05 Durham - Viola da Gamba Society
Transcription
05 Durham - Viola da Gamba Society
Durham, Chapter Library, Manuscript Mus. A27 Scorebook containing music for bass viol copied by Philip Falle, mainly from printed partbooks. Possibly compiled, or completed, between 1722, when Falle listed the music books he intended to leave to Durham Cathedral Library, and 1739 when they were actually deposited there (see above, p. 3). ii + 169 + i; flyleaves as well as pastedowns consist of ruled music paper. Contemporary ink pagination 1-328 continued in modern pencil 329-342, including end flyleaf 339-340 and the stub of an excised flyleaf 341-342. No music entered on flyleaves [i],[ii] or on pp. 23, 25, 50, 55, 64, 79, 100, 103, 116, 122, 170, 200202, 208, 230, 290, 313, 328-342. Scribes: Philip Falle Format and dimensions: Oblong quarto, 218 x 284; coloured edges. Watermarks: Bend II/2, Bend II/3, Bend II/4. At least one other mark of the same general pattern appears, countermarked HD; on many pages the opacity of the paper or density of notation makes the detail of watermarks difficult or impossible to decipher even with the aid of artificial light. Bend II/2 is the principal paper type, but II/3 and II/4 also occur in significant quantities. Falle seems to have used a paper stock in which the different types, which all have the same ruling, were already mixed. Rastrology A 8; B 4; C 81; D 11(12)11(12)11(12.5)11. Red marginal rulings. The same rastrum appears to have been used throughout although it spreads slightly on some pages towards the end of the book. Collation: Uncertain and apparently irregular. Some quires were evidently of 4 folios; in places pages have been removed or are pasted together. Falle appears to have copied this manuscript on unbound sheets, which he grouped, pasted together or partly removed according to the requirements of his immediate copying task rather 43 Durham Chapter Library, MS Mus. A27 than subsequent bibliographical regularity. Bindings: Contemporary boards covered in distressed calf, 235 x 288; edges patterned and gilt; original back with gilt decoration. Provenance: Philip Falle (see pp. 3-5 above). Bibliography: DURHAM C; DURHAM E; FALLE U Contents 1 2 Sequence Ascription 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 1 2 3 Marais Liv. II Num. 3 Marais Liv. I p. 23/15 Marais Liv. I p. 18/11 Marais Liv. I p. 26/18 Marais Liv. I p. 31/22 Marais Liv. I p. 17/10 Marais Liv. I p. 17/10 Marais Liv. II Num. 2 Marais Liv. II Num. 9 Marais Liv. I Marais Liv. I p. 30 Marais Liv. I p. 21/13 Marais Liv. I p. 9/5 Marais Liv. I p. 29 Marais Liv. I 7/4 Marais Liv. I p. 32/22 Marais Liv. II Num. 5 Marais Liv. I p. 11/6 Marais Liv. I p. 27/18 Marais Liv. II Num 10 [blank] ta Schenck 6 , Num. 38 [blank] Schenck Opera 2da, p. 5/4 Snep p. 4/3 ta Schenck Opera 6 , Num. 45 da Schenck Opera 2 , p. 4/3 Title2 PageVdGS No. 3 Prelude Gigue Sarabande Fantasie Gavotte en Rondeau Courante Double Fantasie Courante Allemande Menuet Gigue Prelude Rondeau Prelude Gavotte Bourasque Fantasie Rondeau Sarabande Prelude Allemande Gigue Rondeau Aria Allegro 1 2-3 3 4 4-5 6 7 8 9 10-11 11 12-13 13 14-15 16-17 17 18 19 20-21 22 23 24 25 26 27 28 29 Not present in the source. Falle’s own titles. Pieces on pp. 1-99, except 50-53 include both viol and continuo parts. 