VI MAGIS – Gradisca International Film Studies Spring School

XV convegno internazionale
di studi sul cinema
XV international film studies conference
Udine, 3-6 marzo 2008
Udine, March 3-6, 2008
Permanent Seminar on History of Film Theories
Udine, March 3-4, 2008
VI Magis - Gradisca International Film Studies Spring School
Gradisca d’Isonzo, March 7-13, 2008
Cinema e fumetto. Affinità,
differenze e nuove interferenze
Cinema and comics. Affinities, differences
and new forms of interference
XV Convegno Internazionale di Studi sul Cinema
XV International Film Studies Conference
Palazzo Antonini, via T. Petracco 8, Udine
Palazzo Caiselli, vicolo Florio 2, Udine
Visionario, via Asquini 33, Udine
3-6 marzo 2008/March 3-6, 2008
.
progetto/project
Alice Autelitano, Enrico Biasin, Giulio Bursi, Mariapia Comand, Roy Menarini, Francesco
Pitassio, Leonardo Quaresima, Valentina Re, Cosetta Saba,
Simone Venturini, Laura Vichi, Federico Zecca
Pierre Chemartin, Nicolas Dulac, André Gaudreault, Philippe Marion, Bernard Perron,
Thierry Smolderen (GRAFICS, Université de Montréal)
Permanent Seminar on History of Film Theories
comitato scientifico/scientific board
Coordinators: Francesco Casetti (Università Cattolica del Sacro Cuore, Milano),
Jane Gaines (Columbia University-Duke University)
Dudley Andrew (Yale University), Chris Berry (University of London-Goldsmiths), Natasha
Durovicova (University of Iowa), André Gaudreault (Université de Montréal), Vinzenz
Hediger (Ruhr-Universität Bochum), John McKay (Yale University), Markus Nornes (University of
Michigan), David Rodowick (Harvard University), Philip Rosen (Brown University)
organizzazione/organisation
Franca Caufin, Centro Convegni e Accoglienza, Università degli Studi di Udine
Alice Autelitano, Giorgio Bacchiega, Enrico Biasin, Alessandro Bordina, Ilaria Borghese,
Giulio Bursi, Mariapia Comand, Marco Comar, Francesca Chelu Deiana, Livio Gervasio,
Stefania Giovenco, Valeria Mantegazza, Francesca Marcoccia, Sara Martin, Roy Menarini,
Francesco Pitassio, Cristiano Poian, Leonardo Quaresima, Valentina Re, Marcella Rosi,
Cosetta Saba, Laura Sangalli, Mirco Santi, Simone Venturini, Laura Vichi, Federico Zecca
ufficio stampa/press
Volpe & Sain Comunicazione
sito internet/website
Cristiano Poian
assistenza tecnica/technical assistants
Gianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia
Simone Venturini, LA CAMERA OTTICA, Film and Video Restoration, Gorizia
Marco Comar, CINEMANTICA, Udine
CLAV, Udine
Università degli Studi di Udine
traduzioni/translation
WS Traduzioni, Udine
disegni e progetto grafico/graphics
Stefano Ricci
Saranno parte attiva dei lavori del XV Convegno Internazionale di Studi sul Cinema e della VI MAGIS Gradisca
Film Studies Spring School ospiti presenti a vario titolo e dottorandi del Dottorato Internazionale in Studi
Audiovisivi: Cinema, Arti Visive, Musica, Comunicazione:
Convegno e Spring School sono attività formative del dottorato.
Monday, March 3, 9.30-13.00
Plenary Session
Università degli Studi di Udine, Sala Convegni, Palazzo Antonini
Interventi di saluto/Greetings
Furio Honsell, Magnifico Rettore dell’Università degli Studi di Udine
Caterina Furlan, Preside della Facoltà di Lettere e Filosofia
Antonella Riem Natale, Preside della Facoltà di Lingue e Letterature Straniere
Arnaldo Marcone, Direttore del Dipartimento di Storia e Tutela dei Beni Culturali
Roberto Antonaz, Assessore regionale all’Istruzione, Cultura, Sport e Pace
Gianna Malisani, Assessore alla Cultura e Beni Culturali del Comune di Udine
Leonardo Quaresima, Presidente del Corso di Laurea DAMS, Università di Udine
Presentazione
André Gaudreault, Philippe Marion (Université de Montréal/Université de Louvain)
Discours d’ouverture. Des affinités, divergences et nouvelles interférences entre cinéma et bande dessinée
Dominique Budor (Université Paris III)
Cinéma et BD: un dialogue pour définir le 9ème art
Discussione/Discussion
Pausa/Break
Presentazione del n. 15 della rivista “Cinergie. Il cinema e le altre arti”
Presentation of the issue no. 15 of the film journal “Cinergie. Il cinema e le altre arti”
Thierry Smolderen (Ecole Européenne Supérieure des Arts et Technologies de l’Image, Angoulême)
Réactions en chaîne: de Töpffer à Chaplin, propagation du syntagme kino-mécanique (ou slapstick) sur fond de
révolution industrielle
Luca Raffaelli (Romics)
Tex: cinema povero e fumetto ricco
Discussione/Discussion
Presiede/Chairman: Leonardo Quaresima
Monday, March 3, 15.00-19.00
Permanent Seminar on History of Film Theories
Sala Convegni, Palazzo Antonini
David Rodowick (Harvard University)
Introduction
Vinzenz Hediger (Ruhr-Universität Bochum)
