05 Durham - Viola da Gamba Society

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05 Durham - Viola da Gamba Society
Durham, Chapter Library,
Manuscript Mus. A27
Scorebook containing music for bass viol copied by Philip Falle, mainly from
printed partbooks. Possibly compiled, or completed, between 1722, when Falle
listed the music books he intended to leave to Durham Cathedral Library, and 1739
when they were actually deposited there (see above, p. 3).
ii + 169 + i; flyleaves as well as pastedowns consist of ruled music paper.
Contemporary ink pagination 1-328 continued in modern pencil 329-342, including
end flyleaf 339-340 and the stub of an excised flyleaf 341-342. No music entered
on flyleaves [i],[ii] or on pp. 23, 25, 50, 55, 64, 79, 100, 103, 116, 122, 170, 200202, 208, 230, 290, 313, 328-342.
Scribes: Philip Falle
Format and dimensions: Oblong quarto, 218 x 284; coloured edges.
Watermarks:
Bend II/2, Bend II/3, Bend II/4. At least one other mark of the same general pattern
appears, countermarked HD; on many pages the opacity of the paper or density of
notation makes the detail of watermarks difficult or impossible to decipher even
with the aid of artificial light. Bend II/2 is the principal paper type, but II/3 and II/4
also occur in significant quantities.
Falle seems to have used a paper stock in which the different types, which all have
the same ruling, were already mixed.
Rastrology
A 8; B 4; C 81; D 11(12)11(12)11(12.5)11. Red marginal rulings. The same
rastrum appears to have been used throughout although it spreads slightly on some
pages towards the end of the book.
Collation:
Uncertain and apparently irregular. Some quires were evidently of 4 folios; in
places pages have been removed or are pasted together. Falle appears to have
copied this manuscript on unbound sheets, which he grouped, pasted together or
partly removed according to the requirements of his immediate copying task rather
43
Durham Chapter Library, MS Mus. A27
than subsequent bibliographical regularity.
Bindings:
Contemporary boards covered in distressed calf, 235 x 288; edges patterned and
gilt; original back with gilt decoration.
Provenance: Philip Falle (see pp. 3-5 above).
Bibliography: DURHAM C; DURHAM E; FALLE U
Contents
1
2
Sequence Ascription
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
1
2
3
Marais Liv. II Num. 3
Marais Liv. I p. 23/15
Marais Liv. I p. 18/11
Marais Liv. I p. 26/18
Marais Liv. I p. 31/22
Marais Liv. I p. 17/10
Marais Liv. I p. 17/10
Marais Liv. II Num. 2
Marais Liv. II Num. 9
Marais Liv. I
Marais Liv. I p. 30
Marais Liv. I p. 21/13
Marais Liv. I p. 9/5
Marais Liv. I p. 29
Marais Liv. I 7/4
Marais Liv. I p. 32/22
Marais Liv. II Num. 5
Marais Liv. I p. 11/6
Marais Liv. I p. 27/18
Marais Liv. II Num 10
[blank]
ta
Schenck 6 , Num. 38
[blank]
Schenck Opera 2da, p. 5/4
Snep p. 4/3
ta
Schenck Opera 6 , Num. 45
da
Schenck Opera 2 , p. 4/3
Title2
PageVdGS No.
3
Prelude
Gigue
Sarabande
Fantasie
Gavotte en Rondeau
Courante
Double
Fantasie
Courante
Allemande
Menuet
Gigue
Prelude
Rondeau
Prelude
Gavotte
Bourasque
Fantasie
Rondeau
Sarabande
Prelude
Allemande
Gigue
Rondeau
Aria Allegro
1
2-3
3
4
4-5
6
7
8
9
10-11
11
12-13
13
14-15
16-17
17
18
19
20-21
22
23
24
25
26
27
28
29
Not present in the source.
Falle’s own titles.
Pieces on pp. 1-99, except 50-53 include both viol and continuo parts.
44
II/3
I/18
I/12
I/21
I/26
I/10
I/11
II/2
II/9
I/6
I/25
I/16
I/2
I/24
I/1
I/27
II/5
I/5
I/22
II/10
VI/38
II/II/2
11
VI/45
II/II/1
Durham Chapter Library, MS Mus. A27
Sequence Ascription
Title
ta
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Schenck Opera 6 , Num. 44
Schenck Opera 6ta, Num. 46
Schenck Opera 2da, p. 12/9
Snep p. 1 Num. 4
Snep p. 1 Num. 3
Snep p. 2/1 Num. 5
Snep p. 2/1 Num. 5
Hacquart p. 7/4
Hacquart p. 7/5
Hacquart p. 8/5
Hacquart p. 5/3
da
Schenck Opera 2 , p. 2/2
Hacquart p. 16/12
Marais Liv. II Num. 12
Marais Liv Ier, p. 9/5
Marais Liv I p. 15/8
Marais Liv. I p. 16
43
44
45
46
47
Marais Liv. II No. 17
Heudeline No. 29
Heudeline No. 31
Heudeline No. 32
Heudeline No. 36
[blank]
da
da
Schenck Opera 2 , Son. 2
Snep No. 31
Schenck Opera 2da, p. 26/18
Schenck Opera 2da, p. 26/18
da
Schenck Opera 2 , p. 27/18
da
Schenck Opera 2 , p. 27/18
Hacquart p. 53/59
Hacquart p. 53/59
[blank]
da
Schenck Opera 2 , p. 3/3
Heudeline Liv. p. 1/1 pro
viola minore
Allemande
Blancourt Ex. mss.
