Publications for Michelle Royer 2015 2014 2013 2012 2011 2010

Publications for Michelle Royer
2015
Bandhauer, A., Royer, M. (2015). Introduction: Star Studies
and World Cinema. In Andrea Bandhauer, Michelle Royer
(Eds.), Stars in World Cinema: Screen Icons and Star Systems
Across Cultures, (pp. 1-10). London: I.B. Tauris.
Grauby, F., Royer, M. (2012). From Rabelais to Oulipo.
Australian Journal of French Studies, XLIX (2).
Royer, M. (2015). Mystère, intellectualisme, authenticité et
impertinence: Isabelle Huppert en jeu. Australian Journal of
French Studies, 52(2), 149-161. <a
href="http://dx.doi.org/10.3828/ajfs.2015.13">[More
Information]</a>
Royer, M. (2011). Atelier Cinema: Enseigner le cinema dans le
cadre du fle. Le Francais et la diversite francophone en asiepacifique, 2eme Congres de la Commission Asie-Pacifique
(FIPF 2010), Krakow, Poland: Drukarnia Cyfrowa EIKON
PLUS.
Royer, M. (2015). Review - Le Jour se lève: French Film
Guide. New Zealand Journal of French Studies, 36(1&2), 171173.
Royer, M. (2011). The hijacking of a Genre: French Female
Film-makers and the Road Movie. In Maggie Allison and
Angela Kershaw (Eds.), Parcours de Femmes: Twenty Years of
women in French, (pp. 243-256). Bern: Peter Lang AG,
International Academic Publishers.
Royer, M. (2015). Star Embodiment and the Lived Experience
of Ageing in Cinema: The Case of Amour. In Andrea
Bandhauer, Michelle Royer (Eds.), Stars in World Cinema:
Screen Icons and Star Systems Across Cultures, (pp. 199-212).
London: I.B. Tauris.
Bandhauer, A., Royer, M. (2015). Stars in World Cinema:
Screen Icons and Star Systems Across Cultures. London: I.B.
Tauris.
2014
Royer, M. (2014). Figures de l'hybridation dans les films de
Marguerite Duras. In Florence de Chalonge, Yann Mével,
Akiko Ueda (Eds.), Orient(s) de Marguerite Duras, (pp. 191205). Amsterdam: Rodopi.
Royer, M. (2014). Le rire et la gaiete dans le cinema de
Marguerite Duras, des antidotes a son << charme mortifere >>.
In Cecile Hanania (Eds.), Marguerite Duras: Le rire dans tous
ses éclats, (pp. 169-181). Amsterdam: Rodopi.
2013
Royer, M., Thompson, M. (2013). Mobility and Exile in Claire
Denis's 35 rhums. In Michael Gott, Thibaut Schilt (Eds.), Open
Roads, Closed Borders: The Contemporary French-Language
Road Movie, (pp. 187-201). Bristol: Intellect.
2011
2010
Royer, M. (2010). National cinemas and transcultural
mappings: the case of France. Literature and Aesthetics, 20(1),
139-148.
2009
Royer, M. (2009). Writing, the writing self and the cinema of
Marguerite Duras. In Rosanna Maule, Julie Beaulieu (Eds.), In
the dark room: Marguerite Duras and cinema, (pp. 157-171).
Bern, Switzerland: Peter Lang Publishing.
2008
Royer, M. (2008). Féminisme, écriture féminine at féminin
dans la parole publique de Marguerite Duras. Marguerite Duras
et la pensée contemporaine / Marguerite Duras and
Contemporary Thought, Gothenburg, Sweden: Goteborg
University.
Royer, M. (2008). The Cosmopolitanization of French Cinema.
Literature and Aesthetics, 18(2), 107-117.
2007
Grauby, F., Royer, M. (2013). Playtime: formes, fonctions et
théories du jeu (Playtime: forms, functions and theories).
Essays in French Literature and Culture, 50.
Royer, M. (2007). Du paratexte au cinema: la poeitique
durassienne et sa mise en scene. In Bernard Alazet (Eds.),
Marguerite Duras: ecriture, ecritures, (pp. 169-180). Paris,
France: Minard.
Royer, M. (2013). The spectator of Duras's films: the effect of
sounds and image (Le Spectateur face au bruissement sonore
des films de Marguerite Duras et a ses images). In Jean Cleder
(Eds.), Marguerite Duras Cinema (Marguerite Duras le
Cinema), (pp. 43-54). Caen, France: Lettres Modernes Minard.
Royer, M. (2007). Shame and Gaze: Embodied Social Suffering
and the Spectator's Gaze in Contemporary French Cinema.
Australian Journal of French Studies, 44(2), 172-180. <a
href="http://dx.doi.org/10.1111/j.14685957.2007.02049.x">[More Information]</a>
2012
Royer, M. (2007). Spatial Opposition and the Gendered
Spectacle of Social Suffering in French Films. Literature and
Aesthetics, 17(1), 141-150. <a
href="http://dx.doi.org/10.2337/dc06-1790">[More
Information]</a>
Royer, M., Grauby, F. (2012). Collaborative teaching in
language departments: Benefits and pitfalls. LCNAU National
Colloquium 2011 - The Next Step: Introducing the Languages
and Cultures Network for Australian Universities, Sydney,
Australia: LCNAU (Languages & Cultures Network for
Australian Universities).
Royer, M. (2012). Encounters with the 'Third Age':
Benguigui's Inch' Allah dimanche and Beauvoir's Old Age. In
Jean-Pierre Boule and Ursula Tidd (Eds.), Existentialism and
Contemporary Cinema: A Beauvoirian Perspective, (pp. 123134). Oxford: Berghahn Books.
2006
Royer, M. (2006). Shaping and Reshaping WWII: French
Cinema and The National Past. Literature and Aesthetics, 16(2),
181-190. <a href="http://dx.doi.org/10.1086/511977">[More
Information]</a>
2004
Royer, M. (2004). Le Bordeaux Et Le Bouffi(E): Duras à table.
In John West-Sooby (Eds.), Consuming Culture: The Arts of the
French Table, (pp. 88-98). Cranbury: Monash Romance
Studies/University of Delaware Press.
2003
Royer, M. (2003). Corfou. Trouville-sur-mer, France: Le Reflet.
Royer, M. (2003). Marguerite Duras. Carnet Austral.
Boothroyd, N., Royer, M. (2003). Robert Dessaix's Journey
into French. Southerly, 63(1 (spring 2003)), 95-102.
2002
Royer, M. (2002). L'écriture du vécu: l'oeuvre paralittéraire de
Marguerite Duras. In Stella Harbey and Kate Ince (Eds.),
Duras, femme du siecle, (pp. 73-86). Netherlands: Rodopi.
Royer, M. (2002). L’Inde romancee. L’Inde dans le genre
romanesque depuis 1947. Carnet Austral, Sept 2002, 20-22.
2001
Royer, M. (2001). Night letters : lettres de Venise : un voyage
en Suisse et en Italie. France: Le Reflet.
Grauby, F., Royer, M. (2001). Repenser les processus createurs
= Rethinking creative processes. United States: Peter Lang
Publishing.
1997
Royer, M. (1997). L’Ecran de la passion Une étude du cinéma
de Marguerite Duras. Brisbane: Boombana Publications.
1996
Grauby, F., Royer, M. (1996). Recherche mode d’emploi.
Sydney: UNSW Press.