulrich Obrist Interviews., Volume 1. Milan :Edizioni Charta,
2003.
2002 Hanru, Hou. On the Mid-Ground. Selected texts edited by Yu Hsiao-Hwei. Hong Kong:
Timezone 8 Limited, 2002.
2000 Shanghai Biennal 2000. Shanghai: Shanghai Art Museum, 2000.
Unnatural Science, text by John Ackerman. Massachusetts: MASS MoCA, 2000.
La Beauté. Mission 2000 en France, 2000.
Over the edges. Ghent: S.M.A.K Stedelijk Museum voor Actuele Kunst, 2000.
Zeitwenden, interview with Jean-Hubert Martin. Bonn: Kunst Museum Bonn, Mustum
Moderner Kunst Stifung Ludwig Wien, 2000, pp. 144-147.
1999 Kunst Welten im Dialog, text by Evelyne Jouanno. Köln: Museum Ludwig Köln, pp.
416-419.
Inside Out: New Chinese Art. New York: Asia Society Galleries, 1999, pages15-16.
The Sultan’s Pool: International Project Art Focus 3. Jerusalem, 1999 p. 20.
Passage: New French Art, text by Yuko Hasegawa. Tokyo: Setagaya Art Museum,
1999.
Global Conceptualism: Points of Origin 1950s-1980s, texts by Gao Minglu. New York:
Queens Museum of Art, 1999, pp. 126, 134, 135, 220.
VOC Handle with Care: Huang Yong Ping and Yang Mao-Lin, interview with Yang
Wen I. Venice, 1999, pp. 18-37.
Jean-Pierre Bertrand, Huang Yong Ping, text by Hou Hanru, 48th edition of the
Venice Biennial, French Pavilion, AFAA, 1999, p. 1-64.
48e Biennale di Venezia, Venice, 1999, pp. 46-51, pp. 244-245.
Gare de l’Est, interview with Hou Hanru. Luxembourg: Casino du Luxembourg, 1999,
pp. 58-63.
1998 Cream, text by Francesco Bonami. New York: Phaidon press, 1998, pp. 192-195.
Unfinished History. Minneapolis: Walker Art Center, 1998, pp. 72-75.
The Hugo Boss Prize’ 98, text by Joan Young. New York: The Solomon R.
Guggenheim Foundation, 1998 pp. 42-51.
Êtrenature. Paris: Fondation Cartier pour l’art contemporain, 1998, pp. 75-85.
La collection de la Fondation Cartier pour l’art contemporain, text by Hélène
Kelmachter. Paris: Fondation Cartier pour l’art contemporain, 1998, pp. 142-147.
1997 Cities on the Move. Bordeaux: Secession de Vienne (Autriche) & Capc, Musée d’Art
Contemporain, 1997-98, p. 24.
97 Kwangju Biennial. Kwangju, South Korea, 1997, pp. 408-409.
2nd Johannesburg Biennial. Johannesburg, 1997, pp. 334-335.
In Between Limits, text by Fei Dawei. Kyungui: Sonje Museum of Contemporary Art,
1997, pp. 55-65.
Truce : Echoes of Art in an Age of Endless Conclusions, text by Francesco Bonami.
Santa Fe: Site Santa Fe, 1997, pp. 20, 34, 35.
Verpachtetes Erbe, text by Martina Köppel Yang. Frankfurt: Museum für
Kunsthandwerk, 1997, p. 10 .
Sculpture Projects in Münster 1997. Münster: Westfälisches Landesmuseum, pp. 222225.
Parisien(ne)s. London: Institute of International Visual Arts, Camden Arts Centre,
1997, p. 24-26.
Face à l’Histoire 1933-1996, text by Hou Hanru. Paris: Centre Georges Pompidou,
1997, pp. 550, 579.
1996 Linien & Zeichen, text by Hou Hanru. Berlin: Kunstlerhaus Bethanien, 1997, pp. 3843.
Inklusion : Exklusion., text by Hou Hanru. Grax: Streirisher herbst, 1997, pp. 228-233.