Gigue
Heudeline Liv. I. p. 4/2
Menuet
Simpson Chelys Minuritiontum
p. 57
Divisions to ground
da
Schenck Opera 6 , Num. 84 Prelude
48
49
50
51
52
53
54
55
56
57
58
59
60
61
4
Page VdGS No.
Gavotte
30
Bourée
30-31
Sarabande
31
Gavotte
32
Courante
32-33
Sarabande
34
Gigue
34-35
Allemande
35
Courante
36
Sarabande
36-37
Gigue
37
Allemande
38
Courante
39
Gigue la Favorite
40-41
Prelude
42
Allemande
42-43
Double de L’Allemande
precedente
44-45
Menuet
45
Prelude pro viola Minore 46
Allemande
46-47
Courante
48
Gavotte
48-49
50
Sonata
51-54
Chaconne
56-57
Allemande 4
58-59
Courante
59
Sarabande
60
Gigue
61
Allemande
62
Courante
62-63
64
Gigue
65
Pieces on pp. 50-53 omit the continuo part.
45
VI/44
VI/46
II/V/4
4
3
5
6
7
8
9
5
II/I/3
18
II/12
I/3
I/8
I/9
II/17
29
31
32
36
II/II/1
31
II/XI/2
II/XI/3
II/XI/4
II/XI/5
57
58
II/I/6
66
66-67
67
1
9
68-69
70
7
VI/84
Durham Chapter Library, MS Mus. A27
Sequence Ascription
62
63
64
65
66
67
68
69
91
Schenck Opera 6 No. 94
Schenck Opera 6 no. 92
Schenck Opera 2da, p. 31/20
Hacquart p. 14/11
Hacquart p. 15/11
Hacquart p. 3/2
Marais Liv. I p. 28/20
Marais Liv. II no. 30
[blank]
Mace Musick’s Monument
p. 253
Hacquart p. 6/4
Incerti Authoris Ex. mss.
Incerti Authoris Ex. mss.
Incerti Authoris Ex. mss.
Marais Liv. II no. 57
Marais Liv. I p. 42/38
er
Marais Liv I p. 47/32
Snep Num. 35
Snep no. 36
Snep Num. 15
Snep No. 16
Snep No. 38
Snep No. 39
Marais Liv. II no. 59
da
Schenck Opera 2 , p. 20/15
Schenck Opera 2da, p. 21/15
Schenck Opera 2da, p. 21/16
da
Schenck Opera 2 p. 21/16
Marais Liv. I p. 47
Marais Liv. I p. 43/29
[blank]
-
92
[blank]
M. de Ste Colombe, Le Fils
93
Mr. Christopher Simpson
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
5
Title
Page VdGS No.
Gigue
Tempo di Gavotte
Courante
Prelude
Allemande
Courante
Menuet
Fantasie
70-71
72-73
74
75
76
77
77
78
79
VI/94
VI/92
II/XIII/3
16
17
3
I/23
II/30
Pavan
Prelude
Allemande
Courante
Sarabande
Gavotte
Gigue
Gavotte
Marche
Gigue
Allemande
Courante
Allemande
Gavotte la Villageoise
Allemande
Courante
Sarabande
Gigue
Menuet
Gigue
80-81
82
83
83
84-85
85
86-87
87
88
89
90
91
92
92-93
93
94
95
96
96-97
97
98-99
100
1
6
II/57
I/39
I/43
35
36
15
16
38
39
II/59
II/IX/2
II/IX/3
II/IX/4
II/IX/5
I/44
I/40
5
Divisions to ground
G. molle
Suitte G.molle
Allemande
Courante
Sarabande
Gigue
6
Prelude
Romanesca. Pieces from here to p. 319 omit the continuo part.
46
101-102
103
104-106
A44
106
-
-
Durham Chapter Library, MS Mus. A27
Sequence Ascription
96
97
98
99
100
101
102
103
104
105
106
107
7
8
9
Page VdGS No.
7
94
95
6
Title
Mr. Christopher Simpson
Prelude
Transposed from tablature,
Simpson’s Pract. Comp. App.
incl. p. 172
Transposed from tablature,
ibid. p. 174
Transposed from tablature,
ibid. p. 176
M. du Faut
Suitte
Allemande
Sarabande
Gigue
M. de Ste Colombe Le Fils
Fantaisie en Rondeau
M. de Ste Colombe Le Fils
Gavotte
M. de Ste Colombe Le Fils
Suitte A molle
Prelude
Courante
Sarabande
Gigue
[blank]
r
Mons de Ste Colombe Le Fils Suitte F dur
Prelude
Allemande
Courante
Sarabande
Gigue
Gavotte
Borée
Menuet
8
Mr. Christopher Simpson
Prelude
Mr. Christopher Simpson
Prelude 9
r
Mons Marais ex. mss
Sarabande F durum
[blank]
Mr. Godfrey Finger
Prelude E molle
Mr. De Ste Colombe Le Fils Suitte E molle
Prelude
Courante
Allemande
The Division Viol, p. 52, no. 7.
The Division Viol, p. 52, no. 8.
The Division Viol, p. 52, no. 2.
The Division Viol, p. 52, no. 4.
