Stochastics
Transcription
Stochastics
Stochastics HD video or 35mm 6 minutes. Conception and Direction, David Kidman. David Kidman 67-71 rue Jean-Baptiste Pigalle, F-75009 Paris + 33 145 267 340 + 33 681 49 76 02 [email protected] http://www.davidkidman.com [email protected] http://www.davidkidman.com Stochastics Short film, HD video and 35mm, 6 minutes. Conception and Direction, David Kidman. When you are a child, you learn how to walk. You don’t necessarily analyse your movements at the time, even though it is a painful learning curve. For a lot of boys, as well as a small majority of girls in this world, there will be a second period of apprenticeship as a professional walker; military service, when you must forget to walk and learn to march. This film is partly about the way in which I learn to walk, the way in which cinema learned to walk and partly how to aim at the right targets. In the great capitals of the world, there is almost always a place destined for military display, either in the form of a parade or in a monument used as a pretext for reifying former glories. These places are, for the rest of the year, invested by tourists, who wander from one end to the other, taking photographs, looking up and looking around, talking and generally hanging around. Even so, at least once a year, these mis-programmed wanderings are put aside in favour of a proof of current or historical military might through organised marching. So Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from the fifties, shooting on 120mm black and white film on which each roll takes twelve pictures. Each of the sequences of the film, as well as all the still images, uses only the twelve views from the same film (sometimes only eleven and a half, sometimes even ten, when the loading or unloading of the film went wrong. This primitive equipment is much the same as that available before the first movie cameras and could have easily been made for a Zoetrope or Praxinoscope. On the other hand, I used a combination of Final Cut and After Effects to edit the scanned films on HD video, software that is generally intended for the entertainment industries today. One of the major problems was to position the photograph in the right place, and sometimes displace, enlarge or reduce it to make the sequence work. The target based technology which this involves may be widely used today, but finds its roots in military targeting technology. In a way, the film will always remain unfinished, as there are other places in which the walk shots will be taken, which will be added to the film in progress. The last place determines the soundtrack; the soundtrack uses the form of a musical fugue, as does the editing. For each version of the film, the sound track will depend on the last place visited, but not yet added to the film, in this version, shown as work in progress during a lecture and screening tour of Japan, the soundtrack consists of my friend Yo Ota telling me how to say “I don’t speak Japanese.” in Japanese; phonetically “Watashua nohongua hana semase”, the words are slowed down and speeded up to make up the notes and sequences in a fugue full of mistakes. The last sequence plays on the word fugue’s meaning in French, which is to escape or run away. David Kidman David Kidman Biography Grants and prizes : Film maker born in 1961, Leigh, Angleterre. Cinema Studies, Newcastle Polytechnic, England, B.A. First Class, Media Production. 