salon zürcher, paris

SALON ZÜRCHER, PARIS
Du 20 au 26 OCTOBRE 2014 Créé à l’origine par Gwenolée & Bernard Zürcher à la Galerie Zürcher de New York, le Salon Zürcher Paris-­‐NY est un concept de mini-­‐foire alternative, low cost. Tandis que la première édition à NY en mars 2011 pendant l’Armory Show était qualifiée par le New York Times de « spirited selection », la seconde édition à Paris en octobre 2011 pendant la FIAC était désignée comme un « mini art salon » par le Financial Times. La troisième édition à New York en mars 2012 se rapprochait davantage de l’esprit du “salon d’art” en référence aux fameux « Salons » de Diderot. Ce modèle s'est imposé pour les éditions suivantes dont le succès (environ 1400 visiteurs en 5 jours) a permis d'intégrer le OFF de la FIAC à Paris et de l'Armory Show à New York. Pour sa huitième édition, le Salon Zürcher confirme la conception d’une foire intime et sélective en invitant du 20 au 26 octobre (vernissage le lundi 20 octobre) 7 jeunes galeries américaines et 1 galerie canadienne connues pour leur activité centrée sur la découverte de nouveaux talents. Pour la première fois le Salon Zürcher s'étend grâce à la collaboration de la Galerie ALB, au 47 de la rue Chapon, qui accueillera deux galeries participantes.
Galeries invitées Ana Cristea, NY présente Teodora Axente
Garis & Hahn, NY
présente Karen Margolis Asya Geisberg, NY présente Annie Attridge Rebecca Morgan Muriel Guepin, NY
présente Arezoo Moseni Keun Young Park présente Zoltan Vivaete Robert Poulin, Montréal Nicolette Jelen
William Holman, NY présente Gallery Sensei, NY
présente Hector Leonardi
Karl Mann
Zürcher Gallery, Paris-­‐New York présente Matt Bollinger Paul DeMuro Informations pratiques Vernissage/Opening : Lundi 20 Octobre, 15h00-­‐22h00 Horaires/Hours : Mardi 21 -­‐ 12h00-­‐20h00 Mercredi 22 (sur rdv -­‐ Ouverture de la Fiac) Jeudi 23 -­‐ 12h00-­‐22h00 Nocturnes des galeries parisiennes Vendredi 24 & Samedi 25 -­‐ 12h00-­‐20h00 Dimanche 26 -­‐ 12h00-­‐17h00 Contact Agathe Dupont/ t. +33(0)1 42 72 82 20 e. [email protected] PARIS / GALERIE ZÜRCHER 56, rue Chapon 75003 Paris T. +33 (0)1.42.72.82.20 - F. +33 (0)1.42.72.58.07 [email protected]
NEW YORK / ZÜRCHER STUDIO 33 Bleecker St. New York NY 10012 T.+1 212-777-0790 F.+1 212-777-0784 - [email protected]
SALON ZÜRCHER, PARIS Du 20 au 26 OCTOBRE 2014 MINI ART FAIR Zoltan Veevaete, Le grand tour des marchés aux puces, 2014, technique mixte sur toile, 153 x 224 cm Courtesy Espace Robert Poulin, Montréal Rebecca Morgan, Blue Ribbon Bumpkin, 2011, graphite et huile sur panneau 61 x 45,7 cm Courtesy Asya Geisberg, New York Keun Youn Park, Dream inbetween, 2014, papiers déchirés, collés sur papier, 78,7 x 99 cm Courtesy Muriel Guepin Gallery, New York Teodora Axente, In Secrecy, 2013, huile sur toile 74 x 63 cm Courtesy Ana Cristea, New York Karen Margolis, Effulgent, 2011, aquarelle, gouache et fil sur toile Courtesy Garis & Hahn Gallery, New York º¸ÉÄÇ¡ºÄöǹ¾ªÃɾÉÁº¹
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Matt Bollinger, Towed in the Ozarks, 2014, Flashe, acrylique et collage sur toile 51 x 61 cm Courtesy Zürcher, Paris – New York Nicolette Jelen, Nest, 2013, gravure de verre dans boite lumineuse Courtesy William Holman, New York PARIS / GALERIE ZÜRCHER 56, rue Chapon 75003 Paris T. +33 (0)1.42.72.82.20 - F. +33 (0)1.42.72.58.07 [email protected]
NEW YORK / ZÜRCHER STUDIO 33 Bleecker St. New York NY 10012 T.+1 212-777-0790 F.+1 212-777-0784 - [email protected]
Teodora Axente
(1984 – Romania - Lives and works in Cluj-Napoca, Romania)
In recent years, artists from Romania, including Adrian Ghenie, Mircea Cantor, Ciprian Muresan or Victor Man,
gained a lot of interest from both public institutions and private galleries and collectors. Teodora Axente belongs to
the newest generation of artists from the Romanian School from Cluj, who is currently finding their voice and a
new story to tell.
