Materiaux et methodes nettoyage peintures_Wolbers_2016

Matériaux et méthodes pour le nettoyage des peintures : solutions, gels et émulsions
Session de formation permanente organisée par le département des restaurateurs
8, 9 et 10 juin 2016
Orientations bibliographiques réalisées par la bibliothèque de l’Inp
Tous les documents signalés par un astérisque peuvent être consultés à la Bibliothèque de l’INP
Méthodes de nettoyage aqueux
*BEUGNOT Xavier, Etude
bibliographique sur la poussière et ses effets sur les peintures. Etude
de quelques procédés de nettoyage acqueux. Etude et restauration du tableau Totalité de
Victor Brauner, 1947, mémoire, Paris : IFROA, 1991
*BELLUCCI Roberto, CREMONESI Paolo, « L’uso dei tensioattivi nella conservazione e nel restauro
dei dipinti » , Kermes, n°24, p. 55-74
*BELTRAMI
E., BERZIOLI Michela, CAGNA Marco et al., La pulitura dei dipinti murali :
uno studio di applicabilità di sistemi tradizionali e sistemi addensati con gel acquosi di
poliacrilato, Saonara : Il Prato, 2012
*BONACCINI E., CREMONESI Paolo, « Preparazione e utilizzo di gel chelanti, reagenti per la pulitura
di opere policrome », Progetto Restauro, giugno 2001, n° 19, p. 11-21
*BORGIOLI Leonardo, CREMONESi Paolo, Le Resine sintetiche usate nel trattamento di opere
policrome, Saonara, Il Prato, 2005
*BRENDA : The Comprehensive Enzyme Information System [en ligne], Braunschweig, Germany,
Schomburg, Institut für Biochemie und Bioinformatik, Technische Universität Braunschweig
< http://www.brenda-enzymes.org/oldstart.php > (consulté le 1er juin 2016)
*BUTTAZZONI N., CASOLI A., CREMONESI Paolo et al., « Preparazione e utilizzo di gel enzimatici,
reagenti per la pulitura di opere policrome » , Progetto Restauro, ottobre 2000, n° 16, p. 11-19
*CANNIZZARO C., CREMONESI Paolo, FRANCESCHINI L., « Preparazione e utilizzo di Resin
Soaps, reagenti per la pulitura di opere policrome », Progetto Restauro, marzo 2000, n°14, p. 31-40
*CREMONESI Paolo, L'ambiente
acquoso per la pulitura di opere policrome, Padova : Il Prato,
2011
*CREMONESI Paolo, L’uso degli enzimi nella pulitura di opere policrome, (Metodologie, tecniche e
formazione nel mondo del restauro, 4), Padova, Il Prato, 2002
Institut national du patrimoine
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*CREMONESI Paolo, L’Uso di Tensiaottivi e Chelanti nella Pulitura di Opere Policrome, I Talenti, ,
Padova, Il Prato (Metodologie, tecniche e formazione nel mondo del restauro, 10), 2004
*CREMONESI Paolo, Materiali e metodi per la pulitura di opere policrome, Bologna, PHASE, 1997
*CREMONESI Paolo, Nuovi materiali e metodi per la pulitura dei dipinti, Firenze, PHASE, 1995
*CREMONESI Paolo, « Un Approccio Metodologico alla Pulitura dei Dipinti », In Lo Stato delL’Arte,
Conservazione e restauro, Confronto di Esperienze, atti del I Congresso Nazionale IGIIC, Torino,
IGIIC, 2003, p. 100-109
*DESVOIS Laëtitia, Le
Programme de Nettoyage Modulaire, une approche systématique de
décrassage des couches picturales : étude, analyse et application de la méthode, mémoire,
Paris : Université Paris I Panthéon Sorbonne, 2009
*ERHARDT D., J. J. BISCHOFF, « Resin Soaps and Solvents in the Cleaning of Paintings Similarities
and Differences » in 10th Triennial Meeting, Washington, D.C., U.S.A. 22-27 August 1993, Preprints
