Programme d`agrégation 2016-2017 As You Like It

Programme d’agrégation 2016-2017
As You Like It
Bibliographie sélective
proposée par Jean-Jacques Chardin et Gisèle Venet
I. Textes et éditions
In-folio: As You Like It, Mr. William Shakespeares/ Comedies, /Histories, & /Tragedies,
London, Isaac Jaggard and Ed. Blount, 1623.
*OLIVER, H.J. ed., As You Like It, Harmondsworth, Penguin, 1968.
*LATHAM, Agnes, ed., As You Like It, Arden 2 Shakespeare, London, Methuen, 1975.
KNOWLES, Richard, As You Like It, “A New Variorum Edition of Shakespeare”, New York,
The Modern Language Association of America, 1977.
*BRISSENDEN, Alan, ed., As You Like It, The Oxford Shakespeare, Oxford, Clarendon Press,
New York, Oxford University Press, 1993.
**HATTAWAY, Michael, ed., As You Like It, New Cambridge Shakespeare, Cambridge,
Cambridge University Press, 2009.
MARSHALL, Cynthia, As You Like It, Shakespeare in Production, Cambridge, Cambridge
University Press, 2004.
DUSINBERRE, Juliet, ed., As You Like It, Arden 3 Shakespeare, London, 2006.
2. Traductions
HUGO, François-Victor, Comme il vous plaira, Paris, 1881.
MESSIAEN, Pierre, Comme il vous plaira, dans Les comédies de Shakespeare, Paris,
Desclée de Brouwer, 1939.
ANOUILH, Jean, Comme il vous plaira, Paris, La Table Ronde, 1952.
MARKOWICZ, André, Comme il vous plaira, Préface de Margaret Jones-Davies, Paris, Les
Solitaires Intempestifs, 2011.
MAYOUX, Jean-Jacques, Comme il vous plaira, édition bilingue, Paris, Aubier, 1956.
TAVERA, Antoine, Comme il vous plaira, Paris, Club Français du Livre, 1957.
**DEPRATS, Jean-Michel, Comme il vous plaira, préface de Bernard Dort,
Paris, SAND / TNP, 1988.
BOURGY, Victor, Comme il vous plaira, Paris, Robert Laffont, Collection « Bouquins », Les
comédies de Shakespeare, 2000.
BONNEFOY, Yves, Comme il vous plaira, précédé de « La décision de Shakespeare », Paris,
Librairie Générale Française, Le Livre de Poche, coll. Classiques, 2003.
3. Études textuelles
WELLS, Stanley, Re-editing Shakespeare for the Modern Reader, Oxford, Oxford University
Press, 1984.
WELLS, Stanley, TAYLOR, Gary, et al, eds., William Shakespeare: A Textual Companion,
Oxford, Oxford University Press, 1987.
4. Sources
*LODGE, Thomas, Rosalynde (1590), ed. BEECHER, Donald, Ottawa, Dovehouse Editions,
1997.
------------, ed. BULLOUGH, Geoffrey, in Narrative and Dramatic Sources of Shakespeare,
vol. 2, London, Routledge, 1968.
*BERRY, Edward, “Rosalynde and Rosalind”, Shakespeare Quarterly 31 (1980), 42-52.
**CUVELIER, Éliane, Thomas Lodge: témoin de son temps (c. 1558-1625), Paris, Didier
Erudition, 1984.
MINCOFF, Marco, “What Shakespeare Did to Rosalynde”, Shakespeare-Jarhbuch 96 (1960),
78-89.
WHITWORTH, Charles, “Rosalynde: As You Like It and As Lodge Wrote It”, English
Studies 58 (1977), 114-7.
*----------, «Wooing and wedding in Arden, Rosalynde and As You Like It», Etudes Anglaises
50( 1997), 387–99.
*SMITH, Hallett, Shakespeare’s Romances, Huntington Library Press, 1972.
**BATE, Jonathan, Shakespeare and Ovid, Oxford, Clarendon Press; New York, Oxford
University Press, 1993.
*MUIR, Kenneth, The Sources of Shakespeare’s Plays, New Haven, Yale University Press,
1977.
5. Ouvrages sur la pièce ou contenant des études importantes
*BARTON, Anne, “As You Like It and Twelfth Night : Shakespeare’s sense of ending”, in
Essays, Mainly Shakespearean, Cambridge, Cambridge University Press, 1994.
BERRY, Edward I., Shakespeare and the Hunt: A Cultural and Social Study, Cambridge,
Cambridge University Press, 2001.
BLOOM, Harold, ed., «Shakespeare’s As You Like It », Modern Critical Interpretations, New
York, Chelsea House, 1988.