A Romantic Art Par Excellence: Film Theory and the Romantic Theory of Art from Lukacs to Rancière”
Monica Dall’Asta (Università di Bologna)
A Theory on Its Own: Georgette Leblanc’s Propos sur le cinéma (1919)
Massimo Locatelli (Università Cattolica del Sacro Cuore, Milano)
Rafael Seligmann (1911) and the Origins of Projection
Mattias Frey (Harvard University)
A Universal Language Not Yet Understood: The Inscription of National Difference
in Early Film Theory
Santiago Hidalgo (Université de Montréal)
The Intersection of “Film as Art” Discourse and “Interpretive”
Film Criticism in Early American Film Trade Journals, 1908-1914
Luca Mazzei (Università di Firenze)
Silvio Alovisio (Museo Nazionale del Cinema-Università di Torino)
Domenico Spinosa (Istituto Italiano per gli Studi Filosofici)
Reception Theories in Early Italian Cinema
Trond Lundemo (Stockholm University)
Archive Theory as Film Theory
Tuesday, March 4, 9.30-13.00
Plenary Session
Sala Convegni, Palazzo Antonini
Pierre Fresnault-Deruelle (Université Paris I)
Réflexions sur la “succession simultanée”: l’éventail de Maria-Felice Tibaldi-Subleyras
Roger Odin (Université Paris III)
Une analyse sémio-pragmatique d’un film par la BD: Un homme
est mort de René Vautier lu par Kris et Etienne Davodeau
Franco La Polla (Università di Bologna)
Il domestico e l’esotico: il genio di Carl Barks
Giovanni Ricci (Università di Genova)
Cinema e fumetto: educazione e diseducazione
Discussione/Discussion
Pausa/Break
Assegnazione del VI Premio “Limina” per libri di cinema italiani e internazionali
pubblicati nel 2007
Awarding assignment of the Sixth “Limina” Award for Italian and international
cinema studies books published in 2007
Pierre Sorlin (Université Paris III)
Godard: lo schermo come fascicolo a fumetti
Gino Frezza (Università di Salerno)
L’immagine, il percepibile, il narrabile
Eric De Kuyper (Rijksuniversiteit Groningen-Cinémathèque Royale de Belgique)
Les Objets animés. A la recherche de la troisième dimension
Discussione/Discussion
Presiede/Chairman: Francesco Casetti
Tuesday, March 4, 15.00-19.00
Permanent Seminar on History of Film Theories
Sala Convegni, Palazzo Antonini
Dudley Andrew (Yale University)
Gilles Deleuze and His Reception in Anglo-Saxon Cinema Studies
Angela Dalle Vacche (Georgia Tech University)
Bazin's System of the Arts: The Double-Eye of the Cinema
Chiara Tognolotti (Università di Perugia)
Jean Epstein’s “Intellectual Factory”: An Analysis of the Fonds Epstein, 1946-1953
Luka Arsenuk (Duke University)
Cinema as Mass Art
Marcus Nornes (University of Michigan)
To the Distant Observer to the Distant Observer
Aaron Gerow (Yale University)
Gonda Yasunosuke, Japanese Film Theorist
Phil Rosen (Brown University)
Jane Gaines (Duke University-Columbia University)
Francesco Casetti (Università Cattolica del Sacro Cuore, Milano)
Conclusions
Wednesday, March 5, 9.30-13.00
Parallel Session – Synergies in Language and Narrative
Sala Tiepolo, Palazzo Caiselli
Emile Poppe (Rijksuniversiteit Groningen)
Variations du et sur le cadre
Malte Hagener (Leuphana-Universität Lüneburg)
The Aesthetics of Displays. From the Window on the World to the Logic of the Screen
Roberto Perpignani (Centro Sperimentale di Cinematografia, Roma)
Le Montage dans le cinéma et dans la BD. Quoi en penser?
Discussione/Discussion
Pausa/Break
Bernard Perron (Université de Montréal)
Entre bande dessinée, cinéma et fiction interactive: l’écran divisé du BDVD
Stefano Baschiera (National University of Ireland, Cork)
The Thickness of the Panel: Narrative Layers and Complexification in Azzarello’s 100 Bullets
Thomas Martinelli (Università di Pisa)
Jump Cutting Through Comics and Films
Discussione/Discussion
Presiede/Chairman: Dominique Budor
Wednesday, March 5, 15.00-19.00
Parallel Session – Synergies in Language and Narrative
Sala Tiepolo, Palazzo Caiselli
Henrik Gustaffson (Göteborg University-Stockholm University)
Sequential Space
Raffaele De Berti (Università di Milano)
Luciano Serra Pilota and “Dick Fulmine”: An Italian Super-Hero’s Birth
Nevena Daković (University of Arts, Belgrade)
Alan Ford in Serbian Cinema (Magnus, Bunker and Kusturica)
Discussione/Discussion
Pausa/Break
Emiliano Morreale (Università di Teramo)
Slumberland/Cinecittà. The Influence of Comics in Fellini’s Cinema
Andreas Thein (Filmmuseum Landeshauptstadt Düsseldorf)
New Direction: Cinematic Impact on Marvel’s Superhero Revolution of the 1960s
Federico Zecca (Università di Udine)
Comics in Translation
Discussione/Discussion
Presiede/Chairman: Roger Odin
Wednesday, March 5, 9.30-13.00
Parallel Session – Intermedial Relationships in Early 20th Century
Sala Riunioni, Palazzo Caiselli
Harry Morgan (Université Paris Diderot-Paris VII)
Lieux discrets: de William Hogarth à David Wark Griffith
