Vita PDF

Transcription

Vita PDF

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PETER DOWNSBROUGH
Born 1940 in New Jersey, USA.
Lives and works in Brussels, Belgium.
Selected solo exhibitions
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2004
Peter Downsbrough: Centre de Livres d’Artiste, Saint-Yrieix-la-Perche, France
Peter Downsbrough. UND, Mies van der Rohe Haus, Berlin, Germany
Peter Downsbrough. TIME, Kunstsaele, Berlin, Germany
Peter Downsbrough. Another Space. Kunstbibliothek, Staatlie Museen zu Berlin, Germany
Peter Downsbrough FILMS 2003 – 2012, LG London, London, UK
Peter Downsbrough Photographs, Àngles Barcelona, Barcelona, Spain
Peter Downsbrough, Musée régional d'art contemporain Languedoc-Roussillon à Sérignan,
Sérignan, France
Peter Downsbrough: The Book(s) 1968-2013 / curated by Moritz Küng, Fabra i Coats
Centre d’Art Contemporani de Barcelona, Spain
The PS1 – Special Project (1980) and other works, Galerie Thomas Zander, Cologne,
Germany
Peter Downsbrough, Laure Genillard, London, GB
Peter Downsbrough, Platform3, Munich, Germany
Peter Downsbrough, Galerie Thomas Zander, Cologne, Germany
Y8, Hamburg, curated by Marc Glöde
The Book(s), deSingel, international arts campus, Antwerp, Brussels, Belgium
Centre Culturel Jacques Franck, St.Gilles, Brussels
Pôle édition, École nationale supérieure d’art, Dijon
La BF15, Espace d’art contemporain, Lyon
Galerie Martine Aboucaya, Paris
Barbara Krakow Gallery, Boston
Galerie Thermal, École nationale supérieure d’art, Nancy
La Verrière Hermès, Brussels
Five Films and Two Books, Galerie Erna Hécey, Brussels
Galerie Ho, Histoire de l’oeil, Marseilles
Figge von Rosen Galerie, Cologne
The Published Books, Specific Object, New York
Le Cabinet du livre d’artiste, Université Rennes 2
Peter Downsbrough / Artists and Photographs, Musée de Louvain-la-Neuve, Belgium
Showcase Alfred Vandaele, Drongen, Belgium
Dead Center/ Marginal Notes, Western Exhibitions, Chicago / with
Jeanne Silverthorne
Galerie Erna Hécey, Brussels
Àngels Barcelona
Galerie de Multiples, Paris
Centre d’art contemporain la Synagogue de Delme, France
Galerie Erna Hécey, Brussels
White-Out Studio, Knokke, Belgium
Intérieur, Lille / catalogue
SMAK, Stedelijk Museum voor aktuele Kunst, Ghent
871 Fine Arts, San Francisco
POSITION, Muzeum Sztuki, Łódź / catalogue
Galerie cent8, Paris
Schönhauser Str. 8 D-50968 Köln Tel +49-221-9348856 Fax +49-221-9348858 www.galeriezander.com
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FRAC—Fonds régional d’art contemporain, Bourgogne, Dijon / catalogue
Films, videos, editions, 1980–2004, Mamco—Musée d’art moderne et contemporain,
Geneva
Galerie Evelyne Canus, Basel
POSITION, Paleis voor Schone Kunsten / Palais des Beaux-Arts, Brussels /
catalogue / curated by Marie-Thérèse Champesme
Argos, Brussels
POSITION, Espace de l’art concret, Mouans-Sartoux, France / catalogue
Épreuve d’artiste, Lille
Unrealized Projects, Peter Downsbrough, cent8, Paris / with Laurent Parriente
Galerie Rodolphe Janssen, Brussels
L’Aquarium, École des Beaux-Arts, Valenciennes
La Première Rue, Briey en Fôret, France
Manfred Baumgartner Gallery, New York / with Marjorie Welish
Galerie Martine et Thibault de la Châtre, Paris
Lycée Européen Montebello, Lille
Art Connexion, Lille
Kent Institute of Art and Design, Canterbury
École des Beaux-Arts, Nîmes (F)
Sint Lukasgalerij, Brussels
La Criée, Rennes / with Cécile Bart
Stéphane Ackermann Contemporary Art, Luxembourg
Vitrines du hall, École des Beaux-Arts, Valenciennes
Modèles 1983–1998, Mamco—Musée d’art moderne et contemporain, Geneva (CH)
Maison Levanneur, Centre national de l’estampe et de l’art imprimé, Chatou, France
Espace d’art contemporain Agi Schöningh, Demigny, France
La Box, École nationale des Beaux-Arts, Bourges, France
Galerij Annie Gentils, Antwerp
Kunstverein Grafschaft Bentheim, Neuenhaus, Germany / catalogue
Angle art contemporain, Saint-Paul-Trois-Châteaux, France
Galerie Walzinger, Saarlouis, Germany
Galerie Martine et Thibault de la Châtre, Paris
Dehors-Dedans, EPSM Lille Métropole
Centre régional de la photographie, Douchy-les-Mines. France / accordion-fold book
Densities, Galerij S65, Aalst / in collaboration with Christian Kieckens / catalogue
Pavillon de Bercy, Paris / catalogue
École des Beaux-Arts, Nîmes
École des Beaux-Arts, Quimper, France / catalogue
Galerie Lydie Rekow, Crest, France
École des Beaux-Arts, Valence
Galerie Épreuve d’artiste, Lille
Galerie Rupert Walser, Munich
One Five, Brussels
Centre for Contemporary Art Ujazdowski Castle, Warsaw
Le Channel, Galerie de l’Ancienne Poste, Calais
Multiples, Les Entrepôts Laydet, Paris
Book Art Museum, Łódź
Tropismes Libraires, Brussels
Architectural Gallery, Moscow / catalogue
Fondation pour l’architecture, Brussels
Books—Bücher, Neues Museum Weserburg, Bremen / catalogue
École nationale des Beaux-Arts, Nancy
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Galerie Anne de Villepoix, Paris
L’Usine, Dijon
Photographs, The Archives, Rotterdam
Maquettes, The Archives, Rotterdam
Tilman, Fesler & Coufo, Brussels
Zeger Reijers Galerie, Rotterdam
Dům Umění Města Brna, Brno / catalogue
Open Column, Glyptothek, Munich / catalogue
Galerie Sylvana Lorenz, Paris
Musée de la photographie, Charleroi / within the context of the Quatrième Triennale
Internationale de la photographie / general catalogue
Livres / Books, Bibliothèque Municipale, Rennes
Zeger Reijers Galerie, Rotterdam
Galerie Vega, Plainevaux, Belgium
Ars Musica Festival, Radiogebouw / Maison de la Radio, Brussels
Musée Saint Pierre d’art contemporain, Lyon
Galerie Hoffmann, Friedberg, Germany
Complete Bookworks, Archive Space (ASPC), Antwerp
Galerie De Lege Ruimte, Bruges
Julian Pretto Gallery, New York
Galerie Foksal, Warsaw
Galerie Wschodnia, Łódź
The White Room, White Columns, New York
Le Consortium, Dijon / with Robert Barry
PWSSP State School of Fine Arts, Łódź
Galerie L’A, Liège
Au fond de la cour à droite, Chagny, France
Maison de la Culture, Nevers
Tendance Bis, Limoges
Gewad, Ghent
De Fabriek, Eindhoven
Consultation Point (Network), Łódź
Bureau de la Poésie (Network), Warsaw
Project De Gentenaar / Studio Skoop / Radio Toestel, Ghent
Gallery A, Amsterdam
Galerie Contretype, Brussels
Vereniging voor het Museum van Hedendaagse Kunst, Ghent
Frankfurter Kunstverein, Frankfurt am Main / catalogue
Galerie Eric Fabre, Paris
Galerij Kiliaan, Antwerp
Librairie Post-Scriptum, Brussels
Zona, Florence
Modern Art Gallerie, Vienna
Galleria Pellegrino, Bologna
Le Coin du Miroir, Dijon
Agora Foundation, Maastricht
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Vitrine, Paris
Un travail . . . , 11, rue Clavel, Paris / curated by René Denizot
PS1 Special Projects, Long Island City, New York
The Dice, Spectacolor Board, Times Square, New York
Gallery A, Amsterdam
Printed Matter, New York
1 University Place, New York
Pool, Fine Arts Center, C. W. Post College, Greenvale, New York
Galerie Maier-Hahn, Düsseldorf
Stedelijk Van Abbemuseum, Eindhoven / catalogue
Eight Books by Peter Downsbrough, Centre for Experimental Art and Communication,
Toronto
Hal Bromm Gallery, New York
Franklin Furnace, New York
Salle Simon I. Patiño, Cité Universitaire, Geneva
Wide White Space, Antwerp
Paleis voor Schone Kunsten / Palais des Beaux-Arts, Brussels
Project Inc., Cambridge, Massachusetts
Galerie 32, Paris
Elsa von Honolulu Loringhoven, Ghent
