Born in Cairo, Egypt
Lives and works in New York
Institut des Hautes Etudes en Arts Plastiques, Paris, France
MFA in Painting, Villa Arson E.P.I.A.R., Nice, France
School of the Museum of Fine Arts, Boston, MA
BFA in Painting, Villa Arson E.P.I.A.R., Nice, France
Love.Earth.Fire., Leila Heller Gallery, Dubai, UAE (11/16/15–1/4/16)
Rainbow Girls, Cheim & Read, New York (4/3–5/10/14)
Référence à Elle, Kukje Gallery, Seoul, Korea (5/17–6/30/13)
Ghada Amer, Musée d’Art Contemporain de Montréal, Montréal, Canada
The Other I, Tina Kim Gallery, New York (4/26–6/2/12)
100 Words of Love, Cheim & Read, New York (1/7–2/12/11)
No Romance: Ghada Amer, Reza Farkhondeh and Collaborative Work,
Goodman Gallery, Johannesburg, South Africa (2/17–4/2/11)
The Gardens Next Door: Ghada Amer and Reza Farkhondeh, Galeria Filomena
Soares, Lisbon, Portugal (9/16–11/6/10)
Color Misbehavior, Cheim & Read, New York (5/6–6/19/10)
Failing Shahrazad, Dirimart, Istanbul, Turkey (9/6–10/24/09)
Roses Off Limits: Ghada Amer and Reza Farkhondeh, Pace Prints Chelsea,
New York (4/17–6/23/09)
Ghada Amer–Reza Farkhondeh: A New Collaboration on Paper, Singapore
Tyler Institute, Singapore (2/23–3/20/08)
Love Has No End, Elisabeth A. Sackler Center for Feminist Art, Brooklyn
Museum, New York (2/16–10/19/08)
Ghada Amer & Reza Farkhondeh, Collaborative Drawings, Kukje Gallery, Seoul,
South Korea (12/15/07–1/13/08); traveled to Tina Kim Gallery, New York
Another Spring, Seoul, South Korea (12/15/07–1/13/08)
Ghada Amer, curated by D. Eccher, Museo d’Arte Contemporanea Roma,
Rome, Italy (5/25–9/30/07)
An Indigestible Dessert: Ghada Amer and Reza Farkhondeh, Francesca Minini
Gallery, Milan, Italy (5/17–7/28/07)
Le Salon Courbé, Francesca Minini, Milan, Italy (5/17–7/28/07)
Ghada Amer, Franklin Art Works, Minneapolis, Minnesota (1/27–3/24/07)
Ghada Amer: Paintings and RFGA Drawings, curated by J. Poodt, The Stedlijk
Museum, 's-Hertogenbosch, Netherlands (7/1–11/12/06)
Breathe Into Me, Gagosian Gallery, Chelsea, New York (1/21–2/25/06)
Ghada Amer, curated by R. Smith, H&R Block Artspace at Kansas City Art
Institute, Kansas City, Missouri (6/1–7/16/05)
The Reign of Terror, curated by Anja Chávez, Davis Museum and Cultural
Center, Wellesley College, Wellesley, Massachusetts (3/9–6/19/05)
Ghada Amer, Gagosian Gallery, Beverly Hills, California (9/17–10/16/04)
Ghada Amer, curated by Teresa Millet, Institut Valencià d’Art Modern,
Valencia, Spain (9/9–11/7/04)
Ghada Amer, curated by L.D. Freiman, Indianapolis Museum of Art,
Indianapolis, Indiana (9/13–11/30/03)
Ghada Amer, Galleria Massimo Minini, Brescia, Italy (5/17–7/30/03)
Universal Strangers, curated by Rosa Martinez, Galeria Filomena Soares,
Lisbon, Portugal (1/16–2/22/03)
Ghada Amer, Gagosian Gallery, London, England (5/2–6/8/02)
Ghada Amer, curated by S. Bos, De Appel Foundation, Amsterdam,
Netherlands (4/6–5/19/02)
Works by Ghada Amer, San Francisco Art Institute, San Francisco, California
Ghada Amer, Galerie Guy Bärtschi, Geneva, Switzerland (2/7–4/6/02)
Encyclopedia of Pleasure, Deitch Projects, New York (11/10–12/22/01)
Reading Between the Threads, curated by Selene Wendt, Henie-Onstad
Kunstsenter, Oslo, Norway (11/1–12/2/01); traveled to Museum
Kunstpalast, Düsseldorf, Germany (2/2–5/5/02); Bildmuseet, University of
Umeå, Umeå, Sweden (5/26–10/13/02)
Pleasure, curated by Valerie Cassel, Contemporary Art Museum, Houston,
Texas (7/26–8/26/01)
Ghada Amer Recent Work, Rhona Hoffman Gallery, Chicago, Illinois (4/27–
Ghada Amer, curated by A.J. Laferrière, Centre Culturel Contemporain,
Tours, France (6/24–10/1/00)
Ghada Amer Drawings, Anadil Gallery, Jerusalem (6/16–7/30/00)
Intimate Confessions, Deitch Projects, New York (4/15–5/27/00); traveled to
Tel Aviv Museum of Art, Tel Aviv, Israel (6/15–9/2/00), Kunst-Werke, Berlin,
Germany (6/10–7/10/00)
Ghada Amer, University of Wisconsin Institute of Visual Arts, Milwaukee,
Wisconsin (3/10–5/21/00)
Ghada Amer, curated by Margarita Aizpuru, Centro Andaluz de Arte
Contemporáneo, Seville, Spain (11/26/99–1/16/00)
Ghada Amer, Brownstone, Corréard & Cie, Paris, France (9/7–10/2/99)
The Freedom Salon, Project Room, Feria Internacional de Arte
Contemporáneo (ARCO), Deitch Projects, Madrid, Spain (2/11–16/99)
Ghada Amer, Espace Karim Francis, Cairo, Egypt (11/3–11/25/98)
Ghada Amer, Galerie Karin Sachs, Munich, Germany (9/12–10/15/98)
Ghada Amer, Annina Nosei Gallery, New York (4/18–5/20)
Ghada Amer, Galerie Météo, Paris, France
Ghada Amer, Hanes Art Center, University of North Carolina, Chapel Hill,
North Carolina (4/4–4/11/96)
Ghada Amer, Annina Nosei Gallery, New York (3/16–4/10/96)
Ghada Amer, Centre Jules Verne, Brétigny-sur-Orge, France (9/30–12/5/94)
Ghada Amer, Zoo Galérie, Nantes, France
Ghada Amer, Galerie Météo, Paris, France (9/16–10/23/93)
Ghada Amer, Hôpital Ephémère, Paris, France (3/1–4/19/92)
Ghada Amer, curated by Barbara Fässler, Projekt Raum, Zürich, Switzerland
Ghada Amer, Villa Arson, Nice, France (11/6–12/16/90)
The Female Gaze, Part Two: Women Look at Men, Cheim & Read, New York
35th Busan Biennale 2016, curated by Yun Cheagab (9/6–11/30/16)
Winter in America: A Mulitmedia Group Exhibition, Jack Shainman Gallery, The
School in Kinderhook, New York (10/17–Spring 2016)
Art_Textiles, The Whitworth, The University of Manchester, Manchester,
England, United Kingdom (10/10/15–1/31/16)
GHP Exhibition: Amer, Baga, Cameron Greenbaum, Lins, Mackler, Salle, curated
by Adam Welch with assistance from Derek Weisberg, Jane Hartsook
Gallery at Greenwich House Pottery, New York (2/27–3/27/15)
Le fil rouge, Espace Louis Vuitton, Munich, Germany (1/29–4/11/15)
Seeing Through Light, Selections from the Guggenheim Abu Dhabi Collection,
organized by the Solomon R. Guggenheim Foundation in collaboration with
Abu Dhabi Tourism & Cultural Authority, Manarat Al Saadiyat, Abu Dhabi
Killer Heels: The Art of the High-Heeled Shoe, Brooklyn Museum of Art, New
York (9/10/14–2/15/15); traveled to Albuquerque Museum, New Mexico
(5/30–9/8/15); Palm Spring Art Museum, California (9/9/15–3/1/16); Currier
Museum of Art, New Hampshire (5/2/16–9/4/16)
Mauvais Genre, proposition de Laetitia Hecht et Samantha Barroero, Addict
Galerie, Paris, France (10/18–12/20/14)
Slow Learner, Timothy Taylor Gallery, London, United Kingdom (8/1–
GIRL, curated by Pharrell Williams, Galerie Emmanuel Perrotin / Salle de Bal,
Paris, France (5/27–6/25/14)
Songs of Loss and Songs of Love: Oum Kulthum and Lee Nan-Young, Gwangju
Museum of Art, Gwangju, South Korea (5/19–7/13/14)
The Divine Comedy: Heaven, Hell, Purgatory Revisited by Contemporary African
Artists, MMK1, Museum Für Moderne Kunst, Frankfurt Am Main, Germany
(3/21/14–7/27/14); traveled to Savannah College of Art and Design,
Georgia (10/16–1/25/15); and Smithsonian National Museum for African
Art, Washington, D.C. (4/8–8/2/15)
Sculptrices, Villa Datris, L’Isle-sur-Sorgue, France (4/28–11/11/13)
Earth Matters: Land as Material and Metaphor in the Arts of Africa, National
Museum of African Art, Smithsonian Institution, Washington, D.C. (4/22/13–
ART & TEXTILES - Fabric as Material and Concept in Modern Art from Klimt to
the Present, Kunstmuseum Wolfsburg, Wolfsburg, Germany (10/12/13–
3/2/14); traveled to Staatsgalerie Stuttgart, Stuttgart, Germany (3/21 –
Tea with Nefertiti: The Making of the Artwork by the Artist, the Museum and
the Public, Mathaf: Arab Museum of Modern Art, Doha, Qatar (11/1712–
Stretching the Limits: Fibers in Contemporary Painting, Savannah College of Art
and Design Museum of Art, Savannah, Georgia (10/22–3/24/13)
The Fertile Crescent: Gender, Art, and Society, Bernstein Gallery at Woodrow
Wilson School, Princeton University, New Jersey (8/27–10/19/12)
Le Corps Découvert, Institut du Monde Arabe, Paris, France (3/26–7/15/12)
Prism–Drawing from 1990–2011, The National Museum of Art, Architecture
and Design, Oslo, Norway (3/1–8/5/12)
Loin des yeux prés du corps, curated by Thérèse St-Gelais, Galerie de l'Uqam,
University du Quebec a Montreal, Montreal, Canada (1/13–2/18/12)
TOLD / UNTOLD / RETOLD, Mathaf Arab Museum of Modern Art, Doha,
Qatar (12/30/10–5/28/11)
Flowers, Elizabeth Schwartz, LLC, New York (7/1–12/31/11)
The Women in Our Life: A Fifteen Year Anniversary Exhibition, Cheim & Read,
New York (6/30–9/16/11)
The Mediterranean Approach, curated by Adelina von Fürstenberg and
Thierry Ollat, Palazzo Zenobio, Venice, Italy (6/1–8/15/11); traveled to
Musée d’art Contemporain, Marseille, France (2/14/12–5/20/12); SESC
Pinheiros, São Paolo, Brazil (10/6/12–1/13/13)
Of Women’s Modesty and Anger, Boghossian Foundation, Villa Empain,
Brussels, Belgium (3/11–9/25/11)
No Romance, Goodman Gallery Johannesburg, South Africa (2/17–3/4/11)
The Unbearable Lightness of Being, Galerie Yvon Lambert, Paris, France
Residua, Maraya Art Center, Al Qasba, Sharjah, UAE (10/22/10–2/22/11)
Here She Comes: One Perspective on Women in Contemporary Art, Galeri
Michael Kewenig, Cologne, Germany (5/11–8/11); traveled to Fundación
Pedro Barrié de la Maza, A Coruña, Spain (10/11–12/11)
In Context: A 2010 Initiative, Goodman Gallery, Johannesburg, South Africa
Until Now: Collecting the New (1960–2010), Minneapolis Institute of Arts,
Minneapolis, Minnesota (4/15–8/1/10)
America Now + Here, Artrain, Ann Arbor, Michigan (4/10–11/11)
I Love You!, ARoS Aarhus Kunstmuseum, Aarhus, Denmark (3/27–9/12/10)
185th Annual: An Invitational Exhibition of Contemporary American Art,
National Academy Museum, New York (2/17–6/8/10)
Wild is the Wind, Gustein Gallery, Savannah College of Art and Design,
Savannah, Georgia (1/11–2/28/10)
In Stitches, curated by Beth Rudin DeWoody, Leila Taghinia-Milani Heller
Gallery, New York (11/12–12/19/09)
Against Exclusion: 3rd Moscow Biennale, curated by Jean-Huber Martin, Dasha
Zhukova’s Garage Center for Contemporary Culture, Moscow, Russia
Abstractions by Gallery Artists, Cheim & Read, New York (9/24–10/3/09)
The Female Gaze: Women Look At Women, Cheim & Read, New York
[email protected], curated by Camille Morineau, Musée d’Art Moderne,
Centre Georges Pompidou, Paris, France (5/25–12/31/09)
Demons, Yarns & Tales: Tapestry by Contemporary Artists, curated by Banners
of Persuasion, The Dairy Art Centre, London, England (11/10 –11/22/08);
traveled to Art Basel Miami Beach, Miami, Florida (12/2 –12/6/08)
Prospects I, curated by Don Cameron, Contemporary Arts Center, New
Orleans, Louisiana (11/3/08–1/18/09)
The Future Must Be Sweet: The Lower East Side Printshop Celebrates 40 Years,
curated by Marilyn S. Kushner, International Print Center, New York (9/18–
Valeurs Croisées, Biennale d’Art Contemporain, Rennes, France (5/16–
Pandora’s Box, Dunlop Art Gallery, Regina, Canada (3/16–7/20/08)
Far From Home, North Carolina Museum of Arts, Raleigh, North Carolina
Pricked: Extreme Embroidery, Museum of Art and Design, New York
Alles Klar? Zeitgenössische Kunst aus Ägypten, Salzburger Kunstverein,
Salzburg, Austria (7/19–9/9/07)
Dialogues Méditerranéens, curated by Susanne Van Hagen, St. Tropez, France
Afterglow, curated by Laurie Farell and Celina Jeffrey, Savannah Art and
Design, Lacoste, France (7/6–8/28/07)
Substance and Surface, Bortolami Gallery, New York (6/26–8/31/07)
Reconstruction #2, Sudely Castle Winchombe, Gloucestershire, England
Check-List Luanda Pop, curated by Fernando Alvim and Simon Njami, African
Pavillion, Arsenale Artiglierie, La Biennale di Venizia 52nd, Venice, Italy (6/10–
Commemorating 30 years: Part Three, Rhona Hoffman Gallery, Chicago,
Illinois (5/18–6/16/07)
Inscribing Meaning: Writing and Graphic Systems in African Art, National
Museum of African Art, Smithsonian Institution, Washington, D.C. (5/7–
8/26/07); traveled to Fowler Museum of Cultural History at UCLA, Los
Angeles, California (10/14/07–2/17/08)
Global Feminisims, curated by Maura Reilly and Linda Nochlin, Brooklyn
Museum, New York (3/23–7/1/07); traveled to Wellesley College,
Wellesley, Massachusetts (9/12–12/9/07)
Gender Stitchery: Artist Knit/Sew Art, curated by Laurel Bradley, Carleton
College, Northfield, Minnesota (3/30–5/6/07)
What F word? curated by Carol Cole Levin, Cynthia Broan Gallery, New
York (2/15–3/17/07)
Collective One, Guy Bärtschi Gallery, Geneva, Switzerland (1/18–3/9/07)
Hot Off the Press: Prints of 2006 from New York Printshops, curated by Janice
Carlson Oresman, The Grolier Club, New York (12/13/06–2/3/07)
Showcase for Contemporary Works on Paper, INK Miami, Miami, Florida
Kitaj: Little Pictures, Marlborough Fine Art, London, England (11/1/06–
Insolence, curated by Caroline Messensee, Parcours privé FIAC, Maison
Guerlain, Paris, France (10/23–11/06)
Grand Promenade, curated by A. Kafetsi, National Museum of Contemporary