1995 Manifesta 1. Rotterdam: Foundation European Art Manifestation, 1995, pp. 30-31.
6 Triennale Kleinplastik. Stuttgart: Südwest L.B. Forum, 1995.
Ripple Across the Water, Tokyo: The Watari Museum of Contemporary Art, 1995,
pp. 140-144.
Des del Pais del Centre: avantguardes artistiques xineses, text by Huang Du.
Barcelona: Centre d’Art Santa Monica, Barcelona, 1995, pp. 47-53.
Unser Jahrhundert Menschenbilder-Bilderwelten. Cologne: Museum Ludwig, 1995, p.
109.
Asian, text by Fei Dawei. Venice: Fundazione Mudima, 1995, pp. 43-57.
Heart of Darkness. Otterlo: Kröller-Müller Museum, 1995, pp. 126-131.
Fondation Cartier: A Collection, text by Véronique Baton. Seoul: The National Museum
of Contemporary Art Korea and Paris: Fondation Cartier pour l’Art Contemporain,
1995, pp. 126-131.
Huang Yong Ping. Zürich: Kunstbulletin, 1995.
1994 Paper Art, text by Andreas Schmid. Düren: Leopold Hoesch Museum, 1994, pp. 129,
188-193.
Out of the Centre, text by Hou Hanru. Pori: Porin Taidemuseo, 1994, pp. 8, 13-14,
36-41.
1993 Photographies d’une collection. Paris: Caisse des Dépôts et Consignations, 1993, pp.
68-73, 175.
Fragment Memory, the Chinese Avant-garde in Exile, text by Julia F. Andrews. Ohio:
Wexner Center for the Arts, The Ohio State University, 1993, pp. 24-27.
Rendez (-) Vous. Ghent: Museum Van Hedendaagse Kunst, 1993.
Silent Energy, text by Hou Hanru. Oxford: The Museum of Modern Art Oxford, 1993,
pp. 16-17.
Interventions sur collection. Paris: Musée de l’Assistance Publique, Hôpitaux de Paris,
1993.
China Avant-Garde, text by Andreas Schmid. Berlin: Haus der Kulturen der Welt,
1993, pp. 132-139.
1992 Resistances, interview with Jean-Hubert Martin. Tokyo: The Watari Museum of
Contemporary Art, 1992, pp. 25-33.
Small Medium Large: Lifesize, interview by Hou Hanru. Prato: Museo d’Arte
Contemporanea, Prato, 1992, pp.87-92.
A fructuf incoherence. Zürich: Kunstbulletin, 1992.
1991 The Carnegie International 1991, text by Mark Francis. Pittsburgh: The Carnegie
Museum of Art, 1991, Vol. 1, pp. 86-87 and Vol. 2, p. 52.
Carte blanche à André Magnin, text by André Magnin. Paris: Galerie Froment &
Putman, 1991, pp. 5-7.
1990 Chine demain pour hier, interview with Jérôme Sans/ Pourrières: Les Domaines de
l’Art, 1990, pp. 68-71.
1989 Magiciens de la terre. Paris: Centre Georges Pompidou, Grande Halle de la Villette,
1989, pp. 152-153.
China Avant-Garde. Peking: Palais National des Beaux-Arts, 1989, p. 9.
1986 Xiamen 86: Néo- Dada exposl, 1986, p. 21.
Selected Articles and Reviews
2016 Davis, Sylvia Edwards. “Monumenta 2016: A Hulking Serpent Invades the Grand Palais
in Paris,” France Today, May 16, 2016.
Hossenally, Rooksana. “Jurassic Art: Huang Yong Ping’s ‘Empires’ fills the nave of the
Paris’ Grand Palais,” Wallpaper*, May 9, 2016.
“Interview: Huang Yong Ping,” Apollo, April 4, 2016.
Wullschlager, Jackie. “Hunag Yong Ping’s ‘Empires’ at Monumenta,” Financial Times.
Wee, Darryl. “Cai-Guo Qiang Curates Chinese Contemporary Show in Doha,” Blouin
Artinfo, March 2, 2016.