47
107
-
107
35
107
36
108
37
108
109
110
110-111
112
113-115
10
11
12
-
116
117-120
-
120
120
121
122
123
124-129
195
None
-
Durham Chapter Library, MS Mus. A27
Sequence Ascription
108
109
110
Mr. Doubisson
Mr. Christopher Simpson
Heudeline
111
Mr. Jean Snep
112
Hacquart
113
r
Sig Giovanni Schenck
Title
Page VdGS No.
Sarabande
Gigue
Gavotte
Borée
Menuet
Suite E molle
Allemande
130
Courante
130
Sarabande
131
Gigue
131
Prelude E molle
132
Suitte
Prelude
133
Prelude
133
Allemande
133
Courante
134
Double
134
Sarabande
135
Gigue
135
Gavotte
136
Double de la Gavotte
precedente
136
Menuet
136
Rondeau
136-137
Chaconne
138
Sonate
139-140
Sonata
141
Allemande
142
Gigue
142
Rondeau
142
Gigue
143
Suitte G molle
Prelude
144
Allemande
144
Courante
145
Sarabande
146
Gigue
146-147
Suitte G molle
Prelude
147
Allemande
148
Courante
148
Tempo di Sarabande 149
Gigue
150
48
26
27
28
29
2
29
30
31
32
33
34
35
36
37
38
39
40
41
40
41
42
43
44
51
52
53
54
55
VI/1
VI/2
VI/3
VI/4
VI/5
Durham Chapter Library, MS Mus. A27
Sequence Ascription
114
115
116
117
118
Sigr Giovanni Schenck
Schenck
Marais
119
Marais
r
Sign Angelo-Maria Fiore
[blank]
Snep
120
Hacquart
121
10
Schenck
Title
Page VdGS No.
Tempo di Gavotte
Sonata G molle
Adagio [etc.]
Allegro [etc.]
Allemande
Courante
Sarabande + var.
Gigue
Sonata G molle
Adagio [etc.]
Allemande
Courante
Sarabande
Sarabande II
Gigue
Suitte G molle
Prelude
Allemande
Courante
Sarabande
Gigue
Gavotte
Menuet
Prelude
Rondeau
10
Sonata G molle
151
Sonata G dur
Allemande
Courante
Rondeau
Sarabande
Gigue
Suitte C Dur
Preludium
Allemande
Courante
Sarabande
Gigue
Sonata
Ouverture
From Trattimento XI C.39.
49
VI/6
151-152
153
154
154
155
155
II/III/1
II/III/2
II/III/3
II/III/4
II/III/5
II/III/6
156-157
158
158
159
160
160
II/XII/1
II/XII/2
II/XII/3
II/XII/4
II/XII/5
II/XII/6
161-162
163
164
164
164-165
165
165
166
167
168-169
170
171
172
172
172
173
174
I/48
I/49
I/50
I/51
I/52
I/53
I/54
I/55
I/93
-
174
175
175
176
176
176-178
24
25
26
27
28
29
31
32
33
34
35
VI/66
Durham Chapter Library, MS Mus. A27
Sequence Ascription
122
123
124
125
126
Sigr Giovanni Schenck
Simpson
Monsr. Marais
[Marais]
[blank]
r
Mons Marais
127
[blank]
r
Sig Giovanni Schenck
128
Sigr Giovanni Schenck
129
Sig Giovanni Schenck
r
Title
Aria-allegro
Menuet
Tempo di Gavotta
Bouré
Aria-presto
Capricio
Suitte
Prelude
Allemande
Courante
Chacone
Divisions to ground
Diversités sur un sujet
Prelude C Dur
Suitte F# molle
Prelude
Allemande
Courante
Sarabande
Gigue
Menuet
Rondeau
Page VdGS No.
179
180
180
181
181
182
VI/67
VI/68
VI/69
VI/70
VI/71
VI/72
183
184
184-185
185-190
190-191
192-198
199
200-202
VI/73
VI/74
VI/75
VI.76
4
92
65
203-204
205-205
205
205
206
206-207
207
208
84
85
86
87
88
89
90
Fantaisie F. dur
Fantasia
209
VI/7
Preludium
210
VI/8
Suitte de diverses pieces
Allemande
211
VI/9
Allemande
211
VI/10
Courante
212
VI/11
Courante
212
VI/12
Sarabande
213
VI/13
Variatio
214
VI/14
Tempo di Gavotte
214
VI/15
Tempo di Sarabande 214
VI/16
Ciaconne
215-216
VI/17
Gigue
217
VI/18
Tempo di Passagallo 218-219
VI/19
Gigue
220
VI/20
Sonata F. dur.
Adagio
221
II/XV/1
Allemande
222
II/XV/2
50
Durham Chapter Library, MS Mus. A27
Sequence Ascription
130
Mr. Charles Hacquart
131
132
[blank]
r
Sig Angelo-Maria Fiore
Mr. Jean Snep
133
Sig Giovanni Schenck
r
r
134
Sig Giovanni Schenck
135
Mr. Charles Hacquart
136
137
138
139
[F. Stephkins?]
[F. Stephkins?]
[F. Stephkins?]
Mr. Frederick Stepkins
140
141
Mr. Anthony Poole
Mr. Jean Snep
11
Title
Ciaccone
Suitte
Preludium
Allemande
Courante
Sarabande + var.
Gigue
Page VdGS No.
222-225 II/XV/3
225
226
227
227-228
228-229
230
11
Sonata C. dur
231-233
Sonata
233
Variations sur un sujet 233-235
Sonata
Fantasia
236
Allemande
236
Courante
237
Sarabande + var.