2010 Festival Alternative, Belgrade, Serbia, Stochastics, Important Cinematic Work Dissertation, Newcastle Polytechnic, Angleterre: Towards a radical praxis in Hollywood cinema. 1989. 2004, Professor of cinema and video at l’École supérieure des Beaux-Arts de Tours, France, since 1995 (professeur d’enseignement artistique de classe normale). 2003, Creation of the video and cinema teaching programme in Tours. Coordination of final diploma juries in 2000, 2003 and 2009. Lecturer at l’Université François Rabelais from 1990 to 2000. Centre national de la Cinématographie, France Image/Mouvement, Ministère de la Culture et de la Communication, France 2002, Prix Jacques Attila. 2002, Aide à l’écriture, A.P.C.V.L. Région Centre, France. 1990, Arts Council of Great Britain. [email protected] http://www.davidkidman.com Filmography : Les Petites Expertises, 2000-2002, DV, 16mm. Artist. Co-production and distribution Work in Progress. Studio Work, 2010, HD, Finalising. Stochastics, 2010, HD, 35mm, Conception, direction, editing. Production Inprogress D’après le maîtres, 2007, 13’ HD video, creative documentary. Conception, direction, editing. Production Inprogress / Musée des Beaux-Arts de Brest. Une Promenade de Claude Rutault, 2005, 16’ HD video, , creative documentary. Conception, direction, editing. Production Inprogress / MAC /VAL Musée d’art Contemporain de Vitry.. Hot Society, 2005-06, 16mm/DVCam, , creative documentary. Conception, direction, editing. Production Inprogress , 92’, internet site (www. criticalsecret/hotsociety_inprogress/) and installation. Conception, direction, editing. Production Inprogress, APCVL, Ministère de la Culture et de la Communication, TV10 Angers. Home Turf, 2002 (version française), 16mm. , Experimental Conception, direction, editing. Production Inprogress. Co-production Newcastle Polytechnic/ Newcastle Film Makers’ Cooperative. Distribution Collectif Jeune Cinéma, Paris. Foam Film, 2002, 16mm. Court-métrage, Réalisateur. Production. Co-production Work in Progress. Distribution Collectif Jeune Cinéma, Paris. Le Sixième Monde, 2001-2003, DV. , creative documentary. Conception, direction, editing. Producer. Co-production and distribution Work in Progress. Betty Bui, 1998, DV. creative documentary. Conception, direction, editing, Producer. Co-production and distribution Work in Progress. Alexander Hahn, DV. 1997-2002, creative documentary. Conception, direction, editing, producer. Co-production and distribution Work in Progress. Xavier Veilhan, 1995, Béta. , creative documentary. Conception, direction, editing. Producer, Distribution : France - CNC Images de la Culture, Worldwide - Ministère des Affaires étrangères Filmer les Arts. Angela Bulloch, 1993, Béta. , creative documentary. Conception, direction, editing. Producer. Co-production CCC Tours/Ministère de la Culture. A Place in the Clouds, 1991, Feature film, Writer. Production Bill Gavin. Shopping, 1990, Feature film, Writer. Production Northern Media Arts Investment Fund/Northern Arts/Arts Council of Great Britain. David Kidman Programmations and participations in exhibitions : 2010 In Situ, Orléans, France, December, Stochastics, Dumbphone (EXHIBITION) H2O Gallery, Curated by Macu Moràn for BAC! Barcelona, Spain, Stochastics (EXHIBITION) British Art Sideshow, Nottingham, Stochastics, Training from Expertises.