1000 PLATEAUX Claude Lévêque Curator Chiara Parisi
Transcription
1000 PLATEAUX Claude Lévêque Curator Chiara Parisi
Press Release/ Centre international d’art et du paysage de l’île de Vassivière 1000 PLATEAUX Claude Lévêque Curator Chiara Parisi Opening 16 July 2005 – 6 pm Open to the public 17 July to 16 October 2005 When one arrives at Vassivière Island, one feels like entering a magnetic pole made of the two architectural and landscape axes designed by Aldo Rossi and Xavier Fabre: the lighthouse tower and the gallery. The latter descends in the direction of the lake and houses the bookstore, the library, the reading room and the small theater, while the lighthouse is linked to the island, the sculpture garden, and the forest. This is all one uninterrupted chain formed by numerous elements that are all devoted to creation, production, research and teaching. In the International Center for Art and Landscape, art exists to relate to architecture and landscape. It is difficult to imagine a more flexible place than a forest or a lake dedicated to artistic creation. Chameleon-like places that change constantly in accordance with the artists who intervene both outside and inside the building. Following Laura Erber’s exhibition Open contour, director Chiara Parisi has invited artist Claude Lévêque to occupy and interpret the polymorphic spaces of the International Center. Born in 1953, Claude Lévêque is one of the best-known French artists on the international circuit. His early autobiographical and narrative work has gradually moved towards creating radical installations offered to the visitor’s sensitive experience. The exhibition 1000 PLATEAUX designed for Vassivière Island, intervenes as a concrete and critical action on reality, and in this sense is a continuation of the activity and reflection that has been developed by the International Center. Claude Lévêque’s boldly sacrilegious work deals a powerful blow to Aldo Rossi’s landscape and building. The artist’s action concerns the interior and exterior of the Art Center viewed as locations of similar semantic value. Claude Lévêque touches on the key point as well as the main characteristic of the institution where he intervenes: the close connection between architecture and landscape which has been the reason and obsession of the Art Center ever since it was founded. He operates in a sharp and ironic - but always powerfully poetic fashion, a painful poetry that shakes the spectator by plunging him into a peculiar emotional and psychological situation. A clever direction, with Gilles Deleuze and Félix Guattari and their Mille Plateaux reappearing at each and every step in the objects that one comes upon in the Art Center, crossing the nave to the small theater and continuing all the way to the tower, which turns imperiously towards the sky. 1000 PLATEAUX is the metamorphosis of the place in all of its most peculiar aspects. Claude Lévêque has not chosen to intervene in Vassivière Island because of his adhesion to Aldo Rossi’s post-modernist architecture – for all that the project does respond to the Italian architect’s theatrical fancy - but rather because of his sensibility and attentive power of observation of the place, where he creates a circular flow between nature, architecture and human presence. The result is a total re-activation of the elements that make up landscape and building. Through this movement the artist justifies a semantic shifting operation, raising to the category of works of art one of the typical elements of the regional landscape: cows. As a result of the switching of meaning provoked by the artist, cows are made an integral part of the collection of sculptures in the gardens. At the same time, the lighthouse – imagined by Aldo Rossi as a spot for observation and reflection – becomes the sonorous landmark of the animal behavior and violence that is considered