In her work Teodora Axente is preoccupied with the duality between spirit and matter - two dimensions between
which humans always oscillate trying to find themselves. Using different materials, Axente is addressing the human
desire of reshaping himself, of discovering new dimensions. Through the flashy materiality of aluminum foil, satin
pillow, nylon bags or curtains, she brings us in a world of mystery that seems to be spiritual, noble and attractive,
but in reality what we are attracted to and what is guiding us is the matter and the material.
Education
2005 – 2011
2011 – present
MFA - University of Art and Design, Cluj
PhD - University of Art and Design, Cluj
Solo exhibition
2015
2014
2013
2013
2012
2011
2006
The Art Center Hugo Voeten, Antwerp (upcoming)
Ana Cristea Gallery (upcoming)
Light the dark - Teodora Axente, Robert Bosisio, Gheta Gallery, Bolzano
Taxidermy Lesson, Zorzini Gallery, Bucharest
Made of Matter, Ana Cristea Gallery, New York
Art Booth: Paraman, Gallery Casa Matei, Cluj-Napoca,RO
Portret, Gallery Sibiel, Sibiu, RO
Selected group exhibitions
2015
2014
2012
2011
2010
2008
Boulder Museum of Contemporary Art, Boulder (upcoming)
Tales of the Valley - Gheta Gallery, Bolzano
Ringturm Vienna, Vienna Insurance Group, Vienna
ESSL ART AWARD CEE 2011, The Exhibition,Essl Museum, Klosterneuburg/Vienna, Austria
Expo Transilvania, Cluj-Napoca, Romania
Symposium Freundschaft, Wasser und Wein, Gallery Leere Beutel, Regensburg
Awards and Residencies
2011
2011
2007
ESSL ART AWARD CEE - Group Exhibition of the Winners, Essl Museum, Austria
VIG SPECIAL INVITATION - Group Exhibition, Ringturm Vienna, Austria
Erasmus program, Ecole superior des beaux- arts de Rennes ,France
Garis & Hahn is a gallery-cum-Kunsthalle that mounts exhibitions focused on conceptual narratives and
relevant conversations in contemporary art. By displaying an array of carefully curated artists, the gallery
endeavors to provide accessibility, education, awareness, and a market to the art while engaging both the arts
community and a broader general audience.
Karen Margolis
(Lives and works in New York, NY) Statement
I explore the mind’s architecture, mapping out my thought/feelings/memories into molecular patterns evocative of
chemical interactions generated in the brain. Charting my interior monologues became a system of translating
meaning into pattern. In this way I get beyond individual content and create a university of the mechanics of the
mind through a language of positive and negative forms. I burn holes into material with these deletions, reveal
aggregated masses of discrete colored particles meticulously applied with a paintbrush, each one marking off
minute of dislocated map fragments entrapped within these webs.
Bio She received her BS in Psychology from Colorado State University, and continued her research in Neural
Psychology while studying portraiture at the Art Student’s League. Her work has been exhibited at Rockland
Center for the Arts, West Nyack, NY ; The Hunterdon Art Museum, Clinton, NJ ; Wexler Gallery in Philadelphia,
PA ; The Aldrich Museum of Contemporary Art, Ridgefield, CT ; McKenzie Fine Art, New York, NY ; Josee
Bienvenu Gallery, New York, NY ; and Slate Gallery, New York, NY ; among others. Solo exhibitions include Slate
Gallery and Dieu Donne in New York City and The Delaware Center for Contemporary Art.