----------, ed., Rosalind, Major Literary Characters, New York, Chelsea House, 1992.
*BRENNAN, Anthony, Onstage and Offstage Worlds in Shakespeare’s Plays, London,
Routledge, 1989.
*BROWN, John Russell, Shakespeare and his Comedies, London, Methuen, 1957.
----------ed., « Much Ado About Nothing and As You Like It », Casebook Series, London,
Macmillan, 1979.
CARROLL, William C., The Metamorphoses of Shakespearean Comedy, Princeton, Princeton
University Library, 1985.
CHARDIN, Jean-Jacques, As You Like It ou le palimpseste du sens, Paris, Messene, 1997.
*DEBAX, Jean-Paul & PEYRÉ, Yves, As You Like It: Essais Critiques, Toulouse, Presses
Universitaires du Mirail, 1998.
*DUSINBERRE, Shakespeare and the Nature of Women, London, Macmillan, 1975.
*ELAM, Keir, Language Games in the Comedies, Cambridge, Cambridge University Press,
1984.
*EVANS, Bertrand, Shakespeare’s Comedies, Oxford, Clarendon Press, 1960.
EVANS, Malcolm, Signifying Nothing: Truth’s True Contents in Shakespeare’s Texts, Athens,
Georgia University Press, 1989.
*GIBBONS, Brian, Shakespeare and Multiplicity, Cambridge, Cambridge University Press,
1993.
*GIRARD, René, A Theater of Envy, Oxford, Oxford University Press, 1993.
HALIO, Jay L., ed., Twentieth Century Interpretations of As You Like it: A Collection of
Critical Essays, Englewood Cliffs, Prentice Hall, 1968.
**HUNT, Maurice, Shakespeare’s As You Like It. Late Elizabethan Culture and Literary
Representation, New York, Palgrave Macmillan, 2008.
*LEGGATT, Alexander, Shakespeare’s Comedy of Love, London, Methuen, 1974.
JAMIESON, Michael, As You Like It, Studies in English Literature 25, Arnold, 1965.
MACDONALD, Ronald, R., “As You Like It: Textualized Nature and the Nature of the Text”,
in MACDONALD, Ronald, R., William Shakespeare: The Comedies, Twayne
Publishers, 1980, 86-104.
*MAHOOD, M.M., Bit Parts in Shakespeare’s Plays, Cambridge, Cambridge University
Press.
*MOUSLEY, Andy, Re-Humanising Shakespeare, Edinburgh, Edinburgh University Press,
2007.
*ORNSTEIN, Robert, Shakespeare’s Comedies: from Roman Farce to Romantic Mystery,
Associated University Presses, 1986.
REYNOLDS, Peter, As You Like It, Penguin Critical Studies, Harmondsworth, Penguin, 1988.
ROBERTS, Jeanne Addison, The Shakespearean Wild: Geography, Genus, Gender, Lincoln,
Nebraska University Press, 1991.
SMIDT, Kristian, Unconformities in Shakespeare’s Later Comedies, London, Macmillan,
1993.
SUHAMY, Henri, Première leçon sur As You Like It, Paris, Ellipses, 1997.
SUHAMY, Henri, ed., As You Like It, ouvrage collectif, Paris, Ellipses, 1997.
TOMARKEN, Edward, ed., “As You Like It” from 1660 to the Present : Critical Essays,
London, Routledge, 1997.
TURNER, Frederick, Shakespeare and the Nature of Time, Toronto, Toronto University
Press, 1978.
WESTLUND, Joseph, Shakespeare’s Reparative Comedies, Chicago, Chicago University
Press, 1984.
WILSON, John Dover, Shakespeare’s Happy Comedies, London, Faber, 1962.
6.Comédie, pastorale, romance
**ALPERS, Paul, "Mode and Genre", in What Is Pastoral? Chicago, University of Chicago
Press, 1996, 44-78.
*BARBER, C. L., Shakespeare's Festive Comedy, A Study of Dramatic Form and Its Relation
to Social Custom, Princeton, Princeton University Press, 1959, 1966.
COOPER, Helen, Pastoral: Medieval into Renaissance, D.S. Brewer, 1977.
DRAPER, R. P., “Shakespeare's Pastoral Comedy”, Études Anglaises 11 (1958), 1-17.
*ELAM, Keir, “As They Did in the Golden World: Romantic Rapture and Semantic Rupture
in As You Like It”, in Reading the Renaissance: Culture, Poetics and Drama, ed.
HART, Jonathan, New York, Garland Publishing, 1996, 163-176.
EMPSON, William, Some Versions of Pastoral, London, Chatto and Windus, 1935.