Philippe Gauthier (Université de Montréal-Université de Lausanne)
De l’“institutionnalisation”: aller-retour entre cinéma et bande dessinée
Louis Pelletier (Université Concordia, Montréal)
L’Emergence de la presse quotidienne à grand tirage et l’institutionnalisation du cinéma et de la bande
dessinée en Amérique du Nord (1880-1920)
Discussione/Discussion
Pausa/Break
Nicolas Dulac (Université de Montréal)
Aux sources d’une nouvelle esthétique populaire: rhétorique sérielle et transmédiation dans le feuilleton, le
comic strip et le serial
Pierre Chemartin (Université de Montréal)
Formes mixtes et formes brèves au tournant du siècle: la pantomime et la saynète dans
la littérature en images et dans les vues animées
Discussione/Discussion
Presiede/Chairman: Pierre Sorlin
Wednesday, March 5, 15.00-19.00
Parallel Session – Intermedial Relationships in Early 20th Century
Sala Riunioni, Palazzo Caiselli
François de la Bretèque (Université de Montpellier III)
Christophe et les spectacles optiques
Laura Sangalli (Università di Udine)
Emaki-mono, Manga and Early Japanese Cinema
Discussione/Discussion
Pausa/Break
Fabio Gadducci (Università di Pisa)
Italian Cartoons and Early Cinema
Lance Rickman (University of Essex)
The Appropriated Sequence: Montage on Paper and Film in 1901
Davide Gherardi, Giovanni Lasi (Università di Bologna)
Comic Illustrations of Dante. Disseminating the Dante of Popular Publications
in Film and Caricature Images
Discussione/Discussion
Presiede/Chairman: Thierry Smolderen
Thursday, March 6, 9.30-13.00
Parallel Session – Convergences in Contemporary Media Landscape
Sala Tiepolo, Palazzo Caiselli
Sergio Brancato (Università di Salerno)
Comics convergence. Dynamiques et transformation des médias contemporaines autour la bande dessinée
Pierre Durteste (Université Lille III)
Un homme est mort de Kris et Etienne Davodeau. Objet d’histoire ou objet de mémoire du cinéma?
Matteo Stefanelli (Università Cattolica del Sacro Cuore, Milano)
Le Regard enchaîné: culture de la bande dessinée, savoirs du cinéma. L’idée moderne de média, et l’influence
du cinéma sur les théories de la bande dessinée
Discussione/Discussion
Pausa/Break
Laura Montero Plata (Universidad Autónoma de Madrid)
Quatre points de vue sur l’anime et le manga: références mutuelles et feedback
Emmanuel Plasseraud (Université Paris III)
Paprika (2006) de Satoshi Kon. Un Manga baroque
Discussione/Discussion
Presiede/Chairman: Pierre Fresnault-Deruelle
Thursday, March 6, 15.00-19.00
Parallel Session – Convergences in Contemporary Media Landscape
Sala Tiepolo, Palazzo Caiselli
Giusy Pisano (Université Lille III)
Spider-Man, du papier à l’image en mouvement, de la chronophotographie à l’image numérique
Mauro Resmini (Università Cattolica del Sacro Cuore, Milano)
Miller’s Paradox: An Axiom in Crisis
Ilario Meandri (Università di Torino)
Danny Elfman’s Batman and Spider-Man. Musical Topoi and the Construction/Translation of the
Narrative Realm
Discussione/Discussion
Pausa/Break
Enrico Fornaroli (Accademia delle Belle Arti di Bologna)
Comicswood. Cinema and Comics from Tim Burton to Frank Miller
Alain Boillat (Université de Lausanne)
L’Image animée figurée par la BD: un lieu de confrontation médiatique
Rino Schembri (Università di Palermo)
Stratifications, Graphems and Synchronies in (Neo-figurative) Cinema: from Greenaway’s The Tulse Luper
Suitcases to Miller and Rodriguez’ Sin City
Discussione/Discussion
Presiede/Chairman: François de la Bretèque
Thursday, March 6, 9.30-13.00
Parallel Session – Political Representations between Cinema and Comics
Sala Riunioni, Palazzo Caiselli
Frank Kessler, Sabine Lenk (Universiteit van Utrecht/Instituut voor Beeld en Geluid, Hilversum)
Comment raconter l’actualité en images
Thomas Ballhausen, Günter Krenn ((Filmarchiv Austria, Wien)
Striptime for Hitler. A Comparison between the Austrian Comic-Strip Tobias Seicherl
and the Austrian Newsreels before 1938
Discussione/Discussion
Pausa/Break
Gianni Haver (Université de Lausanne)
“Shaplyn et Hinkel”: interventionnisme américain et représentation du nazisme entre comic books et
cinéma 1939-1941
Manuel Billi (Università di Pisa)
Quand Tintin rencontre Tam Tam. Exotisation et phagocytose de l’altérité de l’“indigène” dans la bande
dessinée et le cinéma coloniaux français des années Trente
Discussione/Discussion
Presiede/Chairman: André Gaudreault
Thursday, March 6, 15.00-19.00
Parallel Session – Synergies in Contemporary Media Landscape
Sala Tiepolo, Palazzo Caiselli
Pascal Lefèvre (Sint-Lukas Brussels University College of Art and Design)
Revitalizing Cinema by an Aesthetic of Artifice. Mise en scène and Framing in
Dick Tracy, Immortals, Sin City and 300.