to be inherent to the spectator/inhabitant of the exhibition. In this sense, Claude Lévêque makes no concession to the inspiring beauty of location in expressing his action throughout the 200 square meters of exhibition space at the International Center for Art and Landscape and its surroundings. The project is an investigation into reality. In the new vision proposed by the artist, the building is no longer seen as a place of art, but is rather demystified and reduced to its architectural essence as a large covered space in the middle of a natural place, where it becomes a vast cowshed. Claude Lévêque undertakes an almost philological recovery of the large spaces resembling the sole nave of some Roman basilica of the days of the Empire, used for the allocutio of Emperors and Senators, but also for the street market and trade. The area of the Roman forum was previously nothing more than pasture land. Nature is ever present, but it gives way to new darker and less bucolic sensations. It reclaims its rights and is capable of irreverently invading the spaces of culture and art jealously protected by the conservatives/conservationists. Claude Lévêque involves visitor and territory in this large arrangement where the notion of a calm landscape is knocked from its pedestal, dragging with it all pre-established realities. The institution responsible for conserving the place welcomes an intervention that undermines its status as a protected place, in the belief that the entire space of the Art Center will thus take on a new and astonishingly expressive significance. This exhibition is the fruit of Claude Lévêque’s creative universe. It is not simply a unique experience to be shared; it is also a look at the contextual entity that we call landscape, an evocation of the codes that a population uses as a reference. Claude Lévêque’s work feeds off the punk movement, the music of the Stones, Bowie… all the references that end up representing the specific reality of a generation. On Vassivière Island Claude Lévêque continues to expose a deeply paradoxical reality. Upsetting space, imposing his own filter and optic distortion, the artist surprisingly renews the elements that make up the landscape and architecture by totally transforming an art center and stimulating – of this we are sure – new and different reactions. With the collaboration of Gerome Nox and Léo Carbonnier. Claude Lévêque, born in Nevers in 1953, lives and works in Montreuil and Nièvre. Individual exhibitions (selection): 1996, Paris, My Way, ARC/Musée d’art moderne de la Ville de Paris; 1999, New York, Stigmata, PS1; 2001, Barcelona, Let’s dance, Espace 13, Fondation Miro; 2002, Mito, Double manège, Contemporary Art Center, Art Tower Mito; Tokyo, Reconstruire la fenêtre, Rice Gallery; 2003, Geneva, Albatros, MAMCO; 2004, Paris, Vinaigre, Galerie Yvon Lambert; 2005, Paris, HERR MONDE pour «Minevent» de Merce Cunningham, Opéra Garnier, 7 January 2004. Group exhibitions (selection): 2000, Paris, Au-delà du spectacle, Centre Georges Pompidou; 2001, Berlin, IIe Biennale; 2002, Rome, Wild horses, «Tutto normale», Villa Médicis; 2003, Lyon, VALSTAR barbie, 7e Biennale; Havana, Novicio en la noche, 8e Biennale; 2004, Taipei, Datapanik, «Embodying the scenery of ecology», Juming Museum; 2005, Dresden, Le visiteur «present distance», Palais des Arts Grossen Garden. Within the framework of this exhibition, a catalog is edited by Silvana Editoriale (Milan). Art direction : Paola Manfrin. Centre international d’art et du paysage Ile de Vassivière F - 87120 Presse office Frédéric Legros tél: +33 (0)5 55 69 27 27 fax: +33 (0)5 55 69 29 31 [email protected] www.ciapiledevassiere.com Open daily from 11 am to 7 pm Admission: normal price: 3 euros / half price: 1,5 euros children over 12, students, unemployed / free: children under 12, handicapped persons and their companions, Friends of the