1, ICOM Committee for Conservation, 1993, p. 141-46
*ERHARDT D., J. TSANG, « The Extractable Components of Oil Paint Films », in Cleaning
Retouching and Coatings, Preprints of the Contributions to the Brussels Congress, p. 93-97
*FUSTER LOPEZ Laura, CHAROLA A.E., MECKLENBURG Marion F., et al., Cleaning 2010 : New
insights into the cleaning of paintings : [conference preprints (abstracts), Universitat politécnica de
Valencia, May, 26th-28th 2010], Valencia, Universidad politécnica de Valencia = Universitat
politécnica de Valencia, 2010
*KOLLER J., « Cleaning of a Nineteenth-Century Painting with Deoxycholate Soap Mechanism and
Residue Studies » in Cleaning Retouching and Coatings, Preprints of the Contributions to the Brussels
Congress, p. 106-110
*KOLLER M. « Surface Cleaning and Conservation », Getty Conservation Institute Newsletter [en
ligne], Fall 2000, vol. 15, n° 3, p. 5-9
< http//www.getty.edu/conservation/publications/newsletters/15_3/feature.html > (consulté le 1er juin
2016)
*Materiali Tradizionali ed Innovativi nella Pulitura dei Dipinti e delle Opere Policrome Mobili, primo
Congresso Internazionale Colore e conservazione – Materiali e Metodi nel Restauro delle Opere
Policrome Mobili, atti del Convegno Piazzola sul Brenta (PD), 25-26 Ottobre 2002, Padova, Il Prato,
2003
*PHENIX Alan, « Solubility parameters and the cleaning of paintings an update and review »,
Kunsttechnologie und Konservierung 122, 1998, p. 397-409
*PHENIX Alan, BURNSTOCK Aviva, « The Removal of Surface Dirt on Paintings with Chelating
Agents », The Conservator 16, 1992, p. 28-37
*WOLBERS Richard C, Cleaning Painted Surfaces, Aqueous Methods, London, Archetype
Publications, 2000. Trad. fr. [Le nettoyage des surfaces peintes : méthodes aqueuses]
MIRABAUD Sigrid, DESVOIS Laetitia sous la direction de PALMADE-LE DANTEC
Nathalie, Paris, Eyrolles / Institut national du patrimoine (Inp), 2013. Trad. it. [La Pullitura di
superfici dipinte : metodi acquosi], Saonara, Il Prato, 2005
*WOLBERS Richard C, Notes for Workshop on New Methods in the Cleaning of Paintings, Marina del
Rey, CA, Getty Conservation Institute, 1990
*WOLBERS Richard C, « The use of a synthetic soiling mixture as a means for evaluating the
efficacity of a aqueous cleaning materials on painted surfaces », Conservation restauration des biens
culturels, Octobre 1992, n°4, p. 22-29.
Institut national du patrimoine
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*WOLBERS Richard C., « Un approccio acquoso alla pulitura dei dipinti », Quaderni CESMAR7, 2004,
n° 1
*WOLBERS Richard C., STAVROUDIS Chris, DOHERTY Tiarna, « A new approach to cleaning I:
using mixtures of concentrated stock solutions and a database to arrive at an optimal aqueous
cleaning system », WAAC newsletter, 2005, Vol. 27, N° 2, p. 17-28
Nettoyage à base de solvants
*BOON J.J., PEULVÉ L., VAN DEN BRINK F., et al., « Molecular aspects of mobile and stationary
PHASEs in ageing tempera and oil paint films », In Early Italian Paintings Techniques and Analysis,
Symposium, Maastricht 1996, Maastricht, Limburg Conservation Institute, 1997, p. 35-56
*BURNSTOCK Aviva, LEARNER Tom, « Changes in the surface characteristics of artificially aged
mastic varnishes after cleaning using alkaline reagents », Studies in Conservation, August 1992, Vol.