Galerie Toselli, Milan
Galerie 19, Paris
Galerie Delta, Brussels
Jack Wendler Gallery, London
La Salita, Rome
Galerie 8, Paris
Windham College, Putney, Vermont
112 Greene Street, New York
Two Pipes, Cornish, New Hampshire
Sun Gallery, Provincetown, Massachusetts
Area, New York
Selected group exhibitions
2016
2015
2014
This Outsideness, Galerie Art et Essai, Rennes, France
Pavilion Intervention, Mies van der Rohe Pavilion, Barcelona, Spain
Drawing Dialogues: The Sol LeWitt Collection, Drawing Center, New York, USA
Between the Ticks of the Watch, The Renaissance Society, University of Chicago,
Chicago, USA
A Line is a Line is a Line. Museumcultuur Strombeek /Gent CCStrombeek, StrombeekBever, Belgium
The Exhibition of a Film. Centre Pompidou, Paris, France
In/visible, Museum für Zeitgenössische Kunst, Eupen, Belgium
A Set of Lines, A Stack of Paper, KARST, Plymouth, UK
Tabs – Temporary Artist Book Shop, LAGE EGAL - Raum für aktuelle Kunst, Berlin,
Germany
Un regard sur la collection d’Agnès B., Musee LAM, Villeneuve de l’Ascq, France
Sites of Reason: A Selection of Recent Acquisitions, Museum of Modern Art, New York,
USA
What Models Can Do - A short history of the architectural model in contemporary art,
Museum für Gegenwartskunst, Siegen Germany
1+1+1 =1080, Gemeinde Molenbeek-Saint-Jean, Brussels, Belgium
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Friendly Takeover, Marte Herford, Herford
From the Collection, SMAK Stedelijk Museum voor Actuele Kunst, Gent, Belgium
Mai avant de mourir, j’aimerais savoir qui vous êtes, Cortex Athletico Galerie – Art
Contemporain, Bordeaux, France
Entre Deux, Musée Régional d’art contemporain Languedoc-Roussillon, Sérignan, France
Four Houses, Some Buildings and Other Spaces, 80 WSE Galleries, Steinhardt School,
NYU, New York / curated by Berta Sichel
Upside Down – Specific Objects, Museumscultuur Strombeek, Gent, Belgium
Drop me a line, Laure Genillard, London, GB
Le Miroir et les Chemins, MAC’s – Museum of Contemporary Arts oft he Federation
Wallonie-Brussels, Hornu, Belgium
The Fifth Column, Secession, Vienna, Austria
Peter Downsbrough, Ángels Barcelona, Spain
In Other Words, Lewis Glucksman Gallery, University College, Cork, Ireland
CUT, Galerie Thomas Zander, Köln, Germany
Morphologies, Barbara Krakow Gallery, Boston, USA
Construction in Process, Muzeum Sztuki, Lodz
You are here, L’Escaut, Brussels/ curated by Frédéric Collier
Mr.Memory, Galerie Martine Aboucaya, Paris, France
Limites Multiles, L’Orangerie, Bastogne (B)
La Tabacalera - Futuro Centro Nacional de Artes Visuales, Madrid, Les Rencontres
Internationales Paris - Berlin - Madrid, Madrid, Spain
Au Coeur des villes, Collection FRAC Lorraine, Etain, France
In the Face of Spatial Grandeur, Circuit, Centre d’art contemporain, Lausanne / curated by
Frédéric Chapon
Landscape: Landscape? Àngels Barcelona
Vous êtes ici, exhibition in collaboration with the Université du littoral Côte d’Opale—
Master 2, Musée des Beaux-Arts, Dunkirk
Spatial City: An Architecture of Idealism; First Exhibition of the Frac Collections in the
United States, Institute of Visual Arts (Inova), Milwaukee; Hyde Park Art Center, Chicago;
Museum of Contemporary Art, Detroit
Vinyl: Disques et pochettes d’artistes; Collection Guy Schraenen, La Maison Rouge,
Fondation Antoine de Galbert, Paris
Guía Secreta de La Rambla, La Virreina, Centre de la Imatge, Barcelona / curated by
Carles Guerra
Entre tu y yo—Between You and Me, La Tabacalera—Futuro Centro Nacional de Artes
Visuales, Les Rencontres Internationales Paris—Berlin—Madrid, Madrid
Less Is More: Pictures, Objects, Concepts from the Collection and the Archives of Herman
and Nicole Daled 1966–1978, Haus der Kunst, Munich
LOOP Festival, Àngels Barcelona Espai 2
Atlas,cartes et plans. Topographies, toponymes, territoires, Centre des livres d’artistes,
Saint-Yrieix-la-Parche, France
Some Cities and Modèles modèles 2, Mamco, Musée d’art moderne et contemporain,
Genève
Measuring Potentials, Potsdamer Strasse 88, Berlin / curated by Marc Glöde
Ecce Homo Ludens. Le jeu comme art et comme mode de vie, Musée régional d’art
contemporain Languedoc - Roussillon - Sérignan, France
Manières noires, BAM—Musée des Beaux-Arts de la Ville de Mons, Belgium / curated by
Raphaël Pirenne
Art, Architecture, Design, Galerie Georges Verney-Carron, Lyon
The Annual AIDS Benefit Exhibition: Everything but Paper Prayers, Barbara Krakow
Gallery, Boston
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Manières noires, BAM—Musée des Beaux-Arts de la Ville de Mons, Belgium / curated by
Raphaël Pirenne
Cities under the Gaze, curated by Neus Miro for “Video Abierto,”
Murcia (ES)
Walking the Hinterland, curated by Brent Klinkum for Open Archive #2,
Argos, centre for art and media, Brussels
Les Rencontres Internationales, Centre Pompidou, Paris
Strategien Gegen Architektur - Constructions, Spaces and Sites as Elements in Flux Open
Archive#2, Argos, centre for art and media, Brussels
Multiple / Readings, curated by Johan Pas,Antwerpse Erfgoedbibliotheek Hendrik
Conscience, Antwerp
Morphologies: Tara Donovan, Peter Downsbrough, Charles LeDray, Sol LeWitt, Brice
Marden, Bill Thompson, Ursula von Ryndingsvard, and Richard Serra Barbara Krakow
Gallery, Boston
Construction in Process, Muzeum Sztuki, Lodz
You Are Here, curated by Frédéric Collier, L’Escaut, Brussels
Argos—Open Lounge: David Claerbout, Manon de Boer, Peter Downsbrough, Vincent
Meesen, Joëlle Tuerlinckx and Others, Villa Merkel, Esslingen, Germany / curated by
Marlene Rigler
Still Moving Still, Internationaal Fotofestival Knokke-Heist, Cultureel Centrum Scharpoord
and Laguna Hal, Knokke-Heist, Belgium / curated by Marc Glöde
A Factory, A Machine, A Body . . . Archeology and Memory of Industrial Spaces, Centre
d’Art La Panera, Lleida, Spain / curated by Alberto Sánchez Balmisa
Time as Matter: MACBA Collection; New Acquisitions, MACBA—Museu d’Art
Contemporani, Barcelona
Dispositivos ópticos: La arquitectura como trayectorias de la mirada, CAAC—Centro
Andaluz de Arte Contemporaneo, SevilleUnconcealed, The Gallery, Norwich University
College of the Arts / curated by Lynda Morris
Phase zéro: 96 propositions spatiales, Galerie Serge Aboukrat, Paris
Detanico / Lain, Peter Downsbrough, Anthony McCall, Thu Van Tran, Galerie Martine
Aboucaya, Paris
Film program curated by Xavier Garcia-Bardon in It’s Not Only Rock ’n’ Roll,
Baby! Paleis voor Schone Kunsten / Palais des Beaux-Arts, Brussels
Autour et au-delà BROODTHAERS Onomwonden, various locations, Leuven
High Fidelity—Artists’ Records in the Marzona Collection, Kunstbibliothek Staatliche
Museen zu Berlin
CHOOSING: William Anastasi—Dove Bradshaw—Peter Downsbrough—Tadaaki
Kuwayama—Maurizio Nannucci—Richard Nonas—Chris Williams; A Group Exhibition
Curated by Robert Barry, Galerie Sfeir-Semler, Hamburg
Univers industriel, Centre Régional de la Photographie, Douchy-les-Mines, France
Based on Paper: Revolution der Kunst 1960–1975, Kupferstichkabinett Staatliche Museen
zu Berlin / curated by Michael Lailach and Andreas Schalhorn
Chez Dominique Perrault Architecture: des oeuvres de la collection Billarant, Dominique
Perrault Architectures, Paris
Jardin des Tuileries, FIAC, Paris
Extensions: Peter Downsbrough, Takahiko Iimura, Michael Snow, organized by Work in
progress, Bourges, Frankreich