Lucas Grogan
(Lives and Works in Melbourne, Australia) Lucas Grogan is a multidisciplinary artist whose work explores the esoteric nature of cross cultural influence and
experience. Grogan uses techniques both traditional and radical to develop psycho-spiritual drawing, painting and
needlework that is at once attractive and off-putting. His practice explores themes of isolationism, multiculturalism
and the interconnectedness of contemporary life.
Solo exhibitions
2013
2013
2013
2012
2012
2012
2011
2011
2010
2008
2008
2008
2005
QUILTS, Gallerysmith, Melbourne
FOLKLORE, Hugo Michell Gallery, Adelaide
The Wedding Quilt, Craft Victoria, Melbourne
THE END OF THE WORLD, Jan Manton Art, Brisbane
CAVE PAINTING, Gallerysmith, Melbourne
SMALL VICTORIES, Hugo Michell Gallery, Adelaide
PRIVATE ISLAND, MOP Projects, Sydney
BACKCHAT Until Never Melbourne
ISLANDS, Seventh Gallery, Melbourne
7 YEAR ITCH, John Miller Galleries Newcastle
UNAUSTRALIAN Watt Space Newcastle
Tell ‘Im He’s Dreamin‘, Pod Space Newcastle
Carpetry, Rocketart Newcastle
Collections
Duetsche Bank
Wesfarmers
Artbank
Newcastle Region Art Gallery
Rebecca Morgan
(1984 – Pennsylvania - Lives and works in Bloomsburg, PA)
Statement
Rebecca Morgan’s paintings, drawings, and ceramics emanate from stereotypes of rural Appalachia. Humorous,
benevolent, and savage at turns, her characters touch on truths about poverty, addiction, and off-the-grid living, as
well as idealizations of uncultured country life. Stylistically, Morgan embraces hyper-detailed naturalism, influenced
by Dutch painters such as Memling, Brueghel, and Van Eyck, as well as absurd, repulsive caricature suggestive of
underground cartoonists such as R.Crumb. As an on-and-off-again New Yorker, Morgan represents the ultimate
insider/outsider point-of view, embracing and critically distancing herself from her origins.
Bio Rebecca Morgan was born in central Pennsylvania, USA where she currently lives and works. She received a BA
from Bloomsburg University of Pennsylvania and her MFA from Pratt Institute, NY. Press for her work includes
Time Out New York, ARTnews, Whitehot Magazine, Beautiful Decay, Artslant, Juxtapoz Magazine, and Berlin's
Lodown Magazine, among others. She is the recipient of a residency at the Bemis Center for Contemporary Arts, a
Vermont Studio Center full fellowship, and the George Rickey Residency at Yaddo. Exhibitions include Gasser
Grunert Gallery, NY, Richard Heller Gallery, Los Angeles, CA, Vox Populi Gallery, Philadelphia, PA, Montclair State
University, Montclair, NJ, Whitdel Arts, Detroit, MI, Coop Gallery, Nashville, TN, and Spring/Break, New York, NY.
Annie Attridge
(1975 – UK – Lives and works in London)
Statement
Working mainly in porcelain, Annie Attridge creates twisting human and animal amalgamations that are at once
romantic and brazenly licentious. Her bawdy imagery explicitly contradicts the decorum of traditional porcelains,
while entwining arms, legs, and twisting tree limbs recall rococo curves. In the intimacy and luminous delicacy of her
pieces, Attridge expresses a torrent of emotion, a more earnest sentiment below the surface of cavorting carnality.
Her porcelain sculptures also feature gold leaf, pewter, jade, and carved and stained wood, using meticulous craft
to subvert the frivolity of traditional porcelain’s appeal.
Bio
Annie Attridge was born in 1975 in Wigan, UK. She received a MA from the Royal Academy, London and BA in
Painting from the University of Brighton. Her solo exhibitions include Nettie Horn, London, Galerie 13, Paris, and
Prowler Project Space, London. Her work has been included in exhibitions at Plus Art Projects, London, Galerie
Maurer, Frankfurt, the Contemporary Art Society, London, Danielle Arnaud Gallery, London, the Saatchi Gallery,
London, and "Grand National - Art from Britain" at the Vestfossen Kunstlaboratorium, Norway. She has received
reviews from The New York Times, Channel 4 News, ArtReview, the Evening Standard, and L Magazine, and her
work appears in the publications "Design Behind Desire" and Michael Petry's "Nature Morte". She lives and works
in London.
