Roger Catalogue D`Alay-Fux

Transcription

RUDOLF RASCH: THE MUSIC PUBLISHING HOUSE OF ESTIENNE ROGER AND MICHEL-CHARLES LE CÈNE
PART FOUR: THE CATALOGUE: D’ALAY — FUX
MY WORK ON THE INTERNET, VOLUME FOUR
RUDOLF RASCH
THE MUSIC PUBLISHING HOUSE
OF ESTIENNE ROGER AND
MICHEL-CHARLES LE CÈNE
1696-1743
PART FOUR: THE CATALOGUE
D’ALAY — FUX
Please refer to this text in the following way:
Rudolf Rasch, The Music Publishing House of Estienne Roger and Michel-Charles Le Cène 1696-1743
(= My Work on the Internet, Volume Four), Part Four: The Catalogue: D’Alay-Fux
http://www.let.uu.nl/~Rudolf.Rasch/personal/Roger/Catalogue-Dalay-Fux.pdf
For suggestions, additions, corrections and remarks: [email protected]
© Rudolf Rasch, Utrecht/Houten, 2013
1
25 February 2015
D
— D’Alay — Concerti Opus 1 Libro 1-2 — 538-539 — [1727] —
MAURO D’ALAY, Dodici concerti a violino principale, 2 violini, viola, violoncello e cimbalo ... Opera
prima, Libro primo-secondo. LC, no. 538-539, [1727].
CONCERTI | a Violino Principale | Violino Primo e Secondo | Alto Viola, Violoncello | e Cimbalo | Del
Sigr. MAURO D’ALAY | Detto IL MAURINI. | Opera Prima | Libro Primo | AMSTERDAM. | a Spesa di
MICHELE CARLO LE CÈNE | Libraro | No. 538 |
XII
Engraved, upright folio partbooks. Five partbooks: Violino Principale (2-20, 2-25 pp.), Violino Primo (1-10,
2-15 pp.), Violino Secondo (2-10, 2-13 pp.), Alto Viola (2-9, 2-12 pp.), Organo e Violoncello (2-17, 2-27
pp.). Double plates 2 x (19 x 26) cm.
Issue
Catalogues
Price
Inventory
LC, no. 538-539, [1727]. {RISM AA 554a}
Venice, Bibl. Cons., Fausto Torr. Stampe antiche 370ab I-VI (Org&Vcl double).
First: Catalogue 1735, p. 63 (nos. 538-539).
Catalogue 1744, p. 44 (nos. 538-539).
Catalogue Ballard 1731, p. 30.
Catalogue Leclerc 1734, p. 70, 1737, p. 80.
f 10:0; f 24 (Ballard 1731, Leclerc 1734); f 25 (Leclerc 1737).
[p. 332] ‘15 - Mauro D’Alaij, Concerti - f 15:0.’
Contents
Concerto I (A-2): Allegro, Largo, Allegro.
Concerto II E-flat-2: Allegro, Sicilana Largo, Allegro.
Concerto III G Allegro, Grave Presto
Concerto IV F Allegro, Largo Allegro,
Concerto V D Allegro, Largo Allegro,
Concerto VI B-flat-1 Allegro, Largo Allegro,
Concerto Libro Secondo
Concerto VII A-2 Allegro, , Grave Affettuoso, Allegro,
Concerto VIII F Allegro, , Grave, Allegro,
Concerto IX b Allegro, Largo Allegro,
Concerto X c-2 Allegro ma non Presto, Siciliana Adagio, Allegro.
Concerto XI A-2 Allegro, , Largo, Allegro,
Concerto XII g Allegro, , Andante, Presto
— D’Alay — Solos — Manuscript —
MAURO D’ALAY, ‘3 Solos pour le violon.’ Manuscript.
2
25 February 2015
Inventory
[Geschreve Muzijk p.291] [no.] ‘19 - 3 Solos pour Le violon de Mauro D’Alaij.’
— Dall’Abaco — Sonate Opus 1 — [6] — [1709-1712] —
EVARISTO FELICE DALL’ABACO, Sonate da camera a violino e violone, overo clavicembalo solo ... Opera
prima. ER, [No. 6], [1709-1712].
[Title engraving]│ SONATE DA CAMERA │ a Violino e Violo overo Clavicembalo solo │ DEDICATE │ ALL’
│ ALTEZZA SERENISSIMA │ Di Giouani Adolfo Ernesto Ferdinando Carlo │ Duca di Schleswigholstein,
Ereditario di Norwega, Principe │ del Sacro Romano Imperio, Conte d’Oldembourg, et Delmen- │ horste
Stormase, é Ditmarse, Sigre di Rethwisch e di Wesen- │ bergh, Marchese di Trelon, Barone di Ray &a. │ DA
EVARISTA FELICE DALL’ABACO│ Cittadino Veronese Musico di Camera │ di S. A. S. E. di │ BAVIERA. &a. │
OPERA PRIMA. │ A AMSTERDAM │ CHEZ ESTIENNE ROGER │ No 6. │ Rich. van Orley del. │ J. Berterham
sculps. Bruxs. │
Engraved, oblong folio format. Score (iv, 53 pp.). Single plates *** x *** cm.
Issue
ER, [1709-1712]. {not extant?}
ER, no. 6, [1713-1723]. {RISM D 794}
Munich, Bayerische Staatsbibl., 4 Mus.pr. 18855 (ex Adolf Sandberger? title page
in photocopy [Sandberger describes title page]). (BSB 1988, p. 1398)
Stockholm, Kungl. Mus. Akad. Bibl.
First: Catalogue 1712, p. 28.
Catalogue 1716, p. 326 (no. 6).
Catalogue 1735, p. 39 (no. 6).
Catalogue 1744, p. 23 (no. 6).
Ballard 1731, p. 29.
f 3:10; £t 10 (Ballard 1731, Leclerc 1734-1737).
[p. 300] ‘35 - Abaco, Opera Prima solo - f 17:10.’
Catalogues
Price
Inventory
Contents
i
iii
1-4
4-9
10-13
13-16
17-21
22-25
26-31
31-35
35-39
40-43
44-47
Title
Letter of dedication in Italian by Dall’Abaco. For text see S 1, p. XXXI.
Sonata I (C): Largo, Allegro-Adagio, Grave, Allegro. [S 2, pp. 1-9]
Sonata II (d-0): Largo e Cantabile, Allegro, Adagio, Giga Allegro. [S 1, pp. 1-9; K, pp. 2-9]]
Sonata III (e): Andante e Spiccato, Giga Allegro, Adagio, Presto Assai. [S 2, pp. 10-16]
Sonata IV (a): Largo, Allegro e Spicaato, Cantabile, Aria Allegro. [S 1, pp. 10-16; K, pp. 10-17]
Sonata V (g-1): Andante, Chaconne Allegro, Adagio, Giga. [S 1, pp. 17-25; K, pp. 18-25]
Sonata VI (D): Allegro e Spiccato, Adagio, Allegro. [S 1, pp. 26-32; K, pp. 26-31]
Sonata VII (b-1): Andante, Presto, Adagio, Allegro Assai. [S 1, pp. 33-41; K, pp. 32-41]
Sonata VIII (G): Largo, Allegro, Adagio, Allegro e Spiritoso. [S 2, pp. 17-25]
Sonata IX (A-2): Grave, Allegro, Cantabile, Allegro. [S 2, pp. 26-35
Sonata X (F): Allegro, Grave, Giga Allegro Assai, Largo Andante, Allegro Assai. [S 2, pp. 3644]
Sonata XI (B-flat): Adagio e Cantabile, Allegro, Largo, Aria Cantabile. [S 1, pp. 42-47; K,
pp. 42-47]
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48-53
Sonata XII (E-3): Ciaccona Allegro, Presto Assai. [S 2, pp. 45-54]
Facsimile
Editions
Remark
Preface by Marco Materassi & Laura Och. Florence: SPES, 1999 (= Monumenta Musicae
Revocatae 24).
S 1: Ausgewählte Werke, Erster Theil, [Herausgegeben von Adolf Sandberger]. Leipzig,
Breitkopf & Härtel, 1900 (= Denkmäler der Tonkunst in Bayern, Erster Jahrgang,
Band I): Sonatas 2, 4, 5, 6, 7 and 11.
S 2: Ausgewählte Werke, Zweiter Teil, Eingeleitet und herausgegeben von Adolf
Sandberger, Bearbeitung des Basso Continuo von Anton Beer-Walbrunn, Max MeyerOlbersleben und Josef Venzl. Leipzig, Breitkopf & Härtel, 1908 (= Denkmäler der
Tonkunst in Bayern, Neunter Jahrgang, Band I): Sonatas 1, 3, 8, 9, 10 and 12.
K: Sechs Sonaten für Violino und Generalbaß aus opus 1, Neuausgabe nach dem Urtext
… herausgegeben von Walter Kolneder. Mainz, Schott, 4618, 1956: Sonatas II, IV, V,
VI, VII, XI (same choice as S 1, perhaps after S 1?).
The dedicatee is Johann Adolf Ernest Ferdinand Karl Duke of Plön and Rethwisch
(Brussels 1684-1729 Hambrug). Plön adn Rethwisch are two small possessions in
Holstein. Johann Adolf’s family had converted to catholicism, his father was a general in
the Spanish Army in the Southern Netherlands.
— Dall’Abaco — Concerti Opus 2 — 114 — [1712] —
EVARISTO FELICE DALL’ABACO, Concerti a quatro da chiesa, cioè due violini, alto viola, violoncello e
basso continuo ... Opera seconda. ER, No. 114, [1712].
│ CONCERTI A QUATRO DA CHIESA │ Cioè due Violini Alto Viola Violoncello e Basso Continuo │
DEDICATI ALL’ │ Altezza Serenissima Elettorale │ DI │ MASSIMILIANO EMANUELE │ Duca dell’alta
e Bassa Baviera, del Palatinato Superiore, di Brabante, │ Limburgo, Luxemburgo, é della Geldria, Conte
Palatino del Reno, Arcidapifero, │ Elettore e Vicario del Sacro Romano Imperio, Landgravio di
Leuchtenberg, │ Conte di Fiandra, Hanonia e Namur, Marchese del Sacro │ Imperio, é Signore di
Malines, &c. &c. │ da me │ EVARISTO FELICE DALL’ABACO │ Cittadino Veronese Maestro de Concerti
della Medesima A.S.E. │ OPERA SECONDA. │ A AMSTERDAM │ Chez Estienne Roger & Le Cene
Libraire. │ No. 114. │
Engraved, upright folio format. Five partbooks: Violino Primo (iv, 19 pp.), Violino Secondo (18 pp.), Alto
Viola (15 pp.), Violoncello (15 pp.), Basso Continuo (15 pp.). Double plates 2 x (20 x 24.5) cm.
Issue
Catalogues
Price
ER, no. 114, [1712]. {not extant?}
ER&LC, no. 114, [1723-1743]. {RISM DD 795}
Brussels, Cons. Roy. Mus., 26,674 (ex Wagener).
(title engraving dated 1712 <<< niet te vinden in Brussel!!!). CHECK
Visby, Stadsbibl. (V1, Vc).
Catalogue 1716, p. 343 (no. 114).
Catalogue 1735, p. 60 (no. 114).
Catalogue 1744, p. 41 (no. 114).
f 5:0; £t 14 (Ballard 1731); £t 15 (Leclerc 1734-1737).
4
25 February 2015
Inventory
[p. 300] ‘13 - [Abaco, Opera] Seconda Concerti - f 9:15.’
Contents
i
Title
iii
Letter of dedication in Italian by Dall’Abaco.
Concerto I (d-0): Largo, Allegro, Allegro Assai. [S 3, pp. 1-8]
Concerto II All’unissono (e): Allegro Assai, Adagio, Allegro e All’unisono. [S 3, pp. 9-14]
Concerto III (F): Adagio, Allegro-Adagio, Presto e Spiccato. [S 3, pp. 15-20]
Concerto IV All’unissone (a): Aria Allegro, Largo, Presto. [S 1, pp. 126-140]
Concerto V (g-1): Largo, Allegro e Spiritoso, Grave, Allegro. [S 1, pp. 141-151]
Concerto VI All’unissono (D): Allegro Assai, Adagio, Allegro e Spiritoso Assai.
Concerto VII (C): Largo Andante, Allegro, Adagio, Presto. [S 3, pp. 21-25]
Concerto VIII All’unissono (b): Allegro, Largo, Presto. [S 1, pp. 152-163]
Concerto IX (B-flat): Largo Andante, Allegro e Spiccato, Largo, Allegro e Spiccato. [S 1, pp. 164-177]
Concerto X All’unissono (A-2): Allegro Assai-Adagio-Allegro-etc., Largo, Presto.
Concerto XI Con il Violoncello obligato (G): Vivace, Grave Piano e Solo, Allegro Assai. [S 3, pp. 26-35]
Concerto XII All’unissono (F): Allegro, Largo, Violino Solo Presstissimo-Adagio, Allegro Assai. [S 3,
pp. 36-42]
Editions
S 1 (see under Opus 1): Concertos 4, 5, 8 and 9.
S 3: Ausgewählte Werke, 3. Teil, Unter Verwendung des Nachlasses von Adolf
Sandberger herausgegeben von Hans Schmid. Wiesbaden, Breitkopf & Härtel, 1967 (=
Denkmäler der Tonkunst in Bayern, Neu Folge 1): Concertos 1, 2, 3, 7, 11 and 12.
‘All’unissono’ means that Violino Primo and Secondo are identical, except for solo parts
in Concerto IV-3, VI-1 and all movements of XII. Concerto XI is a concerto for
violoncello.
The dedicatee is Maximilian II Emanuel Elector of Bavaria (Munich 1662-1726),
governor of the Southern (Spanish) Netherlands from 1691 to 1714.
Remarks
— Dall’Abaco — Sonate Opus 3 Libro 1-2 — 184-185 — [1714] —
EVARISTO FELICE DALL’ABACO, Sonate da chiesa e da camera a tre, cioè due violini, violoncello e basso
continuo ... Opera terza, Libro primo-secondo. ER, no. 184-185, [1714].
[Title engraving] │ SONATE │ DA │ CHIESA È DA CAMERA │ à tre, cioè due Violini, Violoncello è
Basso Continuo. │ Dedicate All’ │ ALTEZZA REALE │ DI │ LEOPOLDO PRIMO │ Duca di Lorena, Rè
di Gerusalemme, Marchesio Duca di Calabria, │ di Bar, di Gheldria, del Monferrato è di Carloville,
Marchese di Pointe- │ a Mousson è di Nomery, Conte di Provenza, di Vaudemonte, di │ Blamonte, di
Zutphen, di Sarverden, di Salme è di Falkenstein &c. &c. &c. │ da me │ EVARISTO FELICE
DALL’ABACO │ Cittadino Veronese Maestro de Concerti │ dell’ A.S.E. di Baviera. │ OPERA TERZA. │
Libro Primo. │ à Amsterdam │ Chez ETIENNE ROGER Marchand Libraire │ & MICHEL CHARLES LE
CENE │ No 184 │
5
25 February 2015
[Libro secondo]│ SONATE DA CAMERA │ à tre, cioè due Violini, Violoncello è │ Clavecembalo, ò vero
due Haubois con │ il Fagotto. │ Dedicate all’ ALTEZZA REALE │ DI │ LEOPOLDO PRIMO │ Duca di
Lorena, Rè di Gerusalemme, Marchesio Duca di Calabria, │ di Bar, di Gheldria, del Monferrato è di
Carloville, Marchese di Pointe- │ a Mousson è di Nomeny, Conte di Provenza, di Vaudemonte, di Blamonte,
│ di Zutphen, di Sarverden, di Salme è di Falkenstein &c. &c. &c. │ Da me │ EVARISTO FELICE
DALL’ABACO │ Cittadino Veronese Maestro de Concerti │ dell’ A.S.E. di Baviera. │ OPERA TERZA. │
LIBRO SECONDO │ A AMSTERDAM │ Chez ESTIENNE ROGER Marchand Libraire │ & MICHEL
CHARLES LE CENE │ No 185 │
Engraved, upright folio format. Three partbooks: Violino Primo (iv, 11, 11 pp.), Violino Secondo (11,
11 pp.), Basso Continuo (11, 11 pp.). Double plates 2 x (20 x 25) cm.
Issue
ER, no. 184-185, [1714]. {RISM DD 796-797}
Munich, Bayerische Staatbibl., 4 Mus.pr. 18857 (BSB 1988, p. 1399).
ER&LC, no. 184-185, [1723-1743]. {RISM DD 796-797}
Paris, Bibl. Nat. Ac e4 153 (1).
Paris, Cons. Roy. Mus., Ac e4 53157c (Vc, BC).
Zaragoza, Arch. Mus. Cab. (only Libro primo).
Paris, Le Clerc le cadet, Sr Le Clerc, Mme Boivin, [1740]. {RISM D 798}
First: Catalogue 1716, p. 340 (no. 184-185); ‘184., 185. - Abaco opera Terza libro primo
e libro secondo XII. Sonate à tre due violini Violoncello e Basso Continuo - f 5:0.’
Catalogue 1735, p. 55 (no. 184-185).
Catalogue 1744, p. 37 (no. 184-185).
f 5:0; £t 11 (Ballard 1731); £t 10 (Leclerc 1734); £t 12 (Leclerc 1737).
[p. 300] ‘21 - [Abaco, Opera] terza trio - f 10:10.’
Reprint
Catalogues
Price
Inventory
Contents
i
iii
1-2
2-3
4-5
6-7
8-9
10-11
1-2
2-4
4-5
6-7
8-9
10-11
Libro primo
Title page
Letter of dedication in French by Dall’Abaco.
Sonata I (C): Adagio, Allegro, Largo, Allegro. [S 2, pp. 106-115]
Sonata II (F): Adagio, Allegro, Largo, Allegro. [S 1, pp. 89-96]
Sonata III (b): Adagio, Allegro e Spiccato, Largo, Allegro. [S 1, pp. 97-106]
Sonata IV (G): Largo, Allegro mà non Presto, Adagio, Allegro.
Sonata V (D): Largo e Cantabile, Allegro, Largo, Allegro.
Sonata VI (e): Allegro e Spiccato, Adagio, Allegro. [S 1, pp. 107-115]
Libro secondo
Sonata VII (g-1): Largo, Allemanda Allegro, Sarabanda Largo, Giga Allegro.
Sonata VIII (C): largo, Allegro, Sarabanda Largo, Aria Allegro. [S 2, pp. 116-125]
Sonata IX (a): Largo, Allemande Allegro, Aria Largo, Giga Allegro.
Sonata X (F): Adagio e cantabile, Allegro, Sarabanda Largo, Gavotte Allegro. [S 2, pp. 126136]
Sonata XI (G): Grave, Allemanda Allegro, Ciaccona Vivace. [S 2, pp. 127-148]
Sonata XII (A-2): Largo, Allemanda Allegro, Aria Adagio, Gavotta 1-2da, Allegro Assai. [S 1,
pp. 116-125]
6
25 February 2015
Editions
S 1 (see under Opus 1): Sonatas II, III, VI, XII (after the Paris reprint).
S 2 (see under Opus 1): Sonatas I, VIII, X, XI (after the Paris reprint).
Lepore 1995, pp. 555-556.
The dedicatee is Leopold Duke of Lorraine and Bar (1679-1729), nicknamed Leopold the
Good. Since his territories were first occupied by the French, he could govern them only
from 1698 onwards.
Reference
Remark
— Dall’Abaco — Sonate Opus 4 — 419 — [1716] —
EVARISTO FELICE DALL’ABACO, Sonate da camera a violino e violoncello ... Opera quarta. JR, No. 419,
[1716].
[Title engraving] │ Sonate da Camera │ à Violino, è Violoncello │ Dedicate All’ │ ALTEZZA SERENISSIMA
│ E REVERENDISSIMA ELETTORALE │ DI │ GIOSEPPE CLEMENTE ELETTORE │ Gran Cancelliere del Sacro
Romo: Imperio, │ Arcivescovo di Collonia, per Italia legato │ nato dalla Sacra Sede Apostolica, Vescovo │
Principe di Hildeshaim │ di Ratisbona, è │ Liege; Ammistratore di Berchtols- │ graden. duca dell’una è
l’altra Baviera │ è del Palatinato Superiore; duca di │ Westfalia di Angaria è di Biglione; │ Conte Palatino
del Reno; Langravio di Leuchtenberg; Marchese di Franco │ monte, Conte di Solser, è di Hoorn │ da me │
EVARISTO FELICE DALL’ABACO │ Cittadino │Veronese Maestro de Concerti │ dell’ Al:za Ser:ma Ell:e di
Baviera │ OPERA QUARTA. │ A Amsterdam Chez Estienne Roger & Le Cene │ No 419. │
Engraved, upright folio format. Score (iv, 60 pp.). Double plates 2 x (18 x 25) cm.
Issue
Arrangement
Catalogues
Price
Inventory
Contents
i
iii
JR, no. 419, [1716]. {RISM DD 799}
Amsterdam, Toonkunst. Bibl. {according to S 1, p. XXXII}
Brussels, Cons. Roy. Mus., 26375.
Munich, Bayrische Staatsbibl., 4 Mus.pr. 27341 (BSB 1988, p. 1398).
Washington DC, Libr. Cong.
ER&LC, no. 419, [1723-1743]. {RISM D 800}
Paris, Bibl. Nat., Vm7 682.
Opera quarta mis pour la musette, vielle, flûte traversière et hautbois avec la basse
continue par Mr. Chedeville le Cadet. Paris, Nicolas Chédeville, Mme Boivin, Le Clerc,
[1752-1753]. {RISM D 801}
Mélange de pièces Françoises et Italiennes, avec la basse continue, accomodées pour la
flûte traversière, hautbois, et flûte douce, te tout recueilly et mis en ordre par Mr. ***
[Chedeville], La plus part de ces pièces sont tirées du IVe Oeuvre d’Abaco. Paris, Mme
Boivin, Leclerc, [c. 1754]. {not in RISM? F Pn, Rés VMA 269}
First: Catalogue 1725, p. 43 (no. 419).
Catalogue 1735, p. 39 (no. 419).
Catalogue 1744, p. 23 (no. 419).
f 5:0; £t 10 (Ballard 1731, Leclerc 1734); £t 12 (Leclerc 1737).
[p. 301] ‘5 - Abaco, Opera quarta solo - 33/4/70 - f 31:19.’
Title page.
Letter of dedication in Italian by Dall’Abaco. For text see S 1, p. XXXII.
7
25 February 2015
1-5
6-11
11-14
14-19
19-23
24-29
30-37
38-43
44-48
49-53
54-58
59-60
Sonata I (d-0): Adagio, Corente Allegro, Sarabanda Adagio, Giga Allegro. [S 2, pp. 55-60]
Sonata II (e): Andante è Spiccato, Presto e Spiritoso Assai, Largo è Cantabile, Giga Presto
Assai. [S 2, pp. 61-67]
Sonata III (F): Grave, Allemanda Spiritoso Assai, Largo è Cantabile, Allegro Assai. [S 1, pp.
48-53]
Sonata IV (A): Vivace è Puntato, Allemanda ma non Presto, Adagio, Allegro Assai. [S 1, pp.