44 II/3 I/18 I/12 I/21 I/26 I/10 I/11 II/2 II/9 I/6 I/25 I/16 I/2 I/24 I/1 I/27 II/5 I/5 I/22 II/10 VI/38 II/II/2 11 VI/45 II/II/1 Durham Chapter Library, MS Mus. A27 Sequence Ascription Title ta 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Schenck Opera 6 , Num. 44 Schenck Opera 6ta, Num. 46 Schenck Opera 2da, p. 12/9 Snep p. 1 Num. 4 Snep p. 1 Num. 3 Snep p. 2/1 Num. 5 Snep p. 2/1 Num. 5 Hacquart p. 7/4 Hacquart p. 7/5 Hacquart p. 8/5 Hacquart p. 5/3 da Schenck Opera 2 , p. 2/2 Hacquart p. 16/12 Marais Liv. II Num. 12 Marais Liv Ier, p. 9/5 Marais Liv I p. 15/8 Marais Liv. I p. 16 43 44 45 46 47 Marais Liv. II No. 17 Heudeline No. 29 Heudeline No. 31 Heudeline No. 32 Heudeline No. 36 [blank] da da Schenck Opera 2 , Son. 2 Snep No. 31 Schenck Opera 2da, p. 26/18 Schenck Opera 2da, p. 26/18 da Schenck Opera 2 , p. 27/18 da Schenck Opera 2 , p. 27/18 Hacquart p. 53/59 Hacquart p. 53/59 [blank] da Schenck Opera 2 , p. 3/3 Heudeline Liv. p. 1/1 pro viola minore Allemande Blancourt Ex. mss. Gigue Heudeline Liv. I. p. 4/2 Menuet Simpson Chelys Minuritiontum p. 57 Divisions to ground da Schenck Opera 6 , Num. 84 Prelude 48 49 50 51 52 53 54 55 56 57 58 59 60 61 4 Page VdGS No. Gavotte 30 Bourée 30-31 Sarabande 31 Gavotte 32 Courante 32-33 Sarabande 34 Gigue 34-35 Allemande 35 Courante 36 Sarabande 36-37 Gigue 37 Allemande 38 Courante 39 Gigue la Favorite 40-41 Prelude 42 Allemande 42-43 Double de L’Allemande precedente 44-45 Menuet 45 Prelude pro viola Minore 46 Allemande 46-47 Courante 48 Gavotte 48-49 50 Sonata 51-54 Chaconne 56-57 Allemande 4 58-59 Courante 59 Sarabande 60 Gigue 61 Allemande 62 Courante 62-63 64 Gigue 65 Pieces on pp. 50-53 omit the continuo part. 45 VI/44 VI/46 II/V/4 4 3 5 6 7 8 9 5 II/I/3 18 II/12 I/3 I/8 I/9 II/17 29 31 32 36 II/II/1 31 II/XI/2 II/XI/3 II/XI/4 II/XI/5 57 58 II/I/6 66 66-67 67 1 9 68-69 70 7 VI/84 Durham Chapter Library, MS Mus. A27 Sequence Ascription 62 63 64 65 66 67 68 69 91 Schenck Opera 6 No. 94 Schenck Opera 6 no. 92 Schenck Opera 2da, p. 31/20 Hacquart p. 14/11 Hacquart p. 15/11 Hacquart p. 3/2 Marais Liv. I p. 28/20 Marais Liv. II no. 30 [blank] Mace Musick’s Monument p. 253 Hacquart p. 6/4 Incerti Authoris Ex. mss. Incerti Authoris Ex. mss. Incerti Authoris Ex. mss. Marais Liv. II no. 57 Marais Liv. I p. 42/38 er Marais Liv I p. 47/32 Snep Num. 35 Snep no. 36 Snep Num. 15 Snep No. 16 Snep No. 38 Snep No. 39 Marais Liv. II no. 59 da Schenck Opera 2 , p. 20/15 Schenck Opera 2da, p. 21/15 Schenck Opera 2da, p. 21/16 da Schenck Opera 2 p. 21/16 Marais Liv. I p. 47 Marais Liv. I p. 43/29 [blank] - 92 [blank] M. de Ste Colombe, Le Fils 93 Mr. Christopher Simpson 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 5 Title Page VdGS No. Gigue Tempo di Gavotte Courante Prelude Allemande Courante Menuet Fantasie 70-71 72-73 74 75 76 77 77 78 79 VI/94 VI/92 II/XIII/3 16 17 3 I/23 II/30 Pavan Prelude Allemande Courante Sarabande Gavotte Gigue Gavotte Marche Gigue Allemande Courante Allemande Gavotte la Villageoise Allemande Courante Sarabande Gigue Menuet Gigue 80-81 82 83 83 84-85 85 86-87 87 88 89 90 91 92 92-93 93 94 95 96 96-97 97 98-99 100 1 6 II/57 I/39 I/43 35 36 15 16 38 39 II/59 II/IX/2 II/IX/3 II/IX/4 II/IX/5 I/44 I/40 5 Divisions to ground G. molle Suitte G.molle Allemande Courante Sarabande Gigue 6 Prelude Romanesca. Pieces from here to p. 319 omit the continuo part. 46 101-102 103 104-106 A44 106 - - Durham Chapter Library, MS Mus. A27 Sequence Ascription 96 97 98 99 100 101 102 103 104 105 106 107 7 8 9 Page VdGS No. 7 94 95 6 Title Mr. Christopher Simpson Prelude Transposed from tablature, Simpson’s Pract. Comp. App. incl. p. 172 Transposed from tablature, ibid. p. 174 Transposed from tablature, ibid. p. 176 M. du Faut Suitte Allemande Sarabande Gigue M. de Ste Colombe Le Fils Fantaisie en Rondeau M. de Ste Colombe Le Fils Gavotte M. de Ste Colombe Le Fils Suitte A molle Prelude Courante Sarabande Gigue [blank] r Mons de Ste Colombe Le Fils Suitte F dur Prelude Allemande Courante Sarabande Gigue Gavotte Borée Menuet 8 Mr. Christopher Simpson Prelude Mr. Christopher Simpson Prelude 9 r Mons Marais ex. mss Sarabande F durum [blank] Mr. Godfrey Finger Prelude E molle Mr. De Ste Colombe Le Fils Suitte E molle Prelude Courante Allemande The Division Viol, p. 52, no. 7. The Division Viol, p. 52, no. 8. The Division Viol, p. 52, no. 2. The Division Viol, p. 52, no. 4. 