Andrea Bellavita (Università di Trento)
Entre traduction et trahison: Alan Moore, l’écriture, le cinéma
Mario Calderaro (Università di Torino)
Cinema & Comics. Toward Audiovisual Structures
Discussione/Discussion
Pausa/Break
Veronica Innocenti (Università di Bologna)
Marketing Strategies and Cross-Promotion for NBC’s High-concept TV Series Heroes
Andrea Fornasiero (Università Cattolica del Sacro Cuore, Milano)
Migrating Authors Creativity between Cinema, Comics and Television
in the Contemporary US Market
Santiago Garcia (Universidad Autónoma de Madrid)
Hero’s Journey: From Paper to Digital
Discussione/Discussion
Presiede/Chairman: Frank Kessler
Screenings
Cinema Visionario, via Asquini 33, Udine
Monday, March 3, 21.00
Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics
Little Nemo (1911, 10’)
How A Mosquito Operates (1912, 12’)
Gertie the Dinosaur (1914, 6’)
The Sinking Of The Lusitania (1918, 12’)
The Centaurs (1918-21, 7’)
Gertie On Tour (1918-21, 7’)
Flip's Circus (1918-21, 8’)
Bug Vaudeville (1921, 11’)
The Pet (1921, 12’)
The Flying House (1921, 11’)
Tuesday, March 4, 21.00
Pop!
Freud a fumetti (Corrado Farina, 1970, 10’)
Kdo chce zabít Jessii? (Who Wants to Kill Jessie?, Václav Vorlícek, 1966, 80’)
Wednesday, March 5, 21.00
Italian Underground
L’incompiuta (Piero Bargellini, 1965, 15’)
La striscia (Piero Bargellini, 1966, 10’)
Estratti da Erinnerung an die Zukunft (Rushes) (Piero Bargellini, 1970, 12’)
Diabolik (Mario Bava, 1966, 101’)
Mostra/Exhibition
Palazzo Antonini, via T. Petracco 8, Udine
Entro nell’animale e sono io
Disegni degli studenti del corso “Fumetto e grafica contemporanea”
condotto da Stefano Ricci (DAMS Gorizia)
Students’ drawings from the course “Fumetto e grafica contemporanea”
held by Stefano Ricci (DAMS GORIZIA)
.
VI magis/gradisca international
film studies spring school
cinema and contemporary visual arts/3
Cinema Vanishing (In) Art?
Gradisca d’Isonzo
Palazzo del Monte di Pietà, via Dante Alighieri 29
Sala Bergamas, via Bergamas 3
March 7-13, 2008
Lost Films
Cinema, Comics, Visual Arts
progetto/project
Alice Autelitano, Alessandro Bordina, Giulio Bursi, Mariapia Comand, Sergio Fant, Andrea Lissoni, Roy
Menarini, Francesco Pitassio, Cristiano Poian,Leonardo Quaresima,
Valentina Re, Cosetta Saba, Simone Venturini
Philippe Dubois (Université Paris III-CRECI)
Cinema, Comics, Visual Arts: Pierre Chemartin, Nicolas Dulac, André Gaudreault, Philippe Marion,
Bernard Perron, Thierry Smolderen (GRAFICS, Université de Montréal)
Lost Films: Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek, Berlin)
MAGIS - Gradisca International Film Studies Spring School is promoted by the Università degli Studi di Udine and
the Université Paris III-Sorbonne Nouvelle, in collaboration with: Universiteit van Amsterdam,
Ruhr-Universität Bochum, Universität Bremen, Università della Svizzera Italiana di Lugano, Università Cattolica
del Sacro Cuore di Milano, Università degli Studi di Pisa, Univerzita Karlova Prague, Universitat de Valencia,
CineGraph, Hamburg, Cineteca del Friuli, Cineteca del Comune di Bologna. MAGIS is focused on the development of the themes investigated at the Udine International Film Studies Conference, as well as an occasion to
develop a didactic activity directed to PhD candidates, advanced graduate students, and young researchers in general.
MAGIS is part of the activity of the International Ph.D. Program in Audiovisual Studies: Cinema, Visual
Arts, Music and Communication (Dottorato internazionale di studi audiovisivi: cinema, arti visive, musica,
comunicazione), established by the Université Sorbonne Nouvelle – Paris III in cooperation with Università
di Udine, Università Cattolica del Sacro Cuore di Milano and Università degli Studi di Pisa, of the Master
Degree “IACC” (University of Udine) and of the European Project “IPPCVA” (Ideation, Presentation,
Preservation of Contemporary Visual Arts)
MAGIS – Gradisca International Film Studies Spring School è promossa dall’Università degli Studi di Udine e
dall’Università di Paris III – Sorbonne Nouvelle, in collaborazione con: Universiteit van Amsterdam,
Ruhr-Universität Bochum, Universität Bremen, Università della Svizzera Italiana di Lugano, Università
Cattolica del Sacro Cuore di Milano, Università degli Studi di Pisa, Univerzita Karlova Prague, Universitat de
Valencia, CineGraph, Hamburg, Cineteca del Friuli, Cineteca del Comune di Bologna. La Scuola nasce in stretta
relazione con il Convegno Internazionale di Studi sul Cinema, come opportunità di sviluppo dei temi affrontati
dal Convegno e come occasione per lo sviluppo di un’attività didattica rivolta a dottorandi e giovani ricercatori.