Arezoo Moseni
The more I draw the more I want to draw, explore and discover. Geometry, chemistry and motion are the engines
fueling my work and drawing is the foundation of everything I do including my photographic work.
The underpinning structure of my drawings, is a series of interconnected tetrahedrons inspired by Johannes Kepler’s
three laws of planetary motion, Leonhard Euler’s polyhedron formula, and Buckminster Fuller’s nature coordination
synergetics concept that tetrahedron is the basic building block of the universe.
The choice of using inks, photographic sensitizers and red wine (from different parts of the world) reflects my
romance with living breathing organic materials and the potential of discovery.
Red wine is the principle medium in my work. I became fascinated with this organic pigment during a series of wine
classes with Kevin Zraly in 1998 at Windows on the World on the 107th floor of 1 World Trade Center Tower.
I found out that tartaric acid in Vandyke sensitizer was an ingredient in wine and that wine was discovered and
produced in the Zagros region of Iran around 6000-4000 BC. This was inspiring to me because I was born near the
Zagros Mountains in Iran.
The visual appearance, color, luminosity and the aging process make red wine an exceptionally wondrous liquid
pigment to use in drawings and paintings. The sheer experience of working with and seeing red wine come alive on
paper, feels as if I am in paradise.
Keun Young Park Keun Young Park depicts the body in a state of transformation. Her works on paper show floating figures, faces,
draped arms and cupped hands, which appear to be disintegrating and reforming at once. The artist begins her
process with original photographs keyed to various evocative hues. The images are shredded by hand into
thousands of tiny pieces that are then reassembled. Between the pasted pieces are thin, white, vein-like lines that
reveal the texture of the paper’s edge. Park’s practice has a relationship to the precision of Pointillism, the
uniformity of Benday dots and the repetition of digital pixilation but her works retain a tactile, hand-made quality
through the irregularly shaped elements from which they are formed.
“I intend to reflect upon the a-static character of existence in the flow of time…I attempt to capture the tremor of
unstable presence,” writes Park. Each work vibrates with a quiet energy, conjuring up thoughts of both the
beginning of life and its end. This sense of disembodiment is balanced with a fullness of form and physicality that is
derived from the artist’s earlier practice as a sculptor.
Keun Young Park was born in Seoul, South Korea, where she received her BFA and MFA Degrees in Sculpture at
Seoul National University. Since 2005, Park has lived and worked in New York City and New Jersey. She has
received awards from A.I.R. Gallery, Artist Talk on Art, and the New Jersey State Council of the Arts, as well as
residencies with Vermont Studio Residency Program and Triangle Arts Workshop. Park has had numerous solo
and group exhibits in the United States, Korea and Beijing.
Nicolette Jelen
Nicolette Jelen works on glass are the reflection of her vision of many places: forests and glens, skies and seas. Her
work is infused with the spirit and light of the different parts of the world she has lived in, namely Morocco, Paris,
Transylvania, Hungary and the United States. Born and raised in Morocco, Jelen received her degree with high
honors at the Sorbonne in Paris, and completed further studies in New York at the Art Students League and at
Pratt Graphic Center while working at the Printmaking Workshop.
Biography
MA Sorbonne - University of Paris, Sorbonne
Pratt Graphics Center, New York
Art Students League of New York
Recent Exhibitions
2002 - 2011 Group Exhibitions in New York and Sag Harbor
Collections
The Department of State
The Library of Congress
The Toledo Museum
The Children’s Museum of Minnesota
Merrill Lynch
L'Espace Robert Poulin est situé au #411 du 372 Sainte-Catherine Ouest (édifice Le Belgo) à Montréal.
Les artistes qu'on y présente explorent les formes hybrides de la figuration et de l'abstraction. La collection de la
galerie propose ainsi des dessins et des tableaux qui, pour une bonne partie, montrent une filiation avec l'art l'art
brut et l'art underground, la bande dessinée et l'univers du Low Brow.
Sculpteur de formation, Robert Poulin privilégie la pratique à la théorie, la narration, la poésie et l'esprit
provocateur dans l'oeuvre d'art. Amateur d'art contemporain et collectionneur, il conçoit son travail de galeriste
comme un acte d'engagement envers les artistes qui produisent un art vrai et sans compromis.
