modern - Bruun Rasmussen Kunstauktioner

Transcription

Velkommen til moderne juni-auktion
hos Bruun Rasmussen
Det katalog De nu sidder med i hånden er udtryk for flere fornyelser. Markedet for moderne kunst
er i uafbrudt bevægelse. Bevægelser som det er vores naturlige ambition at følge så tæt som muligt
- til såvel sælgers som købers bedste. I anerkendelse af den stadigt større internationalisering, der
også i høj grad præger markedet for kunst, har vi for første gang valgt at udsende vores katalog på
engelsk. Vi håber, at dette initiativ vil blive vel modtaget og vil samtidig understrege, at alle tekster
stadig findes på dansk på www.bruun-rasmussen.dk.
Igennem de seneste mange år har Bruun Rasmussens auktioner over moderne kunst og design
fundet sted i henholdsvis april og oktober. Introduktionen af en ekstra moderne auktion, så det
årlige antal nu er tre i stedet for to, er endnu et udtryk for, at den moderne kunst virkelig har vind
i sejlene i disse år.
Som seriøst auktionshus vil vi på én gang være bedst i det marked vi kender og være med til at
opdyrke nye markeder. Apropos fornyelse introducerer vi på denne auktion et tema om kinesisk
samtidskunst. Der er tale om en gruppe yngre kunstnere, der netop nu er dagsordensættende på
den blomstrende, eller skulle man sige buldrende, kinesiske kunstscene. Samtidig kan vi, på baggrund af en række fremtrædende danske privatsamlinger, give auktionsdebut til en lang række af
de helt unge danske og internationale kunstnere, der de seneste år har domineret på gallerier og
museer i Danmark.
Udover de nye tiltag er auktionen i øvrigt stærkt besat på alle hylder - klassisk modernisme som
nutidskunst. Vi fortsætter bl.a. salget af Arkitekt Robert Dahlmann Olsens Samling med en gruppe
meget flotte papirarbejder af islandske Svavar Gudnason. I Cobra-kategorien finder man tillige et
fremtrædende 1960'er værk af Asger Jorn og hele tre tidlige, museumsværdige billeder af Egill
Jacobsen. I foråret oplevede vi en nærmest eksplosiv stigning i efterspørgslen på Michael Kviums
værker. Kunstneren er også denne gang repræsenteret med et yderst varieret udbud af højkvalitetsbilleder, heriblandt det monumentale "Cuba Libre", som uden overdrivelse kan kaldes et hovedværk.
God fornøjelse!
Welcome to the Modern Art June Sale
at Bruun Rasmussen
This catalogue reflects a number of innovations. The Modern Art market is in constant motion
and it is our natural ambition to follow the market’s developments and fluctuations as closely as
possible – for the benefit of both buyers and sellers. Acknowledging the increasing globalisation
also characterising the art market, we have chosen, for the first time, to publish our catalogue in
English. We hope the initiative will be well received and at the same time, we would like to emphasize that all catalogue texts can still be found in Danish at www.bruun-rasmussen.dk.
For many years, the Modern Art and Design Sales at Bruun Rasmussen have been held in April and
in October. Introducing an additional Modern auction, bringing the total number of annual Modern
auctions up to three, is yet another expression of the prospering of Modern Art in recent years.
As a leading auction house, we wish to be the best in our markets, at the same time contributing
to the cultivation of new markets. Consequently, for this sale we are introducing a new field of art:
Chinese Contemporary Art. The sale includes works by a group of young Chinese artists, setting the
agenda for the prosperous, or should we say roaring, Chinese art scene. At the same time, we have
been entrusted to sell works from a number of prominent Danish private collections, enabling us
to give auction debuts to a number of very young Danish artists, as well as to young international
artists who have dominated Danish galleries and museums in recent years.
In addition to these innovations, the auction features an impressive array of Modern Art, from
Classic Modernism to Contemporary Art. We are continuing the sale of the collection of the
architect Robert Dahlmann Olsen by offering a group of fine paper works by the Icelandic artist
Svavar Gudnason. In the category of Cobra Art you will find a remarkable Asger Jorn work from the
1960s as well as three early paintings by Egill Jacobsen, all of museum quality. In the Spring sale,
we saw an almost exploding increase in the demand for works by Michael Kvium. The artist is also
represented in the present sale with a varied selection of high quality works, including the monumental ‘Cuba Libre’, without exaggeration a principal work by the artist.
We hope you will enjoy the catalogue!
modern
au k t ion 772
modern
onsdag
6. juni
kl. 13
kl. 18
torsdag 7. juni
nutidskunst udvalgt kunst
240 - 353
kl. 13
klassisk modernisme grafik 354 - 447
448 - 520
design
torsdag
7. juni
kl. 18
fredag
8. juni
kl. 13
udvalgte møbler og design
møbler og design
tæpper og tekstiler
sølv
kunsthåndværk
africana
1 - 239
modern
malerier, skulpturer og grafik
auktion 6. - 8. juni 2007
eftersyn torsdag
fredag
lørdag
søndag
mandag
tirsdag
31. maj
1. juni
2. juni
3. juni
4. juni
5. juni
kl.
kl.
kl.
kl.
kl.
kl.
15
10
11
11
10
11
-
18
17
16
16
17
16
Bredgade 33 · DK-1260 København K · Tel +45 3343 6911 · Fax +45 3343 6966
[email protected] · www.bruun-rasmussen.dk
modern
au C t ion 772
modern
wednesday6 june
1 pm
contemporary art thursday
selected art
240 - 353
classic modern art prints 354 - 447
448 - 520
6 pm
1 - 239
7 june
1 pm
design
thursday 7 june
6 pm
friday
8 june
1 pm
selected furniture and design
furniture and design
carpets and textiles
silver
decorative art
africana
modern
paintings, sculptures and prints
auction 6 - 8 june 2007
preview thursday
friday
saturday
sunday
monday
tuesday
31 may
1 june
2 june
3 june
4 june
5 june
3
10
11
11
10
11
pm
am
am
am
am
am
-
6
5
4
4
5
4
pm
pm
pm
pm
pm
pm
Bredgade 33 · DK-1260 Copenhagen K · Tel +45 3343 6911 · Fax +45 3343 6966
[email protected] · www.bruun-rasmussen.dk
department of modern art
Peter Christmas-Møller
3343 6951
[email protected]
Niels Raben
3343 6957
[email protected]
Peter Beck – Bruun Rasmussen Aarhus
2570 6952
[email protected]
Nadia Leander Gottlieb
3343 6837
[email protected]
Niels Boe Hauggaard-Nielsen
3343 6953
[email protected]
Frederik Bruun Rasmussen
3343 6970
[email protected]
selected art
wednesday 6 june at 6 pm
lot 240-353
MODERN
240
240 CD
OLUF HØST
b. 1884, d. 1966
"Bognemark, vinter", Bornholm 1956. Signed OH 11-56.
Oil on canvas. 39 x 65 cm.
DKK 75.000 / € 10.000
241 * CD
ERIK HOPPE
b. 1897, d. 1968
A summer day in Søndermarken, Copenhagen. Unsigned. Oil on canvas.
83 x 98 cm.
DKK 35.000 / € 4.700
241
108
BRUUN RASMUSSEN BREDGADE AUCTION 772
242
242 CD
JENS SØNDERGAARD
b. 1895, d. 1957
"Folkelivsbillede fra Skjoldborg med slugten ned mod
Limfjorden", ca. 1939. Unsigned. Oil on canvas.
110 x 135 cm.
This work is a study for one of seven paintings by the
artist decorating the library in Thisted. The decoration
was completed in 1939.
DKK 75.000 / € 10.000
109
MODERN
243
243 CD
INGÁLVUR AV REYNI
b. 1920, d. 2005
"Trawler". Signed I Av Reyni - 93. Oil on canvas.
150 x 193 cm.
DKK 100.000 / € 13.000
110
244
244 CD
ALBERT BERTELSEN
245 CD
ALBERT BERTELSEN
b. 1921
b. 1921
"Fjeld i grålys, Norge". Signed monogram and on the
reverse Albert Bertelsen 1980. Oil on canvas.
138 x 188 cm.
DKK 100.000-125.000 / € 13.000-17.000
"Brylluppet". Signed monogram 66 and on the reverse Albert Bertelsen. Oil on canvas.
80 x 95 cm.
DKK 80.000-100.000 / € 11.000-13.000
245
111
MODERN
246
246 CD
ALBERT BERTELSEN
247 CD
ERIK OLSON
b. 1921
b. 1901, d. 1986
"Fjeldvandring". Signed monogram 74 and on the reverse Albert Bertelsen. Oil on canvas. 60 x 120 cm.
DKK 50.000 / € 6.700
"Stenarbetare i landskab". Signed Erik Olson 1946.
Oil on cardboard. 32 x 41 cm.
DKK 30.000-40.000 / € 4.000-5.400
247
112
248
248 CD
JENS SØNDERGAARD
b. 1895, d. 1957
Scenery from the cemetery at Bovbjerg. Signed Jens
Søndergaard. Oil on canvas. 84 x 100 cm.
DKK 30.000-40.000 / € 4.000-5.400
249 CD
SAMUEL
JOENSEN-MIKINES
b. 1906, d. 1979
Summer day, Mikines, the Faroe Islands. Signed S.J. Mikines 58. Oil on
canvas. 85 x 100 cm.
DKK 75.000 / € 10.000
249
113
MODERN
250
250 CD
JENS SØNDERGAARD
251 CD
SAMUEL JOENSEN-MIKINES
b. 1895, d. 1957
b. 1906, d. 1979
"Aften". Signed Jens Søndergaard 44. Oil on canvas.
85 x 95 cm.
Provenance: Niels Sjørup Jørgensen's Collection.
DKK 30.000-40.000 / € 4.000-5.400
Summer day, Mikines, the Faroe Islands. Signed S.J.
Mikines 59. Oil on canvas. 60 x 80 cm.
DKK 40.000 / € 5.400
251
114
252
252 CD
HANS SCHERFIG
253 CD
ERIK HOPPE
b. 1905, d. 1979
b. 1897, d. 1968
Hippopotami in the jungle. Signed Scherfig 1949.
Tempera on masonite. 50 x 73 cm.
Provenance: Acquired directly from the artist by the
present owner.
DKK 50.000 / € 6.700
"Studie med rødt træ. Sol". Signed Hoppe 45. Oil on
canvas. 75 x 86 cm.
Exhibited: "Erik Hoppe", Kunstforeningen, Copenhagen
1957, cat. no. 18.
DKK 40.000 / € 5.400
253
115
MODERN
254 CD
HOLGER WEDERKINCH
b. 1886, d. 1959
"La France Renaissante". Signed Wederkinch 1929.
Patinated bronze. H. 98 cm. W. 108 cm.
Provenance: The artist's family. The sculpture in large
size was set up at Pont Bir Hakeim in Paris 1930.
DKK 125.000-150.000 / € 17.000-20.000
254 - detail
116
254
117
MODERN
255
255 CD
MELA MUTER (MARIA
MELANIA MUTERMILCH)
b. 1876, d. 1967
Landscape, Avignon, ca. 1932-37. Signed Muter.
Oil on board. 54 x 65 cm.
Exhibited: Galerie Gmurzynska, Cologne, 1967, Mela
Muter 1876-1967, Retrospektiv Ausstellung, cat. no. 17.
Provenance: Galerie Gmurzynska, Cologne (exhibition
sticker on the reverse). Acquired here by present owner's family in the late 1960s. The present owner's father was the brother of Tosia Gmurzynska, the founder
of Galerie Gmurzynska.
Mela Muter was born in Poland by Jewish parents but
lived and worked the greater part of her life in France,
obtaining French citizenship in 1927. Her studio was
situated in the heart of Paris and she belonged to the
group of international artists of the so-called École de
Paris. Muter's participation in the creative environments of Paris in the beginning of the 20th century is
documented by her many fine portraits of artists, musicians and intellectuals, including Anatole France,
Romain Rolland and Diego Rivera. Rainer Maria Rilke
was also part of Muter's circle of acquaintances.
118
Like other émigré artists Muter's work was influenced
by the artistic ideas of the period mingled with a Polish
tone from her homeland.
In her landscapes, portraits and still lives Muter was
influenced by the Modernism of the early decades of
the 20th century with strong roots in the art of Paul
Cézanne but also Paul Gauguin and van Gogh. In both
imagery and choice of motif, the present painting seems inspired by Cézanne and his landscapes from the
South of France. With thick brushstrokes and a tactile
quality Muter has depicted the landscape from Avignon, where she spend the years during the Second
World War and which was also the destination of several of her journeys before that.
Literature: Urszula Lazowski: Mela Muter - A Poet of
Forgotten Things, in Woman's Art Journal, Spring/Summer 2002, volume 22, no. 1.
DKK 80.000 / € 11.000
256
256 CD
MELA MUTER (MARIA
MELANIA MUTERMILCH)
b. 1876, d. 1967
A view with a watermill, Avignon, ca. 1932-37.
Signed Muter. On the reverse motive with a viaduct.
Provenance: Galerie Gmurzynska, Cologne. Acquired
here by present owner's family in the late 1960s. The
present owner's father was the brother of Tosia Gmurzynska, the founder of Galerie Gmurzynska.
DKK 80.000 / € 11.000
119
MODERN
257
257 CD
SIGURD SWANE
b. 1879, d. 1973
Interior with two ladies and a girl arranging flowers.
Signed S. Sw. 08. Oil on canvas. 95 x 81 cm.
The girl in the blue dress is Karen Groth Hansen, later
married to bronze caster Poul L. Rasmussen, Copenhagen.
DKK 50.000 / € 6.700
120
258 CD
JOHANNES HANSEN
b. 1903, d. 1995
Standing young woman, 1942. Signed monogram. Bronze.
H. 160 cm.
Literature: "Johannes Hansen. Skulptur". Published by LyngbyTaarbæk Kommune, 1991, reprod. p. 18.
Enclosed copies of letters from the artist to the first owner,
dated 1-4-42.
From 1922 to 1926 Johannes Hansen studied at The Royal Danish Academy of Art under Professor and Sculptor Einar Utzon-Frank - the key figure in Danish classicistic sculpture during the inter-war period. Johannes Hansen's sculptures are
likewise following the classicistic tradition - and are characterized by a discreet stylized naturalism. With its quiet expression and soulfulness, the offered figure is a prominent and
nicely patinated example of the artist's work.
DKK 150.000-200.000 / € 20.000-27.000
258
121
MODERN
259
259 CD
VILHELM LUNDSTRØM
b. 1893, d. 1950
Portrait of a lady, 1927. Signed VL. Oil on canvas.
80 x 65 cm.
Literature: Wilmann and Brøns no. 174.
Exhibited: "De Fire", Den Frie, Copenhagen, January
1928, no. 63, 64 or 65.
Provenance: Engineer Søren Berg.
DKK 100.000-125.000 / € 13.000-17.000
122
260
260 CD
EDVARD WEIE
b. 1879, d. 1943
Still life with apples. Signed EW. Oil on canvas.
66 x 82 cm.
DKK 100.000-125.000 / € 13.000-17.000
123
MODERN
261
261 CD
OLUF HØST
b. 1884, d. 1966
Bognemark, Bornholm. Signed OH. Oil on canvas.
38 x 65 cm.
DKK 50.000 / € 6.700
262 CD
EDVARD WEIE
b. 1879, d. 1943
"Poseidon". Study of the artist Lars Swane in
the sunset. Signed E.V. Oil on board.
26 x 27 cm.
DKK 30.000 / € 4.000
262
124
263 CD
J . F. W I L L U MS E N
b. 1863, d. 1958
Sketch for "Bjergbestigersken", ca. 190204. Unsigned. Watercolour on paper.
50 x 44 cm.
Literature: J. F. Willumsen: "Mine erindringer - fortalt til Ernst Mentze", Copenhagen
1953, p. 152-160:
During his travels in Switzerland in 1902
J. F. Willumsen does more sketches for the
painting, which will eventually become his
most famous - and an absolute masterpiece in Danish art: "Bjergbestigersken” (A Lady mountaineer" (1904 and 1912). Willumsen writes: "Once again I started
studying the human being in free air, and I
did more watercolours after Edith, among
them the first sketch for "Bjergbestigersken” . In the summer of 1903 the newly
married couple returns to Switzerland: "To
my preferred Grindelwald (...) where I did a
number of missing sketches for "Bjergbestigersken” (...) Simultaneously Edith modelled a statue depicting me as the wanderer with the gear on my back. For a long
time it had been her wish to portray me in
my most happy hours".