What a Great Space You Have . . . (L.A.), Claremont Graduate University, Claremont,
California / curated by Marc Glöde
Art Multiple, Espace de l’art concret, Mouans-Sartoux, France / curated by Line HerbertArnaud
Vinyl: Records and Covers by Artists, Museu d’Art Contemporani, Barcelona / curated by
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Guy Schraenen
Sites of Elasticity, video circuit in Lommel town center, Lommel, Belgium / curated by Ive
Being, in Brussels, Argos Centre for Art and Media, Brussels / curated by Katerina Gregos
Kontexte der Fotografie, Museum für Gegenwartskunst, Siegen, GermanyJournal #8—
Manon de Boer en Brussel, Van Abbemuseum, Eindhoven
ICI et LA: Oeuvres de la collection de la Province de Hainaut, École régionale supérieure
d’expression plastique, Tourcoing, FranceCollection Daniel Bosser, extraits, Musée
Matisse, Palais Fénelon, Le Cateau-Cambrésis, France
Daumenkino: The Flipbook Show, Kunsthalle, Düsseldorf / curated by Daniel Gethman and
Christoph Schulz
Modèles modèles, Mamco—Musée d’art moderne et contemporain, Geneva
Le Génie du lieu, une proposition du Frac Bourgogne, Musée des Beaux-Arts et Palais des
Ducs et des Etats de Bourgogne, Dijon
My One and Only, Wallspace, New York / curated by James Welling
Records and Covers by Artists, Neues Museum Weserburg, Bremen / curated by Guy
Schraenen
No Comments, Museu Serralves—Museu de Arte Contemporânea, Porto / curated by Guy
Schraenen
Le tableau des éléments, MAC’s—Musée des arts contemporain, Le Grand-Hornu,
Belgium / curated by Denis Gielen
Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid
The Annual AIDS Benefit Exhibition: Everything but Paper Prayers, Barbara Krakow
Gallery, Boston
Sites, Musée du Bassin houiller Lorrain Carreau Wendel, Petite-Rosselle, France
Fotografie in België, Fotomuseum, Antwerp, Belgium
À angles vifs, CAPC—Musée d’art contemporain, Bordeaux / curated by Thierry Davila
Copies as Originals, Biblioteca Fundação de Serralves, Porto / curated by Guy Schraenen
L’intime, le collectionneur derrière la porte, La Maison rouge, Fondation Antoine de
Galbert, Paris
Fine Words Butter No Cabbage, White Walls 26th anniversary exhibition, the Hyde Park
Art Center, Chicago / curated by Anthony Elms
Storage / L’entrepôt du musée: Collection de la Province de Hainaut, B.P.S.22 espace de
création contemporaine, Charleroi
Morphing Lights, Floating Shadows, Metamorph, Ninth International Exhibition of
Architecture, La Biennale di Venezia, Venice / curated by Nanni Baltzer
Zona de mestizaje, Museo Nacional Centro de Arte Reina Sofia, Madrid / curated by Paul
Willemsen
La ville qui fait signes, Le Fresnoy, Studio national des arts contemporains, Tourcoing,
France
Wiels! Le Centre des arts contemporains / Centrum voor Hedendaagse Kunst—proje(c)t
Wielemans—Ceuppens, Brussels / curated by Luk Lambrecht
Outside of a Dog: Paperbacks and Other Books by Artists, BALTIC—The Centre for
Contemporary Art, Gateshead, Great Britain / curated by Clive Phillpot
1:1 x temps, quantités, proportions et fuites, FRAC Bourgogne, Dijon
Mobiles, Parcours d’artistes de St. Gilles, Brussels / curated by Denis Gielen
De concert: Oeuvres d’une collection privée, FRAC des Pays de la Loire,
Carquefou, France
French Collection, Mamco—Musée d’art moderne et contemporain, Geneva
Extra Art: A Survey of Artists’ Ephemera 1960–1999, Institute for Contemporary Art,
Topos / Atopos / Anatopos, CCNOA, Brussels / curated by Christian Kieckens
ars photographica, ASPC im Neuen Museum Weserburg, Bremen
Conception: Conceptual Documents 1969–72, Norwich Gallery, Norwich School of Art and
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Design / curated by Catherine Moseley; The Library, Henry Moore Institute, Leeds; Morris
and Helen Belkin Gallery, University of British Columbia, Vancouver
Ici et maintenant, Ancien entrepôt royal Tour et Taxis, Brussels
Extra Art: A Survey of Artists’ Ephemera 1960–1999, Logan Galleries, California College of
Arts and Crafts, San Francisco / curated by Steven Leiber
Au fur et à mesure, Espace de l’art concret, Mouans-Sartoux, France
Bruxelles (une ville) en photographies, Le Botanique, Brussels
La Collection: Installations; L’Exotisme sans partage, Musée d’art contemporain, Lyon
Paysage: 160 ans de photographie en Nord-Pas de Calais, Musée des Beaux-Arts de
Tourcoing, France
Hors limite—champs photographiques, Musée des Beaux-Arts et de la Dentelle, Calais
L’artiste-concepteur à New York, MJC Terre Neuve, Dunkirk
99 Artisti della Collezione Marzona, Galleria Comunale d’Arte Moderna e Contemporanea,
Rome
Zich Ophouden Bij . . . , Hallezalen Belfort, Bruges
De Opening, Stedelijk Museum voor Aktuele Kunst, Ghent
Footfalls, Greenport, New York
Les Champs de la Sculpture 2000, Champs Elysées, Paris
Grafteaux & Klein: Travaux d’architecture; Photographies de Philip Bernard, Pierre
Devin, Peter Downsbrough, Max Lerouge, Musée d’art moderne, Villeneuve d’Ascq,
France
Sans Titre a dix ans, Musée d’art moderne, Villeneuve d’Ascq, France
Livres d’enfances, École nationale d’art décoratif, Aubusson, France / organized by PaysPaysage, Centre national du livre d’artiste and Les Écoles nationales d’art décoratif de
Limoges et Aubusson, France
Wide White Space in Middelheim, Braem Pavillion, Openluchtmuseum voor
Beeldhouwkunst Middelheim, Antwerp
Livres d’artiste: L’invention d’un genre 1960–1980, Bibliothèque nationale de France,
Galerie Mansart, Paris
La rayure, l’intervalle, le jour . . . , FRAC Nord-Pas-de-Calais, Dunkirk / curated by René
Denizot
Hommage an Stéphane Mallarmés Würfelwurf, Neues Museum Weserburg and Institut
Français, Bremen
Le bel aujourd’hui: Oeuvres d’une collection privée, Le Nouveau Musée—Institut d’art
contemporain, Villeurbanne, France
Winter Festival: Luc Deleu, Peter Downsbrough, Bernd Lohaus, Philippe Van Snick and
Marthe Wéry, National Gallery, Sarajevo / curated by Michel Assenmaker
Wide White Space, MAC—Galeries contemporaines des musées de Marseille,
D’une oeuvre l’autre, Musée Royal de Mariemont, Belgium / curated by Guy Schraenen
Spaced Out (Artists / Architects), Kunstverein München, Munich
247 Projects for Uni Dufour, Musée d’art et d’histoire, Geneva
Zoersel ’96, Zoersel, Belgium
Artistes / Architects, Centro Culturel de Belém, Lisbon
Inviter 2, Casino Luxembourg, Forum d’art contemporain / curated by Michel Assenmaker
Kunstverein Grafschaft Bentheim, Neuenhaus, Germany
Die Schrift des Raumes: Kunst Architektur Kunst, Kunsthalle Wien, Vienna
Oeuvres acquises par le FRAC Bourgogne, Espace FRAC, Dijon
Wide White Space, Kunstmuseum Bonn
Les fragments du désir: Collections en exposition; Oeuvres du Fonds régional d’art
contemporain Nord-Pas de Calais 1983–1995, Anciens Bâtiments des Magasins Old
England, Brussels
Euramis: James Bishop. Peter Downsbrough. James Reineking. Jerry Zeniuk, Pfalzgalerie,
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Kaiserslautern, Germany
1:1, Initiative Münchener Galerien, Künstlerwerkstatt Lothringerstrasse, Munich
Artists’ Books, Tate Gallery, London
Artistes / Architectes, Le Nouveau Musée—Institut d’art contemporain,
Villeurbanne, France
1965–1975: Reconsidering the Object of Art, Museum of Contemporary Art, Los Angeles
Passions privées—Art moderne et contemporain dans les collections particulières en
France, Musée d’art moderne de la Ville de Paris
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1988