47 107 - 107 35 107 36 108 37 108 109 110 110-111 112 113-115 10 11 12 - 116 117-120 - 120 120 121 122 123 124-129 195 None - Durham Chapter Library, MS Mus. A27 Sequence Ascription 108 109 110 Mr. Doubisson Mr. Christopher Simpson Heudeline 111 Mr. Jean Snep 112 Hacquart 113 r Sig Giovanni Schenck Title Page VdGS No. Sarabande Gigue Gavotte Borée Menuet Suite E molle Allemande 130 Courante 130 Sarabande 131 Gigue 131 Prelude E molle 132 Suitte Prelude 133 Prelude 133 Allemande 133 Courante 134 Double 134 Sarabande 135 Gigue 135 Gavotte 136 Double de la Gavotte precedente 136 Menuet 136 Rondeau 136-137 Chaconne 138 Sonate 139-140 Sonata 141 Allemande 142 Gigue 142 Rondeau 142 Gigue 143 Suitte G molle Prelude 144 Allemande 144 Courante 145 Sarabande 146 Gigue 146-147 Suitte G molle Prelude 147 Allemande 148 Courante 148 Tempo di Sarabande 149 Gigue 150 48 26 27 28 29 2 29 30 31 32 33 34 35 36 37 38 39 40 41 40 41 42 43 44 51 52 53 54 55 VI/1 VI/2 VI/3 VI/4 VI/5 Durham Chapter Library, MS Mus. A27 Sequence Ascription 114 115 116 117 118 Sigr Giovanni Schenck Schenck Marais 119 Marais r Sign Angelo-Maria Fiore [blank] Snep 120 Hacquart 121 10 Schenck Title Page VdGS No. Tempo di Gavotte Sonata G molle Adagio [etc.] Allegro [etc.] Allemande Courante Sarabande + var. Gigue Sonata G molle Adagio [etc.] Allemande Courante Sarabande Sarabande II Gigue Suitte G molle Prelude Allemande Courante Sarabande Gigue Gavotte Menuet Prelude Rondeau 10 Sonata G molle 151 Sonata G dur Allemande Courante Rondeau Sarabande Gigue Suitte C Dur Preludium Allemande Courante Sarabande Gigue Sonata Ouverture From Trattimento XI C.39. 49 VI/6 151-152 153 154 154 155 155 II/III/1 II/III/2 II/III/3 II/III/4 II/III/5 II/III/6 156-157 158 158 159 160 160 II/XII/1 II/XII/2 II/XII/3 II/XII/4 II/XII/5 II/XII/6 161-162 163 164 164 164-165 165 165 166 167 168-169 170 171 172 172 172 173 174 I/48 I/49 I/50 I/51 I/52 I/53 I/54 I/55 I/93 - 174 175 175 176 176 176-178 24 25 26 27 28 29 31 32 33 34 35 VI/66 Durham Chapter Library, MS Mus. A27 Sequence Ascription 122 123 124 125 126 Sigr Giovanni Schenck Simpson Monsr. Marais [Marais] [blank] r Mons Marais 127 [blank] r Sig Giovanni Schenck 128 Sigr Giovanni Schenck 129 Sig Giovanni Schenck r Title Aria-allegro Menuet Tempo di Gavotta Bouré Aria-presto Capricio Suitte Prelude Allemande Courante Chacone Divisions to ground Diversités sur un sujet Prelude C Dur Suitte F# molle Prelude Allemande Courante Sarabande Gigue Menuet Rondeau Page VdGS No. 179 180 180 181 181 182 VI/67 VI/68 VI/69 VI/70 VI/71 VI/72 183 184 184-185 185-190 190-191 192-198 199 200-202 VI/73 VI/74 VI/75 VI.76 4 92 65 203-204 205-205 205 205 206 206-207 207 208 84 85 86 87 88 89 90 Fantaisie F. dur Fantasia 209 VI/7 Preludium 210 VI/8 Suitte de diverses pieces Allemande 211 VI/9 Allemande 211 VI/10 Courante 212 VI/11 Courante 212 VI/12 Sarabande 213 VI/13 Variatio 214 VI/14 Tempo di Gavotte 214 VI/15 Tempo di Sarabande 214 VI/16 Ciaconne 215-216 VI/17 Gigue 217 VI/18 Tempo di Passagallo 218-219 VI/19 Gigue 220 VI/20 Sonata F. dur. Adagio 221 II/XV/1 Allemande 222 II/XV/2 50 Durham Chapter Library, MS Mus. A27 Sequence Ascription 130 Mr. Charles Hacquart 131 132 [blank] r Sig Angelo-Maria Fiore Mr. Jean Snep 133 Sig Giovanni Schenck r r 134 Sig Giovanni Schenck 135 Mr. Charles Hacquart 136 137 138 139 [F. Stephkins?] [F. Stephkins?] [F. Stephkins?] Mr. Frederick Stepkins 140 141 Mr. Anthony Poole Mr. Jean Snep 11 Title Ciaccone Suitte Preludium Allemande Courante Sarabande + var. Gigue Page VdGS No. 222-225 II/XV/3 225 226 227 227-228 228-229 230 11 Sonata C. dur 231-233 Sonata 233 Variations sur un sujet 233-235 Sonata Fantasia 236 Allemande 236 Courante 237 Sarabande + var. 238 Gigue 238 Sonata Adagio 239 Allegro 239 Ciaccone 239-240 Aria Adagio 240-241 Canzone 241-242 Adagio 242 Adagio 242-244 Alla breve 244 Suitte Preludium 245 Allemande 246 Courante 246 Sarabande + var. 246-247 Gigue 248 G. dur 249 G. dur 249 Chaconne 250 Allemande G. dur 251 Courante 251 Sarabande 252 Jigg 252 Divisions to a ground 253-256 Sonata 257 Trattimento, No. 12. 