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LYNNE MARSH
Born 1969, Canadian
E D U C A T IO N
1998
1992
MFA, Goldsmiths, University of London
BFA, Concordia University, Montreal
SOLO EXHIBITIONS
2014
2013
2012
2011
2009
2008
2007
2006
2005
2002
2000
1998
1995
Anna and the Tower, Scrap Metal, Toronto International Film Festival, Toronto
Plänterwald, Or Gallery, Vancouver
Upturned Starry Sky, Contact Gallery, Toronto
The Philharmonie Project (Nielsen: Symphony No. 5), PROGRAM, Berlin
Stage Backstage, Donald Browne Gallery, Montreal
Ballroom, Screening Gallery, Philadelphia
Camera and Calisthenics, Danielle Arnaud contemporary art, London
Lynne Marsh, Musée d’art contemporain de Montréal
Lynne Marsh, Musée régional de Rimouski, Canada
Stadium, Steve Turner Contemporary, Los Angeles
Stadium-first cut, Künstlerhaus Bethanien, Berlin
Ballroom, Gallery 1C03 at the University of Winnipeg, Canada
Volcano, Platform, London
Lynne Marsh: Crater, curated by Martha Langford, Cinémathèque québécoise, Montreal
Screeners, Prema Arts Centre, Gloucestershire, UK
Venus...I see blue, Oboro, Montreal
New Digital Work, Video Wall Commission, Levi Strauss -The Flagship Store, London
Venus...I see blue, 291 Gallery, London
Annie Get Your Gun, Galerie B-312, Montreal
Annie Get Your Gun, Artspeak Gallery, Vancouver
Out of Character, YYZ, Toronto
Out of Character, The New Gallery, Calgary
GROUP EXHIBITIONS
2014
2012
2011
Kunsthalle Memmingen, Germany
Angel Among the Ruins, curated by Ronit Eden, Neue Berliner Räume, Berlin
Builders: Canadian Biennial 2012, National Gallery of Canada, Ottawa
Ecotopia, curated by Amanda Cachia, Kitchener Waterloo Art Gallery, Kitchener, Canada - toured to
Southern Alberta Art Gallery, Lethbridge, Canada (2013), Nickle Galleries, Calgary (2013),
Kenderdine Art Gallery, Saskatchewan, Canada (2014)
8+8 Contemporary International Video Art, curated by Gordon Laurin, 53 Art Museum, Guangzhou,
China
Hyperspaces, curated by Shannon Anderson, Oakville Galleries, Canada
The work ahead of us - The Quebec Triennial 2011, Musée d’art contemporain de Montréal
Metrospecitve 1.0, PROGRAM, Berlin
2010
2009
2008
2007
2006
2005
2004
2003
2001
2000
1998
1997
1996
Catastrophe! The Quebec City Biennial, curated by Sylvie Fortin, Quebec City
There is No Audience, curated by Adnan Yildiz, Montehermoso Cultrual Centre, Vitoria-Gasteiz, Spain
Nothing is Lost, Nothing is Created, Everything is Transformed –The Quebec Triennial 2008, Musée
d’art contemporain de Montréal
Nightcomers, curated by Övul Durmusoglu, Marcus Graf, Borga Kantürk, Pelin Uran, Adnan Yıldız,
10th Istanbul Biennial
Reality Crossings, curated by Christoph Tanert, 2.fotofestival Mannheim/Ludwigshafen/Heidelberg,
Germany
Classe de Danse, curated by Alessio Fransoni and Ilari Valbonesi, Zentrum für Kulturproduction, Bern,
Switzerland
Next Level, Kunstverein Wolfsburg, Germany
London Movies, curated by Edgar Schmitz, Palais des Beaux Arts, Brussels
Disorient, Hit Gallery, Bratislava, Slovakia - toured to Globe Gallery, Newcastle, UK
Video Unplugged, curated by Paco Barragán, Galleri S.E, Bergen, Norway
Hulagirl, Waygood Gallery, Newcastle, UK
The Sneeze 80x80, curated by Peter Lloyd Lewis and Natasha Makowski, Gazon Rouge, Athens
Transmogrifications, Danielle Arnaud contemporary art, London