DKK 80.000 / € 11.000
263
264 CD
JOHANNES LARSEN
b. 1867, d. 1961
Ducks. Signed monogram 25.
DKK 40.000-50.000
€ 5.400-6.700
264
125
MODERN
265
265 CD
KAREL APPEL
b. 1921, d. 2006
Composition. Signed Appel 74. Acrylic on paper
mounted on canvas. 54 x 73 cm.
Provenance: Galerie Ariel, Paris.
Provenance: Galerie Moderne, Silkeborg, Denmark.
DKK 150.000 / € 20.000
126
266
266 CD
ASGER JORN
b. 1914, d. 1973
Composition, 1941-42. Signed Asger J. 4(?). Oil on
canvas. 25 x 35 cm.
Literature: Guy Atkins: Jorn in Scandinavia 19301953, no. 236, reprod. p. 343.
Provenance: F.C. Boldsen’s Collection, sale BR no. 59,
1955, cat. no. 53.
Provenance: Poul Jørler, Copenhagen.
Provenance: Leo Nissen, Copenhagen.
DKK 250.000-300.000 / € 34.000-40.000
127
MODERN
267 CD
HENRY HEERUP
b. 1907, d. 1993
"Tutte". Unsigned. Inscribed on the reverse 2-6. Painted figure of wood.
H. 52 cm. W. 13 cm.
Provenance: Elise Johansen's Collection.
DKK 15.000-20.000 / € 2.000-2.700
268 CD
HENRY HEERUP
b. 1907, d. 1993
Bird bath, ca. 1955. Sculpture of granite. H. 36 cm. W. 36 cm. D. 43 cm.
Provenance: Acquired directly from the artist by the present owner in the
DKK 25.000 / € 3.400
1950’s.
267
268
128
269
269 CD
HENRY HEERUP
b. 1907, d. 1993
ægget" ("The Man and the Egg") from 1954, this very
form rhetoric manifests itself. The egg is placed in the
woman's lap, the man looking at her with astonishment. With this, fertility and the melting together of
two individuals become a readable code in the painting.
DKK 60.000-75.000 / € 8.000-10.000
"Manden og ægget". Signed Heerup 54.
"I don't like to sound conceited but there is some truth
in saying that I have the common touch. In the way,
that I am easy to understand. People love being able to
sort of lean on something". The expression "common
touch" describes well the art of Henry Heerup. The popular artist with the nickname Hugga was able to create a pictorial universe understandable for the public
at large. Taking well-known symbols and figures such
as the heart, the egg, the cross and the wheel as his
point of departure, Heerup was able to figuratively express everyday life events and in this way transform
some of the great issues of life into understandable
pictorial images. In the present painting "Manden og
270 CD
HENRY HEERUP
b. 1907, d. 1993
Organic form. Unsigned. Figure of clay.
H. 10 cm. L. 21 cm.
Provenance: Elise Johansen's Collection.
DKK 8.000-10.000 / € 1.100-1.300
270
129
MODERN
271 CD
EGILL JACOBSEN
b. 1910, d. 1998
"Grøn maske nr. 4", 1939. Signed on the reverse Egill
Jacobsen. Oil on canvas. 103 x 71 cm.
Literature: Per Hovdenakk: Egill Jacobsen 1, no.
1939/5.
Exhibited: "Egill Jacobsen", Kunstforeningen, Copenhagen 7. April - 29. April 1945, cat. no. 5.
Exhibited: "Den officielle danske kunstudstilling i Oslo
1946", Oslo Kunstforening, 6. April - 5. May 1946, cat.
no. 71.
Exhibited: "Egill Jacobsen", Louisiana, Humlebæk,
Denmark, 28. November 1970 - 17. January 1971.
Exhibited: Biennial of São Paolo 1971. Reprod. in the
catalogue.
In the revised catalogue of Egill Jacobsen’s work Per
Hovdenakk writes:
“The idea behind using the mask in the composition of
a painting is to provide the colours with a supporting
structure, in order to create a rhythmical basis for the
disposition of the colours. For Egill Jacobsen, the mask
cannot be associated with one single physiognomy in
particular; the mask is rather the face of all faces. The
mask should not hide the face behind, as the Carnival
mask does, but rather should express and make things
visible. The mask is a sign, a synthesis. The basic forms
of the mask consist in quick curves, oblique verticals
and floating triangles. The elements are painted with
the colours still visible in the brushstrokes. At times,
the mask resembles rhythmical exercises in the geometry of spontaneity”.
DKK 500.000 / € 67.000
130
271
131
MODERN
272
272 CD
CARL-HENNING PEDERSEN
b. 1913, d. 2007
"The Small People". Signed on the reverse Carl-Henning
Pedersen Molesmes 1994. Oil on canvas. 60 x 82 cm.
DKK 150.000 / € 20.000
273 CD
HENRY HEERUP
b. 1907, d. 1993
Man with a beard. Signed Heerup.
Trash figure. H. 45 cm.
Henry Heerup exhibited his ”rubbish
sculptures” for the first time in 1934
at the Linjen Exhibition. Being something new and exciting, the figures made a great sensation. The greater part of the visitors considered
the sculptures pure entertainment
and Heerup as a bit of an eccentric.
Heerup didn't see this as a negative
thing; the sculptures were meant to
provoke. Heerup himself has defined
the making of the rubbish sculptures
as follows: ”Children have always
132
made ”rubbish models”. They just
don't know how to keep them, and
call it art - not conceited at all. (...)
Everything can be used. A ”work of
art” is not better because it's more
durable. ”My work of art” is
straightforward and the coloured
parts give a contrast and a richness
which compensates for the gold, the
marble etc.”
Literature: Poul Gammelbo: ”Heerup
en billedverden”, 1977, p. 27.
DKK 60.000-80.000 / € 8.000-11.000
273
274
274 CD
EGILL JACOBSEN
b. 1910, d. 1998
"Forår i blåt". Signed on the reverse EJ 83.
DKK 250.000-300.000 / € 34.000-40.000
133
MODERN
275
The final work at the Stedelijk Museum, Amsterdam
Copyright: Karel Appel Foundation, Amsterdam
134
275 CD
KAREL APPEL
b. 1921, d. 2006
Composition. Preliminary work for the mural in the
Stedelijk Museum restaurant, Amsterdam, 1956.
Gouache on paper. 48 x 94 cm.
Literature: "Karel Appel Retrospective 1945-2005",
Meulensteen Art Museum, 2005, reprod. p. 71.
Provenance: Bart van Kasteel, architect on the rebuilding of The Stedelijk Museum, Amsterdam, 1956. Gift
from the artist.
Provenance: Dutch art dealer and artist Herman Krikhaar, gift from the friend Bart van Kasteel.
In 1956 the Dutch artist Karel Appel was commissioned to do the mural for the Stedelijk Museum’s new
restaurant. For the consignment he made use of
stained glass for the first time. The vivid colours and
the bird motif are, however, very characteristic elements of the art of the Cobra artist Appel for whom
colour was a vital part of a spontaneous expression.
The Stedelijk Museum was closely connected with the
Cobra group and plays an important role in the history
of the movement. In November 1949, the Museum
was housing the “International Exhibition of Experimenting Art”, organised by the Dutch group of experimenting artists, including Appel. The exhibition caused
great sensation and must be considered to be one of
the most important manifestations of Cobra art during
the movement’s short lifetime (1948-51).
DKK 700.000 / € 94.000
135
MODERN
276
276 CD
KAREL APPEL
b. 1921, d. 2006
Composition, 1999. Signed Appel. Mixed
media on paper mounted on canvas.
28 x 39 cm.
Provenance: Galerie Lelong, Paris (P99068; # W 11769). DKK 50.000 / € 6.700
277 CD
PIERRE WEMAËRE
b. 1913
"Adolescence". Signed P. Wemaëre 61
and inscribed on the reverse. Oil on canvas. 100 x 81 cm.
Provenance: Galerie Birch, Copenhagen.
DKK 50.000 / € 6.700
277
136
278
278 CD
ASGER JORN
b. 1914, d. 1973
Composition. Signed Jorn 61. Gouache and watercolour on paper. Visible size 37 x 50 cm.
Provenance: Galerie Birch, Copenhagen.
DKK 150.000 / € 20.000
137
MODERN
279
138
279 CD
CARL-HENNING PEDERSEN
b. 1913, d. 2007
"Himmelvogn". Signed on the reverse Carl-Henning
Pedersen, Molesmes, November 1998. Oil on canvas.
145 x 290 cm.
With an artistic career covering a period of more than
70 years, Carl-Henning Pedersen, who died earlier this
year, is undoubtedly one of the most prominent artists
in Danish 20th century art. By way of early attempts in
constructive cubism, Carl-Henning Pedersen had, by
the end of the 1930s, reached the spontaneous ab-
stract expression that was to give him his breakthrough as an artist and, not least, point towards the
Cobra movement ten years ahead. Carl-Henning Pedersen's works are inspired by both fables and primitive art, with canvases populated by human figures, fantasy animals and birds that seem to be floating freely in
optimistic and richly coloured universes. The present
painting is a monumental work from the artist's late
production.
DKK 800.000-1.000.000 / € 107.000-134.000
139
MODERN
280 CD
ROBERT JACOBSEN
b. 1912, d. 1993
Concrete sculpture, ca. 1980. Signed
RJ. Painted iron. 53 x 60 x 32 cm.
DKK 75.000 / € 10.000
281 CD
CONSTANT
b. 1920, d. 2005
Composition. With dedication: "Pour
Mme L.... avec mon amitié". Signed
Constant 74. Oil on paper. Visible size
43 x 56 cm.
DKK 40.000-50.000 / € 5.400-6.700
280
281
140
282
282 CD
HENRY HEERUP
b. 1907, d. 1993
Symbolistic composition. Signed Heerup 57.
Oil on sewed sackcloth. 99 x 110 cm.
DKK 125.000-150.000 / € 17.000-20.000
141
MODERN
283 CD
EGILL JACOBSEN
b. 1910, d. 1998
"Karneval", 1944. Signed on the reverse Egill Jacobsen. On the reverse an overpainted picture. Oil on
Literature: Per Hovdenakk: Egill Jacobsen 1,
no.1944/12.
Exhibited: "Egill Jacobsen", Louisiana, Humlebæk,
Denmark, 28 November 1970 - 17 January 1971, cat.
no. 31.
In the year 1944, Egill Jacobsen painted a number of
paintings with the Carnival theme. The present painting depicts this very Parade or Carnival on its way
through the town. Surrounding the Parade are spectators and onlookers, some slightly frightened, others
shouting with joy. The choice of colours was the same
in all the Carnival paintings, contributing to the substantiation of the play of colours. The strong vivid colours no longer surprise the modern beholder of today,
as it did in the 1940s. On the contrary, the colours have
matured, enveloping the painting in a sort of warmth,
presence and imagination originally intended by the
artist.
DKK 500.000 / € 67.000
142
283
143
MODERN
284 CD
ASGER JORN
b. 1914, d. 1973
"Triumphal procession". Signed Jorn and on the reverse Asger Jorn, Silkeborg, 1965. Oil and enamel
paint on canvas. 95 x 80 cm.
Literature: Guy Atkins: Asger Jorn. The Final Years
1965-1973, no. 1658, reprod. p.195.
Guy Atkins decribes the period from 1954-1964 in Asger Jorn's career as follows: The period from 1954 to
1964 has been called the crucial years in the title of
this book, because these years encompass Jorn's emergence as a major figure in European art. In the middle
years of the decade from 1956 to 1969, he produces
works of the highest quality. Jorn once explained this
phenomenon to me by comparing himself to a conjurer. "The conjurer he said stands in front of his
audience and gives a dazzling display in the air with
his right hand, while he is quietly using his left hand
under the table to boil himself an egg"".
DKK 1.800.000-2.000.000 / € 241.000-268.000
144
284
145
MODERN
285 - recto
285 CD
RICHARD MORTENSEN
b. 1910, d. 1993
"Opus II, nr. 23". Signed on the stretcher Richard
Mortensen 29-IX-43 and Troll painting, 1945. Painted on both sides. Oil on canvas. 150 x 125 cm.
Literature: Jan Würtz Frandsen: "Richard Mortensen.
Afklaringens år 1940-1958. Besættelse og rekonstruktion", Copenhagen 1992, cat. no. 262 (front side) and
no. 197 (reverse side), reprod. on p. 207 and 161 resp.
The present painting by Richard Mortensen is in fact
146
285 - verso
two paintings - both created during the Second World
War. The period 1940-1946 has been characterized as
an intermezzo in the artist's production. During these
years, placed between the artist's surrealist phase in
the 1930s and his position in the 1950s as a pioneer in
concrete art and in international modernism, Mortensen is working with a kind of expressionism, in many
ways reminiscent of, and fully equalling, the future
Cobra painters. Richard Mortensen was thus contribu-
ting considerably to the development of the spontaneous abstract painting in Denmark even though he was
later to repress this part of his efforts - and was to be
known for exactly the opposite. Almost all his works
from the war years reflect on the war with its associations, but ascribe a concrete symbolic content to these
works cannot easily be done as the figuration tends
towards dissolution and abstraction.
DKK 300.000-500.000 / € 40.000-67.000
147
MODERN
286 CD
EGILL JACOBSEN
b. 1910, d. 1998
"Rød maske". Signed on the reverse EJ. 43.
Literature: Per Hovdenakk: Egill Jacobsen 1, no. 1943/10.
Photograph of the artist with the painting, p. 105.
Exhibited: "Egill Jacobsen", Louisiana Museum of Modern Art, Humlebæk, November 28, 1970 - January 17,
1971, cat. no. 23.
Exhibited: Biennial of Sao Paolo 1971.
Provenance: Author and art critic Gunnar Jespersen,
Holte. Not previously offered for sale.
Gunnar Jespersen (1922-1994) was trained as a journalist. From 1958 he worked as an art critic at the B.T., at
the Berlingske Tidende and later on at the Politiken.
Gunnar Jespersen was an early and crucial promoter of
Danish post-war art, not least because of his important
book "De Abstrakte" (1967) on a number of the artists
belonging to the Cobra movement. He was a personal
friend of several of the artists he wrote about, including
Egill Jacobsen whom he met in the late 1950's. Due to
Gunnar Jespersen's efforts, an important selection of
Egill Jacobsen's early works, including the present work
offered for sale, were preserved and saved from destruction after having been stored carelessly for a number of
years in an outhouse by the artist's studio. The present
painting was given to Gunnar Jespersen by Egill Jacobsen in acknowledgement of his efforts in this connection.
DKK 400.000-500.000 / € 54.000-67.000
148
286
149
MODERN
287
287 CD
HENRY HEERUP
b. 1907, d. 1993
Man and cat. Signed Heerup 49. Oil on board. 60 x 73 cm.
DKK 40.000-50.000 / € 5.400-6.700
150
288
288 CD
EGILL JACOBSEN
b. 1910, d. 1998
Masks in red. Signed on the reverse EJ 90.
Exhibited: Fiac Paris, 1990.
DKK 200.000-250.000 / € 27.000-34.000
151
MODERN
289
289 CD
WILLEM DE KOONING
b. 1904, d. 1997
Composition. Signed de Kooning. Oil and acrylic on
parchment framed behind glass. 38 x 60 cm.
This work has been seen by Emily "Mimi" Kilgore who
has expressed her opinion that it is authentic.
Provenance: Private American collection. Gift of the
artist to the former owner (a friend of de Kooning's in
the late 1970's).
DKK 125.000 / € 17.000
152
290
290 CD
MAURICE ESTÈVE
b. 1904, d. 2001
Composition (watercolour no. 1163). Signed Estève
85. Watercolour on paper. 56,4 x 68,3 cm.
Exhibited: "Estève", Galerie Birch, Copenhagen and
Galerie Nord, Randers, in Kunsthallen, Købmagergade,
Copenhagen 1988, reprod. in the catalogue.
DKK 150.000-200.000 / € 20.000-27.000
153
MODERN
291
291 CD
PREBEN HORNUNG
b. 1919, d. 1989
Composition. Sketch for a decoration at Aalborg
Stiftstidende. Signed monogram, Hornung 1966-67
and on the reverse. Oil on canvas. 95 x 205 cm.
DKK 60.000-80.000 / € 8.000-11.000
292 CD
ROBERT JACOBSEN
b. 1912, d. 1993
Composition. Signed RJ. Sculpture of iron.