Centre international d’art et du paysage de l’île de Vassivière, Artothèque subscribers. The International Center for Art and Landscape receives support from the Ministry of Culture and Communication / Drac Limousin, the Limousin Regional Board, the General Board of la Creuse and the Mixed Regional and Inter-departmental Syndicate of Vassivière en Limousin (SYMIVA). The exhibition 1000 PLATEAUX by Claude Lévêque is sponsored in partnership with GAEC Chatoux – Pichon Ferme Auberge, L’Echo and Naturalia. Claude Lévêque born in Nevers, France in 1953 lives and works in Montreuil, France and Pèteloup, France Individual exhibitions 2005 Herr monde pour Minevent de Merce Cunningham, Opéra-Garnier, Paris, France Rumeur, Galerie des Multiples, Paris, France Vinaigre, L.A.C, Sigean, France 2004 Entrevue, Le Seuil, Chapelle Notre-Dame de la Sagesse, Paris, France Kurt Cobain, 8 avril 1994, La Nouvelle Galerie, Grenoble, France Vinaigre, Galerie Yvon Lambert, Paris, France 2003 Boomerang, Chapelle du Genêteil, Château-Gontier, France Albatros, MAMCO, Genève, Suisse 2002 Mon combat, La Salle de bain, Lyon, France Reconstruire la fenêtre, Rice Gallery, Tokyo, France Welcome to Pacific Dream, La Galerie, Noisy le Sec, France City Strass, Musée d’Art moderne et contemporain, Strasbourg, France D’Evian, Galerie Arndt and Partner, Berlin, Allemagne Double manège, Contemporary Art Center, Art Tower Mito, Mito, Japon 2001 Le meilleur des mondes, Centre d’Art Passerelle, Brest, France Let’s dance, Espace 13, Fondation Miro, Barcelone, Espagne Ende, Galerie Yvon Lambert, Paris, France 2000 Haüsler Kunst Projekte, Munich, Allemagne Herr Monde, Le Creux de l’Enfer, Thiers, France Scarface, Cinéma Les Variétés, FRAC Provence-Alpes-Côte d’Azur, Marseille, France Le droit du plus fort, Agence d’Art Stéphane Ackermann, Luxembourg, Luxembourg Caos Verde, Café 9, Saint-Etienne, France 1999 World Cup, Transpalette, Emmetrop, Bourges, France Virus Day (project room), Arco 99, Madrid, Espagne Oscillations, State Street Bridge Gallery, Chicago, Etats-Unis Stigmata, PS1 Museum, New York, Etats-Unis Kollaps, Le Consortium, Dijon, France Sentier Lumineux, Lieu Unique, Nantes, France 1998, Plus de lumière, Villa Arson, Nice, France Les lumières de la ville, chez Pierre Chevalier, Paris, France Game’s Over, Galerie du Jour / Agnès b., Paris, France 1997 Troubles, Kasseler Kunstverein, Kassel, Allemande Fri-Art, Kunsthalle, Fribourg, Suisse 1996 My Way, ARC / Musée d’Art moderne de la ville de Paris, Paris, France I Wanna Be Your Dog, Atelier Sainte-Anne, Bruxelles, Belgique Les Champions, Galerie de Paris, Paris, France Galerie Toxic New Art, Luxembourg, Luxembourg 1995 La Piscine, les images du plaisir, FRAC Pays de la Loire, Laval, France Chambre 321, Le Confort Moderne, Poitiers, France 1994 Galerie de Paris, Paris, France Appartement occupé, Emmetrop, Bourges, France Galerie Hiltrud Jordan, Cologne, Allemagne 1993 Appartement occupé, Emmetrop, Bourges, France 1992 Jour de chance, Opération HLM, APAC, Nevers, France 1991 Galerie de Paris, Paris, France 1990 Abbaye Saint-André, Centre d’Art Contemporain, Meymac, France Parvis 2, Ibos-Tarbes, France Parvis 3, Pau, France 1988 Galerie de Paris, Paris, France 1987 Musée Bossuet, Meaux, France 1984 Galerie Éric Fabre, Paris, France Group exhibitions 2005 Cohabitats, Galerie Ghislaine Hussenot, Paris, France Resent Distance, Palais des Arts Grossen Garden, Dresde, Allemagne Le monde est rond, Espace de l’Art Concret, Mouans-Sartoux, France Mots d’ordre, mots de passe, Espace Paul Ricard, Paris, France Enchanté Château, Fondation Salomon, Alex, France Propositions lumineuses, Galerie Alain Gutharc, Paris, France Lichtkunst aus Kunstlicht, Zkm, Karlsruhe, Allemagne 2004 Presque, L’Impasse, Paris, France Pour les oiseaux (hommage à Jean-François Taddeï), FRAC Pays de la Loire, Carquefou, France Emboding The Scenery Of Ecology, Juming