MAGIS è parte dell’attività di formazione del “Dottorato Internazionale di studi audiovisivi: cinema, arti visive,
musica, comunicazione” costituito dalle Università di Udine, Paris III, Milano-Cattolica, Pisa,
del Master “IACC” dell’Università di Udine e del progetto europeo “IPPCVA”
(Ideation, Presentation, Preservation of Contemporary Visual Arts)
organizzazione/organisation
Franca Caufin, Centro Convegni e Accoglienza, Università degli Studi di Udine
Alice Autelitano, Giorgio Bacchiega, Alessandro Bordina, Giulio Bursi, Silvio Celli, Mariapia Comand,
Marco Comar, Andrea Lissoni, Stefania Giovenco, Valeria Mantegazza, Francesca Marcoccia, Sara Martin,
Roy Menarini, Francesco Pitassio, Cristiano Poian, Leonardo Quaresima, Valentina Re, Marcella Rosi,
Cosetta Saba, Laura Sangalli, Mirco Santi, Simone Venturini, Laura Vichi, Federico Zecca
programma proiezioni e installazioni/screenings and installations programme
Sergio Fant, Andrea Lissoni
ufficio stampa/press
Volpe & Sain Comunicazione
sito internet/website
Cristiano Poian
assistenza tecnica/technical assistants
Gianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia
Simone Venturini, LA CAMERA OTTICA, Film and Video Restoration, Gorizia
Transmedia Spa
disegni e progetto grafico/graphics
Stefano Ricci
Saranno parte attiva dei lavori del XV Convegno Internazionale di Studi sul Cinema e della VI MAGIS Gradisca Film Studies
Spring School ospiti presenti a vario titolo e dottorandi del Dottorato Internazionale in Studi Audiovisivi: Cinema, Arti Visive,
Musica, Comunicazione: Convegno e Spring School sono attività formative del dottorato
Friday, March 7
Palazzo del Monte di Pietà, Gradisca d’Isonzo
9.30-13.30
Greetings
Maria Amalia D’Aronco, Prorettore dell’Università di Udine
Franco Tommasini, Sindaco di Gradisca d’Isonzo
Paolo Bressan, Assessore alla Cultura di Gradisca d’Isonzo
Mauro Pascolini, Centro Polifunzionale di Gorizia
Roberta De Martin, Assessore alla Cultura, Provincia di Gorizia
Leonardo Quaresima, Presidente del Corso di Laurea DAMS, Università di Udine
Introduction
Philippe Dubois (Université Paris III/CRECI)
Petite cartographie des effets de présence du cinéma dans l’art contemporain
Discussion
Break
Vinzenz Hediger (Ruhr-Universität Bochum)
Original, Work, Performance
Cinema, Comics, Visual Arts
Philippe Marion (Université de Louvain)
Système cinéma/système BD
Discussion
15.00-18.00
Workshop Cinema and Contemporary Visual Arts 1
Philippe Dubois, Introduction: les vitesses de l’image: une question de sensation
Jean Christophe Blum (Université Paris III), Pascal Convert et le souvenir: la tragédie du contemporain
Frédéric Monvoisin (Université Paris III), Logique de l’instant chez Wong Kar Waï
Workshop Cinema and Contemporary Visual Arts 2
Coordinated by Malte Hagener
Mark Boswell (Pratt Institute Brooklyn, New York), Nova-Kino: The History of Cinematic Agit-Prop
Workshop Cinema and Contemporary Visual Arts 3
Coordinated by Andrea Bellavita
Alice Cati (Università Cattolica del Sacro Cuore, Milano), Refractions of Self. New Patterns of
Self-Representation between Art and Cinema
Workshop Cinema, Comics, Visual Arts
Dominique Bertail, Jean-Philippe Bramanti, Thierry Smolderen (Ecole Européenne Supérieure des
Arts et Technologies de l’Image, Angoulême)
De l’écran filmique au papier dessiné: pratiques créatives de deux dessinateurs fous de cinéma
Workshop Lost Films
Coordinated by Hans-Michael Bock, Jürgen Keiper
Saturday, March 8
Palazzo del Monte di Pietà, Gradisca d’Isonzo
9.30-13.30
Malte Hagener (Leuphana-Universität Lüneburg)
The Cinema as Cultural Capital. Remediation, Appropriation, Sampling, Remixing
Discussion
Break
Chris Dercon (Haus der Kunst, Munich)
Curator Talk
Discussion
Break
Cinema, Comics, Visual Arts
Harry Morgan (Université Paris Diderot-Paris VII)
Formes et mythopoeia dans les littératures dessinées
Discussion
15.00-18.00
Workshop Cinema and Contemporary Visual Arts 1
Philippe Dubois, Introduction: théorie du cinéma, théorie des images: affaire de dispositif
Jean-Michel Durafour (Ecole Normale Supérieure Lettres et Sciences humaines, Lyon)
La Théorie du cinéma est-elle soluble dans les théories des autres arts visuels?
