ELIZABETH EMERY Professor of French Dept. of Modern

Transcription

ELIZABETH EMERY Professor of French Dept. of Modern
ELIZABETH EMERY
Professor of French
Dept. of Modern Languages and Literatures
Montclair State University
(973) 655-4452
E-mail: [email protected]
Publication List (Updated December 2015)
Books:
En toute intimité...Quand la presse people de la Belle Epoque s’invitait chez les célébrités. Paris: Parigramme, 2015
Telling the Story in the Middle Ages: Essays in Honor of Evelyn Birge Vitz. Essay anthology coedited with Kathryn A. Duys and
Laurie Postlewate. Cambridge: D. S. Brewer, 2015.
Medievalism: Key Critical Terms. Essay anthology coedited with Richard Utz. Cambridge: D. S. Brewer, 2014.
Religious Experience in the Work of Richard Wagner. Co-translated with C. J. T. Talar. Washington, DC: Catholic University of
America Press, 2015.
Photojournalism and the Origins of the French Writer House Museum (1881-1914): Privacy, Publicity, and Personality. Aldershot: Ashgate
Press, 2012.
“Martyr to the Truth”: The Autobiography of Joseph Turmel. A Translation of Joseph Turmel’s Comment j’ai donné congé aux dogmes and
Comme l’église romaine m’a donné congé (first volume translated with C. J. T. Talar). Eugene, OR: Wipf and Stock, 2012.
Cahier Calin. Essays in Honor of William Calin. Edited essay anthology (with Richard Utz). Kalamazoo, MI: Studies in
Medievalism, 2011.
The Modernist as Philosopher. Selected Writings of Marcel Hébert. Co-translated with C. J. T. Talar. Washington, DC: Catholic
University of America Press, 2011.
Medieval Saints in Late Nineteenth-Century French Culture. Edited essay anthology (with Laurie Postlewate). Jefferson, NC:
McFarland Press, 2004.
Consuming the Past: The Medieval Revival in Fin-de-Siècle France (with Laura Morowitz). London: Ashgate Press, 2003.
Romancing the Cathedral: Gothic Architecture in Fin-de-Siècle French Culture. Albany, NY: State University of New York Press, 2001.
Articles and Essays:
“Staging Domesticity in La Revue Illustrée’s Photo‐Interviews: Belle Époque Celebrity Homes in the Periodical Press.”
Designing the French Interior: The Modern Home and Mass Media. Ed. Anca I. Lasc, Georgina Downey and Mark Taylor.
London: Bloomsbury Publishing, 2015. 157-66.
“Retracer le Moyen Âge: Proust et ses « dessins médiévaux ».” Proust et les Moyen Age. Ed. Sophie Duval et Miren Laccasagne.
Paris: Hermann, 2015. 295-313.
“Medieval Times: Tournaments and Jousting in Twenty-first Century North America.” Medieval Afterlives in Contemporary
Culture. Ed. Gail Ashton. London: Bloomsbury Publishing, 2015. 67-77.
“Le Berceau de la littérature française: Medieval Storytelling as Child’s Play in Nineteenth-Century France.” Telling the Story in the
Middle Ages: Essays in Honor of Evelyn Birge Vitz . Ed. Kathryn A. Duys, Elizabeth Emery and Laurie Postlewate.
Cambridge: D. S. Brewer, 2015. 219-35.
“Introduction” (with Kathryn A. Duys and Laurie Postlewate). Telling the Story in the Middle Ages: Essays in Honor of Evelyn Birge
Vitz (ed. Kathryn A. Duys, Elizabeth Emery and Laurie Postlewate). Cambridge: D. S. Brewer, 2015. 1-10.
“Introduction” (with C. J. T. Talar). Religious Experience in the Work of Richard Wagner. Co-translated with C. J. T. Talar.
Washington, DC: Catholic University of America Press, 2015. xxi-xlvi.
“Louisiana-Style Naturalism? Science, Fiction, and Commerce in Duck Dynasty and Swamp People.” Excavatio XXIV (2014): np.
“Medievalism in the Margins: Paratexts and the Packaging of Medieval French Literature.” Studies in Medievalism XXIV (2015):
1-9.
“Making Medievalism: A Critical Overview” (with Richard Utz). Medievalism: Key Critical Terms. Woodbridge: Boydell &
Brewer, 2014. 1-10.
“Le visible et l’invisible: Cluny dans la littérature française du XIXe siècle.” Cluny après Cluny: Constructions, reconstructions,
commémorations, 1790-2010. Actes du colloque Cluny 2010. Ed. Didier Méhu. Rennes: Presses universitaires de
Rennes, 2013. 339-52.
“Pierre Loti’s ‘Memory’ of the Middle Ages: Feasting on the Gothic.” Memory and Commemoration in Medieval Culture, ed. Elma
Brenner, Meredith Cohen, and Mary Franklin-Brown. Aldershot: Ashgate Press, 2013. 279-98.
“The Corporate Gothic of New York’s Woolworth Building: The Function of Form in the Original ‘Cathedral of
Commerce.’” Studies in Medievalism XXII (Corporate Medievalisms): 2013. 1-10.