Art, Athens, Greece (7/17–9/29/06)
Reconstruction #1, curated by Mollie Dent-Brocklehurst & Elliot McDonald,
Sudeley Castle, Gloucestershire, England (7/1–10/31/06)
Zones of Contact, Biennial of Sydney, Sidney, Australia (6/7–8/27/06)
Word into Art, British Museum, London, England (5/18–9/3/06)
La Force de l'Art, Paris Triennial, Grand Palais, Paris, France (5/9–6/25/06)
The Garden Party, Deitch Projects, New York (3/9–5/20/06)
Without Boundary, Seventeen Ways of Looking, curated by F. Daftari,
Museum of Modern Art, New York (2/26–5/22/06)
Threads of Memory, curated by Margaret Matthews-Berenton, Dorsky
Gallery, Long Island City, New York (2/5–4/17/06)
C’era una Volta un Re: La Fiaba Contemporanea, curated by D. Denegri,
ARCOS, Museo d’Arte Contemporanea Sannio, Benevento, Italy
Soie, Centre d’Art Contemporain Le Rectangle, Lyon, France
Donna Donne. Uno Sguardo sul Feminile nell’arte Contemporanea, curated by
Adelina von Fürstenberg, Palazzo Strozzi, Florence, Italy (10/7/05–1/6/06)
Centre of Gravity, curated by Rosa Martinez, Istanbul Modern, Istanbul,
Turkey (9/17/05–1/8/06)
Hanging by a Thread, Moore Space, Miami, Florida (9/8–10/22/05)
Here Comes the Sun, curated by Daniel Birnbaum, Rosa Martinez, Jerome
Sans and Sarit Shapira, Magasin 3, Stocholm Konsthall, Stockholm, Sweden
Fairy Tales Forever: International Homage to H.C. Andersen, AroS Aarhus
Kunstmuseum, Copenhagen, Denmark (8/26–12/30/05)
Down the Garden Path, curated by Valerie Smith, Queens Museum of Art,
Queens, New York (6/26–10/9/05)
Vertigo, curated by Mollie Dent-Brocklehurst, Sudeley Castle,
Gloucestershire, England (6/20–10/30/05)
Always a Little Further, curated by Rosa Martinez, The 51st Venice Biennale,
Venice, Italy (6/12–11/6/05)
Identità & Nomadismo, Palazzo delle Papesse Centro Arte Contemporanea,
Siena, Italy (5/27–9/25/05)
Works on Paper, Gagosian Gallery, Beverly Hills, California (4/16–5/14)
Femmes, organized by Art for the World, Musée de Carouge, Carouge,
Switzerland (3/8–3/27/07); traveled to Florence, Italy (9/05); Brussels,
Belgium (2006)
TEXTures: Word and Symbol in Contemporary African Art, National Museum of
African Art, Washington, D.C. (2/11–9/4/05)
Confluence, curated by Jennifer Gately, Sun Valley Center for the Arts, Sun
Valley, Idaho (1/26–4/1/05)
De Leur Temps, les Collections Privées Françaises, curated by Evelyne
Dorothée Allemand and Michel Poitevin, Musée des Beaux-Arts, Tourcoing,
France (10/6–12/6/04)
Freedom Salon, Imagine Festival of Arts, Issues & Ideas, Deitch Projects, New
York (8/28–9/4/04)
Africa Remix, curated by Jean-Hubert Martin, Museum Kunst Palast,
Düsseldorf, Germany (7/24–11/11/04); traveled to Hayward Gallery,
London, United Kingdom (2/10–4/17/05); Centre Georges Pompidou, Paris,
France (5/15–8/20/05); Mori Art Museum, Tokyo, Japan (5/27–8/31/06);
Moderna Museet, Stockholm, Sweden (10/14/06–1/14/07)
Monument to Now, Deste Foundation, Athens, Greece (6/22–12/31/04)
Le Opere e i Giorni - Tre. La Vanitas, curated by Achille Bonito Oliva, Certosa
di Sab Lorenzo, Padula, Italy (6/18–9/30/14)
Il Periplo del Mediterraneo, curated by Maurizio Calvesi and Marisa Vescovo,
Museo dell’Accademia Ligustica di Belli Arti e Loggia di Banchi o della
Mercanzia, Genova, Italy (5/7–7/4/04)
Hommage à Georges Pompidou: Parcours dans les Collections du Musée d’Art
Moderne, Centre Pompidou, Paris, France (4/3–5/3/04)
Ghada Amer, Shirazeh Houshiary, Sue Williams, Kukje Gallery, Seoul, South
Korea (3/17–4/23/04)
Kunst Stoff, curated by Elisabeth von Samsonow and Rosemarie
Schwarzwälder, Galerie Nächst St. Stephan Rosemarie Schwarzwälder,
Vienna, Austria (3/5–4/24/04)
Beyond East and West: Seven Transnational Artists, curated by David O’Brien
and David Prochaska, Krannert Artmuseum, University of Illinois at UrbanaChampaign, Champaign, Illinois (1/04–4/04); traveled to: Louisiana State
University Museum of Art, Baton Rouge, Louisiana (4/16–9/4/04), Hood
Museum of Art, Dartmouth College, Hanover, New Hampshire (10/9–
12/12/04); Williams College Museum of Art, Williamstown, Massachusetts
L’Ecriture, le Signe, le Motif, Diocèse du Puy en Velay, le Puy en Velay, France
Looking Both Ways: Art of the Contemporary African Diaspora, curated by
Laurie Ann Farrell, Museum of African Art, Long Island City, New York
(11/13/03–3/1/04); traveled to Peabody Essex Museum, Salem,
Massachusetts (3/27–6/20/04), Cranbrook Academy of Art, Detroit,
Michigan (9/11–11/28/04), City Art Centre, Edinburgh, Scotland (6/18–
9/11/05); Museum of the African Diaspora, San Francisco, California (4/6–
Rêverie: Works from the Collection of Douglas S. Cramer, Speed Art Museum,
Louisville, Kentucky (7/22 –10/5/03)
Echigo-Tsumari Art Triennial 2003, Echugo-Tsumari Region, Japan (7/20–
Corporal Identity-Body Language, 9th Triennial for Form and Content, curated
by Eric de Chassey, Museum für Angewandte Kunst, Frankfurt am Main,
Germany; Klingspor Museum, Offenbach am Main, Germany (6/18–9/18);
traveled to Museum of Arts & Design, New York (11/14/03–5/16/04)
Il Racconto del Filo: Ricamo e cucito nell’arte contemporanea, curated by F.
Pasini and G. Verzotti, Museo di Arte Moderna e Contemporanea di Trento
e Roverto, Roverto, Italy (5/31–9/7/03)
Inscribing Meanings: African Arts of Communication, National Museum of
African Art, Smithsonian Institution, Washington, D.C. (5/9–8/26/03)
Feminine Persuasion: Contemporary Women’s Sexualities, School of Fine Arts
Gallery and the Kinsey Institute of Research in Sex, Gender and
Reproduction, Indiana University, Bloomington, Indiana (2/14–3/14/03)
Aligned, Florence Lynch Gallery, New York (2/6–3/7/03)
Sites of Recurrence, Madras Craft Foundation, DakshinaChitra Museum,
Chennai, India; traveled to Borås Konstmuseum, Borås, Sweden (1/24–
2/15/03); Karnataka Chitra Kala Parishad Museum, Bangalore, India
Harem Fantasies and the New Scheherazades, curated by Rose Issa, Centro
de Cultura Contemporanea de Barcelona, Barcelona, Spain (1/18–5/18/03)
ciudadMULTIPLECity, curated by Gerardo Mosquera, Arte Panama, Panama
Doble Filo, curated by Xabier Arakistain, Bilbao Arte, Bilbao, Spain (1/25–
Go Figure, curated by M. Steinberg and S. Stoyanov, Luxe Gallery, New York
Contemporary Art Project, Seattle Art Museum, Seattle, Washington
Best of 2001, Loevenbruck Gallery, Paris, France (12/12–12/29/01)
Accrochage, Galerie Guy Bärtschi, Geneva, Switzerland (12/2/01–2/2/02)
Sous-Titrée X, la Pornographie entre Image et Propos, curated by Ramon Tio
Bellido, Ecole Supérieure des Beaux-Arts de Tours, Tours, France (10/26–
Mediterranean–the New Wall? Culturgest, Lisbon, Portugal (10/16–12/30/01)
Unfolding Perspective, ARS 01, curated by T. Arkio, M. Jaukkuri, P. Nyberg and
J. Vanhala, Finnish National Gallery, Helsinki, Finland (9/30/01–1/12/02)
Threads of Vision: Toward a New Feminine Poetics, curated by Kristin
Chambers, Cleveland Center for Contemporary Art, Cleveland, Ohio
Experiences, curated by Rosa Martinez, Barcelona Art Report, 2001
Triennial, Barcelona, Spain (5/29–10/15/01)
Uncommon Threads: Contemporary Artists Clothing, Cornell University, Ithaca,
New York (3/31–6/17/01)
The Short Century, curated by Okwui Enwezor, Museum Village Stuck,
Munich, Germany (2/15–4/22); traveled to Martin-Gropius-Bau, Berlin
(5/18–7/29/01); Museum of Contemporary Art, Chicago, Illinois (9/8–
12/30/01), MoMA, PS1, Long Island City, New York (2/10–5/10/02)
Heureux le Visionnaire…, La Louvière : Centre de la Gravure, La Louvière,
Belgium (1/20–4/15/01)
Art Through the Eye of the Needle, Henie-Onstad Kunstsenterm, Oslo,
Norway (1/19–3/25/01)
Entretejidos-Texturas: Arte Contemporeaneo y Artesania Frances, Museo des
Artes de Lima, Peru (3/01–9/01); traveled to Museo Nacional, Rio de
Janerio, Brazil; Centro Cultural Recoleta, Buenos Aires, Argentina
Cross Female, curated by B. Höffer, V. Schulte-Fischedick, Metaphern des
Weiblichen inder Kunst Derguer Jahre, Berlin, Germany (9/20–10/29/00);
traveled to Halle Tony Garnier, Lyon, France (6/28–9/24/00)
Fait-maison, curated by Frédéric Roux, Musée International des Arts
Modestes, Sète, France
Innuendo, Dee/Glasoe Gallery, New York (6/3–7/22/00)
Partage d’Exotismes, curated by Jean-Hubert Martin, T. Prat, T. Raspail, 5th
Biennale d’Art Contemporain de Lyon, Musée Dauphinois, Grenoble, France
Rooms and Secrets/Stanze e Segreti, curated by Achille Bonito Oliva, Rotonda
del Besana, Milan, Italy (4/10–5/5/00)
Man and Space, 3rd Kwangju Biennial 2000, curated by Kwangsu Oh,
Gwangju, South Korea (3/29–6/7/00)
Whitney Biennial, curated by M. Lincoln Andersen, Whitney Museum of
American Art, New York (3/21–6/4/00)
Friends & Neighbors, EV+A 2000, curated by Rosa Martinez, Limerick City
Gallery of Art, Limerick, Ireland (3/10–6/4/00)
Greater New York: New Art in New York Now, MoMA PS1, Long Island City,
New York (2/27–5/1/00)
Leaving the Island, curated Rosa Martinez, Busan International Contemporary
Art Festival 2000, Busan Museum of Art, Busan, South Korea (10/2–
Continental Shift: A Journey between Cultures, African Artists in Europe, Ludwig
Forum, Aachen, Germany; traveled to Bonnefanten Museum, Maastricht,
Netherlands; Musée d’Art Moderne, Liège, France; Stadsgalerij Heerlen,
Skin, curated by Andrea Gilbert, DESTE Foundation Center for
Contemporary Art, Athens, Greece (10/19–12/4/99)
Radicalité dire les qualités, Galerie Brownstone & Corréard, Paris, France
Corps Social, curated by Eric de Chassey, École Nationale Supérieure des
Beaux-Arts, Paris, France (9/17–11/21/00)
Looking for a Place, 3rd International Site Santa Fe Biennial, curated by Rosa
Martínez, Santa Fe, New Mexico (7/1–12/12/00)
APERTO Over All, 48th International Art Exhibition, curated by Harald
Szeeman, Biennale di Venezia, Italy (6/13–11/7/99)
Mar de Fondo, curated by Rosa Martinez, Teatre Romà de Sagunt, Valencia,
L’Un et l’Autre et Vice et Versa, Espace Paul Riquet, Béziers, France (10/16–
Loose Threads, curated by Lisa Corrin, Serpentine Gallery, London, England
The Edge of Awareness, curated by Adelina von Furstenberg, World Health
Organization Headquarters, Geneva, Switzerland (5/9–7/12/98); traveled to
United Nations Buliding, New York; MoMa PS1 New York; SESC Pompéia,
Sao Paulo, Brazil; WHO Regional Office/The Rabindra Bahvan Lalitkala
Academy, New Delhi, India
L’Entrelacement & l’Enveloppe Pratiques et Métaphores Textiles, Villa du Parc,
Annemasse, France (5/15–6/27/98)
Métissages, Musée du Luxembourg, Paris, France (4/22–6/14/98); traveled
to Musée de Louviers, Belgium ; Musée d’Art et d’Histoire de Saint-Brieuc,
Château de Vogüé, Ardèche, France; Espace Saint-Jacques, Ville de San
Quentin, San Quentin, France (opened 4/25/00); Musée d’Art et d’Histoire,
Saint Brieuc, France (6/29–10/13/02))
Exposition de Groupe, Espace Louise Michel, Paris, France (3/28–5/13/98)
Echolot, curated by René Block, Museum Fridericianum, Kassel, Germany
L’Envers du Décor, Dimensions décoratives dans l’art du XXème Siècle, Musée
d’Art Moderne Lille Métropole, Villeneuve d’Ascq, France (10/17/98–
2/21/99); traveled to Institut D’Art Contermporain, Villeurbanne/RhôneAlpes, France (5/21–10/31/99)
French Kiss, Contemporary Art Gallery, Vancouver, Canada (12/13/97–
Alternating Currents, 2nd Johannesburg Biennale, curated by Okwui Enwezor
and Octavio Zaya, Johannesburg, South Africa (10/12/97–1/18/98)
Produire, Créer, Collectionner, Caisse des Dépôts et Consignations, Paris,
France (10/4–11/15/97)
Ici et Maintenant, Parc de la Villette, Paris, France (9/5–9/14/97)
Thread, Cristinerose Gallery, New York (9/4–10/4/97)
Aamitiés et Autres Catastrophes, La Carte du Tendre. Le Crestet Centre d’Art,
Le Crestet, France (6/29–9/1/97)
What’s Next… On Canvas, Elga Wimmer, New York (5/29–6/28/97)
Vraiment Feminisme et Art, curated by Laura Cottingham, Le Magasin Centre
National d’Art Contemporain de Grenoble, Grenoble, France (4/6–5/25/97)
Ici et Maintenant (encore), 13 Quai Voltaire, Paris, France (4/3–5/10/97)
Sous le Manteau, Galerie Thaddaeus Ropac, curated by Caroline Smulders,
Paris, France (3/18–4/26/97)
Heureux le Visionnaire…, Commande publique du CNAP, Maison Levanneur
de l’Estampe et de l’Art Imprimé, Chatou, France (2/15–4/14/97)
Le Bonheur de Vivre, ses Ravages sur l’Inconscient…, Galerie Météo, Paris,
Container ’96, Cultural Capital of Europe, Copenhagen, Denmark (1/96–
Ceremonial, curated by Barry Schwabsky, Apex Art Gallery, New York
Miniatures, Espace Karim Francis, Cairo, Egypt (5/28–6/18/96)
The Sense of Order, curated by Z. Badavinac, Moderne Galerija, Ljubljana,
Slovenia (5/9–6/23/96)
Sans Regrets, Toxic New Art, Luxembourg
Die Raüber der Strandguts, Kunstlerhaus Bethanien, Berlin, Germany; traveled
to Institut Français, Munich, Germany
Figures, Le Parvis, Tarbes, France.
