Expo Milton Glaser - Fondation Folon - Jean

Transcription

Folon - Art-cadre's friends club Jean-Michel Folon Artist
Expo Milton Glaser - Fondation Folon
Du
23 novembre 2007 au 3 février 2008, l'espace temporaire de la
fondation Folon accueillera les oeuvres de l'affichiste américain
Milton Glaser. "Le roi de l'affiche et du graphisme, que
Folon a bien connu", rappelle Paola Folon, qui pense aussi à
créer un prix que la fondation remettrait afin de récompenser
les affichistes "qui sont aussi de vrais artistes".
Exposition
MILTON GLASER à la Fondation Folon
© Milton Glaser
Exposition
http://www.jean-michel-folon.eu/friendsclub/
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MILTON
GLASER
23 novembre 2007 au 3 février 2008
Après Morandi, la deuxième exposition à la Fondation
Folon nous
plongera dans l’univers graphique et coloré de l’artiste
américain Milton Glaser. Une amitié profonde lie Glaser
et Folon et les mène à collaborer à de multiples
occasions : oeuvres
à quatre mains, expositions
communes,…
L’exposition organisée par la Fondation Folon présentera
des affiches, des sérigraphies et des aquarelles qui mettront en
lumière la diversité des champs artistiques exploités
par l’américain et son talent d’affichiste.
L’exposition Milton Glaser est accessible du 23 novembre 2007 au
3 février 2008, tous les jours de 10h00 à 17h00 , à
l’exception du lundi.
Contact:
Dossier
de presse : Fondation
Folon
Site internet : www.fondationfolon.be
VERNISSAGE
VERNISSAGE-COCKTAIL
en présence de Madame Folon
le jeudi 22 novembre 2007
photos
vernissage © art-cadre.com
"Conversation" L'oeuvre originale
Aquarelle
et encres de couleurs- aquarel en gekleur inkt
Cette
conversation en images a été réalisée
durant une semaine à la Colombe d'Or de Saint-Paul de Vence
pendant l'été 1983.
Folon et Glaser, amis de longue date, ne parlaient pas la même
langue, ils entretenaient des conversations en images.
Deze
beeldenconversatie werd gecreëerd in zomer van 1983 tijdens
de week van Colombe d'Or in Saint-Paul de Vence.
Folon en Glaser spaken ondanks hun jarenlange vriendschap met dezelfde
taal. Ze hielden conversaties in bee
Conversation,
Jean-Michel Folon et Milton Glaser
Oeuvre à 4 mains, 1983
Il s’agit
d’un livre sans un mot , conversation en images entre deux artistes
qui se connaissaient depuis 15 ans mais ne parlaient pas la même
langue alors pour se comprendre lors de leur retrouvailles, ils se
mettent à dessiner ensemble. Ils ont crée ce livre magnifique
dans lequel leurs styles européen et américain se complètent
et subliment le language universel des couleurs.
Biographie
de Milton Glaser.
BIOGRAPHIE
Milton
Glaser
www.miltonglaser.com
©
Milton Glaser
Milton
Glaser (b.1929) is among the most celebrated graphic designer in the United
States. He has had the distinction of one-man-shows at the Museum of Modern
Art and the Georges Pompidou Center. In 2004 he was selected for the lifetime
achievement award of the Cooper Hewitt National Design Museum. As a Fulbright
scholar, Glaser studied with the painter, Giorgio Morandi in Bologna,
and is an articulate spokesman for the ethical practice of design. He
opened Milton Glaser, Inc. in 1974, and continues to produce an astounding
amount of work in many fields of design to this day.
To
many, Milton Glaser is the embodiment of American graphic design during
the latter half of this century. His presence and impact on the profession
internationally is formidable. Immensely creative and articulate, he is
a modern renaissance man — one of a rare breed of intellectual designer-illustrators,
who brings a depth of understanding and conceptual thinking, combined
with a diverse richness of visual language, to his highly inventive and
individualistic work. *
*
Excerpted from CSD, August/September, 1999 — "Milton Glaser:
Always One Jump Ahead" by Patrick Argent.
©
Milton Glaser
Born
in 1929, Milton Glaser was educated at the High School of Music and Art
and the Cooper Union art school in New York and, via a Fulbright Scholarship,
the Academy of Fine Arts in Bologna, Italy. He co-founded the revolutionary
Pushpin Studios in 1954, founded New York Magazine with Clay Felker in
1968, established Milton Glaser, Inc. in 1974, and teamed with Walter
Bernard in 1983 to form the publication design firm WBMG. Throughout his
career, Glaser has been a prolific creator of posters and prints. His
artwork has been featured in exhibits worldwide, including one-man shows
at both the Centre Georges Pompidou in Paris and the Museum of Modern
Art in New York. His work is in the permanent collections of many museums.
Glaser also is a renowned graphic and architectural designer with a body
of work ranging from the iconic logo to complete graphic and decorative
programs for the restaurants in the World Trade Center in New York. Glaser
