revoir picasso - Musée Picasso

Pablo Picasso, L’Artiste devant sa toile, 22 mars 1938, MP172, © Succession Picasso, 2015 © RMN-Grand Palais / Gérard Blot
International symposium from March 25th to 28th 2015
revoir picasso
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REVOIR PICASSO Since its reopening on October 25 2014, the Musée
national Picasso-Paris has welcomed more than 300.000
visitors. Following on from this public success, the
international symposium « Revoir Picasso » represents
an important milestone in the life of the institution, thanks
to the contribution of more than sixty speakers.
The purpose will be to foster fresh perspectives on the
Picassian production in all its diversity, dealing with
themes such as the creative processes, the circulations
of artworks, the understanding of Picasso’s work or his
relationship with writing and writers.
The whole team of the museum wishes you an
excellent symposium, filled with meetings and Picassian
discoveries!
WEDNESDAY First day: Creative processes
25th MARCH
Auditorium of the Musée d’art et d’histoire du Judaïsme
9am - 5.30pm
8.15am: Welcoming
9.00am: Opening
Laurent Le Bon, President of the Musée national Picasso-Paris
Paul Salmona, Director of the Musée d’art et d’histoire du Judaïsme
9.15am: Opening conference
John Richardson, art historian and Pablo Picasso’s biographer, New light on Picasso?
10.00am - 12.30pm: About cubism
Moderation by Emilia Philippot, curator, in charge of paintings (1895-1921) and graphic arts,
Musée national Picasso-Paris
Focus Trevor Stark, PhD, Harvard University, Leonard A. Lauder Fellow, The Metropolitan
Museum of Art, New York, The Hope of an Anonymous Art: Picasso, Mallarmé, Papier Collé
Focus Hiromi Matsui, art historian, Université Paris-Ouest-La Défense, De l’apprentissage
du dessin à la naissance d’une nouvelle représentation du corps humain : la connaissance de
l’anatomie artistique et les œuvres proto-cubistes de Pablo Picasso Focus Lewis Kachur, art history professor, Kean University, Picasso’s The Letter (1912) and the
Origins of Collage
10.45 - 11.15am: Break
Focus John Finlay, art historian, ‘Notre Avenir est dans l’Air’: Picasso and the Invention of Cubist
Construction, 1912-14
Focus Elizabeth Cowling, honorary fellow, history of art, Edinburgh College of Art, From Figure
to Still Life: Table, guitare et bouteille, 1918-19
Focus Grégory Carteaux, PhD in semiotic, Université Paris 8, Picasso et la fabrique de la bouteille
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Dialogue Christian Hidaka, artist, Cubism and non-Linearity, with Nathalie Leleu, project manager
in charge of heritage and collections, Musée national Picasso-Paris
12.30 - 2.00pm: Lunch
2.00 - 5.30pm: About the object
Moderation by Virginie Perdrisot, curator, in charge of sculptures, paintings (1922-1937), the
private collection, Musée national Picasso-Paris
2.00 - 3.00pm: Round table / Graphic arts
Introduction by Emilia Philippot, curator, in charge of paintings (1895-1921) and graphic arts,
Musée national Picasso-Paris
Hugo Daniel, PhD, Université Paris 1 Panthéon-Sorbonne, Picasso, dessin faisant
Rachel Mustalish, conservator, The Sherman Fairchild Center for Conservation of Works
on Paper and Photographs, The Metropolitan Museum of Art, New-York, Picasso Drawings:
Material Creativity
Emmanuelle Hincelin, conservator of paper artworks, graduated from Inp, and Marie-Christine
Enshaian, artist conservator, Picasso/Papier : papiers journaux imprimés et vierge
3.00 - 4.00pm: Round table / Paintings
Introduction by Emilia Philippot, curator, in charge of paintings (1895-1921) and graphic arts,
Musée national Picasso-Paris
Reyes Jimenez, senior conservator, Museu Picasso de Barcelona, Les peintures sous-jacentes,
about Casagemas’s portrait (1899-1900)
Ann Hoenigswald, senior conservator of paintings, National Gallery of Art, Washington,
Picasso’s Hidden Paintings: Metamorphosis in a Broader Context
Claire Guérin, conservator of paintings for the Fundación Almine y Bernard Ruiz-Picasso para
el Arte, and Charlotte Piot, preventive conservator specialist and in curator conservator, Palais