37, n° 3, p. 165-184
*BURNSTOCK Aviva, WHITE Robert, « The Effects of Selected Solvents and Soaps on a Simulated
Canvas Painting », in Cleaning, Retouching and Coatings, Preprints of the Contributions to the
Brussels Congress, 3-7 September 1990, IIC, 1990, p. 111-18
*CREMONESI Paolo, L’uso dei solventi organici nella pulitura di opere policrome, Padova, Il Prato,
2004, (I Talenti - Metodologie, tecniche e formazione nel mondo del restauro, 7)
*FELLER Robert, STOLOW Nathan, JONES Elizabeth, On Picture Varnishes and Their Solvents,
Washington D.C., National Gallery of Art, 1985
*HEDLEY G., ODLYHA M., BURNSTOCK Aviva, TILLINGHAST J., HUSBAND C., « A Study of the
Mechanical and Surface Properties of Oil Paint Films Treated with Organic Solvents and Water », in
Cleaning, Retouching and Coatings, Preprints of the Contributions to the Brussels Congress, p. 98105
*KHANDEKAR Narayan, PHENIX Alan, SHARP Julia, « Pilot study into the effects of solvents on
artificially aged egg tempera films », The Conservator, 1994, 18, p. 62-72
*PHENIX Alan, « Generic hydrocarbon solvents a guide to nomenclature », WAAC Newsletter, Mai
2007, Vol. 29 n° 2, p. 13-22
*PHENIX Alan, « Solvent Abuse Some observations on the safe use of solvents in the cleaning of
painted and decorated surfaces », In The Building Conservation Directory [en ligne], 1997
< http//www.buildingconservation.com/articles/solvent/solvent.htm > (consulté le 1er juin 2016)
*PHENIX Alan, « The swelling of artists' paints in organic solvents. Part 1, a simple method for
measuring the in-plane swelling of unsupported paint films », AIC Journal of the American Institute for
Conservation, 2002, Vol. 41 n° 1, p. 43-60
*PHENIX Alan, « The swelling of artists' paints in organic solvents. Part 2, comparative swelling
powers of selected organic solvents and solvent mixtures », AIC Journal of the American Institute for
Conservation, 2002, Vol. 41 n° 1, p. 61-90
*PHENIX Alan, SHARP Julia, KHANDEKAR Narayan, « Pilot study into the effects of solvents on
artificially aged egg tempera films », Conservator, The, 1994, n° 18, p. 62-72
*PHENIX Alan, SUTHERLAND Ken, « The cleaning of the paintings effects of organic solvents on oil
paint films », Reviews in conservation, 2001, n° 2, p. 47-60
*SIGNORINI E., CREMONESI Paolo, « L’uso dei solventi organici neutri nella pulitura dei dipinti: un
nuovo Test di Solubilità », Progetto Restauro, estate 2004, n° 31, p. 2-15
Institut national du patrimoine
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*SONCK Emilie, Les
peintures à l'huile sans couche de protection : approche de la
problématique du nettoyage par l'étude des méthodes aqueuses, mémoire, Bruxelles : Ecole
Nationale Supérieure des Arts Visuels de la Cambre, 2007
*SUTHERLAND Ken, « Mesurements of solvent cleaning effects on oil paintings », AIC Journal of the
American Institute for Conservation, Fall-winter, 2006, Vol. 45 n° 3, p. 211-226
*SUTHERLAND Ken, Solvent extractable components of oil paint films, Ph.D. Thesis, University of
Amsterdam. Amsterdam FOM Institute for Atomic and Molecular Physics, 2001
*SUTHERLAND Ken, « The extraction of soluble components from an oil paint film by a varnish
solution », Studies in Conservation, 2000, 45, p. 54-62
* WHITE Robert, ROY A., « MS and SEM studies on the effects of solvent cleaning on old master
paintings from the National Gallery, London », Studies in Conservation, 1998, 43, p. 159-176
Les émulsions et microémulsions
*BAGLIONI
Piero, GIORGI Rodorico, BERTI Debora, et al., « Removal of acrylic coatings