(EXHIBITION) Festival Alternative, Belgrade, Serbia, Stochastics Fesiival Cinémas Différents, Paris, Stochastics 2007 Musée des Beaux-Arts de Rouen, France, Hot Society in Mythologie de l’Ouest dans l’art américain. Musée des Beaux-Arts de Brest, France, Une Promenade de Claude Rutault. D’après le maîtres. MAMCO de Genève, Switzerland, in (p)réparations), Une Promenade de Claude Rutault. Escales Documentaires, La Rochelle, France, Hot Society. 2006 Instants Vidéo, Marseille, France, Hot Society. Fesiival Tous Courts, Aix en Provence, Stochastics Festival Extensions, Tours, France, Hot Society. KLEX, Kuala Lumpur, Malaysia, Stochastics International Film Festival of Banja Luka, Bosnia Herzegovina. Stochastics 2005 Yonsei University, Seoul, Stochastics Festival de Cine Internacional de Ourense in Galicia, Spain, Stochastics Film Forum Arsenals in Riga, Latvia, Stochastics Ex-is, Seoul, Korea, Stochastics Zokei University, Tokyo, Japan, Attention, Hot Society Asagaya Art School, Tokyo, Japan, Attention, Hot Society, Foam Film Nippon engineering College, Tokyo, Japan, Attention, Hot Society Hokkaido University, Sapporo, Japan, Attention, Hot Society, Foam Film 2008 Broadway, Nottingham, Angleterre, Hot Society. Transat Vidéo Tournée Ondulations, France, Hot Society. MAC /VAL Musée d’art Contemporain de Vitry, France, Une Promenade de Claude Rutault. Monoquini, Mois du Documentaire, Montpellier, France, Hot Society. FIDMarseille, France, Hot Society. Cinéma La Clef, Paris, France, Hot Society. Da Shan Zi International Art Festival, Pékin, Chine, Les Petites Expertises. 2004 Centre d’Art Mira Phalaina Montreuil sous Bois, France, Home Turf. Centre d’Art Mira Phalaina Montreuil sous Bois, France, Foam Film. Robert Beck Memorial, New York City, United States, Foam Film. CCCB, Barcelona, Spain, Cinéma excentric, Les Petites Expertises. [email protected] Programmations and participations in exhibitions : 2003 Instants Vidéo de Manosque, France, Les Petites Expertises. http://www.davidkidman.com Curated exhibitions : DNSEP 2009, exhibition of students having passed their DNSEP, École Supérieure des Beaux-Arts de Tours, October – November 2009, catalogue. Paris Cinémas Différents, France, Foam Film. Paris Cinéma, France, Foam Film, Les Petites Expertises. Peter Downsbrough, Takahiko Iimura, Michael Snow, Festival Extensions, Tours, October 2007. Signes de nuit, Paris, France, Foam Film. Un Artiste dans la Ville, Marseille, France, Les Petites Expertises. Vidéoformes, Clermont-Ferrand, France, Les Petites Expertises. Au retour, exhibition of students having passed their DNSEP,, École Supérieure des Beaux-Arts de Tours, October - November 2002. Traverses Vidéo, Toulouse, France, Les Petites Expertises. Une proposition de Betty Bui, École Supérieure des Beaux-Arts de Tours, January - February 1998. 2002 Alexander Hahn, On the nature of Things, installation video, École Supérieure des Beaux-Arts de Tours, April – May 1997. Central Academy of Fine Arts, Beijing, China, Les Petites Expertises, Home Turf. Batofar, Paris, France, Les Petites Expertises. Paris Cinémas Différents, France, Home Turf. Xavier Veilhan is shown in France by the CNC/ Images de la Culture, and the Ministère des Affaires étrangères in the Filmer les Arts programme around the World David Kidman DVD Preview [email protected] http://www.davidkidman.com Conférences : December 2010 Ecole Nationale Supérieure des beaux-arts de Paris March 2007 École des beaux-arts de Rueil-Malmaison On Phil Hoffman’s All Fall Down, with screening and intervention by Phil Hoffman. Sociétés chaudes, followed by a projection