51 41 42 43 44 45 12 13 II/XI/1 II/XI/2 II/XI/3 II/XI/4 II/XI/5 II/X/1 56 57 58 59 60 1 2 3 4 5 6 7 7 30 Durham Chapter Library, MS Mus. A27 Sequence Ascription 142 143 144 145 146 147 148 149 Schenck Sigr Giovanni Schenck r Sig Giovanni Schenck Mr. Charles Hacquart Mr. Christopher Simpson r Sig Giovanni Schenck Monsieur Marais [blank] Mr. De Ste Colombe Le Fils Title Page VdGS No. Chaconne Gigue Suitte E. molle Preludium Allemande Courante Sarabande Gigue Menuet Sonata E. molle Preludium Allemande Courante Sarabande + var. Gigue Sonata E. molle Allegro [etc.] Allemande Courante Sarabande + var. Gigue + adagio Suitte Fantasia Allemande Courante Sarabande Gigue Division to a ground Suitte B. molle Preludium Allemande Courante Sarabande Variatio Gigue Fantaisie B. molle 258 259 Suitte B. molle Allemande Courante Sarabande Gavotte Gigue 52 260 260 261 262 262 263 31 32 VI/60 VI/61 VI/62 VI/63 VI/64 VI/65 264 265 265 266 266-267 II/VIII/1 II/VIII/2 II/VIII/3 II/VIII/4 II/VIII/5 268-269 270 271 272 273 II/XIV/1 II/XIV/2 II/XIV/3 II/XIV/4 II/XIV/5 274 275 276 276-277 278 278-282 36 37 38 39 40 10 283 283 284 285 285 286 286-289 290-291 292-294 VI/21 VI/22 VI/23 VI/24 VI/25 VI/26 I/91 - Durham Chapter Library, MS Mus. A27 Sequence Ascription 150 151 Mr. Christopher Simpson Sigr Giovanni Schenck 152 Sig Giovanni Schenck 153 154 Sigr. Giovanni Schenck Ex. Mss. Gallico 155 [blank] Mr. De Ste Colombe Le Fils 156 157 158 159 12 13 r Title Page VdGS No. Division to a ground 295-296 6 Suitte Caprice 297 VI/96 Allemande 297 VI/97 Courante 298 VI/98 Courante 298 VI/99 Sarabande 299 VI/100 Gigue 299-300 VI/101 Sonata Preludium 300 II/VII/1 Allemande 301 II/VII/2 Courante 302 II/VII/3 Sarabande 302 II/VII/4 Gigue 303 II/VII/5 Sonata 304-310 II/VI/1 Allemande 311 Sarabande 311 Gigue 311 Chaconne 312 313 Tombeau por Mr. De Ste Colombe Le Pere 314-318 Sarabande F. molle 318 Gavotte F. molle 319 - Mr. De Ste Colombe de Fils Mr. De Ste Colombe de Fils In genere Harmonico P[hilip]. 12 F[alle]. Fantaisie In genere Harmonico P[hilip]. F[alle]. Passacaille [blank] [last page no.] [blank] These two pieces by Falle include continuo part. Modern pencil foliation, followed by one stub. 53 320-321 None 322-327 328 13 329-340 None Durham, Chapter Library, Manuscript Mus. D2 A set of t hree partbooks containing mid-seventeenth-century music for two stringed instruments and basso continuo, probably copied in the 1670s. D2/1 ii + 35 + i i. Modern pencil pagination 1-70. No m usic entered pp. 6, 38, 65 D2/2 ii + 36 + i i. Modern pencil pagination 1-72. No m usic entered pp. 6, 20-21, 40, 67 D2/3 ii + 28 + i i. Modern pencil pagination 1-56. No m usic entered pp. 2-5, 8, 13, 42, 54-55. Scribe: All copied in a single unidentified hand (see Plate 23) Inscriptions: D2/2 ‘for the honorabl Sir John St Barbe Bart neare Rumsey in Hampshire’ (front flyleaf i). D2/3 ‘Freder’ (inside front cover); ‘In the old Jorry below the Church att a barber Ms Steffken’ (pencil; front flyleaf i); ‘John Fr[e]yd 1678’; rear flyleaf ii. . Format and dimensions: Folio: D2/1 310 x 205; D2/2 308 x 204; D2/3 312 x 204 Watermarks: Paper types in ruled pages Page numbers are of the recto of each leaf. Amsterdam I/7 Fleur-de-lys I/4 D2/1 39-41 D2/2 41-43 31-37 33-39 54 D2/3 31-37 4 1 Durham Chapter Library, MS Mus. D2 Foolscap III/10 Foolscap III/11 Foolscap III/12 Uncertain 13, 27-29, 43-45, 51-53 59-61, 67-69 1-7, 15-17, 47-49, 55-57, 63- 65 19-25 13, 17-19 1-7, 29-31, 45-71 21-27 9-11 9-11, 15 1, 2 1-3, 13-15, 2325, 39-55 5-11, 17-21, 