President and Fellows of Harvard College

© President and Fellows of Harvard College
1 of 17
© President and Fellows of Harvard College
Gallery Text
This is a reduced version, with some variations, of one
of two large mural paintings that Ingres completed for
the Duc de Luynes’s castle in Dampierre between 1843
and 1847. Depicting the Golden Age, it refers to the
mythical past described by ancient poets as the
utopian existence humans first enjoyed after being
created by the gods. Ingres outlined the iconography of
his composition in a letter: “A heap of beautiful sloths! .
. . The men of this generation knew nothing of old age.
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They lived for a long time and [were] always beautiful. .
. . All this in a very varied nature, à la Raphael.” Ingres
further invoked Raphael through some of the figures’
poses, in the arched shape of his picture, and by
painting the mural on plaster, thereby inviting the
comparison between his own work and Raphael’s
famous frescoed murals in the papal apartments of the
Vatican.
Identification and Creation
Object Number
1943.247
People
Jean-Auguste-Dominique Ingres, French (Montauban
1780 - 1867 Paris)
Title
The Golden Age
Other Titles
Alternate Title: Château de Dampierre
Classification
Paintings
Work Type
painting
Date
1862
Culture
French
3 of 17
Location
Level 2, Room 2200, European and American Art, 17th–
19th century, The Emergence of Romanticism in Early
Nineteenth-Century France
View this object's location on our interactive map
Physical Descriptions
Medium
Oil on paper mounted on panel
Dimensions
sight: 46.4 x 61.9 cm (18 1/4 x 24 3/8 in.)
framed: 63.5 x 79 cm (25 x 31 1/8 in.)
Inscriptions and Marks
Signed: l.l.: J. Ingres, Pint, MDCCCLXII / AETATIS LXXXII
Provenance
Jean-Auguste-Dominique Ingres, sold [through his
sale, Hôtel Drouot, Paris, April 27, 1867, no 1 (bought
in)]; to Mme. Delphine Ingres, née Ramel, the artist's
widow, 1867, by descent; to Albert Ramel (her nephew),
1886, by descent; to Mme. Ramel (his widow), by
descent; to her heirs, sold; to Grenville Lindall Winthrop
[through Martin Birnbaum], 1929, bequest; to Fogg Art
Museum, 1943.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Bequest of
Grenville L. Winthrop
Accession Year
4 of 17
1943
Object Number
1943.247
Division
European and American Art
Contact
[email protected]
Publication History
D'Arpentigny, "Exposition intime dans l'atelier de M.
Ingres", Le Courrier artistique (June 19, 1864), p. 11
Philippe Burty, "Six tableaux nouveaux de M. Ingres", La
Chronique des Arts et de la Curiosité (1864), vol. II, p.
204
Léon Lagrange, "Ingres", Le Correspondant (1867), vol.
LXXI, p. 75
"Mouvement des Arts et de la Curiosité. Tableaux et
Dessins d'Ingres", La Chronique des Arts et de la
Curiosité (May 5 and 12, 1867), vol. V, p. 137, under no. 1
Catalogue des tableaux, études peintes, dessins et
croquis de J.A.D. Ingres exposé dans les galeries de
l'Ecole impériale des Beaux-Arts, exh. cat., Ad. Laine et
J. Havard (Paris, France, 1867), no. 421
Charles Blanc, Ingres, sa vie et ses ouvrages, Vve. J.
Renouard (Paris, France, 1870), pp. 205-206
Henri, Vicomte Delaborde, Ingres, sa vie, ses travaux,
sa doctrine, d'apres les notices manuscrites et les
lettres du maitre, H. Plon (Paris, France, 1870), no. 27,
pp. 199-200
Edouard Gatteaux, Collection des 120 dessins, croquis
et peintures de M. Ingres classés et mis en ordre par
5 of 17
son ami Edouard Gatteaux, A. Guerinet (Paris, France,
1875), pl. 41
Henry Lapauze, Les dessins de J.-A.-D. Ingres du
Musée de Montauban, J. E. Bulloz (Paris, France, 1901),
pp. 146, 250
Jules Momméja, Ingres, H. Laurens (Paris, France,
1904), p. 107
Henry Lapauze, "Le 'Bain Turc' d'Ingres", Revue de l'art
ancien et moderne (1905), vol. XVIII, pp. 387, 395
Jules Momméja, Collection Ingres au Musée de
Montauban, Inventaire General des richeses d'art de la
France. Province, Monuments civils (1905), p. 114 n. 1
Octave Uzanne, "The Paintings of Jean Auguste
Dominique Ingres", Magazine of Fine Arts I (1906), repr.
