program - niponfilm

VIII MAGIS – International Film Studies Spring School
Cinema and Contemporary Visual Arts/5
Audiovisual Geographies Cinema and Visual Across Performance, Installation, Architecture and
Public Spaces
Cinema/Comics/Animation
Filming the Game/Playing the Film
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
The Film Heritage: The Birth of an Heritage
March 19-24, 2010
Gorizia
DAMS Cinema, Palazzo del Cinema, piazza Vittoria 41
Fondazione Cassa di Risparmio di Gorizia, via Carducci 2
Friday, March 19, 9.30-13.00
Greetings
Leonardo Quaresima, Presidente del Corso di Laurea DAMS, Università di Udine
Introduction
Lucy Bullivant (Architectural Curator and Critic)
Softspace: the Emergence of Interactive Architecture
Discussion
Break
The Film Heritage: The Birth of an Heritage
Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek, Berlin),
Jan Distelmeyer (Universität Potsdam)
Film Heritage I. An Introduction
Vinzenz Hediger (Ruhr-Universität Bochum)
An Offer we could not refuse: Film Heritage and the Concept of Inheritance
Paolo Caneppele (Österreichisches Filmmuseum)
Archival Policies in the Early Film Archives: 1895-1920. Notes about an Unborn Canon.
Friday, March 19, 15.00-18.00
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Enrico Biasin, Federico Zecca (Università di Udine)
Introduction
Mario Perniola (Università di Roma Tor Vergata), Sarah Maclaren
The Political Meaning of the Pornografic Turn
Discussion
Cinema and Contemporary Visual Arts
Alison Butler (University of Reading)
Gallery Film and Site-Specificity
Discussion
Break
Cinema/Comics/Animation
Philippe Marion (Université Catholique de Louvain)
Introduction
Jan Baetens (Université Catholique de Louvain)
Stephane Tralongo
Cultiver le secret ou encourager la divulgation? Les discours de vulgarisation des trucs du
cinématographe dans la presse parisienne
Discussion
Saturday, March 20, 9.30-13.00
Cinema and Contemporary Visual Arts
Philippe Dubois (Université Paris III Sorbonne Nouvelle)
Cinema/Comics/Animation
Dick Tomasovic (Université de Liège)
Discussion
Break
The Film Heritage: The Birth of an Heritage
Rainer Rother (Deutsche Kinemathek, Berlin)
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Peter Lehman (Arizona State University)
How Do You Simulate a Caress? The Difference between Hard-core and Soft-core Porn, and Why
It Matters
Discussion
Saturday, March 20, 15.00-18.00
Workshops
Cinema and Contemporary Visual Arts
Il cinema ricostituito. I discorsi sul film nell’era della postmedialità
Coordinated by Francesco Casetti
Francesco Casetti (Università Cattolica del Sacro Cuore, Milano)
Introduction
Cristina Tosatto (Università Cattolica del Sacro Cuore, Milano)
Percorsi immediati. Spazio e tempo nella Bourne Trilogy
Marzia Morteo (Università Cattolica del Sacro Cuore, Milano)
Augmented reality e iPhone applications: narrazione, mobile devices e spazio urbano
Elisabetta Locatelli, Sara Sampietro (Università Cattolica del Sacro Cuore, Milano)
Testi filmici diffusi. Processi di discorsivizzazione del testo filmico on-line
Mauro Buzzi (Università Cattolica del Sacro Cuore, Milano)
Datamatics [ver.2.0]. Ryoji Ikeda e l’immersione visiva e sonora dello spettatore nella realtà
astratta del codice
Miriam De Rosa (Università Cattolica del Sacro Cuore, Milano)
David Rockwell’s Hall of Fragments. Looking for Film’s Genius as a Medium Through Audiovisual
Geographies
Filming the Game/Playing the Film
Bernard Perron (Université de Montréal), Dominque Arsenault
La Question du genre dans le jeu vidéo: entre typologie et performance
Espen Aarseth
Riccardo Fassone (Università di Torino)
There’s an Alien in My PS3!