Tampons d’artistes, Musée de la Poste, Paris, France
Group Invitational Show, Annina Nosei Gallery, New York
Territoires Occupés/ Kunst Konversion, curated by Béatrice Josse and
Maximilian G. Van de Sand, Fonds régional d'art contemporain Lorraine,
Lorraine, France; traveled to Arge Kunst Südwestpfalz, Germany.
Orient/ation, The Vision of Art in a Paradoxical World, 4th International Istanbul
Biennial, curated by René Block, Istanbul, Turkey (11/10–12/10/96)
Etrangères au Paradis, curated by Michel Nuridsany, Le Monde de l’Art, Paris,
France (4/11–5/25/95)
Pittura/Immedia, curated by Peter Weibel, Neue Galerie am Landesmuseum
Joanneum, Graz, Austria (3/11–4/18/95)
The Mutated Painting, Galerie Martina Detterer, Frankfurt, Germany (2/25–
Le Duc sur un Noyau de Cerise et La Princesse au Petit Pois…, Friedenstein
Castle Kunstverlag, Gotha, Germany (1/21–3/12); traveled to Fonds régional
d'art contemporain Auvergne, Villeneuve Lembron, France (7/10–10/1)
…Wie Gemalt, Kunstverein, Aachen, Germany
Group show curated by Catherine Arthus Bertrand, CAC (Centre d’Art
Contemporain), St. Léger, Pougues-les-Eaux, France (6/18–9/4/94)
Bifurcations, Abbaye Saint André, Meymac, France (2/20–4/17/94); travelled
to Cimaise et Portique, Albi, France; Musée de Dole, Dole, France (4/26–
Mété(vous)o-show, Galerie Météo, France
Snark, cabinet des desseins, Galerie Pierre Nouvion, Monaco, Monte-Carlo.
June, curated by Oliver Zahm, Galerie Thaddaeus Ropac, Paris, France (6/3–
The Armoire Show, curated by Hans Ulrich Obrist, Hôtel Carlton Palace,
Paris, France
SMGP2A, Galerie Barbier-Beltz, Galerie Météo, Paris, France
37ème Salon de Montrouge, France
Montrouge à Montbélliard, Musée de Montbélliard, Montbélliard, France
I Love Paris, Hôpital Ephémère, Paris, France (3/1–4/19/92)
Les Mystères de l’Auberge Espagnole, Villa Arson, Nice, France
Une Rose est une Rose, Galerie Météo, Paris, France
My Beautiful Lady, Villa Arson, Nice, France
Artist-in-Residence, Greenwich House Pottery, New York (8/2013–2/2015)
Artist-in-Residence, with Reza Farkhondeh, Ontario College of Art &
Design, Toronto, Canada.
Artist-in-Residence, with Reza Farkhondeh, LeRoy Neiman Center for Print
Studies, Columbia University, New York
Artist-in-Residence, University of North Carolina, Chapel Hill, North
Smithsonian Institution Artist Research Fellowship Program, Washington,
Artist-in Residence, with Reza Farkhondeh, Singapore Tyler Institute,
Artist-in Residence, H&R Block Artspace at the Kansas City Art Institute,
Kansas City, Missouri
Artist-in-Residence, School of the Art Institute of Chicago, Chicago, Illinois
UNESCO Prize, 48 Esposizione Internationale della Biennale di Venezia,
Venice, Italy
Pollock-Krasner Foundation Grant, New York
Artist-in-Residence, University of North Carolina, Chapel Hill, North
Artist Talk, Brown University, Providence, Rhode Island (10/29/15)
Lecture, Musée d'art contemporain de Montréal, Quebec
Lecture, Elizabeth A. Sackler Center for Feminist Arts, Brooklyn Museum,
Brooklyn, New York
Artist Dialogues: Ghada Amer and Reza Farkhondeh, Elizabeth A. Sackler
Center for Feminist Arts, Brooklyn Museum, Brooklyn, New York
Lecture, Kendall College of Arts and Design, Ferris States University, Grand
Rapids, Michigan
Lecture, Michigan State University, Lansing, Michigan
Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry—
Artists Among Nations: Ghada Amer & Alfredo Jaar, Museum of Modern
Art, New York
Interview, If Walls Had Ears, De Appel, Amsterdam
Symposium, "Religion, Politics and Sexuality: What can history tell us about
boundaries of expression in the Middle East now?" British Museum, London
Symposium, Matrilineage, Syracuse University
Gallery Talk, New York Studio Events, Independent Curators International,
New York
Lecture, Davis Museum & Cultural Center, Wellesley College, Wellesley,
Lecture, Kansas City Art Institute, Kansas City, Missouri
Award Master Jury Member, The Ninth Cycle of the Aga Khan Award for
Miller Visiting Scholar, School of Art, University of Illinois, UrbanaChampaign, Champaign, Illinois
Pannelist, Beyond East and West: Seven Transnational Artists. University of
Illinois, Urbana-Champaign, Champaign, Illinois
University of Memphis Tennessee, Memphis, Tennessee
School of the Museum of Fine Arts in Boston, Massachusetts
Lecture, Hood Art Museum Dartmouth College, Hanover, New Hampshire
Lecture and panel discussion, Cranbrook Art Museum, Detroit, Michigan
Lecture, Indianapolis Museum of Art Contemporary Art Society,
Indianapolis, Indiana
Lecture, University of Michigan, Ann Arbor, Michigan
School of Visual Art, New York
Columbia University. New York
Symposium, "Who Defines the Contemporary? Diaspora and Experiences in
the Visual Arts." Smithsonian Institute, Washington, D.C.
Lecture, Center for European Studies at UNC Chapel Hill, Chapel Hill,
North Carolina
Lecture, Institute for Research on Women & Gender, University of
Michigan, Ann Arbor, Michigan
Lecture, Umea University, Umea, Sweden
Lecture, San Francisco Art Institute, San Francisco, California
Conversation with Andrew Renton and James Putnam “Art, Faith, and
Democratic Space,” Hayward Gallery, London
Lecture, Biblioteca Nacional, Panama City, Panama
Conversation with Pat Steir, New School, New York
Museum of Fine Arts, Boston, Massachusetts
Corcoran Gallery of Art, Washington, D.C.
Lecture, Columbia University, New York
Cleveland Center for Contemporary Art, Ohio
School of Visual Art, New York
New York University, New York
Panelist, African Modernism/Global Contexts: A Dialogue with African
Artists, Museum of Contemporary Art, Chicago, Illinois
Artist-in-Residence, Columbia University, New York
Fordham University, New York
Institute of Visual Arts, Milwaukee, Wisconsin
Modern Art Museum of Fort Worth, Texas
New Rochelle University, New York
Symposium, Egypt in Modern Art, Georgia State University, November 6-7,
Atlanta, Georgia
Symposium, The Voice of Now, Sotheby’s, May 14, New York
Fordham University, New York
Cry of My Birth: Five Contemporary African Artists, School of the Art
Institute of Chicago, University of Illinois, Northwestern University,
University of Chicago, & Columbia College, Illinois
“La Création Aujourd’hui: Conversation entre Ghada Amer et Anne
Garreta,” University of North Carolina at Chapel Hill
Nouveau Musée, Villeurbanne, France
“The Edge of Awareness,” New School for Social Research, New York
Contemporary Art Gallery, Vancouver, Canada
Lecture, University of North Carolina at Chapel Hill, North Carolina
“The Vision of Art in a Paradoxical World-Oriental Challenge in Art,”
Mimar Sinan University, Fine Arts
Academy, Istanbul, Turkey
Ecole des Beaux-Arts de Quimper, France
Ecole des Beaux-Arts de Valence, France
Hunger, Enid A. Haupt Garden, National Museum of African Art and
Smithsonian Gardens, Washington, D.C.
Ornellia Wine Labels, collaboration with Reza Farkhondeh, Tenuta
dell’Ornellaia, Tuscany, Italy
Happily Ever After, site-specific garden, Tuscany, Italy
An Indigestible Desert, collaboration with Reza Farkhondeh, Francesca
Minini, Milan, Italy
Love Park, curated by Laurie Ann Farrell, Lacoste, France
Il Etait une Fois dans un Pays Lointain, Festival des Cultures Francophones
2006: 'Faites vos Jeux!' Rennes, France. Opening Sept 26, 2007.
Fear Dress, Whitney Art Party, collaboration with Francisco Costa of Calvin
Klein, New York
Reign of Terror, Davis Museum, Wellesley College, Massachusetts
Yin Yang Garden, 51st Venice Biennial, Venice, Italy
S’il Pleuvait des Larmes, (curated by Achile Bonito Oliva) Padula, Italy
Artists’ Favourites, Institute of Contemporary Arts, London, England
Ciudad Multiple: Six Chinese Proverbs (curated by Gerardo Mosquera and
Adrienne Samos), Arpa Foundation, Panama City, Panama
Love Grave, Indianapolis Museum of Art, Indianapolis, Indiana
Peace Garden/Art Project, Art Basel Miami Beach, Miami Beach Botanical
Garden, Florida
Hoy el 70% de los Pobres en el Mundo Son Mujeres (Today 70% of the
Poor in the World Are Women), curated by Rosa Martinez, La Rambla del
Raval, Barcelona, Spain (5/01–10/01)
Women’s Qualities in Leaving the Island, curated by Rosa Martinez, Pusan
International Contemporary Art Festival 2000, Pusan Metropolitan Art
Museum, South Korea
Love Park in the “Third International Biennial Exhibition: Looking for a
Place” curated by Rosa Martinez, SITE Santa Fe, New Mexico
Cactus Painting in Mar de Fondo, curated by Rosa Martinez, Teatro
Romano de Sagunto, Valencia, Spain
L'Espace à Effeuiller la Marguerite (The Space for Pulling Off Daisy Petals) in
Aamitiés et Autres Catastrophes, La Carte du Tendre, Le Crestet Centre
d’Art, Vaison-la Romaine, France
Ici et maintenant, curated by Yves Jammet, Parc de la Villette-Grande-Halle,
Paris, France (9/4/97)
The Arab Museum of Modern Art, Qatar Museums Authority, Doha
Art Institute of Chicago, Chicago, Illinois
Barjeel Art Foundation, Sharjah, United Arab Emirates
Birmingham Museum of Art, Birmingham, Alabama
Brooklyn Museum, New York
Centre Georges Pompidou, Paris, France
Detroit Institute of Art, Detroit, Michigan
Fond National d’Art Contemporain (FNAC) Paris, France
Fonds Régional d’Art Contemporain (FRAC), Auvergne, France
Fonds Régional d’Art Contemporain (FRAC), Provence-Alpes-Côte d’Azur, France
Guggenheim Museum, Abu Dhabi, UAE
Hood Art Museum, Dartmouth College, Hanover, New Hampshire
Indianapolis Museum of Art, Indianapolis, Indiana
Israel Museum, Jerusalem, Israel
Istanbul Modern, Istanbul, Turkey
LaM Museum, Lille Métropole Musée d’Art Moderne, d’Art Contemporain et d’Art
Museum Kunstpalast, Dusseldorf, Germany
Neuberger Berman Art Collection, New York
Sammlung Goetz, Munich, Germany
Samsung Museum, Seoul, South Korea
Savannah College of Art and Design, Savannah, Georgia
Speed Art Museum, Louisville, Kentucky
Tel Aviv Museum of Art, Tel Aviv, Israel
Schulenberg, Anneke. Beyond Borders: The Work of Ghada Amer, Mona Hatoum,
Shirin Neshat and Shahzia Sikander, University of Nijmegen, Netherlands.
Bardaouil, Sam, and Till Fellrath. Summer Autumn Winter… and Spring:
Conversations with Artists from the Arab World, Skira Editore S.p.A., Milan,
Cresseils, Anne. Ghada Amer: Rainbow Girls. New York: Cheim and Read.
Heartney, Eleanor. The Reckoning: Women Artists of the New Millennium, Prestel
Publishing, New York.
Weiner von Bismarck, Vanessa. Living in Style: New York, teNeues Publishing
Group, Kempen, Germany.
Bardaouil, Sam and Till Fellrath. Le Théorème de Néfertiti: Itinéraire de l’oeuvre
d’art: la création des icons, Institut du Monde Arabe, Paris, France.
Martinez, Rose. Référence À Elle, Kukje Gallery, Seoul, Korea.
2012 St. Gelais, Therese. Ghada Amer, Musée d'art contemporain de Montréal.
Brüderlin, Markus. Art & Textiles: Fabric as Material and Concept in Modern Art
from Klimt to the Present, Kunstmuseum Wolfsburg, Wolfsburg, Germany.
Von Fürstenberg, Adelina, The Mediterranean Approach, SESC Pinheiros, São
Paulo, Brazil.