238
Gigue
238
Sonata
Adagio
239
Allegro
239
Ciaccone
239-240
Aria Adagio
240-241
Canzone
241-242
Adagio
242
Adagio
242-244
Alla breve
244
Suitte
Preludium
245
Allemande
246
Courante
246
Sarabande + var.
246-247
Gigue
248
G. dur
249
G. dur
249
Chaconne
250
Allemande G. dur
251
Courante
251
Sarabande
252
Jigg
252
Divisions to a ground 253-256
Sonata
257
Trattimento, No. 12.
51
41
42
43
44
45
12
13
II/XI/1
II/XI/2
II/XI/3
II/XI/4
II/XI/5
II/X/1
56
57
58
59
60
1
2
3
4
5
6
7
7
30
Durham Chapter Library, MS Mus. A27
Sequence Ascription
142
143
144
145
146
147
148
149
Schenck
Sigr Giovanni Schenck
r
Sig Giovanni Schenck
Mr. Charles Hacquart
Mr. Christopher Simpson
r
Sig Giovanni Schenck
Monsieur Marais
[blank]
Mr. De Ste Colombe Le Fils
Title
Page VdGS No.
Chaconne
Gigue
Suitte E. molle
Preludium
Allemande
Courante
Sarabande
Gigue
Menuet
Sonata E. molle
Preludium
Allemande
Courante
Sarabande + var.
Gigue
Sonata E. molle
Allegro [etc.]
Allemande
Courante
Sarabande + var.
Gigue + adagio
Suitte
Fantasia
Allemande
Courante
Sarabande
Gigue
Division to a ground
Suitte B. molle
Preludium
Allemande
Courante
Sarabande
Variatio
Gigue
Fantaisie B. molle
258
259
Suitte B. molle
Allemande
Courante
Sarabande
Gavotte
Gigue
52
260
260
261
262
262
263
31
32
VI/60
VI/61
VI/62
VI/63
VI/64
VI/65
264
265
265
266
266-267
II/VIII/1
II/VIII/2
II/VIII/3
II/VIII/4
II/VIII/5
268-269
270
271
272
273
II/XIV/1
II/XIV/2
II/XIV/3
II/XIV/4
II/XIV/5
274
275
276
276-277
278
278-282
36
37
38
39
40
10
283
283
284
285
285
286
286-289
290-291
292-294
VI/21
VI/22
VI/23
VI/24
VI/25
VI/26
I/91
-
Durham Chapter Library, MS Mus. A27
Sequence Ascription
150
151
Mr. Christopher Simpson
Sigr Giovanni Schenck
152
Sig Giovanni Schenck
153
154
Sigr. Giovanni Schenck
Ex. Mss. Gallico
155
[blank]
Mr. De Ste Colombe Le Fils
156
157
158
159
12
13
r
Title
Page VdGS No.
Division to a ground 295-296
6
Suitte
Caprice
297
VI/96
Allemande
297
VI/97
Courante
298
VI/98
Courante
298
VI/99
Sarabande
299
VI/100
Gigue
299-300 VI/101
Sonata
Preludium
300
II/VII/1
Allemande
301
II/VII/2
Courante
302
II/VII/3
Sarabande
302
II/VII/4
Gigue
303
II/VII/5
Sonata
304-310 II/VI/1
Allemande
311
Sarabande
311
Gigue
311
Chaconne
312
313
Tombeau por Mr. De Ste
Colombe Le Pere 314-318
Sarabande F. molle
318
Gavotte F. molle
319
-
Mr. De Ste Colombe de Fils
Mr. De Ste Colombe de Fils
In genere Harmonico P[hilip].
12
F[alle].
Fantaisie
In genere Harmonico P[hilip].
F[alle].
Passacaille
[blank]
[last page no.]
[blank]
These two pieces by Falle include continuo part.
Modern pencil foliation, followed by one stub.
53
320-321
None
322-327
328
13
329-340
None
Durham, Chapter Library,
Manuscript Mus. D2
A set of t hree partbooks containing mid-seventeenth-century music for two
stringed instruments and basso continuo, probably copied in the 1670s.
D2/1
ii + 35 + i i. Modern pencil pagination 1-70. No m usic entered
pp. 6, 38, 65
D2/2
ii + 36 + i i. Modern pencil pagination 1-72. No m usic entered
pp. 6, 20-21, 40, 67
D2/3
ii + 28 + i i. Modern pencil pagination 1-56. No m usic entered
pp. 2-5, 8, 13, 42, 54-55.
Scribe:
All copied in a single unidentified hand (see Plate 23)
Inscriptions:
D2/2
‘for the honorabl Sir John St Barbe Bart neare Rumsey in
Hampshire’ (front flyleaf i).
D2/3
‘Freder’ (inside front cover); ‘In the old Jorry below the Church
att a barber Ms Steffken’ (pencil; front flyleaf i); ‘John Fr[e]yd
1678’; rear flyleaf ii.
.
Format and dimensions:
Folio: D2/1 310 x 205; D2/2 308 x 204; D2/3 312 x 204
Watermarks:
Paper types in ruled pages
Page numbers are of the recto of each leaf.