2015 Wee, Darryl. “Huang Yong Ping to Take Over Grand Palais for Monumenta 2016,”
Artinfo, December 7, 2015.
2014 Herbert, Martin. “Previewed,” Art Review, December 2014.
Sutton, Benjamin. “Huang Yong Ping Tapped for Monumenta 2016,” Artnet, June 30,
2014.
Squires, John. “Massive Serpent Skeleton Permanently Hangs Out on European Shore,”
Fear Net, January 8, 2014.
2013 “Huang Yong Ping- ‘Ceinture,’” Time Out, 2013..
Storer, Russell. “My Favorite Work: Ressort by Huang Yong Ping-Video,” The Guardian,
September 15, 2013.
Harris, Gaeth and Julia Michalska. “Behold a Terrible Beauty,” The Art Newspaper, June
14-16, 2013.
Sutton, Kate. “Huang Yong Ping: Circus,” leapleapleap.com, May 10, 2013.
2012 “Huang Yong Ping and Carroll Dunham at Gladstone Gallery,” Mousse, November 29,
2012.
Balestin, Juliana. “Huang Yong Ping at Gladstone Gallery, New York,” Purple Diary,
December 28, 2012.
Chow, Jason. ‘What Chinese Artists Say About China,” The Wall Street Journal, May
16, 2012.
2011 Letwin, Hilary. “Made in China: Contemporary Chinese Artists,” Montecristo,
Winter 2011, p. 56.
2009 Freger, Charles. “After the Flood”, W Magazine, November 2009, p. 96-97.
“Five Artists for 2008,” ArtAsiaPacific, Almanac 2009, p.94.
“Galleries,” ArtAsiaPacific, Almanac 2009, p. 117.
“Art Festivals,” ArtAsiaPacific,, Almanac 2009, p. 85.
“Japan,” ArtAsiaPacific, Almanac 2009, p. 193.
“Papers in Order?: How to bring an elephant from Oslo to Odense,,” Kunsthallen Brandts
Yearbook, 2009, pp. 30-36.
Holmberg, Ryan, “The Snake and the Duck: On Huang Yong Ping,” Yishu: Journal of
Contemporary Chinese Art, pgs. 38-46.
2008 “Huang Yong Ping: Artist Interview," The Art Newspaper, July/August 2008, p 35.
"The Art of Visiting Oslo", Art World, February 2008, p 17.
"Huang Yong Ping Installation Taken Off Display," The Art Newspaper, March 2008, p
11.
"Huang Yong Ping," Art Actuel, March, 2008, p 56-57.
2007 Bush, Kate, “Provisional Authority: Skulptur Projekte Munster 07,” Artforum, September
2007, p 419-423.
Jansen, Gregor, "Huang Yong Ping," China Art Book, DuMont, Köln, pg. 152-159.
Chiu, Melissa, "Discourses of East and West," Breakout: Chinese Art Outside China,
Charta 2007, p 115-159.
Gioni, Massimiliano, "Where the Wild Things Are," Tate, etc, Autumn 2007, p. 35.
Morgan, Robert C., “Huang Yong Ping,” Tema Celeste, May/June 2007, pp. 70-71.
Ruiz, Cristina and Vanessa Fewster, “ Installation withdrawn from retrospective, then sold
at action,” The Art Newspaper, (February 15, 2007).
Morgan, Robert, "Huang Yong Ping," Tema Celeste, May/ June pg.70.
2006 "Huang Yong-Ping," Tema Celeste, Sept/Oct 2006, pg. 106.
Cotter, Holland. “Rattler of Cages, From China to Europe,” The New York Times, April 14,
2006, p. E29, 36.
Miller, Francine Koslow. "Huang Yong Ping," Frieze, Jun/July/Aug 06, pg 268.
Spalding, David. 'Guan Yi', Contemporary 21, issue 80, pg. 116-117.
Heartney, Eleanor. “House of Huang,” Art in America, March 2006, pg. 118-125, 163, Ills.
(cover).