Cardinal, Philippe. Le corps découvert, Institut du Monde Arabe, Paris, France.
Brodsky, Judith K. and Ferris Olin. The Fertile Crescent; Gender, Art and Society,
Rugers University Institute for Women and Art, New Brunswick, New
Jantjes, Gavin. Prisme. Tegning fra 1990 til 2012 / Prism: Drawing from 1990 to
2012, Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo Norway.
Napoleone, Valeria. Valeria Napoleone’s Catalogue of Exquisite Recipes, Koenig
Books, London.
2011 Rubin, Nathan. No Romance: Ghada Amer | Reza Farkhondeh & Collaborative
Work, Goodman Gallery, Johannesburg, South Africa.
St-Gelais, Thérèse. Loin des yeux pre ès du corps : entre the éorie et création,
Éditions Du Remue-Ménage, Montreal.
2010 Antle, Martine. Ghada Amer and Reza Farkhondeh: The Gardens Next Door,
Galeria Filomena Soares, Lisbon.
Eigner, Saeb and Isabell Caussé. Art of the Middle East: Modern and Contemporary
Art of the Arab World and Iran, Merrell, London.
Law-Viljoen, Bronwyn. In Context: A Series of Exhibitions and Intervenions that
Engage with the City of Johanesburg, Goodman Editions, Johannesburg,
South Africa.
Reilly, Maura. Ghada Amer, Gregory Miller & Company, New York.
Reilly, Maura. Ghada Amer: Color Misbehavior, Cheim & Read, New York.
DeWoody, Beth Rudin. In Stitches, Leila Taghinia-Heller Gallery, New York.
Katz, Vincent. The Natural World, the Political Context: Collaborative Monoprints
by Ghada Amer and Reza Farkhondeh. Pace Prints, New York.
Ihanet, Sehrazat’a. Ghada Amer: Failing Shahrazad, Dirimart, Istanbul.
Godfrey, Tony. Painting Today. Phaidon, London.
Katz, Vincent. Ghada Amer | Reza Farkhondeh: Roses off Limits, Pace Prints, New
Moore, Lindsay. Arab, Muslim, Woman: Voice and Vision in Postcolonial Literature
and Film. Routledge: London and New York.
-------------. Pratesi, Ludovico. G.D. Technology and Art: A Story of Innovation
Narrated by Eighteen Contemporary Artists. G.D.: Italy.
Sharp, Christopher; Kent, Sarah. “Demons, Yarns & Tales: Tapestry by
Contemporary Artisits.” Banners of Perusasion, London.
Timeto, Federica. Cultura della Differenza. Torino: UTET, Italy. (Text by Auricchio,
Amer, Sahar. Crossing Borders: Love between Women in Medieval French and
Arabic Litterature. University of Pensylvennia Press. (cover).
Kushner, S., Marylin. The Future Must Be Sweet–Lower East Side Printshop
celebrates 40 Years. New York: Lower East Side Printshop.
Fraser, Marie; Uzel, Jean-Philippe, Loubier, Patrice; Lupien, Jocelyne; Lalonde, Joanne;
St Gelais ThérèseLavoie, Vincent. The Undecidable. Montreal :
Editions Esse.
Haworth, Jann ; Monem, Nadine, Quinn, Bradley, Jefferies, Janis. Contemporary
Textiles. London: Black Dog Publishing Ltd.
Cachia, Amanda; Borsa, Joan. Pandora’s Box. Saskatchewan, Canada: Regina Public
Njami, Simon. Ghada Amer: Another Spring. Seoul: Kukje Gallery.
Farrell, Laurie Ann. Ghada Amer Le Salon Courbé; Ghada Amer and Reza
Farkhondeh An Indigestible Dessert. Milan: Francesca Minini.
Farrell, Laurie Ann. Ghada Amer & Reza Farkhondeh: Collaborative Drawings.
Seoul: Kukje Gallery.
Antle, Martine. Ghada Amer/Reza Farkhondeh: A New Collaboration on Paper.”
Singapore: STPI.
Porter, Venetia; Eigner, Saeb. Word Into Art: Artists of the Modern Middle East.
Dubaï: The British Museum Press.
Blackmun Visonà, Monica; Poyner, Robin; M. Cole, Herbert. A History of Art in
Africa. Pearson: Prentice Hall.
Hermanns, Ralph. New York of Course. Stockholm: Wetterling Gallery.
Cole Levin, Carol; Mc Clintic, Miranda. What F Word? New York: Cynthia Broan
Mullen Kreamer, Christine; Nooter Roberts, Mary; Harney, Elizabeth; Allyson
Purpura. Inscribing Meaning: Writing and Graphics Systems in African
Art. Smithsonian: National Museum of African Art.
------------. Mujeres en el Espejo Mediterraneo. Instituto Europeo del Mediterraneo,
Barcelona. (text by Rosa Martinez).
-------------. Pricked : Extreme Embroidery. Museum of Arts and Design.
Njami, Simon, and Michael J. Rulon. Ghada Amer: Another Spring, Kukje Gallery,
Seoul, Korea.
Jeffery, Celina. Afterglow Savannah. GA: Savannah College of Art and Design.
Heartney, Eleanor; Posner, Helaine; Princethal, Nancy; Scott, Sue. After the
Revolution: Women who Transformed Contemporary Art. Prestel: Munich,
Berlin, London, New York.
Celant, Germano ; Eccher, Danilo ; Macri, Teresa ; Janus, Elizabeth. Ghada Amer.
Chadwich, Whitney. Women, Art and Society. New York: Thames and Hudson.
Antle, Martine. Ghada Amer: New Cultural In-Betweens. Mineapolis: Franklin Art
Buszek, Maria Elena. Breathe Into Me, Gagosian Gallery, New York.
Denegri, Dobrila. C’era una Volta un Re: La Fiaba Contemporeanea. Milan: ARCOS.
Bonito Oliva, Achille. Le Opere e i Giorni. Milan: Skira 2006.
Dakhlia, Jocelyne (Ed.). Créations Artistiques Contemporaines en Pays D’Islam.
Paris: Éditions Kimé.
McGowan, Brooke Lynne. Reconstruction #1. London: Spear Media Ltd. (text by
Allegra Galvin).
------------. Ghada Amer. New York: Gagosian Gallery. (text by Maria Elena Buszek
and Christophe Kihm).
------------. Africa Remix: Contemporary Art of Continent. (Japanese Edition) Tokyo:
Mori Art Museum.
------------. Africa Remix: Contemporary Art of Continent. (Sweedish Edition)
Stockholm: Moderna Museet.
Kafetsi, Anna. The Grand Promenade. Athens: Hellenic Ministry of Culture, National
Museum of Contemporary Art.
Porter, Venetia. Word into Art: Artists of the Modern Middle East. London: The
British Museum Press.
Merewether, Charles. 2006 Biennale of Sydney Zones of Contact. Sydney: Biennale
of Sydney Ltd.
Daftari, Fereshteh. Without Boundary: Seventeen Ways of Looking. New York:
Museum of Modern Art.
Matthews-Berenson, Margaret. Threads of Memory. Long Island: Dorsky Gallery.
Jensen, Mona. Fairy Tales Forever: International Homage to H.C. Andersen.
Copenhagen: AroS Aarhus Kunstmuseum.
Smith, Valerie. Down the Garden Path: The Artist’s Garden After Modernism. New
York: Queens Museum of Art.
Martínez, Rosa. Centre of Gravity. Istanbul: Istanbul Modern, (text by Lundström,
Farrell, Laurie Ann. Looking Both Ways/Das Esquinas do Olhar. (Portugese edition)
Lisbon: Fundação Calouste Gulbenkian.
--------------. Africa Remix. Paris: Éditions du Centre Pompidou. (French edition).
Martinez, Rosa. Venice Biennale 2005: Always a Little Further–51st International Art
Exhibition. Venice: La Biennale di Venezia.
Grosenick, Uta. Art Now Vol. 2. London: Taschen.
Fusi, Lorenzo. Identità & Nomadismo. Siena: Palazzo delle Papesse.
-------------. If Walls Had Ears 1984-2005. Amsterdam: De Appel.
Testino, Mario. Visionaire 46 UNCENSORED. New York: Visionaire Publishing.
O’Brien, David and David Prochaska. Beyond East and West: Seven Transnational
Artists. Williams College Museum of Art.
Thompson, Barbara. Beyond East and West: Seven Transnational Artists. Hood
Museum of Art.
Homes, A.M. Ghada Amer. New York: Gagosian Gallery.
Cameron, Dan, Jeffrey Deitch, et al. Monument to Now. Athens: Deste Foundation.
Martínez, Rosa, and Lundström, Jan-Erik, and Millet, Teresa. Ghada Amer. Valencia:
Institut Valencià d’Art Modern.
Farrell, Laurie Ann. Ghada Amer. Seoul: Kukje Gallery.
Farrell, Laurie Ann. Looking Both Ways: Art of the Contemporary African Diaspora.
New York: Museum for African Art; Gent: Snoeck-Ducaju & Zoon.
Blake, Nayland, and Cheryl A. Brutvan, and Valerie Cassel Oliver,and Peter
Doroshenko, and Dana Friis-Hansen, and Lynn M. Herbert, and Paola
Morisani, and Marti Mayo, and Paoula Newton, and Theresa Papanikolas, et
al. Perspectives @ 25: A Quarter Century of New Art In Houston. Houston:
Houston Contemporary Arts Museum.
-----------. Africa Remix: Zeitgenössische Kunst eines Kontinents. Düsseldorf:
Museum Kunst Palast.
-----------. Ghada Amer: 9-IX-2004/7-XI-2004, Institut Valenciá d’Art Modern,
Valencia, Spain.
de Batté, Brunetto, and Maurizio Calvesi, and Emilia Marasco, and Paolo Rosa, and
Marisa Vescovo. Periplo del Meditarreaneo. Museo dell’Accademia Ligustica
di Belli Arti e Loggia di Banchi o della Mercanzia, Genova, Italy.
Stirratt, Betsy & Catherine Johnson. Feminine Persuasion. Bloomington: Indiana
University Press.
Mernissi, Fatema. Harem Fantasies and the New Scheherazades. Barcelona: Centre
de Cultura Contemporània de Barcelona.
Arnason, H.H. History of Modern Art (5th Edition). Upper Saddle River: Pearson
Ebony, David, and Jane Harris, and Frances Richard, and Martha Schwendener, and
Sarah Valdez, and Linda Yablonsky. Curve: The Female Nude Now. New
York: Universe Publishing, pp 24-25.
--------------. Echigo-Tsmari Art Triennial 2003. Tokyo: Gendaikikakushitsu Publishers.
--------------. Corporal Identity-Body Language: 9th Triennial for Form and Content.
Frankfurt, Offenbach, New York: Museum für Angewandte Kunst, Klingspor
Museum, Museum of Arts & Design.
Haglund, Elisabet, and Maleström, Tamara. Sites of Recurrence: a Workshop in
Contemporary Art. Chennai: Madras Craft Foundation, India. (Text by
Wendt, Selene).
Haglund, Elizabet, and Tamara Malmeström. Sites of Recurrence II: Out of India Contemporary International Art. Borås: Borås Konstmuseum.
Robson, Julien. Rêverie: Works from the Collection of Douglas S. Cramer. Louisville:
The Speed Art Museum.
Bailey, David A., and Gilane Tawadros. Veil: Veiling, Representation and
Contemporary Art. London: Institute of International Visual Arts (inIVA) in
association with Modern Art Oxford.
Pasini, Francesca, and Giorgio Verzotti. Il Racconto del Filo: Ricamo e Cucito
nell’Arte Contemporanea. Milan: SKIRA. (Interview by Margherita Remotti).
Sabourin, Yves. Métissages: Dentelles, Broderies, Passementeries. Ardèche: Château
de Vogüé.
Amer, Sahar, and Olu Oguibe. Ghada Amer. Amsterdam: De Appel.
Freiman, Lisa D. Ghada Amer. Indianapolis: Indianapolis Museum of Art.
Martinez, Rosa. Ghada Amer. Lisbon : Galeria Filomena Soares.
Kim, Clara. Ghada Amer: Délier les Langues. Geneva: Galerie Guy Bärtschi.
Grosenick, Uta. Art Now. Cologne: Taschen.
Young, Tara Reddy, and Lisa Corrin. SAM Collects: Contemporary Art Project.
Seattle: Seattle Art Museum.
Verdier, Evence. L’Agence d’Artistes. Tours : Centre de Création Contemporaine.
Renton, Andrew. Ghada Amer. New York: Gagosian Gallery.
-------------. Vitamin P: New Perspectives in Painting. London: Phaidon, (text by
Marilu Knode).
Moss, Karen. Ghada Amer. San Francisco Art Institute: Walter Gallery, San
Francisco, CA.
Sabourin, Yves. Métissages: Dentelles, Broderies, Passementeries, Tapisseries. SaintBrieuc: Musée d’Art et d’Histoire de Saint-Brieuc.
Ramos, Fatima & Pinto Ribeiro, Antonio. Mediterranean–the New Wall? Lisbon:
Cassel, Valerie. Ghada Amer: Pleasure [Perspectives 128]. Houston: Contemporary
Art Museum.
Wendt, Selene. Ghada Amer: Reading Between the Threads. Høvikodden: Henie
Onstad Kunstsenter.
Grosenick, Uta. Women Artists in the 20th and 21st Century. Cologne: Taschen.
Chambers, Kristin. Threads of Vision: Toward a New Feminine Poetics. Cleveland:
Cleveland Center for Contemporary Art, New York: D.A.P.
Ulmer, Sean M. Uncommon Threads: Contemporary Artists and Clothing. Ithaca:
Herbert F. Johnson Museum of Art.
Enwezor, Okwui. The Short Century: Independence and Liberation Movements in
Africa 1945-1994. Munich: Prestel.
Peigné, Jacques, and Yves Sabourin. Entretejidos-Texturas: Arte Contemporeaneo y
Artesania Frances. Paris: CNAP, Ministère de la Culture, AFAA.
O’Reilly, Paul M., and Rosa Martinez. EV+A 2000 Friends + Neighbors. Limerick:
EV+A 2000.
Moss, Karen. Ghada Amer. San Francisco: San Francisco Art Institute.
Martinez, Rosa. ARS 01 Unfolding Perspectives. Helsinki: Museum of Contemporary
Art Kiasma.
---------------. Sous-Titré X, La Pornographie entre Image et Propos. Rennes : PUF
Université Rennes 2, La Harpe.
Sabourin, Yves. Métissages: Regard Contemporain sur la Broderie, la Dentelle et la
Passementerie. Louviers: Musée de Louviers.
Lowry, Glenn. Greater New York: New Art in New York Now. New York: P.S.1.
Auping, Michael G., and Valerie Cassel, and Hugh M. Davies, and Jane Farver, and
Andrea Miller-Keller, and Lawrence R. Rinder, and Maxwell Linclon
Anderson. Whitney Biennial: 2000 Exhibition. New York: Whitney Museum
of American Art, pp 36-37.