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1986
Comme dans une image . . . , Galerie Gilbert Brownstone, Paris
Erratum Musical, Institut Français, Bremen, and other venues / curated by Guy Schraenen
L’art américain dans les collections publiques françaises de province 1960–1992, Musée
de Toulon, France
Site-ations, Artists’ Project, Cardiff
Metamorphosen des Schreibens, Neues Museum Weserburg, Bremen
Wide White Space, Paleis voor Schone Kunsten / Palais des Beaux-Arts, Brussels
Le monde en éclats, l’oeuvre en effraction, Galerie Yvon Lambert, Paris / curated by René
Denizot
L’Art, le mot, Musée d’art contemporain, Lyon
Construction in Process, various locations, Łódź
Regard multiple: Acquisitions de la Société des amis du Musée national d’art moderne,
Musée national d’art moderne centre Georges Pompidou, Paris
Red Cross: International Art Action, Berlin—Lodz—Praha—Bratislawa—
Budapest—Sarajevo—Tirana, organized by the Artists’ Museum, Łódź
Muzeum Sztuki w Łodzi 1931–1992: La Collection du Musée de Lodz; Un siècle d’art
moderne, Musée d’art contemporain, Lyon
Kolekcja Musée d’Art Contemporain Lyon, Muzeum Sztuki, Łódź
No Figure, Le Channel, Galerie de l’Ancienne Poste, Calais
Fotografie als Kunst im öffentlichen Raum, Munich
Le Consortium Collectionne, Château d’Oiron, France
Bild + Buch: Edition Hoffmann und Ottenhausen Verlag, Villa Toscana and
Kammerhofgalerie, Gmunden, Austria
Collection: U.S. art, Musée d’art contemporain, Lyon
Construction in Process: Back in Lodz, Łódź
Aus dem Würfelmuseum—zur Kritik der Konstruktiven Kunst, Karl Ernst Osthaus
Museum, Hagen, Germany
Présence discrète (extraits), Musée des Beaux-Arts, Dijon
Peter Downsbrough, Heinz Gappmayr, Leon Polk Smith, Tilman, Fesler & Coufo,
Brussels
Sous le soleil exactement . . . , Villa Arson, Nice
1 Exposicion Internacional de Arte Postal en Granada—Homenaje a Federico Garcia
Lorca, Granada, Spain
Works on Paper by 24 Artists, Onetwentyeight, New York / curated by Jean-Noel Herlin
Utopia and Reality, Galeria Wschodnia, Łódź / curated by Andrzej Micholajcek
Opening Exhibition, Onetwentyeight, New York
Peter Downsbrough. Leo Copers. Eric Andriesse, Jack Tilton Gallery, New York,
10 Jahre Kunst, Galerie Rupert Walser, Munich
The Artist’s Book as a Container of Ideas, Universitätsbibliothek, Oldenburg, Germany /
curated by Dr. Klaus Groh and Dr. Christiane Dierks
A. P. Artists’ Photographs, Archivio Storico, Comune di Marciana, Isola d’Elba, Italy
Law and Order, Benefit Exhibition for the Center for Constitutional Rights, Leo
Castelli, New York
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Process und Konstruktion, Künstlerwerkstatt Lothringerstrasse, Munich
Structures / Components 3x, Visual Studies Workshop, Rochester / with Robert Barry and
Robert C. Morgan
Tectonics, Musée de l’architecture, Liège
Sans assurance, various locations, Pouilly, France / curated by Pierre Faveton
Présence discrète, Musée des Beaux-Arts, Dijon
Artists’ Use of Language, Franklin Furnace Archive, New York / curated by Robert
Barry
A Museum Experience: Exchange Between Artists 1931–82; Poland – USA, ARC, Musée
d’art moderne, Paris, and the Douglas Hyde Gallery, Dublin
Artists’ Books, Ben Shahn Gallery, W. Paterson College, Wayne, New Jersey
Alternatives in Retrospect, The New Museum of Contemporary Art, New York
Mise en pièces/ Mise en place/ Mise au point, Maison de la Culture, Chalon-surSaône, and Le Consortium, Dijon
Konstrukcja w Procesie, Ul. PKWN 37, Łódź
Photofiction, Contretype, Brussels
The Page as Alternative Space: 1970–1980, Franklin Furnace Archive, New York
Künstlerbücher, Frankfurter Kunstverein, Frankfurt am Main
Libres d’Artistes, Metronom, Barcelona
Biënnale van de Kritiek / Biennale de la Critique, Palais des Beaux-Arts, Charleroi; and
Internationaal Cultureel Centrum, Antwerp
Printed Art: A View of Two Decades, The Museum of Modern Art, New York
A Collection—A Collector, The Jacksonville Art Museum
Pool, Artists’ Space, New York
Des travaux . . . , Journées d’art actuel, Limoges, France
Radio by Artists, A Space, Toronto
Elementary Concepts, Brno
Manifesto Show, 7 Bleecker Street, New York
Artists and Books: The Literal Use of Time, Edwin A. Ulrich Museum of Art, Wichita State
University / curated by Robert C. Morgan
Audio Scene ’79, Schloss Lengenfeld and Modern Art Gallerie, Vienna
Artworks and Bookworks, Los Angeles Institute of Contemporary Art and other venues
curated by Judith A. Hoffberg and Joan Hugo
ISBN:0:00;0 LCCN: 780000, Washington Project for the Arts, Washington, DC, and other
venues / organized by Independent Curators Incorporated
Les Livres d’Artiste: Une Sélection / Kunstenaarsboeken: Een selectie, Paleis voor Schone
Kunsten / Palais des Beaux-Arts, Brussels / curated by Bernard Marcelis
The Art of Offset Printing, The School of the Art Institute of Chicago
America en la Mira, Museum of Contemporary Art, Morelia, Mexico, and other venues
Focus 78, Centre culturel du Marais, Paris
Detective Show, Institute for Art and Urban Resources, Gorman Park, Queens,
New York
The Second Show, The $100 Gallery, New York
Artists’ Books: Centro Libri d’Artista Cento, Zona, Palazzo Strozzi, Florence / curated by
Maurizio Nannucci and Flavio Salvadori
Book Forms, Dayton Art Institute
Documenta 6, section “Artists’ Books,” Museum Fridericianum, Kassel
Artists’ Books, Arts Council of Great Britain, London, and other venues
Rooms, PS1, Institute for Art and Urban Resources, Long Island City, New York
Artists’ Books, University Art Museum, Berkeley
To Separate = Trennen, Teilen, Amerika Haus, Berlin
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Works/Words, The Clocktower, Institute for Art and Urban Resources, New York
Drawings: Seventies, Joseloff Gallery, Hartford Art School of the University of Hartford,
Connecticut
Artists’ Books, Moore College of Art, Philadelphia
Incontri Internazionali d’Arte: Contemporanea, section “Artists’ Books and Records,”
Parcheggio di Villa Borghese, Rome / curated by Michel Claura and Yvon Lambert
Recent Work, 10 Bleecker Street, New York
Storm King Art Center, Mountainville, New York
Other selected projects / Large scale works
2015
2008
2007
2005 - 2006
2004
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2000
1998
1997
1994
1993
1987 - 1991
1990
1990
1980
LIMIT/S, a large wall piece at Andreas Murkudis, Berlin
TEMPS/DE, ET, LA, LE/ DANS, Musée de la Vie Wallonne, Cour des Mineurs, Liège
TOUR/ AU, DE, LA, LE, RE, Le Musée en Plein Air du Sart-Tilman, Liège
AGAIN/ AVEC/ ENCORE , exterior piece, Cité Internationale, Lyon
MISE / EN, ET , exterior piece, Collège Mercier, Braine l'Alleud
VERS / ET, OU , exterior piece, Ville de Mouans-Sartoux
BOULEVARD JACQMAIN ; AND /MAAR, OP ; AND /POUR, ET , exterior piece, Boulevard
Emile Jacqmain, Brussels
CZAS /JAK, OD , exterior piece, Kwadrat Building, Bydgoszcz, Poland
BIBLIOTHEQUE UNIVERSITAIRE LE CREUSOT; ENTRE - TEMPS/ DE, ET, OU (
interior) & DE, ET, LA (exterior), 1% commission, Le Creusot, France
THEATRE DE NÎMES / THEATRE DE NÎMES (exterior) & AVEC - REPERE/ DANS/ DE,
ET, LA, LE, OU (interior), façade and foyer interior, Théâtre de Nîmes, Nîmes, France
OKRES , Centrum Sztuki Wspolczesnej Wydawnictwo Hotel Sztuki, Warsaw, Poland
STALY/ TAK, JAK , wall piece, Kilinskiego, Lodz, Poland
OPEN COLUMN , sculpture, Glyptothek, Munich, Germany.