2005 Leffingwell, Edward. “The Extraterritorial Zone,” Art in America, Feb. 2005, p. 51.
2004 Rocha, Janaina. “Huang Yong Ping,” BienArt, Nov. 2004, Italy, pp.38-9, ill.
2003 "Artworld." Art in America, January, 2003.
2002 Kerr, Merrily. "Huang Yong Ping," Flash Art, May-June 2002.
Smith, Roberta. "Huang Yong Ping", The New York Times, February 1, 2002.
"Huang Yong Ping at Barbara Gladstone Gallery," Artforum, January 2002,
p. 33.
Sand, Olivia."Huang Yong Ping," Asian Art, April 2002.
Wei, Lilly. "Huang Yong Ping at Barbara Gladstone Gallery," Art In America,
May, 2002.
2001 “Huang Yong Ping at Jack Tilton,” Art in America, v. 89 no. 1 Jan., p. 111-12.
2000 “Huang Yong Ping: Jack Tilton,” New Art Examiner, v. 28 no3 Nov., p. 54-5.
1999 David, Chan. “View 3,” C Magazine, no. 63, Sept/Nov., p. 28-31.
Bertrand, Jean-Pierre. “Licht wird zu Materie,” interview, Kunstforum International, no.
147, Sept/Nov, p. 298-303.
“Frankreich,” Kunstforum International, no. 147, Sept/Nov, pp. 102-5.
“Huang Yong Ping: cultural differences and negotiation,” Flash Art
(International Edition), v. 32, no. 207, Summer, pp. 114-15.
“Crise et confiance,” Connaissance des Arts, no. 563, July/Aug, p. 5.
“Biennale de Venise 99: les temps forts,” Beaux Arts Magazine, no. 181, June
pp. 91-3.
“Huang Yong Ping,” L'Oeil (Lausanne, Switzerland), no. 507, June, pp. 50-3.
“La Biennale de Venise cote France,” L'Oeil (Lausanne, Switzerland), no. 507, June, p.
45.
1998 “Huang Yong Ping and Xu Bing,” Art Beatus, Vancouver, C Magazine, no. 59,
Sept/Nov., p. 38.
1997 “Parisien(ne)s: Huang Yong Ping,” Art Monthly, no. 204 Mar., pp. 30-3.
Vedrenne, Elisabeth, “Ping, l’actualité reboudit,” Beaux Arts, 154, March, p. 27.
Hunt, Ian, “Huang Yong Ping,” Art Monthly, 204, March, pp. 30-33.
Mitchell, Charles Dee, “Report from Santa Fe,” Art in America, Nov., pp. 42-47.
1996 Schröder, Gerhart, “Schwelle,” Jahrbuch 3, Akademie Schloss Solitude, pp. 45-47.
Holmes, Brian, “The Gallery of Five Continents,” World Art #2, pp. 88, 89.
Sans, Jérõme, “Huang Yong Ping,“ Artforum International, May, v. 34, pp. 110-111.
1995 Boussand, Juliette, “Le Théâtre du Monde de Huang Yong Ping… Hors Limites?,” Art
Présence 13, Winter, pp. 30-34.
Hanru, Hou, “Huang Yong Ping,” Technikart, 18, May/June, pp. 32, 33.
“Art(c)-en-ciel: five artists in the five continents gallery,” Cimaise, v. 42, Nov/Dec,
pp. 45-50.
“Huang Yong Ping and Chen Zhen at the New Museum,” Art in America, v. 83, Jan.,
pp.104-5.
1994 Hanru, Hou, “Departure Lounge Art, Chinese Artists Abroad,” Art and Asia Pacific, vol. no.
1, Feb., pp. 40-41.
Hanru, Hou, “Huang Yong Ping,” Flash Art, vol. 178, October, p. 85.
Jouanno, Evelyne, “Out of the Centre or Without the Centre,” Third Text, no. 28/29,
Autumn/Winter, pp. 196-198.
1993 Hanru, Hou, “Le Plaisir du Texte,” Flash Art, Nov./Dec., p. 65 (interview).
1992 Ung Chan Lack, “Ten Years of the Chinese Avant-Garde,” Flash Art, 162, Jan/Feb,
p.113.