27-29 1, 2, 4 3, 5 1, 2 Identifiable unruled papers: D2/1: front flyleaves [i] Foolscap III/10/b (countermark); [ii] Foolscap III/10/b; rear flyleaf [i ] Foolscap III/11/a (countermark). D2/2: front flyleaf [i] Foolscap III/11/b (countermark); [ii] Foolscap III/11/a; rear flyleaf [i ] Foolscap III/11/a; [ii] Foolscap III/10/b. D2/3: front flyleaves [i], [ii] Foolscap III/11/b (countermark); rear flyleaf [i] Foolscap III/10/a; [ii] Foolscap III/11/b. Rastrology: Ruling 1 2 3 4 5 A 12 10 12 12 10 B 4 5 4 4 5 C 87.5 125 86 85.5 128 D 12.5(11.5)13(12)13(12)13 12.5(15)13(14.5)13.5(15)13(14)13 10.5(14)10.5(14)10.5(14)10.5 11(12.5)11.5(13)12(12)12 12.5(16)13(15.5)13.5(15.5)14(15)13 Marginal rulings on left and right. Collation: Unused pages have been rem oved and in places pages have been pasted together. There is no doubt, however, that the original collation was i n bifolia with the following exceptions: 1. In D2/1and D2/2 only, the first quire and the quire beginning with the second sonata numbered 21 (J or K) 2. In all three books, a subst antial quire containing the Jenkins works numbered 32-44 (M or N). Current collation: D2/1: A4 lacking 1 B-C1 D-H2 J8 lacking 4 K-L2 M10 N2 D2/2: A4 lacking 1 B-C1 D-J2 K6 lacking 2 L-M2 N12 lacking 1 O1 D2/3: A-D2 E1 F-L2 M6 N1 55 Durham Chapter Library, MS Mus. D2 Bindings: Contemporary boards covered in blind-tooled sheep with gilt lettering: D2/1 ‘ VIOL: 1.o’ 311 x 209; D2/2 ‘Viol: 2.o’ 314 x 210; D2/3 ‘BASSO:’ 315 x 209. D2/1 has the pasted label ‘Mss. Collection of Sonatas by Young & others 3 pts.’ Provenance: Philip Falle’s collection (see pp. 3-5 above). Bibliography: DURHAM E; JENKINS U; PAPER T2; ROST; VIOLIN C 56 ST BARBE U; Durham Chapter Library, MS Mus. D2 Contents Seq. 1 2 3 4 Ascription Title [blank] - Sonata 1 Mateis2 [blank] 5 6 7 [Gioseffo Zamponi or Balthasar Richardt]4 [Heinrich Schmeltzer] [van Wichel] - 8 9 (Nat. Schnittelbach) - 10 [J. M.] Nicolai6 Scoring Key I page II page b.c. page VdGS No. vln/vln/bc g 1 1 - A 2-3 2-3 1 2-4 D 4-5 6 4-5 6 B B/F D e 7 8 9 10-11 79 8 9 10-11 D 12-13 12-13 D g 14-15 16-17 14-15 15 16-17 16-17 upon A Ground Sonata 41 Sonata 5 a 2 Sonata 63 Sonata 7 Sonata 8 Sonata 9 Upon a Ground Sonata 115 Sonata 12 Sonata 13: Bargemasco Sonata 14 vln/b.vl/b.c. vln/b.vl/b.c. 1 5 6-7 - 8 10 11 12 13 14 None Heading only. Here and elsewhere in the MS names incorporate the device of substituting numbers 1-5 for the five vowels: here ‘M1t23s’. 3 Heading only. 4 Ascription to G. Zamponi in B-Bc XY 24.910 (where it is in A major) and to Balthasar Richardt in GB-HAdolmetsch II.c.25, No. 2 (in Bb); another anonymous copy in Bb is in F-Pn, Rés Vm7 673, No. 63. 5 Heading only. 2 Seq. 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 Durham Chapter Library, MS Mus. D2 Scoring Key I page Ascription Title [blank] [John Jenkins] [John Jenkins] [John Jenkins] [John Jenkins] [C.] (H. Abell) [H.] Butle9 [H. Butler] [W.] Young Butler Sm[eltzer] (Young) ‘Beckern’11 [blank] Sonata 15 vln/b.vl/b.c. C 18-19 Sonata 177 Ayre (Courant) Fantasia 18 Cuccu. Sonata 19 Sonata 20 [Aria] Sonata 21 Sonata 21 [sic] Sonata 2210 Sonata 23 Sonata 24 Sonata 25 vln/b.vl/org8 vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. vln/b.vl/b.c. a a a g G G e d F G C D D 20-21 22 23 24-25 26-27 28 29 30 31 32-33 34 35 36-37 Sonata 2612 Sonata 27 vln/b.vl/b.c. g 38 39-41 - 6 ‘N3c4lI4’. These four pieces are from Jenkins’s fantasia-suites, group IV. 8 Fully written out organ part for this movement only. 9 ‘B5tl2’. 10 No. 7 in Duodena Selectarum Sonatarum (Nuremberg, 1659). 11 i.e. Dietrich Becker, from Erster Theil zweystimmiger Sonaten (Hamburg, 1674). 12 Heading only. 7 58 II page b.c. page 18-19 18-19 20-21 22-23 20-21 24 22 25 22 26-27 23 28-29 24-25 30 34 19 31 35 17 32 26 33 27 18 34 28-29 36 30 37 31 38-39 32-33 40 41-43 36-37 VdGS No. IV/1a IV/1b IV/1c IV/2a None None - Seq. 