of Hot Society. May 2010 April 2006 Zokei University, Tokyo, Japan, Experimental filmmaking in France today. Asagaya Art School, Tokyo, Japan, Experimental film-making in France today. École nationale des beaux-arts de Paris New China Action – les vidéos des artistes chinois contemporains. Nippon engineering College, Tokyo, Japan, Experimental film-making in France today. With films and videos by Liu Jin , Liu Wei, Wu Ershan , Wang Gongxin, Ma Yongfeng, Huang Yan, Cai Qing Hokkaido University, Sapporo, Japan, Experimental film-making in France today. December 2005 November 2008 Musée des Beaux-Arts de Rouen Conférence on Gregory Markopoulos, with a screening of The Illiac Passion. November 2008 Nottingham Trent University, England, Artisanal cinema, with workshop November 2007 Musée des Beaux-Arts de Rouen Conférence et film-performance sur Robert Smithson, with films by Robert Smithson and Nancy Holt. Cinéma Nova Bruxelles L’enseignement du cinéma argentique dans les écoles des beaux-arts, rencontres internationales des laboratoires indépendants. May 2002 Central Academy of Fine Art, Beijing, China, Minor expertise David Kidman Curated programmes : All of these programmes were presented, either by muself or by an invited artist or critic. Some, such as the « L’avant garde soviétique » in 2003, were published, in l’édition Numéro 9, printemps 2004, magazine Hors-Champ, Lausanne, on Soviet Neccrorealisme, or « L’art en action » in 2007, published by le Musée de l’objet/ École d’art de Blois. 2010 École supérieure des beaux-arts de Tours Phil Hoffman, All Fall Down Pip Chodorov, Free Radicals Peter Downsbrough 5 films L’Abominable Films Cinéma Les Studios, Tours Wanshuen Tsai, films des artistes taiwanais École supérieure des beaux-arts de Tours Prayoga Films 2009 « Cycle Unserer Politischereise » École supérieure des beaux-arts de Tours Danièle Huillet and Jean Marie Straub : Klassenverhältenisse / Amerika Rapports de Classe Alexandre Kluge, Volker Schlöndorf, Rainer Werner Fassbinder, Alf Brustellin, Bernhard Sinkel, Hans Peter Cloos, Edgar Reitz et Maximiliane Mainke : Deutschland im herbst Slatan Dudow (scenario de Bertoldt Brecht) : Kuhle Wampe L’exposition « Kitsch Catch », Musée de l’Objet / École d’art de Blois, Dans le cadre de la soirée « Corps de héros » Derek Woolfenden, Black’s Back « Arbre de Transmission » École supérieure des beaux-arts de Tours Guy Sherwin, Hollis Frampton, Michael Snow, Anthony MacCall, Carolee Schneeman, Jud Yalkut, Ken Jacobs, Peter Kubelka, Stan Brakhage, Maya Deren, Marcel Duchamp, Hans Richter, Viking Eggeling, École supérieure des beaux-arts de Tours « En attendant la révolution » 4 films de Ken Jacobs, Cinéma Les Studios, Tours « Rétrospective Ashish Avikunthak »,« Japan », Ashish Avikunthak, Cinéma Les Studios, Tours Jun’ichi Okoyuma, Ichiro Sueoka, Yo Ota, Ryusuke Ito, Keitaro Oshima, Naoyuki Tsuji, Akira Mizoyushi, dans le cadre du neuvième festival de cinéma asiatique de Tours. « One11 with 103 » John Cage et Henning Löhner. École supérieure des beaux-arts de Tours 2008 « Tous à l’eau » École supérieure des beaux-arts de Tours Friedrich Wilhelm Murnau et Robert Flaherty, Michael Mazière, « Farocki » Avec des films de Harun Farocki Université François Rabelais. « MEDIA MAGICA »Avec le film de Werner Nekes, Was geschah wirklich zwischen den Bildern?Université François Rabelais. « Débuts » École supérieure des beaux-arts de Tours, Etienne-Jules Marey, James & John