Galliera, Picasso et l’alchimie des matériaux Jean-Louis Andral, chief curator and director of the Musée Picasso d’Antibes, and Francesca
Casadio, scientist, The Art Institute of Chicago, Retour d’expérience : l’usage du Ripolin dans
les peintures de la collection du Musée Picasso d’Antibes
4.00 - 4.30pm: Break
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4.30 - 5.30pm: Round table / Sculptures, ceramics and tapestry
Introduction by Virginie Perdrisot, curator, in charge of sculptures, paintings (1922-1937), the
private collection, Musée national Picasso-Paris
Lynda Zycherman, conservator of sculptures, The Museum of Modern Art, New York, Like, yet
Unlike: A Technical Study of Picasso’s Verre d’absinthe Cécile Godefroy, art historian, associated researcher for the Fundación Almine y Bernard RuizPicasso para el Arte, Picasso et la tapisserie
Harald Theil, independant art historian, Un nouveau regard sur les céramiques originales
uniques de Pablo Picasso : la relation entre objet et image
Salvador Haro González, professor, Universidad de Málaga, L’œuvre de Picasso comme un
tout organique, le cas de la céramique
6.00 - 9.00pm: Evening
Late-night opening at the Musée d’art et d’histoire du Judaïsme. Free access with your « Revoir
Picasso » personal badge
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THURSDAY
26th MARCH
9.00am-5.00pm
Second day: Circulations
Auditorium of Institut national d’histoire de l’art
8.30am: Welcoming
9.00am: Opening
Philippe Dagen, art history professor, Université Paris 1 Panthéon-Sorbonne, director of the
LabEx Art, Création, Patrimoine
9.30am - 12.30pm: The circulation of artworks
Moderation by Nathalie Leleu, project manager in charge of collections and heritage, Musée
national Picasso-Paris
Focus Yaëlle Biro, associated curator for African arts, The Metropolitan Museum of Art, New
York, « La racine de l’art moderne » : exposer et juxtaposer Picasso et les arts africains au début
du XXe siècle
Dialogue Gérard Conio, professor, Université Nancy 2, La réception de Picasso en Russie,
and Tristan Trémeau, history and artistic theories professor, Ecole supérieure des Beaux-Arts de
Tours, Picasso et les avant-gardes russes
Focus Cécile Debray, curator, in charge of modern Collections, Centre national d’art et de culture
Georges Pompidou, Musée national d’art moderne, Le duo Matisse/Picasso : une création des
Stein
Focus Béatrice Joyeux-Prunel, senior lecturer, École normale supérieure de la rue d’Ulm, Artlas
project director, La construction internationale de l’aura de Picasso, 1910-1914. Une approche
numérique et cartographique
11.00 - 11.30am: Break
11.30am - 12.30pm: Round table / Picasso and his traders
Marianne Le Morvan, founder and director of Archives Berthe Weill, Berthe Weill et Picasso, la
petite galeriste et le grand artiste
Vérane Tasseau, art historian, Leonard A. Lauder Fellow, The Metropolitan Museum of Art,
New York, Picasso et les ventes Kahnweiler
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Isabelle Limousin, curator, Paul Rosenberg, marchand de Picasso aux États-Unis
Christel Hollevoet-Force, associate researcher curator, The Metropolitan Museum of Art, New
York, Les quatre Picasso de Soler et le stratagème de Kahnweiler
12.30 - 2.00pm: Lunch
2.00 - 5.00pm: Picasso as a public and political figure
Moderation by Emilie Bouvard, curator, in charge of paintings (1938-73), research and contemporary
art, Musée national Picasso-Paris, and Laure Collignon, senior curator, in charge of the archives,
books and documentation department, Musée national Picasso-Paris
Focus Philippe Dagen, history of art professor, Université Paris 1 Panthéon-Sorbonne, director
of the LabEx Art, Création, Patrimoine, Picasso, nu
Focus Laurence Madeline, senior curator, Musée d’art et d’histoire de Genève, Picasso passe à
la télé, « une histoire visuelle de Picasso »
2.45 - 3.45pm: Round table / Picasso on the other side of the iron curtain
Introduction and moderation by Jérôme Bazin, senior lecturer, Université Paris-Est Créteil Val de
Marne
Benoît Buquet, senior lecturer, Université François Rabelais, Tours, Picasso prend l’avion
Constanze Fritzsch, ERC-Starting Grant/DFKG Paris, Picasso à Dresde