from works of art by means of nanofluids : Understanding the mechanism at the nanoscale »,
Nanoscale - n° 2, 2010, p. 1723-1732
*BAGLIONI
Piero, GIORGI Rodorico, BERTI Debora, et al., « Smart cleaning of cultural
heritage : a new challenge for soft nanoscience », Nanoscale - n° 4, 2012, p. 42-53
*BIBETTE Jérôme, « Emulsions
: concepts de base et applications », L'actualité chimique :
Enseignement - Industrie – Recherche, Mars-avril-mai 1996, n° 2-3, p. 23-28
*BONINI Massimo, LENZ Sebastian, GIORGI Rodorico, BAGLIONI Piero, Nanomagnetic Sponges for
the Cleaning of Works of Art, Langmuir, 2007, Vol. 23, No. 17, p. 8681-8685
*BORGIOLI
L., CAMINATI G., GABRIELLI G., « Removal of hydrophobic impurities from
pictorial surfaces by means of heterogeneous systems », Science and technology for cultural
heritage, 1995 - n°4 (II), p. 67-74
*BOURRIOT Audrey, « Del modo di colorire in tela » : étude et conservation-restauration de deux
fragments de peinture sur toile italienne de la fin du XVe siècle ou du début du XVIe siècle (Paris,
musée Jacquemart-André). Etude d'une méthode d'amincissement du vernis au moyen d'une
émulsion stéarique, Saint-Denis Inp, département des restaurateurs du patrimoine 2002
*GEUSAU Pia, SCHREINER
Manfred, « Beitrag zur Gemäldereinigun : Vergleichende Studie
der praktischen Anwendbarkeit und Wirkungsweise von Lösungsmitteln, Lösungsmittelgelen,
Emulsionen, Harzseifen und Enzymen », Zeitschrift für Kunsttechnologie und Konservierung,
1992 - Vol. 6 n° 2, p. 260-274
*Giorgi
Rodorico, Baglioni Piero, Berti Debora, et al., « New methodologies for the
conservation of cultural heritage: micellar solutions, microemulsions, and hydroxide
nanoparticles », Accounts of chemical research - Vol. 43, Iss. 6, n° spécial : Advanced
techniques in art conservation, June 15, 2010, p. 695-704
*Giorgi
, Rodorico - Chelazzi , David - Carretti , Emiliano - et al., « Microemulsions for the
cleaning of wall paintings », ICOM Committee for Conservation, ICOM-CC, 15th Triennial
Conference New Delhi, 22-26 September 2008 : preprints – 1, p. 527-533
Institut national du patrimoine
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*GOREL Florence, « Arbre de refuge : Etude et restauration d'un « thang-ka » du musée national des
Arts asiatiques-Guimet. Extraction de résines imprégnées d'une couche picturale poreuse » ,
Patrimoines, 2010, n° 6, p. 202-203
4° PER 20 - 94
*GOREL Florence, « Assessment of agar gel loaded with micro-emulsion for the cleaning of porous
surfaces » , CeROart [en ligne], 2010, n° 6,
< http://ceroart.revues.org/index1827.html > (consulté le 1er juin 2016)
*PORÉ Jean, Emulsions,
micro-émulsions, émulsions multiples, Neuilly-sur-Seine : ETIG ,
1992
*Pouchol
J.M., « Resine siliconiche in emulsione leganti per pitture per edilizia di elevate
prestazioni », Pitture e vernici, 1990 - n°6, p. 13-32
Les émulsions à base de polymères
*Pemulen® TR-1 et TR-2 [en ligne]
< http//www.addiactive.com/Portals/0/pdf/catalogue/PemulenTR1_TR2.pdf > (consulté le 1er juin
2016)
*Neutralizing Carbopol® and Pemulen® Polymers in Aqueous and Hydroalcoholic Systems. 2 [en
ligne]
< http//talasonline.com/photos/msds/carbopol_mixing.pdf > (consulté le 1er juin 2016)
*Introducing Pemulen® Polymeric Emulsifiers [en ligne]. Noveon, TDS-114, Edition 10/2007
er
< http//www.lubrizol.com/WorkArea/DownloadAsset.aspx?id=33422 > (ce lien ne fonctionne plus le 1
juin 2016)
*Cationic Skin Lotions Formulated with Pemulen™ Polymeric Emulsifiers - TDS-124 [en ligne], ed.