54-60]
Sonata V (g-1): Grave, Allegro, Largo, Giga Affettuoso. [S 1, pp. 61-66]
Sonata VI (C): Allegro ma non Presto, Sarabanda Largo, Aria Cantabile, Allegro Spiritoso. [S 1,
pp. 67-73]
Sonata VII (a): Adagio, Allemanda Allegro, Rondeau Largo, Giga Allegro Assai. [S 2,
pp. 68-76]
Sonata VIII (G): Allegro, Allegro, Grave, Largo è Cantabile, Allegro. [S 1, pp. 74-81]
Sonata IX (D): Adagio, Allemanda Allegro, Largo, Allegro. [S 2, pp. 77-84]
Sonata X (F): Grave, Allegro Assai, Grave, Presto Assai. [S 2, pp. 85-91]
Sonata XI (b): Allegro, Giga Affettuoso, Adagio, Primo Passepie Allegro, Secondo Passepie.
[S 1, pp. 82-85]
Sonata XII (g): Largo, Presto è Spiccato, Passacaglia un Poco Vivace, Giga Allegro Assai. [S 2,
pp. 92-105]
Facsimile
Editions
Remarks
[Introduction] Marco Materassi & Laura Och (Florence: S.P.E.S., 1999 = Monumenta
Musicae Revocata 25) ?
S 1 (see under Opus 1): Sonatas III, IV, V, VI, VIII, XI.
S 2 (see under Opus 1): Sonatas I, II, VI, IX, X, XII.
The dedicatee is Joseph Clemens of Bavaria (1671-1723), Prince Bishop and Elector of
Cologne.
EVARISTO FELICE DALL’ABACO, Concerti a più istromenti ... Opera quinta. JR, no. 476, [1721].
[Title engraving] │ CONCERTI │ à più Istrumenti │ DEDICATI, ALLA │ Altezza Serenissima │ DI │
FERDINANDO MARIA │ Innocentio, Gioseppe, Michele, Ducca della │ Alta, è Bassa Baviera è del
Palatinato │ Superiore, Conte Palatino del Rheno, │ è Landgravio de Leichtenberge &c. &c. &c. │ da mè
│ EVARISTO FELICE DALL’ABACO │ Cittadino Veronese Consigliere, è Maestro │ de Concerti di S.A.S.E.
di Baviera &c &c │ OPERA QUINTA │ Libro Primo │ A AMSTERDAM │ Chez │ Michel Charles Le Cene
│ No 476 │
Engraved, upright folio format. Seven partbooks: Violino Primo (2-23 pp.), Violino Secondo (Flauto Primo
in Concerto IV; 2-24 pp.), Violino Primo de Concerto Grosso (2-25 pp.), Violino Secondo de Concerto
Grosso (Flauto Seecondo in Concerto III; 18 pp.), Alto Viola (15 pp.), Fagotto (12 pp.), Organo (14 pp.).
Plates 2 x (19 x 25) cm.
Issues
JR, no. 476 [1721]. {RISM D 802}
London, Brit. Libr., f.19. (BL 1981 I, p. 10).
Munich, Bayrische Staatsbibl., 4 Mus.pr. 18856. (BSB 1988, p. 1398).
Rostock, Univ. Bibl.
8
25 February 2015
Catalogues
Price
Inventory
LC, no. 476 [1723-43]. {RISM DD 803}
Brussels, Cons. Roy. Mus., 27014.
London, Brit. Libr., R.M. 26.a.8.(1.) (BL 1981 I, p. 10; Org only).
Lund, Univ.bibl., Saml. Kraus 266 (V2c missing).
Paris, Cons. Nat. Mus., A 33360.
Zaragoza, Arch. Mus. Cab. (V1c missing).
First: Catalogue 1725, pp. 65-66 (no. 476).
Catalogue 1735, p. 62 (no. 479 [sic]).
f 5:0; £t 15 (Ballard 1731, Leclerc 1734-1737).
[p. 301] ‘36 - [Abaco, Opera] quinta Concerti - [33/4/70?] - f 18:0.’
Contents
i
iii
Title page.
Letter of dedication in Italian by ‘Euvariste Felice dell’Abaco’. For text see S 1 (see under Opus
1), p. XXXIII, S 3 (see under Opus 2), p. XIV, DOCUMENTS 1721.
Concerto I (F): Allegro, Aria Allegro, Largo e Cantabile, Allegro ma non Presto, Presto Assai. [S 3,
pp. 43-52]
Concerto II (g): Allegro e Spiccato, Largo, Allegro, Grave, Presto. [S 3, pp. 53-64]
Conceroto III (e): Allegro, Adagio Cantabile, Presto Assai-Adagio-Prestissimo-Adagio, Largo, PrimoSecondo Passepied. [S 3, pp. 65-76]
Sonata IV (B-flat): Allegro e Spiccato, Allegro ma non Presto, Adagio e Spiccato, Giga Allegro, PrimoSecondo Passepied. [S 3, pp. 86-101]
Sonata V (C): Allegro-Grave, Grave, Allegro, Rondeau Allegro.
Sonata VI (D): Allegro, Aria Cantabile, Ciaccona Allegro e Spiccato, Rondeau Allegro, Allegro.
Edition
Remark
S 3 (see under Opus 2): Concertos I, II, III, IV, VI.
The dedicatee is Ferdinand Maria Innocenz Joseph Michael of Bavaria (Brussels 16991783 Vienna), a son of Maximilian II Emanuel Elector of Bavaria. He later served as a
general in the Imperial Army.
On the title page the volume is called Libro Primo, which is right for the six concertos
that follow. Nothing is known about a Libro Secondo. The number 477 was given to the
Libro Secondo of Facco’s Pensieri adriarmonici (Libro primo with no. 469). No. 485
seems to open. Perhaps this number was reserved for a Libro Secondo.
EVARISTO FELICE DALL’ABACO, Concerti a più istrumenti ... Opera sesta. LC, No. 575, [1735].
9
25 February 2015
[Title engraving:] │ Concerti à piu Istrumenti │ Dedicati │ All’Altezza Serenissma. Reverendma. Elettorale
│ di │ CLEMENTE AUGUSTO. Arcivescovo di Colonia │ Gran Cancelliere del S.R.I. per l’Italia
Elettore Legato nota dalla Sta. │ Sede Apostolica Gran,Maestro del Ordine Teutonico Vescovo è Prencipe
│ d’Hildesio Paderborna, Münster, ed Osnabruck, Duca dell’Alta │ è Bassa Baviera del Palatinato
Superiore di Westphalia, │ ed Angaria, Conte Palatino del Rheno, Landgravio di │ Leüchtenberg,
Burgravio di Stromberg, Conte │ di Pirrmont Signore di Borkelohe, Wörth, │ Freüdenthall, ed Eüllenberg
&c. &c. &c. │ Opera Sesta │ da me │ Evaristo Felice dall’Abaco Consilliere │ è Maestro de Concerti di
S.A.S. E. di Baviera &. │ AMSTERDAM │ Spesa di MICHELE CARLO LE CENE │ I. S. Ways inv. │ I.
M. Liotard Scul: │
[Engraved title:] │ CONCERTI │ à piu Istrumenti │ Dedicati │ All’Altezza Serenissma. Reverendma.
Elettorale │ di │ CLEMENTE AUGUSTO │ Arcivescovo di Colonia │ Gran Cancelliere del S.R.I. per
l’Italia Elettore Legato nota dalla Sta. │ Sede Apostolica Gran,Maestro del Ordine Teutonico Vescovo è
Prencipe │ d’Hildesio Paderborna, Münster, ed Osnabruck, Duca dell’Alta │ è Bassa Baviera del
Palatinato Superiore di Westphalia, │ ed Angaria, Conte Palatino del Rheno, Landgravio di │
Leüchtenberg, Burgravio di Stromberg, Conte │ di Pirrmont Signore di Borkelohe, Wörth, │ Freüdenthall,
ed Eüllenberg &c. &c. &c. │ OPERA SESTA │ da me │ EVARISTO FELICE DALL’ABACO │
Consilliere è Maestro de Concerti di S.A.S. E. di Baviera &. │ AMSTERDAM │ Spesa di MICHELE
CARLO LE CENE │ No. 575. │
Engraved, upright folio format. Six partbooks: Violino Primo (iv, 33 pp.), Violino Secondo (31 pp.), Violino
Terzo (28 pp.), Alto Viola (24 pp.), Violoncello (25 pp.), Basso Continuo (24 pp.). Double plates 2 x (19 x
24,5) cm.
Issue
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Price
Inventory
LC, no. 575, [1735]. {RISM D 804}
London, Brit. Libr., R.M. 26.a.8.(2.) (BL 1981 I. p. 10; Vc only).
Uppsala, Univ. Bibl., Utl instr. mus. tr. 31-36 /1.
Amsterdamsche Courant, 9, 16 May 1735 (also for sale at Nicolaas Selhof, The Hague,
Dirk Haak, Leiden; Dyonis van Rijn, Utrecht).
Amsterdamsche Courant, 19, 24 1736 (also for sale at Selhof, The Hague; Haak, Leiden;
Adam Meerkamp, Middelburg)
Catalogue 1744, p. 45 (no. 575).
f 10:0; £t 24 (Leclerc 1734), £t 25 (Leclerc 1737).
[p. 282] [no.] ‘41 - Abaco Opera sesta XII concerti.’
[p. 301] ‘9 - [Abaco, Opera] sesta Concerti - 77/11/140.
5 - [Abaco, Opera] Idem gr. pap. - 1 titelplaat 1 - f 66:18.’
Contents
i
iii
Title page
Letter of dedication by Dall’Abaco. For text see S 1 (see under Opus 1), p. XXXIII, S 3 (see
under Opus 2) , p. XV.
Concerto I (C): Allegro, Largo, Presto è Spiccato. [S 3, pp. 102-111]
Concerto II (E-3): Allegro mà non Troppo, Adagio, Allegro Assai.
Concerto III (F): Allegro, Largo Sempre Piano, Allegro è Spiritoso.
Concerto IV (b): Allegro, Adagio, Allegro. [S 3, pp. 112-125]
Concerto V (G): Allegro è Vivace Assai, Aria Adagio Cantabile, Allegro. [S 3, pp. 126-133]
10
25 February 2015
Concerto VI (F): Allegro, Adagio, Allegro mà non Troppo, Allegro Assai.
Concerto VII (A-2): Allegro, Grave, Presto.
Concerto VIII (D): Allegro, Largo, Allegro. [S 3, pp. 134-140]
Concerto IX (B-flat): Allegro mà non Troppo, Largo Assai, Allegro Assai.
Concerto X (C): Allegro, Largo, Allegro.
Concerto XI (E-3): Allegro, Aria Cantabile, Allegro è Spiritoso. [S 3, pp. 141-150]
Concerto XII (D): Allegro, Grave, Allegro mà non Troppo.
Edition
Remark
S 3 (see under Opus 2): Concertos I, IV, V, VIII, XI.
The dedicatee is Clemens August of Bavaria (Brussels 1700-1761 Ehrenbreitstein), son of
Maximilian II Emanuel Elector of Bavaria, was Prince Bishop and Eelctor of Cologne.
He was also Prince Bishop of Münster, Hildesheim and Osnabrück, and Grand Master of
the Teutonic Order.
— Dandrieu — Sonate Opus 2 — [334] — [1710] —
JEAN-FRANÇOIS DANDRIEU, Sonate a violino solo e violoncello o basso continuo ... Opera seconda. ER,
[No. 334], [1710].
│ SONATE │ a Violino Solo e Violoncello │ o Basso Continuo │ DEL SIG. DANDRIEU │ OPERA SECONDA. │
A AMSTERDAM │ Aux Depens d’Estienne Roger Marchand Libraire │ Qui vend la Musique du monde la
plus correcte & qui s’engage de la │ donner à meilleur marché que qui que ce soit, quand │ même il devroit
la donner pour rien. │
Engraved, upright folio format. Score (2-35 pp.). Double plates 2 x (21 x 28) cm
Source
Issue
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Price
Inventory
Contents
1-7
7-11
12-17
17-23
23-29
30-35
Livre de sonates à violon seul ... Seconde oeuvre. Paris, Foucault, [....]. {RISM D 890}
ER, [1710]. {RISM D 891}
Berlin, Staatsbibl.
D-W, 19 Musica div. fol. (August 1967, no. 72, p. 68).
Amsterdamsche Courant, 22 May 1710.
Catalogue 1716, p. 326 (no. 334); Catalogue 1735, p. 39 (no. 334); Catalogue 1744, p.
23 (no. 334).
f 2:10.
[p. 315] ‘14 - [Dandrieu,] Secondo Solo.’
Sonata I (A): Preludio Grave, Allegro, Adagio, Giga Affettuoso, Gavotta Allegro.
Sonata II (c-2): Preludio Adagio, Allegro, Aria Affettuoso, Allemanda, Adagio, Giga Allegro.
Sonata III (G): Preludio Adagio, Allegro, Aria Affettuoso, Giga Allegro, Gavotta Allegro.
Sonata IV (g-1): Preludio Largo, Allegro, Gavotte Allegro, Giga, Grave, Corrente Allegro.
Sonata V (e): Preludio Largo, Allegro, Adagio, Corrente Affettuoso, Gavotte Allegro, Giga
Allegro.
Sonata VI (D): Preludio Adagio, Giga Allegro, Sarabanda Largo, Vivace, Aria Affettuoso.
11
25 February 2015
— Dandrieu — Pièces [Livre 1]— (Author, 1724) —
JEAN-FRANÇOIS DANDRIEU, Livre de pièces de clavecin contenant plusieurs divertissement dont les
principeaux sont les caractères de la guerre. Paris, Author, 1724. {RISM DD 893}
Inventory
Catalogue
Price
[p. 368] ‘1 - Dandrieu Piece de Clavecin Paris.’
Catalogue 1744, p. 59.
f 5:0.
— Dandrieu — Pièces [Livre 1] — 515 — [1724] —
JEAN-FRANÇOIS DANDRIEU, ‘Livre de pieces de clavecin contenant plusieurs divertissement dont les
principeaux sont les caractères de la guerre.’ LC, no. 515, [1724].
Source
Price
Livre de pièces de clavecin contenant plusieurs divertissement dont les principeaux sont
les caractères de la guerre, ... Paris, author, 1724. See previous item.
LC, no. 515, [1724]. {not extant ?}
First: Catalogue 1735, p. 69 (no. 515), ‘Livre de Pieces de Clavecin contenant plusieurs
Divertissemens de la Guerre de la Chasse & la fête de Villages par François d’Andrieu.’
Catalogue 1744, p. 49 (no. 515), p. 54 (without number).
f 5:0.
Inventory
[p. 315] ‘22 - Dandrieu, Pieces de Clavecin.’
Issue
Catalogues
— Dandrieu — Caractères — (Author, 1733) —
JEAN-FRANÇOIS DANDRIEU, Les caractères de la guerre. Paris, Author, 1733. {RISM D 894}
Inventory
[p. 364] ‘1 - Dandrieu Caracteres de la Guerre.’
— D’Anglebert — Pièces — [129] — [1704] —
JEAN-HENRY D’ANGLEBERT, Pièces de clavecin. ER, [no. 129], [1704].
│ PIECES DE CLAVESSIN │ Composées │ PAR I. HENRY D’ANGLEBERT │ Ordinaire de la Musique de la
Chambre du Roij │ avec la Maniere de les jouer │ Diverses Chacconnes, Ouvertures & autres Airs │ de
Monsieur de Lullij mis sur │ cet instrument │ AVEC QUELQUES FUGUES POUR L’ORGUE │ A AMSTERDAM │
Chez Estienne Roger Marchand libraire │
Engraved, upright folio format. Keyboard score (69 pp.). Double plates 2 x (19,5 x 26,5) cm.
Source
Issue
Paris, auteur, [1689]. {RISM AA 1222}
Paris, Christophe Ballard, 1703. {RISM AA 1223}
ER, [1704]. {RISM A 1224}
Munich, Bayerische Staatsbibl., 2 Mus.pr. 1991 (BSB 1988, p. 4974).
New Haven CN, Yale Univ.
12
25 February 2015
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Price
Inventory
Contents
i
1
2
3
4
5
6
7
8
9
10-11
12
13
14
15-17
18
19
20
21
22
23
24-25
25
26
26-28
29
30
30-31
32
32-33
33
34
34-37
38-39
40
41
42-43
43
44
The Hague, Gemeentemuseum, 27 A 86 (mf IV/544; titlepage missing).
Post Man, 13 April 1706 (Isaac Vaillant).
First: La Barre 1704B.
Catalogue 1716, p. 346 (no. 129).
Catalogue 1735, p. 67 (no. 129).
Catalogue 1744, p. 48 (no. 129).
f 7:0.
[p. 279] [no.] ‘15 - Pieces de clavecin par Anglebert Paris F.b..’
[p. 304] ‘10 - Anglebert, Pieces de Clavesin.’
Title.
Prelude.
Allemande.
Courante.
Double de la Courante.
Seconde courante.
Troisieme Courante.
Sarabande.
Gigue.
Gaillarde (Lentement).
Chaconne en Rondeau.
Gavotte (Lentement), Menuet.
Ouverture de Cadmus (de Mr De Lully).
Ritournelle de Feés de Roland, Menuet dans no bois.
2e Gigue On la joue avant la gaillarde aprez la I.re Gigue.
Prelude.
Allemande.
Courante.
Seconde Courante.
Courante de Mr Lully.
Sarabande (Lentement), Sarabande Dieu des Enfers.
Gigue
Gigue de Mr Lully.
Gaillarde.
Passacaille.
Menuet La Jeunne Iris, Gavotte ou es tesalles Air ancien.
Gavotte La Beau Berger, Air La Berger Annette Vaudeville.
Ouverture de la Mascarde.
Les Sourdines d’Armide.
Les Songes agréables d’Atis.
air d’Apollon du Triomphe d’Amour.
Menuet de Poiton Vaudeville.
Passacaille d’Armide.
Prelude.
Allemande.
Courante, Double de la Courante.
Sarabande Grave (Lentement).
Sarabande (Lentement).
Gigue.
13
25 February 2015
45
46
47-48
48-55
56
57
58
58-59
59
60-61
62
63
64
65
66-67
68
69
[70]
Gaillarde (Lentement).
Gavotte, Menuet.
Ouverture de Proserpine.
Variations sur les Folies d’Espargne.
Allemande.
Courante, Seconde Courante.
Sarabande.
Gigue (Gayement).
Chaconne de Galatée.
Chaconne en Rondeau.
Tombeau de Mr. de Chambonnieres.
Fugue grave pour l’Orgue.
Seconde Fugue sur le même sujet.
Troisième Fugue sur le même sujet.
Quatrième Fugue sur le même sujet.
Cinquème Fugue sur le même sujet.
Quatuor sur le Kirie à trois sujets tires du plein chant
Marques des Agrémens & leurs signification
— Degli Antonii — Ricercate Opus 5 — [285] — [1698] —
PIETRO DEGLI ANTONII, ‘Ricercate a violino e violone o cimbalo ... Opera quinta.’ ER, [No. 285], [1698].
Source
Issue
Catalogues
Price
Inventory
Suonate a violino solo col basso continuo per l’organo ... Opera quinta. Bologna,
Giacomo Monti, 1686. {RISM D 1350}
ER, [1698]. {not extant?}
First: Jurien 1698C; ‘Ricercate a violino e violone, o cimbalo da pietro degli Antony
Opera quinta.’
Catalogue 1716, p. 331 (no. 285).
Catalogue 1735, p. 45 (no. 285).
Catalogue 1744, p. 29 (no. 285).
Catalogue Ballard 1704P, 1709P, 1715, p. 4: “Antonye. Symphonies à 2. Part”.
Inventaire Ballard 1750, p. 38: Risercate a violino et violone o cimbalo da Pietro degli
Antonio opera quinta gravé.’
f 3:0.
[p. 304] ‘30 - Antony, Opera quinta.’
— Degli Antonii — Messe Opus 8 — [1698] —
PIETRO DEGLI ANTONII, Messe concertate à 3 voci, due canti e basso e due violini ad libitum ... Opera
ottava. ER, [1698].
│ BASSO │ MESSE, │ Concertate à 3. Voci, due Canti, e Basso e 2 Violini ad libitum. │ CONSACRATE
│ AL REVERENDISSIMO CAPITOLO DE’│ CANONICI REGOLARI │ LATERANENSI │ Di S. Gio.
in Monte di Bolgna. │ DA │ PIETRO DEGLI ANTONII Mastro di Capella nella Sudetta Chiesa, │ &
Accademico Filarmonico. │ OPERA OTTAVA. │ [vignette wih legend ‘UT RElevet Miserum FAtum
SOLitosque LAbores.’] │ A Amsterdam, chez ESTIENNE ROGER Marchand Libraire. │
14
25 February 2015
Bookprinted, upright folio format. Six partbooks: Canto Primo (-(1), A, 2A, 3A(2), [4A](1) fols; 1[=A1r]-14
pp.), Canto Secondo (-(1), [B], [2]B, 3B(2), 4B(1) fols; 1[=[B]1r]-14 pp.), Basso (-(1), C, [2]C, 3C(2) fols;
1[=C1r]-12 pp.), Violino Primo (-(1), D, 2D, 3D(2) fols; 1[=D1r]-12 pp.), Violino Secondo (-(1), E, 2E,
3E(2) fols; 1[=E1r]-12 pp.), Basso-Continuo (-(1), F, [2F], 3F, 4F(2) fols; 1[=F1r]-16 pp.),
Source
Issue
Catalogues
Price
Inventory
Bologna, Marino Silvani, 1697. {RISM D 1353}
ER, [1698]. {RISM D 1354}
Utrecht, Univ. Libr., MAZ 1706 (olim Inst. Muz. Wet., Lett. Bibl. Vq Degli
Antonii 1).
First: Antonii 1698B.
Catalogue Ballard 1704S, p. 2.
f 4:0.
[p. 379] ‘5 - Antoni Opus Octavien.’
[p. 389] ‘25 Antonini opus ottavum Motetti - f 0:15.’
Contents
i
Title
ii
Catalogue Degli Antonii 1698B (only in Basso-Continuo)
Messa prima
Messa seconda
Messa terza
Facsimile
Edition
Remarks
Messa terza in: Pietro Degli Antonii and Giovanni Battista Bassani, Masses, Edited with
an Introduction by Anne Schnoebelen (New York: Garland, 1999 = Seventeenth-Century
Italian Sacred Music 10), pp. 1-49 (after source edition, without violins).
The source edition does not have the violin parts.
— Della Bella — Sonate Opus 1 — [275] — [1706] —
DOMINICO DELLA BELLA, ‘Sonate da chiesa a tre, due violini, violoncello e basso continuo ... Opera prima.’
ER, [No. 275], [1706].
Source
Issue
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Inventory
Venice: Giuseppe Sala, 1704? {not extant}
Post Man, 3 August 1706 (Isaac Vaillant).
Catalogo Sala 1716, fol. C3r: ‘Sonate à 3, due Violini, e violoncello, coll basso per
L’organo, di Domenico dalla Bella. Opera Prima. - [L] 5.’
First: Félibien 1706D, ‘Opera Prima Sonate da Chiesa à tré, due Violini Violoncello e
Basso Continuo.’
Catalogue 1716, p. 335 (no. 275).
f 5:0.
[p. 315] ‘20 - Dalla Bella Trio.’
15
25 February 2015
Remark
Roger always writes Dalla Bella.
