Je suis une personne
Transcription
Je suis une personne
I am a person created in 2012 ktha compagnie I am a person Performance for 2 stacked containers and 1 actress 3. the performance 7. extract 8. technical sheet 9. sponsors 10. the Company 12. contact I am a person Performance for 2 stacked containers and 1 actress I am a person and sometimes I forget you are one I would like to say it to you I am a person Because it is the most important thing for me and also because it is important for you to know Really I’m a person Each of us is a person I am a person is a play in which a stage actress acts simultaneously for two stacked rooms. Two six meter containers one on top of the other. One bleacher in each container. Two isolated audiences. One actress who moves from one container to the other on her arms. When she is not here, we still hear her voice, her image is still here. And she always keeps her smile. “ Text You can’t lock up people, you know You can not It is not possible ” I am a person is a text written for one woman and two audiences. For the impossibility of talking to everyone at the same time. It is a counter-relief description of the confinement, the testimony of a confined woman on the outside world. By smiling, I lay out all these beautiful things that I cannot do if I am confined. I give you an account of my escape, of my getaway. I never talk directly about jail or detention centre. Only about all the things I like to do, and how I’m running away. I am a person is how, imprisoned, the love I have for the world returns to me in its very details. 3 I am a person "Adresse" I am a person is constructed around the impossibility to talk to everyone at the same time. One actress, two rooms one on top of the other. And a continuous attempt to talk to someone, to speak to someone holding eye contact. We are very close to each other, we can touch each other. The actress is always talking to someone in the audience. In the process of the work, which the ktha compagnie develops since its debuts, the words and the whole performance are simply directed only towards the spectators seated right there. Projection On each stage there is a video-projector that covers the whole scenic space, floor, ceiling and walls. The video projection is caried on live, in real time. The image coincides with, follows or precedes the action and the actress’s speach. The interaction is permanent, choreographed and almost organic. What happens in one of the containers is filmed live and reprojected in the other, above or under. The two spaces are synchronized. The actress is duplicated. When she leaves a container, her image immediately replaces her. Something between the ghost of the actress, screen images of the video surveillance control. A retinal or digital persistance... And she always keeps her smile. We are not here to give lessons or to make anyone feel guilty or to accuse anybody. We are not here to convey collective sufferance, or to torture any good conscience. Maybe just to ask some questions and move our point of view. To tell you again that I am a person, to remind you that you are indeed one person. And she always keeps her smile. 4 I am a person Sound The accoustic plays in a very troubled manner in this small metallic space. The auditive perception is principally worked upon in the live voice of the actress and in her addresses. Hearing is very different when following what one can see, the actress herself or only her image. From time to time, in an almost imperceptible way, a system of sound diffusion comes into play, independently for each container. It adds to the direct voice, to work it out, to largely modify it, to echo it, to precede it, to add to it some murmurs. Exterior For the sitting audience in the containers, the exterior interfers permanently. The containers let the rumors of the city pass through the walls. One can roughly hear the noise of the outside world. And every now and then, some waves of an outside activity, of something that is going on outside the containers. From the outside, the construction itself acts in such a seductive way that happens to be an event for itself. A six-meter high bloc and a team keeping busy around. The wings of the theatre tease the pedestrians, only to hide the show itself. 5 I am a person 6 I am a person Extract “ When I think about myself, I run. tongue or make a face to the children? I mean, when I imagine myself, I’m runing. But I shouldn’t forget to smile after that because otherwise he can be scared and that, I don’t want. You know, everyone has this, I think, a self-image, an action, what are you doing when you think about yourself ? As for me, I run. ............. “ Straight, I run. You know, I take off, I almost fly at every step, and I fall back so I can bounce again. To make a phone call. To fly away, to escape from the soil. Dressing up well, making myself pretty, wearing make-up, watch myself long time in the mirror. And then paying attention to how I walk, to be pretty. With pretty shoes. And something on my hair. I liked the blow, the blow is the only thing I hear now.The rest will be hidden, far behind the rythm. Then, you know, I know what I’m doing. I’m running. Flowers! I forgot about the flowers. The breath and the sweat. ............. “ The Children. Yes, to stick out my tongue to a passing kid. Everybody does that, don’t