AS/ IF , exterior piece, Film Museum, Lodz
UNITE/ DE, LA , wall piece, Rennes, France
THE DICE , video, Spectacolor Board, Times Square, New York.
Collections
The Norman Fisher Collection, Jacksonville Art Museum, Jacksonville, Fla.
The Museum of Modern Art Library, New York City, N.Y.
The New York Public Library, New York City, N.Y.
The Getty Research Institute Research Library, Ca.
The Grunwald Center, the Hammer Museum at UCLA, Los Angeles, Ca.
National Gallery of Canada Library, Ottawa, Ontario, Canada
The Tate Gallery Library, London
Sammlung Marzona, Staatliche Kunstbibliothek zu Berlin
ASPC, Neues Museum Weserburg, Bremen
Muzeum Sztuki, Lodz, PL
Centre national d’Art et de Culture Georges Pompidou, Paris
Musée d’Art Contemporain, Lyon
Musée des Beaux-Arts, Dijon
Musée de Toulon
Musée d’art moderne Lille Métropole, Villeneuve d’Ascq
Le Consortium, Centre d’Art, Dijon
Fonds National d’Art Contemporain, Paris
FRAC Bourgogne, Dijon
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FRAC Bretagne, Châteaugiron
FRAC Centre, Orléans
FRAC Lorraine, Metz
FRAC Nord-Pas de Calais, Dunkerque
FRAC Rhône-Alpes, Villeurbanne
DRAC Aquitaine, Montpellier
Ville de Rennes, Rennes
Ville de Mouans-Sartoux
Bibliothèque Nationale, Département des Estampes et de la Photographie, Paris
Musée d’Art et d’Histoire, Geneva
mamco, Musée d’art moderne et contemporain, Geneva
Koninklijke Musea voor Schone Kunsten, Brussels
Ville de Bruxelles
SMAK, Stedelijk Museum voor Aktuele Kunst, Gent
Musée de la Photographie, Charleroi
MAC’S, Musée des Arts Contemporains, Hornu
Ministerie van de Vlaamse Gemeenschap, Brussels
Communauté Française de Belgique, Bruxelles
Province de Hainaut, La Louvière
Musée de Louvain-la-Neuve
MACBA, Museu d’Art Contemporani, Barcelona (ES)
CGAC, Centro Galego de Arte Contemporanea, Santiago de Compostella
Selected bibliography
2015
2013
2011
2010
2009
Peter Downsbrough. Then Set, Centre de Livres d’Artiste, Saint-Yrieix-la-Perche, 2015
SET [ IN - Peter Downsbrough, Editions Enigmatiques, Paris, 2013
Küng, Moritz: The Books, 1968-2010. Hatje Cantz, 2011
Streitberger, Alexander: "Shifting Places. Peter Downsbrough, the Photographs, Leuven
University Press, 2011
“Guia Secreta de La Rambla,” La Virreina Centre de la Imatge, Barcelona, published by
Edicions Poligrafa,2010, pp 287-290 (ill.)
“Ceci n’est pas un parc. Art - Architecture - Design” sous la direction de François Gindre,
Georges Verney-Carron, Editions Libel, 2010, pp 5, 6,103-109, 174 (ill.)
Peter Downsbrough. Catalogue published by Fondation d’Entreprise Hermès following the
exhibition in 2009. Text by Alice Morgaine.
Interview by Gilles Bechet, “Comme chez moi,” Victoire, 02 October 2010, Magazine
nr.175 Le Soir, pp. 2631 (ill.)
Streitberger, Alexander:”Peter Downsbrough. Espaces entre livre et photographie,” in:
Photography and the Book, edited by Alexander Streitberger, special issue, Image &
Narrative, Vol.11, Leuven, no. 4, 2010 www.imageandnarrative.be
Mundt, Katrin, in: “Argos Open Lounge,” curated by Marlene Rigler, catalogue, Villa
Merkel, Esslingen, 2009, pp. 38 - 43 (ill.)
Bogis, Lily, review, in: Tufts Daily (http://www.tuftsdaily.com/gallery-review-barbara-krakowgallery-exhibit-features-new-minimalist-art-1.1631801)
McQuaid, Kate:”Reading between the lines,” in Boston Globe, April 1, 2009, p.10 (ill.)
“Una fabrica, una maquina, un cuerpo. Arqueologia y memoria de los espacios industrials,”
Texts by Gloria Picazo, Alberto Sanchez Balmisa, José Luis Barrios and Antoni Jové Alba,
Centre d’art la Panera, Lérida (ES), 2009, pp. 24, 81, 82, 83, 84, 103, 111, 121 (ill.)
Jamart, Christine: “(AFTER) TIME,” L’Art Même, # 43, 2e trimester 2009, p. 5 (ill) (cover ill.)
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Selby, Aimee (Ed.) “Art and Text,” Black Dog Publishing, London, 2009, pp. 174-175, 182
(ill.)
Herbert-Arnaud, Line:”Spaces on the geographic map,” in: “Faire chanter l’espace,” Outer
Horizons. Art & Philosophy, No.2/2009, Girona, Spain, pp.38-41 (ill.) Cover by P.D.
“Collection Musée d’art contemporain de Lyon,” published y 5 Continents Editions, 2009,
pp. 158-159, 617 (ill.)
Gregos, Katerina: “ Brussels Residents. Fractured, quiet and discrete.” in: Flash Art,
Vol.XLII,
N°.269, November - December 2009, pp. 66 - 69 (ill.)
Gonzalez-Sancho, Eva, and Oyharçabal, Frédéric:”7 come 11. Entrevista con Peter
Downsbrough” in: “Una tirada de dados: Sobre el azar en el arte contemporaneo.” XIV
Jornadas de estudio de la imagen. Direccion General de Archivos, Museos y Bibliotecas,
Consejeria de Cultura y Turism, Comunidad de Madrid (ill.)
Candet, Nadia, direction d’ouvrage: “Collections particulières. 150 commandes privées
d’art contemporain en France,” Flammarion, 2008 (ill.)
Hernandez, Noelia:”Recontextualizaciones,” in: Cultura/s, La Vanguardia, 15.10.08
“Centre d’art contemporain La Synangogue de Delme,”les presses du reel, Dijon, 2008
pp. 19, 25, 30,86, 165, 170, 336-337, 30-39, 254, 337 (ill)
Polite, Pablo G. “Peter Downsbrough,” Artecontexto # 20, December 2006, pp 140-141 (ill.)