— Deon — Les géans —
DEON, ‘Les geans, cantate avec symphonie.’ Unknown edition?
Catalogue
Catalogue 1744, p. 56; ‘Les Geans Cantate avec Symphonie par Deon. - f 3:0.’
— Desmarets — Les amours de Momus — (Ballard, 1695) —
HENRI DESMARETS, Les amours de Momus, ballet. Paris, Christophe Ballard, 1695. {RISM D 1767}
Catalogue
For sale: Mortier Catalogue 1711.
— Desmarets — Circe — (Ballard, 1694) —
HENRI DESMARETS, Circe, trag;edie. Paris, Christophe Ballard, 1694. {RISM D 1768}
Catalogue
— Desmarets — Didon — (Ballard, 1693) —
HENRI DESMARETS, Didon, tragédie. Paris, Christophe Ballard, 1693. {RISM D 1769}
Catalogue
— Desmarets — Didon: Symphonies — (Ballard, 1693) —
HENRI DESMARETS, Symphonies de la tragédie de Didon. Paris, Ballard, 1693. {RISM D 1770}
Catalogue
First for sale: Xenophon 1699AA.
Last for sale: Catalogue 1708, p. 20.
[p. 279] ‘[no.] 11 - Didon Tragedie par Desmarets P. France band.’
Inventory
— Desmarets — Les fêtes galantes — (Ballard, 1698) —
HENRI DESMARETS, Les fêtes galantes: Opéra-ballet. Paris, Ballard 1698. {RISM D 1771}
Catalogue
Price
Inventory
First for sale: Vairasse 1702.
Mortier Catalogue 1711.
f 8:0 (1744).
[p. 278] ‘[no.] 4 - Les Festes Galantes Ballets par Desmarets Paris f.b.’
16
25 February 2015
— Desmarets — Les fêtes galantes: Airs à jouer — 130 — [1713] —
HENRI DESMARETS, ‘Les airs à jouer de l’opéra Les fêtes galantes.’ ER, no. 130, [1713].
Source
Issue
Catalogues
Les fêtes galantes: Opéra-ballet. Paris, Ballard 1698. See previous item.
ER, no. 130, [1713]. {not extant?}
First: Catalogue 1716, p. 312 (no. 130), ‘Les Airs à jouër de l’Opera d’les Fêtes Galantes,
Dessus & Basse.’
Catalogue 1735, p. 22 (no. 130).
Catalogue 1744, p. 8 (no. 130).
f 1:0.
[p. 337] ‘27 - [Ouverture d’ L’opera] festes Galantes.’
Price
Inventory
— Desmarets — De galante feesten: Speel-airen — 377 — [1715-1716] —
HENRI DESMARETS, Alle de speel-airen van d’opera De galanten feesten. ER, no. 377, [1715-1716]. (De
Musyk Schouwtoneel 5)
Source
Issue
Catalogues
‘Les airs à jouer de l’opéra Les fêtes galantes.’ ER, no. 130, [1713].
ER, [1715-1716]. {not extant?}
First: Catalogue 1716, p. 306 (no. 377), ‘[De Musyk Schouwtoneel,] Vijfde boek,
[inhoudende alle Speel-Airen van d’Opera] de Galanten Feesten - f 0:10.’
Catalogue 1725, p. 19 (no. 377).
Not in Catalogues 1735, 1744.
f 0:10; bass available separately for f 0:10.
Not in inventory.
In all probability this was a mere title edition of the edition of airs from Desmaretes Les
fêtes galantes with French title page (see previous edition, no. 130).
Price
Inventory
Remarks
— Desmarets — Théogène et Chariclée — (Ballard, 1695) —
HENRI DESMARETS, Théogène et Chariclée. Tragédie. Paris, Christophe Ballard, 1695. {RISM D 1774}
Inventory
Catalogue
[p. 279] [no.] ‘10 - Theogene et Carieler tragedie par Desmarets P. France band.’
Fort sale: Catalogue 1744, p. 58: ‘Theogene & Cariclée Tragedie par Desmartes. Paris – f
3.’
— Desmarets — Vénus et Adonis — (Ballard, 1697) —
HENRI DESMARETS, Vénus et Adonis. Tragédie. Paris, Ballard, 1697. {RISM D 1775}
Catalogue
First for sale: Xenophon 1699AA.
17
25 February 2015
— Derosier — Concerts — (Pointel, 1688?) —
NICOLAS DEROSIER, ‘VII Concerts ou Ouvertures, Allemandes, Sarabandes, Courantes, etc. à trois parties et
un concert à quatre parties, pour toutes sortes d’instruments.’ Amsterdam: Antoine Pointel, 1688?
The data in connection with Derosier concerts are equivocal at first sight. The Pointel catalogue of 1689
gives only ‘Concerts a 4,’ a title resumed in Roger’s publisher’s catalogue of 1697B, apparently signalling a
take-over. This title is changed into ‘Ouvertures, Allemandes, Sarabandes, etc.’ in the catalogue 1697D.
These concerts were sold for f4.
Roger’s first sales catalogue 1698EE lists ‘VIII Concert ou Ouvertures, Allemandes, Sarabandes, etc.’ for
guitar and ad libitum melody parts (two trebles and figured bass), of which the guitar part sold for f5, all
parts together for f9. That means that the melody parts were sold for f4, the same price as the concerts or
overtures in the publisher’s catalogue. It is therefore difficult not to assume that the ‘guitar concerts’ are the
same as the other concerts, but it remains unclear why the guitar concerts are in the sales catalogue, the
version for melody instruments and figured bass in the publishing catalogue.
The sales catalogues bring another, third version of apparently the same concerts. Now they are in score,
for melody instrument and figured bass only, and sold per concert.
The above given relations between the various versions are by no means certain, but they seems
satisfactory to explain the various, seemingly paradoxical listings in the catalogues.
Thus, this collection of eight concerts (or rather: suites) was apparently available in three versions, which
could be performed separately or combined:
Version 1:
Version 2:
Version 3:
Two (Concert VIII: three) melody instruments and figured bass, engraved in four part
books: ‘Pour le violon et la flûte à trois et quatre parties.’ Plates got no. 202.
Guitar, one engraved partbook; melody and bass parts could be added ad libitum: ‘pour la
guitarre, avec deux violons ou deux flûtes et une basso continue ad libitum.’ Plates got
no. 318.
First melody part and figured bass, engraved (or book-printed) in score: ‘le dessus et la
basse en partition pour la flûte et le violon à la clef Françoise.’
Issue
Catalogues
[Version 1:]
Amsterdam: Antoine Pointel, 1688?? {not extant?}
[Version 2]
First for sale: La Martinière 1698EE: ‘8 Concerts ou ouvertures, allemandes sarabandes,
courantes, gigues, menuets, & c. pour la guitarre avec 2 violons ou 2 flustes & une bass,
Pointel 1689: ‘Concerts a 4.’
First Roger: Konink 1697B, ‘Les conçerts de M. Rosiers pr. les flutes, violons et c. 4.
Parties.’
Loulié 1697D: ‘Ouvertures Allemandes Sarabandes &c. pour le violon & la fluste à 3 & 4
parties par Nicolas Derosiers gravé - f 4 -.’
Catalogue 1716, p. 313 (no. 202): ‘202. Ouvertures, Allemandes, Sarabandes, Courantes
&c. à trois parties & un concert à quatre parties pour toutes sortes d’Instruments,
composées par Mr. Nicolas Derosiers. - f 4.0.’
Catalogue 1735, p. 23 (no. 202).
Catalogue 1744, p. 10 (no. 202).
18
25 February 2015
contin. ad Libitum, composées par Mons. Nicolas des Rosiers gravé - f 9:0. Les mêmes
pieces de guitarre separées - f 5:0.’
Last for sale: De la faille 1699DD.
First: Bassani XVIII 1700B: ‘Un Livre de pieces de Guitarre avec 2 dessus d’instruments
& une bass. cont. ad libitum, composé par mr. Nicolas Derosiers, gravé - f 9:0. Le même
Livre de Guitarre separé, gravé. - f 5:0.’
Catalogue 1735, p. 70 (no. 318).
Catalogue 1744, p. 50 (no. 318).
Catalogue Ballard 1704P, 1709P, 1715, p. 4. [version 1]
Catalogue Ballard 1699, p. 4. [version 2: guitar]
[Version 3]
First for sale: La Martinière 1698EE; ‘ 7 Concerts de M. de Derosiers le dessus & la
basse en partition pour la flûte. & le violon à la clef francoise chaque concert - f 0:12.’
f 4:0 (version 1: melody and bass parts together), f 5:0 (version 2: guitar part); f 0:12 per
concert (version 3: score of melody and bass parts).
Possibly: [p. 316] ‘6 - [Dreux] Livre de Guitarre - 19/6/32 - f 13:10.’
Price
Inventory
Nicolas Derosier, Galoys (Google Books) “Airs d’opéras d’Issé etde l’Europe galante mis sur la guitarre,
par M. Nic. d’Erozier. Paris 1699.” fol. Dd1v.
Bibliotheca D. Joannis Galloys, Paris, Laurentius Seneuze, 1710.
Catalogue Ballard 1699, Catalogue Ballard 1704P, 1709P, 1715, p. 4.
Catalogue Galoys
— Derosier — La fuite du Roi d’Angleterre — (Pointel, 1688) —
NICOLAS DEROSIER, La fuite du Roi d’Angleterre. A trois instruments, deux flûtes & basse de violon ...
Amsterdam: Antoine Pointel, 1688.
[Engraved as part of the cartouche] │ t’AMSTERDAM, by Anthony Pointel, op de Singel inde Roseboom is
alderley gelinieert Papier en Musyc te Koop. 1688. │
[Bookprinted in the cartouche] │ LA │ FUITTE │ DU ROI │ D’ANGLETERRE, │ A TROIS
INSTRUMENTS │ deux Flutes Basse de Viole, │ où deux Violons Basse-Continue, │ par N. DEROSIER. │
[Heading of p. 1, bookprinted]│ LA FUITTE DU ROY D’ANGLETERRE, │ A 3. deux Violons où 2.
Fluttes, Basse ou Continue, par N. DEROSIER, │ et se vendent chez l’Autheur, sur le Cingel devant le Doele
inde Roose-boom, │ A AMSTERDAM, 1689. │
Bookprinted, upright quarto format. Three partbooks: Premier Dessus, Second Dessus, Basse et Continue (all
ii, 8 pp.).
Issue
Catalogues
Amsterdam, Author, [printed by Anthony Pointel?], 1689. {RISM D 1673}
The Hague, Gemeentemuseum, 4 B 18 a-b (D1, D2; mf VI/3900).
Amsterdam, Toonkunst-Bibl. (BC)
Catalogue Pointel 1689
First Roger: Loulié 1697D.
19
25 February 2015
f 1:0 (1697-1744).
[p. 372] ‘6 - Fuite du Roij d’Angleterre.’
[p. 399] ‘36- Suitte du Roy d’Angleterre.’
Price
Inventory
Contents
1-8
La fuitte du Roy d’Angleterre Adagio (c-2), La navigation du Roi Adagio (f), L’arivée du Roi
Alegro, Reception du Roi Grave, Le voyage de Versaille Presto, Ritournelle de l’entreveû
Adagio, Plainte (F), Air de consolation (d), Marche de Brest, La Dieu, Ritournelle Adagio,
Marche Ecossoise, La Rejouîssance, Les Bourgeois (C).
Edition
Nicolas Derosier, La fuite du Roy d’Angleterre for two treble recorders and keyboard,
with optional cello, Transcribed and edited by Thurston Dart. London: Oxford Univ.
Press, 1959. Incomplete, includes the movements from the begining up to and including
the Air de consolation.
— Derosier — Suittes Livre 1-3 — [170-171-172] — [1703] —
NICOLAS DEROSIER, ‘Suittes en trio pour les flûtes, violons et hautbois ... Livre premier-second-troisième.’
ER, [nos. 170-172], [1703].
Issue
Reprint
Catalogues
PM, [1710-1711]. See next item.
First: Arnauld 1703: ‘Suittes en Trio pour les Flutes, Violons & Hautbois composées par
Mr. Dérosiers musicien de le chambre de S. A. E. Palatine Livre prémier, gravé.’
‘Suittes en Trio pour les Flutes, Violons & Hautbois composées par Mr. Dérosiers
Musicien de la chambre de S. A. E. Palatine Livre second, gravé.’
‘Suittes en Trio pour les Flutes, Violons & Hautbois composées par Mr. Dérosiers
Musicien de la chambre de S. A. E. Palatine Livre troisiéme, gravé.’
Catalogue 1712, p. 18 (also Mortier edition).
Catalogue 1716, p. 313 (no. 170-171-172).
Catalogue 1735, p. 23 (no. 170-171-172).
Catalogue 1744, pp. 9-10 (no. 170-171-172).
f 2:10 per volume (1703-1708); f 2:0 per volume (1712-1744).
[p. 315] ‘20 - Derosiers, Pieces en trio Liv. 1 - 5/1/12 - f 5:06.
34 - -- Livre 2 - 5/1/13 - f 6:14.
54 - -- Idem 2 dessus & basse.
19 - -- Livre 3e.
33 - -- Idem 2 dessus & basse.’ <<nagaan in Inventory
Price
Inventory
— Derosier — Suittes Livre 1-3 — (Mortier, [1710-1711]) —
NICOLAS DEROSIER, ‘Suittes en trio pour les flûtes, violons et hautbois ... Livre premier-second-troisième.’
PM, [1710-1711].
Source
ER, [1703]. See previous item.
20
25 February 2015
Issue
Catalogues
Price
PM, [1710-1711]. {not extant?}
Catalogue 1712, p. 18 (Roger and Mortier editions).
f 2:0 per volume (1712).
— Derosier — Les principes de la guitarre — (Pointel, [1689]) —
NICOLAS DEROSIER, Les principes de la guitarre ... Amsterdam, Antoine Pointel, [1689].
│ LES PRINCIPES │ DE LA GUITARRE │ COMPOSEZ │ PAR NICOLAS DEROSIER, │ IMPRIMEZ │
PAR ANTOINE POINTEL. │ Et se vend, │ A AMSTERDAM, │ Chez le dit POINTEL Imprimeur de Musique, Op
‘t Singel, schuyns over den Doele, by ‘t Koninckx-Pleyn, in de Roose-boom. │
Bookprinted, oblong quarto format ([i], ii-xij pp.; a(4; sic) fols.).
Issue
Amsterdam, Antoine Pointel, [1689]. {RISM Écrits p. 261}
Bologna, Civ. Mus. Bibliogr. Mus., G.31.
Brussel, Bibl. Roy. Albert I, Fétis 6207 LP (bound with [G. Nivers], Méthode
facile (Ballard, 1696)). (Fétis 1877, p. 728).
The Hague, Gemeentemuseum.
Catalogues Pointel 1686 (announced), 1689 (published).
First for sale: La Martinière 1698EE: ‘Les Principes de la Guitarre par Mr. des Rosiers.’
First: Catalogue 1712, p. 11: ‘Principes pour apprendre à jouer de la Guitarre par M.
Nicolas Derosiers,’ p. 45: ‘Methode pour aprendre à jouer de la guitarre, Composée par
Mr. Derosiers.’
Catalogue 1716, p. 293, p. 348.
Catalogue 1735, p. 2, p. 70.
Inventaire Ballard 1750, p. 17.
f 1:0.
[p. 343] ‘25 - Principe, pour la Guitare.’
Catalogues
Price
Inventory
Contents
i
ij
iij
iv
v
vj
vij
viij
ix
x
xj
xij
Title
Explanation of signs and ornaments
Maniere de faire les Tremblements
Acord de la Guitarre, etc.
Toutes les Lettres de la Guitarre. Toutes les Notes de la Guitarre.
Alphabet Italienne et Françoise.
Chaconne A la; Chaconne C ut. [All chaconnes in guitar tablature]
Chaconne D re; Chaconne E mi.
Chaconne F fa; Chaconne G sol.
Chaconne A mi; Chaconne B fa.
Chaconne C sol; Chaconne D la.
Chaconne F fa; Chaconne G sol.
Facsimile
Reference
Sala Bolognese: Forni, 1975.
Dart 1953.
21
25 February 2015
Remark
The dating is based on the mentioning of the edition in Pointel’s Catalogue of 1689, while
he had just moved to the Singel.
— Destouches — Carnaval — (Ballard, 1703) —
ANDRÉ-CARDINAL DESTOUCHES, Le carnaval et la folie, comédie ballet en musique. Paris, Christophe
Ballard, 1703. {RISM D 1822}
Catalogue
— Destouches — Issé — (Ballard, 1708) —
ANDRÉ-CARDINAL DESTOUCHES, Issé. Pastorale. Revised and enlarged edition; Paris, Christophe Ballard,
1708. {RISM D 1831}
Catalogue
— Destouches — Issé: Airs à jouer — 116 — [1713] —
ANDRÉ-CARDINAL DESTOUCHES, ‘Les airs à jouer de l’opéra d’Issé.’ ER, No. 116, [1713].
Source
Issé. Pastorale. Paris, Christophe Ballard, 1697. {RISM D 1830}
Revised and enlarged edition; Paris, Christophe Ballard, 1708. {RISM D 1831}
ER, no. 116, [1713]. {not extant?}
First: Catalogue 1716, p. 312 (no. 116): ‘Les Airs à jouër de l’Opera d’Issé, Dessus &
Basse. - f 1:0.’
Catalogue 1735, p. 22 (no. 116).
Catalogue 1744, p. 8 (no. 116).
f 1:0 (1716); f 1:10 (1725-1744).
[p. 338] ‘20 - Ouverture d’ L’opera d’Isse.’
Issue
Catalogues
Price
Inventory
— Destouches — Issé: Speel-airen — 373 — [1715-1716] —
ANDRÉ-CARDINAL DESTOUCHES, ‘Alle de speel-airen van d’opera Issé.’ ER, No. 373, [1715-1716]. (De
Source
Issue
Catalogues
Price
Inventory
‘Les airs à jouer de l’opéra d’Issé.’ ER, no. 116, [1713]. See previous item.
ER, no. 373, [1715-16]. {not extant?}
First: Catalogue 1716, p. 306 (no. 373): ‘De Musyk Schouwtoneel, eerste boek,
inhoudende alle de Speel-Airen van d’Opera van Issé. - f 0:10.’
Catalogue 1725, p. 19 (no. 373).
f 0:10; bass available separately for f 0:10.
Not in Inventory.
22
25 February 2015
Remarks
In all probability this was a mere title edition of the edition of airs from Destouches Issé
with French title page. See previous item.
— Destouches — Marthésie — (Ballard, 1699) —
ANDRÉ-CARDINAL DESTOUCHES, Marthésie, première reine des Amazones. Paris, Christophe Ballard, 1699.
{RISM DD 1828}
Catalogues
— Destouches — Omphale — (Ballard, 1701) —
ANDRÉ-CARDINAL DESTOUCHES, Omphale. Tragédie lyrique. Paris, Christophe Ballard, 1701. {RISM DD
1835}
Catalogue
— Destouches — Omphale: Airs à jouer — 117 — [1713] —
ANDRÉ-CARDINAL DESTOUCHES, ‘Les airs à jouer de l’opéra d’Omphale.’ ER, no. 117, [1713].
Source
Issue
Catalogues
Price
Inventory
Omphale. Tragédie lyrique. Paris, Christophe Ballard, 1701. {RISM DD 1835}
ER, no. 117, [1713]. {not extant?}
First: Catalogue 1716, p. 312 (no. 117). ‘Les Airs à jouër de l’Opera d’Omphale, Dessus
& Basse. - f 0:10.’
Catalogue 1735, p. 22 (no. 117).
Catalogue 1744, p. 9 (no. 117).
f 1:0.
[p. 338] ‘44 - [Ouverture D’opera] D’omphale.’
— Destouches — Omphale: Speel-airen — 379 — [1715-1716] —
ANDRÉ-CARDINAL DESTOUCHES, ‘Alle speel-airen van d’opera Omphale.’ ER, no. 379, [1715-1716]. (De
Source
Issue
Catalogues
Price
Inventory
‘Les airs à jouer de l’opéra d’Omphale.’ ER, no. 117, [1713]. See previous item.
ER, no. 379, [1715-1716]. {not extant?}
First: Catalogue 1716, p. 306 (no. 379): ‘[De Musyk Schouwtoneel,] Sevende boek,
[inhoudende alle Speel-Airen van d’Opera] Omphale. - f 0:10.’
Catalogue 1725, p. 19 (no. 379).
f 0:10; basse available separately for If 0:10.
Not in inventory.
23
25 February 2015
Remarks
In all probability this was a mere title edition of the edition of airs from Destouches
Omphale with French title page, See previous item.
— Destouches — Sémiramis — (Ballard, 1718) —
ANDRÉ-CARDINAL DESTOUCHES, Sémiramis, tragédie en musique. Paris, Jean-Baptiste-Christophe Ballard,
1718. {RISM DD 1838}
Inventory
Catalogues
Price
[p. 279] [no.] ‘9 - Semiramis tragedie par Destouches P. France band.
f 10:0.
— D’Eve — Genius musicus Opus 1 — [1701] —
ALPHONSE D’EVE, Genius musicus divinis Marianis ac sanctorum laudibus decoratus, et ecclesiaastico
ritui, una, 2. 3. 4. 5. tam vocibus quam instrumentis officiosus ... Opus primum. ER, [1701].
│ GENIUS │ MUSICUS │ DIVINIS, MARIANIS │ AC │ SANCTORUM │ LAUDIBUS
DECORATUS, │ ET ECCLESIASTICO RITUI │ Unâ 2.3.4.5. tàm Vocibus quàm Instrumentis │
OFFICIOSUS. │ AUTHORE │ ALPHONSO D’EVE │ OPUS PRIMUM. │ CANTO PRIMO. │ [vignette
with singing putto] │ A AMSTERDAM, │ Aux Dépens d’ESTIENNE ROGER, Marchand Libraire, chez
qui l’on trouve toute │ sorte de Musique. │
Bookprinted, upright folio. Eleven partbooks: Canto Primo (ii, 24 pp., A), Canto Secondo (ii, 12 pp., B), Alto
(ii, 24 pp., C), Tenore (ii, 14 pp., D), Basso (ii, 16 pp., E), Violino Primo (ii, 28 pp., F), Violino Secondo (ii,
26 pp., G), Alto Viola (ii, 18 pp., H), Tenore Viola (ii, 18 pp. I), Basso Viola (ii, 22 pp., K), Basso continuo
(ii, 36 pp., L).
Issue
Catalogues
Price
Inventory
ER, [1701]. {RISM E 895}
Liège, Cons. Roy. Mus. (Barthélémy 1992, p. 62).
London, Roy. College Mus., I.A.7. (ex ‘Cha. Hatchett’).
Oxford, Christ Church Libr., 841-51 (Hiff 1919, p. 23).
Annoucement: Raguenet 1701B.
First: Danet 1701D.
f 6:0.
[p. 381] ‘3 - Eve Opera Prima Motteti & misa.’
[p. 390] ‘24 - Alphonse d’Eve Missae e motetti - f 2:05.’