Amsterdam
I/7
Fleur-de-lys
I/4
D2/1
39-41
D2/2
41-43
31-37
33-39
54
D2/3
31-37
4
1
Durham Chapter Library, MS Mus. D2
Foolscap
III/10
Foolscap
III/11
Foolscap
III/12
Uncertain
13, 27-29, 43-45,
51-53 59-61, 67-69
1-7, 15-17, 47-49,
55-57, 63- 65
19-25
13, 17-19
1-7, 29-31,
45-71
21-27
9-11
9-11, 15
1, 2
1-3, 13-15, 2325, 39-55
5-11, 17-21,
27-29
1,
2, 4
3, 5
1, 2
Identifiable unruled papers:
D2/1: front flyleaves [i] Foolscap III/10/b (countermark); [ii] Foolscap III/10/b;
rear flyleaf [i ] Foolscap III/11/a (countermark).
D2/2: front flyleaf [i] Foolscap III/11/b (countermark); [ii] Foolscap III/11/a; rear
flyleaf [i ] Foolscap III/11/a; [ii] Foolscap III/10/b.
D2/3: front flyleaves [i], [ii] Foolscap III/11/b (countermark); rear flyleaf [i]
Foolscap III/10/a; [ii] Foolscap III/11/b.
Rastrology:
Ruling
1
2
3
4
5
A
12
10
12
12
10
B
4
5
4
4
5
C
87.5
125
86
85.5
128
D
12.5(11.5)13(12)13(12)13
12.5(15)13(14.5)13.5(15)13(14)13
10.5(14)10.5(14)10.5(14)10.5
11(12.5)11.5(13)12(12)12
12.5(16)13(15.5)13.5(15.5)14(15)13
Marginal rulings on left and right.
Collation:
Unused pages have been rem oved and in places pages have been pasted together.
There is no doubt, however, that the original collation was i n bifolia with the
following exceptions:
1. In D2/1and D2/2 only, the first quire and the quire beginning with the second
sonata numbered 21 (J or K)
2. In all three books, a subst antial quire containing the Jenkins works numbered
32-44 (M or N).
Current collation:
D2/1: A4 lacking 1 B-C1 D-H2 J8 lacking 4 K-L2 M10 N2
D2/2: A4 lacking 1 B-C1 D-J2 K6 lacking 2 L-M2 N12 lacking 1 O1
D2/3: A-D2 E1 F-L2 M6 N1
55
Durham Chapter Library, MS Mus. D2
Bindings:
Contemporary boards covered in blind-tooled sheep with gilt lettering: D2/1 ‘
VIOL: 1.o’ 311 x 209; D2/2 ‘Viol: 2.o’ 314 x 210; D2/3 ‘BASSO:’ 315 x 209.
D2/1 has the pasted label ‘Mss. Collection of Sonatas by Young & others 3 pts.’
Provenance: Philip Falle’s collection (see pp. 3-5 above).
Bibliography: DURHAM E; JENKINS U; PAPER T2; ROST;
VIOLIN C
56
ST BARBE U;
Durham Chapter Library, MS Mus. D2
Contents
Seq.
1
2
3
4
Ascription
Title
[blank]
-
Sonata 1
Mateis2
[blank]
5
6
7
[Gioseffo Zamponi or
Balthasar Richardt]4
[Heinrich Schmeltzer]
[van Wichel]
-
8
9
(Nat. Schnittelbach)
-
10
[J. M.] Nicolai6
Scoring
Key
I
page
II
page
b.c.
page
VdGS No.
vln/vln/bc
g
1
1
-
A
2-3
2-3
1
2-4
D
4-5
6
4-5
6
B
B/F
D
e
7
8
9
10-11
79
8
9
10-11
D
12-13
12-13
D
g
14-15
16-17
14-15
15
16-17 16-17
upon A Ground
Sonata 41
Sonata 5 a 2
Sonata 63
Sonata 7
Sonata 8
Sonata 9
Upon a Ground
Sonata 115
Sonata 12
Sonata 13:
Bargemasco
Sonata 14
vln/b.vl/b.c.
vln/b.vl/b.c.
1
5
6-7
-
8
10
11
12
13
14
None
Heading only.
Here and elsewhere in the MS names incorporate the device of substituting numbers 1-5 for the five vowels: here ‘M1t23s’.
3
Heading only.
4
Ascription to G. Zamponi in B-Bc XY 24.910 (where it is in A major) and to Balthasar Richardt in GB-HAdolmetsch II.c.25, No. 2 (in Bb);
another anonymous copy in Bb is in F-Pn, Rés Vm7 673, No. 63.
5
Heading only.
2
Seq.
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Durham Chapter Library, MS Mus. D2
Scoring
Key
I
page
Ascription
Title
[blank]
[John Jenkins]
[John Jenkins]
[John Jenkins]
[John Jenkins]
[C.] (H. Abell)
[H.] Butle9
[H. Butler]
[W.] Young
Butler
Sm[eltzer]
(Young)
‘Beckern’11
[blank]
Sonata 15
vln/b.vl/b.c.
C
18-19
Sonata 177
Ayre
(Courant)
Fantasia 18
Cuccu. Sonata 19
Sonata 20
[Aria]
Sonata 21
Sonata 21 [sic]
Sonata 2210
Sonata 23
Sonata 24
Sonata 25
vln/b.vl/org8
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
vln/b.vl/b.c.
a
a
a
g
G
G
e
d
F
G
C
D
D
20-21
22
23
24-25
26-27
28
29
30
31
32-33
34
35
36-37
Sonata 2612
Sonata 27
vln/b.vl/b.c.
g
38
39-41
-
6
‘N3c4lI4’.