“Preface.” Realism Revisited (with Lloyd Hughes Davies). Romance Studies 30.3-4 (July 2012): 2.
“Observing One’s Own Dissection: Medical Inquiry and Writer Confidences in Fin-de-siècle French Periodicals.” The South
Central Review 29.3 (2012): 93-109.
“Staging La Fête de Fous et de l'âne in 1898: A Commemoration of the Literary Middle Ages (Villon, Hugo, Cabarets).” Mapping
Memory in Nineteenth-Century French Literature and Culture. Ed. Susan Harrow and Andrew Watts. Faux titre
369. Amsterdam: Rodopi, 2012. 59-79.
“Albert Robida, Medieval Publicist.” Cahier Calin. Essays in Honor of William Calin. Ed. Richard Utz and Elizabeth Emery.
Kalamazoo, MI: Studies in Medievalism, 2011.
“Preface.” Storytelling II. Special issue of Romance Studies 28.4 (November 2010): 221-22.
“Preface.” Storytelling I. Special issue of Romance Studies 28.3 (July 2010): 143.
“Colonial Gothic: The Medievalism of America’s ‘National’ Cathedrals.” Medievalisms in the Postcolonial World: The Idea of the
Middle Ages Outside Europe. Ed. Nadia Altschul and Kathleen Davis. Baltimore: Johns Hopkins University Press, 2009.
237-64.
“Zola and the Religion of Science.” Book chapter of Romancing the Cathedral reprinted in Twentieth-Century Literature Criticism
(vol. 219). Ed. Larry Trudeau. New York: Gale Group, 2009. 45-88.
“Dornac's ‘At Home’ Photographs, Relics of French History.” Proceedings of the Western Society for French History 36 (2008)
[2009]: 209-24.
“Misunderstood Symbolism: Rereading the Subjective Objects of Montesquiou’s First Maison d’un artiste.” Symbolist Objects:
Materiality and Subjectivity at the Fin-de-Siècle. Ed. Claire O’Mahoney. High Wycombe: Rivendale Press, 2009. 18-43.
“The Martyred Cathedral: American Interpretations of Notre-Dame de Reims after the First World War.” Medieval Art and
Architecture after the Middle Ages. Ed. Alyce Jordan and Janet Marquardt. Cambridge, UK: Cambridge Scholars Press,
2009. 312-39.
“Medievalism and the Middle Ages.” Studies in Medievalism 17 (2009). 77-91.
“The Soul of Arches. Huysmans and the Medieval Church.” Book chapter of Romancing the Cathedral reprinted in TwentiethCentury Literature Criticism (vol. 212). Ed. Tom Schoenberg. New York: Gale Group, 2008. 89-128.
“Aux mères heureuses: Zola’s Compassion for Working Mothers.” Excavatio XXIII:1-2 (2008): 169-82.
“Cédez le Passage: A Chronicle of Travel in France with a Disability.” Worlds Apart: Disability and Foreign Language Learning.
Ed. Tammy Berberi, Elizabeth Hamilton, and Ian Sutherland. New Haven, Yale University Press: 2008. 181-201.
“Naturalism on Stage: The Performance and Reception of Zola’s Messidor.” Novel Stages: Drama and the Novel in NineteenthCentury France. Ed. Susan McCready and Pratima Prasad. Newark, DE: University of Delaware Press, 2007. 126-54.
“Art as Passion in Anatole France’s Le Lys Rouge.” Nineteenth-Century French Studies 35:3-4 (2007): 129-40.
“From Cabaret to Lecture Hall: Medieval Song as Cultural Memory in the Performances of Yvette Guilbert.” Studies in
Medievalism 15 (2007): 3-25.
“‘Resuscitating’ Medieval Literature in New York and Paris: La Femme que Nostre-Dame garda d’estre arse at Yvette Guilbert’s
School of Theatre, 1919-1924.” Cultural Performances in Medieval France. Ed. Eglal Doss-Quinby, Roberta L. Krueger,
and E. Jane Burns. Rochester, NY: Boydell and Brewer, 2007. 265-78.
“Zola et les appétis ambigus de Rome.” Zola et le naturalisme en Europe et aux Amériques: Contaminations et influences d’un genre. Ed.
Anna Gural-Migdal and Carolyn Snipes-Hoyt. Lewiston, NY: Edwin Mellen Press, 2006. 111-30.
Preface. Elle si fit maternelle: Motherhood in Zola’s Rougon-Macquart. By Susan S. Hennessy. Lewiston, NY: Edwin Mellen
Press, 2006. i-vi.
“Protecting the Past: Albert Robida and the Vieux Paris Exhibit at the 1900 World’s Fair.” The Journal of European Studies 35
(March 2005): 87-101.
“From the Living Room to the Museum and Back Again: The Collection and Display of Medieval Art in the Fin de Siècle”
(with Laura Morowitz), Oxford Journal of the History of Collecting 16:2 (2004): 285-309.