Family Business, curated by Danielle Arnaud and Matthew Poole, PM Gallery, London
Taking Speed, 1 000 000mph Gallery, London
Exhumed, curated by Danielle Arnaud, Jordan Kaplan and Philip Norman, The Museum of Garden
History, London
landescape, Mercer Union Gallery, Toronto
Sodium Blindness, curated by Sarah Conway and Lisa Lefeurre, APT Gallery, London
Problems of Everyday Life, curated by David Mabb, Bluecoat Gallery, Liverpool
Close Encounters, The Ottawa Art Gallery
Sexe Limité, La Centrale, Montreal
Moi non plus, Dazibao, Montreal
In Our Sights: Women Artists Look at Guns, curated by Nancy Floyd and Bill Laven, SF Camerawork,
San Francisco
In Our Sights: Artists Look at Guns, curated by Nancy Floyd and Bill Laven California Museum of
Photography, Riverside, California
SELECTED SCREENINGS
2013
2011
2010
2009
2007
2003
Unibrow: Art House Film Series, Modern Fuel Artist-Run Centre and The Screening Room, Kingston,
Canada
European Media Art Festival, Osnabrueck, Germany
Les Rencontres Internationales, Centre Pompidou, Paris, toured to Auditorium of the Ministerio de
Cultura, Madrid, and Haus der Kulturen der Welt, Berlin
Live Weekend 1, curated by David Gryn, ICA, London
Staged Events, curated by David Gryn, Artprojx, Prince Charles Cinema, London
Ballroom Blitz, curated by Elisabetta Fabrizi, BFI Southbank, London
Supernature, curated by Susanne Jaschko, Urban Screens Manchester and BBC, Manchester
Mind Hacking, curated by Theresa Frölich and Antonia Lotz, Kunstakademie Münster, Germany
Fair:Play07 Film & Video Award, Kino Babylon Mitte, Berlin
Festival International Cinema Nouvelle Generation, curated by Laurence Le Petit, Lyon, France
New Territories International Festival of Live Art, The Arches Theatre, Glasgow
RESIDENCIES
2013
2006
2003
The Agnes Etherington Art Centre Artist-in-Residence, Queens University, Kingston, Canada
Künstlerhaus Bethanien, International Studio Program, Berlin
The Banff Centre for the Arts, Artist Residency, Banff, Canada
Center SAGAMIE Artist in Residence, Quebec, Canada
BOOKS AND EXHIBITION CATALOGUES
2013
2012
2011
2009
2008
2007
2006
2005
2004
2003
2001
2000
1998
1995
Cachia, Amanda, Ernest Callanbach and Anthony Vidler. Ecotopia. Kitchener: Kitchener Waterloo Art
Gallery and Southern Alberta Art Gallery.
Shaughnessy, Jonathan, et al. Builders: Canadian Biennial 2012. Ottawa: National Gallery of Canada.
Heather, Rosemary. Extra Visible Dimension: Lynne Marsh’s The Philharmonie Project (Nielsen:
Symphony No. 5). Berlin: PROGRAM.
Rubenstien, Bonnie, ed. Public: CONTACT Photography Festival 2012. Toronto: CONTACT Photography
Festival.
Anderson, Shannon. Hyper Spaces, José Manuel Ballester, An Te Liu, Lynne Marsh. Oakville: Oakvile
Galleries.
Fraser, Marie, et al. The 2011 Quebec Triennial: The Work Ahead of Us. Montreal: Musée d’art
contemporain de Montréal.
Yildiz, Adnan, ed. There is No Audience!. Vitoria-Gasteiz, Spain: Montehermoso Cultrual Centre.
Johnstone, Lesley and Bernard Lamarche. Lynne Marsh. Montreal: Musée d’art contemporain de
Montréal and Musée régional de Rimouski.
Landry, Pierre, Josée Bélisle, Paulette Gagnon and Mark Lanctôt. Nothing is Lost, Nothing is Created,
Everything is Transformed: The Quebec Triennial 2008, Montreal: Musée d'art contemporain de
Montreal.