These four pieces are from Jenkins’s fantasia-suites, group IV.
8
Fully written out organ part for this movement only.
9
‘B5tl2’.
10
No. 7 in Duodena Selectarum Sonatarum (Nuremberg, 1659).
11
i.e. Dietrich Becker, from Erster Theil zweystimmiger Sonaten (Hamburg, 1674).
12
Heading only.
7
58
II
page
b.c.
page
18-19 18-19
20-21
22-23 20-21
24
22
25
22
26-27
23
28-29
24-25
30 34 19
31 35 17
32
26
33 27 18
34 28-29
36 30
37 31
38-39 32-33
40
41-43 36-37
VdGS No.
IV/1a
IV/1b
IV/1c
IV/2a
None
None
-
Seq.
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
13
14
Ascription
Title
[H.] Butle13
Young
[blank]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[Jenkins]
[blank]
Mr Young
[Jenkins]
[Norcombe]
Sonata 28
Sonata 29
‘B5tl2’.
Rough, in orange crayon.
Durham Chapter Library, MS Mus. D2
Scoring
Key
I
page
Ayre 32
33 Aria
Sarab: 34
Courant 35
Fantasia 36
Ayre 37
38 Fantasia
39 Courant
Ayre 40
41 Alman
42 Almand
43 A ground
Fancy 44
[Air]
[Divisions]
‘Folia’ [ground]
14
[Ground]
vln/b.vl/b.c.
vln/b.vl/b.c.
g
D
42-43
44-46
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
2b.vl/b.c.
g
g
g
g
a
a
a
a
d
D
D
C
C
2b.vl
2b.vl
b.vl
b.vl
d
a
47
48
49
50-51
52-53
54-55
56-57
58
59
60
61
62-63
64
65
66-67
68-69
70
59
II
page
b.c.
page
44-45 38-39
46-48 40-41
42
49 43 24
50 44 25
52
45
51
44
54-55
46
56-57
47
58-59
48
60 49 31
61 49 32
62 50 33
63 51 34
64-65
52
66 53 36
67
54-55
68-69
70-71
- 56
72
VdGS No.
20
None
26
27
28
29
30
35
22
19
A31
30
Durham, Chapter Library,
Manuscript Mus. D4
Three partbooks mainly containing mid-seventeenth-century duos for two bass
viols and basso continuo. Most of the composers are English but, to judge by the
spellings of names and some physical characteristics, the partbooks are of
continental origin. A five-movement Italianate sonata da chiesa for solo violin and
bass has been added in a second, possibly English, hand in MSS D.4/1 (violin) and
D.4/2 (bass)
D4/1 and D4/2: I + 12 + i; D4/3: I + 4 + i.
Scribes:
All copied in a single unidentified hand apart from the concluding violin sonata in
D4/1 and 2 (see Plate 24).
Inscriptions:
The name ‘A. Koon’ is written on the front flyleaf of each partbook; in D4/1 an
attempt has been made to erase it.
Format and dimensions: Folio, 311 x 200
Watermarks: Dutch Lion I/2
Flyleaf papers:
Crude bend lettered IK (see illustration) in front flyleaf of D4/1 and D4/3 and rear
flyleaf of D4/2.
Rastrology: Twelve staves ruled with a single-stave rastrum of 10.5 mm.
Collation: D4/1, D4/2: A-C4; D4/3: A4
Bindings:
Contemporary patterned paper covers, as in DRc D5 (though a different pattern):
D4/1, 311 x 201; D4/2, 311 x 203; D4/3, 311 x 202. D4/1 is labelled ‘Fantasies for
three viols.’
The opacity of the main paper, unusual flyleaf mark and the use of a single-stave
60
Durham Chapter Library, MS Mus. D4
rastrum all suggest that this manuscript was not copied in England.
Provenance: Philip Falle (see pp. 3-5 above).
Bibliography: DURHAM E; JENKINS U; PAPER T2; VIOLIN C
Contents
No.
Ascription
Title
1
2
3
4
5
6
7
8
9
10
[11]
Joung
Fantasia
W. Joung 1
Fant(a)sia
J. Jenckings
Fantasia
J. Jenckings
A Fantasia
[?]. Poul 2
Fantasia
[John Jenkins]3 Fantasia
5
Jenck.
Fantasia
[?]. Poul
Fantasia
G. Schults
Sonata
[?]. Poul
Sonata Solo6
Key
I
page
II
page
bc
page
VdGS
No.
d
1-2
d
2-4
d
5-6
d
6-8
a
8-10
g 10-12
g 12-14
F 14-17
a 17-19
e 20-22
B  22-24
1-2
2-4
5-6
6-8
8-10
10-12
12-14
14-17
18-20
21-23
24-25
1
2
2-3
3
3
4
4-5
5
5-7
8
-
22
[63]
37
38
14
A4154
JJ39
1
2
-
1
By Jenkins, with the given VdGS number.
By Jenkins, with the given VdGS number. The pieces are otherwise presumed to be by
Anthony Poole. The initial ‘P’ for Poul (as given in the VdGS lists) may stand for ‘Pater’;
for the Jesuit Anthony Poole (1627-1692), who must have been the composer, see Anthony
Kenny, ed., The Responsa Scholarum of the English College, Rome, Part II: 1622-1685,
Catholic Record Society 55 (1963), 500; Godfrey Anstruther, The Seminary Priests, II
(Great Wakering, 1975), 248. See also BEINECKE F; STUART C, 56.
