Identification and Creation Object Number 1929.54
Transcription
Identification and Creation Object Number 1929.54
© President and Fellows of Harvard College Gallery Text This early drawing by Redon depicts a figure from a Gascon folktale, a giant called Drac who is endowed with supernatural powers. Since the escape of his 1 of 5 beloved, whom he had held captive, the giant perpetually scours a lake in search of her. Here, the cliffs and cloud visible in the background are almost dwarfed by the giant, who walks across the surface of the lake. He wears a Phrygian cap, which is associated with antiquity but may also symbolize the pursuit of liberty in revolution-era France. The motif of the giant also makes reference to evolutionary theories that associated the origins of the indigenous French race with the Cro-Magnon man, who was believed to be taller than contemporary man because of the larger size of his skull. Identification and Creation Object Number 1929.54 People Odilon Redon, French (Bordeaux France 1840 - 1916 Paris France) Title Allegorical Figure (The Giant) Classification Drawings Work Type drawing Date 19th-20th century Culture 2 of 5 French Physical Descriptions Medium Graphite on cream wove paper, darkened Dimensions 24.4 x 28 cm (9 5/8 x 11 in.) Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Philip Hofer Accession Year 1929 Object Number 1929.54 Division European and American Art Contact [email protected] Publication History Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, MA, 1940), no. 719, fig. 385 Sven Sandström, Le Monde Imaginaire d'Odilon Redon (London, England, 1955), pp. 37-38, repr. p. 37, fig. 27 Visionaries and Dreamers, exh. cat., Corcoran Gallery 3 of 5 of Art (Washington, D.C, 1956), p. 10, no. 62 Klaus Berger, Odilon Redon: Fantasy and Colour, McGraw-Hill Book Company (New York, Toronto, London, 1965), p. 235, no. 729 Sarah Whitfield, The Academic Tradition: An Exhibition of Nineteenth-century French Drawings, exh. cat., Indiana University Art Museum (Bloomington, IN, 1968), no. 84, repr. Odilon Redon et les Problèmes de L'imagination dans la Peinture (I), Bijutsushi (March 1972), vol. 21, no. 4, pp. 119-142 + 162-63 Eric M. Zafran, Master Drawings from Titian to Picasso: The Curtis O. Baer Collection, exh. cat., High Museum of Art (Atlanta, GA, 1985), p. 146, cat. no. 85, repr. Alec Wildenstein, Odilon Redon: Catalogue raisonné de l'oeuvre peint et dessiné, Wildenstein Institute (Paris, 1992-1998), vol. 1, p. 231, no . 587, repr. Stephen F. Eisenman, The Temptation of Saint Redon: Biography, Ideology, and Study in the Noirs of Odilon Redon, University of Chicago Press (Chicago, 1992), pp. 118 + 130 + 132, repr. p. 132 Barbara Larson, "Odilon Redon: Science and Fantasy in the Noirs" (1996), pp. 43 - 44 + 372, repr. p. 372 Barbara Larson, The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon, Pennsylvania State University Press (University Park, PA, 2005), p. 62, fig. 52 Exhibition History The Academic Tradition: An Exhibition of NineteenthCentury French Drawings arranged by the Indiana University Art Museum , Indiana University Art Museum, Bloomington, 06/19/1968 - 08/11/1968 Flowers of Evil: Symbolist Drawings, 1870–1910, 4 of 5 Harvard Art Museums, Cambridge, 05/21/2016 08/14/2016 This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at [email protected] Generated on February 16, 2017 at 08:30am 5 of 5