GREG, W. W., Pastoral Poetry and Pastoral Drama, Oxford, 1905.
**LAROQUE, François, Shakespeare et la fête, Paris, Presses Universitaires de France, 1988.
*LOUGHREY, ed., The Pastoral Mode, Casebook Series, Macmillan, 1984.
McFARLAND, Thomas, Shakespeare’s Pastoral Comedy, Chapel Hill, University of North
Carolina Press, 1972.
*PETTET, E.C., Shakespeare and the Romance Tradition, London, Methuen, 1970.
*PHIALAS, Peter, Shakespeare’s Romantic Comedies, Chapel Hill, University of North
Carolina Press, 1966.
*SALINGAR, Leo, Shakespeare and the Traditions of Comedy, Cambridge, Cambridge
University Press, 1974.
YOUNG, David, The Heart's Forest, A Study of Shakespeare's Pastoral Plays, New Haven,
Yale University Press, 1972.
7. Mélancolie, satire, le fou
BABB, Lawrence. The Elizabethan Malady, A Study of Melancholia in English Literature
from 1580 to 1642, East Lansing, MI, Michigan State College Press, 1951.
BENNETT, R.B., “The Reform of a Malcontent: Jaques and the Meaning of As You Like It”,
Shakespeare Studies 9 (1976), 183-204.
*DILLON, Janette, Shakespeare and the Solitary Man, London, Macmillan, 1981.
*EVANS, G.L., “Shakespeare’s Fools: The Shadow and the Substance of Drama”,
Shakespearean Comedy, Stratford-upon-Avon Studies 14, eds. BRADBURY, M. &
PALMER, D, Arnold, 1972, 142-59.
CAMPBELL, Oscar J., Shakespeare's Satire, Oxford & New York, Oxford University Press,
1943.
GIAVARINI, Laurence, “Représentation pastorale et guérison mélancolique au tournant de la
Renaissance : questions de poétique”, Études Epistémè 3 (avril 2003), 1-27.
OWENS, Anne, “As You Like It or, ‘The Anatomy of Melancholy’” QWERTY 7 (1997), 1526.
*PALMER, John, Political and Comic Characters of Shakespeare, London, Macmillan, 1962.
8. Études sur les questions de sexualité et sur le genre
BARKAN, Leonard, Transuming Passion. Ganymede and the Erotics of Humanism, Palo,
Alto, Stanford University Press, 1991.
BULMAN, James C., “Bringing Cheek by Jowl's As You Like It Out of the Closet: The
Politics of Gay Theater,” Shakespeare Bulletin 22 (Fall 2004), 31-46.
DI GANGI, Mario, The Homoerotics of Early Modern Drama, Cambridge, Cambridge
University Press, 1997.
EMCK, Katy, “Female Transvestism and Male Self-Fashioning in As You Like It and La vida
es sueño”, in Reading the Renaissance: Culture, Poetics and Drama, ed. HART
Jonathan, New York: Garland Publishing, 1996, 75-88.
KOTT, Jan, The Gender of Rosalind, Evanstons, Ill., Northwestern University Press, 1992.
*NOVY, Marianne L., Love’s Argument: Gender Relations in Shakespeare, Chapel Hill,
University of North Carolina Press, 1984.
ORGEL, Stephen, Impersonations, The Performance of Gender in Shakespeare's England,
Cambridge, Cambridge University Press, 1996.
PARKER, Patricia, “On the tongue: cross gendering, effeminacy and the art of words”, Style,
23 (1989), 445-465.
PEYRÉ, Yves, “‘Femmina masculo e masculo femmina’: Shakespeare’s Reworking of the
Myth of Ganymede”, in Agnès Lafont, ed., Shakespeare’s Erotic Mythology and
Ovidian Renaissance Culture, Aldershot, Ashgate, 2013.
SHAPIRO, Michael, Gender in Play on the Shakespearean Stage, Ann Arbor, University of
Michigan Press, 1996.
STALLYBRASS, Peter, “Transvestism and ‘the body beneath’: speculating on the boy actor”,
in ZIMMERMAN Susan, ed., Erotic Politics: Desire and the Renaissance Stage,
London, Routledge, 1992, 64-83.
*TRAUB, Valerie, Desire and Anxiety : Circulations of Sexuality in Shakespearean Drama,
London, Routledge, 1992.
9. Articles, essais
BAKER, Susan, “Shakespeare and Ritual : The Example of As You Like It”, The Upstart
Crow, 9 (1989), 9-23.
BARNABY, Andrew, “The Political Conscious of Shakespeare’s As You Like It”, Studies in
English Literature 1500-1900, 6, 2 (1996), 373-395.