Ayvaz, Ilkay Baliç, ed. Not Only Possible, But Also Necessary: Optimism in the Age of Global War 10th
International Istanbul Biennial. Istanbul: Istanbul Foundation for Culture and Arts and Yabi Kredi.
Guillemet, Colin, Matthew Poole, et al. Pilot:3. London: Pilot.
Hoffman, Justin. Next Level, Die Lust am spiel in der Netzwerkgesellschaft. Wolfsburg: Kunstverein
Wolfsburg.
Mays, Mariianne. “The Mesmerist; Lynne Marsh, Ballroom.” In poolside / nano_mega, editied by Phil
Kosh, pp. 64-69. Winnipeg: Video Pool.
Kollectiv, Pil and Galia Kollectiv. Lynne Marsh: Volcano. London: Platform.
Lawson, Shelia, ed. Platform 1998-2006. London: Platform.
Langford, Martha, et al. Image & imagination. Montreal: McGill-Queen's University Press.
Cheddie, Janice. “Cartographies of the Feminine.” In Hulagirl: Lynne Marsh & Miranda Whall, pp. 4-9.
Newcastle: Waygood Gallery.
Kaplan, Jordan, ed. Exhumed, 2003 Museum of Garden History. London: Parabola.
Blouin, Danielle. “Une fonction documentaire.” In Un livre délinquant: les livres d'artistes comme
expériences limite, 81-93. Saint-Laurent, Canada: Fides.
Demkiw, Janis. Landscape. Toronto: Mercer Union Gallery.
Lamontagne, Valérie. “Fantasy revisited.” In Textura, pp. 41-43. Montreal: La Centrale.
Fortin, Sylvie. Close Encounters. Ottawa: Ottawa Art Gallery.
Marsh, Lynne. Out of Character. (artist book) Montreal, 50 pages ill. Edition of 100.
SELECTED ARTICLES AND REVIEWS
2013
2012
2011
2009
2008
2007
2006
2005
2004
2003
2001
2000
Laurence, Robin. “Lynne Marsh's Plänterwald is a poetic meditation on a broken-down Berlin
amusement park.” The Georgia Straight, Sept. 17.
Griffin, Kevin. “Planterwald: a modern ruin in progress in Berlin”. Vancouver Sun, Sept. 20.
Larios, Pablo. “Lynne Marsh, Program.” frieze d/e, Issue 4, Spring, pp. 123-124.
Whyte, Murray. “Oakville Gallery’s Hyper Spaces.” Toronto Star, Jan. 4.
Campeau, Sylvain. “Lynne Marsh, Stage Backstage.” Ciel Variable, Spring.
Marie-Ève Charron. “Caméras hors scène.” Le Devoir, Montreal, Oct. 22, p. E9
Davis, Christine and Gregory Burke, eds. Public 38: projects for a small world. (artist project)
Toronto: Public Journal.
Todd, Jeremy. “What Are We Now? On Stadium and Vox Pop.” BlackFlash, vol. 27.1, Fall, pp. 4453.
Jagr, David. “Lynne Marsh, Musée d’art contemporain de Montréal.” Canadian Art, Vol. 26 no. 2,
summer, pp. 90-91.
Campbell, James D. “Lynne Marsh.” Border Crossings, no. 109, pp. 84-86.
Redfern, Christine. “Where de we fit in? Canadian artist Lynne Marsh’s installations at the MAC
question the individual’s position within mass society.” The Montreal Gazette, Jan. 2, p. E5.
Dewolfe, Stacy. “Surrounding herself.” Montreal Mirror, Jan. 29, p. 46.
Kilston, Lyra. "Lynne Marsh at Musee d'Art Contemporain (Montreal).” Modern Painters, Nov.
Hochereau, Alain. “Espaces réinventés.” Voir Montréal, Nov. 6.
Cloutier, Mario. “Le corps architecte au Musée d'art contemporain.” La Presse, Montreal, Nov. 7.
Samson, Véronique. “Coversation avec l’espace, Le Musée d’art contemporain de Montréal accueille
Lynne Marsh et ses installations vidéographiques.” Le Délit, Montreal, Nov. 11, p.14.