Lyotard, Jean-François, and Françoise Safin-Crahay, et al. Continental Shift. Heerlen:
Stadsgalerij; Maastrich: Musée d’Art Moderne; Liège: Ludwig Forum.
Guralnik, Nehama & Mordecha Omer. Ghada Amer: Intimate Confessions. Tel Aviv:
Museum of Art.
Oliva, Achille Bonito. Stanze e Segreti. Milan: Skira & Isaloni.
------------. Collection 1989/1999 FRAC Provenence-Alpes-Côte-d’Azur. Marseille:
Frac Provenence-Alpes-Côte d’Azur.
Rouz, Frédéric. Musée International des Arts Modestes, Automne 2000 Printemps
2001. Sète: Musée International des Arts Modestes.
Prat, Thierry, and Thierry Raspail. 5th Biennale d’Art Contemporain de Lyon: Partage
d’Exotismes. Lyon: Biennale d’Art Contemporain de Lyon.
------------. Fresh Cream. New York, London, Paris, Berlin: Phaidon Press.
Szeeman, Harald. Venice Biennial 1999: Over All–48th Exposition of International
Art. Venice: La Biennale di Venezia, (text by Cecilia Liveriero Lavelli).
Martinez, Rosa. Looking for a Place. Santa Fe: SITE Santa Fe.
Elias, Norbert & Eric de Chassey. [Corps] Social. Paris: École Nationale Supérieure
des Beaux-Arts.
Gilbert, Andrea. Skin. Athens: DESTE Foundation Centre for Contemporary Art.
Breitz, Candice. Ghada Amer. Kassel: Kunsthalle Fridercianum.
Pijaudier-Cabot, Joëlle, and Jacques Soulillou, et al. L’Envers du Décor, Dimensions
Décoratives dans l’Art du XXè Siècle. Villeneuve d’Ascq: Musée d’Art
Moderne Lille Métropole.
Kohlmeyer, Agnes. The Edge of Awareness. Milan: ART for the World, Edizioni
Charta, pp. 122-123.
Sabourin, Yves. Métissages. Paris: Musée du Luxembourg.
Martínez, Rosa. Mar de Fondo. Valencia: Generalitat Valenciana, (text by Eric de
Giffon, Anne, and Sylvaine van den Esch, and Michel Gaillot. L’Entrelacement &
l’Enveloppe Pratiques et Métaphores Textiles. Annemasse: Villa du Parc.
Corrin, Lisa G. Loose Threads. London: Serpentine Gallery.
Gaillot, Michel, and Susan Edelstein, and Keith Wallace. French Kiss: Ghada Amer,
Jean-Sylvain Bieth, Bernard Lallemand, Gany Leriche, and Patrick Raynaud.
Vancouver: Contemporary Art Gallery.
Wallace, Keith. Kiss & Tell, French Kiss. Vancouver: Contemporary Art Gallery,
Artspeak Gallery.
Hargreaves, Alec G., and Mark McKinney. Post-Colonial Cultures in France. London
& New York: Routledge, (text by Dalila Mahdjoub).
Moody, Tom. Thread. New York: CristineRose Gallery.
-----------. Géographies du Tendre. Arles: Crestet Centre d’Art.
-----------. Sous le Manteau. Paris: Galerie Thaddeus Ropac.
Winkelhorn, Katherine. Container 96, Art Across Oceans. Copenhagen: Europaeisk
Kulturby. p. 78.
-----------. Miniatures. Cairo: ESPACE Karim Francis.
Badovinac, Z. The Sense of Order. Ljubljana : Moderna Galerija.
Schwabsky, Barry. Ceremonial. New York: Apex Art.
----------. Pittura Immedia: Malerei in den 90er Jahren. Graz: Neue Galerie am
Landesmuseum Joanneum.
Rudolph, Karen, and Latreille, Emmanuel, and Rothamel, Jörk. Le Duc sur le Noyau
de Cerise et la Princesse sur le Petit Pois. Auvergne: FRAC Auvergne. (text
by Perret, Catherine)
Rothamel, Jörk, and Rudolph, Karen. Der Herzog auf dem Kirsch Kern und die
Prinzessin auf der Erbse. Germany: Kunstverlag Gotha.
Nuridsany, Michel. Etrangères au Paradis. Paris : Le Monde de l’Art.
----------. Territoires Occupés/Kunst-Conversion. France-Germany.
Franceschi, Xavier, and Zahm, Olivier. Ghada Amer. Brétigny-sur-Orge: Espace Jules
Pagès, Estelle, and Criton, Sonia. Bifurcations. Dôle: Abbaye de Meymac.
-----------. Une Rose est une Rose. Paris: Galerie Météo. (text by Mouton, Joseph).
Barbu, Théophile. Ghada Amer. Paris: Hôpital Ephémère.
Dobrzynski, Judith H. Crystal Bridges Museum to Unveil Acquisitions. The New
York Times, June 4.
Critic’s Picks: Ghada Amer, “Rainbow Girls.” Time Out New York, 2014.
Laster, Paul. Ghada Amer, “Rainbow Girls.” Time Out New York, April 4–23.
Pincus-Witten, Robert. Ghada Amer: Cheim & Read, Artforum, Summer.
World’s Biggest Art Review: 7 Critics Cover 20 New York Gallery Shows. ARTnet
News, April 4.
Min, Ines. On Universal Loss and Love. Canvas, 2014.
Shkreli, Mikal. A Look into the Creative Mind of Ghada Amer. Le Mile, no. 10, 2014.
---------. “‫( ﻡمﺭرﺡحﺏبﺍا‬That’s Hello in Arabic), Ghada Amer.” Foliocue, Dec. 5.
“New In Town.” Canvas Daily, Nov. 19.
Ramirez de Arellano, Annette. “Hunger” Amidst Plenty. Smithsonian Gardens, Nov.
Cashdan, Marina. “In the Studio with Ghada Amer.” Editorial, Sept.
Tully, Judd. Basel Report: Stingel Demand Spikes, Mugrabi Buys Theaster Gates,
More, Blouin Artinfo, June 12.
Okeke-Agulu, Chika. “Ghada Amer’s New Sculpture.” NKA Contemporary African
Art, no. 32, Spring.
---------. “New York Artists Now.” The New York Observer, Feb. 25.
Laster, Paul. “Design Miami.” Art in America, Dec.
Kraeussl, Roman. “Crescent Rising.” Art+Auction. Nov.
Berwick, Carly. “Lifting the Veil.” ARTnews, Oct.
---------. “Ghada Amer.” Views, the Baur Au Lac Magazine, 2012.
Kholeif, Omar. “The Social Impulse: Politics, Media and Art after the Arab
Uprisings.” Ibraaz, May 2.
Reneau, Olivier. “Alain Servais: Collection Singulière.” L’Officiel, no. 2, June–July.
Exposito, Frank. “ART: Still Hung up on FRIEZE?” Lookbooks, May 21.
---------. “Ghada Amer Paints with Stainless Steel.” Polich, July 3.
Mazzaschi, Andrew, Ed. “Visibility and Visuality: Reframing Gender in the Middle
East, North Africa, and Their Diasporas.” Signs, 2012.
---------. “Ghada Amer and Reza Farkhondeh.” Whitewall Magazine, Spring.
---------. “Don’t Miss: March 3-9.” The Wall Street Journal, March 3–4.
Belcove, Julie L. “Working Practice: Ghada Amer.” Introspective Magazine by1stdibs,
Feb. 11.
---------. “No Romance at the Goodman Gallery.” Between 10 and 5. Feb. 25.
Barbeito, Pedro and Patricia Felisa Barbeito. “Vitreous Humor, or Abstraction
Fleshed Out.” Art Pulse Magazine, Spring.
Mardavich, Audrey. “Our City Dreams: Creation is the Priority.” Canonball, July 11.
Smith, Sylvia. “Venice Art show mirrors life in Africa.”, June.
---------. “Ghada Amer’den 100 ask Kelimesi.” Gençsanat Dergisi, no. 191, Feb.
Braat, Manon. “Portfolio: Ghada Amer.” Kunstbeeld, no. 9.
---------. The Paris Review, Winter.
---------. “Ghada Amer.” ARTnews, Summer.
Farhat, Maymanah. “Ghada Amer: Creative Rebellion.” Canvas, Jan.
---------. “Ghada Amer: Color Misbehavior.” City Arts, May 1.
Molarsky, Mona. “Wild is the Wind.” Flash Art, Vol. XLIII, No. 273, July–Sept.
---------. “Ghada Amer and Reza Farkhondeh’s Collaborative Explorations.” The
Huffington Post, Oct. 14,.
Byrnes, Theresa. “Art: Ghada Amer’s Color Misbehavior at Cheim & Read.” The
Daily Mirror, June 8.
Enright, Robert and Meeka Walsh. “The Thread of Painting: An Interview with
Ghada Amer.” Border Crossings, No. 111, Aug.
Paynter, November. “Ghada Amer.” Res No. 4 Sept.
---------. “The Art of Paris: Inside the Opening Day of the City’s Major
Contemporary Art Fair.” The Wall Street Journal, Oct. 22.
Sheline, Annelle. “Guns, Wars and Chadors: The Art of Ghada Amer.” Daily News
Egypt, Dec. 2.
Stanisic, Alexandra. “Egyptian-American Artist Offers Erotic View of Women’s Role
in Muslim Society.” Aljadid Magazine, Dec.
Bancroft, Shelly; Nesbett, Peter; Sears, Rebecca. “5th Annual New Prints Review.”
Art on Paper, Nov-Dec.
Reilly, Maura; Pricco, Evan. “An Everywhere Artist: Ghada Amer.” Juxtapoz, Nov.
Del Rio, Victor. “Prospect 1. reinterpreta la catastrofe de New Orleans.” El Cultural,
Nov 6.
---------. “Nola///First Look: The Monumental New Orleans Biennial.”, Nov 3.
Caruth, Nicole. “I left My Heart in New Orleans.”, Nov 1.
Bennett, Olivier. “Hanging Cool.” The Sunday Times, Oct 12.
Lamm, Kimberly. Ghada Amer: Love Has No End. The Brooklyn Rail, Sept. 12.
Giovanello, Sarah. “Ghada Amer and Reza Farkhondeh’s Artisitic Collaboration.”
[email protected], Sept 30.
Fischer, Annie. “The Ripple Effect, This Week We Love.” The Pitch, Sept 21.
Buszek, Maria Ellen. “Surface Design & Contemporary Art Criticism.” Surface
Design, Fall.
Giordano, Mariana. “The Art of Weaving Between Myth and Archetype, From
Ancestral Memory to Contemporary Art.” Jaquard 62, pp 8-10, Sept.
Amel, Pascal. “Traversées: Artistes Contemporains Arabes. Art Absolument, issue
26, Sept.
Rosenberg, Karen. “Veiled or Naked: Scrutinizing Women’s Roles.” The New York
Times, Jun 20.
Calligan, Gregory. “Architecture in Script: From Without Boundary to Archive
Fever.” Art Asia Pacific pp 122-123, May-Jun.
Asfour, Nana. “Occupied Territory.” The National, May 8.
Eratalay, Kenan. “Interview With Ghada Amer.” RES Art World/World Art, May.
---------. “Brooklyn Museum Hosts ‘Ghada Amer–Love Has No End’.” Art
Knowledge News, April 16.
----------. “Content from Behind the Scenes: Ghada Amer.”, Apr 16.
----------. “Ghada Amer: Love Has No End.”, Apr 16.
Katchka, Kinsey. “Far From Home.” Preview, the Norht Carolina Museum of Art,
Rathe, Adam. “Obsessed with ‘Love’.” The Brooklyn Paper, Mar 22.
-------------. “Talks and Tours: Artist Dialogue–Ghada Amer and Maura Reilly.”, Mar 15.
Withrow, Joel. “Ghada Amer and Reza Farkhondeh: Collaborative Drawings.”
Flavorpilled Events, Mar 14.
The Brian Bell Experience. “Ghada Amer (at the Brooklyn Museum)”.
Brianbellexperience.blogspot, Mar 12.
Chow Clara. “Lust and Found.” South China Morning Post, Mar 11.
----------. “Art.” The New Yorker, Mar 10.
--------. “Ghada Amer/Reza Farkhondeh: A New Collaboration on Paper.” Arts
Beat, Mar 7-16.
---------. “Women’s History Month.” Doings NYC, Mar 7.
---------. “Ghada Amer: Love Has No End.”, Mar 7.
---------. “Ghada Amer: Love Has No End.”, Mar 7.
---------. “Love Has No End.”, Mar 7.
Martin, Mayo. “The Art of Crossing Borders.” Today, Mar 4.
--------. “Ghada Amer.” Interview, Mar.
----------. “Ghada Amer & Reza Farkhondeh.” Art Forum, Mar.
--------. “Out of the Darkness and Into the Light.” Lexean, Issue 08, pp 102-103,
Nayar, Parvathi. “A Creative Partnership.” The Business Times, Feb 29.
Naigeon, Sandra. “Ghada Amer sans Tabou.” French Morning New York, Feb 29.
---------. “Celebrate the First Anniversary of the Elisabeth A. Sackler Center for
Feminist Art. Time Out New York, Feb 28–Mar 5.
-----------. “Celebrate Women’s History Month.” The L Magazine, Feb 27–Mar 11.
Shetty, Deepika. “1 Canvas, 2 Artists, Many Layers.” The Straits Times, Feb 27.
Finkelstein, Alix. “Reinventing the Painted Veil.” The New York Sun, Feb 21.
Butler, S.L. “Ghada Amer’s Threaded Paintings in Brooklyn.”, Feb 21.
---------. “Ghada Amer: Love Has No End.” The New York Times, Feb 21.
----------. “Brooklyn Museum Major Retrospective of Ghada Amer.” Art Knowledge
News, Feb 19.
---------. “Brooklyn Museum Major Retrospective of Ghada Amer.”,
Feb 17.
Kligman, Aimée. “Egyptian Artist Ghada Amer at the Brooklyn Museum.”
Womenslens.blogspot, Feb 16.
--------. “Shroud of Tourin’.” Time Out New York N° 646, Feb 14-20.
------------. “Ghada Amer: Love Has No End.” American Craft Magazine, Jan 2.
-----------. “Ghada Amer: Love Has No End.”, Jan 1.
-----------. “Events This Week in Brooklyn.” Star Community Publishing Group.
Lee, Il-Sup. “Overturn Women’s Destiny as a Minority.” Madame Figaro Magazine.
Park, Yoon-Soo. “The Wounds of Women Embroidered on Canvas.” Women
Park, Hyun-Ju. “Nam-Shin Gwak’s Gaze and other Briefs.” Financial News, Jan 1.
------------. “First Major Retrospective in U.S. of the Work of Ghada Amer to Open
at Brooklyn Museum.”, Dec 31.