3
Although the piece is anonymous and this is the sole source, it is ascribed to Jenkins
on grounds of style.
4
Now re-numbered as Jenkins [64].
5
Not by Jenkins on grounds of style; perhaps by Poole?
6
For treble [violin?] and continuo. The end of the continuo part is copied on to the
flyleaf.
2
61
Durham, Chapter Library,
Manuscript Mus. D5
Three partbooks containing mid-seventeenth-century consort music for t wo
stringed instruments and continuo.
D5/1-3 12 (no fl yleaves). Modern pencil pagination 1-24. No m usic entered in
D5/3 pp. 22-24.
Scribe:
All copied in a single unidentified hand (see Plate 25).
Inscriptions:
D5/1 labelled ‘Mss. Collection of Sonatas by H. Butler. & c. 3 pts.’
Format and dimensions: folio, D5/1-3 309.5 x 201.
Watermarks: Dutch Lion I/3.
Rastrology:
Twelve staves ruled with a single-stave rastrum of 11.5 m m. This is probably the
same as t he one used i n DRc D4, t he difference in stave width being due to
variations in pressure or in the viscosity of the ink.
Collation: D5/1-3: A12
Bindings:
Contemporary patterned paper covers, as in DRc D4 (but a different pattern):
D5/1, D5/2, 309.5 x 201; D5/3, 310.5 x 202. D5/ 1 labelled ‘Mss. Collection of
Sonatas by H. Butler. & c. 3 pts.’
Like DRc MS Mus. D4, this manuscript has several features suggesting that it was
not copied in England.
Provenance: Philip Falle (see pp. 3-5 above).
Bibliography: DURHAM E; JENKINS U; PAPER T2; VIOLIN C
62
Durham Chapter Library, MS Mus. D5
Contents
No.
1
2
3
4
5
6
7
8
9
10
11
12
1
2
Ascription
Title
H. Butler
[J.] (Claussen)
Zamponi1
Jenkins
Jenkins
H. Butler
-
Sonata a 2. violino e viola
Sonata a 2. violino e viola
Sonata a 2. violino e viola
Sonata a 2. violino e viola
Sonata a 2. violino e viola
Sonata a 2. violino e viola
Aria a 2. violino e viola
Sonata a 2. violino e viola
Allemande
Courante
Ballet
Sarabande
gigue
Sonata a 2 viol d gamb.
Sonata a 2 viol d gamb
Sonata a 2 viol d gamb.
Jenkins
Jenkins2
-
Key
I
II
bc
VdGS No.
F
G
g
d
a
d
A
g
A
A
A
A
A
e
d
g
1
2-3
4-5
6-7
8-9
10-11
12-13
14-15
16
16
16-17
17
17
18-19
20-21
22-23
1
2-3
4-5
6-7
8-9
10-11
12-13
14-15
16 16
16 16
16-17
17 17
17 17
18-19
20-21
22-23
1
2-3
4-5
6-7
8-9
10-11
12-13
14-15
18
HB20
None
None
19
15
WY23
-
16
18
18-19
20-21
Ascribed to Henry Butler in GB-DRc, MS Mus. D2.
On stylistic grounds this piece is assigned to William Young, to whom it is ascribed in GB-DRc, MS Mus. D4, no. 1.
63
Durham, Chapter Library,
Manuscript Mus. D10
Scorebook containing mid-seventeenth-century consort music for two stringed
instruments and continuo, probably dating from the 1670s.
i + 159 + i. Pagination is in a single series 1-318, partly in ink and partly in pencil;
the ink pagination present on most of the copied pages was presumably added at an
early stage (though not, apparently, by the copyist) as a guide for the binder. It is
remarkable that the unused sections separating copied pages contain exactly the
right number of pages. Pages 214-227 were originally mis-numbered 114-127.
No music entered pp. 1, 34-89, 176-211, 231-318.
Scribe:
All copied in a single unidentified hand (see Plate 26).
Format and dimensions:
Sexto, 112 x 229
Watermarks:
Fleur-de-lys I/5 (pp. 1-189); fleur-de-lys I/6 (pp. 191-317)
Rastrology:
A 6; B 3; C 31; D 6(7)5.5(7)5.5. Red/brown marginal rulings.
Additional staves, sometimes affected by cropping, have been added to many
pages.
Collation:
Uncertain and apparently irregular. Some quires were evidently of 6 folios, as the
format would suggest.
Bindings: Contemporary boards covered in white blind-tooled vellum, re-backed;
117 x 230.
Provenance: Philip Falle (see pp. 3-5 above).
64
Durham Chapter Library, MS Mus. D10
This is a highly unusual manuscript, presumably used as a file copy since the very
small staves would have made it difficult to use in performance. Some if not all of
the copying must have taken place before binding, which incorporated a
considerable amount of spare paper. Although the paper type and overall style of
the manuscript suggest English provenance the copyist appears to have been Dutch
or German, using attributions such as ‘Mr Ditrich Stoeffken’ (p. 101), ‘Heinrich
Butler (p. 212) and ‘Singr Wilh: Jonge’ (p. 226).