museum, Taïpei, Chine Lieux communs, Les Instants Chavirés, Montreuil, France Le Transpalette, Emmetrop, Bourges, France Pick up, Lieu Public, Paris, France Histoires à peinture, Musée des Beaux-Arts Expérience, Besançon, France 2003 Coollustre, Collection Yvon Lambert, Avignon, France Mouvements de fonds, MAC, Marseille, France 7ème Biennale de Lyon, la Sucrière, Lyon, France Déchirures de l’histoire, Le 19, Centre régional d’Art contemporain, Montbéliard, France Novicio en la noche, 8ème Biennale de La Havane, La Havane, Cuba Flower Power, Musée des Beaux-Arts, Lille, France 2002 Art Basel, Art Unlimited, Yvon Lambert, Bâle, Suisse Tutto normale, Jardins de la Villa Médicis, Rome, Italie Von Zero, Mnk / Zkm, Karlsruhe, Allemagne 2001 Hôtel de Caumont, Collection Yvon Lambert, Avignon, France Friends, Galerie Chez Valentin, Paris, France 2ème Biennale, Allianz Trep Tower, Berlin, Allemagne A world within a space, Kunsthalle, Zürich, Suisse Faut-il rajouter de la vie aux années ou des années à la vie ?, Galerie Gabrielle Maubrie, Paris, France 2000 Light Pieces, Casino, Luxembourg, Luxembourg Elysian Fields, Musée national d’Art moderne / Centre Georges Pompidou, Paris, France Le monde dans la tête, Arc / Musée d’Art moderne de la ville de Paris, Paris, France Présumés innocents, CAPC / Musée d’Art Contemporain Bordeaux, France Vivre sa vie, Tramway Glasgow, France Au-delà du spectacle, Centre Georges Pompidou Paris, France Voyager à la verticale, Parc de la Villette Paris, France 1999 Expander 1.0, Galerie Jousse-Seguin, Paris, France Le temps libre : son imaginaire, son aménagement, ses trucs pour s’en sortir, Deauville, France Trans-sphère, FRAC Poitou-Charentes, Angoulême, France 1998 Do All Oceans Have Walls ?, Kunsthalle Bremen, Brême, Allemagne Premises, Storefront for Art and Architecture, Guggenheim Museum, New York, Etats-Unis Gare de l’Est, Casino, Luxembourg, Luxembourg 1997 Objets, Images, Scènes, Le Magasin, Grenoble, France Panique au faubourg, Quartier des Récollets, Montréal, Canada Galerie Denise René, Paris, France 1995 Correspondances, Musée Kuskovo, Moscou, Russie Mise en Scène, Ho-Am Museum, Séoul, Corée 1994 L’hiver de l’amour, ARC / Musée d’Art moderne de la ville de Paris, Paris, France Biennale de Cetinje, Cetinje, Montenegro Le bénéfice du doute, Galerie Le Sous-Sol, Paris, France L’hiver de l’amour, PS1 Museum, New York, Etats-Unis Comment raser un donjon qui dérange, A l’écart, Montreuil, France Bifurcations, Abbaye Saint André, Centre d’Art contemporain, Meymac, France 1993 Unité, Cité Radieuse Le Corbusier, Firminy, France June, Galerie Thaddeus Ropac, Paris, France Le bénéfice du doute, Centre d’Art Optica, Montréal, Canada 1992 Les Survivants, Galerie de Paris, Paris, France 9èmes Ateliers Internationaux des Pays de la Loire, Clisson, France 1982 Une autre photographie, Maison des Arts, Créteil, France 12ème Biennale, Musée d’Art moderne de la ville de Paris, Paris, France 1991 French Kiss II, APAC Centre d’Art Contemporain, Nevers, France 1990 Le Spectaculaire, Centre d’Histoire de l’Art contemporain, Rennes, France French Kiss, Halle Sud, Genève, Suisse 1989 Dimension Jouet, Centre de la Vieille Charité, Marseille, France Nos années 80, Fondation Cartier, Jouy-en-Josas, France 1988 Fictions installées, Kunstverein, Heidelberg, Allemagne Clarté, Nordjyllands Kunstmuseum, Alborg, Danemark 1985 Fondation Cartier, Jouy-en-Josas, France 1984 Ateliers 84, ARC / Musée d’Art moderne de la ville Paris, Paris, France Nouveaux objets illustratifs ou le crève-cœur en 1984, Musée des Beaux-Arts, Chartres, France Pour vivre heureux, vivons cachés, exposition en appartements, Nevers, France Frog winter 05 Art press march 06 Les Inrockuptibles 7 – 13 september 05 Flash Art International october 05 Kunst bulletin october 05 02 autumn 05 La Croix 26 august 05 Le Monde – supplément radio-tv 23 – 29 january 06