Introduction. Medieval Saints in Late Nineteenth-Century French Culture. Ed. Elizabeth Emery and Laurie Postlewate. Jefferson,
NC: McFarland Press, 2004. 1-10.
“The Golden Legend in the Fin de Siècle: Zola’s Le Rêve and its Reception.” Medieval Saints in Late Nineteenth-Century French
Culture. Ed. Elizabeth Emery and Laurie Postlewate. Jefferson, NC: McFarland Press, 2004. 83-118.
Conclusion. Medieval Saints in Late Nineteenth-Century French Culture. Ed. Elizabeth Emery and Laurie Postlewate. Jefferson, NC:
McFarland Press, 2004. 223-35.
“Le génie, c’est une névrose!: Genius and Society in the Novels of Goncourt and Zola.” Excavatio XVI (2002): 258-73.
“Ecrire la fin: Sainte Lydwine de Schiedam de J.-K. Huysmans.” Les Cahiers Naturalistes 75 (September 2001): 203-14.
“The ‘Truth’ About the Middle Ages: La Revue des Deux Mondes and Late Nineteenth-Century French Medievalism.” The Quest
for the “Real” Middle Ages. Ed. Clare A. Simmons. London: Frank Cass, 2001. 99-114.
“The Power of the Pen: Emile Zola Takes on the Sacré-Coeur Basilica.” The Documentary Impulse and French Literature. French
Literature Studies 28 (2001): 65-77.
“J.-K. Huysmans, Medievalist.” Modern Language Studies 30.2 (2000). 119-31.
“The Nineteenth-Century Struggle for the Soul of Lourdes: A Modern Pilgrimage.” The Year’s Work in Medievalism 1999
(2000).103-14.
“The ‘Truth’ About the Middle Ages: La Revue des Deux Mondes and Late Nineteenth-Century French Medievalism.” Prose
Studies 23:2 (August 2000): 99-114.
“'A l'ombre d'une vieille cathédrale romanesque': The Medievalism of Gautier and Zola.” The French Review 73:2 (December 1999):
290-300.
“Bricabracomania: Zola’s Romantic Instinct.” Excavatio 12 (1999): 107-115.
“Zola and the Tree of Jesse.” Excavatio 11 (1998): 74-80.
“Zola, Disciple of Huysmans?” Excavatio 9 (1997): 44-52.
Book Reviews:
White, Claire. Work and Leisure in Late Nineteenth-Century French Literature and Visual Culture. Basingstoke: Palgrave MacMillan,
2014. H-France Reviews 15 (July 2015): 1-4 (no. 91).
Sigu, Véronique. Médiévisme et Lumières: le Moyen Age dans la ‘Bibliothèque universelle des romans’. Forthcoming in Modern Language
Review 110.3 (July 2015): 865-866.
Stahuljak, Zrinka. Pornographic Archaeology: Medicine, Medievalism, and the Invention of the French Nation. Medievally Speaking (18 July
2013) [http://medievallyspeaking.blogspot.com/2013/07/stahuljak-pornographic-archaeology.html]
Yon, Jean-Claude. Une Histoire du Théàtre à Paris. The French Review 87:2 (December 2013): 247.
Solterer, Helen. Medieval Roles for Modern Times: Theater and the Battle for the French Republic. H-France Reviews 12: 137 (October
2012): 1-4.
Bouhaïk-Gironès, Véronique Dominguez, Jelle Koopmans, eds. Les Pères du théâtre médiéval: Examen critique de la constitution d’un
savoir académique. La Revue critique de philologie romane 11 (2010 [2012]): 190-197.
Zachmann, Gayle. Frameworks for Mallarmé: The Photo and the Graphic of an Interdisciplinary Aesthetic (State University of New
York Press, 2008). Romanic Review (May 2010) [2011]: 585-587.
Huysmans, J.-K. (Ed. Patrice Locmant). Le Drageoir aux épices suivi de textes inédits (Honoré Champion, 2003). The French Review
79:5 (April 2006): 24-25.
Robert Ziegler. The Mirror of Divinity: The World and Creation in J.-K. Huysmans (University of Delaware Press, 2004). NineteenthCentury French Studies 34:1-2 (2005): 189-190.
Marc Smeets. Huysmans l’inchangé (Rodopi, 2003). Nineteenth-Century French Studies 33:1-2 (2004-2005): 209-211.
Bettina Knapp. French Fairy Tales: A Jungian Approach (SUNY Press, 2002). The Medieval Review 03.09.29.
Article Translations:
Louis-Pierre Sardella. “Mgr Mignot, le moderniste par excellence?” By Those who Knew Them: Modernists Left, Right and Center.
Ed. Harvey Hill, Louis-Pierre Sardella, and C.J.T. Talar. Washington, D.C.: Catholic University of America Press,
2008. 150-186.
Giacomo Losito. “Ernesto Buonaiuti and Il programma dei modernisti” (with C.J.T. Talar). US Catholic Historian 25: 1 (2007): 7196.
Editorial:
Joint Editor, Romance Studies
Book Review Coeditor, Nineteenth-Century French Studies