Is this the way to Amarillo - Arrangement

Transcription

Is this the way to Amarillo - Arrangement
Is this the way to Amarillo
Tenöre
Bässe
Klavier
 



  



 


 
  
  
 




 

la la
o
r
P
 
  

 
  
la la
  


  
 

 

la,




 
  
 
Sha la la
  
  









la la
la la
la,
la la
la,
   
 
(klatschen)

   






 





 
 
sha la la
la la
   

 
 
 
 
   
  
   
    
  
la la
la la
    
    

la


la




 
 
 
   

lad
la la
la.
n
u
 
     ren  ten
  
 pie  No    
n gt!
o
n
e
t
shak la la vo la la
la la lla.
o
o rfo
t en
b
o
r
F
as  eib  h ve  ve  
D chr lic
h
c
i
l
s setz cht
b
A
e
 t ge rafr       
is
st
d
ir
w

   
 
und
sha la la



la la
 

(klatschen)
   



sha la la
r
ti u
t
r
a
    


   

      
      
p
e
b




Sha la la

la,



la la
  
  




Sha la la
      

  

    

 


 

Musik und Text: Neil Sedaka, Howard Greenfield
Chorbearbeitung: Pasquale Thibaut



 
 
 
 






sha la la
la la
sha la la
la la
 
  
 
  
  
 
 
                       
© 1971 by EMI Sosaha Music Inc./Songs of SJL RSL Music/Careers-BMG Music Publishing Inc.
Rechte für Deutschland, Österreich, Schweiz & Osteuropa (außer Baltikum):
EMI Music Publishing Germany GmbH & Co. KG
© Sony:
© dieser Ausgabe 2006 by Arrangement-Verlag Pasquale Thibaut,
Fotokopieren wird strafrechtlich verfolgt!
PM 0390e
05631/9370105 Arrangement-Verlag
Pasquale Thibaut
3
    
  

 

la la
 
    

 
la la
   
 



la
la!


la
la!
    
 
 
 
 


 



 

 
 


  

 
   
  
 
  
  

     
 
 
 
1. When the day is dawn - ing
2. There’s a church - bell ring - ing,
 


 
    
 
 
 
 


1. When
2. There’s
sun
joy
-

 
   







 


morn - ing,
sing - ing
 
 
    
 

how I long to be
for the sweet Ma - ri -
 un d
 en  n
r   te

 
   


e No
i
p
a Tex - as morn - ing, o
sha n
la la, how n I long !to be
tMa - ri the song that’s sing - ing,ok
shaola la, forte the sweet
g
l
v
o
t
o
b
o
f
n
r
F
r
e
e

e
v
 as   reib  h v
 D


  
h
c
     ch  zlic 


i
l


  
t


s


t
Ab gese  frech



a
 



t

tr
is
s
d
r
i
w
d
    
un
  

 


there
- a
    


-
day
that’s
 
   
 
sha la la,
sha la la,

  
  
     

r
ti u
t
r
a
p
e
b
on a Tex - as
hear the song of
the day is dawn - ing,
a church -bell ring - ing,

 

o
r
P
on
hear
 



 
   


 

there,
a,


 
    
  
sha la la, with
sha la la, and
    
 

with Ma - rie who’s wait
and the guy who’s com

 
   


Ma - rie for me
the guy who sees
 
     

  
  
  
       






    
      
- ing for me
- ing to see

 

there,
her,
there.
her.











sha la la

  
      
   

    

4
  
  

  
 

Ha,

  
 
Ev’ - ry lone - ly cit
Just be -yond the high
-




   



ha,
-
y
way
ha,

   


   

where I hang my
there’s an o - pen
Ba pa da pa pa,

      



ha,
     

  
 
     

  


  
         


 
 


t
r
a
p
e
b
o




r
ti u
ha,

  
  
 
    


 
  


ty
ing
d
n
ba pa da pa pa,
u
n ten
   
e

r

e
    
i  No  n
p
  


!
o

 
n
t
e
k


t
o
g
o
t en v rbo rfol
o
ha,
F
e  ve
s
b
v
i
a

e

D chr   lich  lich 

     
    bs  setz  cht    
A ge
e
r

f
     




 
 
si t stra
d
r
i
w 
  
d



      un   
   
r
P


 
  


where my ba - by’s
through the wind and
at.
rain.
where my ba - by’s
through the wind and
at.
rain.
hat
plain,






ain’t as half as pret and it keeps me go -
 
       
    


 




    
    
       
       

 
   
 
Is this the


   

as



 




as
  






Is this the way
Is this the way
to Am to Am -
   
 
      

way,
the
way
to
      



 