is an influential figure in both the design and education communities
and has contributed essays and granted interviews extensively on design.
Among many awards throughout the years, he received the 2004 Lifetime
Achievement Award from the Smithsonian Cooper-Hewitt, National Design
Museum, for his profound and meaningful long-term contribution to the
contemporary practice of design.
Pushpin
Studios
In 1954, Milton Glaser, along with Reyonld Ruffins, Seymour Chwast, and
Edward Sorel, founded Pushpin Studios. For twenty years Glaser, together
with Seymour Chwast, directed the organization, which exerted a powerful
influence on the direction of world graphic design, culminating in a memorable
exhibition at the Louvres Museum of Decorative Arts in Paris.
New York Magazine
In 1968, Glaser and Clay Felker founded New York magazine, where Glaser
was president and design director until 1977. The publication became the
model for city magazines, and stimulated a host of imitations.
WBMG
In 1983, Glaser teamed with Walter Bernard to form WBMG, a publication
design firm located in New York City. Since its inception, they have designed
more than 50 magazines, newspapers and periodicals around the world. WBMG
has been responsible for the complete redesigns of three major newspapers:
The Washington Post in the U.S., La Vanguardia in Barcelona, and O Globo
in Rio de Janeiro. It has consulted on design projects for The Los Angeles
Times, The Boston Globe, The Dallas Times Herald, The East Hampton Star,
the New York Daily News and the National Post (Canada). Magazine clients
in the United States include: Time, U.S. News & World Report, Adweek,
Brill’s Content, Crain’s Chicago Business, Family Circle, Golf
Digest, The Nation, Autoweek, Biography, USA Weekend, PC Magazine andWine
Spectator. WBMG has created original prototype designs for Manhattan,
Inc., Windows, The Journal of Art, and ESPN, the Magazine. In Europe,
WBMG has developed and created the original format for Alma (a women’s
service magazine) and Zeus (a cultural newspaper). The firm has redesigned
L’Express, Lire (a French literary magazine), Jardin des Modes (women’s
fashion), L’Espresso in Rome and Business Tokyo in Japan. WBMG has
also designed the American Express Annual Report for three years, as well
as several books, including Steve Salmieri’s Cadillac and Muhammad
Ali: Memories for Rizzoli and ESPN’s SportsCentury for Hyperion.
Walter and Milton are co-creators of "Our Times", an illustrated
history of the 20th century, published in 1995.
Milton
Glaser, Inc.
Milton Glaser, Inc. was established in 1974. The work produced at this
Manhattan studio encompasses a wide range of design disciplines. In the
area of print graphics, the studio produces identity programs for corporate
and institutional marketing purposes — including logos, stationery,
brochures, signage, and annual reports.
In the field of environmental and interior design, the firm has conceptualized
and site-supervised the fabrication of numerous products, exhibitions,
interiors and exteriors of restaurants, shopping malls, supermarkets,
hotels, and other retail and commercial environments.
Glaser is also personally responsible for the design and illustration
of more than 300 posters for clients in the areas of publishing, music,
theater, film, institutional and civic enterprise, as well as those for
commercial products and services.
Glaser’s graphic and architectural commissions include the logo (which
has been described as ‘the most frequently imitated logo design in
human history’), commissioned by the state of New York in 1976; the
design of a 600-foot mural for the New Federal Office Building in Indianapolis
in 1974; the complete graphic and decorative programs for the restaurants
in the World Trade Center, New York, as well as the design of the Observation
Deck and Permanent Exhibition for the Twin Towers of the World Trade Center
in 1975. He has also designed a number of architectural projects including
Sesame Place, a children’s educational play park in Pennsylvania,
1981-83. For a period of fifteen years, Milton Glaser was involved with
the re-design of a principal American supermarket chain, The Grand Union
Company, a project that included all the company architecture, interiors,
and packaging. He was responsible for the interior design and concept
for the 1987-88 Triennale di Milano International Exhibition in Milan,
Italy, on the theme of "World Cities and the Future of the Metropolis".
In 1987, Mr. Glaser was responsible for the graphic program of the Rainbow
Room complexes for the Rockefeller Center Management Corporation, New
York. Also in 1987, he designed the World Health Organization’s International
AIDS Symbol and poster. From 1986–1989, he was responsible for the
graphic design, theming, and signage for Franklin Mills, a retail mall