Piotr Bernatowicz, art historian, director of Galeria Miejska Arsenał, Poznań, Implementing
Communism, Negociating Modernism. Picasso and his Art in the Eastern block
Susan E. Reid, professor of Russian visual culture, University of Sheffield, Picasso and the
Thaw in Soviet Art
Dialogue Lene Berg, artist and filmmaker, and Elena Sorokina, curator, À propos de la video
“Staline by Picasso”
Dialogue Adel Abdessemed, artist, Who is Afraid of the Big Bad Wolf, in dialogue with Emilie
Bouvard, curator, in charge of paintings (1938-73), research and contemporary art, Musée national
Picasso-Paris
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FRIDAY
27th MARCH
9.30am-6.30pm
Third day: Facing the artwork
Auditorium of Grand Palais
9.00am: Welcoming
9.30am - 1.00pm: Contemporary receptions
Moderation by Nathalie Leleu, project manager in charge of collections and heritage, Musée
national Picasso-Paris
Focus Charlie Miller, lecturer in art history and theory, The University of Manchester, Picasso’s
Aura
Focus Ann Hindry, art historian, Picasso dans la presse artistique depuis la fin des années 1970
10.15 - 11.00am: Round table / Guernica, icon and symbol
Jörg Martin Merz, professor, University of Münster, Picasso’s Guernica: Liberation from
Militarism
Emilie Bouvard, curator, in charge of paintings (1938-73), reserach and contemporary art,
Musée national Picasso-Paris, Guernica dans la Guerre du Vietnam: « a piece of news »(Leon
Golub)
Anabelle Ténèze, curator and director of the Musée départemental d’art contemporain de
Rochechouart, Guernica, appropriations, réappropriations. Une image plus forte que l’original ?
11.00 - 11.30am: Break
Dialogue Michael FitzGerald, professor of fine arts, Trinity College, Hartford, Post-Picasso:
Contemporary Reactions, avec Pepe Karmel, art history professor, New York University,
Orientalism in Reverse: Picasso and the Post-Colonial Predicament
Focus Almine Rech, gallery owner, Get rid of Picasso... for doing everything they wished or
wanted to do
Focus Diana Widmaier-Picasso, art historian, Réflexions et perspectives contemporaines sur la
sculpture monumentale de Picasso à partir d’un document d’archives inédit
Focus Audrey Norcia, PhD in art history and associated fellow of HiCSA-CPC, Université Paris 1
Panthéon-Sorbonne, Les monstres en parade : Picasso, Fellini et l’Antiquité revisitée
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1.00 - 3.00pm: Lunch
3.00 - 6.30pm: Facing the artwork, building the look
Moderation by Emilie Bouvard, curator, in charge of paintings (1938-73), reserach and contemporary
art, Musée national Picasso-Paris
Dialogue Joachim Pissarro, bershad professor of art history and director of Hunter College
Galleries, with Bernard Ruiz-Picasso, Histoires d’Olga : filtre de l’Histoire envers Picasso
Focus Maria Stavrinaki, senior lecturer HDR, Université Paris 1 Panthéon-Sorbonne, Les
préhistoires de Picasso
Focus Yve-Alain Bois, professor, Princeton University, Picasso et l’abstraction
Focus Camille Chenais, history of art student, Ecole du Louvre, Picasso, installations, une pour
12 et 12 pour une
4.30 - 5.00pm: Break
5.00 - 6.30pm: Round table / Rewiew the works
Lisa Florman, professor and chair history of art department, Ohio State University, Picasso :
Revoir Cézanne
Carmen Gimenez, curator, Solomon R. Guggenheim Museum, New York, La Femme au Vase,
1933
Jeremy Melius, professor, assistant at the departement of art and art history, Tufts University,
Picasso’s Survival (Woman dressing her hair, 1940)
Didier Ottinger, curator and assistant director, Centre national d’art et de culture Georges
Pompidou, Musée national d’art moderne, Les Mousquetaires revus
Focus Marie Bonnafé, psychiatrist psychoanalyst, graduated in art sociology (EHESS), Picasso,
l’irruption de l’enfance
7.00pm: Evening
« F for Fake » by Orson Welles, commented projection by Nathalie Leleu, project manager in
charge of collections and heritage, Musée national Picasso-Paris and Pierre Moignard, artist
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SATURDAY
28th MARCH
10.00am - 1.30pm
Fourth day: About the writing
Auditorium of Musée national Picasso-Paris