Charron, Marie-Éve. “Une sale de danse, un stade, un studio de television et vous.” Le Devior,
Montreal, Nov. 22, p. E8.
Mavrikakis, Nicolas. “Portrait de l’artiste en Magicien.” Voir Montréal, Nov. 27, p. 37.
Fadden, Robyn. “Found in space.” Hour, Montreal, Dec. 4.
Frank, Peter. “Falling Together.” LA Weekly, Apr. 9.
Haroun, Thierry. “Tour du Quebec : de l'art en péninsule.” Le Devoir, Montreal, May 10, p. I-12.
Vallée, Marie Diane. “Manège Urbain est de retour.” Le Rimouskois, Rimouski, June 3.
Tanert, Christoph. “Reality Crossings.” European Photography, no. 82, winter.
Abramson, Stacey. “Lynne Marsh's Ballroom.” C Magazine, no. 95, Fall, pp. 46-47.
Becker, Kathrin. “Critical Tourism. On Lynne Marsh's Video Installation Stadium -First Cut.” In
BE-Magazine, no. 14, pp. 44-49. Berlin.
Hauffen, Michael. “Next Level, Die Lust am Spiel in der Netzwerkgesellschaft." Kunstforum
International, Bd. 184, Mar./Apr. pp. 315-17.
Lamarche, Bernard. “Image et imagination: Mois de la photo à Montreal.” Parachute, no. 121, Jan./
Mar., p.8.
Sloan, Johanne. “Landscape Immersions: Lynne Marsh's Performative Spaces.” Art Papers, Vol. 30,
no. 2, Mar./Apr., pp. 34-39.
Vanmeenen, Karen. “A Hunger for Images.” Afterimage, Vol. 33, no. 4, Jan./Feb., pp. 13-17.
Lamarche, Bernard. “La gravité déjouée.” Le Devoir, Montreal, Sept. 23, p. B-1.
Babin, Sylvette, ed. “Du commentaire social.” Esse arts + opinions, n° 52, automne/hiver, (artists
pages) pp. 36-37.
Sumpter, Helen. “Taking Speed”, Time Out London, Oct. 22-29.
“Tian An Men by Namco.” Mix Magazine, Vol. 27, Fall (artists pages) p.2 & p. 65.
Couëlle, Jennifer. “Venus en quête de sens.” La Presse, Montreal, Jan. 16, p. B-8.
Dagenais, Francine. “Lynne Marsh.” Parachute, n° 99, July/Aug./Sept., pp. 47-48.
1999
1998
Lamarche, Bernard. “Superhéroïne en boîte.” Le Devoir, Montreal, Feb. 5, p. D-9.
Lehmann, Henry. “The body shows up in various guises: anatomy is destiny in gallery shows by
women.” The Montreal Gazette, Jan. 29, p. J-5.
Mavrikakis, Nicolas. “Arrêt sur image.” Voir Montreal, Jan. 13-19, p. 51.
Skidmore. “Lynne Marsh Raising Brows.” Hour, Montreal, Mar. 2-8, p. 12.
Couëlle, Jennifer. “Sexe-limite.” CV photo, Vol. 45, winter, p. 33.
Del Re, Gianmarco. “Movin' On UP Down in Deptford.” Flash Art, Vol. 32, Oct., p. 54.
Gessell, Paul. “Gen X's Close Encounters.” The Ottawa Citizen, Sept. 28, p. E-7.
Lamarche, Bernard. “Théâtres érotiques: même propos, résultats différents.” Le Devoir, Montreal,
Oct. 24, p. D-10.
Euteneier, Anita. “Close Encounters of the Sci-fi Kind.” Capital City, Ottawa, Sept. 24-30, p. 26
Laurent, Dominique. “Rencontre du troisième type: Close Encounters / Contacts Intimes.” Le Droit,
Ottawa, Oct. 31, p. A-29.
COLLECTIONS
National Gallery of Canada
The Agnes Etherington Art Centre, Queens University, Kingston, Canada, Canada
Musée national des beaux-arts du Québec
Bibliothèque nationale du Québec
Private collections in Canada and the UK