H. 15 cm. L. 20 cm.
DKK 25.000-30.000 / € 3.400-4.000
292
154
293 CD
RAYMOND HAINS
b. 1926
Composition. Signed on the reverse
Raymond Hains 1961. Decollage on
partly perforated zinc plate.
48 x 37 cm.
DKK 125.000-150.000
€ 17.000-20.000
293 -recto
293 - verso
294 CD
JØRGEN HAUGEN
SØRENSEN
b. 1934
Figure. Signed JS 61. Bronze.
H. 35. W. 39. D. 26 cm.
Literature: Birgitta Trotzig: "Jørgen
Haugen Sørensen", Copenhagen 1978,
a series of similar works from the same year reprod. p. 18.
DKK 12.000-15.000 / € 1.600-2.000
294
155
MODERN
295
295 CD
TAL R
b. 1967
"Souvenirs". Signed monogram and on the reverse Tal
R 1996-97. Oil on canvas. 172 x 140 cm.
Provenance: Galerie Mikael Andersen, Copenhagen.
DKK 300.000-400.000 / € 40.000-54.000
156
296
296 CD
PER KIRKEBY
b. 1938
Composition. Signed on the reverse Per Kirkeby
1974. Syntetic paint and crayon on masonite.
122 x 122 cm.
Literature: Ane Hejlskov Larsen: "Per Kirkeby. Malerier
1957-1977", no. M 280, reprod. in colours p. 75 and p.
289.
Exhibited: "Per Kirkeby, Bjørn Nørgaard og Lene Adler
Petersen", Århus Kunstforening af 1847, Århus Kunstbygning, 11.- 26. januar 1975.
Provenance: Acquired from the art dealer Svend Hansen, Copenhagen, by the present owner.
The present work is a powerful example of Per Kirkeby’s spontaneous expressionistic period in the 1970s.
In his works from the 1960s, Per Kirkeby was attaching
great importance to the simple silhouette-like motifs,
but from about 1970 he started dissolving the motif,
stressing the expressionistic aspect. The paintings from
this period are all created with the same technique and
have all the same dimensions 122 x 122 cm.
DKK 150.000-200.000 / € 20.000-27.000
157
MODERN
297
297 CD
RAGNHILD KEYSER
b. 1889, d. 1943
Constructivist composition. Signed RK. Watercolour
on paper. Visible size 21 x 14 cm.
DKK 50.000-75.000 / € 6.700-10.000
158
298
298 CD
WILLEM DE KOONING
b. 1904, d. 1997
Composition. Signed de Kooning. Oil and acrylic on
newspaper mounted on canvas (The New York Times,
1973). 56 x 36 cm.
This work has been seen by Emily "Mimi" Kilgore who
has expressed her opinion that it is authentic.
Provenance: Private American Collection. Gift of the
artist to the former owner (a friend of de Kooning's in
the late 1970's).
DKK 200.000 / € 27.000
159
MODERN
299 CD
RAGNHILD KEYSER
b. 1889, d. 1943
Constructivist composition. Signed R.K. Gouache on paper.
Visible size 19 x 9 cm.
Exhibited: "Konkret - Rörelser i nordisk konst under 1900talet", Dansmuseet, Stockholm, April 27. - May 3, 2001,
cat. no. 41.
299
160
Ragnhild Keyser is an early key figure within abstract painting in Norway. From 1924 to 1926 she was a student of Fernand Léger at Academie Moderne and in longer periods from
1919 to 1927 she lived in Paris. She participated in several
exhibitions in Paris, including the Salon des Indépendants
1923, 1926 and 1927. In 1927 she was part of the exhibition
"Eight Scandinavian Cubists" at The Artist's Union in Oslo
together with the Danish painter Franciska Clausen among
others. Following her permanent return to Norway Ragnhild
Keyser left the abstract idiom in favour of a more naturalistic way of expression.
DKK 50.000-75.000 / € 6.700-10.000
300
300 CD
FRANCISKA CLAUSEN
b. 1899, d. 1986
"Circle et carré", Paris. Signed F.C. 1922. Oil on canvas.
56 x 44 cm.
Literature: Troels Andersen & Gynther Hansen: "Franciska
Clausen", Borgen, 1974. Similar collage reprod. p. 33.
Provenance: Ejner Johansson’s Collection.
DKK 500.000-600.000 / € 67.000-80.000
161
MODERN
301
301 CD
RAGNHILD KEYSER
b. 1889, d. 1943
Constructivist composition. Signed RK.
Mixed media on paper. Visible size 21 x 13 cm.
DKK 50.000-75.000 / € 6.700-10.000
162
302
302 CD
RUDOLF BAUER
b. 1889, d. 1953
Composition. Signed Rudolf Bauer. Indian ink,
watercolour and gouache on paper.
Sheet size 49 x 33 cm.
Provenance: Galerie Gmurzynska, Cologne. Acquired
here by the present owner's family. Present owner's father was the brother of Tosia Gmurzynska, the founder
of Galerie Gmurzynska.
The German artist Rudolf Bauer (1889-1953) left his
imprints on the early Modern art in Germany. He studied at the Academy in Berlin (1904-1912) and became
a member of the Berlin group Der Sturm from 1912, later founding the gallery Das Geistreich (“Realm of the
Spirit”) in 1930. Bauer was arrested by the Nazis in
1938. The following year he immigrated to the United
States.
Bauer’s life and career – and the destiny of his paintings – are closely connected to Baroness Hilla von Rebay, who became director of the Solomon R. Guggenheim Foundation with great influence on the Guggenheim Collection that included several works by Bauer.
Bauer’s abstract non-objective art was influenced by
the art of Wassily Kandinsky whom he met at the Bauhaus in Dessau. Like Kandinsky, Bauer was inspired by
the theosophical and spiritual currents of his time. The
present work is a fine example of Bauer’s abstractions
- arrangements of circles and lines creating their own
kind of reality to be felt and sensed rather than recognized.
DKK 50.000 / € 6.700
163
MODERN
303
303 CD
MEHMED MELIH
DEVRIM NÉJAD
b. 1923, d. 1994
Composition. Signed Néjad 58. Oil on canvas.
92 x 73 cm.
Provenance: Galerie Birch, Copenhagen. Acquired by
the present owner, ca. 1970.
DKK 150.000-200.000 / € 20.000-27.000
164
304 CD
MEHMED MELIH
DEVRIM NÉJAD
b. 1923, d. 1994
"Paysage d'Hamlet, no. II". Signed Néjad, 1/62 K and
inscribed on the reverse M.D. Nejad 1/62 Copenhague. Oil on canvas. 72 x 91 cm.
Provenance: Galerie Hybler, Copenhagen. Acquired by
the present owner in the early 1980's.
DKK 150.000-200.000 / € 20.000-27.000
304
305 CD
DANIEL SPOERRI
b. 1930
Composition with painter's cloth. Signed on the
reverse Daniel Spoerri 77 and various stamps:
"Attention Oeuvre d'Art - Daniel Spoerri", "Aberrare Humanum Est", "Spät kommt Ihr, Doch Ihr
kommt: (1798 - 1959 - 1977). Painted cloth
mounted on board. 50 x 50 cm.
Provenance: Danish Private Collection.
In the 1960's Daniel Spoerri was amongst the originators of the avant-garde movement Nouveaux
Réalistes together with Jean Tinguely, Arman and
Yves Klein. Later also César, Niki de Saint Phalle
and Christo joined the group. The common objective was to destroy the borders of art by integrating everyday material directly in the works. Spoerri is especially known for his pictorial tableaux,
e.g. dining tables, in which a concrete aspect of
reality is caught and made into a picture. The
work offered for sale is related to this strategy.
DKK 50.000 / € 6.700
305
165
MODERN
The development of modern Chinese art
In China, the time from 1900 until the Communist
Maoist takeover in 1949 was characterized by a great
degree of instability. The production of art was based
on a Soviet model with strong Maoist undercurrents
in which the visual arts and especially depictions of
persons were subjected to three specific standards:
Positive, Strong and Heroic. Thus, art served the interests of the Party, exclusively.
ism in which the critical elements are often hidden behind a figuratively excessive visual idiom.
In 1992 a group of artists from Yuan MingYuan relocated to Song Zhuang, a village about 20 kilometres
away from Beijing. Song Zhuang rapidly became the
centre of avant-garde art in China and today more
than 400 artists live in this area. These include Liu
Yaoxian and Yan Yu whose works “Swimming Man”
and “Smoker” are offered for sale at this auction.
Until the early 1980s, where the policy of ‘the open
door’ came into effect, the Chinese population and
Chinese artists had been totally excluded from European and Western art. The subsequent introduction of
names such as Marcel Duchamp, Andy Warhol and
Keith Haring was of crucial importance to the highly
experimental art scene that shot up in China in the
1980s.
Freedom and optimism got a snap break i June 1989
when the authorities send in the military to fight
demonstrators on the Tiananmen Square in Beijing.
The Chinese art scene continues to grow and develop.
Internationally, Asian art is met with increasing interest, and this year the Guggenheim and Museum of
Modern Art in New York, for example, have chosen to
highlight Chinese art by way of special exhibitions in
Beijing. This, in combination with financially strong
collectors and museums that are often racing each
other for the opportunity to acquire selected works,
could indicate that perhaps the revolution in Chinese
art has only just begun.
The sharp contrast between fierce political and cultural
control , capitalism and consumer culture on the rise became the main source of what was, properly speaking,
the first modern Chinese art current called Cynical Real-
Here, Bruun Rasmussen Auctioneers of Fine Art
presents an exciting selection of works by eight Chinese artists. Each of these works offers a taste of the
strongly national art that emerges from China today.
306
166
307
307
LIU YAOXIAN
306
CHANG XU GONG
b. 1957
Manipulated Five Dollar note. Signed Chang Xu
Gong (in Chinese) 2006. Embroidery. 67 x 155 cm.
Similar work in the Ulisigg Collection.
Chang Xu Gong was born 1957 in Tangshan, in the Hebei Province. He currently lives and works in Tangshan,
China.
DKK 120.000 / € 16.000
b. I1964
Swimming man. Signed Liu 2006. Oil on canvas.
150 x 190 cm.
Liu YaoXian was born in 1964 in Inner Mongolia. He
studied at the art school of PLA in 1990 and later in
2002 finished his post-graduate courses at The Central
Academy of Fine Arts, Beijing. He currently works fulltime as an artist in the Artist Village of Song Zhuang.
DKK 75.000-100.000 / € 10.000-13.000
167
MODERN
308
308
YAN YU
b. 1964
"Smoker". Signed Yan yu 2007. Oil on canvas.
110 x 90 cm.
Yan Yu was born 1964 in the Heilongjiang province,
studied painting at The Normal University of Ha'erbing
and completed graduate courses in painting at the
Central Academy of Fine Arts, Beijing in 1999. He is
currently a professional artist living in the Artist Village of Song Zhuang.
DKK 60.000 / € 8.000
168
309
309
WANG QIANG
b. 1963
Woman. Signed 1999 12.08. Wang Qiang. Oil on clothes
mounted in plexi glass box. 130 x 125 cm.
Similar work in the Ulisigg Collection.
Wang Qiang, born in the Heilongijang Proviance is a graduate from The Central Academy of Fine Arts in Beijing.
During the last years he has exhibited widely in China and
on more occasions abroad. His work is represented at the
Beijing Art Museum, The Taida Contemporary Art Museum
in Tianjin and The German Culture & Arts Foundation.
DKK 175.000 / € 23.000
169
MODERN
310
310
MA YE
b. 1964
"Undressing". Signed Ma Ye 2006. Oil on canvas.
140 x 180 cm.
Ma Ye was born in 1964 in Shaanxi. He graduated from
Xian Academy of Arts in 1988 and has been working as
a professional artist in Beijing since 1993.
DKK 75.000 / € 10.000
170
311
311
LUI LIU
b. 1957
"Flying Angels". Sign. Lui Liu 2005. Oil on panel. 59 x
81 cm. Unframed.
present owner.
Lui Liu is a member of Ontario Society of Artists. He
lives and works in Toronto, Canada, while exhibiting at
galleries throughout North America, Europe and Asia.
DKK 75.000 / € 10.000
171
MODERN
312
312
ZHANG JIANJUN
b. 1979
"Chinese fatties". Signed ZhangJianJun.
Zhang Jianjun was born in the Shandong Province, in
1979. Zhang Jianjun graduated from the Painting department, Tianjin Academy of Fine Arts in 2005. He
currently lives and works in Beijing.
DKK 60.000 / € 8.000
172
313
313
PANG YONGJIE
b. 1968
Female. Signed Pang Yongjie (in Chinese) 2006.10.03,
2/8. Sculpture of steel.
H. 85 cm. L. 115 cm.
Pang Yongjie, born in the Dog Ming Province, studied at The Central Art College in Beijing 1991-1993
after having graduated from The Department of Art,
Shandong Normal University. Since 1990 the artist
has exhibited widely in China and during the last
years has also been introduced in Europe - primarily
in The Netherlands.
DKK 100.000 / € 13.000
173
MODERN
314
314 CD
NIELS STRØBEK
b. 1944
"Hvidløg". Signed Strøbek 1982. Oil on masonite.
40 x 48 cm.
Exhibited: "Niels Strøbek - retrospektiv", Sophienholm,
Kgs. Lyngby, February 15. - April 27, 1997, cat. no. 46.
DKK 75.000 / € 10.000
174
315
315 CD
POUL ANKER BECH
b. 1942
"Vinterlandskab med historisk kvantespring".
Signed Bech and on the reverse P. A. Bech 1994.
DKK 100.000-125.000 / € 13.000-17.000
175
MODERN
316
316 CD
ERRÓ
(GUDMUNDUR GUDMUNDSSON)
b. 1932
"Navy Girls", 1980. From the series "Mille et une Nuits",
1977-81. Signed on the reverse monogram 1980. Oil on
Literature: Hazan: "Erró 1974-1986 - Catalogue Général",
cat. no. 434, reprod. p. 75.
DKK 75.000 / € 10.000
176
317
317 CD
MICHAEL KVIUM
b. 1955
"Blind scene". Signed on the reverse Kvium 94.
Provenance: Galleri Faurschou, Copenhagen.
DKK 300.000 / € 40.000
177
MODERN
318
318 CD
PETER RÖSSELL
b. 1964
"The positive approach". Signed Rössell 1993. Oil and
acrylic on canvas. 170 x 160 cm.
DKK 30.000-40.000 / € 4.000-5.400
178
319
319 CD
ERRÓ
b. 1932
"The battle of Lepanto (17 octobre 1571). Don John of Austria. Pope Pius X. Ali Pasha. Giovanni Andrea Doria",
1977-78. From the series "Les Batailles Navales". Signed on
the reverse monogram 1978 and marked b. Tera 7-77. Aircraft Carriers Wasp and Enterprise. Oil on canvas.
130 x 97 cm.
Literature: "Erró 1974-1986 - Catalogue Général", cat. no.
282, reprod. p. 52.
DKK 100.000 / € 13.000
179
MODERN
320 CD
SALVADOR DALI
b. 1904, d. 1989
"Dance of time I". Signed Dali, 326/350. Stamped
with foundry mark Perseo SA. Gold and green patinated bronze sculpture. H. 38,5 cm.
Conceived in 1979. First cast was made in 1984 in
an edition of 350 plus 35 artist's proofs.
DKK 40.000 / € 5.400
Certificate enclosed.
320
321 CD
SALVADOR DALI
b. 1904, d. 1989
321
180
"Horse Saddled with Time". Signed Dali,
232/350. Stamped with foundry mark Perseo SA. Gold and green patinated bronze
sculpture. H. 44 cm.
Created and first casted in 1980 in an edition of 350 plus 35 artist's proofs.
Certificate enclosed.
DKK 60.000-75.000 / € 8.000-10.000
322
322 CD
MICHAEL KVIUM
b. 1955
"Forbindelsesproblem". Signed on the reverse Kvium 92. Oil on canvas.
100 x 120 cm.
Literature: "Dansk Kunst 94", Copenhagen 1994, mentioned p. 136-37,
reprod. p. 137.
Exhibited: "Kunsten til sygdom", Horsens Art Museum, Denmark, February 19 - April 17 1994. Later same year the exhibition was shown at
Galleri F15, Moss, Norway, and Nordisk Konstcentum, Sveaborg, Finland.
Reprod. on the exhibition poster.