-----------. “First Major Retrospective in U.S. of the works of Ghada Amer to Open
at Brooklyn museum.”, Dec 29.
------------. “Ghada Amer: Love Has No End.”, Dec 28.
Rosenberg, Karen. “Needling More than the Feminist Consciousness.” The New
York Times, Dec 28.
Lee, Youngran. “Venice Biennial Recipient Egypitan Artist Ghada Amer Exhibition.”
Korea Herald Business Newspaper, Dec 26.
Hwang, Soo-Jeong. “Egyptian Artist Ghada Amer’s Solo Exhibition.” Seoul
Newspaper, Dec 18.
Kyung, Soo-Hyun. “Ghada Amer Exhibition at Kukje Gallery.” Yonhap News, Dec
Wei, Lilly. “Village of Light.” Art in America, Nov.
Paloscia, Elena. “Ghada Amer, MACRO, Roma.” Espoarte pp164-165, Oct-Nov.
Panerai, Sibilia. “Ghada Amer.” Artkey, Oct-Nov.
-------. “Ghada Amer, Installation Florale, Parc de Bréquiny (Rennes-France.”, Oct 12.
J.M. “Il Etait une Fois, au Parc de Bréquiny, Paroles d’habitants.” Le Rennais, Oct.
Levin, Kim. “Reviews: Substance & Surface.” ARTNews, Oct.
Le Breton, Benoit. “Il Etait une Fois, Ghada Amer à Bréquiny…” Ouest France, Sept
----------. “Il Etait une Fois, au Parc de Bréquiny.” Le Rennais, Sept.
----------. « Ägypten wie wir es Nicht Sehen. » Der Standard online. Sept 5.
Canali, Chiaria. “Ghada Amer.” Espoarte N° 98, Aug-Sept.
-----------. “Ghada Amer.” Flashart, Aug-Sept.
H.L. “Zeitgenossen, Zauberer und Zeit.” Kronen Zeitung Salzburg, Aug 31.
----------. “Ägypten einmal Anders.” Salzburger Fenster, Aug 29–Sep 05.
----------. “Alles Klar?” Der Kurier online, Aug 23.
----------. “Lust auf Mehr!” Artmagazine on line, Aug 17.
Smith, Roberta. “In These Shows, the Material Is the Message.” The New York
Times, Aug 10.
---------. “Zeitgenössische Kunst aus Ägypten in Salzburg.”, Aug 2.
---------. “Alles Klar?” Artmagazine, Aug 2.
A.S. “Visual Arts.” Flavorpill NYC, Aug.
---------. “All Clear ? Contemporary Art from Egypt.” Aug.
--------. “Alles Klar? Zeitgenössische Kunst aus Ägypten.”, Aug.
--------. “Alles Klar? Salzburger Kunstverein.” Allesfreizeit, Aug.
----------. “Milan until 28th July.” Canvasguide, July-Aug.
---------. Casa da Abitare, July-Aug.
Richter, Wolfgang. “Bilder Statt Politik.” Drehpunktkultur, July 19.
Strobl, Ernst P. “Ägypten hat Nicht nur Pyramiden.” Salzburger Nachrichten, July 19.
--------. “Einmal Ägypten und Zurük: Ausstellung im Salzburger Kunstlerhaus.”
Salzburger Nachrichten Online, July 19.
--------. “Einmal Ägypten und Zurük: Ausstellung im Salzburger Kunstlerhaus.”
Salzburg im Internet, July 18.
-------. “Review: Ghada Amer: Le Salon Courbé.” Artkrush, July 11.
---------. “Alles Klar?” July 13.
Mendia, Fabiana. “L’Arte al Femminile.” Il Messaggero, July 6.
Mendia, Fabiana. “Mostre.” Il Messaggero, July 5.
Cavallo, Floriana. “Erotico Tra le Righe.” Urban, July 5.
Tartaglia, Loredana; Maltinti, Gilberto. “Estate a ritmo di Rock.” Dove, July.
-------. “Ghada Amer.” Max, July.
-------. “Ghada Amer.” Gentleman, July.
-------. “Ghada Amer at Francesca Minini Gallery.” Canvasguide, July.
--------. “New York-based Ghada Amer uses a delicate thread to weave powerful
images.” Skin, July.
Tischler, Gary. “Inspired ‘Meaning’.” The Washington Diplomat, July.
Nahas, Dominique. “Sex & Sensuality.” Salomon Contemporary, Summer.
Taft, Catherine. “Substance and Surface.” ArtForum Critic’s Pick. Summer.
Nunez Luis, Monica. “Embroidered Terrorisms.” ArtContexto, Art Culture New
Media, N° 15, Summer.
Abate, Rosaria. « Casalinghe che Fanno Compere al Supermercato, Pornodive che
si Spogliano… » Metromorfosi, Summer.
-------. “Dialogues Méditerranéens à Saint Tropez.” Beaux-Arts, Summer.
Viscardi, Saramical. “Ghada Amer, Le Salon Courbé.” Mousse, Summer.
-------. “MACRO.” Arte e Roma, Jun-Sept.
Bigi, Emanuele. “Paolo Canevari. Nothing from Nothing e Ghada Amer.” Tiscali
Arte, Jun 22.
Martella, Anna Lisa. ‘Mostre.” Il Mesaggero, Jun 20.
Giannetti, Valerio. “MACRO, Tra Curiosità e Frammentazione.” Romacè, Jun 19.
Matitti, Flavia. “Agendarte.” L’Unità, Jun 17.
---------. “Al MACRO, Ghada Amer.” E Polis Roma, Jun 17.
---------. “Il MACRO Riapre i Battenti per l’Estate, in Arrivo Quattro esposizione
Internazionali.” Il Corriere Laziale, jun 14.
Marino, Pietro. “A Roma il ‘Future’ e in Anticipo pure sulla Biennale.” La Gazetta del
Mezziogiorno, Jun 10.
-----------. “Le Mostre.” Il Romanista, Jun 8.
Pancotto, Pier Paolo. « Se Roma Brucia el le Twin Towers Risorgono. » L’Unità, Jun
Scardi, Gabi. “Razionale Mondo di Tubi.” Il Sole 24 Ore, Jun 3.
----------. “Salzburger Kunstverein.” Die Presse, Jun 1.
-----------. “Ghada Amer.”, Jun.
-----------. “Ghada Amer.” L’Evento Roma, Jun.
-----------. “Vedere a Roma: Storie di Periferia.” Vernissage, Jun.
-----------. “Calendario.” Max, Jun.
Gravagnuolo, Emma. “Le Mostre.” Arte, Jun.
----------. “Arte.” Amica, Jun.
Wishna, Victor. “Home Away from Home.” Quest Magazine, Jun.
Angelotti, Martina. “Ghada Amer.” Artkey, Special Issue # 2, Jun.
----------. “Salzburger Kunstverein.” Observer, Jun.
Rossi, Mariella. “Ghada Amer.” Lapiz 234, Jun.
Cecilia Alda. "Ghada Amer + Wangechi Mutu.” Art Papers p. 66, May-Jun 2007.
----------. “Francesca Minini.” Segno N° 213, May-Jun.
Mendia, Fabiana. “Mostre.” Il Messaggero, May 31.
De Candia, Marco. “Kounellis e gli Altri Dialogo Collettivo.” Trove Roma, May 31.
Panerai, Sibilla. “Ghada Amer al MACRO di Roma.”, May 30.
-------. “Una Estate al MACRO: Canevari/Amer/Atelier Van Lieshout.” Servizi del
Giorno, May 29.
-------. “MACRO Progetti.” E Polis Roma, May 29.
-------. La Repubblica, May 28.
Capelli, Pia. “Mostre da Vedere.” Libero, May 27.
Maestosi, Danilo. “L’Estate del MACRO tra Fiamme e Ricami.” Il Messaggero, May
Vedevotto, Sabrina. “Un’Idea ‘Antiretorica’ dell’Arte.” Roma Eventi, May 26.
Larcan, Laura. “Le Gomme di Canevari.”, May 25.
Ferrario, Rachele. “Canevari, Il Fuoco nel Colosseo.” Corriere della Sera, May 25.
Loizzo, Cristina. “Olanda, Egitto, in Mezzo l’Italia e il MACRO si Moltiplica per Tre.”
Il Quotidiani de la Sera, May 25.
---------. “Weekend.” City Roma, May 25.
--------. “Triplice appuntamento al MACRO con l’Arte Contemporanea.” 24 Minuti,
Ed. Roma, May 25.
Bernabei, Valentina. “A Roma dal Melting Pot.” Epolis Roma, May 25.
De Candia, Mario. “Canaveri, Roma-New York Simboli di due Metropoli.” Trova
Roma, May 24.
Pini, Francesca. “Cartellone.” Corriere Della Sera Magazine, May 24.
---------. « Mostra/Pornografia e Autoerotismo nelle Ragazze di Ghada Amer : Cosi
il Femminismo si Appropria dell’immagene della Donna. », May 24.
Bucci, Carlo Alberto. « Poesia Degli Scarti il Contemporaneo tra Rivolta e Ironia. »
La Repubblica, May 24.
--------. « Al MACRO di Roma in Mostra i fili e le Tele di Ghada Amer. » Giornale
di Sicilia, May 23.
Casucci, Flaminia. « Al MACRO tre Grandi Inaugurazioni. » ErreComeRoma, May
--------. “Mostre.” Un Ospite a Roma, May 16.
--------. “Exhibitions.” Wanted in Rome, May 15.
Dixon, Glenn. “Review: Drawing Distinctions. Art and Language meet in the
Graphic ‘Inscribing Meaning’.” Express Washington Post, May 10.
Cone, C. Michèle. “Female Troubles.” Artnet, May 3.
Salmawi, Mohamed. “Connaissons-nous les Ambasadeurs de la Culture Arabe?.” Al
Ahram Hebdo, Mai 2-8.
Palomba, Fabrizia. “MACRO, Erotismo denuncia e Riciclo.” Inside, May.
--------. “Vedere a Roma: Il Vapore Viola.” Vernissage, May.
Romana Morelli, Francesca. “Corpi, Barbie e la Cloaca Maxima.” Il Giornale
dell’Arte, May.
-------. “Ghada Amer.” Free One, May.
-------. ‘MACRO, Primavera/Estate.” Flash Art, May.
-----------. “Amer e Frakhondeh: Bush e Blair come Dessert.” Tutto Milano (La
Republica), May.
Tassini, Eugenio & Legrenzi, Susanna. “Ghada Amer e la politica del ricamo.” Io
Donna, Corriere della Sera, May.
M.C. “Terrorismo in salotto.” Vernissage, Il Giornale dell’Arte, May.
--------. “Ghada Amer dall’Egitto. Ricami e carte da parati.” Arte, May
--------. “Global Feminism.”, issue 55, Apr 4.
--------. “Ghada Amer/Reza Farkhondeh @ Francesca Minini.” Mousse, Apr.
Penny, Martin. "Dress Art". Another Magazine. Spring/Summer. pp. 161-183.
Nayar, Parvathi. "Empowering Women Through Works of Art". The Business Times
(Singapore). March 16.
Kolesnikov-Jessop, Sonia. “Ghada Amer: Defusing the Power of Erotic Images.”
Herald Tribune International, March 12.
Truong, Alain. “Exploring Art and Female Sexuality.” Les Cahiers d’Alain Truong,
Mar 13.
--------. “Feminism and Art.”, Mar 12.
Abbe, Mary. “Art: Feminism Revisisted.” Star Tribune, Mar 8.
Webb, Sarah. “Art or Porn ? Artists push boundaries in Singapore.” Reuters, Mar 7.
Fairley, Gina. “New Territory: Beyond RFGA.”, Mar
Doyle, Jennifer, and N'Gone' Fall and Dilane Tawadros. "Feminism:
Three Views". Frieze. Issue 105, March, pp 174-179.
Bradley, Laurel. “Gender Stitchery, Artists Sew and Knit Art.” Carleton College, Mar.
Romana Morelli, Francesca. “Un MACRO Bilancio.” Il Giornale dell’Arte, Mar.
--------. “Nel ‘Reality’ del Cantiere.” E Polis Roma, Feb 28.
Parvathi, Nayar. “Works on Paper.” The Business Time, Feb 22.
Macadam, A. Barbara. “Where the Great Women Artists Are Now.” ArtNews,
February, pp 114-117.
Pedicini, Isabella. “Ghada Amer, Paolo Canevari, Atelier Van Lieshout.” Extrart.
-------. “Ghada Amer.” ArtFin.
-------. “Ghada Amer, Paolo Canevari, Atelier Van Lieshout in Mostra al MACRO.”
---------. “Mostre.” Musei in Comune.
--------. “Tre Nuove Mostre al MACRO.” Portale del Comune di Roma.
---------. “Ghada Amer.” Romaturismo.
Park, Yoon-Soo. “Ghada Amer: the Wounds of Women Embroidered on Canvas.”
Women Newspaper (Singapore).
Egan, Maura. “Art Gâteaux.” The New York Times, Dec 3.
--------------. “Art Diary: Tate Patrons Dine out on Blair’s Heart.” The Guardian,
November 22.
------------. “Ghada Amer & Reza Farkohdeh.” Studio: The Studio Museum in
Harlem Magazine. Fall-Winter.
Keehan, Reuben. “Contact and Contamination.” Broadsheet.
September/November, pp. 149-151.
Stamps, Laura. “Blasfemisch Borduurwerk.” Tubelight, September/October.
Bucarelli, Viviana. “Ricami ad Arte.” Posh, September/October.
------------. “The Ripple Effect.” The Pitch, Sep 21.
Thorson, Alice. “KC Art Institute Is a Hot Cover Story.” Kansas City Star, Sep 7.
Meltz, Hortense, Pic, Rafael. “Manifeste pour une Nouvelle Francophonie.” BeauxArts Magazine, Sep, pp 92-99.
Hellweg, Claudine. “Met Verf en Draad.” Museum Schoift, September.
King, Natalie. “15th Biennale of Sydney: Zones of Contact.” Art Monthly. Jul-Aug: 2425.
Jaivin, Linda. “Culture: No Contact Please, We’re Australian.” New Matilda. July 26.
Wesseling, Janneke. “Draden Van Extase.” NRC Handelsblad, July 21.
Hoven, Gerrit van den. “Amer Gelooft in Helende Werking Kunst.” Brabants
Dagblad, July 1.
Okeke-Aulu, Chika. “Politics by Other Means: Two Egyptian Artists, Gazbia Sirry
and Ghada Amer.” Meridians: Feminism, Race, Transnationalism, 6:2,
------------. “The Art Life’s 40 Minute B.O.S. Tour.”
Ori, Francesca. “Benvenuti all “Zona di Contacto.” La Fiamma. June 14.
Berwick, Carly. “Behind the Veil.” ARTnews, September (and cover), pp. 122-125.
Wilson, Eric. “Using a White Shirt As Their Canvas.” New York Times, May 11.