in Philadelphia, Pennsylvania; and in 1988, he completed the exterior,
interior, and all graphic elements of Trattoria dell’Arte, one of
several New York restaurants he has designed. In 1990, Milton Glaser,
Inc. was responsible for the overall conceptualization and interior design
of New York Unearthed, a museum located in Manhattan’s South Street
Seaport. In 1993, he designed the logo for Tony Kushner’s Pulitzer
Prize winning play, Angels in America. The list goes on and on. At present,
Milton acts as a design consultant for the companies featured in the case
studies section among others like Target Corp.
©
Milton Glaser
World-Wide Exhibitions
In addition to commercial enterprises, Milton Glaser’s work has been
exhibited world-wide. Most notable are the following exhibitions: a one-man
show at the Museum of Modern Art, New York (1975), and the Centre Georges
Pompidou, Paris (1977), as well as the Lincoln Center Gallery, New York
(1981), and Houghton Gallery, The Cooper Union, New York (1984). In 1989,
Mr. Glaser had many exhibitions in Italy. One was a one-man show of posters
at the Vicenza Museum, and another, "Giorgio Morandi/Milton Glaser,"
at the Galleria Communale d’Arte Moderna in Bologna. In 1991, he
was commissioned by the Italian government to create an exhibition in
tribute to the Italian artist, Piero della Francesca, for part of the
celebrations on the occasion of his 500th anniversary. This show opened
in Arezzo, Italy and one year later (under the sponsorship of Campari)
moved to Milan. In 1994, The Cooper Union, Mr. Glaser’s alma mater,
hosted the show in New York. In 1992, An exhibition of drawings titled
"The Imaginary Life of Claude Monet" opened at Nuages Gallery,
Italy, and in 1995, an adapted version of this show was exhibited in Japan’s
Creation Gallery. 1995 also brought a Glaser exhibition to the Art Institute
of Boston. In 1997, the Suntory Museum, Japan, mounted a major retrospective
of The Pushpin Studios, featuring past and present works by Milton Glaser
and other Pushpin artists. A major retrospective of his work opened in
February, 2000 at Fondazione Bevilacqua La Masa in Venice.
Design and Education Community
From the start of his career, Milton Glaser has been an active member
of both the design and education communities. He has been an instructor
and a Board Member at the School of Visual Arts, New York since 1961,
and is on the Board of Directors at The Cooper Union, New York. He has
been affiliated with The International Design Conference in Aspen since
1972 (president 1990-91), and the American Institute of Graphic Arts,
where he was vice-president and co-chair of the 1989 National Convention.
Among numerous professional awards, he is the recipient of The Society
of Illustrator’s Gold Medal, the St. Gauden’s Medal from The
Cooper Union, and the Prix Savignac for the World’s Most Memorable
Poster of 1996. Milton Glaser is a member of The Art Director’s Club
Hall of Fame and the American Institute of Graphic Arts (AIGA). He holds
honorary doctorates from The Minneapolis Institute of Arts; Moore College;
Philadelphia Museum School; The School of Visual Arts; Queens College,
CUNY; the New York University at Buffalo, and London’s Royal College
of Art. He is an elected member of the Pinocateca in Bologna, Italy, and
in 1992 received the Honors Awards from the American Institute of Architects
(AIA). He received the 2004 Lifetime Achievement Award from the Smithsonian
Cooper-Hewitt, National Design Museum, for his profound and meaningful
long-term contribution to the contemporary practice of design.
Permanent Collections
Milton Glaser is represented in the permanent collections of the Museum
of Modern Art, New York; The Israel Museum, Jerusalem; The Chase Manhattan
Bank, New York; the National Archive, Smithsonian Institute, Washington,
D.C.; and the Cooper Hewitt National Design Museum, New York.
©
Milton Glaser
Folon
& Milton Glaser
Musée d’Art Moderne, Liège 1982
Catalogue publié à l’occasion
de l’exposition de Jean-Michel Folon et Milton Glaser organisée
au Musée Saint Georges de Liège du 17 septembre au 31
octobre 1982.
Folon
& Milton Glaser
Musée National de Bellas Artes Buenos Aires 1987
Catalogue exposition, Musée National
de Bellas Artes Buenos Aires du 29 septembre au 25 octobre 1987.
Conversation,
Jean-Michel Folon and Milton Glaser
Oeuvre à 4 mains, 1983
Il s’agit
d’un livre sans un mot , conversation en images entre deux artistes
qui se connaissaient depuis 15 ans mais ne parlaient pas la même
langue alors pour se comprendre lors de leur retrouvailles, ils se
mettent à dessiner ensemble. Ils ont crée ce livre magnifique
dans lequel leurs styles européen et américain se complètent
et subliment le language universel des couleurs.

Expo Milton Glaser - Fondation Folon - Jean

Transcription

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