BARTON, Anne, “Parks and Ardens”, in Essays, Mainly Shakespearean, Cambridge,
Cambridge University Press, 1994.
*BATH, Michael, “Weeping Stags and Melancholy Lovers: The Iconography of As You Like
It, II, i”, Emblematica I, (1986),13-52.
BECKMAN, Margaret B., “The Figure of Rosalind in As You Like It”, Shakespeare Quarterly
29 (1978), 44-51.
BONO, Barbara J., “Mixed Gender, Mixed Genre in Shakespeare’s As you Like It”, in
LEWALSKI, Barbara, ed., Renaissance Genres: Essays on Theory, History, and
Interpretation, Cambridge, Harvard University Press, 1986, 189-212.
*BRISSENDEN, Alan, “The Dance in As You Like It and Twelfth Night”, Cahiers
Élisabéthains XIII (1978), 25-34.
CALVO, Clara, “In Defence of Celia: Discourse Analysis and Women's Discourse in As You
Like It”, Essays and Studies 47 (1994), 91-115.
*CRUNELLE-VANRIGH, Anny, “‘What a case am I in then’, Himen and Limen in As You
Like It”, QWERTY 7 (1997), 5-14.
----------, “At-one together”: les liens du dang …comme il vous plaira, Lecture d’une Oeuvre,
Paris, ed. Du Temps, 1997, 51-67.
DALEY, A. Stuart, “The Dispraise of the Country in As You Like It”, Shakespeare Quarterly
36 (Autumn 1985), 300-14.
*----------“To Moralize a Spectacle : As You Like It , Act 2, Scene 1”, Philological Quarterly,
65 (1986), 147-70.
*----------“The Tyrant Duke in As You Like It : Envious Malice Confronts Honour, Pity,
Friendship”, Cahiers Élisabéthains 34 (octobre 1988), 39-51.
----------, “Shakespeare’s Corin: Almsgiver and Faithful Feeder”, English Language Notes 27
(1990), 4-21.
DI GANGI, Mario, “Queering the Shakespearean Family”, Shakesepare Quarterly 47 (1996),
269-90.
DOEBLER, John, “Orlando, Athlete of Virtue”, Shakespeare Survey 26 (1973), 111-17.
DUSINBERRE, Juliet, “As Who Liked It ?”, Shakespeare Survey 46 (1993), 9-21.
----------, “Pancakes and a Date for As You Like It”, Shakespeare Quarterly 54, 4 (2003), 371405.
FENDT, Gene, “Resolution, Catharsis, Culture: As You Like It”, Philosophy and Literature 19
(1995), 248-60.
FRAIL, David, “To the Point of Folly: Touchstone's Function in As You Like It”, The
Massachusetts Review, Vol. XXII, 4 (Winter 1981), 695-717.
*GARDNER, Helen, “As You Like It”, in More Talking of Shakespeare, ed. GARRETT John,
Longmans, 1959.
GARBER, Marjorie, “The Education of Orlando”, in eds. BRAUNMULLER, A.R. et
BULMAN, J.C., Comedy from Shakespeare to Sheridan: Essays in Honor of Eugene
M. Waith, Associated University Presses, 1986, 102-12.
*GOY-BLANQUET, Dominique, “Mariage à l’italienne”, in eds. MARIENSTRAS, Richard
et GOY-BLANQUET, Dominique, Autour d’Othello, Amiens, Sterne, 1988, 14-27.
*GRASS, Henk, “Enchanting Metadrama: Shakespeare and the Use of the Boy Actor in As
You Like It, in HOENSELAARS, A.J. ed., Reclamations of Shakespeare, Amsterdam,
Rodopi, 1994, 33-55.
HALIO, Jay L., “No clock in the forest: Time in As You Like It”, Studies in English Literature
1500-1900, 2 (1962), 197-207.
JENKINS, Harold, “As You Like It,” Shakespeare Survey 8 (1955), 40-51.
KER, W. P., “Cervantes, Shakespeare, and the Pastoral Idea,” Form and Style in Poetry,
Lectures and Notes, ed. CHAMBERS, R. W., London, Macmillan, 1928.
KUHN, Maura, S., “Much Virtue in If, Shakespeare Quarterly 28 (1977), 40-50.
*JONES-DAVIES, Marie-Thérèse, “Le monde du ‘si’: idéologies incertaines dans Comme il
vous plaira”, Théâtre et ideologies: Marlowe, Shakespeare, Paris, Touzot, 1982, 5167.
KERRIGAN, William, “Female Friends and Fraternal Enemies in As You Like It,” in eds.