Contents
Missa à 5 vocibus cum 5 instrumentis
Fugite fastus De Venerabile (Canto solo cum 5 instrumentis)
Quis es tu Domine De Venerabile (Alto solo cum 5 instrumentis)
Qui in hoc sæculi profluvio De B.M.V. (Canto et Alto cum 5 instrumentis)
24
25 February 2015
Festivis ignibus De Sancto (Alto, Tenore et Basso cum 5 instrumentis)
Carpite frondes Pro omni tempore (à 5 vocibus cum 5 instrumentis)
Alma Redemptoris mater (à 2 Canti cum 5 instrumentis)
Ave Regina cælorum (Canto, Alto et Basso cum 5 instrumentis)
Regina cœli (à 4 vocibus cum 5 instrumentis)
Salve Regina (à 5 vocibus cum 5 instrumentis)
Litaniæ B.M.V. (à 5 vocibus cum 5instrumentis)
Tantum ergo (à 5 vocibus cum 5 instrumentis)
— D’Eve — Airs Livre 1 — [1707-1708] —
ALPHONSE D’EVE, ‘Airs sérieux et a boire ... Livre premier.’ ER, [1707-1708].
Issue
Catalogues
Price
Inventory
ER, [1707-1708]. {not extant?}
First: Catalogue 1708, p. 3: ‘Livre premier d’Airs serieux & à boire de Mr. d’Eve.’
Not in Catalogue 1744.
f 1:0.
[p. 371] ‘6 - Airs Serieux & a boire p Eve.’
[p. 397] ‘50 - Air Serieux et a boire par Eve - f 0:06.’
— D’Eve — Trios — [1702] —
ALPHONSE D’EVE, ‘Trios pour les flûtes, violons et hautbois ...’ ER, Seconde édition, [1702].
Source
Issue
Catalogues
Price
Inventory
Probably lost edition.
ER, Seconde édition, [1702]. {not extant?}
First: Vairasse 1702: ‘Les Trios de Mr. d’Eve pour les flustes, violons & hautbois,
seconde édition considerablement augmentée & gravée en taille douce.’
Catalogue 1716, p. 314 (no. 173).
Catalogue 1735, p. 24 (no. 173).
Catalogue 1744, p. 10 (no. 173).
f 3:0.
[p. 317] ‘35 - Eve, Pieces en Trio - f 0:06.’
— De Zotti — Sonate Opus 1 — [336] — [1710] —
GIOVANNI DE ZOTTI, Sonate a violino solo col suo basso per il cembalo ... Opera prima. ER, [no. 336],
[1710].
| SONATE A VIOLINO SOLO | Col Basso per il Cimbalo | DI | GIOVANNI DE ZOTTI | OPERA PRIMA | A
AMSTERDAM | Aux depens d’Estienne Roger Marchand Libraire | Qui vend la Musique du Monde La plus
correcte & qui s’engage de la | donner à meilleur marché que qui que ce soit, quand | même il devroit la
donner pour rien. |
25
25 February 2015
Engraved, upright folio format. Score (2-49 pp.). Double plates 2 x (21 x 28) cm.
Source
Issue
Advertisement
Catalogues
Price
Inventory
Contents
2-5
5-8
9-13
14-16
16-19
20-23
23-29
30-32
33-37
37-41
41-45
46-49
Venice, Antonio Bortoli, 1707. {RISM Z 349}
ER, [1710]. {RISM Z 350}
Bergamo, Ist. Mus.
Paris, Bibl. Nat., Rés. F 1495.
Catalogue 1716, p. 326 (no. 336).
Catalogue 1735, p. 39 (no. 336).
Catalogue 1744, p. 23 (no. 336).
f 3:10.
[p. 358] ‘30 - Zotti, prima Solo - f 1:10.’
Sonata I (g): Grave, Allegro, Largo, Presto.
Sonata II (a): Adagio, Allegro assai, Adagio ma Smorzato, Presto.
Sonata III (D): Largo, Allegro, Adagio, Presto.
Sonata IV (e): Grave, Allemanda Allegro, Largo, Tempo di Gavotta.
Sonata V (B-flat): Largo, Presto, Andante, Allegro.
Sonata VI (F): Adagio, Allegro e Presto, Adagio assai, Presto.
Sonata VII (c-2): Largo, Allegro e Presto, Allegro, Allegro ma non Presto.
Sonata VIII (C): Adagio, Allemanda Presto, Coreente Allegro, Gavotta Presto.
Sonata IX (d): Andante, Presto, Adagio, Allegro.
Sonata X (E-flat): Largo, Allegro, Allegro.
Sonata XI (b): Adagio, Allegro assai, Largo, Allegro.
Sonata XII (A): Adagio, Presto, Presto, Allegro ma non Presto.
— Dieupart — Suittes — 226 — [1701] —
FRANÇOIS DIEUPART, Six suittes de clavessin ... pour un violon et flûte avec un basse de viole et un archilut.
ER, [No. 226], [1702].
│ SIX │ SUITTES DE CLAVESSIN │ Divisées en │ Ouvertures, Allemandes, Courantes, Sarabandes,
Gavottes, │ Menuets, Rondeaux & Gigues │ Composées & Mises en Concert │ Par │ MONSIEUR DIEUPART
│ Pour un Violon & flûte avec une Basse │ de Viole & un Archilut │ Dédiées à │ MADAME LA COMTESSE
DE SANDWICH │ A Amsterdam │ Chez ESTIENNE ROGER Marchand Libraire. │
Three partbooks: [Clavessin] (iv, 2-49 pp.), [Violon ou Flûte] (2-16 pp.), [Basse Continue] (2-16 pp.).
Double plates 2 x (20 x 25) cm.
Issue
ER, [1702]. {RISM DD 3042, 3044}
Cambridge, Fitzwilliam Museum, MU.MS. 435 (32 G 22) (Cl).
Durham, Cath. Libr., *C31 (Harman 1968, no. 458, p. 75) (Fl, BC).
Paris, Bibl. Nat., Rés. Vma 6 (Cl). [with undated [‘Dimanche au soir’] letter by
Dieupart to anonymous: Rich has visited Pepusch, wants to give an opera on
Wednesday and Saturday, Has promised 40 guinea’s aan Mlle Margarita and
perhaps also to Mr. Tofts.]
26
25 February 2015
Reprint
Advertisement
Catalogues
Price
Inventory
D-W, 21.1-2 Musica div. (no dedication; August 1967, no. 84, p. 75).
Select lessons for the harpsichord or Spinnet as allemands, sarabands, corants, gavots
minuets and jiggs ... plac’d on five lines in ye English cliff ... London: John Walsh, [no.
175], 1705. {RISM D 3045; Smith 179; Smith&Humphries 576}
Six sonatas or solos made on purpose for a flute and a through bass. London, John
Walsh, [no. 115], 1717. {RISM D 3043; Smith 50; Smith&Humphries p. 577}
Post Man, 4 November 1701; 7 March, 11 April 1702 (Francis Vaillant)
Post Boy, 5 March 1702 (Francis Vaillant).
Vairasse 1702. Catalogue 1716, pp. 308-309 (no. 227; flute and continuo parts), p. 347
(no. 226: all parts; no. 226: harpsichord part); Catalogue 1735, p. 18 (no. 227; flute and
continuo parts), p. 68 (no. 226: all parts; no. 229 [sic = no. 226]: harpsichord part only);
Catalogue 1744, p. 6 (no. 227; flute and continuo parts), p. 48 (no. 226: all parts; no. 229
[sic = no. 226]: harpsichord part only).
f 9:0 (complete); f 3:0 (flute and continuo parts); f 6:0 (harpsichord part).
[p. 315] ‘34 - Dieupart, VI Sonato a flauto Solo.’
Contents (page numbers from keyboard part; left hand of keyboard part always with F-3 clef)
iii
Dedication to Madame Maria Countess of Sandwich.
2-9
1re Suitte (A): 1 Ouverture Gravement-Gay-Lentement, 2 Allemande, 3 Courante, 4 Sarabande,
5 Gavotte, 6 Manuet, 7 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en C sol
ut sur une flute de voix.)
10-17
2e Suitte (D): 8 Ouverture [Gravement]-Viste, 9 Allemande, 10 Courante, 11 Sarabande, 12
Gavotte, 13 Passepied, 14 Gigue. (Above the Violon/Flute part: Cette Suitte se doit joüer en f fa
ut sur une flute de voix.)
18-25
3e Suitte (b): 15 Ouverture [Gravement-Viste]-Lentement, 16 Allemande, 17 Courante, 18
Sarabande, 19 Gavotte, 20 Menuet, 21 Gigue. (Above the Violon/Flute part: Cette Suitte se doit
joüer en D la re sur une flute de voix.)
26-33
4e Suitte (e): 22 Ouverture [Gravement-Viste-Lentement, 23 Allemande, 24 Courante, 25
joüer en G ré sol sur une flute de voix.)
34-41
5e Suitte (F): 29 Ouverture [Gravement-Viste-Lentement, 30 Allemande, 31 Courante, 32
Sarabande, 33 Gavotte, 34 Menuet en Ronbdeau, 35 Gigue. (Above the Violon/Flute part: Cette
Suitte se doit joüer en G ré sol sur une flute du quatre.)
42-48
6e Suitte (f-3): 36 Ouverture [Gravement-Viste-Lentement], 37 Allemande, 38 Courante, 39
joüer en G ré sol sur une flute du quatre.)
49
Explication des marques / Rules for graces.
Remark
The dedicatee is Elisabeth Wilmot (1674-1757; daughter of John Wilmot, Second Earl of
Rochester), who married Edward Montagu, Third Earl of Sandwich, in 1689.
— Dornel — Sonate — (??) —
LOUIS-ANTOINE DORNEL, ‘Sonate en quatuor, Quatrième œuvre, Paris, ??.’ Unknown edition?
Inventory
Catalogue
[p. 367] ‘1 - Dornel Sonates en quatuor 4e oeuvres Paris.’
Catalogue 1744, p. 59; ‘Sonate en 4 de Damel 4ieme oeuvre. Paris. - f 3:0.’
27
25 February 2015
— Dreux — Airs — 358 — [1715] —
JACQUES-PHILLIPPE DREUX, ‘Airs à deux clarinettes ou deux chalumeaux ...’ ER, No. 358, [1715].
Issue
Catalogues
Price
Inventory
ER, No. 358, [1715]. {not extant?}
First: Catalogue 1716, p. 310 (no. 358), ‘Airs à 2 Clarinettes ou deux Chalumeaux & c.
Composées par Mr. Dreux.’
Catalogue 1735, p. 19 (no. 358).
Catalogue 1744, p. 6 (no. 358).
f 1:10.
[p. 316] ‘33 - Dreux, Airs a 2 Clarinette - 13/2/22 - f 15:04.’
— Dreux — Fanfares Livre 1 — [163] — [1704] —
JACQUES-PHILIPPE DREUX, ‘Fanfares pour les chalumeax et les trompettes ... Livre premier.’ ER, [No. 163],
[1704].
Issue
Reprint
Advertisement
Catalogues
Price
Inventory
PM, [1709]. See next item.
Amsterdamsche Courant 2 May 1709.
Roger, first: Burchett 1704A: ‘Fanfares pour les Chalumeaux & les Trompettes, propres
aussi à jouër sur les flûtes, violons & Hautbois à 2. & 3. parties composées par Jaques
Philippe Dreux.’
Catalogue 1716, p. 309 (no. 163).
Catalogue 1735, p. 19 (no. 163).
Catalogue 1744, p. 6 (no. 163).
Roger: f 1:13 (1704-1708); f 0:11 (1709); f 0:15 (1712-1744).
[p. 316] ‘18 - [Dreux,] Fanfares liv: premier - 12/1/15 - f 7:18.’
— Dreux — Fanfares Livre 1 — (Mortier, [1709])—
JACQUES-PHILIPPE DREUX, Fanfares pour les chalumeaux et les trompettes, ... Livre premier. PM, [1709].
│ FANFARES │ Pour les Chalumeaux & les Trompettes | Propres aussi à joüer sur les Flûtes, Violons &
Haubois. | Composées Par │ JAQUES [sic] PHILIPPE DREUX. │ Livre Premier | Second Dessus │ A
AMSTERDAM. │ Chez PIERRE MORTIER sur le Vuygendam │ qui vend les Livres Nouveaux en
Musique. │
Engraved, oblong ocatvo format. Two Partbooks: Premier Dessus, (22 pp.), Second Dessus (24 pp.; p. 24
with staves but no music). Octuple plates 8 x (15 x 9) cm. (There are as many pages with no plate horizontal
margins as there are with horizontal plate margins.) Five systems per page. Premier Deussus: Title page and
verso are contained in one plate with pp. 1-6; other plates pp. 7-14 and 15-22. Verso of title page is blank
page printed from the plate Second Dessus: Title page is separate plate 13 x 8 cm, music from plates pp. 1-8,
9-16, 17-24.
28
25 February 2015
Source
Issue
Advertisement
Catalogues
Price
PM, [1709]. {RISM D 3546}
Wolfenbüttel, Herz. August-Bibl., 28.1-2 Musica div. (August 1967, no. 89, p. 79)
Amsterdamsche Courant 2, 23 May 1709.
Mortier Catalogues Rousseau, HMD 1709.
Roger Catalogue 1712, p. 15 (Roger and Mortier editions).
f 1:13 (Catalogue Rousseau 1709), f 0:16 (Catalogue HMD 1709; Advertisments 2, 23
May 1709); f 0:15 (Roger 1712).
Contents (all pieces in C major)
1
1 Air; 2 Air
2
3 Air
2-3
4 Air
3
5 Air
4
6 Air; 7 Air
4-5
8 Air
5
9 Rondeau
6
10 Air
6-7
11 Air
7
12 Air
8
13 Air
8-9
14 Air
9
15 Air
10
16 Air
10-11
17 Air
11
18 Air
12
19 Air; 20 Rondeau
13
21 Air; 22 Rondeau
14
23 Imitation
14-15
24 Fanfare
15
25 Air
16
26 Air
17
27 Air
18
28 Marche en Rondeau
19
29 Air
20-21
30 Air
21
31 Air
22-23
32 Air à 3 (D1: 22; D2: 22: Second Dessus; 23: Troisième Dessus)
— Dreux — Fanfares Livre 2 — [133] — [1706] —
JACQUES-PHILIPPE DREUX, ‘Fanfares pour les chalumeaux, ... Livre second.’ ER, [No. 133], [1706].
Issue
Reprint
Catalogues
Roger, first: Renneville 1706B: ‘Fanfares pour les Chalumeaux & les Trompettes, propres
aussi à jouer sur les flutes violons & Hautbois à 2 parties, livre second.’
29
25 February 2015
Price
Inventory
Catalogue 1716, p. 309 (no. 133).
Catalogue 1735, p. 19 (no. 133).
Catalogue 1744, p. 6 (no. 133).
Roger: f 2:0 (1706); f 2:04 (1708); f 0:15 (1712-1744).
[p. 316] ‘50 - [Dreux, Fanfares] liv: second - 17/1/20 - f 13:0.’
— Dreux — Fanfares Livre 2 — (Mortier, [1709]) —
JACQUES-PHILIPPE DREUX, Fanfares pour les chalumeaux, ... Livre second. PM, [1706].
│ FANFARES │ Pour les Chalumeaux, Les Doubles Flûtes | & les Trompettes; Propres aussi à Jouer. | Sur
les Flûtes, Violons & Haubois. | Composées Par │ JAQUES [sic] PHILIPPE DREUX. │ Livre Second. │ A
AMSTERDAM │ Chez PIERRE MORTIER sur le Vuygendam │ qui vend les Livres Nouveaux en Musique.
│
Engraved, oblong octavo format. Two Partbooks: Premier Dessus (?? pp.), Second Dessus (32 pp.).
Quadruple plates 4 x (15 x 9) cm. Title page is separate
Source
Issue
Catalogues
Price
PM, [1709]. {RISM D 3546}
Wolfenbüttel, Herz. August-Bibl., 28.3 Musica div. (only D2). (August 1967, no.
89, p. 79)
Mortier Catalogues Rousseau 1709.
f 0:15 (Roger 1712).
Contents (all pieces in C)
1
1 Air
2
2 Allarmi: Vivace-Adagio-Vivace-Adagio-Vivace
3
3 Gigue
4-5
4 Coucou
5
5 Marche
6
6 La Retraite
6-7
7 March
7
8 Sarabande; 9 Bourée
8
10 Coucou; 11 Gigue
9
12 Air; 13 Bourée
10
14 Gigue
10-11
15Air
11
16 Air
12
17 Marche
12-13
18 Air
13
19 Air
14
20 Fanfare
14-15
21 Menuet
15
11 Air
16
23 La Chasse
30
25 February 2015
17
18
18-19
19
20
20-21
21
22
22-23
23
24
24-25
25
26
26-27
27
28
28-29
30
31
32
24 Air de Trompette
25 Air
26 Air
27 Air
28 Air
29 Rondeau
30 Marche
31 La Chasse
32 Allemande
33 Air
34 Air
35 Fanfare
36 Marche
37 Rigaudon; 38 Second Rigaudon
39 Menuet
40 Marche
41 Menuet
42 Air
43 Gigue
44 Air de Trompette
45 Gigue
4
— Dreux — Fanfares Livre 3 — 193 — [1714] —
JACQUES PHILIPPE DREUX, ‘Fanfares et autres airs ... deux chalumeaux ou deux trompettes &c. ... Livre
troisième. ER, no. 193, [1714].
Issue
Catalogues
Price
Inventory
ER, no. 193, [1714]. {not extant?}
First: Catalogue 1716, pp. 309-310 (no. 193): Fanfares & autres Airs propres à jouer sur
2 Chalumeaux ou deux Trompettes & c. par Mr. Jaques Philippe Dreux livre troisiéme.’
Catalogue 1735, p. 19 (no. 193).
catalogue 1744, p. 6 (no. 193).
f 0:15.
[p. 316] ‘9 - [Dreux, Fanfares] liv: troizieme - 12/2/13 - f 6:04.’
— Dreyer — Sonates Opus 2 — 579 — [1735] —
GIOVANNI FILIPPO MARIA DREYER, ‘Sonates à une flûte & basse ... Second ouvrage.’ LC, No. 579, [1735].
Issue
Catalogues
Price
Inventory
LC, no. 579, [1735]. {not extant?}
First: Catalogue 1735, p. 28 (no. 579): ‘579. Dreyer Sonate a une Flute e basse, second
ouvrage. - f 3.0.’
Catalogue 1744, p. 14 (no. 579).
f 3:0.
[p. 316] ‘9 - Dreyer, Seconde a fluto solo - 15/2/47 - f 23:08.
31
25 February 2015
[Dreyer,] titre de Dreyer - 1/-/1 - f 0:12.’
References
Remarks
— Dubuisson — Airs — (Ballard, 1686-1696) —
PIERRE DUBUISSON, Premier (septième) livre d’airs sérieux et à boire à 2 & 3 parties. Paris, Christophe
Ballard, 1686-1692. {RISM D 3606} Airs sérieux et à boire à deux et trois parties, premier livre en
partition. Paris, Christophe Ballard, 1693. {RISM DD 3607} Premier (-neuvième) livre d’airs sérieux et à
boire ... pour le mois de janvier 1694 (-octobre 1696). Paris, Christophe Ballard, 1694-1696. {RISM D
3608}
Catalogues
First for sale: Xenephon 1699AA; ‘Les Airs de Mr. du Buisson.’
Last for sale: Catalogue 1708; ‘Les livres d’Airs de Mr. du Buisson.’
From the description in Catalogue 1708 it can be concluded that Roger sold several
volumes with airs from Dubuisson, but it is impossible to establish which volumes
exactly.
Remarks
— Duos à la mode — (“Le Cène”, =??) —
Les duos à la mode, petits et grands, anciens et nouveaux. “LC, No. 580,” = [Paris, ??].
│ LES DUOS | A LA MODE | PETITS, ET GRANDS | ANCIENS, ET NOUVEAUX. | Qui Serviront de Suitte
au Receüil [sic] | qui a paru précédemment. | A AMSTERDAM | Chez Michel Charles le Cene. “Sur le
Boom-markt. | No. 580│
Engraved, oblong quarto format. Score (85 pp.). Single plates, 21 x 16 cm.
Sources
Issue
1-5
5-6
7-8
8-9
10-11
12-14
14-15
15-17
17-18
18-20
21
***
“Amsterdam, Le Cène, No. 580” = ??
Ann Arbor, **
Paris, Bibl. Ars.
Paris, Bibl. Nat., Rés. 1399
Paris, Bibl. Nat., Rés. 1468
Paris, Bibl. Nat.
Duo (g-1): Lieux aimés, lieux plein de charmes (G2, F4)
Duo de deux Voix Egalles (G): Feüillages verds naissez (C1, C1)
Duo Gracieusemt. (D): Ton vin Champagne adorable fait les delices de la table (C1, F4)
Duo de deux Voix Egales (a): Sur de ta foi je viens dans ce hameau (C1, C1)
Duo Gayment (C): Vive Bachus vive Grégoire (G2, F3)
Duo Gracieusemt. (G): Viens dans mon coeur Dieu de la treille (G2, F4)
Duo de deux Voix Egales (g-1): Tu ne dois pas Jeune Lizette (G2, G2)
Duo (g-1): Un usurier sur son grimoire (C1, F4)
Duo de deux Voix Egales Rondeaux Tendremt. (g-1): Vous regnez sur mon coeur (C1, C1)
Marche des Gris-Vêtus (F): Des Gris-vêtus chantons la gloire (G2, F4)
Duo de deux Voix Egales Lentement (g-1): Pour un baiser doux Guillemette (C1, C1)
32
25 February 2015
22-25
25-27
27-28
29-30
30-32
32-33
33-34
34-38
38-41
41-42
43
44-45
45-47
48-49
50-52
52-53
54-55
56-57
57-59
59-60
60-62
63
64-65
66-67
67-68
69
70-73
74
75-78
78-81
82-85
Remark
Duo Gay (C): Versez moy Versez moy chers Amis a boire (C1, F4)
Gravement (F): Mon coeur n’est pas troublé (C1, F4)
Duo Rondement (d-0): Versez ce champagne divin (G2, F4)
Duo de deux Voix Egales (G): Descendez des Cieux, fils de Venus (C1, C1)
Duo en Rondeau (F): Tout rend hommage a ta beauté (G2, F3)
Brunette Duo de deux Voix Egales Tres tendremt. (Bflat): Oh Dieux! que mon Iris est belle (G2, G2)
Air de Cor de Chasse Duo de deux Voix Egales (C): Dans ces aimables lieux (G2, G2)
Duo Paysan (a): Colette et moy comme je nous aimons (C1, F4)
Duo de deux Voix Egales (C): Auprès d;une jeune merveille (C1, C1)
Duo de deux Voix Egalles Rondeau Tendre et Leger (G): Helas! quand on aime bien (C1, C1)
Duo Rondeau (F): Ah! Therese qu’on est aise (C1, F4)
Duo de Deux Voix Egalles (a): Je verray, j’embrasseray, ce soir ma maitresse (G2, G2)
Duo en Rondeau Graciesemt. (g-1): Aimable Dieu du vin (C1, F4)
Duo de deux Voix Egales Fanfare (G): Buvons a tasse pleine (C1, C1)
Duo Gracieusemt. (d-0): En vain pour oublier une beauté cruelle (C1, F4)
Duo de deux Voix Egalles (A): Je n’entend plus dessous l’ormeau (C1, C1)
Duo Gracieusemt. (a): L’autre jour en dorman à l’ombre d’une treille (C1, F4)
Duo de deux Voix Egalles Gracieusemt. Louré (G): Dans nos hameaux, il est un bergere (G2, G2)
Duo Gay (c): Guillot est mon Amy (G2, F4)
Duo de deux Voix Egalles Tendremt. (G): A l’ombre d’un ormeau Lizette (G2, G2)
Duo en Rondeua de deux Voix Egalles (g-1): Versez, versez que j’eprouve a mon tour (G2, G2)
Musette Duo de deux Voix Egales Tendremt. et Louré (C): Amuson toujours nos desirs (G2,
G2)
Duo en Rondeau Legeremt. (C): Je suis tant que dure le jour (G2, F4)
Duo de deux Voix Egalles Tendremt. (a): De la Déesse de Cythere (C1, C1)
Duo Gracieusemt. (d-0): Je sers egalement et l’Amour et la treille (C1, F4)
Duo de deux Voix Egalles Tendremt.(C): Quitte ta musette Berger amoureux (G2, G2)
Duo Rondement (F): Viens Bachus vole a mon secours (G2, F4)
Duo de deux Voix Egalles (a): D’une simple amitiez (G2, G2)
Duo Gayment (g-1): Chantez chantez mes chers amis (G2, F4)
Duo de deux Voix Egalles (d-0): Amy prend viste un verre (C1, C1)
Duo (g-1): Quel orage imprevû (C1, F4)
Certainly produced in France (Paris). It is the second volume to the Recueil de duos sérieux et à
boire (“Amsterdam”).
