Présentation PowerPoint - Musée Cognacq-Jay

THE ARTISTIC ECONOMY
OF EUROPE
The numbers indicated on the plan are a
reference to the works of art presented below.
9
10 11 12
The marked objects are now on loan.
13 14 15
16
The informations presented on these index are
also available on our web site.
www.museecognacqjay.paris.fr
To the Blue Gallery
Detail of the south wall
23 22 21
20
Ville de Paris, musée Cognacq-Jay
Inv. J 19
17
Room of the
Vedute
5
8 7
To the Boudoir
of the porcelains
1
3
4
Anonymous
Console-like commode, also
considered as a wig chest,
ca. 1745-1750
Ville de Paris, musée Cognacq-Jay
Inv. J 390
Glasscase
Antonio Canal, called Canaletto
(1697-1768)
View of the Grand Canal from the Rialto
Bridge, ca. 1725
Oil on canvas
Jacob Isaacks van Ruisdael
(1628/1629-1682)
The old oak, ca. 1648-1655
Oil on wood
Ville de Paris, musée Cognacq-Jay
Inv. J 103
3
Ville de Paris, musée Cognacq-Jay
Inv. J 208
Oak and pine, marquetery, gilded bronze,
Pyrenean marble top
Ville de Paris, musée Cognacq-Jay, Inv. J 17
2
Jan Claudius De Cock (1667-1735)
Young Satyrmaking enjoy the vineyard
to Bacchus, ca. 1700-1705.
Marble
6
6
5
2
Jean Siméon Chardin (1699-1779)
Still life with copper boiler, ca. 1735
Oil on wood
19 18
17
1
4
Giambattista Tiepolo (1669-1770)
Cleopatra’s Banquet, 1742-1743
Oil on canvas
Ville de Paris, musée Cognacq-Jay
Inv. J 104
7
Antonio Canal,
dit Canaletto
(1697-1768)
View of the Santa
Chiara Canal,
Venice, vers 1730
Oil on canvas
Ville de Paris, musée
Cognacq-Jay
Inv. J 18
As the practice of acquiring souvenirs of trips abroad and of
the Grand Tour developed, Canaletto was one of the first painters
to specialise in the genre known as Vedute. These were paintings
of landscapes and city views. The genre is particularly associated
with Venice, but it grew out of emulation and exchanges between
Northern and Southern Europe. The first examples were paintings
of Flemish landscapes. This view is of the bend made by the
Canale di Santa Chiara at the Santa Croce quay.
THE ARTISTIC
ÉCONOMIE
ARTISTIQUE
ECONOMY
DE L’EUROPE
OF
EUROPE
8
Jean-François Lapie
(activity between 1763 and 1797)
Low cupboard 1755-1760
17
Gilded bronze
Ville de Paris, musée Cognacq-Jay
Inv. J 342 et J 343
Oak, marquetery, gilded bronze
Ville de Paris, musée Cognacq-Jay
Inv. J 389
9
18
Atelier de Francesco Guardi (1712-1792)
Port landscape, undated
10
Giacomo Guardi (1764-1835)
View of San Cristoforo di Murano,
undated
Anonymous
Apollo playing the lyre, undated
Marble
Ville de Paris, musée Cognacq-Jay
Inv. J 255
Oil on canvas
Ville de Paris, musée Cognacq-Jay
Inv. J 56
Anonymous
Pair of firedogs with lions, undated
19
Anonymous
Clock with dolphins, undated
Marble
Ville de Paris, musée Cognacq-Jay
Inv. J 316
Oil on canvas
Ville de Paris, musée Cognacq-Jay
Inv. J 59
11
Workshop copy after Fancesco
Guardi (1712-1792)
'Capriccio', with arch in ruins and
seaport, undated
20
Anonymous
Venus and Cupid, undated
Marble
Ville de Paris, musée Cognacq-Jay
Inv. J 256
Oil on wood
Ville de Paris, musée Cognacq-Jay, Inv. J 51
12
Giacomo Guardi (1764-1835)
View of the Isola Santa Maria della
Grazia, undated
21
Oil on wood
Oil on canvas
Ville de Paris, musée Cognacq-Jay
Inv. J 57
Ville de Paris, musée Cognacq-Jay, Inv. J 58
13
Attribued to Francesco Guardi
(1712-1792)
Rural 'capriccio', with tower at the water's
edge, undated
22
Ville de Paris, musée Cognacq-Jay
Inv. J 54
Ville de Paris, musée Cognacq-Jay, Inv. J 63
14
Oil on canvas
Ville de Paris, musée Cognacq-Jay, Inv. J 60
15
Attribued to Francesco Guardi (1712-1792)
'Capriccio' of the ruin of a triumphal arch and
landscape on the shore of the Lagoon, undated
Oil on wood
Oil on canvas
Workshop copy after Fancesco Guardi
(1712-1792)
'Capriccio', with ruined arch and
fishermen's houses, undated
Workshop copy after Francesco Guardi
(1712-1792)
Gothic arcades, with landscape and figures,
undated
23
Francesco Guardi (1712-1792)
View of St Mark's Square, Venice,
ca. 1760
Oil on canvas
Ville de Paris, musée Cognacq-Jay
Inv. J 53
Attribued to Francesco Guardi
(1712-1792)
Rural 'capriccio', with tower at the water's
edge, undated
Oil on canvas
Ville de Paris, musée Cognacq-Jay, Inv. J 62
16
Workshop copy after Francesco Guardi
(1712-1792)
'Capriccio', with ruined fortress at the edge
of the Lagoon, undated
Oil on paper mounted on wood
Ville de Paris, musée Cognacq-Jay
Inv. J 61
St Mark's Square was one of the favourite subjects of the
Venetian vedutisti. Like Canaletto, Francesco Guardi and his
son Giacomo often painted general views of the square in oils or
washes; sometimes with, sometimes without figures, but always
bathed in the various lights so typical of the Lagoon. This is a
work of maturity. Guardi's adroit, flowing technique is very
different from the great clarity and precision of Canaletto's work.