9.30am: Welcoming
10.00am: Opening
Moderation by Laure Collignon, senior curator, in charge of the « archives, books and
documentation » department, Musée national Picasso-Paris
10.00 - 11.30am: Round table / Picasso and the writers
Annie Cohen-Solal, professor, in charge of the research group “Crossing Boundaries”, CASBS,
Stanford University, L’incroyable complexité de la relation entre Pablo Picasso et Gertrude
Stein
Laurence des Cars, director of the Musée de l’Orangerie, Paris, Picasso/Apollinaire
Estelle Pietrzyk, curator and director of the Musée d’art moderne et contemporain de Strasbourg,
Picasso/Tzara
Marie-Françoise Garion-Roche, manuscript department curator, Bibliothèque historique de la
Ville de Paris, Picasso/Cocteau
Dialogue Jacqueline Duhême, painter, with Laure Collignon, senior curator, in charge of the
« archives, books and documentation » department, Musée national Picasso-Paris
11.30am - 12.00pm: Break
Focus Stéphane Guégan, curator, Musée d’Orsay, « Il faut tuer l’art moderne ! » : Malraux lecteur
de Picasso
Focus Claustre Rafart i Planas, curator in charge of graphic arts, Museu Picasso de
Barcelona, La relation entre Pablo Picasso et les éditeurs Gustavo Gili de Barcelone. La
valeur d’une correspondance unilatérale
12.30 - 1.30pm: Round table / About the Cahier de L’Herne, Picasso writer
Introduction by Androula Michael, contemporary art senior lecturer, Université de Picardie, Les
labyrinthes de l’écrit
Albert Bensoussan, professor and writer, D’une langue à l’autre
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Ariane Coulondre, senior curator in charge of the collections, Centre national d’art et de culture
Georges Pompidou, Musée national d’art moderne, Du lisible au visible
Peter Read, professor of modern French literature and visual arts, University of Kent, Le
« langage cuit » de Picasso
Jean Portante, poet and writer
1.30pm: Closing the symposium
Laurent Le Bon, President of the Musée national Picasso-Paris
The international symposium « Revoir Picasso » is organized by the Musée national PicassoParis : Violette Andrès, Fanny Benkara, Emilie Bouvard, Laure Collignon, Nathalie Leleu, Alya
Nazaraly, Virginie Perdrisot, Emilia Philippot, Jeanne Sudour.
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The Musée national Picasso-Paris
is grateful to its patrons and partners
for their generous support
PATRONS
PARTNERS
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Practical informations
Musée d’art et d’histoire du Judaïsme Hôtel de Saint-Aignan
71 rue du Temple
75003 Paris
Access:
Metro: Rambuteau (line 11) or Hôtel de Ville (lines 1 and 11)
RER: Châtelet-Les-Halles
Bus: lines 29, 38, 47, 75
Parking: Pompidou, Beaubourg, Hôtel de Ville, Baudoyer
Institut national d’histoire de l’art 2-5 rue de Vivienne
75002 Paris
Access:
Metro: Palais-Royal-Musée du Louvre (lines 1 and 7), Bourse (line 3) or Pyramides (lines 7 and
14)
Bus: lines 29, 39
Parking: place de la Bourse
Grand Palais 3 avenue du Général Eisenhower
Porte A
75008 Paris
Access:
Metro: Franklin-D.-Roosevelt (lines 1 and 9) or Champs-Elysées-Clémenceau (lines 1 and 13)
RER: Invalides (line C)
Bus: lines 28, 42, 52, 63, 72, 73, 80, 83, 93
Parking : Rond-point des Champs-Elysées, Place de la Concorde, Parc François 1er, Alma
Georges V, Champs-Elysées Lincoln, Matignon
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Musée national Picasso-Paris
Hôtel Salé
5 rue de Thorigny
75003 Paris
Opening hours:
Open from 11.30am to 6.00pm from Tuesday to Friday, and from Saturday to Sunday from 9.30am
to 6.00pm (last access at 5.15pm)
Access:
Metro: Saint Paul (line 1), Saint-Sébastien-Froissart (line 8) or Chemin Vert (line 8)
Bus: lines 20, 29, 65, 75, 69, 96
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Notes
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Buste de femme, 1932, MP298 © Succession Picasso © RMN-Grand Palais / Béatrice Hatala
The Musée national Picasso-Paris
invites you on March 2016
23rd, 24th and 25th for a symposium
about Picasso and the sculpture
Crédits :
© Succession Picasso 2015
© RMN-Grand Palais / Gérard Blot
© RMN-Grand Palais / Béatrice Hatala
© Droits réservés, 2015