Paper has vertical chain lines, 30 mm apart, a little grape as watermark. Same paper as the
Recueil de duos.
RISM gives composers De Bousset, Colin de Blamont, Déon, Regnault, N. Renier, Anon.
— Duos anglois Livre 1 — [209] — [1697] —
‘Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre premier.’ ER, [1697].
Issue
Reprint
Advertisement
Catalogues
Gazette d’Amsterdam, 18 October 1696 (annoucement). Amsterdamsche Courant, 2 May
1709.
First: Recueil III 1697A, ‘Des duos Anglois pour la flustes, le violon &c.’
33
25 February 2015
Price
Inventory
Catalogue 1716, p. 318 (no. 209).
Catalogue 1735, p. 28 (no. 209).
Catalogue 1744, p. 14 (no. 209).
Roger: f 0:13 (1697-1708); f 0:11 (1709); f 0:15 (1712-1744).
[p. 316] ‘9 Duos Anglois Livre 1e.’
— Duos anglois Livre 1 — (Mortier, [1709] —
‘Duos Anglois de différents maîtres à deux flûtes ou violons, ... Livre premier.’ PM, [1709].
Source
Issue
Advertisement
Catalogues
Price
PM, [1709]. {not extant?}
Amsterdamsche Courant 2, 23 May 1709.
Mortier Catalogues Rousseau, HMD 1709.
Mortier: f 0:12 (Mortier Catalogue HMD 1709; Adverstisements 1709); f 0:15 (Roger
1712).
— Duos anglois Livre 2 — [210] — [1707-1708] —
‘Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre second.’ ER, [No. 210], [1707-1708].
Issue
Reprint
Advertisement
Catalogues
Price
Inventory
ER, [1707-1708]. {not extant?}
First: Catalogue 1708, p. 8-9.
Catalogue 1716, p. 318 (no. 210).
Catalogue 1735, p. 28 (no. 210).
Catalogue 1744, p. 14 (no. 210).
f 0:13 (1708); f 0:11 (1709); f 0:15 (1712-1744).
[p. 316] ‘84 - [Duos Anglois] Livre second.’
— Duos anglois Livre 2 — (Mortier, [1709] —
Duos Anglois de différents maîtres à deux flûtes ou violons ... Livre second.’ PM, [1709].
│ DUOS ANGLOIS │ De differents Maîtres │ A 2 FLUTES │ ou Violons │ LIVRE SECOND. │ A AMSTERDAM
│ Chez PIERRE MORTIER Qui vend toutte sorte des liures en Musique. │
Engraved, oblong quarto format. Two Partbooks: Premier Dessus, (25 pp.), Second Dessus (2 pp.).
Quadruple plates 4 x (20 x 11) cm.
Source
ER, [1707-1708]. See previous item.
34
25 February 2015
Issue
Advertisement
Catalogues
Price
PM, [1709]. {RISM Recueils XVIII, p. 162}
Wolfenbüttel, Herz. August-Bibl., 30.1-2 Musica div. (August 1967, no. 638, p.
440)
Amsterdamsche Courant 2 May 1709.
HMD 1709.
f 0:12 (1709); f 0:15 (1712).
Contents (often an –s- after the name of the composer)
1
Purcell(s)
(F) 1 Allemande
2
2 Air
2-3
King(s)
3 Gigue
3
4 Air
4
5 Air Allegro
4-5
6 Gavotte en Rondeau
5
7 Air Presto; 8 Marche; 9 Retraite
6
10 Air de Trompettes
6-7
Paisible
11 Bruit de Guerre
7
12 Gigue Espagnolle
8
13 Menuet
8-9
Weldon(s)
14 Simphonie
9
Gasparini
15 Prelude
10
16 Menuet; 17 Gigue
11
E. D.
18 Air de Trompette
19 Fanfare
12
20 Bourée; 21 Gigue
12-13
(d) 22 Allemande
13
Eccles
23 Air Lent
14
24 Air
14-15
King
(g) 25 Simphonie
15
26 Air
16
27 Gavotte
16-17
Tenoe(s) [sic]
28 Air Grave
17
King
29 Simphonie
17
30 Aiir
18
Tenoes
31 Gigue
18-19
32 Menuet
19
Weldon(s)
(G) 33 Air
20
34 Air
20-21
35 Air
22
Eccles
(C) 36 Air
23
Finger
37 Air Lent
23-24
38 Allemande
24
39 Air
25
H. Purcel
(a) 40 Air Adagio
24-25
E. D.
(F) 41 Air
25
Eccles
42 Bourée
43 Menuet
35
25 February 2015
— Duparc — Airs Livre 1-2 — (Ballard, 1693-1694) —
DUPARC, Premier(-second) livre d’airs sérieux et à boire à deux et trois parties. Paris, Christophe Ballard,
1693, 1694. {RISM D 3834-3835}
Catalogues
— Dupont — Principes — (Ballard, 1713) —
PIERRE DUPONT, Principes de musique par demandes et résponces ... Paris, Christophe Ballard, 1713. Paris,
Jean Baptiste Christophe Ballard, 1719. {RISM Écrits p. 283}
Inventory
[p. 289] [no.] ‘96 - Les Principes de Musique mis en dialogue.’
— Du Tartre — Divertissement — (Author, [1714]) —
JEAN-BAPTISTE DU TARTRE, ‘Divertissement pour la paix ...’ Paris, Author, Foucaut, [1714]. {RISM D
4660}
Inventory
Catalogue
Price
[p. 364] ‘Divertissement pour la Paix par Dutartre Paris.’
f 1:06.
— Duval — Sonates Livre 2— (Author, 1706) —
FRANÇOIS DUVAL, Seconde livre de sonates à III parties pour II violons et la basse. Paris, author, 1706.
{RISM D 4665}
Inventory
Catalogue
[p. 367] ‘1 - Duval Sonate a duo violino e basso Paris.’
Catalogue 1744, p. 59; ‘Sonate à due Violini e Bas. par Duval. - f 3:0.’
36
25 February 2015
E
— Eberhard — Pièce— (Manuscript) —
GOTTHILF ANTON EBERHARD, ‘Pièce pour deux clavecimbals.’
Inventory
[Geschreve Muzijk ... p. 290] ‘[nr.] 5 – une Piece pour deux Clavecimbal de Everhardo.’
37
25 February 2015
F
— Facco — Pensieri Opus 1 Libro 1-2 — 469,477 — [1720, 1721] —
GIACOMO FACCO, Pensieri Adriarmonici ... Opera prima, Libro primo-secondo. JR, nos. 469, 477, [1720,
1721].
 PENSIERI ADRIARMONICI  O uero  Concerti à cinque, Trè Violini, Alto Viola,  Violoncello, e Basso
per il Cembalo  Consecrati  ALL’ECCELLENZA  Del Signor  DON CARLO FILIPPO ANTONIO SPINOLA 
Colonna  Marchese de los Balbasses, Duca del Sesto Rocca Piperozzi, e Peutime,  Baron de Ginosa,
Feudatario de Pontecurone, Casalnoceto, Montebello,  Montemarsino, e Paderno, Gran Protonotario del
Supremo Consiglio  d’Italia, Consigliero di Stato di Sua Maestà Cattolica, e Suo  Gentilhuomo di
Camera, Castellano del Castel nouo di Napoli, Cavagliero  del Ordine di San Giacomo, Grande di Spagna
& c a  Dà  GIACOMO FACCO  Musico Veneto, e Servitore attuale  DI SUA ECCELLENZA  OPERA PRIMA
 Libro Primo  A AMSTERDAM  Chez Jeanne Roger  No 469 
 PENSIERI ADRIARMONICI  Ouero  Concerti à cinque, Trè Violini, Alto Viola,  Violoncello, e Basso per
il Cembalo  Consecrati  ALL’ECCELLENZA  Del Signor  DON CARLO FILIPPO ANTONIO SPINOLA 
 Libro Secondo  A AMSTERDAM  Chez Jeanne Roger  No 477 
 PENSIERI ADRIARMONICI  O uero  Concerti à cinque, Trè Violini, Alto Viola,  Violoncello, e Basso
per il Cembalo  Consecrati  ALL’ECCELLENZA  Del Signor  DON CARLO FILIPPO ANTONIO SPINOLA 
 Libro Primo  A AMSTERDAM  Chez Estienne Roger & Le Cene  No 469 
Engraved, upright folio format. Six partbooks: Violino Primo Principale (iv, 2-23, 2-25 pp.); Violino Primo
(2-21, 2-20 pp.); Violino Secondo (2-19, 2-20 pp.); Alto Viola (2-17, 2-15 pp.); Violoncello (2-17, 2-18 pp.);
Organo (2-12, 2-15 pp.). Double plates 2 x (19 x 28) cm.
Issues
JR, nos. 469, 477, [1720, 1721]. {RISM F 48}
Brussels, Cons. Roy. Mus., 27,026.
Delden, Castle Twickel, P 1002 (Libro secondo).
Lund, Univ.bibl.
Stockholm, Kungl. Mus. Akad. Bibl., VO-R
38
25 February 2015
Catalogues
Price
Inventory
ER&LC, nos. 469, 477, [1723-1743]. {not in RISM}
Delden, Castle Twickel, P 1002 (Libro primo).
First: Catalogue 1725, p.65 (nos. 469, 473 [sic]).
Catalogue 1735, p. 62 (nos. 469, 473 [sic]).
Catalogue 1744, p. 43 (nos. 469, 473 [sic]).
Catalogue Leclerc 1734, p. 71.
ƒ 10:0; £t 24 (Ballard 1731, Leclerc 1734).
[p. 317] ‘23 - Facco, Prima Concerte lib: 1.2. - 93/22/262 1/4 - ƒ 127:18.
46 - [Facco, Prima Concerte] lib: secondo.’
Contents
Libro Primo
i
Title page.
iii
Letter of dedication in Italian by Facco.
Concerto I (e): Allegro, Adagio, Allegro.
Concerto II (B-flat): Allegro assai, Grave staccato, Allegro assai.
Concerto III (E-3): Allegro assai, Adagio, Allegro assai.
Concerto IV (c-2): Allegro, Grave, Allegro.
Concerto V (A): Allegro, Grave, Allegro.
Concerto VI (F): Allegro, Adagio cantabile, Allegro.
Libro Secondo
Concerto VII (C): Allegro, Adagio, Allegro.
Concerto VIII (D): Allegro, Adagio, Allegro assai.
Concerto IX (C): Allegro, Adagio, Allegro.
Concerto X (B-flat): Adagio staccato-Presto-..., Allegro assai.
Concerto XI (g): Allegro, Adagio, Allegro assai.
Concerto XII (B-flat): Allegro, Adagio, Allegro.
Remark
The dedicatee is Carlo Felipe Antonio Spinola y Colonna (Madrid 1665-1721), Fourth
Marquis of Los Balbases, 1707-1713 Spanish Viceroy of Naples and Sicily.
— Fadini — Sonate Opus 1 — 450 — [1719] —
ANDREA FADINI, Sonate a due violini, violoncello, ed organo ... Opera prima. JR, no. 450, [1719].
| XII SONATE | a due Violini, Violoncello ed Organo, | con trè Soggetti Reali | Di | ANDREA FADINI |
Compositore di Musica | OPERA PRIMA | A Amsterdam | Chez Jeanne Roger | No 450 |
Engraved, upright folio format. Three partbooks: Violino Primo (2-24 pp.), Violino Secondo (2-23 pp.),
Violoncello (1-19 pp.), Organo (1-8 pp.), Double plates 2 x (28 x 20) cm.
Source
Issue
Catalogues
Venice, Giuseppe Sala, 1714. {RISM F 58}
JR, no. 450, [1719]. {RISM F 59}
Stockholm, Kungl. Mus. Akad. Bibl., O-R
39
25 February 2015
Catalogue Leclerc 1734, p. 71.
ƒ 5:0; £t 9 (Leclerc 1734).
[p. 317] ‘67 - Fadini, Prima Concerti - ƒ 1:0.’
Price
Inventory
Contents
Sonata I (A-2): Canone Allegro, Allegro, Adagio.
Sonata II (C): Canone Allegro, Allegro, Adagio, Allegro.
Sonata III (e): Adagio, Allergo, Adagio, Allegro.
Sonata IV (B-flat): Canone Adagio, Allegro, Adagio, Allegro.
Sonata V (F): Canone Adagio, Allegro, Adagio, Allegro ma non Presto.
Sonata VI (G): Adagio, Allegro, Adagio, Allegro.
Sonata VII (d-0): Adagio, Allegro, Adagio, Allegro.
Sonata VIII (D): Canone Adagio, Allegro, Adagio, Allegro.
Sonata IX (g-1): Canone Adagio, Allegro, Adagio, Allegro.
Sonata X (F):Adagio, Allegro, Adagio, Allegro.
Sonata XI (B-flat): Adagio, Allegro, Adagio, Allegro.
Sonata XII (G): Adagio, Allegro, Adagio, Allegro.
— Favre — Sonates Livre 1-2 — (Author?, 1731) —
ANTOINE FAVRE, ‘Premier livre’ or ‘Second livre de sonates à violon seul’? Both Paris, Author?, after 1731.
{not extant?}
Inventory
Catalogues
Faure. - ƒ 3:0.’
Price
[p. 368] ‘1 - Fauro Sonate a violino Solo Paris.’
First for sale last for sale: Catalogue 1744, p. 59; ‘Sonate à Violino solo del Segnor
Remarks
Antoine Favre (Faure) (Lyons? 1670?, ? after 1737), Frans violist en componist.
ƒ 3:0 (1744).
— Fedeli — Sonate Opus 1 — (Foucault, 1715) —
GIUSEPPE FEDELI, Sonate a violino solo e basso continuo ... Opera prima. Paris, Foucault, 1715. {RISM F
157}
Inventory
[p. 377] ‘1 - Saggione Sonate a violino Solo Paris.’
— Fedeli — Airs Recueil 1-3 — (Author, 1728-c.1730?) —
GIUSEPPE FEDELI, Recueil d’airs françois dans le goût italien, sérieux et à boire à une, II et III voix. Paris,
author, Boivin, Le Clerc, 1728. {RISM F 154}
GIUSEPPE FEDELI, Opera seconda, IIme recueil d’airs françois dans le goût italien, sérieux et à boire à une, II
et III voix. Paris, author, Boivin, Le Clerc, [1728]. {RISM F 155}
40
25 February 2015
GIUSEPPE FEDELI, Opera terza, IIIe livre d’airs françois, sérieux et à boire à une et deux voix mis en musique
dans le goût italien. Paris, author, Mme Boivin, Le Clerc, [c.1730?]. {RISM F 156}
Inventory
Catalogue
Not in inventory.
For sale: Catalogue 1744, p. 57; ‘Recueil d’Airs François serieux & à Boire dans le goût
Italien à une, deux, & trois Voix par Saggione Venitien, Livre prémier, second &
troisième. - f 9:0.’
— Ferrandini — Sonate Opus 1 Parte 1-2 — 586, 593 — [1737, 1742-1743] —
GIOVANNI FERRANDINI, ‘Sonate a flauto traversière solo e basso ... Opera prima, Parte prima-seconda.’ LC,
no. 586, 593 [1737, 1742-1743].
Issue
Catalogues
Price
Inventory
LC, no. 586, 593 [1737, 1742-1743]. {not extant?}
First Parte prima: Catalogue 1735, p. 70 (no. 586); ‘Ferrandini Prima Sonate a flauto
traversiere e basso.’ (hand written addition)
First Parte seconda: Catalogue 1744, p. 19 (no. 593); ‘[Ferrandini] Parte seconda Sonate
à Flauto Traversiéri solo, e Basso, o Oboe.’
Parte prima: Catalogue 1744, p. 19 (no. 586).
Catalogue Leclerc 1742, p. 55 (Ir. Livre), 1751, p. 94 (Ir. Livre, 2e. Livre).
f 3:0; £t 6 (for each Parte, Leclerc 1742, 1751).
[p. 318] ‘39 - Ferrandini, pma Libro primo - 19/1/40 - f 25:15.’
[p. 318] ‘36 - [Ferrandini, pma Libro] secondo - 20/2/47 1/4 - f 38:18.’
— De Fesch — Duetti Opus 1 — 414 — [1716] —
WILLEM DE FESCH, ‘VI Duetti a due violini senza basso ... Opera prima.’ JR, no. 414, [1716].
Issue
Reprint
Catalogues
Price
Inventory
Edition
References
Remark
JR, no. 414, [1716]. {not extant?}
VI Duetti a due violini ... Opera prima. Paris, Le Clerc le Cadet, Le Clerc, Mme Boivin.
{RISM F 615}
First: Catalogue 1725, p. 46 (no. 414), ‘VI Sonates à deux Violons sans basse, dont les
Violons travaillant tous deux également & comme dans les solos, composées par Mr. de
Fesch, opera prima.’
Catalogue 1735, p. 42 (no. 414).
Catalogue 1744, p. 26 (no. 414).
f 3:0; £t 8 (Ballard 1731), £t 9 (Leclerc 1734-1737).
[p. 317] ‘17 - Fesch, Opera prima Duetti - 11/6/25 1/2 - f 13:12.’
Six Duets for Two Violins, Opus IA, Edited by Robert L. Tusler (Amsterdam: Donemus,
1999 = Willem de Fesch Vol. 1) (after the French reprint).
Van den Bremt 1949, pp. 112-118, 196-198 (them. cat.); Tusler 2005, pp.33-34, 36-50.
The volume was dedicated to João Gomes da Silva (1671-1738), extraordinary
ambassador and plenipotentiary on behalf of Portugal for in the Dutch Republic. His
name is known from the title page of the French reprint.
41
25 February 2015
— De Fesch — Concerti Opus 2 — 436 — [1718] —
WILLEM DE FESCH, VI Concerti a quatro violini, alto viola, violoncello e basso per l’organo ... Opera
seconda. JR, no. 436, [1718].
 VI CONCERTI  a Quatro Violini, Alto-Viola, Violoncello  e Basso per l’Organo  Dedicati  ALL’ ILLmo
mo
ET ECCELL
SIGNORE IL SIGr  RICCARDO MUNNICKS,  Avocato della Corte d’Hollanda  DA 
GUGLIELMO DE FESCH,  OPERA SECONDA  A AMSTERDAM  CHEZ JEANNE ROGER  No 436 
Engraved, upright folio format. Seven partbooks: Violino Primo (iv, [1], 2-30 pp.), Violino Secondo, AltoViola (2-13 pp.), Violoncello (2-9 pp.), Violino Primo di Ripieno (2-10 pp.), Violino Secondo di Ripieno (210 pp.), Basso Continuo (2-12 pp.). Double plates 2 x (19 x 24,5) cm.
Issue
Catalogues
Price
Inventory
JR, no. 436, [1718]. {RISM FF 617}
Zürich, Zentral-Bibl., AMG XIII 122 & a-f.
Rheda, Bentheim Bibl.
LC, no. 436, [1723-1743]. {RISM FF 617a}
New York NY, Coll. Hill.
First: Catalogue 1725, p.64 (no. 436).
Catalogue 1735, p. 61 (no. 436).
Catalogue 1744, p. 42 (no. 436).
ƒ 5:0; £t 12 (Ballard 1731, Leclerc 1734-1737).
[p. 317] ‘17 - [Fesch, Opera] seconda Concerti.’
Contents
i
Title page.
iii
Letter of dedication in Italian by De Fesch.
Concerto I (E-flat; a 2 Violini e Violoncello obligati): Adagio, Poco Allegro, Grave, Adagio, Giga Spiritoso.
Concerto II (C; a Violino Primo obligato): Allegro, Adagio, Allegro.
Concerto III (B-flat; a 2 Violini, Alto Viola e Violoncello obligati): Adagio, Allegro, Adagio, Tempo di
Gavotta.
Concerto IV (A; a Quatro con Ripieni): Adagio-Presto, Allegro, Adagio, Fuga Allegro.
Concerto V (F; a Violino Primo obligato): Allegro, Largo e Cantabile, Vivace.
Concerto VI (D; a 2 Violini, Alto Viola obligati): Allegro, Largo e Cantabile, Allegro.
Edition
References
Remark
Six Concertos, Opus II, Edited by Robert L. Tusler (Amsterdam: Donemus, 1997 =
Willem de Fesch Vol. 3).
Van den Bremt 1949, pp. 158-159; Tusler 2005, p. 34, 50-67.
The dedicatee is Richard Munnicks, from 1716 Sollicitor at the Court of Holland in The
Hague.
42
25 February 2015
— De Fesch — Concerts Opus 3 — 454 — [1719] —
WILLEM DE FESCH, VI Concerts ... à quatre à 4 violons, haute contre et basse continue, et 2 à 2 hautbois, 2
violons basse & basse continue ... Troisième ouvrage. JR, no. 454, [1719].
 VI CONCERTS  Dont il y en a quatre à 4 Violons Haute  Contre & Basse Continue, & 2 à 2 Haubois,  2
Violons Basse & Basse Continue.  DEDIEZ  A MONSIEUR PIERRE DE COUP  Amateur de Musique  PAR
 GUILLAUME DE FESCH  Troisiéme Ouvrage  A AMSTERDAM  CHEZ JEANNE ROGER  No 454 
Five partbooks: Violino Primo Principale (iv, 2-15 pp.), Violino Secondo Principale (2-11 pp.), Violino
Primo di Ripieno (2-11 pp.), Violino Secondo di Ripieno (** pp.), Alto Viola (*** pp.), Violoncello (7 pp.),
Organo (7 pp.). Double plates 2 x (19,5 x 25) cm.
Issues
Catalogues
Price
Inventory
JR, no. 454, [1719]. {RISM FF 620}
Lund, Univ.bibl., Coll. Engelhart no. 14.
New York NY, Coll. Hill.
The Hague, Ned. Muz. Inst., 74 A 171 (V2 and AV missing).