Provenance: Galleri Susanne Ottesen, Copenhagen.
DKK 250.000-300.000 / € 34.000-40.000
181
MODERN
323
323 CD
JENS BIRKEMOSE
b. 1943
Composition. Signed on the reverse J. Birkemose. Oil on
DKK 75.000-100.000 / € 10.000-13.000
324 CD
MARTIN BIGUM
b. 1966
"Graf". Signed monogram 89 and Martin Bigum. Oil on
board. 125 x 71 cm.
Literature: Art critic Lars Grambye wrote in the Danish
newspaper "Information", August 1989, on the exhibition
in Galleri Backhaus: "When Bigum sends his airships up in
the air, we are all reduced to ants".
Literature: The series and Bigum's work in this period are
referred to in "Dansk Kunst", Copenhagen 1990 and 1991,
p. 231 and 258 resp. and p. 74-75.
Exhibited: Galleri Backhaus, Copenhagen 1989. Martin
Bigum's first solo exhibition.
DKK 40.000 / € 5.400
324
182
325
325 CD
KASPAR BONNÉN
b. 1968
Composition. Signed on the reverse Kaspar Bonnén
1999. Oil on canvas. 155 x 125 cm.
Since the mid 1990s the artist and writer Kaspar Bonnén has concerned himself with the depiction and exploration of spaces and spatialities. In his paintings,
often based on his own home and private life, you will
find multiple layers of spatialities in the shape of colourful silhouettes overlapping each other. In larger
compositions, ordinary articles for everyday use and
pieces of furniture are mixed together tending towards
pure abstractions. For the artist, a space is not just a
physical occurrence, but also and just as much a mental state of mind. In the article "Jeg vil være rum" ("I
want to be space") from 2004, Bonnén writes: "Using
simple forms, I try to create the illusion of spaces and a
multiplicity of ways in which they can manifest themselves. In this way the paintings become a cross-section of, or an insight into, a mental process, or a description of the many possible spatial constitutions,
such as when you sit in a room reading a text and are
filled with the images of the story. At the same time,
you might be thinking of your partner or about something you forgot to do today. Many different spaces
and experiences pulse within the brain as electrical reverberations".
Kaspar Bonnén is represented at Statens Museum for
Kunst, ARoS Aarhus Kunstmuseum, Arken Museum of
Modern Art and the Sammlung Essl in Austria.
DKK 75.000 / € 10.000
183
MODERN
326
326 CD
KURT TRAMPEDACH
b. 1943
"Larrun. Sara". Signed Trampedach 83. Mixed media
on canvas. 100 x 70 cm.
DKK 100.000 / € 13.000
184
327
327 CD
MICHAEL KVIUM
b. 1955
"Art-Me, I". Signed on the reverse Kvium 94.
Exhibited: "Dänemark!", Mannheimer Kunstverein,
Mannheim, June 18 - July 23 1995.
DKK 450.000-500.000 / € 60.000-67.000
185
MODERN
328
328 CD
KEHNET NIELSEN
b. 1947
"Delacroix". Signed on the reverse Kehnet Nielsen
DKK 40.000-50.000 / € 5.400-6.700
186
329
329 CD
MICHAEL KVIUM
b. 1955
"Possible Painting". Signed on the reverse Kvium 00.
DKK 175.000-200.000 / € 23.000-27.000
187
MODERN
330
188
330 CD
MICHAEL KVIUM
b. 1955
"Cuba Libre". Sign. på bagsiden Kvium 01. Oil
on four canvases. Total 230 x 300 cm.
Literature: Lennart Gottlieb: "Michael Kvium Malerier og motiver", Copenhagen 2001, mentioned p. 164, reprod. p. 182.
Exhibited: "Michael Kvium - Jaywalking Eyes",
ARoS Aarhus Kunstmuseum, 28 January - 17
April 2006, reprod. in the catalogue p. 48.
In his book from 2004, Lennart Gottlieb reflects
on Kvium's return to the painting after having
worked with Christian Lemmerz during the period 1998-2000 on the film 'The Wake': "(...) There
is the doubt, not only about the picture, but also
about the connected narrative, like in other
paintings from 2000 and 2001 where the painting's narrative can no longer be contained in
one single painting but has to be broken up in collagelike groupings of canvases (...). 'The Wake' has been a
tour de force and whether it will open up to a new
fund of pictures and picturesques energies for the
painter Kvium or whether it has actually drained the
painting of it's previous meanings to the painter, are
two possible consequences. But if you take the ironic
work 'Cuba Libre' from 2001, consisting in four paintings, showing respectively the upper part of a body of
a black man with a white stigmatized hand, a white
man's lower part of the body, the Cuban flag and a tattoo of a Marilyn Monroe type from the 1950s, it points
to the fact that there could be a third option in addition to the film's potentially opening or closing effect:
that Kvium is quite simply opening the floodgates of
the mixture of the media and the paintings. We cannot
know. But if you expect Kvium to return to what he
was or what we know, you can be quite certain of the
fact that it won't be so. Simply because it has never
occurred before".
DKK 400.000 / € 54.000
189
MODERN
331
331 CD
JOHN KØRNER
b. 1967
"Glad". Signed on the reverse John Kørner 2001.
Acrylic on canvas. 150 x 120 cm.
Galerie Mikael Andersen, Copenhagen.
DKK 175.000-200.000 / € 23.000-27.000
190
332
332 CD
VILHELM BJERKE-PETERSEN
b. 1909, d. 1957
"Menneskenes Naturer". Signed v.b.-p. 39.
Exhibited: Dansk Kunst, Fyens Forum 1940.
In the catalogue for the exhibition "Surrealisme"
("Surrealism") in the Raadhuspladsen exhibition
house, October 1940, the artist has written the following programme text, which is almost entirely illustrated by the present painting: "I see the fire, the water, the air and the earth, I see the forest, the ocean,
the fields and the mountains, I see the flowers, the fruits, the stones, the waves and the clouds, I see the light
and the shadow. I see it all in man. Mankind reproduces itself in nature and makes everything human.
Mankind has created the houses, the cities, the furniture and the cars, but man has also created the trees,
the forests, the mountains and the oceans. In everything I see, I read the signature of man. As nature is infinite, it is also infinite in man. Mankind is always
unconsciously creating. This creative power of mankind is the unlimited inspiration for my work. I found
the fire, the water, the air and the earth, I found the
trees, the flowers and the stones, I found it all in YOU!".
DKK 100.000-150.000 / € 13.000-20.000
191
MODERN
333
333 CD
MICHAEL KVIUM
b. 1955
"Possible Painting". Signed on the reverse
Kvium 00. Oil on canvas. 140 x 140 cm.
Provenance: Galleri Faurschou,
Copenhagen.
DKK 150.000 / € 20.000
334 CD
KATHRINE ÆRTEBJERG
b. 1969
"Efter lang tids vandring nåede de frem".
Signed on the reverse A. Kathrine Ærtebjerg 2003. Oil on canvas. 106 x 103 cm.
DKK 40.000 / € 5.400
334
192
335
335 CD
MICHAEL KVIUM
b. 1955
"Drømmebillede". Signed Kvium 02. Oil on canvas.
100 x 120 cm.
Provenance: Galleri Franz Pedersen, Horsens.
DKK 200.000 / € 27.000
193
MODERN
336
336 CD
JAN VOSS
337 CD
KAREL APPEL
b. 1936
b. 1921, d. 2006
"Grosses Manöver". Signed Voss 87. Acrylic, oil and
paper on canvas. 97 x 195 cm.
DKK 80.000-100.000 / € 11.000-13.000
Composition. Signed Appel. Gouache on paper.
31 x 24 cm.
DKK 50.000 / € 6.700
337
338
194
339
338
MEHMED MELIH
DEVRIM NÉJAD
CD
b. 1923, d. 1994
Composition. Signed Néjad. Oil on canvas.
41 x 33 cm.
DKK 40.000 / € 5.400
339 CD
JOHN KØRNER
b. 1967
Composition. Signed on the reverse John Kørner
2001. Acrylic on canvas. 150 x 120 cm.
DKK 175.000-200.000 / € 23.000-27.000
195
MODERN
340
340 CD
ARNE HAUGEN SØRENSEN
b. 1932
"Drømmende dame". Signed A. Haugen Sørensen 74.
Exhibited: Å-udstillingen, Århus Kunstbygning, 1974,
cat. no. 116.
DKK 50.000 / € 6.700
196
341
341 CD
MICHAEL KVIUM
b. 1955
"Black/White painting". Signed on the reverse Kvium
98 s/h maleri. Oil on canvas. 70 x 70 cm.
DKK 100.000 / € 13.000
197
MODERN
342
342 CD
KEHNET NIELSEN
b. 1947
Composition. Signed on the reverse Kehnet Nielsen
DKK 40.000-50.000 / € 5.400-6.700
198
343
J. Vermeer: “A Lady Writing”, ca. 1665.
National Gallery of Art, Washington DC
343 CD
MICHAEL KVIUM
b. 1955
"Mig og Vermeer". Signed on the reverse Kvium 87.
present owner. Not previously exhibited or offered for
sale.
1987 is a year of change in the artistic development of
Michael Kvium. In the years after 1985 Kvium had become recognized for his merciless depictions of human
beings placed in all sorts of painful and cruel situations
going beyond normal limits, but in about 1987 his
works had become more abstract for a time with paintings of amorphous biological growths often placed in
indefinable landscape spaces. Right in the middle of
this transformation you find the painting "Mig og Vermeer" ("Me and Vermeer"), with elements from both
Kvium's previous and future works. To our knowledge
the painting is Kvium's only direct historical paraphrase in full size. It is based upon Johannes Vermeer's "A
Lady Writing" from ca. 1665 (National Gallery of Art,
Washington DC), depicting an elegant young woman
wearing a fur coat and pearl earrings, placed in an interior flooded with soft light. Kvium is surprisingly loyal
to his source but the finely modeled face of Vermeer's
lady has been changed into an abnormally growing boil, making the painting typical of Kvium's usual way of
exceeding and mixing the beautiful and the ugly, the
good and the bad, the ideal and the abominable.
DKK 250.000-300.000 / € 34.000-40.000
199
MODERN
From a Private Danish Collection lot 345 - 353
344
344 CD
KRISTIAN DEVANTIER
b. 1971
"Handyman & Søn". Signed on the reverse Kristian
Devantier 15/08/05. Oil on canvas. 112 x 110 cm.
Exhibited: Charlottenborg Efterårsudstilling, Copenhagen, 1 - 23 October 2005, cat. no. 23.
Provenance: Acquired directly from the artist.
Since graduating from the Royal Danish Academy of
Fine Arts in 2000, Kristian Devantier has made a name
for himself among the Danish figurative painters attaching importance to the painting and its qualities. In
the pictorial universe of Kristian Devantier, you are immediately captured by the areas of monochrome
strong colours and by this, involved in the narrative
universe of the artist. Devantier's figures are highly
200
stylized and resemble most of all figures from comic
strips. He never paints faces, the reason for this figuring in an interview with the artist: "It is up to you to
put eyes and noses on the figures. I paint surfaces, you
see. I am not very good at drawing eyes and noses and
mouths on the figures so that's why they are faceless.
They appear much clearer now. Does that mean that
you are jumping into these figures? You might be able
to do so. The figures are taking you by the hand, leading you into this universe". In the pictorial universe of
Devantier you are thus invited to a unique experience
with only the viewers' own limits putting an end to the
adventure unfolding.
DKK 25.000-30.000 / € 3.400-4.000
345
345 CD
TAL R
b. 1967
"Sea Sex" / "Sex Style". Signed Tal R, okt. 05. Oil and
pins on cardboard mounted on wooden board, behind glass in painted frame. 103 x 103 cm.
Exhibited: "High & Low", Fine Art Fair Frankfurt, 15 19 March 2006.
Provenance: Contemporary Fine Arts, Berlin.
Since his breakthrough in the late 1990s, Tal R has almost become the epitome of the new Danish figurative
painting. He has worked intensely with a synthesis of
media - painting, photography, drawings and cuttings
- and with imaginative overlaps of personal stories,
popular culture and history of art. In a number of paintings since roughly 2003 and onwards, the artist has
however moved away from the recognizable. The painting "Sea Sex" is an almost ornamental motif - decoratively embellished with coloured drawing pins. According to the artist, the figurative is nothing more
than a pretext - or a short cut to the picturesque: "I am
preoccupied with a kind of figurative painting but it is
simply for having something people can relate to. The
story in the paintings is only bait so that we have something to talk about (...) I am not preoccupied with
yet another little quirky story about a pixy with a special hairdo. What interests me is to see how the artist
has made his decisions through the substance (...) True
imagination to me is when people make imaginative
decisions through the substance".
DKK 300.000-400.000 / € 40.000-54.000
201
MODERN
346
346 CD
ALLAN OTTE
b. 1978
"U.T". Signed on the reverse Allan Otte 2004.
Provenance: Galleri Christoffer Egelund, Copenhagen.
In cool unsentimental paintings Allan Otte - in his own
original way - takes up the threads from the Danish
"photographic painters" of the 1970s and 80s such as
Niels Strøbek and Bjarke Regn Svendsen. At the same
time a dialogue can be sensed with both the Düsseldorf School of photography, soberly recording the reality, and the more nostalgic Danish realist painters of
the 1990s such as Preben Fjederholt and Ulrik Møller.
In a recent series of paintings demanding high technical skills, Otte has taken a merciless almost surgical
piercing glance at the Danish landscape, especially the
effective industrialized agriculture. Otte's depiction is
202
far from farmhouse idyll and the nostalgic country life
of the 1950s. The motifs appear to be objective but
they have very much been manipulated and "sampled"
by means of computer software and image editing
programmes before having been transfered to the
canvases with a detailed technique.
Allan Otte will graduate from the Royal Danish Academy of Fine Arts in the summer of 2007 but the young
artist has already participated in several exhibitions at
galleries and museums - including the presentation of
Danish contemporary art at Arken Museum of Modern
Art, the exhibition GO FIGURE! Young Danish Painting,
in the summer of 2006. Otte is also represented in Arken's Collection.
DKK 12.000-15.000 / € 1.600-2.000
347
347 CD
JOACHIM KOESTER
b. 1964
"The Tulip House / Laboratories" from the series "Day
for Night, Christiania". Signed on the reverse Joachim Koester 1996, 3/5+1AP. C-print mounted on
aluminium. 65 x 98 cm.
Literature: Lisbet Bonde and Mette Sandbye: "Manual
til dansk samtidskunst", Copenhagen 2006, series
mentioned p. 292-296.
Literature: Rune Gade and Camilla Jalving: "Nybrud Dansk kunst i 1990erne", Copenhagen 2006, series
mentioned p. 96.
Literature: Michael Jeppesen: "Overblik - 63 danske
samtidskunstnere", Copenhagen 2006, series mentioned p. 108.
Provenance: Galleri Nicolai Wallner, Copenhagen.
The present photo is part of a series of thirty-five
colour photographs taken at Christiania in Copenhagen.
What’s special about this series is not just its location
but also the fact that the artist has used a particular
cinematic effect called the “day for night” technique.
This technique is used for scenes in daylight but on the
camera, it gives a nightly dreamlike touch. The idea
behind the photo series was an attempt to depict the
ambiguity characterizing the area Christiania. The
melting together of day and night with this dreamlike
touch can thus be seen as a reference to the community of Christiania, where the dream of a free society
exists in spite of the resistance from the community
surrounding it. Joachim Koester graduated from the
Royal Danish Academy of Fine Arts in 1993.
DKK 12.000-15.000 / € 1.600-2.000
203
MODERN
blue colour, the work makes reference to the sky and flying adding a feminine aspect. Simone Aaberg Kærn has recently
exhibited in Chicago, where one of her photos was the logo
for the art conference, "The artworld is flat". She has exhibited at Louisiana Museum of Modern Art, Humlebæk, where she is also represented in the collection, The Venice Biennal of 1999 and the Musée d'Art Moderne in Paris.
DKK 12.000-15.000 / € 1.600-2.000
349 CD
PETER RUNE CHRISTIANSEN
b. 1978
Untitled. Signed on the reverse Peter Rune C. 05. Acrylic
on canvas. 74 x 125 cm.
Exhibited: EXIT 05, Kunstforeningen Gl. Strand, Copenhagen,
7 May - 3 July 2005.
348
348 CD
SIMONE AABERG KÆRN
b. 1969
Composition. Unsigned. Photo collage on paper. Visible size 83 x 60 cm.