July 2008
er
< http//www.lubrizol.com/WorkArea/DownloadAsset.aspx?id=31912 > (ce lien ne fonctionne plus le 1
juin 2016)
*TDS-222 Molecular Weight of Carbopol® and Pemulen™ Polymers [en ligne].Edition July 10, 2008
er
< http//www.lubrizol.com/WorkArea/DownloadAsset.aspx?id=31924 > (ce lien ne fonctionne plus le 1
juin 2016)
*TDS-237 Neutralizing Carbopol Pemulen in Aqueous Hydroalcoholic Systems. TECHNICAL DATA
SHEET TDS-237. Edition September 16, 2009
er
< http//www.lubrizol.com/WorkArea/DownloadAsset.aspx?id=33442 > (ce lien ne fonctionne plus le 1
juin 2016)
*Case studies using Pemulen emulsion At Shelburne Museum [en ligne],
< http//pemulentr2.pbworks.com/Case-studies-using-Pemulen-emulsion > (consulté le 1er juin 2016)
*GILLATT John, « La
deteriorazione biologica di emulsioni polimeriche e la sua prevenzione
con i biocidi - The biodeterioration of polymer emulsions and its prevention with biocides »,
Pitture e vernici ; Novembre 1991 - n° 11, p. 9-20
*GILLATT John, « Effetti
del chimismo Redox sull'efficacia dei biocidi nelle emulsioni
polimeriche » , Pitture e vernici, Avril 1997 - Vol. 73 n° 4, p. 7-15
Institut national du patrimoine
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*Krebs
R., Kober H., Kasler K-H, « Emulsioni siliconiche per pitture murali : component
selection for functional coating systems selezione dei componenti per sistemi », Pitture e
vernici (Mars, 1998), Vol.74 n°6, p. 11-16
*RAVENEL Nancy, « Pemulen TR-2 - Article : an emulsifying agent with promise », WAAC
Newsletter ; Septembre 2010 - Vol. 32 n° 3, p. 10-12
*WARSON Henry, « Resin
emulsions : a do-it-yourself synthetic guide », Polymers paint colour
journal ; (Mars, 1999) - Vol.189 n°4414, p. 26-33
Les gels de solvants
*BAGLIONI Piero, DEI Luigi, CARRETTI Emiliano, GIORGI Rodorico, « Gels for the Conservation of
Cultural Heritage » , Langmuir, 2009, vol. 25, n°15, p. 8373-8374
*BAGLIONI, P, CARRETTI, E, DEI, L, WEISS, R.G, « Physicochemical Properties of Polyallylamine
Based Gels with CO2 as Gellant « , J.Am.Chem.Soc, 2003, n° 125, p. 5121
*BONINI Massimo, LENZ Sebastian, GIORGI Rodorico, BAGLIONI Piero, « Nanomagnetic Sponges
for the Cleaning of Works of Art » , Langmuir [en ligne], 2007, n° 23, p. 8681-8685.
< http://pubs.acs.org/doi/pdf/10.1021/la701292d > (consulté le 1er juin 2016)
*BONNAT Mélodie, Etude et restauration d'une esquisse peinte à l'huile sur plâtre : « Histoire de l'art
français » , Maurice Denis, 1921 (Petit Palais, Paris) : Comparaison de gels de nettoyage dans le cas
d'une peinture non vernie appliquée sur une ébauche et un support hydrophiles, Saint-Denis, Inp,
département des restaurateurs du patrimoine, 2010, 182 p.