Zürich, Zentralbibl., AMG XIII 123 & a-f
ER&LC, no. 454, [1723-1743]. {RISM F 621}
Paris, Bibl. Nat. << wil niet uit on-line catalogus komen
First: Catalogue 1725, pp. 41, 65 (no. 454).
Catalogue 1735, pp. 37, 61 (no. 454).
Catalogue 1744, pp. 43 (no. 454).
[p. 317] ‘15 - [Fesch, Opera] terza Concerti - ƒ 4:0.’
Contents
i
Title page.
iii
Letter of dedication in French by De Fesch.
Concerto I (C): Allegro, Largo e Cantabile, Spirituoso.
Concerto II (B-flat): Allegro, Adagio a tre, Vivace.
Concerto III (E-3): Allegro, Largo e Cantabile, Fuga Allegro.
Concerto IV (C): Allegro, Largo e Cantabile, Giga Vivace.
Concerto V (e): Allegro, Adagio, Allegro.
Concerto VI (a): Allegro, Adagio e Cantabile, Vivace.
Edition
References
Remark
Six Concertos, Opus III, Edited by Robert L. Tusler (Amsterdam: Donemus, 1997 =
Van den Bremt, 1949, pp. 159-163, 200-201 (them. cat.); Tusler 2005, pp. 34-35, 50-67.
The dedicatee is Pieter de Coup (1684-1730), bookseller and publisher in Amsterdam.
See about him Van Eeghen III 1965, pp. 81-83.
— De Fesch — Sonate Opus 4 — (Author, [1725]) —
WILLEM DE FESCH, XII Sonate ... 6 a violino, violone e cembalo ... 6 a due violoncelli ... Opera quarta, Libro
primo-secondo. Amsterdam, Author [1725]. Engraved by Jean Morellon la Cave.
43
25 February 2015
 XII SONATE  in due libri  il primo: 6 à Violino, Violone, e Cembalo.  ed il secondo: 6 a due
violoncelli.  Dedicate  Al Molto jllustre Signore  jl Sigr: Giacomo Dupeyron Jansz:  da  Guglielmo
de Fesch  Opera Quarta.  Libro primo.  in Amsterdam, in casa del Autore. fatto stampare  a sue
spese, e Costa f 6,,6,,  [signature Guglmo de Fesch] 
Engraved, upright folio format. Score (vi, 53 pp.), Single plates 20 x 28 cm.
Issue
Amsterdam, author, [1725]. {RISM F 623-624}
Basel, Univ.-Bibl., (not in Richter 1892; Libro secondo, no title page).
Houten, Coll. Rasch (Libro primo; no title page, privilege, dedication)
Leiden, Univ. Bibl., 3429 A 1 (Deposit copy for the privilege).
London, Brit. Libr., g.418.c.(2.) (BL 1981 XVI, p. 97).
Paris, Bibl. Nat.
Catalogues
ƒ 6 (price on title page); £t 14 (Ballard 1731): £t 15 (Leclerc 1734-1737).
[p. 317] ‘5 - [Fesch, Opera] quarta.’
Price
Inventory
Contents
i
iv
v
1-5
6-9
10-13
14-17
18-21
22-28
28
29-33
33-37
38-41
42-45
46-49
50-53
53
Title-page
Privilege of the States of Holland, 15 years, for op. 4, 24 January 1725.
Letter of dedication in Italian by ‘Guglielmo de Fesch’.
[Sonatas I-VI for violin and figured bass]
Sonata I (d): Preludio Largo, Allemanda Larghetto, Sarabande Largo, Giga Vivace.
Sonata II (D): Preludio Adagio, Allemanda Allegro, Largo, Giga Allegro.
*Sonata III (B-4): Preludio Largo, Allemanda Allegro, Sarabande Larghetto, Giga Vivace.
* ‘Questa Sonata si può Sonare un mezzo tono piu Basso giungendovi due bb.’
Sonata IV (a): Preludio Largo, Vivace, Largo e Cantabile, Tempo di Gavotta, Minuetto.
Sonata V (A): Preludio Largo, Allemanda Allegro, Largo, Giga Vivace.
Sonata VI (B-flat): Adagio, Allegro, Grave, Allegro, Spirituoso.
‘Il Fine del libro primo.’
[Sonatas VII-XII for two cellos without figuring]
Sonata VII (a): Preludio Largo, Allegro, Adagio, Tempo di Gavotta.
Sonata VIII (D): Preludio Largo e Cantabile, Allemanda Allegro, Largo, Giga Vivace.
Sonata IX (C): Largo, Allemanda, Ciciliana, Tempo di Minuetto.
Sonata X (d): Largo, Allegro, Largo, Giga Vivace.
Sonata XI (F): Preludio Largo, Allemanda Largo, Sarabande Allegro, Minuetto Primo, Minuetto
Secundo (f).
Sonata XII (A): Preludio Adagio, Allemanda, Largo, Vivace.
‘il Fine J.M. Lacave sculpsit.’
Facsimile
Edition
Six Sonatas for Violin and Continuo, Opus IVA, Edited by Robert L. Tusler (Amsterdam:
Donemus, 1999 = Willem de Fesch Vol. 5).
Six Sonatas for Two Violoncellos, Opus IVB, Edited by Robert L. Tusler (Amsterdam:
Donemus, 1999 = Willem de Fesch Vol. 6).
44
25 February 2015
References
Remark
Van den Bremt 1949, pp. 125-128 (Cello duets), 133-136 (Violin sonatas), 202-205
(them. cat.); Tusler 2005, p. 35-50.
The dedicatee is Jacobus Du Peyrou Janszoon (Amsterdam 1692-1756 Velsen), Lord of
Limmen (in North-Holland), a wealthy merchant on Italy and the Levant, and active in
whale-fishery.
— De Fesch — VI Concerti Opus 5 — 563 — [1730] —
WILLEM DE FESCH, VI Concerti ... 4 a due flauti traversieri, due violini, alto viola e basso per l’organo ... 2
a quattro violini, alto viola, violoncello e basso per l’organo ... Opera quinta. LC, no. 563, [1730].
 VI CONCERTI  Li Quattro Primi, Sono a due Flauti Traversieri  due Violini, Alto Viola e Basso per
lorgano  Dedicati  À SUA ALTEZZA  il Signore ALESSANDRO DE TURRI=TASSIS,  Prencipe del Sagro R.
Imperio, Conte di Vallassino,  Barone d’Impden, Signore di Wolverthem  Rossum & Meuseghem e della
[sic] Signorie  Libere del S.I. d’Egling & osterhoven  Cavagliere dell’ordine de Sto. Huberto &c. &c. 
Da GUGLmo. DE FESCH  Maestro di Capella della  Chiesa Cathedrale d’Anversa  OPERA QUINTA 
AMSTERDAM  a Spesa di MICHELE CARLO LE CENE  No. 563 
Engraved, upright folio format. Seven partbooks: Flauto Primo (I-II) / Violino Principale (V-VI) (iv, 1-19
pp.), Violino Primo del Concerto Grosso (I-II) / Violino Primo (III-VI) (14 pp.), Violino Secondo del
Concerto Grosso (I-II) / Violino Secondo (III-IV) / Violino Terzo (V-VI) (15 pp.), Flauto Secondo del
Concertino (I-II) / Flauto Traversiere ò Violino (III-IV) / Violino Secondo (V-VI) (16 pp.), Alto Viola
(11 pp.), Basso del Concerto grosso (I-II) / Violoncello (III-VI) (11 pp.), Organo del Concertino (I-II) /
Organo (III-VI) (1-12 pp.). Double plates 2 x (20 x 24) cm.
Issue
Advertisement
Catalogues
Price
Inventory
LC, no. 563, [1730-1733]. {RISM FF 625}
Lund, Univ.bibl.
New York NY, Coll. Hill
Zürich, Zentralbibl., AMG XIII 121 a-f.
The Daily Journal, 19 January 1733.
Catalogue 1744, p. 38 (no. 563).
[p. 317] ‘12 - [Fesch, Opera] quinta Concerti - 56/5/112 - / 54:16.
8 - [Fesch, Opera] Idem Gr: Pap:.’
Contents
i
Title page.
iii
Letter of dedication in Italian by De Fesch.
Concerto I (D; concertino two transverse flutes): Largo, Vivace, Largo (b), Giga Allegro
Concerto II (g; concertino two transverse flutes): Largo, Allegro ma non Troppo, Grave (B-flat), Arioso,
Tempo di Gavotta
Concerto III (G; concertino two transverse flutes): Adagio, Allegro, Ciciliana (a), Vivace
Concerto IV (D; concertino two transverse flutes): Allegro, Largo e Cantabile (b), Vivace
Concerto V (c; concertino three violins, viola): Allegro, Largo (E-flat), Vivace Presto.
Concerto VI (E; violin concerto): Larghetto-Presto, Largo (B), Allegro, Adagio, Vivace
45
25 February 2015
Edition
References
Remarks
Six Concertos, Opus V, Edited by Robert L. Tusler (Amsterdam: Donemus, 1999 =
Van den Bremt 1949, pp. 163-165; Tusler 2005, pp. 78-87.
The dedicatee is Alexander Ferdinand Third Prince of Turn und Taxis (Frankfurt/Main
1704-1773 Regensburg), from 1739 Postmaster General of the Imperal Reichspost and
Head of the Princely Family of Thurn un Taxis.
— Finger —Sonatæ Opus 1 — [265] — [1700] —
GOTTFRIED FINGER, Sonatæ XII. Pro diversis instrumentis ... Opus primum. ER, [no. 265], 1700.
Finger issue
 SONATÆ XII  PRO DIVERSIS INSTRUMENTIS  Quarum  Tres priores pro Violino & Viola di
Gamba,  Proximæ tres pro II Violinis & Viola di Basso,  Tres sequentes pro III Violinis  Reliquæ pro II
Violinis & Viola  Omnes ad Basin Continuam  pro Organo seu Clavicymbalo Formantur  AUTHORE 
GODEFRIDO FINGER  OLMUTIO-MORAVIO  Capellæ Serenissimi REGIS MAGNÆ BRITANIÆ 
Musico  OPUS PRIMUM  Anno MDCLXXXVIII 
Roger issue
… Anno MDCLXXXVIII  ce Livre se vend á Amsterdam Chez  Estienne Roger Marchand Libraire 
Engraved, upright folio format. Four partbooks: Violino/Violino Primo vi, [0]-1-24 [-25] pp.), Violino
Secondo (i, 7-24 [-25] pp.), Viola di Gamba (i, 1-6 pp.) / Viola di Bassa (7-12 pp.) / Violino Terzo [sic] (1318 pp.) / Viola da Brazzo (19-24 [-25] pp.), Basso Continuo (i, 24 [-25] pp.). All partbooks begin with page 1
or 7 on a left-hand page. Double Plates 2 x (19 x 23.5) cm. Printed from the English plates.
Violino Primo partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “A.2.”, … “A. 6.”, “A. 7. finis”.
Violino Secondo partbook: sheets are marked on pp. 8, 10, 12, 14: “B.2.”, … “B. 4.”, “B. 5. finis”.
Viola da gamba partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “C.2.”, … “C. 6.”, “C. 7. finis”.
Basso Continuo partbook: sheets are marked on pp. 2, 4, 6, 8, 10, 12: “D.2.”, … “D. 6.”, “D. 7. finis”.
Violino Secondo partbook is 20 pages, one gathering of five bifolios. Other partbooks have 26 pages, 1 folio
with title and p. 1 (in fact on pp. i-ii of a bifolio), one gathering of six bifolios [numbered 2 to 7]. For this
reason p. 1 (verso of title page) is a single plate 19 x 24 cm) and p. 2 (first page of gathering) is a single plate
19 x 24 cm. The last page of the gathering has the Tavola, also a single plate of 19 x 24 pp. Pp. iii-iv of the
bifolio with the title and p. 1 appear at the end as blank pages. In the Violino Primo partbook of the Durham
copy the title engraving is on p. ii of a bifolio, the dedication on p. i of a bifolio. The blank pages iii-iv of
these bifolios appear as blank pages at the end. All partbook therefore consist of one gathering of 8, 5, 6 and
6 bifolios respectively.
Issues
Reprint
London, [Author], 1688. {RISM F 845} London, Brit. Libr. K.1.i.15.
ER, [1700]. {RISM F 846}
Durham, Cath. Libr., Mus. C. 36. (Harman 1968, no. 463, pp. 76-77).
Paris, Bibl. Nat., X 652 (1)-(4) (‘Ex Bibliotheca D. Crozas’).
London: John Walsh, [no. 468], [1705]. {no copy extant? Smith 177; Smith& Humphries
622}
46
25 February 2015
Catalogues
First and last for sale: Xénophon 1699AA; ‘12 Sonates à 2, 3. & 4. instruments de Mr.
Fingher.’
First: Bassani XVIII 1700B.
Catalogue 1716, pp. 332, p. 339, p. 343 (no. 256).
Catalogue 1735, pp. 47, p. 54, p. 59 (no. 256).
Catalogue 1744, pp. 30, 36, 41 (no. 256).
ƒ 5:0.
[p. 318] ‘48 - Finger, prima Trio.’
Price
Inventory
Contents
ii
iii
iv
1-2
3-4
5-6
7-8
9-10
11-12
13-14
15-16
17-18
19-20
21-22
23-24
[25]
[In Violino partbook] Title engraving, with ‘Ad Astra usque’, ‘Puras non plenas aspice manus’,
‘SONATÆ. XII. | Pro diversis Instrumentis | Authore Godefrido Finger. | Olmutio Moravio Regiae
Capellae. | Musico. Londini M.DC.LXXXVIII.’ and ‘S Gribelin sculpsit’. Plate 15 x 21 cm
(upright).
Engraved title. In Durham p. v = p. [0], that is, the recto of the first page of music. Plate 13.5 x
18.5 cm (upright).
[In Violino partbook] Letter of dedication in Latin by Finger addressed to King James II of
England. Plate 19.5 x 24.5 cm (upright). In durham p. iii.
à due, Violino e Viola di Gamba:
Sonata Prima (d-0): C, Adagio, Allegro.
Sonata Seconda (F): Adagio, Allegro, Viola Solo, Allegro, Adagio, Allegro, Adagio, Adagio.
Sonata Terza (A-2): C, Allegro, Adagio, Allegro.
à 3, due Violini e Viola di Basso:
Sonata Quarta (B-flat): 3/2, C.
Sonata Quinta (F): C, 3/2, C.
Sonata Sesta (A): Allegro, Adagio, Prestissimo.
à 3 Violini:
Sonata Settima (e): Adagio, Allegro, Adagio, Allegro, Adagio.
Sonata Ottava (g-1): Adagio, 3/4, Adagio, Presto.
Sonata Nona (D): 3/2, Adagio, Allegro, C.
à 3, due Violini & Viola da Brazzo:
Sonata Decima (G): C, Adagio, Allegro, 3/2, Adagio.
Sonata Undecima (E-flat-2): Adagio, 3/8, Adagio, C.
Sonata Duodecima (C): C, 6/4, 3/2, Adagio.
Tavola. Plate 19 x 24 (upright).
Facsimile
Remark
Roger must have bought plates and stock in 1698 or 1699. In 1699 the edition appears
among those for sale. Then Roger printed his own issue. Both on the title engraving and
on the engraved title he added ‘Ce Livre se vend à Amsterdam Chez Estienne Roger
Marchand libraire.’ Since the edition appears among his own editions in the catalogues
from 1700 onwards, the new issue must have been created in 1700.
— Finger —Sonates Opus 2 — [137] — [1700] —
GOTTFRIED FINGER, ‘Six sonates, 3 à un violon et 3 a une flûte et une basse ... Opera seconda.’ ER, [no.
137], [1700].
47
25 February 2015
Source
Issue
Reprint
Catalogues
Price
Inventory
Remarks
VI Sonatas or solo’s. Three for a violin & three for a flute wth. a thorough bass for ye
harpsichord. London, Gottfried Finger, 1690. {RISM F 848}
London, John Walsh, [no. 374?], [1702 or earlier]. {RISM F 849; Smith 82a; S&H 621}
First: Euclide 1700C, ‘Fingher opera seconda consistant en six sonates, 3 a un violon & 3
à une flûte & une basse continue, gravé. - ƒ 1:13.’
Catalogue 1716, pp. 316, 331 (no. 137).
Catalogue 1735, pp. 26, 46 (no. 137).
Catalogue 1744, pp. 12, 29 (no. 137).
ƒ 1:13.
[p. 318] ‘30 - [Finger,] secondo solo.’
According to Smith 82a the Walsh edition of 1702 is printed from the plates of original
private edition of Finger of 1690. If this is indeed the case, Roger cannot have bought the
plates from Finger, as he did with Opus. 1
— Finger —Sonates Opus 3 — [219] — [1702] —
GOTTFRIED FINGER, Dix sonates a 1 flute et 1 basse continue ... Opera terza. ER, [no. 219], [1702].
 DIX SONATES  à 1 Flute & Basse Continue  Composez par  Mr GODFRY FINGER  Opera Terza  A
Amsterdam  Chez Estienne Roger  Marchand libraire 
Engraved, upright folio edition. Two partbooks: Fluto (14 pp.), Basso (8 pp.). Plates 2 x (19 x 29) cm.
Issue
Catalogues
Price
Inventory
ER, [1702]. {RISM F 850}
Cambridge, King’s College, Mn 13.31A Res (ex St. Hunt).
Washington DC, Libr. Congr., ***
First: Vairasse 1702.
Catalogue 1716, p. 316 (no. 219).
Catalogue 1735, p. 26 (no. 219).
Catalogue 1744, p. 12 (no. 219).
ƒ 3:0.
[p. 318] ‘12 - [Finger,] terza.’
Contents
Sonata I (F): Adagio, Vivace, Presto.
Sonata II (c-2): Adagio, Allegro, Adagio, Vivace, Presto.
Sonata III (B-flat-1): Allegro, Allegro, Vivace, Allegro.
Sonata IV (g-1): Adagio, Vivace, Adagio, Presto.
Sonata V (C): Vivace, Allegro, Vivace, Adagio, Presto.
Sonata VI (B-flat): Adagio, Allegro, Vivace, Presto.
Sonata VII (F): Adagio, Adagio, Vivace, Presto.
Sonata VIII (F): Adagio, Allegro, Ciacona Vivace.
Sonata IX (d): Adagio, Allegro, Adagio, Allegro, Presto.
Sonata X (F): Ciacona Allegro.
Facsimile
New York: Performers’ Facsimiles, no. 169.
48
25 February 2015
— Finger —Sonates Opus 4 — [1702] —
GOTTFRIED FINGER, Six sonates à 2 flûtes et 1 basse continue ... Opera quarta. ER, [1702].
 SIX SONATES  à 2 Flutes & 1 Basse Continue  Composez par  Mr GODFRY FINGER  Opera quarta 
A Amsterdam  Marchand Libraire 
Engraved, upright folio format. Three partbooks: Fluto Primo, Fluto Secondo (8 pp.), Organo (7 pp.). Plates
2 x (19 x 30) cm.
Issue
ER, [1702]. {RISM F 851}
Paris, Bibl. Nat., L 48 (1)-(3) (‘Ex Bibliotheca D. Crozat’).
Around 1710 this edition was replaced by another one, combining Finger’s Opera quarta
and Opera sesta. See next item.
For further catalogues, see next item.
ƒ 3:0.
Not in inventory; see next item.
Catalogues
Price
Inventory
Contents
Sonata I (C): Allegro, Largo, Vivace, Adagio, Presto.
Sonata II (d): Largo, Allegro, Largo, Allegro.
Sonata III (G): Grave, Allegro, Adagio, Largo, Vivace.
Sonata IV (C): Grave, Largo, Vivace, Allegro.
Sonata V (C): Adagio-Presto-Adagio, Allegro, Largo, Allegro.
Sonata VI (F): Adagio, Vivace, Adagio, Presto.
— Finger —Suonate Opus 4, 6 — [71] — [1709-1712] —
GOTTFRIED FINGER, XII Suonate a due flauti e violoncello o basso continuo ... Opera quarta et sexta. ER,
edition corrigée, [no. 71], [1709-1712].
 XII SUONATE  a Due Flauti e Violoncello o Basso Continuo  DI  GODFRYDO FINGER  OPERA QUARTA
E SEXTA  Edition corrigée trez exactement sur la Partition par Estienne Roger.  A AMSTERDAM  Chez
Estienne Roger Marchand Libraire.  No. 71. 
Engraved, upright folio format. Three partbooks: Flauto Primo (17 pp.), Flauto Secondo (16 pp.), Organo e
Violoncello (14 pp.). Plates **** cm. [[geschat ca. 20 x 25]]
Source
Issue
Catalogues
Six sonates à 2 flûtes et 1 basse continue ... Opera quarta. ER, [1702]. See previous item.
ER, edition corrigée, no. 71, [1709-1712]. {RISM F 853}
Washington DC, Libr. Congr. (with no. 71)
Catalogue 1716, p. 320 (no. 71).
49
25 February 2015
Price
Inventory
Catalogue 1735, p. 30 (no. 71).
Catalogue 1744, p. 16 (no. 71).
Catalogue Ballard 1731, p. 30: ‘De Finger, Opera quarta & sexta, Trio de Flûte. 8. l.’
Catalogue Leclerc 1734, p. 71 (twice, as Opus 4 and as Opus 6). [Devriès 1976, p. 187
lists, by mistake, the edition under the name of Filosarti, the previous composer in the
list].
ƒ 3:0; £t 9 (Ballard 1731, Leclerc 1734).
[p. 318] ‘10 - [Finger,] quarta.’
Contents
Sonata I (F): Vivace, Allegro, Largo, Allegro.
Sonata II (B-flat): Largo, Allegro, Adagio, Vivace.
Sonata III (C): Allegro, Largo, Allegro, Adagio, Presto.
Sonata IV (d): Vivace, Allegro, Largo, Allegro.
Sonata V (G): Grave, Vivace, Allegro, Allegro.
Sonata VI (F): Adagio, Vivace, Adagio, Presto.
Sonata VII (C): Adagio-Presto-Adagio, Allegro, Largo, Allegro.
Sonata VIII (g): Adagio, Allegro, Adagio-Allegro, Vivace, Allegro.
Sonata IX (C): Grave, Largo, Vivace, Allegro.
Sonata X (F): Largo, Allegro, Adagio, Allegro.
Sonata XI (G): Adagio, Allegro, Adagio, Vivace, Allegro.
Sonata XII (c): Adagio, Allegro, Vivace, Allegro.
Facsimile
New York: Performers’ Facsimiles, no. 143, n.d. [1995?].
— Finger —Suonate Opus 5 — [257] — [1702] —
Gottfried Finger, X Suonate a tre, due violini e violoncello o basso continuo ... Opera quinta. ER, [no. 257],
[1702].
 X SUONATE  à Tre  Due Violini e Violoncello o Basso Continuo  Dedicate  ALLA SERENISSIMA
ALTEZZA ELETTORALE  Da  GIOVANNI GUGLIELMO  Per las Gratia di Dio Conte Palatino del Rheno,
Arcitesoriere  & Elettore del Sacro Rom: Imperio, Duca di Baviera  Guiliers, Cleves, e Berghes, Co: di
Veldents,  Sponheim della Marca, Ravensberg, &  Moers, Signore di Ravenstein & & &  Dal Suo
Devotissimo Servo  GODEFRIDUS FINGER  Opera Quinta  A Amsterdam  Chez ESTIENNE ROGER
Marchand libraire. 