Whitney, Ed Emshwiller, Steina and Woody Vasulka « The Residents » Avec les films et vidéos de The Residents, École supérieure des beaux-arts de Tours « DHLLOOOWY/YWOOOLLHD » Peter Tscherkassky, Siegfried A. Fruhauf, École supérieure des beaux-arts de Tours « Unfiction » Avec les films de Pat O’Neill, École supérieure des beaux-arts de Tours [email protected] Programmation : 2007 « Vidéoconférence de Michael Snow », et trois films : New York Eye and Ear Control, Wavelength, See You Later / Au revoir, Université François Rabelais « Conférence de Takahiko Iimura » Université François Rabelais « Cinéma expérimental japonais » Avec Ryusuke Ito, Hoshu Kurokawa, Jun Miyazaki, Keitaro Oshima, Ichiro Sueoka, Akira Mizuyoshi, Yo Ota et Noriyuki Haraguchi, Jun’ichi Okuyama, Masaru Noto, Yo Ota, Naoyuki Tsuji, Huitième Festival de Cinéma Asiatique de Tours, Cinéma Les Studios, Tours, Présentation de Yo Ota « L’art en action », Musée de l’Objet / École d’art de Blois : http://www.davidkidman.com « Le Septième Artisanat » un cinéma structurel narratif, Cinéma Studios, Tours « Liu Wei, documentaires », Festival de Cinéma asiatique de Tours, École des beaux-Arts de Tours, Tours « Corpus Callosum » Michael Snow, Université François Rabelais « Artistes 3 », Uri Tzaig, Ken Kobland, Miranda July, Université François Rabelais « China Action 2 » Ma Yongfeng, Xing Gang, Huang Yan, Zhang Yanxiang,Chau Yeuk Chiu, Cai Qing, Liu Wei, Huang Yan, Wu Ershan, Feng Mengbo, Une sélection de vidéos et de performances récentes d’artistes chinois. « The Movie Disinvented » Martial Raysse, JeanJacques Lebel, Robert Filliou, Christian Boltanski, Lars Movin 2005 « High Tech allergy » Vito Acconci, Salvador Dali, Nam June Paik, Ben Vautier, Brigitte Cornand « Au bord de la nuit » John Cage, Musée de l’Objet / l’École d’Art de Blois « What’s so funny ? » John Smith, Carl Brown et Michael Snow, Steve Hawley, Université François Rabelais « China Action 1 » Hu Yuepeng, Liu Jin, Ma Yongfeng, Lin Bing, Gao Xiaola, Han Bing, Xie Jianbo et Liang Jianbin, Yang Zhichao, Han Bing, Lin Bing et Hei Tianlin, Centre Chorégraphique National de Tours « Protocols » Marcelline Filliou, Man Ray, Salvador Dali & Luis Bunuel, John Armleder & Ecart, Robert Filliou Brakhage, Joost Rekveld, École d’Art de Blois. 2006 « Rétrospective Robert Frank » Pull my Daisy, Conversation in Vermont, The Present, Conférence Brigitta Burger-Utzer, Université François Rabelais « History remix » Performance, avec Paul D. Miller / DJ Spooky that subliminal kid. ReBirth of a Nation, Université François Rabelais. « Artistes 2 : Are you talkin’ to me ? » Gary Hill, Anri Sala, Peter Downsbrough, Pia Ronicke, Université François Rabelais « China Arts » (une contribution au 6ème Festival de cinéma asiatique de Tours), Ma Yongfeng, Wu Ershan, Wang Gong Xin, Liu Wei, Huang Yuan, Feng Mengbo, Jiang Zhi, Cinéma Studios, Tours « Cinéma expérimental japonais » Jun’ichi Okuyama, Ryusuke Ito, Shingo Yoshinaga, Ichiro Sueoka, Hoshu Kurokawa, Masaru Noto, Yo Ota, Shiho Kano,Takashi Ishida, Naoyuki Tsuji, Akira Mi David Kidman zuyushi, Jun Miyazaki, Kentaro Onitsuka, Tetsuya Hiroshima présenté par Yo Ota (contribution au 6ème Festival de cinéma asiatique de Tours) « Sculpter », Gordon Matta-Clark, Anthony MacCall, « Une histoire », Hy Hirsh, Jordan Belson, Viking Eggeling, Harry Smith, James and John Whitney, École d’Art de Blois. 