Provenance: Galerie Asbæk, Copenhagen.
The work offered for sale is one of Simone
Aaberg Kærn's "photo collages" - all made on a
background of skye-blue paper. By means of the
In his paintings, Peter Rune Christiansen is flirting with the
romantic landscape painting. “A renewer of Danish landscape
painting”, the artist has been termed by the art historian
Bente Scavenius in relation to Peter Rune Christiansen’s first
solo exhibition at the gallery Helene Nyborg Contemporary
in May 2006.
In the works of Peter Rune Christiansen, pictorial means are
combined with musical elements. By way of various forms of
music, classical as well as digital, Peter Rune Christiansen is
capable of painting complex and unpredictable systems, resembling topographical maps. Having music as sparring
partner enables the artist to provide his paintings with a
speaking tube through which the music emanates, at the same time illustrating by images the otherwise invisible tones.
DKK 12.000-15.000 / € 1.600-2.000
349
204
350
350 CD
JENS ROBERT JØRGENSEN
b. 1975
"Tangel". Signed on the reverse Jens Robert Jørgensen 2004. Oil on wooden box. 122 x 122 x 10 cm.
Exhibited: "Tingeltangel", Martin Asbaek Projects, Copenhagen, 13 January - 12 February 2005.
The present work was part of Jens Robert Jørgensen's
first solo exhibition in 2005, the first larger presentation of the artist's complete works. Jørgensen's paintings are vividly coloured pattern constructions with
no precise direction; the patterns move about in all directions creating a powerful three-dimensional effect.
Both in a literal sense, the patterns continuing on the
10 cm wide sides, and also in an optic way as the pictures are constructed with layers on layers of drawings
and spatialities. The works are thus unique crossings of
paintings and physically importunate objects in space.
In a sense Jens Robert Jørgensen's work seem to build
on and send greetings to ancient aboriginal art where
natural occurrences have been transformed into a
dreamlike universe through abstraction. In contemporary art of a more recent date, Jørgensen seems related to the English artist Chris Ofili who draws upon
African/Caribbean folk art and transforms it into a
modern, often highly decorative, context.
Jens Robert Jørgensen will graduate from the Royal
Danish Academy of Fine Arts in the summer of 2007.
He is represented at the Danish National Gallery and
at the Arken Museum of Modern Art where he has also
participated in the exhibition GO FIGURE! Young Danish Painting, in the summer of 2006.
DKK 25.000-30.000 / € 3.400-4.000
205
MODERN
351
351 CD
SIMON KEENLEYSIDE
b. 1975
"A place to wake up in". Signed on the reverse Simon
Keenleyside 2005. Oil on canvas. 61 x 69 cm.
Provenance: Acquired directly from the artist.
The British artist Simon Keenleyside graduated from
the Painting Department at Brighton University and
the Royal College of Art in London. In 2002 he was the
first winner of the "BOC Emerging Artist Award" in keen competition with more than 200 young artists from
across the UK, the judging panel including the prominent critic Matthew Collings and the British pop artist
206
Sir Peter Blake. The present work is typical of Keenleyside's imagery where familiar motifs from the outskirts
of town, and often forest scenes, have been made into
something unknown, disturbing and mysterious, on richly coloured canvases painted with thick layers of
paint.
In Denmark Simon Keenleyside is represented by the
gallery Mogadishni where he has participated in several exhibitions.
DKK 15.000-20.000 / € 2.000-2.700
352
352
MARI EASTMAN
b. 1970
"Hazel grouse", 2005. Signed on the reverse Mari
Eastman. Acrylic and glitter on canvas.
79 x 76 x 7 cm.
Exhibited: "Mari Eastman", Gallery Nicolai Wallner,
Copenhagen, 18 November - 17 December 2005.
Mari Eastman has graduated with a Master of Fine
Arts from the Art Institute in Chicago 1996. Since
1998 she has been based in Los Angeles. In addition to
several group exhibitions at galleries in both Europe
and in the US, Mari Eastman has participated in a
number of solo exhibitions, including an exhibition at
the Gallery Nicolai Wallner who is representing the artist in Denmark.
DKK 30.000-40.000 / € 4.000-5.400
207
MODERN
353
353 CD
ERRÓ
b. 1932
"The salvation", 1977. From the series "Mille et une Nuit", 1977-81.
Signed on the reverse monogram 1977. Oil on canvas.
97 x 52 cm.
Literature: Hazan: "Erró 1974-1986 - Catalogue Général", cat. no. 364,
reprod. p. 67.
208
During the 1950s the Icelandic artist
Erró studied at the Art School in Reykjavik and at the Academies in Oslo and
in Florence, combining it with several
study visits to Ravenna, Germany and
Spain. Through these training years
Erró obtained a very personal mastery
of technique and pictorial means that
gave him a leading position at the international art scene as early as in the
early 1960s. Erró's paintings are based
on a true variety, or a chaotic confusion, of influences and styles in art history - from Byzantine mosaics and
Renaissance Art to Surrealism, pop art
and comic strips. In this sense Erró can
very much be described as a postmodernist eclectic maker of paintings. "I
paint because painting is a private
Utopia", the artist has stated. His
works can be characterized as artistic
crosscuts from various periods, spaces
and contexts that are apparently entirely incompatible in real world but
turn out not to be so. In his work "The
salvation" from 1977, the Bible story
of the Flood has been transformed into a Futurist scene where Noah's ark
has become a space rocket.
In 1989 Erró donated a large collection of his works to the city of Reykjavik where they can now be seen at the
Reykjavik Art Museum. The artist is represented at a number of international museums, including Louisiana
Museum of Modern Art in Humlebæk,
Museum Ludwig in Koblenz and Musée National d'Art Moderne, Centre
Pompidou in Paris.
DKK 50.000 / € 6.700
Art and design
on online auction...
Arne Jacobsen:
"Ægget". Patinated leather.
Estimate: 25.000-30.000 dkk
Patrick Nordström:
Vase of stoneware.
Michael Kvium:
"Pale Eyed View".
Lithograph in colours.
Jack Kampmann:
Village, the Faroe Islands.
Corneille:
"Eté Baroque II". Painted sculpture.
278
360
BRUUN RASMUSSEN bredgade AUcTION 772
Patrick Nordström:
Vase of stoneware
on base of bronze.
Thorvald Bindesbøll:
Sketch for ceramic works.
Georg Jensen:
Grape centerpiece. Dessin 263
Estimate: 25.000 dkk
The items are on display right now at
www.bruun-rasmussen.dk and they will be
sold on Tuesday June 5th from 8.00 p.m.
Jens Birkemose:
Composition. Handcoloured silkscreen.
Hans J. Wegner:
Folding chair of teak.
279
361
index
A
D
Aaberg Kærn, Simone 348
Abrahamsson, Anette 71
Ahlberg, Ole Kofoed 84
Alechinsky, Pierre 481, 483, 495
Andersen, Mogens 74, 77
Appel, Karel 265, 275, 276
337, 512, 513, 515
Araki, Nobuyoshi 501
Dali, Salvador Dalsgaard, Sven Daskaloff, Georgi de Kooning, Willem Delaunay, Sonia Devantier, Kristian Dietman, Erik Dine, Jim Doucet, Jacques B
128, 320, 321
174
103
289, 298
450, 459, 462
486, 487, 491
58, 67, 344
135, 160, 161
494
39
Bacon, Francis 497
Balle, Grete 215
Balle, Mogens 18, 38, 40
Bauer, Rudolf 302
Bech, Poul Anker 315
Bendtsen, Folmer 374, 436
Bertelsen, Albert 244, 245, 246
413, 438, 439
Bigum, Martin 324
Bille, Ejler 36
Billgren, Ola 505
Birkemose, Jens 81, 104, 105, 118
120, 121, 142, 184
193, 202, 219, 323
Bjerke-Petersen, Vilhelm 98, 100
101, 332
Bjerre, Niels 408, 414, 417
Bonde, Peter 156, 157
179, 180, 230
Bonnén, Kaspar 325
Brands, Eugène 30, 41
Buffet, Bernard 508, 509
Buthe, Michael 225
E
C
G
Calder, Alexander 498
Carlsen, Peter 56
Carstensen, Claus 165
Carstensen, Ebba 427
Chagall, Marc 465, 466
467, 468
Chillida, Eduardo 448
Christensen, Kay 378, 401
430, 440
Christiansen, Peter Rune 349
Christoforou, John 33
Ciccia, Mauro 210, 229
Clausen, Franciska 114, 300
Combas, Robert 507
Constant 281
Corneille 16, 17, 21, 22
24, 29, 32, 516
517, 518, 519, 520
Gadegaard, Paul 95
Gaillard, André 212
Gauguin, Jean René 433
Gjerdevik, Niels Erik 69, 167, 169
Gong, Chang Xu 306
Gudnason, Svavar 1, 2, 3, 4, 5
6, 7, 8, 9, 10
11, 12, 13, 14, 15
280
Eastman, Mari 352
Ekelund, Poul 441, 443
Eliasson, Olafur 45
Elmer, the Dane 47
Engelund, Svend 355
Ernst, Helge 108, 191, 222
Erró (Gudmundur Gudmundsson)
316, 319, 353
Estève, Maurice 290, 463
478, 492
F
Ferrer, Joachim 117
Fetting, Rainer 87
Fomsgaard, Jes 107
Francis, Sam 454, 457, 477
479, 480, 504
Freddie, Wilhelm 73, 79
155, 158, 499
Fromanger, Gérard 220
Funch, Edgar 94
H
Hains, Raymond Hanmann, Inger Hansen, Al Hansen, Johannes Hansen, Knud Hartung, Hans Haugen Sørensen, Arne 293, 510
82
132, 133
258
126
484
236
237, 340
Haugen Sørensen, Jørgen 78, 294
Havsteen-Mikkelsen, Sven 399, 402
Heerup, Henry 267, 268, 269, 270
273, 282, 287, 442
Hein, Jeppe 44
Heinesen, Zacharias 383
Hertz, Mogens 386, 388
409, 420, 429
Hilden, Thyra 43
Hind, Tine 211, 213, 214
Hjorth-Nielsen, Søren 377, 379
Hockney, David 451
Hoffmann, Anker 394
Holstein, Bent 139, 147
183, 192, 223
227, 231, 239
Hoppe, Erik 241, 253, 360
Hornemann, Anne Sofie 182
Hornsleth, Kristian 63, 70
Hornung, Preben
109, 111, 196
200, 291, 404
Hundertwasser, Friedensreich
455, 485
HuskMitNavn 64
Høst, Oluf 240, 261
358, 397, 412
I
Isakson, Karl Isbak, Poul Iversen, Kræsten 389
175
411
J
Jacobsen, Egill 271, 274
283, 286, 288
Jacobsen, Robert 76, 102, 106
143, 144, 205, 217
234, 280, 292, 514
Jensen, Berit 137, 187, 224
Jensen, Niels 27
Jerichau, Jens Adolf 434, 435
Jianjun, Zhang 312
Joensen-Mikines, Samuel 249
251, 380
Johansen, Frithioff 123
Johnson, Ray 136
Jorn, Asger 266, 278, 284, 458
460, 461, 464, 493
Judd, Donald 449
Jønsson, Phillip 62
Jørgensen, Børge 93, 206
Jørgensen, Jens Robert 51, 65, 350
K
Kaalund-Jørgensen, Martin 405
index
Kannik, Frans 166
Kantor, Maxim 60
Keenleyside, Simon 351
Keyser, Ragnhild 297, 299, 301
Kippenberger, Martin 503
Kirkeby, Per 112, 296
Kjærgaard, Mie Olise 49
Klenø, Evgenij 373
Knudsen, Jesper 59, 61
Koester, Joachim 347
Kristiansen, Jôannis 385
Krøjer, Tom 116, 124, 194
232, 233, 235
Kvium, Michael 46, 48, 317
322, 327, 329, 330
333, 335, 341, 343
Kørner, John 57, 331, 339
L
Landgreen, Malene Lapayese, Ramon Larsen, Johannes Larsen, Jørn Larsen, Karl Leger, Fernand Leth, Jan Levee, John H. Lichtenstein, Roy Lindemann, Kai Lindeneg, Thor Liu, Lui Lundstrøm, Vilhelm 50
216
264
89
384
473
119
110
472
88, 221
127
311
259
M
Malinovsky, Lise 86, 150, 168
Mann, Cyril 228
Marfaing, André 173
Martin, J. V. 204, 218
Mathiesen, Egon 145
Mathonnat, Michel 141
Mattinen, Seppo 154
Matwijkiw, Edvard 152
Miró, Joan 456
Monk, Jonathan 502
Mortensen, Richard 75, 90, 91
92, 195, 197, 199
285, 488, 489, 490
Munch, Axel 354, 376, 415, 416
Muter (M. M. Mutermilch), Mela
255, 256
Møller, Gunnar 151
N
Néjad, Mehmed Melih Devrim 13
115, 303, 304, 338
Nesbitt, Lowell 85
Nielsen, Jais 403, 431
Nielsen, Kehnet 176, 328, 342
Nielsen, Knud 37
Nielsen, Poul S. 419
Nilsson, Ivan Albert 99
Nolde, Emil 474
Nyholm, Erik 34
T
O
Olrik, Balder Olsen, Wiliam Skotte Olson, Erik Otte, Allan Swane, Christine 361
Swane, Sigurd 257, 382
410, 421, 447
Søndergaard, Jens 242, 248
250, 356, 398
Sørensen, Jens-Flemming 159, 162
163, 164, 172
178
153
247, 381
346
P
Pedersen, Carl-Henning 19, 20, 25
26, 31, 272, 279
Pedersen, Poul 134
Penck, A. R. 469, 470, 506
Petersen, Robert Storm 444
Picasso, Pablo 452, 475, 476
R
Rainer, Arnulf 482
Rasmussen, Erik 130, 131
Rasmussen, Lilibeth Cuenca 52, 53
Rathsack, Svend 393
Ravn, Lars 72, 181
Reyni, Ingálvur Av 80, 243
Rude, Olaf 359, 387, 392
395, 396, 424
Rylander, Hans Christian 170
Rössell, Peter 318
S
Sala, Eugène de 97, 400
Scharff, William 390, 418
422, 446
Scherfig, Hans 252
Schou, Helen 432
Schrøder, Povl 357
Schwalbe, Ole 96
Sivertsen, Jan 122, 146
Skotte Olsen, Wiliam 208
Sonderborg, Kurt R. Hoffmann 185
186, 188
189, 207
Soulages, Pierre 453
Spoerri, Daniel 305
Steffensen, Hans Voigt 140
Sten-Knudsen, Nina 148, 177
Strøbek, Niels 314
Sveinsdóttir, Júlíana 437
Taï, Hui-Ying 149
Tal R 295, 345
Tholstrup, Anne 138, 226
Ting, Walasse 23, 28, 35, 198
Tinguely, Jean 171
Trampedach, Kurt 326
V
Vanggaard, Melou Vielfaure, Jean-Pierre Vilsbøll, Anne Volz, Wolfgang Vontillius, Jeppe Voss, Jan 68
190
125
500
428, 445
336
W
Warhol, Andy 471
Wederkinch, Holger 254
Weie, Edvard 260, 262, 391
Wemaëre, Pierre 42, 277
Willumsen, Edith 362, 363, 364
365, 366, 367, 368
369, 370, 371, 372
Willumsen, J. F. 263, 407, 511
Wilmont, Barry 201
Wou-Ki, Zao 496
Wunderlich, Paul 83
Wölck, Preben 203, 209, 238
Y
YaoXian, Liu Ye, Ma Yu, Yan 307
310
308
Z
Zeuthen, Ernst Ziger, Ole 406
54, 55, 129
Æ
Ærtebjerg, Kathrine 66, 334
Ø
Øllgaard, Hans 375, 423, 426
281
Vin-domaine i Beaujolais
Enestående og æstetisk vin-domaine, der af de lokale vurderingsmyndigheder er kåret til den smukkeste ejendom i
det sydlige Beaujolais. Højtbeliggende på en bakketop toner
ejendommen frem over vinmarkerne og byen Frontenas med
en fabelagtig og uspoleret udsigt over det smukke landskab. I
klart vejr kan man se Alperne — så langt som til Mont Blanc.
De i alt ca. 360 m2 i 2 fulde plan består i dag af et hovedhus
på ca. 260 m2 samt endnu en lejlighed på 87 m2.