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 13 14 Ascription Title [H.] Butle13 Young [blank] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [Jenkins] [blank] Mr Young [Jenkins] [Norcombe] Sonata 28 Sonata 29 ‘B5tl2’. Rough, in orange crayon. Durham Chapter Library, MS Mus. D2 Scoring Key I page Ayre 32 33 Aria Sarab: 34 Courant 35 Fantasia 36 Ayre 37 38 Fantasia 39 Courant Ayre 40 41 Alman 42 Almand 43 A ground Fancy 44 [Air] [Divisions] ‘Folia’ [ground] 14 [Ground] vln/b.vl/b.c. vln/b.vl/b.c. g D 42-43 44-46 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. 2b.vl/b.c. g g g g a a a a d D D C C 2b.vl 2b.vl b.vl b.vl d a 47 48 49 50-51 52-53 54-55 56-57 58 59 60 61 62-63 64 65 66-67 68-69 70 59 II page b.c. page 44-45 38-39 46-48 40-41 42 49 43 24 50 44 25 52 45 51 44 54-55 46 56-57 47 58-59 48 60 49 31 61 49 32 62 50 33 63 51 34 64-65 52 66 53 36 67 54-55 68-69 70-71 - 56 72 VdGS No. 20 None 26 27 28 29 30 35 22 19 A31 30 Durham, Chapter Library, Manuscript Mus. D4 Three partbooks mainly containing mid-seventeenth-century duos for two bass viols and basso continuo. Most of the composers are English but, to judge by the spellings of names and some physical characteristics, the partbooks are of continental origin. A five-movement Italianate sonata da chiesa for solo violin and bass has been added in a second, possibly English, hand in MSS D.4/1 (violin) and D.4/2 (bass) D4/1 and D4/2: I + 12 + i; D4/3: I + 4 + i. Scribes: All copied in a single unidentified hand apart from the concluding violin sonata in D4/1 and 2 (see Plate 24). Inscriptions: The name ‘A. Koon’ is written on the front flyleaf of each partbook; in D4/1 an attempt has been made to erase it. Format and dimensions: Folio, 311 x 200 Watermarks: Dutch Lion I/2 Flyleaf papers: Crude bend lettered IK (see illustration) in front flyleaf of D4/1 and D4/3 and rear flyleaf of D4/2. Rastrology: Twelve staves ruled with a single-stave rastrum of 10.5 mm. Collation: D4/1, D4/2: A-C4; D4/3: A4 Bindings: Contemporary patterned paper covers, as in DRc D5 (though a different pattern): D4/1, 311 x 201; D4/2, 311 x 203; D4/3, 311 x 202. D4/1 is labelled ‘Fantasies for three viols.’ The opacity of the main paper, unusual flyleaf mark and the use of a single-stave 60 Durham Chapter Library, MS Mus. D4 rastrum all suggest that this manuscript was not copied in England. Provenance: Philip Falle (see pp. 3-5 above). Bibliography: DURHAM E; JENKINS U; PAPER T2; VIOLIN C Contents No. Ascription Title 1 2 3 4 5 6 7 8 9 10 [11] Joung Fantasia W. Joung 1 Fant(a)sia J. Jenckings Fantasia J. Jenckings A Fantasia [?]. Poul 2 Fantasia [John Jenkins]3 Fantasia 5 Jenck. Fantasia [?]. Poul Fantasia G. Schults Sonata [?]. Poul Sonata Solo6 Key I page II page bc page VdGS No. d 1-2 d 2-4 d 5-6 d 6-8 a 8-10 g 10-12 g 12-14 F 14-17 a 17-19 e 20-22 B 22-24 1-2 2-4 5-6 6-8 8-10 10-12 12-14 14-17 18-20 21-23 24-25 1 2 2-3 3 3 4 4-5 5 5-7 8 - 22 [63] 37 38 14 A4154 JJ39 1 2 - 1 By Jenkins, with the given VdGS number. By Jenkins, with the given VdGS number. The pieces are otherwise presumed to be by Anthony Poole. The initial ‘P’ for Poul (as given in the VdGS lists) may stand for ‘Pater’; for the Jesuit Anthony Poole (1627-1692), who must have been the composer, see Anthony Kenny, ed., The Responsa Scholarum of the English College, Rome, Part II: 1622-1685, Catholic Record Society 55 (1963), 500; Godfrey Anstruther, The Seminary Priests, II (Great Wakering, 1975), 248. See also BEINECKE F; STUART C, 56. 3 Although the piece is anonymous and this is the sole source, it is ascribed to Jenkins on grounds of style. 4 Now re-numbered as Jenkins [64]. 5 Not by Jenkins on grounds of style; perhaps by Poole? 6 For treble [violin?] and continuo. The end of the continuo part is copied on to the flyleaf. 