Emilie Verge (Université Paris III), L’Image numérique selon Klonaris/Thomadaki: à propos de Pulsar (2003),
Quasar (2003) et Angel Scan (2007)
Workshop Cinema and Contemporary Visual Arts 2
Coordinated by Malte Hagener
Roberto Braga (Università di Bologna), REGARD: Collaborative Video-editing and Authoring over the Web
Alessandro Catania (Université Paris Diderot-Paris VII)
Rework, Re-edit, Recap. Seuils textuels fragmentés et design narratif dynamique
Workshop Cinema and Contemporary Visual Arts 3
Coordinated by Andrea Bellavita
Deborah Toschi (Università Cattolica del Sacro Cuore, Milano), Empty Space
Adriano D’Aloia (Università Cattolica del Sacro Cuore, Milano), The Second Life of Cinema. Perceptual and
Cognitive Patterns of Virtual Cinematic Experience
Workshop Cinema, Comics, Visual Arts
Dominique Bertail, Jean-Philippe Bramanti, Thierry Smolderen (Ecole Européenne Supérieure des Arts et
Technologies de l’Image, Angoulême)
De l’écran filmique au papier dessiné: pratiques créatives de deux dessinateurs fous de cinéma
Workshop Lost Films
Coordinated by Hans-Michael Bock, Jürgen Keiper
Luciano Berriatua (Université Paris VIII), Murnau’s 4 Devils
Sunday, March 9
Palazzo del Monte di Pietà, Gradisca d’Isonzo
9.30-13.30
Julia Noordegraaf (Universiteit van Amsterdam)
Experiencing TV: An Analysis of the Screen Space of the Media Museum
Discussion
Break
Matthias Müller
Artist Talk
Discussion
Break
Cinema, Comics, Visual Arts
Pierre Chemartin, Bernard Perron (Université de Montréal)
Mise en scène/mise en case. Aspects de l’alternance visuelle dans la littérature en images et dans les vues animées au tournant du siècle
Discussion
15.00-18.00
Workshop Cinema and Contemporary Visual Arts 1
Philippe Dubois, Introduction: passages d’images (l’esprit et la lettre)
Lucia Monteiro (Université Paris III), L’Imminence de la catastrophe: Abbas Kiarostami, Sophie Calle
Roselyne Quéméner (Université Paris III), Les Correspondances filmées de Victor Erice et Abbas Kiarostami:
quand l’épistolaire se joue des frontières
Workshop Cinema and Contemporary Visual Arts 2
Coordinated by Andrea Lissoni
Maggie Cardelùs (artist), Looking for Time
Workshop Cinema and Contemporary Visual Arts 3
Coordinated by Julia Noordegraaf, Tina Bastajian
Maria Finn (University of Copenhagen), Gaps in Space and Time
Workshop Cinema, Comics, Visual Arts
Pierre Chemartin, Nicolas Dulac (Université de Montréal/Université de Montréal-Université Paris III)
Pose, caricature, stéréotype: de quelques stratégies de représentation dans les arts populaires (1880-1910)
Workshop Lost Films
Coordinated by Hans-Michael Bock, Jürgen Keiper
David Meeker (BFI), Missing Believed Lost - The Great British Film Search
Horst Claus (University of the West of England, Bristol), Restoring Steinhoff
Monday, March 10
Palazzo del Monte di Pietà, Gradisca d’Isonzo
9.30-13.30
Rinaldo Censi (Università di Pavia)
“Boundless Desolation Emerged from the Cinematic Emulsions”: Spiral Jetty (Robert Smithson)
Discussion
Break
Pascale Cassagnau (Délégation aux arts plastiques, Paris)
Curator Talk
Discussion
Break
Cinema, Comics, Visual Arts
Pierre Fresnault-Deruelle (Université Paris I)
Approche iconologique du portrait d’Albert Schweitzer par Eugène Smith
Discussion
15.00-18.00
Workshop Cinema and Contemporary Visual Arts 1
L’Art vu par les marges du cinéma. L’underground en Italie: Gioli, Grifi, Bargellini
Bruno Di Marino (Indipendent Scholar), Le Dispositif ciné-photographique dans l’œuvre de Paolo Gioli
Dario Marchiori (Université Paris III), Piero Bargellini: l’image latente comme entre-image
Federico Rossin (Università di Pavia), From La verifica incerta (Grifi-Baruchello) to The Phoenix Tapes
(Müller-Girardet): Found Footage from Experimental Film to Video-essay
Round Table
With the participation of Adriano Aprà (Università di Roma Tor Vergata)
Workshop Cinema and Contemporary Visual Arts 2
Coordinated by Andrea Lissoni
Workshop Cinema and Contemporary Visual Arts 3
Coordinated by Julia Noordegraaf, Tina Bastajian
Tanguy Bizien (Université Paris III), L’Expérience du temps dans Je t’aime je t’aime d’Alain Resnais et dans
Present Continuous-Past(s) de Dan Graham
Workshop Cinema, Comics, Visual Arts
Stefano Ricci (artist)
The Drawing of the Bear, a Rabbit in Ambulance, and the Dog Man
Workshop Lost Films
Coordinated by Hans-Michael Bock, Jürgen Keiper
Michelle Aubert (CNC)
Patrick Moules (Private Collector), Film Preservation - Off The Beaten Track
Tuesday, March 11
Palazzo del Monte di Pietà, Gradisca d’Isonzo
9.30-13.30
Lost Films
Giulio Bursi, Simone Venturini (Università di Udine), Introduction
Hans-Michael Bock, Jürgen Keiper (CineGraph, Hamburg / Deutsche Kinemathek, Berlin)
Lost Films Between Remembrance and Reconstruction. Concepts and Perspectives for the Archives
Lost Films
Round Table
Break
Peter Campus
Artist Talk
Discussion
15.00-18.00
Workshop Cinema and Contemporary Visual Arts 1
Térésa Faucon, Introduction: la transmédialité, cause de l’éclatement des lieux de diffusion?
Francesca Esposito (Università di Bologna), Jochen Kuhn: films qui sortent du cinéma
Workshop Cinema and Contemporary Visual Arts 2
Coordinated by Andrea Lissoni
Workshop Cinema and Contemporary Visual Arts 3
Coordinated by Julia Noordegraaf, Tina Bastajian
Andrea von Kameke (University of Konstanz), Film Museums as Cinematic Spaces?
Workshop Cinema, Comics, Visual Arts
Sara Colaone (artist), Storyboard in Film and Comics
Workshop Lost Films
Coordinated by Hans-Michael Bock, Jürgen Keiper
Paolo Caneppele (Österreichisches Filmmuseum, Wien), The Case Of Lena Smith?