De to enheder kan nemt omdannes til én. Herudover kommer der ca. 500 m2 sidebygninger og kælder.
Der medfølger naturligvis alt nødvendigt udstyr til brug for
fremstilling af den skønne kvalitetsvin.
Ejendommen har en central beliggenhed, men er alligevel tilbagetrukket fra de kendte turistområder ved Cote d’Azur. Der
er kun 30 minutters kørsel til Frankrigs anden største by, Lyon.
Pris: € 1.350.000
Her er tale om en “levende” ejendom med i alt 4,6 hektar
produktiv jord og med en god vinproduktion på 5.300 liter pr.
hektar p.a. Produktionen varetages af en fransk metayer.
Dette fantastiske vin-domaine har været danskejet siden 1989
og gennemgik i 1990 en gennemgribende renovering, således
at det i dag fremstår som en harmonisk og elegant ejendom.
282
Bredgade 25
1260 København K
Tel +45 2040 4646
[email protected]
www.br-estates.dk
information
AFHENTNING
DISPATCH
Afhentning af effekter købt på traditionel
auktion SKAL SKE senest 2 uger efter sidste
auktionsdag (eller efter aftale).
Collection of purchases bought at
traditional auctions must be no later than
2 weeks after the last auctionday.
Uafhentede effekter vil herefter uden
yderligere varsel blive sendt til opbevaring
for købers regning og risiko.
Uncollected items will without further
notice be sent into storage at the expence
and risk of the buyer.
salgsresultater
sales results
Hammerslags-priser fra de seneste auktioner
kan ses på vores hjemmeside:
www.bruun-rasmussen.dk
Sales results from the latest auctions are
available at our website:
Hammerslags-priser kan også fås ved at
ringe til vores automatiske telefonsvarer på
telefon: 33 43 69 08.
Sales results are also available at our
answering machine.
Please call: +45 33 43 69 08.
FOTO
PHOTO
Fotos af alle effekter kan ses på vores
hjemmeside: www.bruun-rasmussen.dk
Photos of all items are available at our
website: www.bruun-rasmussen.dk
euro
euro
Det bydes og faktureres i danske kroner.
Bids and invoicing are made in DDK.
Ved omregning fra DKK til Euro er anvendt
Nationalbankens officielle valutakurs på tids
punktet for udarbejdelse af kataloget.
For the conversion from DKK into Euro,
Bruun Rasmussen has used the official rate
of exchange from Denmarks Nationalbank
(the Danish National Bank) at the time of
preparation of the catalogue.
Beløbet i Euro er afrundet til et tal, der
efter Bruun Rasmussens skøn fremtræder
på en præsentabel måde i forhold til
beløbet i DKK.
The amount in Euro is, in Bruun Rasmussen's judgment, roughly adjusted to
presentable figures.
Bevaringstilstand
Condition
Bruun Rasmussen henleder opmærksom
heden på, at katalognumrene som udgangs
punkt ikke er forsynet med oplysninger om
tilstand (jvf. købskonditionernes § 9). Vi
henviser imidlertid til vores hjemmeside:
www.bruun-rasmussen.dk, hvor der under
det enkelte katalognummer ofte er oplysninger om bevaringstilstand, reparationer
o. lign. Er disse oplysninger ikke tilstrække
lige kan én af afdelingens sagkyndige kontaktes for yderligere informationer.
Bruun Rasmussen draws attention to the
fact that, as a rule, no information is
provided regarding the condition of the lots
(cf. conditions of purchase § 9).
However, we refer to our website:
www.bruun-rasmussen.dk where infor
mation regarding condition, repairs, etc.
can usually be found for the individual lot.
Should this information be insufficient,
further details can be obtained by contacting one of the experts of the department.
Bankforbindelse
Bankers
Danske Bank · Konto: 30014310970638
IBAN: DK4130004310970638
Swift-BIC DABADKKK
Danske Bank · Account: 30014310970638
IBAN: DK4130004310970638
Swift-BIC DABADKKK
virksomhedsregistrering
business registration
CVR-nr. DK25472020
CVR-nr. DK25472020
283
katalog i s e r i n gspr i n c i pp e r
e x pla n at i o n of catalog u i n g pr i n c i pl e s
Forklaring vedr.
kunstnernavne i katalogerne
Explanation of names of
artists used in the catalogues
Jens Juel: I henhold til vor opfattelse: Et originalt arbej
de af kunstneren, for hvis ægthed Bruun Rasmussen
indestår i henhold til købskonditioner § 9.
Jens Juel: In our opinion, an original work by the artist
the genuiness and authenticity of which is guaranteed
by Bruun Rasmussen according to the Conditions of
purchase § 9.
Nedennævnte forbehold ved katalogiseringer er foretaget
efter vor bedste overbevisning og tjener som vejledning
for køber, men kan ikke gøres til genstand for reklamationer.
Below cataloguing reservations are made according to
the best of Bruun Rasmussen's knowledge. They are for
guidance only and cannot be subject to claims.
Jens Juel tilskrevet: I henhold til vor opfattelse: Værket
er sandsynligvis fra kunst-nerens tid og muligvis udført
af denne.
Jens Juel tilskrevet (ascribed to): In our opinion, pro
bably a work of the period of the artist, and possibly
executed by the artist.
Jens Juel's atelier/skole/værksted: I henhold til vor
opfattelse: Udført under kunstnerens indflydelse og
antagelig fra dennes tid.
Jens Juel's atelier (studio)/skole (school)/værksted
(workshop): In our opinion, a work made under the
influence of the artist, and probably of his period.
Jens Juel, (?): I henhold til vor opfattelse: Kan være
udført af kunstneren eller en senere kopi efter kunstneren.
Jens Juel, (?): In our opinion, possibly a work by the
artist, or a (later) copy of the artist’s work.
Jens Juel, kopi efter/Jens Juel's stil/Jens Juel efterfølger: I henhold til vor opfattelse: En senere gentagelse
eller i stil med kunstneren.
?: Yderligere forbehold for den i kataloget angivne
beskrivelse.
Sign.: Efter vor overbevisning original signatur af kunst
neren.
Betegnet: I henhold til vor opfattelse: Kunstnersignatur
er gengivet, men ikke nødvendigvis udført af kunstneren.
Hvis ingen signatur nævnes i kataloget, drejer det sig om
et antagelig usigneret arbejde
Hvis ingen aldersangivelse nævnes i kataloget, drejer det
sig om et antageligt nyere eller helt moderne arbejde
U.r.: Uden ramme.
Jens Juel, kopi efter (copy after)/Jens Juel's stil (style
of)/ Jens Juel efterfølger (follower of) : In our opinion,
a later copy of a work by the artist or in the artist's style.
?: The catalogue description is subject to further reservations.
Sign.: In our opinion, the work has been signed by the
artist.
Betegnet (bears the signature): In our opinion, the inscription may be by a hand other than that of the artist.
If no signature is mentioned in the catalogue the work is
apparently unsigned.
If no date is mentioned in the catalogue the work is apparently from the last century or of comparratively resent date.
U.r.: Unframed.
No compensation is given should the frame be damaged.
For beskadigelse af ramme ydes ingen kompensation.
Ovenstående beskrivelse er Bruun Rasmussens opfattelse
og tjener som vejledning for køber. Det er ikke nogen
garanti. Køber skal selv overbevise sig om de forskellige
katalognumres autencitet og kondition.
Above description is a statement of opinion by Bruun
Rasmussen and is to be considered only as guidance to
the buyer and not as a statement of fact. The buyer is to
satisfy himself of the authenticity and the condition of
the works of art.
Forkortelser:
Abb.:
*
CD
= Fuld moms
L.
= Længde
=Copy-Dan
= Full VAT
L.
= Length
=Droit de Suite
B.
= Bredde
*
CD
W.
= Width
sst. = Samme sted
H.
= Højde
sst. = Same place
H.
= Height
Diam.=Diameter
D.
=Dybde
Diam.=Diameter
D.
=Depth
284
moms og k u n st n e rafg i ft
vat a n d copy - d a n i n format i o n
standard auktionsomkostninger
BUYER’S STANDARD PREMIUM
25% - brugt moms
25% AUCTIONEERS’ MARGIN SCHEME
1. januar 1995 trådte nye love i kraft i EU vedrørende
moms ved handel på auktion med brugte varer, kunst
genstande, samlerobjekter og antikviteter, der nu kan
handles til brugt moms.
As of 1 January 1995 new EC regulations came into
effect regarding the sale of secondhand goods, works of
art, collector’s items and antiques; these items may now
be traded under the Auctioneers’ Margin Scheme.
Efter de nye regler er det kun auktionsomkostninger, der
skal tillægges moms, og ikke som tidligere varens fulde
pris. I auktionsomkostninger er indregnet ikke fradragsberettiget moms.
Under the Auctioneers’ Margin Scheme the premium
only is subject to VAT, i.e. the hammer price is exempted
from VAT. The buyer’s premium of 25% will thus henceforth include non-refundable VAT.
Fuld moms *
full vat *
anvendes for visse varer som ikke kan handles i brugt
moms. Disse er mærket med en stjerne *. Købere skal
betale 20% i auktionsomkostninger, hvortil lægges 25%
moms af hammerslaget og auktionsomkostningerne.
will be charged on goods that cannot be traded under
the Auctioneers’ Margin Scheme. These lots are marked
with an asterix *. The buyer pays the auction premium of
20% plus 25% vat on the hammer price as well as the
buyer’s premium.
Reducerede
auktionsomkostninger 20%
BUYER’S REDUCED premium 20%
betales af købere der opfylder følgende betingelser:
is paid by buyers fulfilling the following terms/conditions:
1.Danske momsregistrerede købere kan vælge at betale
20% i auktionsomkostninger + 25% moms af hele
(fuldmoms). Momsbeløbet kan køber modregne, og
betaler derved 20% i auktionsomkostninger.
1.Danish VAT registered buyers may choose to pay
the 20% buyer’s premium + 25% VAT on the total
amount (Full VAT). The buyer may have the total VAT
refunded and thus pays 20% in buyer’s premium only.
2. Momsregistrerede købere i andre EU-lande kan, ved at
anvende deres EU-momsnr., undgå den danske moms
og derved betale 20% i auktionsomkostninger.
2. VAT registered buyers in other EU countries may
avoid Danish VAT by using their VAT registration
number and thereby pay a buyer’s premium of 20%
only.
3. Alle købere med bopæl i et land uden for EU, der
opfylder de danske toldmyndigheders krav i forbindelse med eksport, betaler derved 20% i auktionsomkostninger (se købskonditioner, §3, Afgiftsfritagelse).
Kunstnerafgift til Copy-dan
CD
3. Residents of countries outside the EU meeting the
Danish customs authorities’ requirements regarding
the export of goods pay the buyer’s premium of 20%
only (see Conditions of Purchase §3, Exemption from
VAT).
Artists’ royalties
payable to copy-dan
CD
Ifølge gældende dansk lovgivning om ophavsret, skal
der opkræves 5% i kunstnerafgift af hammerslagsprisen
med tillæg af auktionsomkostninger på 20% excl. afgift
på værker af alle nyere danske og de fleste udenlandske
kunstnere. Disse værker er mærket CD for Copy-Dan ud
for katalognummeret.
Pursuant to current Danish legislation on copyright an
artists’ royalty of 5% of the total price exclusive of VAT
(i.e. hammer price plus buyer’s premium 20%) shall be
collected on works of modern art by all Danish and most
foreign artists. These works are marked CD for Copy-Dan
next to the lot number.
For nærmere information henvises til købskonditionerne.
For further information please refer to the Conditions of
Purchase.
285
købsko n d i t i o n e r
§ 1. Budgivning
Køber er den byder, der får hammerslag. Den, der byder for
andre, hæfter som selvskyldnerkautionist for berigtigelsen af
købet.
På opfordring fra Bruun Rasmussen Kunstauktioner (herefter
benævnt Bruun Rasmussen), skal alle bydere, hvadenten de øns
ker at afgive et bud ved personligt fremmøde på auktionsstedet
eller afgive en kommission pr. brev eller fax eller byde direkte
pr. telefon, kunne dokumentere deres betalingsdygtighed samt til
enhver tid identificere sig. Bruun Rasmussen er altid berettiget
til at nægte at acceptere et bud, hvis på forlangende ikke
tilstrækkelig sikkerhed er stillet eller en passende à conto beta
ling har fundet sted.
Bud afgives af byderen ved personligt fremmøde på auktions
stedet eller ved skriftlig kommission. Afgivelse af bud pr. telefon er muligt under visse forudsætninger, der afgøres af Bruun
Rasmussen. Bruun Rasmussen påtager sig intet ansvar for eventuelle fejl eller fejltagelser, der måtte opstå ved brug af denne
service. Auktionarius bestemmer overbuddets størrelse og træffer
ligeledes afgørelse i alle tvivlstilfælde om budgivningen.
§ 2. Betaling
For katalognumre, der handles til brugtmoms, opgøres købesummen som hammerslagsprisen med tillæg af 25% i auktionsom
kostninger inklusive afgift.
Visse katalognumre handles efter særlige regler til fuldmoms, så
udover auktionsomkostninger på 20%, beregnes moms på 25%
af hammerslag og auktionsomkostninger. Hvilke katalognumre
der sælges til fuldmoms fremgår af kataloget med stjerne *.
Danske momsregistrerede købere skal overfor os oplyse deres SE-/
CVR-nr. (moms-nr.), da dette skal anføres på de fakturaer, hvor
varen købes i fuld moms.
For visse udenlandske købere gælder der særlige regler for
afgiftsfritagelse jvf. § 3. Afgiftsfritagelse omfatter ikke EU private
købere, som ligestilles med danske købere jvf. gældende dansk
lovgivning om handel med brugte varer, kunstgenstande, samler
objekter og antikviteter.
Købesummen forfalder til betaling ved tilslaget. Der kan betales
kontant op til DKK 100.000 eller med Dankort, banknoteret check,
rejsechecks, Visa-, Master-, Diners Club- eller Eurocard. Personlige
udenlandske checks kan kun anvendes efter forudgående aftale.
Betaling kan finde sted under eller umiddelbart efter auktionen
og under alle omstændigheder skal betaling finde sted senest 8
dage efter fakturadatoen.
Betales købesummen ikke rettidigt, skal der svares rente heraf
med 1,5% pr. påbegyndt måned.
Betales købesum og renter ikke inden 8 dage efter at Bruun Rasmussen har afsendt påkrav herom til køber, er Bruun Rasmussen berettiget til at annullere købet og bortsælge det købte på
ny auktion hos Bruun Rasmussen eller underhånden og afkræve
køber ethvert herved opstået tab. Et eventuelt overskud tilfalder
den, der har indleveret det købte til auktion.
Har den misligholdende køber tilgodehavender fra salg af effekter hos Bruun Rasmussen, er Bruun Rasmussen berettiget til at
berigtige ethvert tilgodehavende hos køber ved modregning.
Har den misligholdende køber indleveret andre effekter til salg,
er Bruun Rasmussen berettiget til at bortsælge sådanne effekter
på auktion hos Bruun Rasmussen uden at være bundet af en af
den misligholdende køber fastsat mindstepris. Den misligholdende køber er ikke berettiget til at kræve udlevering af effekter
indleveret til salg, så længe forfalden gæld til Bruun Rasmussen
ikke er betalt, uanset om værdien af sådanne effekter må anses
at overstige forfalden gæld.
286
Bruun Rasmussen er berettiget til at afvise bud afgivet af en
køber, der er i misligholdelse med sine betalingsforpligtelser over
for Bruun Rasmussen eller et bud afgivet af en anden på den
pågældendes vegne, ligesom Bruun Rasmussen er berettiget til at
kræve et depositum som betingelse for accept af fremtidige bud.
§ 3. Afgiftsfritagelse
Udenlandske købere, der opfylder nedennævnte betingelser,
betaler 20% i auktionsomkostninger af hammerslaget, og bliver
ikke belastet af danske afgifter.
A. Købere med bopæl i et andet EU-land:
Købere, som er momsregistreret i et andet EU-land, fritages
for at betale dansk moms, når momsregistreringen dokumenteres over for Bruun Rasmussen, som skal påføre momsnummeret på fakturaen.
B. Købere med bopæl uden for EU:
1 Forsendelse gennem speditør: Effekter, der eksporteres gennem en af Bruun Rasmussen godkendt speditør, fritages for
afgift.