2004 « Dessiner », Len Lye, Robert Breer, Norman McClaren, Stan Brakhage, Joost Rekveld, École d’Art de Blois. « Fluxfilms », Université François Rabelais « Peindre » Len Lye, Patrick Bokanowski, John Baldessari, David Kidman, Patrick Bokanowski, École d’Art de Blois. « Locomotion », Henri Chomette, Kohei Ando, Bruce Baillie, Takashi Ito, Gary Beydler, David Leister, Jun’ichi Okuyama, Université François Rabelais « Reprise 1. et 2. », Henri Storck, Joseph Cornell, Vanda Carter, Karel Doing, Cécile Fontaine, Pat O’Neill, Cinéma Studios « Stones », Jean-Luc Godard, One Plus One , 1968, Cinéma Studios « Artistes » Christian Boltanski, Jacques Monory, Michael Brynntrup, Eija-Liisa Ahtila. Université François Rabelais « Des films lettristes », Carte blanche et conférence de Frédérique Devaux, Université François Rabelais « La région centrale », Michael Snow, Université François Rabelais « Séance Empirique » Pavillon d’exposition, Musée de l’Objet, Blois. « Midweek » Week-end, Jean-Luc Godard, Université François Rabelais 2003 1995 : Arthur et Corinne Cantrill, Bruce Baillie, Peter Kubelka, Gordon Matta-Clark, Robert Smithson, Paul Strand et Charles Sheeler, Fernand Léger et Dudley Murphy, Eugène Deslaw, Laszlo Moholy-Nagy, Marcel Duchamp, Steve Hawley, Simon Hartog, Peter Gidal, Simon Hartog, Malcom Le Grice, Chris Garratt, David Leister, Ichiro Sueoka, Jun’ichi Okuyama, Shingo Yoshinaga, Akira Mizuyoshi, Ryusuke ItoJun Otani, Yo Ota, Shiho Kano, Evgenij Kondratiev, Petr Pospelov, Igor & Gleb Aleinikov et Evgenij Kondratiev, Vladimir Zakharov, Chapaev Film Group. James et John Whitney, Peter Gidal, John Latham, Chris Garratt, Leister, Ken Jacobs, Anthony McCall, Henri Chomette, Martin Arnold, Peter Tscherkassky, Jun’ichi Okuyama, Hollis Frampton, Georges Rey, Joris Ivens, Jacques Monory, Gianni Castagnoli. Sarah Darmon, Raphael Siboni, Deco Dawson, Kano Shiho, Colas Ricard et Martin Gracineau, Robert Todd, Naomie Uman, Othello Vilgard, Pip Chodorov, George Dunning, Gary Beydler, Takeshi Ito, Scmelzdahin, Nicolas Rey, Jonas Mekas, Fernand Léger & Dudley Murphy, Marcel Mazé, Stéphane Marti, Valérie Kempeneers, Sarah Darmon, Patrick Bokanowski, Takahiko Iimura, Stan Brakhage, Peter Kubelka, Stan Vanderbeek, Maya Deren, Jane et Louise Wilson, Cindy Sherman, Matthew Barney. Ken Kobland, Georges Lucas, Jean-Marie Straub / Danièle Huillet, Chantal Akerman, Godfrey Reggio, Laura Mulvey / Peter Wollen, Bruce Baillie, Dziga Vertov, John Baldessari, Sadie Benning, Oskar Fischinger, Len Lye, Nam June Paik, Pipilotti Rist, Robert Breer, Maurice Lemaitre, Hélène Richol, Frédéric Devaux, Michel Amarger, Isidore Isou, Nancy Holt, Yo Ota, Richard Serra, Georges Rey, Robert Breer, Pontus Hulten, Eugène Deslaw, Fernand Léger, Laszlo Moholy-Nagy, Alexander Hahn, Vito Acconci, Robert Morris, Chantal Akerman, Antonio Muntadas et Marshall Reese, Joan Logue, Tom Kalin, Beat Streuli, Michael Snow, American Mutoscope Biograph, Jean Genet, Jonas Mekas, Man Ray, François Lévy Kuentz, Alain Fleischer, Douglas Collins, Takashi Ito, Adèle Friedman, Thomas Korschil, Jérôme Leuba, Claude Rutault, Bruno Lienard, Burt Barr, Maurice Lemaitre, Ken Jacobs, Marie Menken, Bruce Baillie, Lars Movin, Joseph Cornell, Marcel Broodthaers, Christian Boltanski, Cécile Fontaine, Jeffrey Scher, Jonas Mekas, Kohei Ando, Raul Ruiz. Stochastics HD video or 35mm 6 minutes. Conception and Direction, David Kidman. David Kidman 67-71 rue Jean-Baptiste Pigalle, F-75009 Paris + 33 145 267 340 + 33 681 49 76 02 [email protected] http://www.davidkidman.com