2 61 Durham, Chapter Library, Manuscript Mus. D5 Three partbooks containing mid-seventeenth-century consort music for t wo stringed instruments and continuo. D5/1-3 12 (no fl yleaves). Modern pencil pagination 1-24. No m usic entered in D5/3 pp. 22-24. Scribe: All copied in a single unidentified hand (see Plate 25). Inscriptions: D5/1 labelled ‘Mss. Collection of Sonatas by H. Butler. & c. 3 pts.’ Format and dimensions: folio, D5/1-3 309.5 x 201. Watermarks: Dutch Lion I/3. Rastrology: Twelve staves ruled with a single-stave rastrum of 11.5 m m. This is probably the same as t he one used i n DRc D4, t he difference in stave width being due to variations in pressure or in the viscosity of the ink. Collation: D5/1-3: A12 Bindings: Contemporary patterned paper covers, as in DRc D4 (but a different pattern): D5/1, D5/2, 309.5 x 201; D5/3, 310.5 x 202. D5/ 1 labelled ‘Mss. Collection of Sonatas by H. Butler. & c. 3 pts.’ Like DRc MS Mus. D4, this manuscript has several features suggesting that it was not copied in England. Provenance: Philip Falle (see pp. 3-5 above). Bibliography: DURHAM E; JENKINS U; PAPER T2; VIOLIN C 62 Durham Chapter Library, MS Mus. D5 Contents No. 1 2 3 4 5 6 7 8 9 10 11 12 1 2 Ascription Title H. Butler [J.] (Claussen) Zamponi1 Jenkins Jenkins H. Butler - Sonata a 2. violino e viola Sonata a 2. violino e viola Sonata a 2. violino e viola Sonata a 2. violino e viola Sonata a 2. violino e viola Sonata a 2. violino e viola Aria a 2. violino e viola Sonata a 2. violino e viola Allemande Courante Ballet Sarabande gigue Sonata a 2 viol d gamb. Sonata a 2 viol d gamb Sonata a 2 viol d gamb. Jenkins Jenkins2 - Key I II bc VdGS No. F G g d a d A g A A A A A e d g 1 2-3 4-5 6-7 8-9 10-11 12-13 14-15 16 16 16-17 17 17 18-19 20-21 22-23 1 2-3 4-5 6-7 8-9 10-11 12-13 14-15 16 16 16 16 16-17 17 17 17 17 18-19 20-21 22-23 1 2-3 4-5 6-7 8-9 10-11 12-13 14-15 18 HB20 None None 19 15 WY23 - 16 18 18-19 20-21 Ascribed to Henry Butler in GB-DRc, MS Mus. D2. On stylistic grounds this piece is assigned to William Young, to whom it is ascribed in GB-DRc, MS Mus. D4, no. 1. 63 Durham, Chapter Library, Manuscript Mus. D10 Scorebook containing mid-seventeenth-century consort music for two stringed instruments and continuo, probably dating from the 1670s. i + 159 + i. Pagination is in a single series 1-318, partly in ink and partly in pencil; the ink pagination present on most of the copied pages was presumably added at an early stage (though not, apparently, by the copyist) as a guide for the binder. It is remarkable that the unused sections separating copied pages contain exactly the right number of pages. Pages 214-227 were originally mis-numbered 114-127. No music entered pp. 1, 34-89, 176-211, 231-318. Scribe: All copied in a single unidentified hand (see Plate 26). Format and dimensions: Sexto, 112 x 229 Watermarks: Fleur-de-lys I/5 (pp. 1-189); fleur-de-lys I/6 (pp. 191-317) Rastrology: A 6; B 3; C 31; D 6(7)5.5(7)5.5. Red/brown marginal rulings. Additional staves, sometimes affected by cropping, have been added to many pages. Collation: Uncertain and apparently irregular. Some quires were evidently of 6 folios, as the format would suggest. Bindings: Contemporary boards covered in white blind-tooled vellum, re-backed; 117 x 230. Provenance: Philip Falle (see pp. 3-5 above). 