2 Udførsel som rejsegods: Der kan ske fritagelse for dansk
afgift, når køberen selv medtager det købte under forudsætning af, at følgende betingelser er opfyldt: Fakturaen skal
være betalt, og den danske afgift på 25% af fakturabeløbet
skal være deponeret hos Bruun Rasmussen.
a Købere med fast bopæl i Norge vil få den danske moms
refunderet, så snart Bruun Rasmussen har modtaget købsfakturaen retur med påtegning om officiel indførsel fra det
endelige lands toldmyndighed eller anden på omsætnings
afgiftsområdet kompetent myndighed, hvis købet overstiger
DKK 1.200.
b Købere med fast bopæl andre steder uden for EU vil få den
danske moms refunderet, efter at effekterne har været forevist til toldbehandling i forbindelse med køberens udrejse fra
EU. Eksportørblanketten returneres til Bruun Rasmussen efter
at være forsynet med et toldvæsens attest for udførslen, hvis
købet overstiger DKK 300. Dette gælder også for Færøerne
og Grønland.
§ 4. Afgiftsbetaling
A. Momsregistrerede i andre EU-lande, der ikke ønsker at gøre
brug af § 3, kan i stedet vælge at handle til brugtmoms/fuld
moms på lige fod med private købere. Dette skal meddeles os
inden kl. 10 den følgende auktionsdag.
B. Momsregistrerede i Danmark kan vælge at købe til fuldmoms
med 25% af både hammerslag og auktionsomkostninger. Det
te skal meddeles os inden kl. 10 den følgende auktionsdag.
§ 5. Udlevering
Købesummen skal være betalt, inden det købte kan udleveres til
køberen. Det købte henligger fra hammerslaget for købers reg
ning og risiko. For varer, der ikke er afhentet 14 dage efter hammerslaget, vil der blive opkrævet opbevaringsgebyr. Købte varer,
der er betalt, men ikke afhentet, vil efter 1 år blive videresolgt
for købers regning ved auktion eller underhånden.
§ 6. Forsendelse
Såfremt Bruun Rasmussen påtager sig at emballere og fremsende
købte varer, sker dette på købers regning og risiko. Bruun Rasmussen kan således ikke drages til ansvar for skader forvoldt på
købte varer under forsendelse eller for forsvundne forsendelser.
§ 7. Kunstnerafgift til Copy-Da n
• 1% af den del af hammerslagsprisen, der ligger mellem
DKK 1.242.383 og DKK 2.174.171 med tillæg af auktions
omkostninger på 20% ekskl. afgift
en korrekt katalogbeskrivelse må antages at ville have resulteret
i, er køber berettiget til at annullere købet, hvorefter den samlede
erlagte købesum, dog højst den i kataloget angivne højeste vurderingspris tillagt auktionsomkostninger og evt. moms, vil blive
refunderet køber.
Væsentlige fejl i katalogbeskrivelsen relateret til mål eller vægt
erstattes kun procentuelt i forhold til differencen.
Retten til under de her anførte betingelser at annullere et køb
kan kun udøves af den, der købte den pågældende effekt hos
Bruun Rasmussen og er betinget af, at krav om annullering
fremsættes skriftligt over for Bruun Rasmussen inden 2 år efter
købsdagen, og af at det købte inden samme frist returneres til
Bruun Rasmussen i den samme stand i enhver henseende, som
det købte var i på hammerslagstidspunktet.
Køber kan i tilfælde af annullering ikke gøre krav på betaling
af renter af købesummen og er ej heller berettiget til at kræve
anden udgift eller tab, herunder eventuel mistet videresalgsfortjeneste, dækket.
Et køb kan ikke kræves annulleret efter ovenstående bestemmelser, såfremt:
• 0,5% af den del af hammerslagsprisen, der ligger mellem
DKK 2.174.171 og DKK 3.105.958 med tillæg af auktionsomkostninger på 20% ekskl. afgift
a beskrivelsen i kataloget på hammerslagsdagen var i overensstemmelse med den på dette tidspunkt gældende opfattelse
blandt lærde og eksperter.
CD
Ifølge gældende dansk lovgivning om ophavsret skal der
opkræves følgeretsvederlag på værker af alle nyere danske og
visse udenlandske kunstnere. Følgeretsvederlaget opkræves hos
køber af Bruun Rasmussen på vegne af kunstnernes organisation
Copy-Dan, for de kunstværker, der er omfattet af loven. Disse
værker er mærket CD for Copy-Dan ud for katalognummeret.
Følgeretsvederlaget beregnes som følger for det enkelte kunst
værk, når hammerslagsprisen overstiger DKK 1.863:
DKK 0 og DKK 310.596 med tillæg af auktionsomkostninger
på 20% ekskl. afgift
DKK 310.596 og DKK 1.242.383 med tillæg af auktions
omkostninger på 20% ekskl. afgift
• 0,25% af den del af hammerslagsprisen, der ligger over DKK
3.105.958 med tillæg af auktionsomkostninger på 20% ekskl.
afgift
Copy-Dan afgiften kan ikke overstige DKK 93.179 for det enkelte
kunstværk.
b den eneste måde til på katalogets udgivelsestidspunkt at få
fastslået et falskneri var iværksættelsen af videnskabelige
processer, hvis gyldighed først blev anerkendt efter katalogets
udgivelsestidspunkt eller som ville have været uforholdsmæssigt omkostningskrævende eller uigennemførlige uden beskadigelse af den pågældende effekt.
§ 8. Eksporttilladelse
Kulturværdiudvalget er blevet ansøgt om eksporttilladelse, hvor
dette kræves iflg. gældende dansk lovgivning om sikring af kulturværdier i Danmark. Foreligger en sådan ikke, vil dette blive
meddelt den udenlandske køber umiddelbart efter hammerslaget.
Derefter vil Bruun Rasmussen igen ansøge Kulturværdiudvalget
på købers vegne, nu hvor prisen kendes. Gives eksporttilladelse
ikke, er Kulturværdiudvalget forpligtet til at overtage det købte
til den opnåede pris, hvilket betyder at købet bliver hævet for
køber.
§ 9. Katalogisering
Alt sælges i den stand, hvori det ved hammerslaget er at forefinde og som beskrevet i kataloget med senere offentliggjorte
ændringer og modifikationer.
Katalogiseringen er foretaget efter bedste overbevisning og under
anvendelse af de anførte katalogiseringsprincipper.
De solgte effekter er ofte af en alder eller af en art, der bevirker,
at de kan være behæftet med fejl, mangler, restaurering eller
beskadigelser, der ikke nødvendigvis angives i kataloget. Afbildninger i kataloget er blot til identifikation og kan ikke anvendes
til vurdering af effekternes stand.
Enhver der ønsker at byde på auktion, bør derfor ved selvsyn på
de før auktionen afholdte eftersyn forvisse sig om de ønskede
effekters stand.
Katalogbeskrivelsen er udtryk for den på tidspunktet for katalogets trykning blandt lærde og eksperter herskende opfattelse.
Skulle der efter købet opstå tvivl om det købtes ægthed eller
dettes overensstemmelse med katalogbeskrivelsen, skal dette
straks meddeles til Bruun Rasmussen.
Såfremt det må erkendes, at det købte er en forfalskning, eller
såfremt katalogbeskrivelsen har været behæftet med væsentlige
fejl, der har medført en væsentlig højere hammerslagspris, end
Bruun Rasmussen Kunstauktioner
Jesper Bruun Rasmussen, Auktionsholder
Jørgen Byriel, Auktionsleder
KOMMISSIONER
Bruun Rasmussen påtager sig at byde i kommission for bydere,
der ikke kan være til stede ved auktionen. Det er en forudsætning, at kommissionen er Bruun Rasmussen i hænde 24 timer
før auktionens start, så om nødvendigt bydernes kreditværdighed
kan undersøges. Bruun Rasmussen påtager sig intet ansvar for
eventuelle fejltagelser, der måtte opstå ved brug af denne service.
Konditionsrapporter
Bruun Rasmussen påtager sig, hvis det er muligt, at orientere
nærmere om katalognumrenes kondition og tilstand. Dette er
ment som en service for kunder, der ikke selv har mulighed for
ved selvsyn at undersøge numrene på eftersynet. Det understreges,
at de givne oplysninger ikke kan gøres til genstand for reklamationer; her henvises til katalogteksten.
FRITAGELSE FOR DANSK FULDMOMS
Købere skal ifølge § 2 betale fuldmoms af de varer der i kataloget er markeret med stjerne *.
Når virksomheder, der er momsregistrerede i andre EU-lande,
køber hos Bruun Rasmussen og videresælger til private, skal der
ikke betales dansk moms, men moms i henhold til de regler der
gælder, hvor den udenlandske virksomhed er momsregistreret.
Det tilrådes at søge oplysning hos de lokale myndigheder.
287
co n d i t i o n s of p u rchas e
§ 1. Bidding
The buyer shall be the highest bidder at the “hammer price”. Any
person bidding on behalf of a third party shall be liable in surety
for completion of the sale.
At the request of Bruun Rasmussen Kunstauktioner (hereinafter
called Bruun Rasmussen), all bidders, whether they wish to make
bids in person at the place of auction or commission bids by letter or fax or direct telephone bids, should be able to document
their ability to pay and be able to provide proof of identity at
any time. Bruun Rasmussen is entitled to refuse to accept a bid
if, when requested, adequate security or adequate payment on
account has not been rendered.
Bids should be made by the bidder in person at the place of auction or by written commission. Telephone bidding is possible
within certain conditions made out by Bruun Rasmussen. Bruun
Rasmussen is not to be held responsible for any errors that may
occur using this service. The auctioneer shall have absolute discretion as to the increment of the bids. The auctioneer will also
make decisions in all cases of doubt regarding the bidding.
§ 2. Payment
The purchase price is the hammer price plus 25% in buyer’s premium, including VAT, for lots sold subject to the special VAT
scheme for sales of Works of Art, Collectors’ items and Antiques,
and secondhand goods by Public Auction (hereinafter called Special VAT).
Certain lots are sold in accordance with specific rules on normal VAT arrangement (hereinafter called normal VAT), so that
the purchase price is the hammer price plus an additional 20%
in buyer’s premium and VAT of 25% levied on both the hammer
price and the buyer’s premium. The lots subject to Full VAT are
indicated as such in the catalogue with an asterix (*).
Danish VAT registered buyers shall provide us with documentation of their SE-/CVR-number (VAT No.) as this has to be quoted
on the invoice for goods bought at full VAT.
For some foreign buyers, specific VAT-exemption rules apply (cf.
Article 3). VAT-exemption does not apply to private buyers from
the EU who are considered as Danish buyers (cf. current Danish
legislation on Special VAT Scheme for Sales of Works of Art,
Collectors’ items and Antiques by Public Auction).
The purchase price falls due for payment when the goods have
been knocked down. Payment may be made in cash up to DKK
100,000, by Dankort, banker’s cheque, traveller’s cheque, Visa-,
Master-, Diners Club- or Eurocard. Personal foreign cheques may
only be used for payment by prior arrangement.
Payment may be made during or immediately after the auction.
Under all circumstances payment must be made no later than
eight days from the date of the invoice.
Should the purchase price not be paid by the due date, interest
at 1.5 % per new month will be charged.
If the purchase price and interest are not paid within eight
days after Bruun Rasmussen has sent its demand to the buyer,
Bruun Rasmussen shall be entitled to rescind the sale and resell
the goods at a Bruun Rasmussen auction or privately, and to
demand reimbursement of any related losses from the defaulting
buyer. Any further profit on the sale shall be payable to the person who had deposited the goods for sale by auction.
If the defaulting buyer is entitled to proceeds from a sale of
goods by Bruun Rasmussen, Bruun Rasmussen shall be entitled
to set off its receivables against its payables to the defaulting
buyer.
If the defaulting buyer has deposited other goods for sale,
Bruun Rasmussen shall be entitled to sell such goods at a Bruun
Rasmussen auction without being bound by the reserve stipulated by the defaulting buyer. The defautling buyer shall not be
entitled to demand the surrender of goods deposited for sale as
long as the debt payable to Bruun Rasmussen has not been discharged, regardless of whether the value of such goods may be
deemed to exceed the debt payable.
Bruun Rasmussen shall be entitled to refuse a bid made by a
buyer who is in default in respect to his payment obligations
288
to Bruun Rasmussen, as well as a bid made by a third party on
behalf of such a defaulting buyer. Bruun Rasmussen shall further
be entitled to demand a deposit as a condition of accepting any
future bids from such a purchaser.
§ 3. Exemption from VAT
Foreign buyers who fulfil the conditions stated below shall pay
20% of the hammer price in buyer’s premium and shall not be
subject to Danish taxes and duties:
A. Buyers residing in another EU Member State:
Buyers are exempt from paying Danish VAT as long as they
have provided Bruun Rasmussen with documentation of their
VAT registration. The VAT number will then be quoted on
Bruun Rasmussen’s invoice.
B. Buyers residing outside the EU:
1Dispatch through forwarding agent: Lots exported through a
forwarding agent approved by Bruun Rasmussen are exempt
from VAT.
2 Export as personal luggage: Goods may be exempt from
Danish VAT when the buyer personally takes the goods out
of the country as luggage, provided the following conditions
have been met:
The invoice must have been paid and the Danish duty of 25%
of the invoice amount must have been deposited with Bruun
Rasmussen.
a Buyers residing in Norway will be refunded the Danish VAT
as soon as the invoice of sale has been returned to Bruun
Rasmussen endorsed by the customs authorities of the country in question or by any other authority with jurisdiction
over matters of purchase tax with respect to official imports
of goods into the country in question if the purchase price
exceeds DKK 1,200.
b Buyers residing in other countries outside the EU will be
refunded the Danish VAT after the goods have been presented for customs clearance in connection with the departure of the buyer from the EU. The exporter’s form should be
returned to Bruun Rasmussen after being endorsed with the
customs authorities’ export certificate if the purchase price
exceeds DKK 300 This also applies to the Faroe Islands and
Greenland.
§ 4. Payment of taxes and duties
A. Buyers with VAT-registration in other EU member states who
do not wish to make use of Article 3 may instead choose to
purchase items subject to Special VAT/Normal VAT in the
same manner as private buyers. Bruun Rasmussen must be
notified of this before 10 a.m. on the following auction day.
B. Buyers with VAT-registration in Denmark may choose to purchase subject to Normal VAT at 25% of the hammer price
plus premium. Bruun Rasmussen must be notified of this
before 10 a.m. on the following auction day.
§ 5. Collection of purchases
The purchase price must be paid in full before the purchased lot
can be passed over to the buyer. From the time of the lot being
knocked down to the buyer, until its collection, the purchased
lot will be held at the buyer’s own expense and risk.
A storage fee will be charged for lots which have not been collected within 14 days after the time of the lot being knocked
down. Goods which have been paid for but not collected within 1 year will be resold at auction or privately at the buyer's
expense.
§ 6. Dispatch
Should Bruun Rasmussen undertake the packaging and for
warding of purchased goods, this shall be done at the buyer’s
own expense and risk. Bruun Rasmussen shall thus not be held
liable neither for any damage caused to purchased goods during
dispatch nor for any missing consignments.
§ 7. Droit de Suite
Pursuant to current Danish legislation on Copyright, an artistic royalty shall be collected on works of modern art by all Danish and
some foreign artists. Bruun Rasmussen will from the buyer collect
the royalties required on behalf of the artists’ organisation Copy-Dan
for any work of art subject to this law. These works are identified in
the catalogue by CD for Copy-Dan, marked beside each relevant lot
number.
The artistic royalty will be calculated as follows for each work of art,
when the hammerprice exceeds DKK 1,863:
• 5% of the part of the hammerprice ranging from DKK 0 to
DKK 310.596 plus the buyer’s premium (20% excl. VAT)
• 3% of the part of the hammerprice ranging from DKK 310.596
to DKK 1,242,383 plus the buyer’s premium (20% excl. VAT)
• 1% of the part of the hammerprice ranging from DKK
1,242,383 to DKK 2,174,171 plus the buyer’s premium (20%
excl. VAT)
• 0.5% of the part of the hammerprice ranging from DKK
2,174,171 to DKK 3,105,958 plus the buyer’s premium (20%
excl. VAT)
• 0.25% of the part of the hammerprice lying above DKK
3,105,958 plus the buyer’s premium (20% excl. VAT)
The artistic royalty cannot exceed DKK 93,179 for each work of art.