*BONNAT Mélodie, « Une huile sur plâtre de Maurice Denis : Etude et restauration d'une esquisse
peinte à l'huile sur plâtre : « Histoire de l'art français » , Maurice Denis, 1921. Comparaison de gels de
nettoyage pour une peinture jeune non vernie appliquée sur une ébauche et un support hydrophiles »
, Patrimoines, 2010, n° 6, p. 184-185
*BURNSTOCK A., T. KIESLICH, « A Study of the Clearance of Solvent Gels Used for Varnish
Removal from Paintings » in 11th Triennial Meeting Edinburgh, 1-6 September 1996, Preprints 1,
ICOM Committee for Conservation, 1996, p. 253-62
*BURNSTOCK A., R. WHITE, « Cleaning Gels Further Studies » in Conservation Science in the U.K.,
Preprints, 1993, p. 36-39
*BURNSTOCK A., R. WHITE, « A Preliminary Assessment of the Aging/Degradation of Ethomeen C12 residues from solvent gel formulations and their potential for inducing changes in resinous paint
media » in Tradition and Innovation Advances in Conservation, Contributions to the Melbourne
Congress, 10-14 October 2000, IIC, 34-38
*CARRETTI Emiliano, DEI Luigi, WEISS Richard G. et al., « A new class of gels for the conservation
of painted surfaces » , Journal of cultural heritage, Septembre-décembre 2008, Vol. 9 n° 4, p. 386-393
*CARRETTI Emiliano, NATALI Irene, MATARRESE Caterina, et al., « A new family of high viscosity
polymeric dispersions for cleaning easel paintings » , Journal of cultural heritage, Octobre-décembre
2010, Vol. 11, n° 4, p. 373-380
*CARRETTI, E., DEI, L., BAGLIONI, P., « Aqueous Polyacrylic Acid Based Gels: Physicochemical
Properties and Applications in Cultural Heritage Conservation » , Progress in Colloid and Polymer
Science, 2002, n° 119
*CARRETTI Emiliano, GRASSI Scilla, COSSALTER Manuela, et al, « Poly(vinyl alcohol)-Borate
Hydro/Cosolvent Gels: Viscoelastic Properties, Solubilizing Power, and Application to Art Conservation
« , Langmuir: the ACS journal of surfaces and colloids, 2009, vol.25, n.15, p. 8656-8662
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*CARRETTI Emiliano, DEI Luigi, MACHERELLI Azzurra, WEISS Richard G., « Rheoreversible
Polymeric Organogels: The Art of Science for Art Conservation » , Langmuir, 2004, vol.20, n°20, p.
8414–8418
*CARRETTI Emiliano, DEI Luigi, WEISS Richard G, « Soft matter and art conservation.
Rheoreversible gels and beyond « , Journal of material chemistry, 2005, Vol. 15, n° 22, p. 17-22
*P. CREMONESI-A, CURTI-L, FALLARINI-S, RAIO, « Preparazione e utilizzo di Solvent Gels,
reagenti per la pulitura di opere policrome » , Progetto Restauro, giugno 2000, n° 15, p. 25-33
*DORGE Valerie,ed., Solvent Gels for the Cleaning of Works of Art, The Residue Question°, Los
Angeles, The Getty Conservation Institute, 2004, 160 p. (Research in Conservation Series).
*ERHARDT D, J. J. BISCHOFF, « The Roles of Various Components of Resin Soaps, Bile Acid Soaps
and Gels, Their Effects on Oil Paint Films » , Studies in Conservation, 1994, vol. 39, p. 3-27
*FORD Bruce, BYRNE Allan, « The lipid stripping potential of resin soap gels used for cleaning oil
paintings » [en ligne], AICCM Bulletin, 1991, Vol.17, n°1-2, p. 51-60.
< http://www.aiccm.org.au/docs/Bulletin1991/FordByrne_Bulletin_1991_Vol17No1and2.pdf >(consulté
le 1er juin 2016)
*HALLER, Ursula, Herstellung und Anwendung von Lösungsmittel-Gelen, Stuttgart Institut für
Museumskunde an der Staatlichen Akademie der Bildenden Künste 1995 . 104p. Mémoire Stuttgart,
Institut für Museumskunde an der Staatlichen Akademie der Bildenden Künste 1994
*KHANDEKAR N., « A Survey of the Conservation Literature Relating to the Development of Aqueous
Gel Cleaning on Painted and Varnished Surfaces » , Reviews in Conservation, IIC, 2000, p. 10-20
*KHANDEKAR N., V. Dorge, H. Khanjian, D. Stulik, A. de Tagle, « Detection of Residues on the
Surfaces of Objects Previously Treated with Aqueous Solvent Gels in 13th Triennial Meeting Rio de
Janeiro, 22-27 September 2002 Preprints 1, ICOM-Committee for Conservation, 2002, p. 352-59
*KONECZNY Peter, « Retouching complex surfaces : afternoon workshop : B72 retouching gels » ,