Engraved, upright folio format. Three partbooks: Violino Primo (14 pp.), Violino Secondo (14 pp.), Organo
e Violoncello (11 pp.). Plates 2 x (19 x 31) cm.
Issue
Catalogues
ER, [1702]. {RISM F 852}
London, Roy. College Mus., LXI.D.1.(2.) (ex Philip Joseph Salomons; Org&Vlc
twice)
Paris, Bibl. Nat. Vm7 1118.
Uppsala, Univ. Bibl., Leufsta Mus. tr. 17 (ex Leufsta Bruk, Coll. De Geer).
Catalogue 1716, p. 339 (no. 257).
Catalogue 1735, p. 54 (no. 257).
50
25 February 2015
Catalogue 1744, p. 36 (no. 257).
ƒ 4:0.
[p. 318] ‘18 - [Finger,] quinta trio.’
Price
Inventory
Contents
Sonata I (F): Adagio, Allegro, Largo, Allegro.
Sonata II (B-flat): Arioso, Adagio-Presto-Adagio-Presto, Largo, Allegro, Largo.
Sonata III (d): Adagio, Allegro, Largo, Allegro.
Sonata IV (a): Adagio, Allegro, Adagio, Allegro, Allegro.
Sonata V (A): Adagio, Vivace, Largo, Vivace.
Sonata VI (e): Adagio, Allegro, Adagio-Allegro-Adagio-Allegro, Vivace.
Sonata VII (b): Adagio, Vivace, Arioso, Allegro.
Sonata VIII (e): Adagio, Allegro, Adagio, Affettuoso.
Sonata IX (b): Adagio, Allegro, Largo, Allegro.
Sonata X (C) ‘a Violino e Violone [vel Fagotto] col Basso Continuo’: Allegro, Largo-Presto-Adagio-LargoAllegro, Vivace.
Digital facsimile http://gallica.bnf.fr/ark:/12148/btv1b9063390b
Remark
The dedicatee is Johann Wilhelm of Pfalz Neuburg (1658-1716) Count Palatine of
Neuburg, Duke of Jülich and Berg, from 1690 Elector Palatine, residing in Düsseldorf
and Neuburg/Donau.
— Finger & Anonymous —Sonates — [138] — [1700] —
GOTTFRIED FINGER and an ANONYMOUS ITALIAN MASTER, ‘Six sonates à flûte solo avec le basse continue,
trois d’un maître Italien et trois de Mr. Finger ...’ ER, [no. 138], [1700].
Issue
Catalogues
Price
Inventory
First: Bassani XI 1700D; ‘Six sonates à flûte solo col basso continuo, trois d’un maistre
Italien & trois de mr. Finger gravé - ƒ 2:0.’
Catalogue 1716, p. 316 (no. 138).
Catalogue 1735, p. 26 (no. 138).
Catalogue 1744, p. 12 (no. 138).
ƒ 2:0.
[p. 318] ‘50 - [Finger] & un maitre Italien.’
— Finger & Bingham — Airs anglois Livre 3 — [213] — [1703] —
GOTTFRIED FINGER and GEORGE BINGHAM, 40 Airs Anglois à un dessus et une basse dont les 16 premiers
sont de Mr. Finger et les 24 suivants de Mr. Georg Bingham ... Livre troisième. ER, [no. 213], [1703].
 40 AIRS ANGLOIS  à un Dessus & une Basse.  dont les 16 Prémiers sont de  MONSIEUR FINGER  &
les 24 suivants de  Mr GEORGE BINGHAM  Livre Troisiéme  Dedie a MESSIEURS SES DISCIPLES. 
LIVRE TROISIÉME.  A Amsterdam  Chez ESTIENNE ROGER. Marchand libraire 
51
25 February 2015
Engraved, oblong sexto format. Two partbooks: [Fluto (v, 1-27 pp., left-right reversed)?], Basso (iii, 1-23 pp.,
left-right reversed). Sextuple plates 6 x (19 x 12) cm.
Issue
Reprint
Catalogues
Price
Inventory
ER, [1703]. {RISM Recueils XVIII p. 78}
San Marino CA, Huntington Libr., 112525 (Basse).
ER & LC, no. 213, [1723-1743] {not extant?}
PM, [1709]. {RISM Recueils p. 78} See next item.
First: Arnauld 1703.
Catalogue 1716, p. 318 (no. 213).
Catalogue 1735, p. 28 (no. 213).
Catalogue 1744, pp. 13, 14 (no. 213).
f 2:0 (1703-1708); f 0:15 (1712-1735); f 1:0 (1744).
[p. 308] ‘10 - [Bingham, Livre] troisieme - 6/2/29 - f 12:08.’
Contents
i
Title
ii
Dedication by George Bingham to ‘Messieurs.’
(d) 1. Ouverture: [Adagio]-[Allegro]-Adagio; 2. A Farewel: Adagio 3. Air; 4.
GOTTFRIED FINGER
Adagio; 5. Jigg: Allegro; 6. A Ground: Adagio; 7. Allegro.
(F) 8. Allegro; 9. Jigg; 10. Chaconne; 11. Round O.
GOTTFRIED FINGER
(G) 12. Allemanda; 13. Air; 14. Air; 15. Sybell; 16. Chaconne.
GOTTFRIED FINGER
(B-flat) 17. Allemanda; 18. Borée; 19. Air; 20. Jigg.
GEORGE BINGHAM
(e) 21. Air; 22. Minuet; 23. Hornepipe; 24. Jigg; 25. A March.
GEORGE BINGHAM
(C)26. Allegro; 27. Air: Presto.
GEORGE BINGHAM
(d) 28. Air; 29. Hornepipe; 30. Round O.
GEORGE BINGHAM
(D) 31. Trumpet Air; 32. Hornepipe; 33. Air; 34. Jigg.
GEORGE BINGHAM
(a) 35. Adagio; 36. Minuet; 37. Hornepipe.
GEORGE BINGHAM
(G) 38. Scotch Air; 39. Air; 40. Jigg.
GEORGE BINGHAM
— Finger & Bingham — Airs anglois Livre 3 — (Mortier, [1710]) —
GOTTFRIED FINGER and GEORGE BINGHAM, 40 Airs Anglois à un dessus et une basse dont les 16 premiers
sont de Mr. Finger et les 24 suivants de Mr. Georg Bingham ... Livre troisième. Mortier, [1710].
 40 AIRS ANGLOIS POUR  la FLUTE à un Dessus & une Basse.  dont les 16 Premiers sont de 
MONSIEUR FINGER  & les 24 suivants de  Mr GEORGE BINGHAM  Dedié á MESSIEURS SES DISCIPLES. 
LIVRE TROISIÉME.  A AMSTERDAM  Chez PIERRE MORTIER. Libraire sur le Vygendam.  Chez qui l’on
vend toute sorte de Musique. 
Engraved, oblong sexto format. Two partbooks: Fluto (v, 1-27 pp., left-right reversed), Basso (iii, 1-23 pp.,
left-right reversed). Sextuple plates 6 x (19 x 11) cm.
Source
Reprint
Catalogues
Price
ER, [1703]. {RISM Recueils XVIII p. 78} See previous item.
PM, [1710?]. {RISM Recueils p. 78}
Brussels, Cons. Roy. Mus., 5528. (Wotquenne 1902, p. 250)
f 0:15 (Roger 1712).
52
25 February 2015
Inventory
Contents
Facsimile
See previous item.
See previous item.
40 Airs Anglois ... Livre troisième. Introduction Paul Raspé. Peer: Alamire 1994.
— Finger & Croft —Sonate — [139] — [1700] —
GOTTFRIED FINGER and WILLIAM CROFT, ‘Sei sonate a violino e violoncello o basso continuo, tre del
Signore Finger e tre del Signore Croft.’ ER, [no. 139], [1700].
Issue
Catalogues
Price
Inventory
ER, 1700. {not extant?}
First: Bassani XI 1700D: ‘Six sonates à violino solo col basso continuo, trois de mr.
Finger, & trois de mr. Crofts gravé - ƒ 2:0.’
Catalogue 1716, p. 331 (no. 139): ‘Sei Sonate à violino solo e Violoncello o Basso
Continuo, tre del Signore Crofts e tre del Signore Finger - ƒ 2:0.’
Catalogue 1735, p. 46 (no. 139).
Catalogue 1744, p. 29 (no. 139).
ƒ 2:0.
[p. 319] ‘23 - Finger & Craft, a violino Solo.’
— Finger & Keller —Sonates — [237] — [1698] —
GOTTFRIED FINGER and GOTTFRIED KELLER, Six sonates à 2 flustes et 2 hautbois ou violons et 1 basse
continue. ER, [no. 237], [1698].
| SIX SONATES | .a.2. Flustes et .2. Hautbois ou Violons et .1. Basse Continüe | Dont les .4. Premier Sont
Composes par Mr. Fingher et les 2 derniers par Mr: Keller | et Dedies .a. | MONSIER HENRY HAAKS. |
SECONDE EDITION | ----- | .a. Amsterdam Ches Estienne Roger Marchant Libraire. |
Engraved, oblong quarto format. Five partbooks: Fluto Primo (10 pp.), Fluto Secondo (10 pp.), Hobois
Primo (8 pp.), Hobois Secondo (8 pp.), Basso Continuo (11 pp.). Single plates 21 x 15 cm.
Issue
Catalogues
Price
ER, [1698]. {not in RISM?}
Uppsala, Univ. Bibl. Leufsta Mus. tr. 69 (ex Leufsta Bruk, Coll. De Geer).
First: Bassani VIII 1698A; ‘Sonates a 5, 2 flutes et 2 hautbois ou tous violons et 1 bass.
cont. de Mr. Fingher et Mr. Keller gr. - ƒ 4:0.’
Catalogue 1716, pp. 322, 324-325, 342 (no. 237).
Catalogue 1735, pp. 33, 36, 59 (no. 237).
Catalogue 1744, pp. 17, 21, 40 (no. 237).
Catalogue Ballard/Brossard 1700 (Lebeau 1955, p. 35): ‘Fingher et Keller - Six Sonates a
2 flutes e 2 hautbois ou violon et 1 basse continue dont les quattre premieres sont
composées par Mr Fingher, et les deux dernieres par Mr Keller. Dediées a Mr Henry
Haaks. Amsterdam, Est. Roger (s.d.) 4 parties in-4o maj. obl. gr.’
Catalogue Ballard 1704P, 1709P, 1715, p. 4.
Inventaire Ballard 1750, p. 41: ‘Six sonates à 2 flutes et 2 haubois par Mrs. Flingher [sic]
et Keller gravé.’
ƒ 4:0.
53
25 February 2015
Inventory
[p. 318] ‘8 - [Finger] & Keller a 5 Parties.’
Contents
[GOTTFRIED FINGER]
[GOTTFRIED FINGER]
[GOTTFRIED FINGER]
[GOTTFRIED FINGER]
[GOTTFRIED KELLER]
[GOTTFRIED KELLER]
Sonata I (F): Largo, Solo, Allegro
Sonata II (F): Adagio, Vivace, 3/2
Sonata III (F): 3/2, Vivace, Adagio, Allegro
Sonata IV (F) Allegro, Adagio, 3/2
Sonata V (G) Vivace, Allegro, Adagio, Allegro
Sonata VI (G): Vivace, Vivace, Allegro
See also BINGHAM & FINGER, Airs anglois Livre 4.
— J.-J. Fiocco —Sacri concentus Opus 1 — [1709-1712] —
JEAN-JOSEPH FIOCCO, Sacri concentus, quatuor vocibus ac tribus instrumentis modulandi ... Opus primum.
ER, [1709-1712].
 SACRI CONCENTUS,  Quator Vocibus ac tribus Instrumentis modulandi  CELSISSIMO DOMINO 
DOMINO  EUGENIO ALEXANDRO  Principi de Turri, Tassis,  ET  SACRI ROMANI IMPERII 
Comiti di Valsassino, Baroni d’Impden, Toparchæ in Braine le  Chateau, Haut-Itter, Wolverthem, Rossem,
 Meuseghem, Leerbecq, &c.  Comitatus Hannoniæ hereditario Mareschallo, Aurei Velleris E-  quiti, &
hereditario Magistro Generali Postarum per Roma-  num Imperium, Burgundiam & Belgiam, &c. &c. &c.
 Auctore  JOANNE JOSEPHO FIOCCO,  Bruxellensi.  OPUS PRIMUM.  Violino Primo.  A
AMSTERDAM,  Aux dépens D’ESTIENNE ROGER, Marchand Libraire, chez qui l’on trouve  un asortiment
general de toute sorte de Musique. 
Bookprinted, upright quarto format. Seven partbooks: Cantus (ii, 39 pp; E), Altus (ii, 39 pp.; F), Tenor (ii, 36
pp.; D), Bassus (ii, 36 pp.; A), Violino Primo (ii, 60 pp.; G), Violino Secondo (ii, 54 pp.; H), Basso Viola (ii,
44 pp.; C), Bassus Continuus (iv, 55 pp.; B).
Issue
Catalogues
Price
Inventory
ER, [1709-1712]. {RISM F 859}
Amsterdam, Toonkunst-Bibl.
London, Brit. Libr., E.1391. (BL 1981 XXI, p. 101)
Munich, Bayerische Staatsbibl., 4 Mus.pr. 42505. (BSB 1988, p. 1956)
Regensburg, Fürstl. Hofbibl. (incomplete).
Zürich, Zentralbibl., XIII 550 & a-g.
Catalogue 1744, p. 53; Missa e Motetti à 1, 2, 4 e 5 voci con 3, 4 & 5 Instromenti del
Signore Fiocco filio Motetti. - ƒ 4:10.’ [probably an unwanted amalgam of P.A. Fiocco’s
Sacri concerti ... Opera prima and J.J. Fiocco’s Sacri concertus ... Opus primum]
ƒ 4:10.
[p. 381] ‘3 - [Fiocco] filio Prima motteti.’
[p. 391] ‘90 - Motetti de Fiocco figlio opera Prima - f 3:15.’
Contents
54
25 February 2015
i
Title
iii
Letter of dedication in Latin by Fiocco. For text see Stellfeld 1941, pp. 63-65.
Motettum I De Beata Virgine: O Maria quis te laudare
Motettum II De Beata Virgine: Sub tuum præsidium
Motettum III De beata Virgine & pro Festo Nativitatis Domino: Ridet orbis, plaudunt astra
Motettum IV De S.S. Sacramento: Obstupescite gentes
Motettum V De S.S. Sacramento: A solis ortu, usque ad occasum
Motettum VI Pro omni tempore: Ite, ite, ô pompæ fallaces
Motettum VII Pro omni tempore: O anima dilecta
Motettum VIII Pro omni tempore: O quam stultus & insanus
Motettum IX De S.S. Sacramento: Fulcite me floribus
Motettum X Pro tempore paschali: Surgite cum gaudio
Motettum XI Pro Sancto: O fides, ô spes
Motettum XII Pro Sanctâ: Adeste plaudentes
Tavola
Errata (4 fols., printed only one-sidedly)
Reference
Remark
Stellfeld 1941, pp. 63-65, 70-76 (pp. 63-65: text of letter of dedication; p. 73: facsimile of
title page).
The dedicatee is Eugen Alexander Franz First Prince of Thurn und Taxis (1652-1714),
from 1676 Postmaster General of the Imperal Reichspost and Head of the Princely Family
of Thurn un Taxis.
— P. A. Fiocco —Sacri concerti Opus 1 — [1701] —
PIETRO ANTONIO FIOCCO, Sacri concerti a una, e più voci, con instrumenti e senza ... Opera prima. ER,
[1701].
 [BASSO CONTINUO]  SACRI CONCERTI  A Una, è più Voci, con Instrumenti è senza,  DI
PIETRO ANTONIO FIOCCO  VENETO  Maestro di Capella nella Chiesa Ducale della Madonna del
Sablone  in Bruxelles.  DEDICATI  All’ Excell.mo Sig.re Prencipe de la Torre, Tassis, etc.  OPERA
PRIMA  [vignette with legend ‘UTRElevet MIserum FAtum SOLitosque LAbores.’]  A AMSTERDAM 
Chez ESTIENNE ROGER, Marchand Libraire. 
Bookprinted, upright folio format. Eleven partbooks: Soprano Primo (fols. –(1), A-3A(2), 4A(1), 14 pp.),
Soprano Secondo (fols. –(1), C(2), 4 pp.), Alto (above the pages Altus) (fols. –(1), D-4D(2), 16 pp.), Tenore
(fols. –(1), I-3I(2), 4I(1), 14 pp.), Basso (above the pages Bassus) (fols. –(1), H-4H(2), 16 pp.), Violino
Primo (fols. –(1), B-4B(2), 16 pp.), Violino Secondo (fols. –(1), E-4E(2), 16 pp.), Alto Viola (fols. –(1),
H(2), 2H91), 6 pp.), Tenore Viola (above the pages Tenor Viola) (fols. –(1), G-2G(2), 7 pp.), Viola [da
gamba] o Fagotto (fols. K-3K(2), 4K(1), 14 pp.), Basso Continuo (fols. [L], 2L, 3L, [4L], 5L, 6L (2), 24 pp.).
Basso Continuo partbook with first page of catalogue on verso of title page, Viola o Fagotto with second
page.
Source
Issue
Catalogues
Antwerpen, Hendrik Aertssens, 1691. {RISM F 863}
ER, [1701]. {RISM F 864}
Glasgow, Euing Mus. Libr., R. x. 8.
First: Fiocco 1701A. Catalogue 1716, p. 303. Catalogue 1735, p. 12. Catalogue 1744,
p. 53; Missa e Motetti à 1, 2, 4 e 5 voci con 3, 4 & 5 Instromenti del Signore Fiocco filio
55
25 February 2015
Price
Inventory
Motetti. - ƒ 4:10.’ [probably an unwanted amalgam of P.A. Fiocco’s Sacri concerti ...
Opera prima and J.J. Fiocco’s Sacri concertus ... Opus primum]
ƒ 5:0 (1708-1735); ƒ 4:10 (1744).
[p. 391] ‘26 - Fiocco Opera Prima missee et motetti - ƒ 2:05.’
[p. 400] ‘40 - motetti de Fiocco opera prima.’
Contents
[1] Messa à 4 Voci, è 5 Instrum.
[2] Per ogni tempo: Gaude cor (Canto solo, con 2 Violini e Basso)
[3] Del Santissimo: Ad te venio (Canto solo, con due Violini, e Basso)
[4] Del Santissimo: Benignissima Jesu (Alto solo, con cinque Instrum.)
[5] Per ogni tempo: Usquequo (Tenore solo, con tre instr.)
[6] Per ogni tempo: Adeste fideles (Basso solo, con 3 instr.)
[7] Per ogni tempo: Venite cantantes (A 2. Alto e Bassso)
[8] Per il Santissimo: Coeli dapes (A tre A.T.B.)
[9] Per la Madonna: O quam serena rutilat (A quatro C.A.T.B. con 3 instr.)
[10] Per la Madonna: Quam lœta quam clara (A cinque 2 C.A.T.B. con instrum.)
[11] Per una Santa: Pugnasti, vicisti (A cinque 2 C.A.T.B. con 5 instr.)
[12] Per una Santa: Date palmas (A cinque 2 C.A.T.B. con 5 instr.
[13] Salve Regina (A cinque 2 C.A.T.B. con 5 instr.)
[14] Regina cœli (A cinque 2 C.A.T.B. con 4 instr.)
[15] Alma Redemptoris Mater (A quatro C.A.T.B. con 3 instr.)
[16] Ave Regina cœlorum ( A cinque 2 C.A.T.B. con 5 instr.)
Reference
Stellfeld 1941, pp. 26-38 (p. 30: facsimile of title page).
— A. Fiore — Sonate Opus 1 — [259] — [1701] —
ANDREA FIORE, Sinfonie da chiesa a tre, cioe due violini e violoncello con il suo basso continuo per
l’organo ... Opera prima. ER, [no. 259], [1701].
| SINFONIE | Da Chiesa | a Tre cioe | Due Violini e Violoncello con il Suo Basso Continuo per l’organo | Da |
ANDREA FIORE | Milanese | Academico Filarmonico e Musico Di Camera di | S. A. R. Vittorio Amadeo II
Duca di | Savoye prencipe di Piemonte | Re di Cipro &c. | OPERA PRIMA | A Amsterdam | Chez Estienne
Roger | Marchand Libraire |
Engraved, upright folio format. Three partbooks: Violino Primo, Violino Secondo, Violoncello (14 pp.),
Basso Continuo (13 pp.). Double plates 2 x (19 x 30) cm.
Source
Issue
Catalogues
Modena: Fortunato Rosati, 1699. [RISM F 868}
ER, [1701]. {RSIM F 869}
Brussel, Cons. Roy. Mus., ***
London, Royal Coll. Mus., D 2258-2260 (with Vaillant label; no Basso Continuo).
Oxford, Bodl. Libr.
First: Raguenet 1701B, ‘Andrea fiore Academico filarmonico, opera prima sonates à tre
col violoncello gravé.’
Catalogue 1716, p. 337 (no. 259).
Catalogue 1735, p. 52 (no. 259).
56
25 February 2015
Catalogue 1744, p. 35 (no. 259).
Catalogue Olofsen 1755, pp. [2-3].
f 4:0.
[p. 319] ‘45 - Fiore (Andrea), Trio - f 2:05.’
Price
Inventory
Sinfonia I (B-flat): Allegro, Largo, Grave, Presto.
Sinfonia II (G): Adagio, Allegro, Largo Presto.
Sinfonia III (D): Largo, Allegro-Adagio, Allegro.
Sinfonia IV (a): Grave, Allegro, Adagio-Presto-Adagio, Allegro.
Sinfonia V (b): Largo, Allegro, Presto, Adagio, Presto, [Allegro].
Sinfonia VI (g-1): Adagio, Largo assai, Allegro.
Sinfonia VII (A-2): Adagio, Allegro, Largo, Vivace.
Sinfonia VIII (C): Largo, A Capella, Grave, Presto.
Sinfonia IX (F): Adagio, Allegro, Adagio, Allegro.
Sinfonia X (e): Largo, Allegro, Largo, Allegro.
Sinfonia XI (c-2): Largo, Allegro, Grave, Allegro.
Sinfonia XII (d-0): Largo, Allegro, Allegro.
— A. M. Fiore —Trattenimenti Opus 1 — [286] — [1700] —
ANGELO MARIA FIORE, Trattenimenti da camera a due stromenti violino e violoncello e violoncello e
cimbalo ... Opera prima. ER, [no. 286], [1700].
| TRATTENIMENTI DA CAMERA | a Due Stromenti | Violino e Violoncello e Violoncello e Cimbalo | Del
Signore | ANGELO MARIA FIORE | Opera Prima | A Amsterdam | Chez Estienne Roger | Marchand Libraire |
Engraved, upright folio format. Two partbooks: Violino Solo, Violoncello Solo (1-10, 11-16 pp.
respectivelt), Violoncello e Cimbalo (13 pp.). Double plates 2 x (19 x 30) cm.
The title is correct: Trattenimenti I-X are for “Violino solo” and “Violoncello o Cimbalo”, Trattenimenti XIXXIV for “Violoncello Solo” and “Violoncello o Cimbalo”. The Trattenimenti are followed by two canons
for two violoncellos.
