link to the brochure

226
A conference for amateur and professional dancers and
dance historians
“all’ungaresca – al español”
3rd Rothenfels Dance Symposium
The Variety of
European Dance Culture
from 1420 to 1820
6 to 10 June
2012
“In Britain, you have the hornpipe, a dance which is held an
original of this country. Some of the steps of it are used in the
country-dances here, which are themselves a kind of dance
executed with more variety and agreeableness than in any
part of Europe, where they are also imitatively performed, as
in Italy, Germany and in several other countries” (GiovanniAndrea Gallini, 1762).
In our 3rd Rothenfels Dance Symposium the focus will be on
the variety of European dance culture – from social to stage
dance and folk to courtly dance – from the
Early Renaissance to the end of the Napoleonic era. In particular we will investigate
the manifold styles and dances of the individual countries, their social and political
context and historical development.
Another consideration will be the
“journeys” of these dance forms, their
dispersion to other European countries
and their colonies, their reception, further
development and impact as “cultural
ambassadors”
or even as political
statements. Finally we will trace the travel
routes of dancers and dance masters, their
careers in different countries, the influence
of local dance styles on their own
development and their influence on the
local dance culture.
The symposium features:
- A series of lectures conveying the current state of dance
research.
- Workshops inviting you to discover new stylistic directions.
- Short performances providing new insights.
- A bookstore presenting a rich selection of dance books,
music and recordings.
- Social dance evenings with live music to relax and end the
day.
- And as the highlight of the symposium a festive ball in the
style of the 18th century with period costumes.
- All participants are lodged at Burg Rothenfels so there is
ample opportunity for making acquaintances, discussing
the lectures, and exchanging ideas in an informal setting.
Lectures:
Barbara Alge, Rostock: Die Mourisca aus Portugal und ihre
Rolle als “Botschafterin” seit dem 15. Jahrhundert
Christine Bayle, Paris, Carles Mas, Barbara Sparti, Rome:
A Hit Tune Becomes a Hit Dance: The Travels of a Pavane
through Italy, the Iberian Peninsula, France and Germany
Karin Fenböck, Vienna: Wien in der zweiten Hälfte des 18.
Jahrhunderts: Schmelzpunkt der TanzKulturen?
Hubert Hazebroucq, Paris: French Dances in Foreign Descriptions: The Example of Johann Georg Pasch’s Anleitung
sich bei grossen Herrn Höfen und anderen beliebt zu machen
(1659)
Gerrit Berenike Heiter, Cologne: Getanzte Vielfalt der Nationen und ihre Darstellung im französischen Hofballett (Ende
16. Jahrhundert – Mitte 17. Jahrhundert)
Guillaume Jablonka, Asnieres sur Seine: Italienisch-französische Tanztechnik auf der europäischen Bühne des späten
18. Jh.
Alexandra Kajdanska, Gdansk: Von Unterschiedlichen
Täntzen: The Diary of Georg Schroeder and the Tradition of
Dance Culture in Gdansk in the Second Half of the 17th Century
Dora Kiss Muetzenberg, Geneva: The Polish Dance: A
Comparative Approach
Tiziana Leucci, Les Lilas: From Pietro della Valle to Gaetano
Gioja: or the Curiosity for the “Others”. The Interest for Indian
Dances and Oriental Customs (& Costumes) in Europe
(1663–1821)
Milo Momm, Berlin: Katalonien als Kreuzungspunkt zwischen Burgund und Italien. Ein neuer Blick auf das CerveraManuskript (1496) unter dem Neigungswinkel des Kulturtransfers
Marko Motnik, Vienna: Die italienische Tanzkunst am Wiener
Hof und der Tractatus de arte saltandi von Euangelista Papazzone (c. 1572–75)
Hannelore Unfried, Vienna: Cotillon: die Mazurka wird
“German”
Ana Yepes, Paris: From the Jácara to the Sarabande
Workshops:
Anne Daye, London: The French Contredanse in England,
Scotland and Ireland
Scientific Committee:
Dora Kiss-Muetzenberg, Geneva: The Polish Dance
Prof. Carol G. Marsh (musicologist, co-author of Musical
Theatre at the Court of Louis XIV)
Carles Mas, Paris: The Iberian Pavana by Jaque
Anna Karin Ståhle, Lindigö: La Escuela Bolera
Hannelore Unfried, Wien: Gestampft, Geschlagen, Gewählt Mazurka im frühen 19. Jahrhundert
Nicoline Winkler, Eberbach: Das Repertoire der Pariser
Opernbälle im frühen 18. Jahrhundert
Social Dance Evenings:
Ingo Günther, Berlin: Der Figurenländler des 18. Jh.
