Phenomenology and the Future of Film

Illustrations
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10.1057/9781137283740 - Phenomenology and the Future of Film, Jenny Chamarette
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Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2016-09-29
2.1 Face of the past (Hélène Chatelain), La Jetée
2.2 Face of the present (Jacques Ledoux), La Jetée
2.3 Faces of the future (from left: Janine Klein, William Klein,
Ligia Borowczyk), La Jetée
2.4 M. Chat, Chats perchés
2.5 Brute digital technologies, Chats perchés
3.1 Still photograph from Zgougou’s Grave (Le Tombeau de
Zgougou, 2006)
3.2 Installation view, The Widows of Noirmoutier (Les Veuves de
Noirmoutier, 2005)
4.1 To Walk beside One’s Shoelaces in an Empty Fridge (Chantal
Akerman, 2004), installation view 1
4.2 To Walk beside One’s Shoelaces in an Empty Fridge (Chantal
Akerman, 2004), installation view 2
4.3 Sylvie Testud (Charlotte) and Aurore Clément
(Catherine), Tomorrow We Move (Chantal Akerman, 2004)
4.4 To Walk beside One’s Shoelaces in an Empty Fridge (Marcher
à côté de ses lacets dans un frigidaire vide; Chantal Akerman,
2004). Second part of the installation: One video
projection (double image) on the wall and one video
projection on a hung tulle netting fabric screen; variable
dimensions
5.1 Hair cutting Scene: Zsolt Nagy and Anna Mouglalis, La
Vie Nouvelle
5.2 Thermic camera scene, La Vie nouvelle
5.3 Three final scenes: Claire (Elina Löwensohn), Sombre
5.4 Three final scenes: Jean (Marc Barbé), Sombre
5.5 Three final scenes: Tour de France scene, Sombre