Lailach, Michael and Schallhorn, Andreas:“Based on Paper. The Marzona Collection,”
Kupferstichkabinett Staatliche Museen zu Berlin, Verlag der Buchhandlung Walther König,
Köln, pp 36, 37, 66, 67 (ill)
De Vresse, Yves: “ Urbaniste du presque rien,” in: Agenda, 21 maart 2007 (ill.)
Yoann Van Parys, review, in: ART PAPERS, March-April 2007, p 58 (ill.)
Herbert-Arnaud, Line: “Peter Downsbrough. Lelieu et l’espace d’une oeuvre,” in: LIGEIA,
Dossiers sur l’art: Art et Espace, XX° année, N° 73-74-75-76, janvier-juin 2007, pp.189-201
(ill.)
“1:1 x temps. Quantités, proportions et fuites,” Fonds regional d’art contemporain de
Bourgogne & l’usine, Dijon; interview with Sarah McFadden, (ill.)
McFadden, Sarah: “The Fine Art of Word Slicing,” in: Art in America, Nov.2007 pp 190-193
(ill.)
Maes, Frank in Contemporary Art in Belgium 2008, Fondation pour les Arts and Best of
Publishing, 2007, pp 86-89 (ill.)
Moeglin-Delcroix, Anne: “ Sur le livre d’artiste. Articles et écrits de circonstance (19812005),” Le mot et le reste, Marseilles, 2006, pp. 204, 384, 560, 577, 578 (ill.)
Lauf, Cornelia: “ Opere, con una nota di Cornelia Lauf” in: Filosofia e Questioni Pubbliche,
1/06, Volume XI, il Saggiatore, Luiss University Press, Rome, p. 211
“The Belgacom Art Collection 1996-2006,” Brussels, pp. 37 (ill.), 81
“Daumenkino. The Flipbook Show,” Kunsthalle Düsseldorf, 2005; pp. 70, 164, 290, 291 (ill.)
“Le Génie du lieu. Oeuvres et creations des artistes de la collection du Frac Bourgogne
au Musée des Beaux-Arts de Dijon et dans le Palais des Etats de Bourgogne” Musée des
Beaux-arts de Dijon andEditions Ereme, Paris, 2005 , vol .1, p.24
Schraenen, Guy: “Vinyl. Records and Covers by Artists,” Neues Museum Weserburg
Bremen and Museu d’Art Contemporani de Barcelona, 2005, pp.127, 135, 244, 251 (ill.)
Salembier, Maud: “ Cadre urbain,” (“Stadskader”) in: A+ 195, August - September 2005,
pp. 42-43, cover (ill.) (french and dutch editions)
“Le tableau des éléments,” Musée des Arts Contemporains, Le Grand Hornu, Belgium,
pp 48-55 (ill.)
“Printed Matter. The Marzona Collection,”Kunstbibliothek Staatliche Museen zu Berlin, p.
111 (ill.) and cover photograph
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2001
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1999
1998
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Brogowski, Leszek: “ L’oeuvre apophantique, “inscriptive” et décentrée de Peter
Downsbrough: de Rennes à Lodz and back again” in: Art Présence, N°51, juillet-aoûtseptembre 2004, cover,
pp 2-19 (ill.)
Kieckens, Christian: ”Short Takes: Frames From a text In Progress On The Work Of Peter
Downsbrough Titled: Life. Letters. Context.” In “La Ville Qui Fait Signes,” catalogue, Le
Moniteur – Le Fresnoy, Studio national des arts contemporains, pp 94 –105 (ill.)
Herbert-Arnaud, Line: “Peter Downsbrough, le lieu et l’espace de l’oeuvre,” Le Journal des
Arts, # 201, 22 octobre - 4 novembre, p 36 (ill.)
Guzman, Antonio: “Two or Three Notions on the Work of Peter Downsbrough” in
“Metamorhp > Trajectories,” catalogue, 9. International Architecture Exhibition, La
Biennale di Venezia, Marsilio Editori, Venice, p.331 (ill.)
Brogowski, Leszek: “Peter Downsbrough: Position” in: Revue d’Esthétique, 45/05, Editions
Jean-Michel Place, Paris, pp. 167 – 169
Sundell, Margaret, preview, in: Artforum, May 2003, p 79 (ill.)
Marcelis, Bernard:” Position – The Syntax of Place,” in: Art Press, no. 291, June 2003
Roelandt, Els:”Een blik is een standpunt” in: De Financieel-Economische Tijd,
Gielen, Denis:”Peter Downsbrough / Position,”in: L’Art Même, n°19, 2° trimestre 2003,
pp 20-21 (ill.)
Gonzalez-Sancho, Eva and Thiry, François:”Position,” in: A+ # 183, August-September
2003, p 17 (ill.)
Mayeur, Catherine, in “WIELS!” Centre des Arts contemporains asbl Centrum voor
Hedendaagse Kunst, Brussels, Belgium, pp 57 –68, 160 – 162
Pok, Marie: “Peter Downsbrough: rien ne se répète,” in: Arts – Antiques – Auctions,
Nov. 2003, n° 346, pp. 94-95 (ill.)
Gauthier, Michel: ”L’Anarchème.” mamco, Genève, 2002, pp. 104-128 (ill.)
”Oeuvre et lieu ” Flammarion, Paris, pp 142-143 (ill.),248, 249(ill)
‘Ars Photographica. Bücher. Fotographie. Künstler” Neues Museum Weserburg, Bremen,
p.40 (ill.), 166
Klein, Richard: ”Peter Downsbrough.” La Première Rue, Briey-en-Fôret (F)
”Christian Kieckens. Zoeken - Denken - Bouwen,” Ludion, Gent, 2001, cover, pp 106 - 107,
132, 135 (ill.)
”à fur et à mesure,”catalogue, Espace de l’Art Concret, Mouans-Sartoux (F), 2001,
pp 11, 17, 21, 33, 35,57,66,70 (ill.)
”Extra Art: A Survey of Artists’ Ephemera 1960-1999.” Smart Art Press and The California
College of Arts and Crafts, San Francisco, California (ill.)
Klein, Richard, in L’Architecture d’Aujourd’hui # 337, p 16 (ill.)
”99 Artisti della Collezione Marzona- Arte Povera - Minimal Art - Concept Art - Land Art.”
Westzone, 2000 (ill.)
”Collection privée.” in: Architectural Digest, novembre 2000, N°7,p.82-89, (ill.)
”Frac Bourgogne 1984-2000.” catalogue, Frac Bourgogne, Dijon 2000, pp 144-145 (ill.)
Gielen, Denis:”Peter Downsbrough. En quelques mots et quelques lignes.”in L’Art Même,
Nr.2, 1/99, pp. 10-11 (ill.)
Luyckx, Filip:”Peter Downsbrough. The dice are not loaded.” in: Sint Lukasgalerij,
Nr. 3, januari 1999, cover, pp. 1-2 (ill.)
Gauthier, Michel:”Ibi et alias.” in: Art Présence, # 30, Pléneuf-Val-André (F), avril-mai-juin
1999, pp. 28-33 (ill.)
”Zich Ophouden Bij.” catalogue, Ministerie van de Vlaamse Gemeenschap, pp. 26-27, 54
(ill.) and cover
”Le Bel Aujourd’hui. Oeuvres d’une collection privée.” catalogue, Le Nouveau Musée
Institut/FRAC Rhône-Alpes, Villeurbanne, (F) (ill.)
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1991
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Phillpot, Clive:”Books by artists and books as art.” in: Lauf, C. and Phillpot, C.: ”Artist /
Author. Contemporary Artists’ Books”, D.A.P. and A.F.A., 1998, pp. 47, 52, 55 (ill.)
”Panoramas. 1981-1996, la collection du Frac Bretagne.” Frac Bretagne, 1997,
p. 146-147 (ill.), 457 (ill.)
Phillpot, Clive:” Here, There & Between.” in: Art Monthly, No 216, May 1998, pp. 50-51 (ill.)