The Film Heritage: The Birth of an Heritage
Coordinated by Hans-Michael Bock, Jürgen Keiper, Jan Distelmeyer
Jan Distelmeyer (Universität Potsdam)
The Order of Selection: Avaibility and Digital Media/Part 1
Discussant: Robert Fischer (Criterion), Rainer Rother (Deutsche Kinemathek, Berlin)
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Enrico Menduni (Università di Roma Tre)
Second Life: A Posthuman Visual Sexuality
Marcello Monaldi (Università di Trieste)
Spectatorial Pleasures in the Web Porno
John Mercer (Birmingham City University)
Gay for Pay: The Internet and the Economics of Homosexual Desire
Sanna Härmä (University of Turku)
Sunday, March 21, 9.30-13.00
Cinema/Comics/Animation
Animism, Virtualism, Digitalism
Coordinated by Wanda Strauven
Edwin Carels (Ghent University)
Ken Jacobs: Reanimating Tom Tom
Alla Gadassik (Northwestern University Chicago)
The Live-Action Animator: Pierre Hebért’s Animation in the Digital Circuit
Joana Pimenta (Universidade Nova de Lisboa)
A Cinematic Path Through the Virtual World. Exploring the Ouvroir, Chris Marker’s Museum on
Second Life
Wanda Strauven (Universiteit van Amsterdam)
On the Graphic Mode of Cinema: From Marey to MoCap
Discussion
Break
Artist/Curator talk
Cinema and Contemporary Visual Arts
Barbara Le Maître (Université Paris III Sorbonne Nouvelle)
Pierre Perrault ou l’écomusée filmique
Discussion
Sunday, March 21, 15.00-18.00
Workshops
Cinema and Contemporary Visual Arts
MASTER IPPCVA (Ideation, Presentation, Preservation of Contemporary Visual Arts) Presentation
Alessandro Bordina (Università di Udine)
Introduction
Senta Siewert (Ruhr-Universität Bochum)
The Restoration and Reproduction of Media Art Installations in the Rhein/Ruhr Area
Rossella Catanese (Università La Sapienza, Roma)
The Recreated Space. Digital Restoration and Video Medium
Filming the Game/Playing the Film
Cinema/Comics/Animation
Michael Liebe (DIGAREC-Digital Games Research Center of the University of Potsdam)
Andrea Fornasiero (Università Cattolica del Sacro Cuore, Milano)
Open Games, Closed Intellectual Properties. Forms of Censorship (and Lack of) in Neverwinter
Nights and in Its Community
Dennis Mathei (Ruhr-Universität Bochum)
Couleur locale in Game Soundtracks
Pierre Chemartin (Université de Montréal), Philippe Marion (Université Catholique de Louvain)
La Poétique du gag dans les arts graphiques II : l’humor au fondement des séries culturelles
The Film Heritage: The Birth of an Heritage
Coordinated by Hans-Michael Bock, Jürgen Keiper, Jan Distelmeyer
Marcello Seregni (Università di Udine), Giulia Barini (Università di Udine)
Building Materials: Film Formats and the Building of the Film Heritage
Jan Distelmeyer (Universität Potsdam)
The Order of Selection: Availability and Digital Media/Part 2
Discussant: Robert Fischer (Criterion), Rainer Rother (Deutsche Kinemathek, Berlin)
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Brian McNair (University of Strathclyde Glasgow)
Pornography in the Multiplex
Sara Martin (Università di Udine)
Barbara Laborde (Université Paris III Sorbonne Nouvelle)
Desire of Fiction and Sexual Desire: the Reception of Michael Winterbottom’s Film 9 Songs
Monday, March 22, 9.30-13.00
Cinema/Comics/Animation
Ann Miller
Artist/Curator Talk
Discussion
Break
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Feona Atwood (Sheffield Hallam University)
Sex, Technology and the Real
Discussion
Monday, March 22, 15.00-18.00
Workshops
Cinema and Contemporary Visual Arts
Stefano Jacoviello (Università di Siena)
In memory of me. Time, space and witness in Peter Greenaway’s “Leonardo’s Last Supper”
Raquel Schefer (Université Paris III Sorbonne Nouvelle)
Space, Time and Archive in Eija-Liisa Ahtila’s Installation Where is Where? (2008)
Jorge Flores Velasco (Université Paris III Sorbonne Nouvelle)
Sound in Tridimensional Spaces. Op-era (2001-2005), by Daniela Kutschat and Rejane Cantoni
Cinema/Comics/Animation
Bernard Perron (Université de Montréal)
Les Traits et tracés des zombies bédéique
Pierre Chemartin (Université de Montréal), Julie Delporte
Quand la bande dessinée fait peau neuve : l’avènement de la critique bédéphilique à l’heure du
grand renouveau de la bande dessinée franco-belge
Sandro Faes
Le Retour du BD-reportage dans la presse périodique
The Film Heritage: The Birth of an Heritage
Coordinated by Hans-Michael Bock, Jürgen Keiper, Jan Distelmeyer
Silvia Casagrande (Università di Udine/Université Paris III Sorbonne Nouvelle), Paolo Caneppele