Picture restorer (The), Automne 2007, n° 32, p. 6-11
*LIOT David, STEDMAN Véronique, « La restauration de L'éternel printemps, 1908, de Maurice Denis
» , Revue du Louvre et des musées de France (La), Décembre 1999, p. 67-74
*POSTEC Marie, « De l'intérêt des compresses de gels solvants dans le nettoyage des couches
picturales. Une expérience pratique = Omtrent het belang van solventgelcompressen bij de reiniging
van verflagen. Een praktische ervaring « , Bulletin APROA-BRK, 2ème trimestre 2008, n° 2, p. 17-23
*RAVENEL Nancy, « Pemulen TR-2 : an emulsifying agent with promise « , WAAC Newsletter,
Septembre 2010, Vol. 32, n° 3, p. 10-12
*STOLOW Nathan, « Application of science to cleaning methods: Solvent action studies on pigmented
and unpigmented linseed oil films » in Recent advances in conservation : Contributions to the IIC
Rome conference, 1961, London, Butterworths, 1963, p. 84-88
*STULIK D., DORGE V., KHANJIAN H. et al., « La pulitura de superfici Studio quantitativo dei residui
di gel su superfici pittoriche pulite » in Progetto Restauro 21, Padova Il Prato, 2002, p. 4-14
*STULIK D., DORGE V., KHANJIAN H. et al., « Scientific Investigation of Surface Cleaning Processes
Quantitative Study of Gel Residues on Porous and Topographically Complex Surfaces » in 13th
Triennial Meeting Rio de Janeiro, 22-27 September 2002 Preprints 1, ICOM, 2002, p. 245-51
*STULIK D., DORGE V., KHANJIAN H. et al. , « Surface Cleaning Quantitative Study of Gel Resideue
on Cleaned Paint Surfaces » in Tradition and Innovation Advances in Conservation, Contributions to
the Melbourne Congress, 10-14 October 2000, IIC, p. 188-94
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*TADROS Tharwat F.,Colloids in paints, Weinheim, John Wiley, 2009, 254 p. (Colloids and interface
science series, Vol. 6 )
*TRAVERS Kirsten, WOLBERS Richard, TOMKIEWICZ Carolyn, « Pemulen case study : holy
innocents mural project » , WAAC Newsletter, Septembre 2010, Vol. 32, n° 3, p. 13-14
*TSANG J., ERHARDT D., « Current Research on the Effects of Solvents and Gelled and Aqueous
Cleaning Systems on Oil Paint Films » JAIC 31, 1992, p. 87-94
* WOLBERS Richard C, « A radio-isotopic assay for the direct measurement of residual cleaning
materials on a paint film » , In Cleaning, retouching and coatings: technology and practice for easel
paintings and polychrome sculpture: preprints of the contributions to the Brussels Congress, 3-7
September 1990, London: International Institute for Conservation of Historic and Artistic Works, 1990,
p. 119-125
* WOLBERS Richard C, « Gel residue studies at the GCI: implications for testing methodologies and
future research » , In Materiali tradizionali ed innovativi nella pulitura dei dipinti e delle opere
policrome mobili: atti del convegn° Piazzola su Brenta (PD), 25-26 ottobre 2002, Padova, Il Prato,
2005 p. 17-21
*WOLBERS Richard C, « Recent developments in the use of gel formulations for the cleaning of
paintings » , In Restoration '92: conservation° training, materials and techniques: latest developments,
Preprints to the conference held at the RAI International Exhibition and Congress Centre, Amsterdam,
20-22 October 1992, London, International Institute for Conservation of Historic and Artistic Works,
1992 p. 74-75
*WOLBERS Richard C, Varnish removing composition and methods of using the same - US Patent N°
4986936 [en ligne], publié en 1991, 6 p. <
http://www.google.com/patents/about?id=lqYeAAAAEBAJ&dq=4986936+Wolbers > (consulté le 1er
juin 2016)
*WOLBERS Richard C, MACGINN° Mary, DUERBEK Deborah, « Poly(2-Ethyl-2-Oxazoline): a new
consolidant » , In Painted wood: history and conservation° Proceedings of a symposium.,
Williamsburg, Virginia, 11-14 November 1994, Los Angeles, Getty Conservation Institute, 1998, p.
514-527
* WOLBERS Richard C, SAME, Wendy, STONER ET AL., » Approaching the cleaning of Whistler's
Peacock Room: retrieving surface interrelationships in Harmony in blue and gold » , In Cleaning,
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Droits d’auteur
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