Alan Jones, Paris: Spanish Minuet Improvisation
Jørgen Schou-Pedersen, Copenhagen, Uwe Schlottermüller, Freiburg: Budapest, Cairo, Peking – On the Road
with Dubreil and Delpêch
Short Performances:
BarockTanzEnsemble contretem(p)s berlin: Scenes from
Lambranzi’s “Curieuse Theatralische Tantzschul”
Barbara Sparti (dance scholar, author of numerous publications on Renaissance Dance)
Jørgen Schou-Pedersen (music pedagogue, dance researcher and dance pedagogue)
Uwe Schlottermüller (editor of Instruction pour dancer, J.G.
Pasch: Anleitung sich bei grossen Herrn Höfen und anderen
beliebt zu machen, 1659)
Markus Lehner (author of A Manual of Sixteenth-century
Italian Dance Steps)
For further information, please contact:
Markus Lehner, Mühlfelder Str. 18b, D-82211 Herrsching
Tel. 0049-(0)8152-5248, Fax. 08152-981509
Email: [email protected]
Detailed information about the program, the presenters, and
the conference center can be found at
www.burgrothenfels.de.
Cracovia Danza, Cracow: “Ballet des Nations”
Conference number: 226
Irène Ginger, Hubert Hazebroucq, Paris: “A Few Metamorphoses of the Minuet”
Begins:
Wednesday, 6 June 2012
with dinner at 6:30 pm
registration and check-in from 3 pm
Ends:
Sunday, 10 June 2012
with lunch at 12:30 pm
Ana Yepes, Paris: Spanish Baroque Dances
Part-time enrolment is not possible. Registration is limited to 80 participants. Prompt registration is recommended.
Send your written registration request to:
Verwaltung Burg Rothenfels, 97851 Rothenfels,
Tel. 0049-(0)9393-99999, Fax. 09393-99997
Email: [email protected]
Web: www.burg-rothenfels.de
Registration may be made by mail or Internet.
Reduced fees for dormitory rooms and conference registration are available for currently enrolled students and the unemployed.
Early registration: A 10 euro rebate will be applied to registrations received prior to April 21 2008.
Cancellation fee: the reduced conference registration fee will
be charged for cancellation 7 days or less before the beginning of the symposium.
Terms: The Burg Rothenfels administration assumes no
liability for accidents or injuries sustained during the conference.
Location: Burg Rothenfels lies on the Main River between
Lohr and Wertheim. It can be reached by train (to Lohr,
Gemünden, or Wertheim) and then by bus (at the bus stop
“Bergrothenfels”); by car (Autobahn A3), take the exit Marktheidenfeld or Rohrbrunn. Further details and car-pooling
information can be found on the Burg Rothenfels website.
Additional features:
-
-
a bulletin board to display information: performances, courses, publications, etc. (bring sufficient
copies for distribution)
Accommodation and meals per person for the entire
conference:
Single room
€ 219.-
a conference proceedings volume containing the
lectures
Double room
€ 190.-
Quadruple room
€ 167.-
Dormitory room
€ 140.- (students)
Conference languages: German and English
What to bring:
-
comfortable clothing and dance shoes
-
For the ball: dressy attire or an 18th century
costume
Conference registration:
€ 220.- (regular)
€ 140.- (students)
Please include in your registration:
- Name/address/telephone or e-mail
- Symposium number and short title
- your choice of accommodation