(Österreichisches Filmmuseum)
Le Regard perdu. Images et imaginaire d’un voyeur
Jürgen Keiper (Deutsche Kinemathek, Berlin), Elaine Burrows
Building the Heritage/Building the Future: Film Archives Histories and Policies/1
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Peppino Ortoleva (Università di Torino)
Laurent Jullier (Université Nancy II/Paris III Sorbonne Nouvelle)
Prohibited but not Censored: The Politics of Ratings in the Régie du Cinéma (Québec)
Evangelos Tziallas (Concordia University Montreal)
XTube and “Tagging”: Surveillance, Amateur Sex and the Archive
Alberto Brodesco (Università di Udine)
Naked Moments. Telephone Interactions Between Soft-core Stars and Television Spectators
Tuesday, March 23, 9.30-13.00
The Film Heritage: The Birth of an Heritage
Vincente Sánchez-Biosca (Universidad de Valencia)
Images d’archive et canon de la mémoire. Usages actuels de la guerre d’Espagne
Artist/Curator Talk
Discussion
Break
Contemporary and Visual Arts
David Lieberman (University of Toronto)
The SPACE between NOTES
Discussion
Tuesday, March 23, 15.00-18.00
Workshops
Cinema and Contemporary Visual Arts
Marcos Pablo Centeno Martín (Universidad de Valencia)
Views Of Modern And Postmodern Tokyo: Dehumanization, Urban, Social And Body Changes
Martina Caruso (Milano Film Festival)
Movi(e)ng Cities
Claudio Musso
Techno-Graffiti. From the Permanence of Spray to the Evanescence of Light
Cinema/Comics/Animation
Federico Pagello (Università di Bologna)
Policing the City: Watchmen and the Urban Imagery of Superhero Comics
Caroline Renouard (Université Paris Est-Marne La Vallée)
Incrustation et hybridation, quand le cinéma numérique adapte picturalement la bande dessinée
Melanie Letschnig (Universität Wien)
Welcome to the Dollhouse: On the Attempt to Read Jerry Lewis’ The Ladies Man as Comic
The Film Heritage: The Birth of an Heritage
Coordinated by Hans-Michael Bock, Jürgen Keiper, Jan Distelmeyer
Jürgen Keiper (Deutsche Kinemathek, Berlin), Elaine Burrows
Building the Heritage/Building the Future: Film Archives Histories and Policies/2
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Giacomo Manzoli (Università di Bologna)
Rocco & Elio, Italian Pop Icons in a Disconcerting Buddy Movie
Stephen Maddison (University of East London)
Pornographic Mythologies and the Limits of Pleasure: Max Hardcore and Extreme Porn
Manuel Billi (Università di Pisa)
The Affirmative Porn NarrActions. Les Enjeux identitaries et politiques du “corps imposé”, de Taxi
zum Klo à Otto
Nieves Moreno, Laura Montero (Universidad Autónoma de Madrid)
Perverse Imaginary in Japanese Pornographic Anime
Wednesday, March 24, 9.30-13.00
Filming the Game/Playing the Film
Mario Gerosa (Politecnico di Milano)
The Liquid World of Videogames. Acquatic Scenarios as Immaterial Architectures
Artist/Curator Talk
Discussion
Break
The Film Heritage: The Birth of an Heritage
Simona Monizza (Nederlands Filmmuseum), Gert Hoogeveen (Stedelijk Museum)
The Re-installation of the Media Artwork Project I-‘90 by Visual Artist Peter Struycken
Discussion
Wednesday, March 24, 15.00-18.00
Workshops
Cinema and Contemporary Visual Arts
Valentina Re (Università Ca’ Foscari, Venezia)
Alexander Zons (University of Konstanz)
Projecting the Title
Laurence Moinereau (Université de Poitiers)
Espaces hybrides dans les génériques animés contemporains
Cinema/Comics/Animation
Pierre Chemartin (Université de Montréal), Dominique Noujeim
Les Pratiques de l’animation et les institutions cinématographiques. Histoire croisée du film
d’animation et du dessin animé
Lucie Merijeau (Université Paris III Sorbonne Nouvelle)
Quelles modifications la 3D relief apporte-t-elle au cinéma d’animation? Le cas de Coraline
d’Henry Selick
Dominik Schrey (Karlsruhe Institute of Technology-KIT-Institute for Literature)
Sampling Film History: Database Aesthetics and the “Animation” of the Archive
The Film Heritage: The Birth of an Heritage
Coordinated by Hans-Michael Bock, Jürgen Keiper, Jan Distelmeyer
Discussion on the current topic
Porn Studies: Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual
Pietro Bianchi (Università di Udine), Matteo Bonazzi, Francesco Cappa, Daniele Tonazzo
(Università di Milano Bicocca)
POP PORN. L’immaginario contemporaneo del porno
Andrea Bellavita (Università di Trento)
Re-formatted porn: la discorsivizzazione dell’immaginario pornografico nei format della new
television
Clarissa Smith (University of Sunderland)
The properties of pornographic performance