Bibliography: DURHAM C; DURHAM E; JENKINS U; PAPER T2; VIOLIN C
65
Contents
Sequence
[1]
[2?]2
[3]
[4]
Composer
Title
1
‘Autor Sing:’
J. M. Nicolaij
Michael Nicolaij3
Sonata
Alemand
Courant
Sarab:
Allement
Courant
Gigue
Sonata
Preludium
Fantasia
Gigg
Gimorii [?]
Sonata
Aria
Courant
Gigg
Sarabanda
Ciaconi
Key
Scoring
Page No.
VdGS No.
a
a
a
a
d
d
d
2b.vl/bc
2
5
6
8
8
9
10
5
3
7
10
4
8
9
11
12
15
16
20
22
23
24
25
26
6
-
2b.vl/org/thbo
C
C
C
C
a
e
a
a
a
a
2b.vl/bc
1
Attributed to Jenkins in GB-Lbl, Add. MS 31,430, ff. 4 and 10v, but the piece is not in his style. It is perhaps by Nicolai, to whom we have
tentatively attributed it.
2
No obvious division between the pieces, except the change in key and repeated dance sequence.
3
Attributed to Jenkins in GB-Lbl, Add. MS 31,430, ff. 7v and 13, but the piece is not in his style, so Nicolai is preferred.
64
Sequence
[5]
Composer
Nicolaij
Durham Chapter Library, MS Mus. D10
Title
Key
Scoring
Page No.
Sonata
Adagio-Allegro
Adagio-Allegro
Adagio-Gigg
Courante
Sarabanda
3b.vl
D
D
D
D
D
VdGS No.
29
30
31
32
33
2
-
90
92
92
93
94-97
98-100
101-105
106-107
108-111
112-115
116-124
14
2
17
22
15
14
1
pp. 34-89 blank
[6]
[7]
[8]
[9]
[10]
[11]
[12]
[13]
4
-
Butler4
Mr. Maarit Webster
Mr. Ditrich Stoeffken
Mr. Daniel Norcum
H. B[utler].
H. B[utler].
H: B[utler]:
Sonatino
Adagio-Adagio pocoAllegro
Allemand
Courant
Sarab: - variation imo
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
Duplicated at p. 112, No. 11.
71
b.vl/bc
b.vl
b.vl
b.vl
b.vl
b.vl
b.vl
b.vl
Durham Chapter Library, MS Mus. D10
Sequence
[14]
[15]
[16]
[17]
[18]
[19]
[20]
[21]
[22]
[23]
[24]
[25]
[26]
[27]
[28]
[29]
[30]
[31]
[32]
5
Composer
Title
H: B[utler]:
H: Botler:
H: B[utler]:
Sēgr. Jon.5
Henrich Botler
H: B[utler]:
H: B[utler]:
Sr Joug
H. B[utler].
H. B[utler].
William Young
[Young]
[Young]
[Young]
[Young]
[Young]
[Young]
[Young]
[Young]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Divisions]
[Pavan]
[Almain]
[Air]
[Saraband]
[Corant]
[Almain]
[Air]
[Almain]
[Air]
Key
Scoring
Page No.
VdGS No.
b.vl
b.vl
b.vl
b.vl
b.vl
b.vl
b.vl
b.vl
b.vl
b.vl
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
124-128
129-131
132-138
139-142
143-148
149
150-151
152-155
156-159
160-161
162
163
164
164
164
165
166
169
169
2
4
5
Butler8
9/10
11
12
Attributed to ‘Mr Buttler’ in US-NYp, MS Drexel 3551, pp. 37-39, which is preferred.
72
13
7/16
1
2
3
4
5
6
7
9
10
[33]
[34]
[35]
[36]
Sequence
[37]
[38]
[39]
[40]
[41]
[42]
[43]
[Young]
[Young]
Will Joung
[Young]
Composer
Durham Chapter Library, MS Mus. D10
[Corant]
2b.vl
169
[Saraband]
2b.vl
170
[Almain]
2b.vl
170
[Air]
2b.vl
171
Title
Key
Scoring
Page No.
[Young]
[Young]
[Young]
[Young]
[Young]
[Young]
[Young]
[Corant]
[Saraband]
[Air]
[Saraband]
[Air]
[Corant]
[Almain]
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
2b.vl
11
12
13
14
VdGS No.
172
172
173
173
173
174
175
15
16
17
18
19
20
21
vln/b.vl/bc
212-214
18
vln/b.vl/bc
vln/b.vl/bc
215-217
218
19
17
pages 176-211 blank
[44]
H[ein]rich Botler
[45]
Heinrich Butler
[46]
[47]
H Butler
[Zamponi]6
Fantasia a 2. violino e
Viola di G.
Fantasia. a. 2. violino
e Viola di G:
Aria
Sonata. a 2. Violino.
6
Anonymous here, but attributed to Butler in GB-DRc, MS Mus. D2, and to Zamponi in GB-DRc, MS Mus. D5. Although the piece is
included in Henry Butler, Collected Works, ed. Elizabeth V. Phillips, A-R Editions, Inc., Recent Researches in the Music of the Baroque Era, 66,
No. 20 (Madison, Wisconsin, 1991), the style is unlike Butler’s other music, so Zamponi is preferred here.
73
[48]
[Young]
[49]
Young
Durham Chapter Library, MS Mus. D10
e Viola di gamba
vln/b.vl/bc
219-222
Sonata a 2. Violino e
Viola di gamba
vln/b.vl/bc
223-225
Sonata a 2. Violino e
Viola di gamba
vln/b.vl/bc
226-
74
HB20

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