Zoltan Veevaete
(1981 – Montréal)
Décrivant son travail comme un art du collage, de la citation et du recyclage, l’artiste propose l’idée d’un dialogue
avec les maîtres et les mouvements picturaux. De Picasso à Velasquez, du fauvisme hongrois à l’art dégénéré, c’est
tout le vocabulaire de la peinture qui est mis à contribution dans ces chroniques urbaines teintées d’éclectisme et
d’historicisme.
Zoltan Veevaete est né à Montréal en 1981. Après un voyage de deux ans en Espagne, où il s’exerce à
approfondir ses connaissances et son appréciation des traditions de la peinture espagnole, il obtient en 2010 son
baccalauréat en arts plastiques de l’Université de Concordia et remporte le prestigieux prix Cecil Buller-John /J.A.
Murphy Scholarship in Drawing. S’il s’illustre d’abord comme graffiteur muraliste, ses œuvres récentes portent
cependant la marque de son admiration pour les peintres classiques. Il a exposé principalement au Canada, et a
participé à de nombreuses foires d’art contemporain (Montréal, Toronto et New York) avec la galerie Espace
Robert Poulin.
Expositions solos et collectives (Sélection)
2014
2013
2012
2011
2010
2009
Exposition solo : Mouvement de masse, Espace Robert Poulin (Belgo # 411)
Exposition solo : Bitume fumant, Galerie d’Art d’Outremont, Montréal
Exposition (Duo) : Punch Acid, Galerie D, Montréal
Exposition solo : Heavy Gold, Espace Robert Poulin (Belgo # 411).
Papier 13, Foire d’art contemporain, Montréal (Espace Robert Poulin)
Le choix du président (collectif), Galerie d’Art d’Outremont, Montréal
Électrons Libres (collectif), Galerie Pangée, Montréal
Mixed Grill (collectif), Espace Robert Poulin (Belgo # 411)
D Construction, Galerie D, Montréal
XL12 (collectif), Galerie Black Dot, Montréal
Création et conception d’œuvres (fresque) pour l’événement : Équiterre 20 ans, (Chambre du commerce
de Montréal)
Exposition solo : Pop RMX, Espace Robert Poulin (Belgo # 411)
Participation à l’exposition du lancement du magazine Décover no. 13 Foufounes Électriques, Montréal.
Academia in dispute (exposition collective), Red Bird Gallery, Montréal
Exposition collective pour l’ouverture de la galerie OPP
La Genèse au présent : Les fantômes du passé, Galerie du Viaduc, Montréal
La Zone Grise, Galerie du Viaduc, Montréal. (duo avec Marco Royal Nicodemo)
Papier 10, Foire d’art contemporain, Montréal, (Espace Robert Poulin)
Drawing the Line in Painting, Galerie VAV, Art Matters Festival – Concordia, Montréal
Exposition solo : Café Marinari, Montréal.
Participation à l’Exposition collective des étudiants de Concordia, Cégep du Vieux-Montréal
Sensei was established by Joseph Latimore in the Spring of 2006 with the intention of exhibiting the work
of 50 new & emerging artists. A tiny storefront was acquired on NYC's Nolita/Chinatown border. And, in
June 2006 the project launched with a series of seven, one-week exhibitions assembled by Lisa Kirk.
The programming would continue to feature one-week exhibitions throughout the end of 2006. And, in
2007, Sensei moved to a slightly larger storefront in the East Village where it would expand its
presentation of works through a collaboration with Anthology Film Archives to include performance.
In February 2008, Sensei would complete its calendar of 50 artists with Harry Druzd's solo exhibition of
paintings Chicks & Skulls. And, after a brief hiatus, Sensei resumed operations in 2009 through a series
of pop-up exhibitions and art fairs.
In the Summer of 2013 Sensei launched a project, The Exchange Series in the cellar of The Little Fox
Cafe in downtown Manhattan. The Sensei Exchange Series was curated by Remy Amezcua and featured
exhibitions of work by WC Bevan, Aurora Pellizzi, Natalia Porter, Gabriella Alva, Njideka Akunyili, Doron
Langberg, Sarah Anderson, Ben Brunnemer, Juana Valdes and Nick Doyle. In addition, the Exchange
Series featured a photography forum with presentations by Craig Stokle and Azikiwe Mohammed.