Deitcher, David, “Art on the Installation Plan,” Artforum, Jan., p.82.
Obrist, Hans-Ulrich, “The Installation is Coming Through the Backdoor,” Meta
Künstlerhaus Stuttgart, pp. 72, 73.
Jinkner-Lloyd, Amy, “Report from Pittsburg,h” Art in America, June, p. 44.
Ardenne, P.., “Huang Yong Ping,” Art Press, 170, p. 101.
Hanru, Hou, “Huang Yong Ping,” Flash Art, May/June, 1992, p. 120.
1991 Huang Yong Ping, “Bedeutendes, das völlig leer ist (Dada) und (zen),” Gebrochene
Bilder, Junge Kunst aus China, Horlemann, pp. 123-137.
Huang Yong Ping, “(8) (h),” Jahresring 38, Der öffentliche Blick Verlag silkeschreiber,
pp. 212-225.
Legros, Hervé, “La longue marche des artistes chinois,” Beaux Arts 87, Feb., p.99.
Hanru, Han, “Interview Huang Yong Ping,” Jiangsu Art Monthly, no.12, p.19.
1990 Aubé, Dominique, “Huang Yong Ping,” Art Press, 149, July/Aug., p.98.
1989 Huang Yong Ping, "Dossier: Les Magiciens de la Terre. Cinq questions à des artistes
non occidentaux," Art Press, 136, May, p. 48.
Dawei, Fei, “Chine/Avant-Garde,” Art Press, 141, November, pp. 8 & 28-34.
1985 Huang Yong Ping, “Painting with Industrial Technology: Looking for New
Substitutions,” Leonardo, vol. 18, no. 2, pp. 91-95.
Fine Arts Dictionaries
2002 Honour, Hugh and Fleming, John, A World History of Art, Laurence King, 2002.
1996 The 20th-Century Art Book, Phaidon Press Limited, London, 1996, p. 214.
1995 A World History of Art, Hugh Honour & John Fleming, Laurence King Ed., Fourth
Edition, London, 1995, p. 825.
1992 A History of China Modern Art 1979-1989, Hunan Art Publisher, Chinese Edition,
Hunan, 1992, pp. 281-287.
Video-catalogues
1998 “Etre nature,” Snc Cartier & Cie, Fondation Cartier pour l’art contemporain, Paris, (VHS
PAL-Secam – 10’57 color).
1994 “Chinese Hand Laundry – Field of Waste,” Pih Jokel, Lana, New York, 1994 (R.T. –
44’ color).
1991 “Installation de Huang Yong Ping sur la Sainte Victoire,” Lejault, François, production
Ecole d’Art d’Aix-en-Provence, June 1991 (PAL – 14’ color).
1989 “Les magiciens de la terre,” Centre Georges Pompidou, Paris, 1989 (VHS PAL-Secam
– 50’ color).
Radio
1995 Bourriaud, Nicolas, France Inter, 10 June.
Cited Works
1997 Another Long March – Chinese Conceptual and Installation Art in the Nineties,
catalogue of the exhibition, Fundament Foundation Breda, Breda, Pays bas
The storm society & post-storm art phenomenon, edited by Pant Tao, Chin Show
Publishing Co., Taipei, Taiwan.
1995 Traité de l’efficacité, Jullien, François, éditions Grasset, Paris.
1993 Patries Imaginaires, Rushdie, Salman, collection 10/18, Paris (first edition 1991).
1992 Du Nouveau, Groys, Boris, éditions Jacqueline Chambon, Paris.
1989 Nous et les autres, Todorov, Tzvetan, éditions du Seuil, Paris.
1980 L’Orientalisme, Saïd, Edward, éditions du Seuil, Paris, preface by Tzvetan Todorov (first
edition: Orientalism, Penguin Books, London, 1978).
1976 Ruptures Cultures, Damisch, Hubert, éditions de Minuit, Collection Critique, Paris.
1975 Alors la Chine?, Barthes, Roland, éditions Christian Borgeois, Paris, no pagination.