Kotzamani, Marina. “Ghada Amer interviewed by Marina Kotzamani.” PAJ: A Journal
of Performance and Art, pp 18-26, May.
Lowry, Glenn D. “Gained in Translation.” ARTnews, Mar, pp. 121-25.
---------. “Islamic or not.” ISIM review, Spring.
Smith, PC. “Without Boundaries: 17 Ways of Looking. “ ARTnews, Mar 16.
Smith, PC. “Looking for Islam.” Artnet, March 15.
Siegel, Lee. “East Meets West: Why MoMA’s New Show Doesn’t Help Us
Understand Islam.”, Mar 15.
Monachesi, Juliana. “Guerrilla Girl.”, Mar 10.
Leight, Michèle. “Without Boundary : Seventeen ways of Looking.”, Mar.
Cotter, Holland. “What Does Islam Look Like?” New York Times, Feb, 26.
Vastano, Stefano. “L’Islam Ha Perso la Parola.” Espresso, No. 5, Feb 9, pp. 114-116.
Ramirez, Nicoletta. “Ghada Amer & Alec Soth.” M. Guide, Feb.
Desbaudard, Cécile. “Ghada Amer: la Deconstruction de l’Identité
Culturelle.” Horsd’œuvre n° 17, Feb.
----------. “Breath of Porn.” New York Post, Jan 21, p.10.
Slenske, Michael. “In Like Flynt.”, Jan 20.
Mendelssohn, Joanna. “Charles Merewether and the 2006 Biennale of Sydney.”
Artlink. Vol 26, no. 2:19-21.
Miadi, Fadwa. “Le Striptease de Sheherazade.”
----------. “Pleasure Chic.” Thirty 4, Bridge beyond Border, Winter 05/06.
--------------. “Cooking with Ghada & Sahar Amer.” Bidoun : Arts and Culture from
the Middle East, Issue N° 3, Vol. 1, Winter, pp 132-135.
Harper, Paula. “Dynamic Domesticity.” Art in America, Dec, p. 74.
Deland, Lauren. “Drawing from Conflicted Extremes.” Review, Sep, pp. 52-53.
Cateforis, David. “Review: Ghada Amer at H&R Block Artspace.” Review, Sep, pp.
Slöör, Susanna. “Och Solen Har Sin Gang.”, Aug 26.
Thorson, Alice. “Stitching Porn.” The Kansas City Star, Jul 3, p. 1.
Johnson, Garth. “She’s ‘Ghada’ Have It.”, Jul 11.
McQuaid, Cate. Review: Ghada Amer at The Davis Museum and Cultural Center.
The Boston Globe, Jun 17, p. D27.
Lebovici, Elisabeth. « L’Afrique à Show. » Libération, May 31.
Eyenne, Marie-Christine. “Ghada Amer, du Porno Populaire à l’Erotologie Arabe.”
Africacultures, May 23.
Gallego, Juan. “Impresiones de Africa.” View of the Time, Apr-Aug.
Gee, Maggie. “Politics at Play.” Times Literary Supplement, Apr 1.
Oland, Dana. “’Confluence’ Art Exhibit Flows at Sun Valley Center.” The Idaho
Statesman, Mar 26, p. 1.
Bonenti, Charles. “When Artists Cross Boundaries.” The Berkshire Eagle, Mar 26.
Storm-Rusche, Angelika. “Africa Remix.” Deutschland Online. Mar 25.
-------------. “What’s On.”, Mar 17.
Burns, Audra. "Provocative Mélange of Art this Spring at the Davis Museum." The
Wellesley News, Mar 16.
Hopkins, Randi. "A Hard Reign.", Mar 15.
Hensher, Philip. “Gems From the Junkyard.” Mail on Sunday (London), Mar 13, p.
Chardon, Elisabeth. “Pour la Journée de la Femme, Carrouges Donne Carte Blanche
aux Artistes Contemporains.” Le Temps, Mar 8.
Schellenberg, Samuel. “A Carouge, Femmes et Hommes Voient Rouge.” Le
Courrier. Mar 5.
---------. "Out of Africa." Africa Today, Mar 1.
---------. "Africa Remix: Contemporary Art of a Continent." Ciaroscuro, Feb - Mar.
Hopkins, Randi. “A Hard Reign.” Boston Phoenix, Feb 25–Mar 3.
Januszczak, Waldemar. “The Poverty Trap.” Review. The Sunday Times Culture, Feb
20, pp. 5-6.
Dorment, Richard. “War, Famine, Plague–and Bottle Tops.”, Feb 16.
Bennet, Will and Gleadell, Colin. “Arts Sales: Europe Scoops the Pool.” The Daily
Telegraph, Feb 14.
Lindsey, Emma. “Shout of Africa.” Review. The Observer, Feb 13, p. 12.
----------. “PanAfrica: Power of the Written Word Underscores Tradition in African
Art”. Africa News, Feb 11, p. 12.
Güner, Fisun. “Continent of Colour.” Art Review Metro, Feb 11.
----------. “Beyond East and West at the Williams College Museum of Art.” Feb 2.
Heartney, Eleanor. “Ghada Amer versus Sheherazade”, Art Press N° 308, Jan, pp
Dhillon, Kim. “Art of Africa.” Tank Magazine, Vol. 3, Issue 12.
Njami, Simon. “Le Paradoxe Global.”
Lerouge, Ophélie. “Africa Focus: Cinq Artistes à la Une.”
-----------. “Cooking with Ghada & Sahar Amer.” Bidoun: Arts and Culture from the
Middle East. Winter, Issue 3 Vol. 1: 132-135.
Creissels, Anne. “L’Ouvrage d’Arachné: la Resistance en Oeuvre de Ghada Amer à
Louise Bourgeois.” Images Re-vues, N°1, 2005.
----------. “Mirando al Sol Desde Magasin 3.” Lapiz 217.
Moreau, Patric. “Solen I Magasin 3.”
Stam, Cecilia. “Here comes the Sun.”
Karlstan, Cristina. “En Brett Orkestrerad Ljussymfoni.”
Harney, Anita. “Exhibit Embraces Diversity; Cranbrook Art Museum Hosts, Shares
Stories Of a Dozen Artists.” The Detroit News, Nov 17, p. 2X.
Miadi, Fedwa. “Les Nouvelles Shéhérazades.” L’Intelligent, Nov 14.
Arvidson. M. “The Art of Ghada Amer : Pornography Transformed.” Dartmouth
Free Press, issue 5.5, Nov 12.
Ulpiano, Rosa. “Dialogo entre Occidente y Oriente.” Levante el Mercantile de
Valencia, Nov 5.
L.R. “Romper las Costuras.” Blanco y Negro Cultural, Oct 23.
Saborit, José. “Johns, Landero, Erice y Amer.’’ ABC, Oct 15.
Holl, Jess. “Women’s Roles Re-Embroidered.” Los Angeles Times, Oct 7, p. E60.
----------. “Ghada Amer.” Actualités de l’Exquisite Magazine, Oct.
----------. “Pinturas Bordadas.” Noticias Aparejadores, Oct.
Olivares, Rosa. “Ghada Amer.” Exit Express, Oct.
----------. “Ghada Amer Reinterpreta el Universo Feminine”. Mes a més, Sep/Oct.
Silvestre, Ricard. “Ghada Amer: el Dinamismo Reivindicatiu de l’Agulla.” Temps
d’Art, Sep/Oct.
---------. “What’s on.” The Art Newspaper, N° 150, Sep.
De Corleone, Flor. “Ghada Amer, el ‘Enfant Terrible’ del Islamismo.” Neo 2, Sep.
----------. “Ghada Amer, Dibujos y Pinturas.” Casa Viva, Sep, p. 172.
Thompson, Barbara. “Beyond East and West.” Hood Museum of Art Quarterly,
Torres, Salva. “Siguiendo el Hilo.” La Luna de Metropoli, Sep 17.
----------. “Works by Ghada Amer at IVAM, Valencia.”, Sep 16.
Wilson-Goldie, Kaelen. “Ghada Amer’s Paradox of Place.” The Daily Star, Sep 15.
----------. Portalatino, Sep 14.
----------. “La Costura Artistica de Ghada Amer.” Magazine, Sep 12.
Jorque, Vicente. “Bordando la Pintura.” El Pais, Sep 11.
----------. “El IVAM Exhibe la Obra Inédita de la Egipcia Ghada Amer.” Diario de
Valencia, Sep 10.
----------. “Un Arte Dirigido a las Mujeres.” Las Provincias, Sep 10.
----------. “El Placer Feminino.” 20 Minutos, Sep 10.
Enguix, Salvador. “Ghada Amer, ‘Pintura Cosida’.” Vanguardia, Sep 10.
----------. “El IVAM Expone la Obra Inédita de la Autora Egipcia Ghada Amer.”, Sept 10.
----------. “Ghada Amer.”, Sep 10.
----------. “Ghada Amer.", Sep 10.
Moreira, Marta. “EL IVAM Presenta la Obra de Ghada Amer, la Artista Egipcia Que
No Pinta Cuadros, Sino Que Los Borda.” ABC, Sep 10.
----------. “Ghada Amer Muestra en el IVAM su Vision Sobre el Placer Feminino.” La
Razon, Sep 10.
Bono, Ferran. “Ghada Amer Evoca el Placer de la Mujer en Sus Pinturas Bordadas.”
El Pais, Sep 10.
Vanaclocha, Pau. “Ghada Amer Defiende el Placer Feminino Como Hecho
Artistico.” Levante el Mercantile Valenciano, Sep 10.
----------. “’Ghada Amer’ Mestizaje entre Pintura y Costura“., Sep
----------. “El IVAM Presenta la Exposicion sobre la Pintora Egipcia.”, Sep 10.
----------. “Caballo Verde.” La Razon, Sep 10
Parra, Samuel. “Ghada Amer Refleja el Universo Feminino en el IVAM a Través Del
Bordado.” Panorama Actual, Sep 9.
----------. “La Pintora Egipcia Ghada Amer Presenta Dibuixos Inèdits a l’IVAM.” El
Temps, Sep 7-13.
----------. “Ghada Amer.”, Sep 1.
----------. “Vanity Fair Agenda: Something to See.” Vanity Fair, Sep, p. 145.
Kottman, Pieter. “Uit Een Aparte La.” NRC Handelsblad, Aug 8.
Pardo, Tania. “Africa Remix.” ExitExpress, Jul-Sep.
Lorch, Catrin. “Die Ende Greifbar Sein, Schwarz und Wild.” Frankfurter Allgemeine,
Jul 28.
Mazzoni, Ira. “Und Alle Grenzen Offen.” Süddeutsche Zeitung, Jul 27.
----------. “Three Women Artists.” May.
Temin, Christine. “Stunning Exhibit Looks at the Dramatic Changes in Africa.” The
Boston Globe, Apr 9.
Nakamura, Marie-Pierre. “Biologique.” Art Actuel, Mar/Apr, p. 62.
-----------. “Ghada Amer, Shirazeh Houshiary, Sue Williams.” The Korea Times, Mar
Moon, Iris. “Three Women Display Different Strokes.” The Korea Herald, Mar 24.
Berllany, Clark. “Eye 2 Eye.”, Mar 23.
Soh, Joon. “Feminine Intrigue.” The Korea Times, Mar 20.
Lee, Byung-Hee. “Praise for Still Lifes.” Misulsegae, Vol. 232, Mar, pp. 34-35.
Ryan, Zoé. “Out of Body Experience.” Blueprint, Feb.
Léouzon, Charlotte. “Au Fil de l’Art.” Jalouse, Feb, p. 67.
Courtney, J. Martin. “Looking both ways.” Flash Art, Vol 37, Issue 234, Jan-Feb.
Del Drago, Elena. “Il Corpo Ricamato.” Il Manifesto, Jan 3.
----------. “Veil”. Reading Evening Post, Jan 2.
Senaldi, Marco. “Ghada Amer: Index of Pleasure.” Impackt, Jan.
-----------. IMA Previews, Jan-March.
-----------. “Veil.” Reading Evening Post, Jan 2.
Robertson, Jean. “Ghada Amer.” ArtUS, Issue 1, p. 34.
Yablonsky, Linda. “How Far Can You Go?” ArtNews, Vol. 103, pp. 104-109.
Garrett, Craig. “Focus France: Avant La Lettre.” Flash Art, Vol. 37, pp. 75-77.
Meier, Prita. “Veil.” African Arts, Vol. 37, Issue 2, pp. 11-12, 88.
Rogers, Sarah. “The Irony of Signs.” Art Journal, Vol. 63, Issue 3, pp. 108-110.
Millet, Catherine. “La Broderie, Outil Politique ?” Art Press, Special issue.
Arfiero, Michela. “Ghada Amer.” Juliet N° 115, Dec, p. 53.
Lebovici, Elisabeth. “Beaubourg Rentre dans ses Fonds.” Libération, Dec 27. R. “Art Moderne, Apanage de l’Amérique.” Le Figaro, Dec 19.
Januszczak, Waldemar. “Behind the Veil.” The Sunday Times, Nov 30.
Cotter, Holland. “An African Diaspora Asks: What Is Africanness, What is
Diaspora?” The New York Times, Nov 21, p. 34.
Bonazzi, Francesco. “Ghada Amer.” Juliet N° 114, Oct/Nov p. 57.
Thibodeaux, Juliana. “The Art of Ghada Amer.” NUVO, Oct 15.
Cohen-Hadria, Michèle. “Veil/Dispositifs.” ETC Montréal, Issue 63, Sep/Nov, pp 6467.
----------. “Ghada Amer”. IMA previews, Sep/Oct, p. 6.
Berry, S.L. “Love to New Depths.” Indiana Living, Sep 12.
Thibodeaux, Julianna. “Sex, Love and Embroidery: the Art of Ghada Amer.” NUVO,
Sep 10-17.
Simpson, Bennet. “Multiple City, Arte Panama 2003.” Third Text, Issue 3, Sep.
Zahir, Samina. “’Veil’: Curators, Artists, and 9/11.” Fashion Theory, Sep, pp. 319-325.
Scardi, Gabi. “Ghada Amer.” Flash Art, Aug-Sep, p. 241.
Meneguzzo, Marco. “Profiles: Ghada Amer”. Tema Celeste, No. 98, Jul/Aug, pp. 7477.
----------. “Brescia, Ghez, Afrodite e Ghada Amer.” Il Giornale delle Mostre Estive,
Fausto, Lorenzo. “L’Arte Ricama Emozioni e Memorie.” Giornale de Brescia, Jul 10.
Menegoi, Simona. “Ghada Amer.” Casa D, Summer.
Muritti, Elisabetta, Silvia Castello. “Un Filo d’Avanguardia.” Elle, Jun.
M. Corr. “L’Ago e il Filo di Ghada Amer Raccontano la Magia d’Oriente.”
Bresciaoggi, May 17.
----------. “Il Filo di Ghada Amer.” Giornale di Brescia, May 15.
Remotti, Margherita. “La Trama e l’Ordito.” Kult, May, pp. 68-69.
