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Feathers of a Father a film by Omar El Zohairy Feathers of a Father a film by Omar El Zohairy Technical Information Working Title: Feathers of a Father Director: Omar El Zohairy Screenplay: Omar El Zohairy & Ahmed Amer Nationality: Egyptian Genre: Dark Comedy Omar El Zohairy Format: HD Length: 120 min. Shooting location: Cairo, Egypt Co-production: New Century Production, Egypt E-mail: [email protected] Tel: + 20 100 770 20 58 (Egypt) + 33 (0) 7 68 99 14 01 (France) Director’s Biography and Filmography Festival de Cannes Omar El Zohairy studied film directing at the High Institute of Cinema in Cairo and worked as an assistant director in feature films and TV commercials from 2007 till 2015 alongside some of Egypt’s most prominent filmmakers, including Yousry Nasrallah, Ahmed Abdallah and Ali Ali. 3, rue Amélie, F-75007 Paris Tel. 33 (0) 1 53 59 61 20 Fax 33 (0) 1 53 59 61 24 E-mail: [email protected] www.festival-cannes.org Zohairy’s first short film Breathe Out premiered at the 8th Dubai International Film Festival and won the Jury Special Mention Prize in the Muhr Arab Short Competition. The film also competed at many other festivals. His second short film, The Aftermath of the Inauguration of the Public Toilet at Kilometre 375, was the first Egyptian film to be selected to compete in the Cinéfondation competition at the Cannes Film Festival 2014, Aftermath went on to win several awards around the world. Zohairy is currently working on his first feature film Feathers of a Father. The project is selected for Torino Film Lab’s Script & Pitch Program 2016 and awarded the first Baumi Script Development Award from Pandora Film and Film und Medienstiftung NRW during the 66th Berlinale. Since 2000, the Festival Residence has provided each year accommodation and support to twelve selected young directors in order to help them prepare their first or second feature film. A jury presided by a film director sits twice a year, selecting these young filmmakers on the basis of their short films, or With the support of HP. Printed on an HP Indigo Digital Press. even first feature film, and the merits of their feature film project. During their 4-and-a-half-month stay in Paris, they work on the writing of their feature film project, have meetings with professionals and try, with the support of the Cannes Film Festival, to bring their project to co-production status. Synopsis In a Cairo suburb, when a trick of a Magician goes wrong at Mando’s birthday party, an avalanche of absurdities befall the boy’s family. The magician transforms the authoritative father into a chicken and fails to bring him back. The mysterious transformation of the father sets the family off to a tragically funny adventure to attempt to bring Sami back and to survive without the patriarch. Rasha, the pregnant mother, who has always relied on her husband will transform into the protector of her family. Ramadan, the older teenager brother, is forced to grow up and fill his father’s shoes while figuring out why he is attracted to men and dealing with puberty. Mando, resorts to religion to bring his dad back but gives up when his prayers are not answered. When the father ends up coming back in a violent zombie-like state, will they choose the father in the human form or the chicken? Feathers of a Father is a timely allegorical dark comedy about authority in post revolution Egypt. Statement of Intent When an Egyptian family loses its patriarch, they would do almost anything to survive in his absence; but, with an oppressive society they end up exhibiting the worst traits of a patriarch / dictator themselves. The transformation of the father into a chicken in the story works on two levels. It is a poignantly funny story about family and society. Still, the allegory in the tale is a direct attack on a patriarchal society where the father figure is a dictator. Do Egyptians need a pharaoh / dictator? Why did they waste the golden opportunity to create their own democracy only to bring back the military junta? This film effectiveness is in the details and the authenticity of the environment and its inhabitants. I am planing to cast real life characters in all the roles. Real locations that are in a state of decay will be a testament to the state of the nation. Visually, the film will be an image that is very close to reality; unembellished, raw, violent. Real places and people will be used to create absurd hyperreal and absurd situations. Synopsis Dans une banlieue du Caire, lorsque le tour d’un magicien se termine mal à la fête d’anniversaire de Mando, une avalanche d’absurdités va s’abattre sur la famille du garçon. Le magicien transforme le père autoritaire en un poulet et ne parvient pas à lui rendre sa forme initiale. La transformation mystérieuse du père va embarquer la famille dans une drôle d’aventure tragique pour tenter de retrouver Sami et survivre sans le patriarche. Rasha, la mère enceinte, qui a toujours compté sur son mari va se transformer en protecteur de sa famille. Ramadan, le frère adolescent plus âgé, est forcé de grandir et de « chausser les chaussures de son père » alors qu’il essaye de comprendre pourquoi il est attiré par les hommes et doit gérer sa puberté. Mando a recourt à la religion pour ramener son père, mais abandonne car ses prières ne sont pas exaucées. Lorsque le père finit par revenir dans un état proche du zombie, vont-ils choisir le père dans sa forme humaine ou le poulet ? Feathers of a Father est une comédie noire allégorique sur l’autorité dans l’Egypte de l’après-révolution. Note d’intention Lorsqu’une famille égyptienne perd son patriarche, elle fera presque tout pour survivre en son absence ; mais, dans une société oppressive, elle finit elle-même par prendre les pires traits d’un patriarche / dictateur. La transformation du père en poulet dans l’histoire fonctionne sur deux niveaux. C’est une histoire poignante et drôle sur la famille et la société. Néanmoins, l’allégorie dans le conte est une attaque directe contre une société patriarcale où la figure du père est un dictateur. Est-ce que les Egyptiens ont besoin d’un pharaon / dictateur ? Pourquoi ont-ils gaspillé l’occasion en or de créer leur propre démocratie seulement pour ramener la junte militaire ? L’efficacité du film est dans les détails et l’authenticité de l’environnement et de ses habitants. J’ai l’intention de faire le casting de personnages de la vie réelle, pour tous les rôles. Vrais lieux dont l’état de délabrement sera un témoignage de la situation de la nation. Visuellement, le film sera une image qui est très proche de la réalité; sans embellissement, cru, violent. Des lieux et personnages réels seront utilisés pour créer un hyperréalisme absurde et des situations absurdes.