FINUCCI, Valeria & SCHWARTZ, Regina, Desire in the Renaissance, Princeton,
Princeton University Press, 1994.
KNOWLES, Richard C., “Myth and Type in As You Like It”, English Literary History 33
(1966), 1-22.
KRONENFELD, Judy Z., “Social Rank and the Pastoral Ideals of As You Like It”,
Shakespeare Quarterly 29 (1978), 333-48.
*LAROQUE, François, “No assembly but horn-beasts. A Structural Study of Arden’s Animal
Farm”, Cahiers Élisabéthains 11 (avril 1977), 55-62.
*----------, “Ovidian Transformations and Folk Festivities in A Midsummer Night’s Dream,
The Merry Wives of Windsor and As You Like It”, Cahiers Élisabéthains 25 (avril
1984), 23-36.
*LASCELLES, Mary, “Shakespeare’s Pastoral Comedy”, in More Talking of Shakespeare, ed.
GARRETT, John, Longmans, 1959, 70-86.
MARSHALL, Cynthia, “Wrestling as Play and Game in As You Like It”, Studies in English
Literature 1500-1900, 33 (1993), 356-87.
McCABE, Richard A., “Elizabethan Satire and the Bishops' Ban of 1599,” Yearbook of
English Studies 11 (1981), 188-94.
MONTROSE, Louis Adrian, “‘Elisa, Queen of Shepheardes’, and the Pastoral of Power”,
English Literary Review 10 (1980), 153-182.
----------, “The Place of a Brother in As You Like It : Social Process and Comic Form”,
Shakespeare Quarterly 32 (1981), 28-54.
MORRIS, Harry, “As You Like It: Et in Arcadia Ego”, Shakespeare Quarterly, 26 (1975),
269-75.
*NUTTAL, A.D., “Two Unassimilable Men,” Shakespearean Comedy, Stratford-upon Avon
Studies 14, Arnold, 1972, 210-40.
PALMER, D.J., “Art and Nature in As You Like It”, Philological Quarterly 49 (1970), 30-40.
----------, “As You Like It and the Idea of Play”, Critical Quarterly 13 (1971), 234-45.
PRIEST, Dale G., “Oratio and negotium: Manipulative Modes in As You Like It”, Studies in
English Literature 1500-1900, 28 (1988), 273-86.
*SCOUFOS, Alice-Lyle, “The Paradiso Terrestre and the Testing of Love in As You Like It”,
Shakespeare Studies 14 (1981), 215-27.
SHAW, John, “Fortune and nature in As You Like It”, Shakespeare Quarterly 6 (1955), 4550.
TAYLOR, Gary, “Touchstone’s Butterwomen”, Review of English Studies, n.s., 32 (1981),
187-193.
TAYLOR, Michael, “As You Like It: The Penalty of Adam”, Critical Quarterly 15 (1973), 7680.
WATSON, Robert N., “As You Liken It, Simile in the Wilderness," Shakespeare Survey 56
(2003), 79-92.
WHALL, Helen M., “As You Like It: The Play of Analogy”, Huntington Library Quarterly 47
(1984), 33-46.
WILLIS, Paul G., “Tongues and Trees, the Book of Nature in As You Like It”, Modern
Language Studies 18, iii, (Summer 1988), 65-74.
WILSON, J. Dover, “Marlowe and As You Like It,” TLS (6 January 1927), 12.
WILSON, Rawdon, “The Way to Arden, Attitudes Towards Time in As You Like It”,
Shakespeare Quarterly 26 (1975), 16-24.
*WILSON, Richard, “‘Like the Old Robin Hood’: As You Like It and the Enclosure Riots”,
Shakespeare Quarterly, 43 (1992), 1-19.
WOLK, Antony, “The Extra Jaques in As You Like It”, Shakespeare Quarterly 23 (1972),
101-5.
10. As You Like It et la mise en scène
**ASTON, Elaine & SAVONA, George, Theatre as Sign-System: A Semiotics of Text and
Performance, London, Routledge, 1991.
*DAWSON, Anthony B., Watching Shakespeare: A Playgoer’s Guide, London, Macmillan,
1988.
*RICKMAN, Alan, “Jaques in As You Like It”, in eds. JACKSON, Russel & SMALLWOOD,
Robert, Players of Shakespeare 2, Cambridge, Cambridge University Press, 1988, 7380.
*SHAW, Fiona & STEVENSON, Juliet, “Celia and Rosalind in As You Like It”, in eds.,
JACKSON, Russel & SMALLWOOD, Robert, Players of Shakespeare 2, Cambridge,
Cambridge University Press, 1988, 55-71.