The inside of a shell:
Transcription
The inside of a shell:
Convenor: Vanessa Guignery (ENS de Lyon-IUF) Comité d’organisation: Sonia Ferhani Allocataire-monitrice à l’ENS de Lyon Vanessa Guignery Professeur à l’ENS de Lyon Mathilde Le Clainche Allocataire-monitrice à l’ENS de Lyon Pauline Pilote Allocataire-monitrice à l’ENS de Lyon Juliette Tran Allocataire-monitrice à l’ENS de Lyon The inside of a shell: Website http://conferences.vanessaguignery.com lkn ech t Sta l ro. Ph oto ©K im Mu n ce Po r tr ait d’A li Photo : jiva bludeau (https://www.flickr.com/photos/jivabludeau/8684829420/) Nautilus Shell : Origami designed by Tomoko Fuse [email protected] Dance of the Happy Shades Dance of the Happy Shades ENS site MONOD 46 allée d’Italie, 69007 Lyon Contact: Alice Munro’s Alice Munro’s Lieu du colloque: Accès: Métro B direction Gare d’Oullins, arrêt Debourg ou Tram T1 direction Debourg, arrêt ENS Lyon The inside of a shell: 6-7 November 2014 International conference Thursday 6 November 9h30: Welcome and opening of the conference by Vanessa Guignery (ENS de Lyon-IUF) Chair: Vanessa Guignery (ENS de Lyon-IUF) 9h45: Cécile Fouache (University of Rouen) The Magic of Reality: The Art of the Everyday in Alice Munro’s Dance of the Happy Shades 10h15: Sabrina Francesconi (University of Trento) Alice Munro and the Poetics of Linoleum 10h45: Coffee break Chair: Pascale Tollance (University of Lyon 2) 11h15: Claire Omhovère (University Paul-Valéry Montpellier 3/EMMA) Places in Alice Munro’s Dance of the Happy Shades 11h45: Katherine Hrisonopulo (Saint-Petersburg State University of Culture and Arts) Subjectivity, Subjectification and the Expression of Point of View in Alice Munro’s First-Person Narrative 12h30: Lunch break Chair: Catherine Delmas (University Stendhal-Grenoble 3/CEMRA) 14h00: Héliane Ventura (University Toulouse 2-Jean Jaurès) The Ethics of Responsibility from Accident to Murder in Alice Munro’s ‘The Time of Death’ and ‘Child’s Play’ 14h30: Kerry-Jane Wallart (University of Paris-Sorbonne) ‘my father says’: Children as Parricidal Outlaws in Dance of the Happy Shades 15h00: Laura Dawkins (Murray State University, Kentucky) ‘The Thing You Have Always Known Was There’: Figures of Death in Alice Munro’s The Dance of the Happy Shades 15h30: Coffee break Chair: Catherine Lanone (University of Paris-Sorbonne Nouvelle) 16h00: Oriana Palusci (University of Naples ‘L’Orientale’) An Ecocritical Reading of Alice Munro’s ‘The Shining Houses’ 16h30: Corinne Bigot (University of Paris Ouest Nanterre La Défense) Patterns of Entrapment, Lines of Flight, Embedded Stories and Resistance to Closure: Reading ‘Thanks for The Ride’ with ‘The Shining Houses’ Friday 7 November Chair: Claire Omhovère (University Paul-Valéry Montpellier 3/EMMA) 9h30: Pascale Tollance (University of Lyon 2) ‘The Peace of Utrecht’ or How to Deal with Remains 10h00: Christine Lorre-Johnston (University of Paris-Sorbonne Nouvelle) Picturing the Imagination: A Study of the Drafts of ‘Images’ 10h30: Claude Maisonnat (University of Lyon 2) Grandmothers Beware: Deadly Feminine Desires in ‘A Trip to the Coast’ 11h00: Coffee break Chair: Héliane Ventura (University Toulouse 2-Jean Jaurès) 11h30: Jennifer Murray (University of Franche-Comté) Sexuation in Alice Munro’s ‘Boys and Girls’ 12h00: Tom Ue (University College London) Gender, Subjectivity, and Narrative in ‘Boys and Girls’ 12h30: Lunch break Chair: Corinne Bigot (University of Paris Ouest-Nanterre La Défense) 14h00: Ulrica Skagert (University of Kristianstad) The Rupture of the Ordinary as an ‘Awkward Little Space’: Evental Moments in ‘Dance of the Happy Shades’ 14h30: Jean-Marc Victor (University of Paris-Sorbonne) Happy Shades of ‘June Recital’ in ‘Dance of the Happy Shades’: Munro’s Dance with Welty 15h00: Coffee break Chair: Christine Lorre-Johnston (University of Paris-Sorbonne Nouvelle) 15h30: Catherine Lanone (University of Paris-Sorbonne Nouvelle) From ‘A Painful Case’ to ‘Postcard’: Newspaper Cutting, Plot and Commonplace in Joyce and Munro 16h00: Jacob Hovind (Towson University, Baltimore) The Epiphany Concept and its Undoing in Alice Munro’s Early Stories