”INVITER” catalogue, edited by Michel Assenmaker, no pagenumbers, ill.,
text by Giorgio Agamben, Michel Assenmaker, Eric Brunier, Casino Luxembourg, Forum
d’art contemporain, 1998
”FRAC Nord-Pas de Calais. 1991-1995/ Acquisitions.” catalogue fiche, Dunkirque, France,
1997
Moeglin-Delcroix, Anne: ”L’Esthétique du livre d’artiste- 1960-1980.” co-published by the
Bibliothèque nationale de France/Jean-Michel Place, Paris, 1997, pp.254-257, 372 (ill.)
”D’une oeuvre l’autre,” catalogue, Musée Royal de Mariemont (B), pp.80-100 / edited by
Guy Schraenen
”Densities”, http://opus.magic.be/InterieurNuit/SiteMai/Densities.htm
”249 projects for Uni Dufour,” Geneva, 1996, p.86
Assenmaker, Michel:”Peter Downsbrough,” catalogue fiche # 32, Casino Luxembourg,
forum d’art contemporain, Luxemburg
Moeglin-Delcroix, Anne: ”Du catalogue comme oeuvre d’art et inversement.” pp. 95-118
(ill.), and Schraenen, Guy: ”Catalogues: passation de pouvoir.” pp. 119-128 (ill.), in: Les
Cahiers du Musée National d’Art moderne, 56/57, Paris, été-automne, 1996
”La Collection. Acquisitions 1990-95,” Fonds Régional d’Art Contemporain de Lorraine,
Metz, France, 1996, no pagenumbers (ill.)
”Reconsidering the Object of Art: 1965-1975.” catalogue, The Museum of Contemporary
Art, Los Angeles and The MIT Press, Cambridge, Mass., and London, England. Edited by
Ann Goldstein and Anne Rorimer. Essays by Lucy R.Lippard, Stephen Melville and Jeff
Wall, pp.108-111
”Sous le soleil.” Villa Arson, Nice, pp. 34-39. Text by Christian Besson
”Passions Privées. Collections particulières d’art moderne et contemporain en France.”
catalogue, Musée d’Art moderne de la Ville de Paris, pp.516-518
Denizot, René:”Rien ou presque,” in: Galeries Magazine, Nr. 59, Spring 1994, pp.66-69,
109 (ill.)
”Peter Downsbrough. Entretien par Marie-Thérèse Champesme,” in: Art Présence,
Nr.9, Mars-Avril 1994, pp.36-37 (ill.)
Vermandel, Frank:”Une troublante simplicité.” in: L’Architecture d’Aujourd’hui,
Nr.292, April 1994, pp. 32-33 (ill.)
Balau, R.&m’:”Peter Downsbrough. Taken in Calais,” in: Artefactum,
Vol. XI/52, Summer 1994, pp. 20-23 (ill.)
Morgan, Robert:”Conceptual Art. An American Perspective.” McFarland, 1994. pp.126-127
”Wide White Space 1966-1976.” catalogue, Vereniging voor Tentoonstellingen van het
Paleis voor Schone Kunsten, Brussel, and MAC, Galeries Contemporaines des Musées de
Marseille, Richter Verlag, Düsseldorf, 1994, p.328 (ill.)
Balau. R.&m’: ”Peter Downsbrough ... sans nouveauté qu’un espacement de la lecture.” in:
A+Architecture, Nr. 120, 1/1993, pp. 58-65 (ill.), erratum Nr. 122, translated in dutch A+
Architektuur, Nr 120, 1/1993, pp. 58-65 (ill.)
Balau, R.&m’:”Peter Downsbrough: L’effraction du lieu- Fondation pour l’Architecture,
Brussels, January 21-31, 1993,” in Forum International, Nr.18, May-August 1993, pp.148150 (ill.)
”Regard multiple. Acquisitions de la Société des Amis du Musée national d’art moderne.”
catalogue, Editions du Centre Pompidou, Paris, 1992, p.20 (ill.)
Meuris, Jacques:”Un regard politique?” in: La Libre Culture, supplément à La Libre
Belgique du 16 Janvier 1991, Nr.63, Brussels, 16/1-22/1 1991, p.23 (ill.)
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1982
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Boyer, Charles-Arthur:”L’espace du regard,” in: Architecture d’Aujourd’hui,
Nr.273, Paris, février 1991, pp 44-46 (ill.)
”FRAC acquisitions 1988-1989-1990.” Fonds Régional d’Art Contemporain Nord-Pas de
Calais, catalogue fiche, Lille, 1991
”Fotografie als Kunst im Offentlichen Raum München 1991.” catalogue, Walser +
Wittenbrink Verlag, Munich, 1991, pp.68-73 (ill.)
Gliewe, Gert:”Uberraschungen, die man entdecken muss.” in: Abendzeitung,
Munich, Nr. 131/24, 10. Juni 1991, p.16
”Collection 1989 (à Jacques Guillot)” catalogue, Musée d’Art Contemporain, Lyon, France,
p. 48-51 (ill.)
”Photographie Ouverte. Quatrième Triennale Internationale de la Photographie à
Charleroi.”
Revue du Musée de la Photographie, Nr. 70, Charleroi, p.4
Morgan, R.C.:”Peter Downsbrough.” in: ”Quatrième Triennale Internationale de la
Photographie”, catalogue, Musée de la Photographie, Charleroi, pp. 47-53 (ill.)
”Peter Downsbrough. Une Présence Discrète” in: Sans Titre, Nr.10, Lille, April-May-June
1990, pp.1-2 (ill.)
Princenthal, Nancy:”Peter Downsbrough at Julian Pretto.” in: Art in America,
Vol. 77, Nr.3, New York City, March 1989, pp. 154-155 (ill. p.152)
Valoch, Jiri: ”Kunst aus der Sprache.” in: Art Position, Vol. 1, Nr.4, 24.10.1989, Frankfurt,
p.10 (ill.)
Stürzebecher, Jörg:”Konzeptionen - Peter Downsbrough und Lawrence Weiner.” in Auftritt.
Magazin für Auge und Ohr, November 1989, Frankfurt, pp. 62-63 (ill.)
”White Columns Update 1987-1988.” New York City, 1988 (ill.)
Douroux, Xavier:”Les termes de la dénuclearisation.” in: Plus, Nr 3-4, Dijon, Spring 1988,
pp.9-11
”The Artist’s Book as a Container of Ideas.” catalogue, Universitätsbibliothek, Oldenburg,
W.Germany
Besson, Christian, Douroux, Xavier, and Gautherot, Franck: ”Dossier Présence Discrète.”
in: Plus, Nr.1, Dijon, April 1985, pp.27-37 (ill.)
Morgan, Robert C.:”Systemic Books by Artists.” in: ”Artists’Books. A Critical Anthology
and Source Book.” Edited by Joan Lyons. Peregrine Smith Books in association with
Visual Studies Workshop, Rochester, N.Y., 1985, p.217 (ill.)
”Process und Konstruktion 1985 in München.” Archives of Contemporary Thought,
Lodz, Poland, and West Berlin, 1985. No pagenumbers.
”Process und Konstruktion München 1985.” in: Kunstforum, Volume 80, nr.3,
July-September 1985, pp. 167-191 (ill.)
Morgan, Robert C.:”According to Place.” in: Artefactum, Vol.2, Nr.10, Antwerp, SeptemberOctober, 1985, pp.2-5 (ill.)
”Tectonic ’84.” catalogue, Ville de Liège, pp.20-24
”Centre d’Art Contemporain Genève 1974-1984.” Geneva, pp.21 (ill.), 25, 193, 194, 211
”De Fabriek, boek III, januari 1982-december 1983.” Kunstenaarsgroep Baarsstraat,
Eindhoven, (NL), pp. 130-132
”12 augustus 1983. Joost Declercq spreekt met Peter Downsbrough.” Gewad magazine,
Vol. III, Nr.6, Ghent, August 1983
Butler, David:”Le lieu scènique et l’espace théâtral.” in: Liaison magazine,
Nr. 15, Brussels, June 1982, pp.20-21 (ill.)
”A Museum Experience. Exchange between Artists 1931-82. Poland-USA.” Catalogue,
ARC, Musée d’Art Moderne de la Ville de Paris, Paris, pp.34-35
”Konstrukcja w Procesie Lodz 26.10-15.11.1981, U1.PKWN 37.” Thousand Secretaries
Press, Rindge, New Hampshire, 1982, p.50,69,70 (ill.)