Fulco, Elisa. “Ghada Amer: il Ricamo Lacerato.” Il Giornale Dell’Arte, May, p. 221.
----------. “Kidnapped.” Art Monthly, May.
Boriani, Glenda. “Veil.” Tema Celeste, Apr/May.
Feigley, Amy. “The Travelling Exhibition ‘Veil’ Faces Censorship.”,
Apr 16.
Eyenne, Marie-Christine. “Profil, Ghada Amer.”, Apr 17.
----------. “Veil.” Flashart, Mar/Apr.
Daftari, Fereshteh. “Beyond Islamic Roots-Beyond Modernism.” Res 43, Spring.
Vega Abad, Lina. “Entre la Anarquia y el Autoritarismo.” La Ciudad, Mar 26.
----------. “Veil: General Information.”, Mar 26.
----------. “Veil.”, Mar 19.
----------. “Veil.” The Artnewspaper. Mar.
Lloyd, Fran. “Burqa Backlash.” Eastern Art Report. No. 48, Jan.
Moos, David. “Ingrid Calame: NYSE.” Art Papers, Vol. 27, Issue 6, pp. 22-27.
Jahn, J. “SAM Collects: Contemporary Art Project, Seattle Art Museum.” Modern
Painters, Vol. 16, Issue 2, p. 126.
Garrett, Craig. “MultipleCity: Panama 2003, Fundacion Arte Panama.” Art
Nexus,Vol. 2, Issue 49, pp. 92-94.
Fausto, Lorenzo. “Ghada Amer Dipinge Con l’Ago.”
Gravagnuolo, Emma. “Ghada Amer : Provocazioni a Piccolo Punto.”
----------. ”Corporate Identity.” Kunsthandwerk & Design, Editorial Number 4.
----------. “Veil.” Tema Celeste.
-----------. “Veil Exhibition.” .
-----------. “Veil Exhibition.” .
----------. “Painting Reincarnation”. Bijutsu, Vol. 55, No. 832, pp. 62-63.
S.J. “Against Prejudiced Histories.” Art News Magazine of India, Vol 8, Issue 2.
Rabinowitz, Cay Sophie. “Seeing Being Seen.” Parket 68.
Robinowitz, Cay Sophie. “Panama City Panama.” Art Papers, Vol. 27, Issue 4, pp.
------------. “Ghada Amer.” Sherman, Winter 2002-2003.
Lowry D., Glenn.”Les Broderies Amoureuses de Ghada Amer.” Connaissance des
Arts, Issue 599, Nov, pp. 58-63.
Holmes, Pernilla. “Strong Market For Amer’s Erotic Images.” ARTnewsletter, Issue 3,
Oct 1.
Helfand, Glen. “Review: Ghada Amer, San Francisco Art Institute”. Art on Paper,
Sep/Oct, p. 97.
Offerman, Catrin. “Sexualitet och Hypnos pa Bildmuseet.” Vertex, Aug 29.
Böhlin, Lars. “Möte med Islams Positiva Syn pa sex /Meeting Islam.” Västerbottens
Folkblad, Aug 10.
Pollack, Barbara. “Working Vacations.” Village Voice, Jul 17-23.
---------. “Pa Hall Ser Det.” Aftonbladet, Jul 15.
Olsson, Thomas. “En Plats för Händelser.” Ystads Allehanda, Jul 2.
Martinez, Rosa. “Ghada Amer.” Make (London), Jul, pp. 72-74.
Martinez, Rosa. “Ghada Amer: Rambla del Raval.” Flash Art, Jul/Sep, p. 102.
Holmqvist Sten, Katrin. “Kvinnors Liv Den Röda Traden.” Västerbottends Folkblad,
Jun 26.
----------. “Broderade Budskap pa Bildmuseet.” Smalänningen, Jun 21.
----------. “L’art du XXème Siècle du Pointillisme à la Broderie.” La Gazette, Issue 24,
Jun 14.
Back, Patrik. “Törnrosa Och Den Sexuella Trader /Sleeping Beauty and the Sexual
Thread.” Västerbottends Kuriren, Jun 13.
----------. “9 painters: an on the page installation by Ghada Amer”. Modern Painters,
summer, p. 70 (cover).
----------. “Broderade Budskap pa Bildmuseet.” Barometern, May 30.
----------. “Kvinnan I Focus pa Bildmuseet.” Örnsköldsviks Allehanda, May 29.
----------. “Broderade Budskap.” Enköpings Posten, May 28.
----------. “Spännande konst pa Bildmuseet I Umea.” Norrländska Socialdemokraten,
May 27.
----------. “Kultur.” Västerbottens-Kuriren, May 24.
Sjörgren, Anders. “Konsten Gär Till Skrattanfall / Art Attacks with Laughter.”
Västerbottens-Kuriren, May 24.
----------. “Broderade budskap pa Bildmuseet.” Ystads Allehanda, May 23.
Renton, Andrew. “Beyond Tradition.” This is London, May 7.
Gleadell, Colin. “Contemporary Market.” The Daily Telegraph, May 6.
Smee, Sebastian. “Review: Ghada Amer, Gagosian Gallery”. The Art Newspaper,
No. 125, May.
Satorius, Katherine. “Women’s Work.” Soma, May, pp. 48- 50.
----------. “Contemporary Dealers’ Show.” The Artnewspaper, May.
Harris, Susan. “Ghada Amer at Deitch Projcets.” Art in America, Vol. 90, Issue 5,
May, p. 145.
Micheley, Viola. “Scheisse, Sex und Wahrheit.” Kunstforum International, Apr-May.
Brown, Jeffrey. “Cultural Crossroads.” Online News Hours, Apr 26.
Blessmann, Sabine. “Dreierlei.” Ticket/Kölner Stadtanzeiger, Apr 26.
Ramade, Bénédicte. “De Fils en Aiguilles”. Technikart, Issue 61, Apr.
Taroni, Francesca and Filipo Romeo. “Punto Croce.” Casa di Abitare, Apr.
M.K. “Pluralismus rules.” Marabo N° 4, Apr.
Scardi, Gabi. “Ghada Amer.” Titolo, Spring/Summer.
----------. “Wim Delvoye, Ghada Amer & Liza Lou.” Knack/Focus, Mar 6.
----------. “Gleichzeitig zu sehen im museum kunst palast.” Kulturserver NRW, Mar
Egan, Maura. “Footnotes.” The New York Times Magazine-Home Design, Spring, p.
Avila, Alin. “Ghada Amer.” Area Revue, number 1, Mar, p. 172.
----------. “Ghada Amer–Liza Lou.” Elle Plus, Apr.
----------. “Ghada Amer.” Frauen Unterwegs, Mar.
Imdhal, Georg. “Ziegenkäsemousse.” FAZ, Feb 12.
Müller, Bertram. ”Die Küche-ein Glasperlenspiel.” Rheinische Post, Feb 12.
B.M. “Ehrenhof-International.” Rheinische Post, Feb 8.
Vaupel, Michael. “Auch der Kunst-Darm Kann etwas sehr Schönes sein.” WAZ, Feb
Kliermann, Thomas. “Vergiss Nicht, den Müll Rauszutragen.” General-Anzeiger
Bonn, Feb 2-3.
Meister, Helga. “Zwischen Abfall und Glitzer.” Westdeutsche Zeitung, Feb 1.
Frankel, David. “Review: Ghada Amer at Deitch Projects”. Artforum, Feb, pp. 130131.
Perrée, Robert. “Kunst-Werke in Nieuw Berlijn.” Kunstbeeld, Feb, pp. 44-47.
Morgan, Robert C. “Review: Ghada Amer, Deitch Projects”. Tema Celeste, No. 89,
---------. “Museum kunst palast zeigt Wim Delvoye, Ghada Amer und Liza Lou.”
Ddp, Jan 31.
----------. “Beeldende Kunst.” Knack Focus (Belgium), Jan 30.
----------. “Wim Delevoye, Ghada Amer und Liza Lou eine Trias von
Einzelausstellungen.” Quarter de, Jan 29.
LeprNeBa, BepoHNka. “Gxada Amer”. Menu, Issue 3, pp. 102-103.
Rizk, Mysoon. “Threads of Vision: Cleveland Center for Contemporary Art.” New
Art Examiner, Vol. 29, Issue 3, p. 72.
Bedel, Jean. “At the Auction: The Lure of an Unsteady Market.” Cimaise. Vol. 49,
pp. 48-50.
Grabner, Michelle. “INOVA: Institute of Visual Arts.” New Art Examiner. Vol. 29,
Issue 4, pp. 60-65.
Camnitzer, Luis. “The Short Century.” Art Nexus, Issue 46, pp. 83-93.
Sjögren, Anders. “Bras ex i Allahs Namn.”
Olsson, Thomas. “Umea Kuriren.”
Van Dyke, Kristina. “The Short Century: Constructing a Contemporary Critical
Biography of Africa.” New Art Examiner. Vol. 29, Issue 3, pp. 36-41.
Arakistain, Xabier. “Doble Filo, Ghada Amer y Shirin Neshat.”
Martínez, Rosa. “Soy Artista y Soy Mujer.” Descubrir El Arte, Issue 34, Dec, pp. 4246.
Auricchio, Laura. “Works in Translation: Ghada Amer’s Hybrid Pleasures.” Art
Journal, Winter, p. 26-37.
----------. “Review: Ghada Amer at Deitch Projects”. Time Out (New York), Dec
-----------. “Review: Ghada Amer at Deitch Projects.” Time Out New York, Nov 29Dec 6.
----------. Art Guide: “Ghada Amer.” The New York Times, Nov 30.
Sheets, Hilarie M. "Stitch by Stitch, a Daughter of Islam Takes on Taboos." The New
York Times, Nov 25, p. 23.
Gell, Aaron. “ART.” W, Nov, p. 132.
Dannatt, Adrian. “When Islam was Sensual.” Vernissage, Nov.
Dannatt, Adrian. “When Islam was Sensual.” The Art Newspaper, Nov.
Corréard, Stéphane. “Ghada Amer, la Star dont la France n’a pas Voulu.” BeauxArts, dossier FIAC, Issue 209, Oct, p. 8.
Flor, Harald. “Vever Malerier.” Dagbladet, Sep 30.
Torstensen, Anmeldt av Mette. “Uten en Trad.” Budstika, Sep 28.
Sandberg, Lotte. “Lett pa Traden.” Aftenposten, Sep 24.
Hagerup Steffensen, Mari. “Kunst Med Nal Og Trad pa Hovikodden.” Asker Og
Baerums Budstikke, Sep 24.
Ekeberg Jonas. “Sprikende Som.” Dagens Noeringsliv, Sep 22-23.
Johnsen, Vibke. “Oppror I Sting Og Stoff.” The Net Newspaper, Sep 20.
Pollack, Barbara. “The New Look of Feminism.” ARTNews, Sep, Vol. 100, No 8, p.
Ali, Dilshad D. “Ghada Amer: Artistic Hits and Misses.”, Aug 23.
Obiols, Isabel. “El Feminismo ha Fracasado en Crear un Lenguaje Artistico Propio.”
El Pais, Aug 11.
Obiols, Isabel. “La Artista Egipcia pidio que desmontaran la obra antes de la
clausura.” El Pais, Aug 7.
------------. “Contra la Pobreza.” El Pais, Aug 5.
Obiols, Isabel. “Ghada Amer Denunica la Pobreza de la Mujer en el Raval.” El Pais,
Aug 3.
Spiegel, Olga. “Ghada Amer Recuerda en el Raval la Desigualdad de la Mujer.”
Vanguardia, Aug 3.
Antem, Oriol. “Una Instalacion Artistica por la Igualdad de Sexos Humaniza la
Rambla del Raval.” El Periodico, Aug 3.
Frisach, Montse. “Ghada Amer Denuncia al Raval la Pobreza de les dones.” AVUI,
Aug 3.
----------. “Denuncia Artistica Contra la Pobreza.” Barcelona y Mas, Aug 3.
Johnson, Patricia C. “‘Pleasure’ Trove.” Houston Chronicle, Aug 2, pp. D1-D3.
Martinez, Rosa. “Review: Ghada Amer at Tres Intervenciones Urbanas.” Barcelona
Art Report, Aug.
----------. “Working Proof.” Art on Paper, May/Jun, pp. 72-79.
Bosco, Roberta. “Entrevista con Ghada Amer : Mi Trabajo Habla de Todas las
Mujeres, No Especialmente de la Musulmana.” El Periodico del Arte, Issue
43, Apr.
Pollack, Barbara. “The Newest Avant-Garde.” ARTnews, Apr.
Robbins, Sarah. “Love in Threads.” Australian Style, Mar.
---------. “Art, Fashion, Passion.” Scanorama, Mar.
Debailleux, Henri-François. “Auvergn’art.” Libération, Mar 5.
Riiser, Liv. “Skjonnhet Og Refleksjon.” Vartland, Feb 10.
Ingvill, Henmo. “Blandet Opplevelse.” Jan 20.
Lindgren, Lena. “Kunst Pa Moten”. Jan 19.
Hoftun, Guro. “Video Kunst.” V.G. Jan 19.
Grindaker, Siw. “Motekorrekstil Verden.” Dagbladet, Jan 19.
Quemin, Alain. “Mondialisation, Globalisation, Métissages.” Artpress, No. 22.
Moreno, Gean. “Pushed into Darkness: Eroticizing Abstraction.” Art Papers. Vol. 25,
Issue 3, pp. 28- 33.
Aidin, Rose. “Women of the World United.” Art Review (London), Vol. 53, pp. 5659.
----------. “Review: Ghada Amer at Art Chicago”. New Art Examiner, Vol. 28, Issue
8/9, pp. 44-47.
Thea, Carolee. “Local Internationalism: An Interview with Tom Finkelpearl.”
Sculpture, Vol. 20, Issue 3, pp. 44-49.
Visconti, Jacopo Crivelli. “Barcelona Art Report: Various Venues, Barcelona.” Art
Monthly, Issue 249, pp. 30-33.
Slyngstadli, Ole. “Ghada Amer DrØmmespinneren.” Prisma, pp. 2-3.
Harbo, John. “Kunst Og Mote, Mote Og Kunst.”
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de Arte y Pensamiento, Issue 26, Summer, pp. 4-21.
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----------. “L’Envers du Décor.” L’Oeil, Feb.
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-------------. Art Guide. The New York Times, Sep 19.
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----------. “De Fil en Aiguille.” Ministère de la Culture et de la Communication, Jul
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Monde, May 6, p. 26.
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Spring, pp. 24-25.
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-----------. “Sous le Manteau”. NOVA Magazine, Mar.
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----------. “Die Monotonie der Gewalt: Halb so Schlimm.” Pfalzicher Merkur, Jul 4.
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----------. “Istanbul’ da Kurulan Sanat Köprüsu.” Ajans Press.
----------. “Orient-ation in Istanbul Biennial.” Ajans Press.
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----------. “Bienal de Dogulu Kadin Sanatçilar.” Ajans Press.
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