Source
Issue
Catalogues
Price
Inventory
Lucca, Bartolomeo Gregori, 1698. {RISM F 870}
ER, [1700]. {RISM F 871}
Durham, Cath. Libr., Mus. C. 39 (Harman 1968, no. 464, p. 77).
First: Bassani XI 1700D, ‘Quatorse sonates, dix à violino solo col bass, cont, é 4 à
violoncello solo col basso, cont, e un Canone a due violoncello del Signor Fiore, gravé.’
Catalogue 1716, p. 331 (no. 286).
Catalogue 1735, p. 46 (no. 286).
Catalogue 1744, p. 29 (no. 286).
ƒ 3:0.
[p. 319] ‘17 - Froie (Angelo M), Trio.’
Contents
Violino Solo
Trattenimento I (d-0): Preludio Grave-Presto-Adagio, Balletto Largo, Allegro.
Trattenimento II (A-2): Grave, Balletto Allegro, Corrente Largo.
57
25 February 2015
Trattenimento III (C): Adagio, Balletto Spiritoso, Giga Allegro.
Trattenimento IV (F): Grave, Tempo di Sarabanda Largo; Presto.
Trattenimento V (e): Grave, Sarabanda Largo, Giga Allegro.
Trattenimento VI (D): Adagio, Largo, Presto, Gavotta Allegro.
Trattenimento VII (a): Largo ma Andante, Vivace, Giga Allegro.
Trattenimento VIII (c-2): Adagio, Allemanda Spiritoso, Giga Allegro.
Trattenimento IX (G): Adagio, Allegro, Presto.
Trattenimento X (B-flat-1): Grave, Balletto Allegro, Presto
Violoncello Solo
Trattenimento XI (g-1) (at the bottom of p. 12: “Questo [sic] Sonata e a Violoncello Solo o vero violino
sonanda [sic] alla quinta alta”): Preludio Largo, Allegro, Allegro. [Violoncello Solo mostly C4 clef, also C-3
clef)]
Trattenimento XII (d-0): Adagio, Largo, Andante, Presto.
Trattenimento XIII (C): [Preludio] Ad arbitrio, Allegro, Adagio, Allegro.
Trattenimento XIV (c-2): Menuet a Violoncello Solo [with Violoncello o cimbalo]
(G-0) Canone all unisono a duo Violoncelli. Il Violoncello Secondo deve entrare al Segno .S. e restare al
segno [fermata]. Second canon: (G-0) Allegro. [only in Violoncello Solo partbook; the second canon does
not have a signum concordantiæ, the second entry is after two bars]
Remark
Purchased by the Arnhem Collegium Musicum on 16 November 1700 (Minderhout
1997).
— Fleury —Méthode — (Ballard, 1660) —
NICOLAS FLEURY, Méthode pour apprendre facilement à toucher le théorbe sur la basse-continue. Paris,
Robert Ballard, 1660. {RISM Écrits p. 319}
Inventory
Catalogues
[p. 368] ‘2 - Fleurij Methode pour la Theorbe Paris.’
For sale: Catalogue 1744, p. 59; ‘Méthode pour le Theorbe par Fleury - ƒ 6:0.’
— Franchi —Sonate Opus 1 — [305] — [1701] —
GIOVANNI PIETRO FRANCHI, Sonate a tre, due violini e violone o arcileuto col basso per l’organo ... Opera
prima. ER, [no. 305], [1701].
| LA CETRA SONORA | SONATE | a Tre doi violini o Arcileuto | col Basso per l’Organo | Da | D GIO PIETRO
FRANCHI DA | PISTOYA | OPERA PRIMA | a Amsterdam | che [sic] Estienne Roger | Marchand libraire |
Engraved, upright folio format. Four partbooks: Violino Primo (18 pp.), Violino Secondo (18 pp.),
Violoncello (17 pp.), Organo (18 pp.). Double plates 2 x (20 x 30) cm.
Source
Issue
Catalogues
Rome, Giovanni Angelo Muti, 1685. {RISM F 1601}
ER, [1701]. {RISM F 1602}
Rochester NY, Sibley Mus. Libr., M407 .F816
First: Fiocco 1701A.
Catalogue 1716, p. 338 (no. 305).
Catalogue 1735, p. 53 (no. 305).
58
25 February 2015
Price
Inventory
Catalogue 1744, p. 35 (no. 305).
ƒ 4:0.
[p. 319] ‘12 - Franchi, prima Trio.
9 - [Franchi,] Gr: Pap:.’
Contents (page numbers after Violino Primo)
1-2
Sonata I (D): Grave Adagio, Allegro, Grave Adagio (b), Vivace, Prestissimo.
2-4
Sonata II (G): Largo, Adagio, Grave, Prestissimo.
4-5
Sonata III (C): Largo, Vivace, Adagio, Presto.
5-7
Sonata IV (A): Adagio, Allegro, Adagissimo, Largo, Vivace e Presto.
7-8
Sonata V (c-2): Adagio-Presto-etc., Adagio, Vivace, Grave-Adagissimo, Presto-Adagio-Presto.
8-9
Sonata VI (d-0): Vivace, Adagio, Presto, Adagissimo, Largo-Presto-etc.
10-11
Sonata VII (F): Largo-Vivace-etc., Adagio, Allegro, Adagio-Adagissimo, Allegro.
11-12
Sonata VIII (e): Vivace-Adagio-etc., Allegro, Vivace, Allegro, Presto.
12-14
Sonata IX (B-flat-1): Adagio, Allegro, Vivace, Adagio (g), Allegro.
14-15
Sonata X (A-2): Adagio, Vivace e Presto, Adagio, Largo.
15-17
Sonata XI (g-1): Allegro, Adagio, Vivace, Vivace e Presto, Adagio.
17-18
Sonata XII (b-1): Adagio, Vivace ma non Presto, Adagio, Allegro, Vivace e Presto.
References
Lepore 1995, pp. 557-559.
Digital Facsimile http://hdl.handle.net/1802/14933 (Rochester NY, Sibley Music Libraray)
— Franck —Sonate Opus 1 — [270] — [1702] —
JOHANN WOLFGANG FRANCK, ‘Sonate a tre, due violini, violoncello, basso e basso continuo ... Opera
prima.’ ER, [no. 270], [1702].
Issue
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Catalogues
Price
Inventory
Remark
Post Man, 18 August 1702 (Francis Vaillant).
First: Vairasse 1702; ‘6 sonates de Mr. Frank à 2 violons un violoncello & B. cont. - ƒ
4:0.’
Catalogue 1716, p. 337 (no. 270).
Catalogue 1735, p. 51 (no. 270).
Catalogue 1744, p. 34 (no. 270).
ƒ 4:0.
[p. 319] ‘32 - Franc, prima Trio.
9 - [Franc,] Gr: Pap:.’
Johann Wolfgang Franck (born Unterschwaningen, Middle Franconia 1644, died c.
1710?) was active as a musician and composer in Ansbach and Hamburg, mostly as a
composer of German operas. The sonatas published by Roger seem to be his only
instrumental works.
— Francœur —Sonates Livre 1 — (Author, 1715) —
LOUIS FRANCŒUR, Premier livre de sonates à violon seul et basse. Paris, Author, Henri Foucault, 1715.
{RISM F 1807-1808}
59
25 February 2015
Inventory
Catalogues
[p. 368] ‘2 - Francoeur Sonate a violino Solo Paris.’
For sale: Catalogue 1744, p. 59; ‘Sonate à Violino solo par Francoeur. – f 4:0.’
— Francœur —Sonates Livre 1 — 437 — [1718] —
LOUIS FRANCOEUR, Sonates a violon seul & basse continue ... Livre premier. JR, no. 437, [1718].
| SONATES | à Violon Seul & Basse Continue. | Composées Par | Mr. FRANCOEUR LE FILS, | L’un des vingt
quatre Ordinaires de la Musique | de la Chambre de SA MAJESTÉ, & ordinaire de | l’Academie royalle de
Musique. | LIVRE PREMIER | A AMSTERDAM | CHEZ JEANNE ROGER | No 437 |
Engraved, upright folio format. Score (45 pp.). Double plates 2 x (19 x 25.5) cm.
Source
Issue
Paris, author, Boivin, Foucault, 1715. See previous item.
JR, no. 437, [1718]. {RISM F 1805}
Paris, Coll. Meyer. (formerly).
Stockholm, Kungl. Mus. Akad. Bibl., C 1-R
Paris, auteur, Foucault, 1720. {RISM F 1804}
Catalogue 1735, p. 42 (no. 437).
Catalogue 1744, p. 26 (no. 437).
ƒ 4:0.
[p. 319] ‘12 - Francoeur, prima solo.’
Reprint
Catalogues
Price
Inventory
Contents
1-5
6-9
10-15
16-19
20-25
26-33
34-39
39-46
Sonata I (G): Adagio, Allegro, Sarabanda, Giga Allegro.
Sonata II (g-1): Adagio, Allemanda Andante, Adagio, Aria Allegro.
Sonata III (B-flat-1): Adagio, Allemanda Allegro, Gavotta, Presto.
Sonata IV (e): Adagio, Allemanda un Poco Andante, Courante, Giga.
Sonata V (a): Adagio, Allegro, Aria Affettuoso, Presto.
Sonata VI (b): Largo, Courante, Allemanda Allegro, Gavotta Andante, Presto.
Sonata VII (d-0): Allemanda, Courante, Sarabanda, Presto.
Sonata VIII (D): Adagio, Allegro, Allegro, Adagio, Allegro.
(The last sonata is complete corellian: 2nd & 5th movement fugues, polyphonic violin, third
movement perpetuum mobile)
— Frère —Transpositions — [1707-1708] —
ALEXANDRE FRÈRE, Transpositions de musique, réduits au naturel par le secours de la modulation ... ER,
[1707-1708].
│ TRANSPOSITIONS │ DE MUSIQUE, │ REDUITES AU NATUREL, │ par le secours de la
Modulation. │ Avec un Pratique des Transpositions │ irrégulierement écrites; Et la maniére │ d’en
surmonter les difficultez. │ParALEXANDRE FRERE, cy-devant │ de l’Accademie Royale de Musique. │
[vignette] │ A AMSTERDAM, │ Aux dépens d’ESTIENNE ROGER, chez │ qui l’on trouve un assortiment
general de tou- │ tes [sic] sorte de Musique. │
60
25 February 2015
Bookprinted, upright octavo format (– (3), A-F(8), G(1) fols.; 1[=A1r]-98 pp.).
Source
Issue
Paris, Christophe Ballard, 1706. {RISM Écrits p. 329}
ER, [1707-1708]. {RISM Écrits p. 329}
Amsterdam, Toonkunst-Bibl.
Berlin, Deutsche Staatsbibl.
Bologna, Civ. Museo Bibliogr. Mus., G.83.
Chicago IL, Newberry Libr., VMT 68 F 881t. (Krummel, 1977, no. 5659, p. 308)
Leiden, Univ.-Bibl., 649 C 4:2.
London, Brit. Libr., 1042.l.6.(3.) (ex John Hawkins).
Rochester NY, Eastman Sch. Mus.
Wolfenbüttel, August-Bibl, 62 Musica div. (2). (August 1967, no. 1134, p. 659)
ƒ 1:02.
[p. 375] ‘10 - Frere Transposition de Musique.’
[p. 392] ‘312 - Transposition d’Alexandre frere 8o - / 5:0.’
[p. 395] ‘52 - Transpositions de musique par frere - / 1:05.’
Catalogues
Price
Inventory
Contents
i
ii
iii-iv
v-vi
1-31
32-98
Title
Blank
‘Préface’
‘Table’
‘Transpositions de musique.’ ‘Première partie.’
‘Seconde partie.’
— Froberger —Suittes — [314] — [1698] —
JOHANN JACOB FROBERGER, 10 Suittes de clavessin. ER & Compagnie, [no. 314], [1698].
First issue
 10 Suittes  de  CLAVESSIN  Composées  Par  MONSR GIACOMO FROBERGUE  à Amsterdam chez 
Estienne Roger Marchant libraire & Compagnie 
Seconde édition
 10 Suittes  de  CLAVESSIN  Composées  Par  MONSR GIACOMO FROBERGUE  Seconde Edition trez
exactement corrigée  à Amsterdam chez  Estienne Roger Marchant libraire & Compagnie 
Engraved, oblong quarto format. Keyboard score (38 pp.). Single plates 20.5 x 16 cm, numbered both recto
and verso with letters a (pp. 1-2), b (pp. 3-4), c, … i, k, l, …, until t (37-38).
Issues
ER & Compagnie, [1698]. {not Adler; RISM F 2034; Schott AMSTERDAM EDITION
1698; Rasch&Dirksen 1992 D3}
61
25 February 2015
Reprint
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Catalogues
Price
Inventory
Contents
i
1-4
4-7
8-12
12-16
16-19
19-23
23-26
27-30
30-34
35-38
Cambridge, King’s College (with label of François Vaillant)
London, Brit. Libr., c.51.b. (BL 1981 XXII, p. 196).
ER & Compagnie, Seconde Edition, [1712?]. {Adler O; Rasch&Dirksen 1992 D5}
Krakov, Bibl. Jag., F 880 (ex Berlin, Deutsche Staatsbibl.).
Amsterdamsche Courant, 6 November, 18 December 1708, 28 February, 2 May 1709.
First: Jurieu 1698C.
Catalogue 1716, p. 346 (no. 314).
Last: Catalogue 1735, p. 67 (no. 314).
f 4:0 (1698-catalogue 1708); f 1:0 (6 November 1708 - 1735).
Not in inventory.
Title
Suite 1 (d): Allemande, Courante, Sarabande, Gigue. [A Suite XIII, pp. 36-38; S 2/2 Suite XIII,
pp. 78-81; R 3 Partita FbWV 613, pp. 42-45]
Suite 2 (g-1): Allemande, Courante, Sarabande, Gigue. [A Suite XIV, pp. 38-41; S 2/2 Suite
XIV, pp. 82-86; R 3 Partita FbWV 614, pp. 52-55]
Suite 3 (a): Allemande, Courante, Sarabande, Gigue. [A Suite XV, pp. 42-45; S 2/2 Suite XV,
Suite 4 (G): Allemande, Courante, Sarabande, Gigue. [A Suite XVI, pp. 46-48; S 2/2 Suite XVI,
Suite 5 (A): Allemande, Courante, Sarabande, Gigue. [A Suite VIII, pp. 18-21; S 1 Suite II
[VIII], pp. 183-186; R 2 Partita II FbWV 608, pp. 55-57]
Suite 6 (F): Allemande, Courante, Sarabande, Gigue. [A Suite XVII, pp. 48-51; S 2/2 Suite
XVII, pp. 97-100; R 3 Partita FbWV 617, pp. 69-72]
Suite 7 (g-1): Allemande, Courante, Sarabande, Gigue. [A Suite XVIII, pp. 51-53; S 2/2 Suite
XVIII, pp. 101-104; R 3 Partita FbWV 618, pp. 73-76]
Suite 8 (a): Allemande, Courante, Sarabande, Gigue. [A Suite X, pp. 27-29; S 1 Suite IV [X],
pp. 191-194; R 2 Partita IV FbWV 610, pp. 62-64]
Suite 9 (c-2): Allemande, Courante, Sarabande, Gigue. [A Suite XIX, pp. 54-56; S 2/2 Suite
XIX, pp. 105-109; R 3 FbWV 619, pp. 77-80]
Suite 10 (D): Allemande, Courante, Sarabande, Gigue. [A Suite XX, pp. 57-59; S 2/3 Suite XX,
pp. 110-114; R 3 FbWV 620, pp. 81-84]
Editions
References
A = Suiten für Klavier (Klavierwerke II). [Herausgegeben von Guido Adler]. Vienna,
1899; Graz, Akademische Druck- u. Verlagsanstalt, R1959. (Denkmäler der Tonkunst in
Österreich. 13 [Jahrg. VI/2])
S 1 = Johann-Jakob Froberger, Oeuvres complètes pour clavecin I: Livres de 1649, 1656
et 1658. Édition par Howard Schott. Paris, Heugel/Leduc, 1979.
S 2/2 = Oeuvres complètes pour clavecin 2 Volume 2: Suites et pièces diverses. Édition
par Howard Schott. Paris, Heugel/Leduc, 1992.
R 2 = Neue Ausgabe sämtlicher Clavier- und Orgelwerke II: Libro Quarto (1656), Libro
di Capricci e Ricercate (ca. 1685), Herausgegeben von Siegbert Rampe. Kassel:
Bärenreiter, BA 8064, 1995.
R 3 = Neue Ausgabe sämtlicher Clavier- und Orgelwerke III: Clavier- und Orgelwerke
abschriftlicher Überlieferung: Partiten und Partitensätze, Teil 1, Herausgegeben von
Siegbert Rampe. Kassel: Bärenreiter, BA 8064, 1995.
Rasch 1991, pp. 67-69; Rasch 1992, pp. 135-139; Rasch & Dirksen 1992, pp. 2525-256.
62
25 February 2015
— Froberger —Suittes — (Mortier, 1709) —
Johann Jacob Froberger, 10 Suittes de clavessin. PM, [1709].
 10. Suittes  DE  CLAVESSIN  Composées Par  MONSIEUR GIACOMO FROBERGUE  Mis en Meilleur
Ordre. et Corrigée d’un Grand nombre de Fautes.  A AMSTERDAM  Chez PIERRE MORTIER sur le
Vygendam, qui vend toutte sorte de Musique. 
Engraved, oblong quarto format. Keyboard score (ii, 38 pp.). Plates 2 x (25 x 18) cm. (The pages are oblong,
so the two pages have been engraved on top of one other, the higher of them flipped.) Title 25 x 17.5 cm.
Source
Issues
Price
Inventory
ER & Compagnie, [1698]. See previous item.
PM, [1709]. {Adler L; RISM F 2033; Schott AMSTERDAM EDITION ca. 1709;
Rasch&Dirksen 1992 D4}
Cambridge, Fitzwilliam Museum, MU. MS. 361 E (30 F 19) (Catalogus p. 240).
Paris, Bibl. Nat. (Cons.), Rés. 443.
Amsterdamsche Courant, 2, 23 May 1709: ‘Froberge dix Suittes du Clavessin van wel
200 faute gecorrigeert a 2 gl.’
Mortier Catalogues Brossard, HMD 1709.
Roger Catalogue 1712, p. 43: ‘Le même livre [= Dix suittes de Clavecin, composées par
Mr. Frobergue] beaucoup mieux gravé & nouvellement corrigé par Estienne Roger, sur
l’impression de Mortier - f 2.0.’ The mentioning of corrections by Roger is probably a
mistake or, rather, a confusion, because it was his own edition that was issued in a second
issue with corrections, to make it identical to the Mortier edition.
Catalogue 1716, p. 346 (without number).
The publisher’s number was obviously assigned only in 1720.
Catalogue 1725, p. 69 (no. 466.
Catalogue 1735, p. 67 (no. 466).
Catalogue 1744, p. 48 (no. 466).
f 1 (Mortier Catalogue Brossard 1709), f 2 (Mortier Catalogue HMD, Roger 1712-1744).
[p. 320] ‘81 - Froberger, Pieces de Clavesin.’
Contents
Same as Roger edition (see previous item), but the suites do not have a number.
Facsimiles
In: Johann Jacob Froberger, Diverse ... Partite, 2 parts (Mainz, Bourgeat, 1693, 1696);
10 Suittes de Clavessin (Amsterdam, Mortier, n.d.). Introduction by Robert Hill. New
York, Garland, 1988. (17th Century Keyboard Music 4)
Semi-facsimile: [Postface] J.H. van Krevelen, Utrecht: Musica Repartita, no. 44, 1994.
See Roger edition (see previous item).
See Roger edition (see previous item).
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Catalogues
Editions
References
— Froberger —Diverse … Partite — (Bourgeat, 1695) —
JOHANN JACOB FROBERGER, Diverse curiose e rarissime partite di toccate, ricercate, caprici e fantasie ...
Mainz, Louis Bourgeat, 1695. {RISM F 2028}
63
25 February 2015
Catalogues
Price
References
First for sale: La Martinière 1698EE; ‘Tocate, capricie e fantazie de Frobergue, gravé –
f 3:0.’
Last for sale: Catalogue 1708, p. 20; ‘Les Tocates de Frobergue pour le Clavessin, Livre
premier.’
f 3:0.
Rasch 1991, p. 68; Rasch 1992, pp. 133-135.
— Froberger —Diverse … Partite Parte 2 — (Bourgeat, 1699) —
JOHANN JACOB FROBERGER, Seconda parte delle diverse curiose e rarissime partite ... Mainz, Louis
Bourgeat, 1699. {RISM F 2031}
Catalogues
Price
References
First for sale: Xenophon 1699AA; ‘Le mesme [= Tocates, Capricies & Fantaisies de
Frobergue pour le clavessin] gravé - f 3:0.’
Last for sale: Catalogue 1708, p. 20: ‘Les Tocates du même Auteur [= Froberger], livre
second.’
f 3:0.
See previous item.
— Fux —Elisa — 482 — [1721] —
JOHANN JOSEF FUX, Elisa, festa theatrale per musica ... JR, no. 482, [1721].
 ELISA  FESTA THEATRALE PER MUSICA;  Rappresentata nel Giardino dell’Imperiale Favorita  Per il
felicissimo Gioro Natalizio  Della Sacra Cesarea e Cattolica Reale Maestà  Di  ELISABETTA CRISTINA 
IMPERADRICE REGNANTE,  per comando della Sac:a, Ces:a e Catt:a Real Maestà di  CARLO VI. 
Imperador de’ Romani sempre Augusto.  Poësia di PIETRO PARIATI Poëta di S.M. Ces:a e Catt:a 
Musica di GIO: GIOSEPPE FUX, Maestro di Capella.  A AMSTERDAM, Chez Jeanne Roger  N. 482. 
Engraved, upright folio format. Score (vi, 420 pp.) Plates 2 x (19 x 25) cm.
Issue
Catalogues
Price
Inventory
JR, no. 482, [1721]. {RISM F 2108}
Cambridge MA, Harvard Univ.
London, Brit. Libr., Hirsch II.235. (BL 1981 XXII, p. 256)
Münster, Univ.Bibl.
Vienna, Oest. Nat.bibl.
Wiesentheid, Coll. Schönborn, Mus. 56 (with 24 manuscript partbooks; Zobely
1967, no. 56, p. 47).
First: Catalogue 1725, p. 13 (no. 482, without price).
Last: Catalogue 1735, p. 9. (no. 582 [sic]).
Walther 1732, p. 269: mentions price f 30 or Rth 15.
ƒ 30:0 [!] (1735).
[p. 317] ‘17 - Eliza, Festa Theatrale.’
64
25 February 2015
Contents
i
iii
v
1-420
Title
Persone che cantano.
Italian dedication by Pietro Pariati to Emperor Charles VI.
Elisa
Remarks
This is an unusual publication within Roger’s catalogue, being the only Italian opera
score. It is Roger’s largest and also most expensive publication. It is unclear why this
opera, which was premiered in Vienna on 28 August 1719 should be published two years
later in Amsterdam. The edition, with Pariati’s letter of dedication addressed to the
Emperor, seems to be an authentic edition.
65
25 February 2015

Roger Catalogue D`Alay-Fux

Transcription

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