§ 8. Export licence
Applications for an export licence must be made to the Danish
Cultural Assets Committee when required in accordance with
current Danish legislation on the protection and preservation of
cultural assets in Denmark. Where such a licence has not been
obtained, the foreign buyer will be informed thereof immediately after the lot has been knocked down to the buyer. Anot
her application will subsequently be sent to the Danish Cultural
Assets Committee by Bruun Rasmussen on behalf of the buyer,
now that the price is known. Should an export licence not be
granted, the Danish Cultural Assets Committee would be obliged
to acquire the purchased lot at the purchase price, and the buyer
would thus not be bound to the purchase.
§ 9. Cataloguing
All lots are sold in the condition in which they are found when
knocked down and as described in the catalogue with subse
quently published changes and modifications. Cataloguing is
done according to the best of Bruun Rasmussen’s knowledge
and on the cataloguing principles stated.
The lots auctioned are often of some age or of a kind which
makes it possible that they may contain defects, deficiencies, or
may have been subject to restoration or damage not necessarily
stated in the catalogue. Catalogue pictures are for identification
only and cannot be used for an evaluation of the condition of
the goods.
Any person who wishes to bid at an auction should therefore
sa-tisfy himself of the condition of the lots for which he intends
to bid by personal inspection at the preview held prior to the
auction. The catalogue description is an indication of the prevai
ling oppinion of scholars and expert at the time of the printing
of the catalogue. If any doubts should arise after the purchase
regarding the genuineness of the purchased lot or its confor
mance with the catalogue description, Bruun Rasmussen should
immediately be informed thereof.
Should the purchased lot be proved to be a forgery, or if the
catalogue description contains material errors which lead to
a considerably higher hammer price than that which a correct
catalogue description would presumably result in, the buyer shall
be entitled to cancel the purchase, after which the buyer shall be
reimbursed for the total purchase price paid, up till a maximum
amount of the highest estimated price stated in the catalogue
plus buyer's premium and VAT, when applicable.
For material errors in the catalogue description in respect to
measurements or weight, compensation shall only be paid on a
percentage basis in proportion to the difference.
The right of cancellation of a purchase in pursuance of the
present conditions can only be exercised by the party who has
bought the lot in question at Bruun Rasmussen and shall be subject to the presentation of a claim for cancellation in writing to
Bruun Rasmussen within 2 years of the purchase date and to the
purchased lot being returned to Bruun Rasmussen in the same
condition in any and all respects which the purchased lot was in
at the time of the lot being knocked down to the buyer.
In the event of cancellation the buyer shall not be entitled to
claim payment of interest on the purchase price nor shall the
buyer be entitled to claim compensation for any other expenses
or loss incurred, including any possible loss of profit in connection with reselling.
It shall not be possible to state cancellation of a purchase in
pursuance of the above provisions if:
a the catalogue description on the day the lot was knocked
down to the buyer was in accordance with the then generally
accepted opinion of scholars and experts;
b the only way of establishing whether the lot was a forgery
at the time of the publication of the catalogue was the
implementation of scientific processes, the validity of which
was only acknowledged after the time of publication of the
catalogue, or which would have required a disproportionate
amount of cost, or which would have been impossible to carry out without damaging the lot in question.
Bruun Rasmussen Auctioneers of Fine Art
Jesper Bruun Rasmussen, auctioneer
Jørgen Byriel, officially appointed external supervisor
COMMISSION
Bruun Rasmussen undertakes to execute commission bids for
bidders who are unable to be present at the auction. It is a
prerequisite that Bruun Rasmussen receives the commission
24 hours before the start of the auction for the bidders’ credit
to be checked, if necessary. Bruun Rasmussen is not to be held
responsible for any errors that may occur using this service.
CONDITION REPORTS
Bruun Rasmussen undertakes to provide further information
about the state and condition of the lots if possible. This is
regarded as a service for customers who are unable to make a
personal inspection of the lots at the preview. Bruun Rasmussen
stresses that the information given cannot be used as the basis
for complaints; complaints can only be based on the catalogue
text.
Exemption FROM VAT
Buyers shall, according to § 2, pay full VAT on lots marked with
an asterix *.
No Danish VAT is to be paid when VAT registered companies
from other EU countries buy at Bruun Rasmussen and resell
to private buyers, The private buyer then only has to pay VAT
according to the rules in force in the country where the foreign
company is VAT registered. For further information please consult your local authorities.
The above is an English translation of the Danish version of the Conditions of Purchase. In case of dispute, only the Danish version of the present Conditions of Purchase of Bruun Rasmussen is valid.
289
r i n g d i r e kt e
call d i r e ctlybr e d ga d e
administration
Claus Poulsen
[email protected]
3343 6917
kundeservice /
Customer Service
moderne kunst og design / modern art
Peter Christmas-Møller
3343 6951
[email protected]
Niels Raben
[email protected]
3343 6957
Peter Kjelgaard Jensen
[email protected]
3343 6950
Suzanne Huwendick
[email protected]
3343 6901
Annette Langbak
[email protected]
3343 6902
Heidi Beck Andersen
[email protected]
3343 6904
Anders Fredsted
[email protected]
kommissioner og Bestilling af kataloger /
commissions and catalogue requests
Vibeke Nielsen
3343 6912
[email protected]
Mønter / coins
Michael Fornitz
[email protected]
lager og transport /
storage and transportation
Frank Høgh
[email protected]
3634 1381
auktionsrådgivning /
auction guidance
Franziska Kampmann
[email protected]
3343 6905
vurdering og information /
valuation and information
Indbovurderinger / Valuation at your home
Hans Ruben
3343 6974
[email protected]
Kasper Nielsen
[email protected]
3343 6988
Per Flemming Koefoed
[email protected]
3343 6993
Bøger / books
Christine Almlund
[email protected]
3343 6940
Frimærker / stamps
Jan Helding
[email protected]
3343 6856
290
ældre Møbler / furniture
Thomas Lembourn
[email protected]
3343 6973
3343 6964
3343 6833
Porcelæn, Glas og orientalsk kunstindustri /
ceramics, glass and oriental works of art
Charlotte Hviid
3343 6982
[email protected]
Smykker / jewellery
Kirstine Lind
[email protected]
3343 6971
Sølv / silver
Sabrina Ulrich Vinther
[email protected]
2570 5941
Tæpper / carpets
Henrik Schleppegrell
[email protected]
3343 6980
Vin / wine
Morten Stenør Larsen
[email protected]
3343 6841
Våben / weapons
David Utzon-Frank
[email protected]
2570 6996
Ældre malerier / older paintings
Kasper Nielsen
[email protected]
3343 6988
Birte Stokholm
[email protected]
3343 6976
a d r e ss e r
br u u n rasm u ss e n k u n sta u kt i o n e r
københavn – bredgade
Bruun Rasmussen estates
Bredgade 33
DK-1260 københavn K
Tel +45 3343 6911
Fax +45 3343 6966
E-mail: [email protected]
Bredgade 33
Tel +45 7011 7172
Fax +45 7011 7177
københavn – havnen
fjernlager - københavn
Amerika Plads 11
DK-2100 københavn ø
Tel +45 7027 6080
Fax +45 7027 6090
Søvangsvej 1-5
DK-2650 hvidovre
Tel +45 3634 1381
Fax +45 3634 1332
vejle – pedersholm
Pedersholms Allé 42
DK-7100 Vejle
Tel +45 7943 6911
Fax +45 7943 6910
Århus - vurderingskontor
frederiks Allé 116
DK-8000 Århus c
Tel +45 7020 6911
Fax +45 7020 6912
Sydsverige - Anders Antik
Online-auktioner
Teknisk support tel +45 7023 6911
représentante en france
Anne Kristine Rathnov · PARIS
Tel + 33 6 14 08 19 80
american representative
Alexa bruun rasmussen · San Francisco
Tel +1 415 640 8007
Ringvågen 48
26141 Landskrona
Tel +46 0418 599 90
Fax +46 0418 299 90
[email protected] · www.andersantik.se
BENEDICTE HALLOWELL · BOSTON
Tel and Fax +1 617 566 7333
Repræsentant i malmø
Pia Staël von Holstein
Tel +46 0702 738 975
Karin K.J.V. Frijs . Marbella
Tel +34 952 82 48 98
Mobil tel +34 630 29 21 02
Fax +34 952 77 74 64
Bruun Rasmussen publishing
Bredgade 33
Tel +45 3343 6911
Fax +45 3343 6966
representante en españa
rapresentante in italia
JEANETTE IDA MØLLER · MILANO
Tel +39 029 440026
Mobil tel +39 340 0539219
291
komm i ss i o n sb u d
comm i ss i o n b i d s
Det er muligt at afgive kommissionsbud, hvis De ikke selv
kan være til stede på auktionsdagen. Denne service er
gratis.
Når De afgiver en kommission, beder De vores kundeser
vice på Deres vegne byde op til et af Dem bestemt beløb
i hammerslag.
Der kan opstå den situation, at en anden køber allerede
har budt det beløb, som De ønsker at afgive. Er De da
villig til at gå et bud højere eller er De indforstået med at
nummeret sælges til anden side?
Ønsker De ikke at byde højere så skriv “Max” ud for beløbet. Er De i tvivl om hvor højt De vil byde, kan De hæve
budet med op til ca. 15% eller ca. 25%.
Salgsprisen kan blive højere eller lavere end vurderingen,
så der er også mulighed for at købe til under den angivne
vurdering. Vor kundeservice køber altid så billigt som
muligt til Dem, som havde De selv været tilstede på auktionen.
Alle kommissioner behandles strengt fortroligt.
Kommisionsbud skal være Bruun Rasmussen i hænde
senest 24 timer før auktionens start.
Sådan byder De:
Udfyld blanketten kommissionsbud med alle oplys
ninger.
Angiv katalognummer.
Angiv beløbet De ønsker at byde.
Er dette Deres absolutte maximum bedes De anføre
“Max” i kolonnen.
De kan også forhøje Deres bud med henholdsvis ca. 15%
eller ca. 25%, ved at indikere dette i kolonnen.
De bedes underskrive kommissionsblanketten og sikre Dem,
at Bruun Rasmussen modtager den senest 24 timer før
auktionens start.
Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun
Rasmussen undlade at byde for Dem, ligesom Bruun Rasmussen ikke kan gøres ansvarlig for fejl ved budgivningen.
Efter auktionen vil De kunne få oplysninger om priser på
vor automatiske 24 timers “Hammerslagsoplysning” på
telefon 3343 6908.
internet:
Kommisionsbud kan afgives på hjemmesiden www.bruunrasmussen.dk direkte fra siden med den effekt, De ønsker
at byde på.
Seneste afgivelse af bud via hjemmesiden er 3 timer før
auktionens start.
Afgivne bud kan ses på hjemmesiden under “Deres bud”,
når de er logget ind. Kontakt teknisk suppert på 7023
6911 for spørgsmål om registrering og budgivning via
internettet.
For yderligere information, se “Købskonditioner”, §1.
292
It is possible to leave commission bids if you can not be
present at the auction yourself. This service is free of
charge.
When leaving a commission bid, you are instructing our
customer service to bid up to a specified amount on your
behalf.
The situation can occur that another buyer has already
bid the same as you were prepared to. Are you then willing to bid further? If not the lot will be sold to another
buyer.
If you do not wish to exceed your bid then write “Max",
for maximum, next to the amount. You can also allow us
to raise your bid by approx. 15% or approx 25%.
The hammer price may be higher or lower than the estima
ted price, so it is possible to buy below the estimate.
Bruun Rasmussen will always buy at the lowest price possible, as if you yourself had been present at the auction.
All commission bids are strictly confidential.
Commission bids must be submitted no later than 24
hours prior to the start of the auction.
How to make a commission bid:
Complete the commission form with all pertinent
information.
Indicate the lot number.
Indicate the amount you are prepared to bid.
Should this amount be the absolute maximum, please
write “Max” in the appropriate column.
You can also allow us to bid by up to approx. 15% or
approx. 25% more by indicating so.
Sign the commission form and make sure that Bruun Ras
mussen receives it 24 hours prior to the start of the auction.
If the information should be insufficient, Bruun Rasmussen can abstain from bidding. Bruun Rasmussen can not
be held responsible for error in bidding or failure to execute bids.
After the auction Bruun Rasmussen’s 24-hour “hammerprice-information” is available for sale results at
+45 3343 6908.
internet:
Commision bids can be submitted via the website
www.bruun-rasmussen.dk directly from the page with the
item you want to submit a bid for.
Deadline for submissions of bids via the website is
3 hours prior to the start of the auction.
Submitted bids are shown under “Your bids” when you
are logged in. Please contact technical support on
+45 7023 6911 for questions about the registration and
submission of bids on the website.
For additional information, please consult “Conditions of
Purchase” §1.
comm i ss i o n b i d sbr e d ga d e
Skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start.
Must be submitted no later than 24 hours prior to the start of the auction.
Navn Name: * ...................................................................................................................................................................................
Adresse Address: * ............................................................................................................................................................................
Postnr./by City: * ..............................................................................................................................................................................
Land Country: * ........................................................................ Fax: ............................................................................................
Tel: * ...................................................................................................................................................................................................
e-mail: ........................................................................................ CVR-nr. VAT No.: ......................................................................
Bank: .......................................................................................... Konto nr. Acct. No.: .................................................................
Adresse Address: ................................................................................................................................................................................ Postnr./By City: ......................................................................... Land Country: ..........................................................................
Tel: .............................................................................................. Kontaktperson Contact: ..........................................................
Obligatoriske felter er mærket med en stjerne * Mandatory fields are marked with an asterix *
Undertegnede giver hermed fuldmagt til Bruun Rasmussen Kunstauktioner A/S om på mine vegne at købe
nedennævnte katalognumre så fordelagtigt som muligt, inden for det af mig anførte beløb, i hammerslag.
I hereby request that Bruun Rasmussen bid on my behalf on the following lots up at the prices indicated below.
Undertegnede har udfyldt ovennævnte med de ønskede oplysninger, samt har accepteret købskonditionerne.
The undersigned has supplied the required information and agrees to be bound by the conditions of purchase.
Signatur: * ................................................................................. B.R. kunde-nr. Client No.: .......................................................
Jeg ønsker at modtage salgsresultater på de emner jeg har budt på via email
I wish to receive sales results on the items I have been bidding on via e-mail
dagligt
every day
efter auktion
after the auction
på e-mail adressen on this e-mail address: ................................................................................................
Auktion nr auction no:
Katalog nr. Beskrivelse
Lot. No.Description
Bud kr.
Bid DKK
772
Max +15% +25%
BR UUN R A S MUS S EN ku nstaukt ion e r A / S
Bredgade 33 · DK-1260 København K · Tel +45 3343 69 11 · Fax +45 3343 6966 · [email protected] · www.bruun-rasmussen.dk
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Katalog nr. Beskrivelse
Lot. No.Description
Auktion nr auction no:
294
Bud kr.
Bid DKK
Max +15% +25%
772
komm e n d e a u kt i o n e r
com i n g a u ct i o n s
våben
Eftersyn: 31. maj - 5. juni + 12. juni
Auktion: 12. juni
mønter
Eftersyn: 2. - 4. + 11. - 13. juni
Auktion: 13. juni
frimærker
Eftersyn og auktion: juni
INTERNATIONALE
MALERIER OG ANTIKVITETER
Eftersyn: 30. aug. - 3. sep.
Auktion: 4. - 14. september
MODERNE KUNST OG DESIGN
Eftersyn: 3. - 8. oktober
Auktion: 9. - 12. oktober
ONLINE-AUKTIONER
Bredgade afholder online-auktioner over
bøger, frimærker, mønter og vin hver måned.
Se nærmere på www.bruun-rasmussen.dk
ONLINE-AUKTIONER
Havnen afholder online-auktioner over kunst,
antikviteter og design hver uge fra mandag til
torsdag samt online-auktion over våben
hver måned.
KUNST OG DESIGN
ONLINE-AUKTIONER
Eftersyn: 8. - 13. august
Auktion: 14. - 16. august
Vejle afholder online-auktioner over kunst,
antikviteter og design hver uge fra mandag til
torsdag.
Ret til ændringer forbeholdes © 2007 Bruun Rasmussen Kunstauktioner
Foto: Bent Lange & Henrik Wichmann Tryk: From & Co.
Grafik og dtp: Lene Klibo, Bettina Løgstrup, Jorge Figueiredo & Andrea Løw
295

modern - Bruun Rasmussen Kunstauktioner

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