64 Durham Chapter Library, MS Mus. D10 This is a highly unusual manuscript, presumably used as a file copy since the very small staves would have made it difficult to use in performance. Some if not all of the copying must have taken place before binding, which incorporated a considerable amount of spare paper. Although the paper type and overall style of the manuscript suggest English provenance the copyist appears to have been Dutch or German, using attributions such as ‘Mr Ditrich Stoeffken’ (p. 101), ‘Heinrich Butler (p. 212) and ‘Singr Wilh: Jonge’ (p. 226). Bibliography: DURHAM C; DURHAM E; JENKINS U; PAPER T2; VIOLIN C 65 Contents Sequence [1] [2?]2 [3] [4] Composer Title 1 ‘Autor Sing:’ J. M. Nicolaij Michael Nicolaij3 Sonata Alemand Courant Sarab: Allement Courant Gigue Sonata Preludium Fantasia Gigg Gimorii [?] Sonata Aria Courant Gigg Sarabanda Ciaconi Key Scoring Page No. VdGS No. a a a a d d d 2b.vl/bc 2 5 6 8 8 9 10 5 3 7 10 4 8 9 11 12 15 16 20 22 23 24 25 26 6 - 2b.vl/org/thbo C C C C a e a a a a 2b.vl/bc 1 Attributed to Jenkins in GB-Lbl, Add. MS 31,430, ff. 4 and 10v, but the piece is not in his style. It is perhaps by Nicolai, to whom we have tentatively attributed it. 2 No obvious division between the pieces, except the change in key and repeated dance sequence. 3 Attributed to Jenkins in GB-Lbl, Add. MS 31,430, ff. 7v and 13, but the piece is not in his style, so Nicolai is preferred. 64 Sequence [5] Composer Nicolaij Durham Chapter Library, MS Mus. D10 Title Key Scoring Page No. Sonata Adagio-Allegro Adagio-Allegro Adagio-Gigg Courante Sarabanda 3b.vl D D D D D VdGS No. 29 30 31 32 33 2 - 90 92 92 93 94-97 98-100 101-105 106-107 108-111 112-115 116-124 14 2 17 22 15 14 1 pp. 34-89 blank [6] [7] [8] [9] [10] [11] [12] [13] 4 - Butler4 Mr. Maarit Webster Mr. Ditrich Stoeffken Mr. Daniel Norcum H. B[utler]. H. B[utler]. H: B[utler]: Sonatino Adagio-Adagio pocoAllegro Allemand Courant Sarab: - variation imo [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] Duplicated at p. 112, No. 11. 71 b.vl/bc b.vl b.vl b.vl b.vl b.vl b.vl b.vl Durham Chapter Library, MS Mus. D10 Sequence [14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] [27] [28] [29] [30] [31] [32] 5 Composer Title H: B[utler]: H: Botler: H: B[utler]: Sēgr. Jon.5 Henrich Botler H: B[utler]: H: B[utler]: Sr Joug H. B[utler]. H. B[utler]. William Young [Young] [Young] [Young] [Young] [Young] [Young] [Young] [Young] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Divisions] [Pavan] [Almain] [Air] [Saraband] [Corant] [Almain] [Air] [Almain] [Air] Key Scoring Page No. VdGS No. b.vl b.vl b.vl b.vl b.vl b.vl b.vl b.vl b.vl b.vl 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 124-128 129-131 132-138 139-142 143-148 149 150-151 152-155 156-159 160-161 162 163 164 164 164 165 166 169 169 2 4 5 Butler8 9/10 11 12 Attributed to ‘Mr Buttler’ in US-NYp, MS Drexel 3551, pp. 37-39, which is preferred. 72 13 7/16 1 2 3 4 5 6 7 9 10 [33] [34] [35] [36] Sequence [37] [38] [39] [40] [41] [42] [43] [Young] [Young] Will Joung [Young] Composer Durham Chapter Library, MS Mus. D10 [Corant] 2b.vl 169 [Saraband] 2b.vl 170 [Almain] 2b.vl 170 [Air] 2b.vl 171 Title Key Scoring Page No. [Young] [Young] [Young] [Young] [Young] [Young] [Young] [Corant] [Saraband] [Air] [Saraband] [Air] [Corant] [Almain] 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 2b.vl 11 12 13 14 VdGS No. 172 172 173 173 173 174 175 15 16 17 18 19 20 21 vln/b.vl/bc 212-214 18 vln/b.vl/bc vln/b.vl/bc 215-217 218 19 17 pages 176-211 blank [44] H[ein]rich Botler [45] Heinrich Butler [46] [47] H Butler [Zamponi]6 Fantasia a 2. violino e Viola di G. Fantasia. a. 2. violino e Viola di G: Aria Sonata. a 2. Violino. 6 Anonymous here, but attributed to Butler in GB-DRc, MS Mus. D2, and to Zamponi in GB-DRc, MS Mus. D5. Although the piece is included in Henry Butler, Collected Works, ed. Elizabeth V. Phillips, A-R Editions, Inc., Recent Researches in the Music of the Baroque Era, 66, No. 20 (Madison, Wisconsin, 1991), the style is unlike Butler’s other music, so Zamponi is preferred here. 73 [48] [Young] [49] Young Durham Chapter Library, MS Mus. D10 e Viola di gamba vln/b.vl/bc 219-222 Sonata a 2. Violino e Viola di gamba vln/b.vl/bc 223-225 Sonata a 2. Violino e Viola di gamba vln/b.vl/bc 226- 74 HB20