they ? To stick out your Having a stick and playing around. To have fun with him. Enjoying looking at him running, looking at him approaching you, and go away, far away. I go fast. It’s good to run. I forgot about that myself. How good it is to run, and then I remembered and I couldn’t forget it anymore, I only thought about that, but now I could think about something else, it’s all good. Playing with a dog We cannot forget the flowers, can we ? ............. “ I like looking at people writing text messages in public transports. They write love notes. People write love notes in public transportion. And then crossing a gaze on a bus when it’s cold outside and the sun is shining. He’s far away and then, over all the heads, a look. A tiny little smile. « I love you honey. Footbal is at 7:30. » 7 I am a person Lateral View 5,8 m 2,9 m 2,9 m 6m 1,5 m Ground plan 6m 1,2 m Technical sheet - performance Our container is fully equipped and prepared for any necessary safety-regulation checks 2,45 m Capacity: 46 spectators per performance (several performances possible in the same day) Length of performance : 45 minutes Electricity : connection for 16 Amp plug + 2 connections for 16 Amp for air conditionning 2,45 m Transport : transportation of the containers from SaintOuen-l’Aumône (near Paris) Personnel : 4 people ( travelling from Paris ) For performances overseas, it can be simpler and cheaper to build up containers on the spot. We already have done it with our other show “does the world know it’s speaking to me?” in Chile, Canada and Morocco. 8 I am a person production Je suis une personne is a coproduction between ktha compagnie, Parc de la Villette - Paris, Le Parapluie centre international de création artistique - Aurillac, Coopérative De Rue et de Cirque (2R2C) - Paris With the support from Direction Générale de la Création Artistique, DRAC Ile-de-France, d’ARCADI, Mairie de Paris, DICRéAM (Ministère de la Culture), Centre de Création Artistique et Technique Nil Obstrat, Théâtre le Monfort and Confluences. ktha compagnie is supported by the Mairie de Paris, Région Île-de-France, and is a member of the 360 colletive, SYNAVI, and 2R2C. * 15 and 16 september 2012 Festival de Rue de Ramonville - Ramonville * 18 to 22 july 2012 Festival Chalon dans la Rue - Chalon-sur-Saône * 22 mai au 16 june 2012 Le Monfort - Paris - in association with Coopérative 2r2c * 14, 15, 21 and 22 april 2012 Festival Hautes Tensions - Parc de la Villette - Paris 9 I am a person ktha ktha is a theatre company. La ktha is a theatre company. We use texts which are not written expressly for the theatre: poems, stories, TV series, advertising slogans, speeches…And other texts which deal with the real world as it is, now. Our performances sometimes take place in theatres, but more often in outdoor urban settings (stadiums, parking lots, wasteland, the roofs of buildings, freightcontainers, motorway rest-stops Over recent years the ktha compagnie has been supported by organisations including : * Parc de la Villette - villette numérique (paris) * Carré des Jalles (Saint-Médard-en-Jalles) * Conseil Général de la Région Aquitaine - OARA * Ministère de la Culture et de la Communication DICRéAM * Mairie du 18ème arrondissement (Paris) * Mains d’Œeuvres (Saint-Ouen) The actors address their texts directly to the spectators, with unflinching eye contact * Ville de Houilles Our staging often uses projections and computers. * L’Hostellerie de Pontempeyrat In addition to performances, the company organizes workshops and theatre laboratory sessions. * Sputnik 347 (Montreuil) We also regularly produce short pieces, performanceart, lectures, installations, exhibitions… * Écrire pour la Rue (DMDTS - SACD) In the recent years, ktha compagnie also explores the urban space through collectif projects related to urbanism, visual arts, and performance arts. La ktha has existed since 2000. We were in residence at Mains d’Œuvres from 2003 to 2007, associated company in Collectif 12 from 2008 to 2010, and resident company at Confluences in 2011. ktha compagnie is supported by the Mairie de Paris, Région Île-de-France, and is a member of the 360 collective, SYNAVI, and 2R2C. The team Chloé Chamulidrat ; Michael Ghent ; Yann Le Bras ; Camille Lévêque ; Guillaume Lucas ; Lear Packer ; Louise Vantalon ; Nicolas Vercken ; Camille Voitellier ; Mathilde Wahl * EnCourS – KompleXKapharnaüM (Villeurbanne) * Collectif 12 (Mantes la Jolie) * Centre Hospitalier Universitaire de Rouen * Espace Périphérique (Mairie de Paris - Parc de la Villette) * Cie les goulus (Montreuil) * Festival Teatro Container de Valparaiso (Chili) * Matucana 100 (Santiago - Chili) * Mairie de Paris * ARCADI * Institut Français * Escales Improbables de Montréal (Québec) * Ambassades de France au Chili, au Canada et au Maroc * Région Île-de-France * DRAC Île-de-France 10 I am a person 2009 - 2012 = Est-ce que le monde sait qu’il me parle? 2008 = Laboratoire nomade d’expérimentation d’écriture théâtrale en milieu urbain 2003 - 2007 = la machine qui vient triptyque théâtral : 2003 = dans la neige électronique avec la machine qui vient ; 2004 = kapital_ ; 2006 = g8 11 I am a person ktha compagnie 140 rue du faubourg saint-antoine 75012 paris france [email protected] www.ktha.org +33 (0) 1 40 19 94 38 nicolas vercken +33 (0) 6 62 85 37 69 lear packer +33 (0) 6 62 85 01 63 [20121025]JSUP-EN 12