”FABRYKA.” participating artists and Lech Czolnowski, Tibor Gayor, Maciek
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1981
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1978
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1976
1975
1974
1973
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Nowakowski, Nilena Sleczkowska, Lodz (PL) Oct. 1982
”112 Greene Street Workshop.” Edited by Robin Brentano with Mark Savitt,
112 Workshop, New York City, 1981, p.15 (ill.)
”Alternatives in retrospect.” Catalogue, The New Museum of Contemporary Art,
New York City, 1981
Morgan, Robert C.:”Conceptual art and photographic installations.” in Afterimage,
Vol. IX, Nr.5, The Visual Studies Workshop, Rochester, N.Y., December 1981, pp.8-11 (ill.)
”Mise en Pièces - Mise en Place - Mise au Point.” Catalogue, Maison de la Culture,
Chalon-sur-Saône, and Le Consortium, Dijon, pp.15,16 ,27,47-52 (ill.). Text by Christian
Besson.
Cohen, Ronny H., in: Artforum, Vol. XIX, Nr.2, New York City, October 1980, pp.75-76 (ill.)
”The Norman Fisher Collection at the Jacksonville Art Museum. A Collection. A Collector.”
Catalogue, The Jacksonville Art Museum, Jacksonville, Florida, 1980, pp. 2, 29, 34 (ill.)
”Artists’Books USA.” file card catalogue, Washington, D.C. and New York, N.Y.:
Independent Curators Inc.
Kingsley, April, review, in: The Village Voice, New York City, August 14, 1978
”Rooms. P.S.1 June 9-26, 1976.” Catalogue, The Institute for Art and Urban resources Inc.,
Long Island City, New York, 1977, pp 6, 37 (ill.), 122
”Documenta 6.” Catalogue, Kassel, volume 3, pp 358-359 (ill.)
”Idea Poll, Statements on artists’ books by fifty artists and art professionals connected with
the medium.” Statement, in Art-Rite, New York City, issue N°14, Winter 76/77, p 8
”Artists’Books.” Catalogue, Arts Council of Great Britain, London, 1976, p.68
Smets, Francis: ”Peter Downsbrough.” in: Plus Moins Zéro, Genval, Vol.II, Nr.7,
January 1975, pp. 32-33 (ill.)
”Peter Downsbrough: Two Pipes, Two Lines.” Review, in: Studio International,
London,Vol. 188, Nr.971, November 1974, pp.177-179
Lippard, Lucy R.: ”Six Years. The Dematerialization of the Art Object.”
New York, Praeger 1973, p.43 (ill.)
”Artists’Books.” Catalogue, Moore College of Art, Philadelphia, Pennsylvania
Selected catalogues
2013
2011
2006
2005
2003
Peter Downsbrough: The Book(s) Addendum, 80 pages, edited by Moritz Küng, texts by
Moritz Küng, Hatje Cantz and Fabra i Coats, Ostfildern, 2013
PETER DOWNSBROUGH: THE BOOK(S), Published by Hatje Cantz, Ostfildern, 2011, on
the occasion of the exhibition Peter Downsbrough: The Book(s) 1968 - 2010, at deSingel,
Antwerpen, 2011, 332 pages, bio-bibliography, Edited by Moritz Küng, Foreword by Ira
G.Wool, texts by Moritz Küng, English
NOTES, Conversations with Peter Downsbrough, Editions Facteur Humain, Brussels,
2006, 88 pages, Preface by James Welling; interview by Marie-Thérèse Champesme,
French or English, Distributed by Exhibitions International (Europe) and D.A.P. (USA)
PETER DOWNSBROUGH, Published by Fondation d’Entreprise Hermès, Paris, 24 pages,
Text by Alice Morgaine, French/ English
ET/C, Frac Bourgogne, Dijon, 2005, 88 pages, bio-bibliography, Preface by Eva GonzalezSancho; texts by Line Herbert-Arnaud, Michel Gauthier and Richard Klein, French/ English
Distributed by FRAC Bourgogne
VOLUME, Jean-Michel Place/photographie, Paris, 2003, 60 pages, photos, Text by
Richard Klein, French/ English
POSITION, Palais des Beaux-Arts de Bruxelles / Paleis voor Schone Kunsten Brussel,
in association with Espace de l’Art Concret, Mouans-Sartoux, and Muzeum Sztuki, Lodz,
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1998
1997
1996
1995
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1981
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and with the support of argos editions, Brussels and Mamco, Genève. 2003, 176 pages,
bio-bibliography, Texts by Marie-Thérèse Champesme, Marjorie Welish, Russell Ferguson
and Christian Besson, English and French edition
OUTLINE, Works from 1967-2000. Cd-rom coproduced by cneai - maison levanneur,
Chatou, and TransEuropFilm, Paris, France, 1999
HAUPTSTRASSE 37, Kunstverein Grafschaft Bentheim, Neuenhaus, 1998, 76 pages,
drawings, photos, Texts by Gudrun Thiessen-Schneider and Jörg Stürzebecher, German /
English
16 POST CARDS, Centre Régional de la Photographie, Douchy-les-Mines, and Sans Titre,
Lille, 1997, Booklet with 16 b/w photographs, italian bound, Text by Denis-Laurent Bouyer
French
DENSITIES, Peter Downsbrough - Christian Kieckens, Imschoot, uitgevers, Gent, 1996,
48 pages, drawings, photos, Text by Raymond Balau, French / Dutch / English
PETER DOWNSBROUGH , Pavillion de Bercy, Paris, 1996, 48 pages, drawings, photos,
Text by Michel Gauthier, French / English
LE/LA, Galerie de l'Ecole des Beaux-Arts, Quimper, 1995, 20 pages, drawings, photos
Text by René Denizot, French
PETER DOWNSBROUGH, Architectural Gallery, Moscow, 1994, 24 pages, drawings,
photos, Text by R.&m'Balau, Russian (translated from the French)
BOOKS/BUECHER, Neues Museum Weserburg, Bremen, 1993, 24 pages, drawings
Text by Guy Schraenen, German / English
UNITE / DE, LA, Ville de Rennes, Rennes, 1992, 60 pages, Text by Michel Gauthier
French / English
PETER DOWNSBROUGH, Dum Umeni Mesta Brna, Brno, 1991, 24 pages, photos,
drawings, Text by Jiri Valoch, Czech
OPEN COLUMN. GLYPTOTHEK MUNCHEN, PETER DOWNSBROUGH, Galerie Rupert
Walser, Munich, 1991, 128 pages, photos, drawings, Text by Rupert Walser, German
/English
PHOTOGRAPHS. A Selection 1977-1990. , Imschoot uitgevers, Gent, 1990, 136 pages,
photos, Text by René Denizot, French / English
A- SET, Frankfurter Kunstverein, Frankfurt, 1981, 12 pages, photos, drawings, collage,
Text by P.D. and Peter Weiermair, German / English
PETER DOWNSBROUGH, Van Abbemuseum Eindhoven, 1977, 32 pages, photos,
drawings, Text by P.D. and R.H.Fuchs, Dutch / English
PETER DOWNSBROUGH: AND, Anatol A.V. und Filmproduktion, Hamburg, 1977
Other selected publications
2007
2006
2002
1999 - 2000
1995
1:1 x temps: quantités, proportions et fuites, Frac Bourgogne, Dijon, 2007, 104 pages,
Interview with P.D. by Sarah McFadden pp 21-31, Postface by Eva Gonzalez-Sancho and
Frédéric Oyharçabal, French/ English, Distributed by FRAC Bourgogne
Christian Besson: “Abductions. L’oeuvre et son interprétant.”, Mamco 2006, 318 pages,
Essay on P.D.: “ Quand l’oeuvre interprète l’oeuvre. Peter Downsbough multimedia”, pp
211-231, French
Michel Gautier: “L’Anarchème.”, Mamco 2002, 176 pages, Cover illustration by P.D., Essay
on P.D.: “Les corps déflecteurs” pp 104-128, French
Cécile BART - Peter DOWNSBROUGH, La Criée/ FRAC Bretagne, Châteaugiron, 19992000, 48 pages, drawings, photos, Text by Catherine Elkar, French/ English
EURAMI, James Bishop, Peter Downsbrough, James Reineking, Jerry Zeniuk,
Pfalzgalerie, Kaiserslautern, 1995, Text by Britta E.Buhlmann, Erich Franz,
German/English
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