2014-04-25, Labrecque, Simon, Political Science
Transcription
2014-04-25, Labrecque, Simon, Political Science
convention of the International Studies Association, Montréal, Québec. March 2011 7. Chénier, P.-L.; Labrecque, S. “Worlds, Idioms, PROGRAMME The Final Oral Examination Images: Jean-Luc Nancy & Jean-Luc Godard around Sarajevo, 1993.” 1st International Conference on the Image, UC Los Angeles, California. December 2010 for the Degree of 8. Labrecque, S. “Micropolitique et performativité. Les pratiques d’art action comme pratiques politiques.” Annual convention of the Canadian Philosophical Association, Montréal, Québec. May 2010 DOCTOR OF PHILOSOPHY Department of Political Science 9. Labrecque, S. “Mimèsis amatrice. Création, experimentation et pédagogie politique dans le bioart.” Colloque de Recherche Étudiante en Science Politique, Montréal, Québec. May 2010 Simon Labrecque 2009 2007 Université Laval Université Laval MA (Political Science) BA (Political Science) 10. Labrecque, S. “Radical Memory? Baudrillard Viewed from the Walls of Québec City.” The Succession of Simulacra: The Legacy of Jean Baudrillard (19292007), UC Santa Barbara, California. April 2008 Selected Publications 1. Labrecque, S. “Aesthetics of Coherence in Politological Thought: Engaging Impredicativity.” Peninsula: A Journal of Relational Politics 2012, 2 (1) [Online]. “Aesthetics of Politics: Refolding Distributions of Importance” Friday, April, 25, 2014 1:00pm David Turpin Building, room A144 2. Labrecque, S. “Expérimenter. La pensée politique de Deleuze et les theories féministes contemporaines.” Aspects sociologiques 2010, 17 (1), 223-251. Supervisory Committee: Dr. Arthur Kroker, Department of Political Science & CSPT, UVic (Supervisor) Dr. R.B.J. Walker, Department of Political Science & CSPT, UVic (Member) Dr. Nicole Shukin, Department of English & CSPT, UVic (Outside Member) 3. Labrecque, S. “Radical Memory? Baudrillard Viewed from the Walls of Québec City.” International Journal of Baudrillard Studies 2009, 6 (2) [Online]. External Examiner: Dr. Michael J. Shapiro, Department of Political Science, University of Hawai’i Mānoa Chair of Oral Examination: Dr. James Young, Department of Philosophy, UVic of how the problem of political importance has been and is being dealt with. Abstract Awards & Scholarships This dissertation engages a very general question: what matters politically? This question is characterized as a point of heresy, as a site through which different political stances differentiate themselves from one another and account for their differences. Building on the concept of aesthetics of politics developed by J. Rancière, I seek to free up this concept’s critical and analytical potential by arguing that different aesthetics of politics act as prerequisites to divergent determinations of political importance. More precisely, I argue that significant formulations of how variations in distributions of political importance occur tend to presuppose particular accounts of the relationships between perception and interpretation, sensibility and understanding, or how we sense and how we make sense. While the concept of aesthetics is tied to particular histories of what has been called Western Modernity, I argue that Western political thought has been characterized by a deep concern for questions of perception since its allegedly inaugural texts in Classical Greece, and that the so-called postmodern condition continues to put into play aesthetic terms of political engagement. To test this hypothesis positing that we always already think of politics aesthetically, I map five influential aesthetics of politics: aesthetics of prevalence, aesthetics of emancipation, aesthetics of temperament, aesthetics of friction, and aesthetics of endurance. Each one is already manifold. To make sense of these multiplicities, each aesthetics of politics is studied through a fourfold engagement with the politics of one of the senses of the age-old fivefold of sight, taste, hearing, touch, and smell. The politics of each sense are engaged along a politological, an artistico-political, a polemological and a hauntological folds. I am thereby able to show the intricacies 2009 – J.-A. Bombardier CGS Doctoral Scholarship, SSHRC, University of Victoria 2008 – J.-A. Bombardier CGS Master’s Scholarship, SSHRC, Université Laval 2007 – Honor Roll of Political Science graduates, Université Laval Selected Presentations 1. Labrecque, S. “Scribere est agere. Strauss & Skinner sur l’importance du contexte en pensée politique.” Guest lecture, Département d’études françaises, Concordia University, Montréal. February 2014 2. Labrecque, S. “Aesthetics of Coherence in Politological Thought: Engaging Impredicativity.” CSPT conference. University of Victoria, British Columbia. April 2012 3. Labrecque, S. “The Figure of the Amateur in Bio-Art: Universalizing the Capacity of Anyone at All?” Annual convention of the International Studies Association, San Diego, California. April 2012 4. Labrecque, S. “The Figure of the Amateur in Bio-Art: Occasioning Universalizations of the Capacity of Anyone at All?” 4th Popular Culture & World Politics conference, Rovaniemi, Finland. November 2011 5. Labrecque, S. “Interventions & Occasions: Around Biotech Amateurs, J. Rancière & C. Schmitt.” CSPT Thinking colloquium, University of Victoria, British Columbia. September 2011 6. Chénier, P.-L.; Labrecque, S. “Are Images to be Perceived & Idioms to be Heard? Jean-Luc Godard & Jean-Luc Nancy on Sarajevo, 1993.” Annual