An Example for Lost Film
Matteo Lepore (Österreichisches Filmmuseum, Wien), The Schlemmer Collection: Original
Condition, Cataloguing Method and Identification Strategies
Wednesday, March 12
Palazzo del Monte di Pietà, Gradisca d’Isonzo
9.30-13.30
Térésa Faucon (Université Paris III/CRECI)
Politique de la répétition (J-L Godard, B. Conner, F. Alÿs, C. Breitz, D. Aitken)
Discussion
Break
Melik Ohanian
Artist Talk
Discussion
Break
Lost Films
Elena Mosconi (Università Cattolica del Sacro Cuore, Milano)
Reconstructing Film’s “Aura”. The St. Francesco's Expanded Text
Discussion
15.00-18.00
Workshop Cinema and Contemporary Visual Arts 1
Térésa Faucon, Introduction: le spectateur réinventé: du cinéma
aux nouveaux dispositifs et lieux de projection
Sun Jung Yeo (Université Paris III/CRECI), L’Echange et la couleur naturante
Workshop Cinema and Contemporary Visual Arts 2
Coordinated by Andrea Lissoni
Workshop Cinema and Contemporary Visual Arts 3
Coordinated by Julia Noordegraaf, Tina Bastajian
Hampus Hagman (Stockholm University)
The Modulated Screen: The Haptic Eye in Cinematic Multiples and Installation Art
Workshop Cinema, Comics, Visual Arts
Sara Colaone (artist), Storyboard in Film and Comics
Workshop Lost Films
Coordinated by Hans-Michael Bock, Jürgen Keiper
Alfredo Baldi (CSC-Cineteca Nazionale, Roma), For a Critical Edition of Sole in DVD
Thursday, March 13
Palazzo del Monte di Pietà, Gradisca d’Isonzo
9.30-13.30
Tina Bastajian (Universiteit van Amsterdam-Amsterdam School of Cultural Analysis, ASCA)
Scratching Some Surfaces: Electric Cinema and the Re-Staging and Rendering of Expanded Cinema
Simona Monizza (Nederlands Filmmuseum)
Curator Talk
Discussion
Break
Marco Senaldi (Università di Milano Bicocca)
What Is a Non-film? Towards the “Dissolution” of Film, From On Otto by Tobias Rehberger
to The Pervert’s Guide to Cinema by Slavoj Žižek/Sophie Fiennes
Discussion
15.00-18.00
Workshop Cinema and Contemporary Visual Arts 1
Coordinated by Térésa Faucon
Workshop Cinema and Contemporary Visual Arts 2
Coordinated by Andrea Lissoni
Workshop Cinema and Contemporary Visual Arts 3
Coordinated by Julia Noordegraaf, Tina Bastajian
Workshop Cinema, Comics, Visual Arts
Workshop Lost Films
Coordinated by Hans-Michael Bock, Jürgen Keiper
Denis Lotti (Università di Padova), The Ghione Case and the Historiographic Approach to
Silent Cinema between Habit and Prejudice
Workshops
Workshop Cinema and Contemporary Visual Arts 1
Coordinators: Philippe Dubois, Térésa Faucon (Université Paris III/CRECI)
Workshop Cinema and Contemporary Visual Arts 2
Coordinators: Malte Hagener (Universität Lüneburg), Andrea Lissoni (Università di Udine)
Workshop Cinema and Contemporary Visual Arts 3
Coordinators: Andrea Bellavita (Università di Trento),
Julia Noordegraaf, Tina Bastajian (Universiteit van Amsterdam)
Workshop Cinema, Comics, Visual Arts
Dominique Bertail, Jean-Philippe Bramanti, Thierry Smolderen (Ecole Européenne Supérieure des Arts et
Technologies de l’Image, Angoulême), Pierre Chemartin (Université de Montréal), Nicolas Dulac (Université de
Montréal-Université Paris III), Stefano Ricci (artist), Sara Colaone (artist)
Workshop Lost Films
Coordinators: Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek, Berlin)
Installations
Palazzo del Monte di Pietà, Gradisca d’Isonzo
Saturday, March 8
Matthias Müller, Christoph Girardet, Hide, 2006, 7’40” (loop), courtesy of the artist
Sunday, March 9
Matthias Müller, Christoph Girardet, Manual, 2002, 10’ (loop), courtesy of the artist
Monday, March 10
Omer Fast, De Grote Boodschap, 2007, 27’ (loop), courtesy of the artist and gb agency, Paris
Tuesday, March 11
Peter Campus, Head of a Misanthropic Man, 1977/78, 12’22” (loop), courtesy of the artist
Wednesday, March 12
Peter Campus, Head of a Sad Young Woman, 1977/78, 11’40” (loop), courtesy of the artist
Thursday, March 13
Melik Ohanian, Inivsible Film, 2005, 90’, courtesy of the artist
Permanent Exhibition
Palazzo del Monte di Pietà, Gradisca d’Isonzo
Circo Togni (March 7-13)
Images from the Togni family archive, curated by La Camera Ottica and Home Movies
Screenings
Sala Bergamas, via Bergamas 3, Gradisca d’Isonzo
Friday, March 7
Pedro Costa, Juventude Em Marcha, 2006, 156’
Pedro Costa, Tarrafal (episode of O Estado do Mundo), 2007, 17’
Presented by Chris Dercon
Saturday, March 8
Matthias Müller, Sleepy Haven, 1993, 15’
Matthias Müller, Vacancy, 1998, 14’
Matthias Müller, Christoph Girardet, Phoenix Tapes, 1999, 45’
Matthias Müller, Christoph Girardet, Kristall, 2006, 15’
Presented by Matthias Müller
Sunday, March 9
Deimantas Narkevicius, Revisiting Solaris, 2007, 18’
The Otolith Group, Otolith I, 2003, 22’
Clemens von Wedemeyer, Maya Schweizer, Metropolis/Report on China, 2006, 42’