On January 10, 2014 Sensei launched its new home - a 2,000 square foot loft with two exhibition spaces
on Manhattan's Lower East Side with a selection of new paintings by resident artist, Francis Simeni.
Joseph Latimore
Director
Hector Leonardi
Hector Leonardi received a BFA in painting from the Rhode Island School of Design and an MFA from
Yale University, where he studied with and was mentored by Josef Albers.
Mr. Leonardi was among the second generation of American abstractionists. However, he has navigated
his own path between expressionism and minimalism, to emerge with a unique visual vocabulary.
His work has been the subject of numerous solo and group exhibitions in the US and abroad.
Karl Mann
'During his early days in New York, he spent a lot of time at the Frick and the Metropolitan. He didn’t
study art and he has no formal training in it. Rather, he is a self-taught artist who is highly sophisticated,
knows a lot about all different kinds of art, and is well read'.
'An urbane man, he is at ease in both New York City and rural America. Other urbane, self-taught artists
that come to mind are Joseph Cornell, Jean Dubuffet, and Jasper Johns.'
- John Yau, Art Critic
Matt Bollinger
(né en 1980 - Il vit à New York)
Matt Bollinger a commencé très jeune par dessiner sur un carnet de dessin offert par sa grand-mère. Il y copiait
avec enthousiasme des scènes vues dans des comics. Ce furent ses premiers livres. Ils restent profondément gravés
dans sa mémoire. Aujourd’hui c’est encore dans les livres qu’il trouve ses personnages et les sources d’inspiration
des images qu’il construit par collage. Au départ le procédé peut être qualifié de peinture « indirecte » : il peint sur
des feuilles de papier puis les découpe et les colle en superposition. Récemment, il a développé une nouvelle
technique de peinture « directe » sur toile, sur panneau et parfois sur bâche qui combine le collage des papiers à la
peinture. Cette combinaison de surfaces fondues et juxtaposées rend la composition plus complexe et renvoie à la
structure feuilletée de la mémoire qui retient et délivre simultanément des images comme à la lecture des pages
d’un livre. Vu sous cet angle, le tableau constitue l’association d’évènements simultanés dans un dispositif
fragmentaire de la représentation où cohabitent fiction, histoire de l’art ou même folk music. Matt Bollinger
considère les livres eux-mêmes comme autant de portes ouvrant sur des mondes parallèles à l’intérieur desquels il
fait apparaître des personnages liés à des souvenirs personnels.
Education
2007
M.F.A.Painting Major, with Honors, Rhode Island School of Design, Providence, RISheridan Center
Teaching Certificate, Brown University, Providence, RI
2003
B.F.A., Painting/Creative Writing Double Major, Valedictorian Kansas City Art Institute, Kansas City, MO
2002
Yale University School of Art, Norfolk Summer Session, Norfolk, CT
Expositions (sélection)
2014
The New York Moment, Musée de Saint Etienne, France
The Reservoir, Galerie Zürcher, Paris
2013
Bed on the Floor, Zürcher Gallery, NY
2012
Between the Days, galerie Zürcher, Paris
2011
About midnight Saturday, Zürcher Gallery, New York, NY
Welcome Home Matt Bollinger, Hudson D.Walker Gallery, Provincetown, MA
Paul DeMuro
(né en 1981. Il vit à Brooklyn)
Il construit des dispositifs « radiants » : de longues touches parallèles composent des écrans vides où la couleur
s’organise en gradiant du centre vers les bords. Le regard y plonge dans un mouvement vertigineux comme dans
un film de science-fiction l’ouverture d’une brèche dans l’espace aspire l’atmosphère.
Expositions (sélection)
2014
The New York Moment, Musée de Saint Etienne, France
2013
WARPAIN’T, Galerie Zürcher, Paris
2012
Revelations, Zürcher Gallery, New York, NY
2011
Bleach (with Alex da Corte), Jolie Laide, Philadelphia, PA
2010
MFA Thesis Exhibition Mason Gross Gallery, Rutgers University, New Brunswick, NJ
2009
Summer Painting Exhibition PIFAS, Philadelphia, PA (2009)