Curated and presented by Pascale Cassagnau
Monday, March 10
Peter Campus, Three Transitions, 1973, 4’53”
Peter Campus, Third Tape, 1976, 5’06”
Peter Campus, Six Fragments, 1976, 5’
Peter Campus, Death Threat, 2000, 11’22” (receiving radiation, 2000, 3’32”; disappearence, 2000, 3’49”;
death threat, 2000, 3’10”)
Peter Campus, Divide, 2001, 3’
Peter Campus, Edge of the Ocean, 2003, 3’
Peter Campus, Ponquog Bay, 2008, 11’
A special video selection curated and presented by Peter Campus and Kathleen Graves
Tuesday, March 11
Who They Are and What They Draw: Animate Projects
Phil Mulloy, Cowboys, 1991, 18’
Lesley Adams, Postcards of Belief, 2001, 5’
Ann Course, Paul Clark, Rotting Artist, 2002, 3’
Simon Faithfull, 13, 2004, 5’
Carolina Melis, Susanne Flender, As the Crow Flies, 2005, 5’
Damian Gascoigne, Careful, 2005, 6’
David Shrigley, Chris Shepherd, Who I Am and What I Want, 2005, 7’
Let Me Feel Your Finger First, Francis, 2007, 4’
Mark Simon Hewis, The Life Size Zoetrope, 2007, 7’
Inger Lise Hansen, Proximity, 2006, 4’
Run Wrake, Rabbit, 2005, 8’
Monika Forsberg & Susie Sparrow, We Believe in Happy Endings, 2006, 4’
Osbert Parker, Yours Truly, 2006, 5’
Semiconductor, Magnetic Movie, 2007, 5’
Curated and presented by Sergio Fant
Melik Ohanian, September 11 1973 Santiago Chile 2007, 2007, 90’
Courtesy of the artist
Wednesday, March 12
Light Cuts: Frames and Fragments
Presented by Paolo Caneppele
Fresh Restorations From The Nederlands Filmmuseum Experimental and Artist’s Film Collections
Shinkichi Tajiri, Mad Nest, 1955, 4’
Wim van der Linden, Tulips, 1966, 3’
Frans Zwartjes, Birds, 1968, 5’
Mari Boezem, Beademen van de beeldbuis, 1971, 4’
Jacques Verbeek and Karin Wiertz, Slippery Slope, 1972, 4’
Paul de Nooijer, Transformation by Holding Time (Landscape), 1976, 4’
Noud Heerkens, Re-action in A, 1979, 5’
Edward Luyken, Ten Past Six, 1979, 10’
Claudia Koelgen, Ricercar, 1984, 9’
Ben van Lieshout, Schutting, 1989, 9’
Jeroen Eisinga, Zoals het werd geopenbaard aan Jeroen Eisinga, 1998, 8’
Barbara Meter, Ariadne, 2004, 13’
Barbara Meter, Portraits, 1972, 6’
Curated and presented by Simona Monizza
Thursday, March 13
Catherine, 60’
Image selection curated by Paolo Simoni and Mirco Santi
(Home Movies - Archivio Nazionale del Film di Famiglia, Bologna), 2002-2007
Live Sonorization: Stefano Pilia and Andrea Belfi
In collaboration with LA CAMERA OTTICA, Film and Video Restoration, Gorizia
UDINE-GRADISCA FILM FORUM
XV Convegno Internazionale di Studi sul Cinema
XV International Film Studies Conference
Permanent Seminar on History of Film Theories
VI MAGIS – Gradisca International Film Studies Spring School
Cinema and Contemporary Visual Arts III
Università degli Studi di Udine
Facoltà di Lettere e Filosofia
Facoltà di Lingue e Letterature Straniere
Université de Paris III, UFR Cinéma
GRAFICS, Groupe de recherche sur l’avènement et la formation des institutions
cinématographique et scénique, Université de Montréal
CineGraph, Hamburg
Dipartimento di Scienze della comunicazione e dello spettacolo, Università Cattolica del Sacro Cuore, Milano
Dottorato Internazionale in Studi Audiovisivi: Cinema, Arti Visive, Musica, Comunicazione
Laurea Specialistica Congiunta in Discipline del Cinema/Etudes Cinématographiques
Dipartimento di Storia e Tutela dei Beni Culturali
Dipartimento di Lingue e Civiltà dell’Europa Centro-orientale
Corso di Laurea DAMS, Gorizia
Centro Polifunzionale di Gorizia
Scuola di Specializzazione in Storia dell’Arte, Udine
Corso di Laurea in Mediazione culturale - Lingue dell’Europa centrale e orientale
Corso di Laurea in Relazioni Pubbliche, Gorizia
Centro Studi Amidei, Gorizia
CINEMANTICA, Laboratorio Cinema e Multimedia, Udine
LA CAMERA OTTICA, Film and Video Restoration, Gorizia
CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia
Direzione Generale per il Cinema - Ministero per i Beni e le Attività Culturali
Comune di Udine
Provincia di Udine
Comune di Gradisca d’Isonzo
Provincia di Gorizia
Consorzio per lo Sviluppo del Polo Universitario di Gorizia
Cineteca del Comune di Bologna
Laboratorio “L’immagine ritrovata”, Bologna
CEC, Centro Espressioni Cinematografiche, Udine
La Cineteca del Friuli, Gemona
Transmedia
Premio “Sergio Amidei”, Gorizia
Le Giornate del Cinema Muto, Pordenone
Cinemazero, Pordenone
Centro Sperimentale di Cinematografia - Cineteca Nazionale, Roma
British Film Institute
Národní Filmový Archiv, Praha
Cinémathèque québécoise
Milestone
Bonton Film
Animate Projects
arsenal experimental - Freunde der Deutschen Kinemathek e.V.
Nederlands Filmmuseum
In collaborazione con le riviste:
“CINÉMA & Cie” e “Cinergie. Il cinema e le altre arti”
E con il sostegno al Premio Limina di :
www.uniud.it/udineconference/