p. 279
Téodor de Wyzewa, L'Oeuvre Peint de Jean-Dominique
Ingres, Frédéric Gittler (Paris, France, 1907), pl. XXXIII,
p. v
Augustine Boyer d'Agen (Jean-Auguste Boye), Ingres
d'apres une correspondence inédit, H. Daragon (Paris,
France, 1909), repr. opposite p. 464
Charles Saunier, "Exposition Ingres", Les Arts (July
1911), vol. X, pp. 8, 32
Georges LeComte, "Ingres, son oeuvre, son influence",
Le Correspondent (1911), vols. II and III, pp. 337, 351
Henry Lapauze, "Jean Briant Paysagiste, maître
d'Ingres, et le paysage dans l'oeuvre d'Ingres", Revue
de l'art ancien et moderne (1911), vol. XXXIX, pp. 304307, repr.
Exposition Ingres, exh. cat., Galerie Georges Petit
(Paris, France, 1911), no. 63
Henry Lapauze, Ingres, sa vie & son oeuvre, G. Petit
(Paris, France, 1911), p. 540, repr. p. 527
The Masterpieces of Ingres (1780-1867): Sixty
6 of 17
Reproductions of Photographs from the Original
Paintings, Gowans & Gray, Ltd. (London, England,
1913), pl. 40
Henry Lapauze, Exposition Ingres, exh. cat., Galerie
Georges Petit (Paris, France, 1921), no. 49
Lili Frölich-Bum, Ingres, His Life and Art, William
Heinemann, Ltd. (London, England, 1926), p. viii, pl. 74
Walter Pach, Ingres, Harper and Brothers Publishers
(New York, NY and London, England, 1939), pp. 106107, 136 [258], repr. opposite p. 259
Edward King, "Ingres as Classicist", The Journal of the
Walters Art Gallery (1942), vol. V, p. 101
Chinese Sculpture, Bronzes, Jades, Paintings and
Drawings, Egyptian and Persian sculpture, PreColumbian art; selected from the collection of Grenville
Lindall Winthrop, exh. cat., Fogg Art Museum
(Cambridge, MA, 1943), p. 3
Agnes Mongan, "Drawings by Ingres in the Winthrop
Collection", Gazette des Beaux-Arts (July-December
1944), ser. 6, 26, p. 388, no. 1
Edgar P. Richardson, "Ingres' Self-Portrait in the Fogg
Museum", The Art Quarterly (1944), vol. VII, p. 67
Jean Alazard, "Ingres et la Peinture Murale",
Miscellanea Leo van Puyvelde (Brussels, Belgium,
1949), pp. 248, 249 n. 6
Jean Alazard, Ingres et l'Ingrisme, Michel (Paris,
France, 1950), pp. 103, 151 n. 12
Paul J. Sachs, The Pocket Book of Great Drawings,
Pocket Books, Inc. (New York, NY, 1951), p. 94
A Loan Exhibition of Paintings and Drawings from the
Ingres Museum at Montauban, exh. cat., Knoedler
Galleries (New York, NY, 1952), p. [6]
Walter Friedlaender, David to Delacroix (Cambridge,
MA, 1952), p. 88, fig. 48
7 of 17
Georges Wildenstein, Ingres, Phaidon Press (London,
England, 1954), no. 301, p. 227, repr. as pl. 87
Norman Schlenoff, Ingres, ses sources littéraires,
Presses Universitaires de France (Paris, France, 1956),
p. 278, pl. XXXV, facing p. 256
Norman Schlenoff, "Ingres and the Classical World",
Archaeology, Archaeological Institute of America (New
York, NY, 1959), vol. XII, pp. 23-24, fig. 7
Martin Birnbaum, The Last Romantic (New York, NY,
1960), p. 190
Ingres and Degas: Two Classical Draughtsmen, exh.
cat., Fogg Art Museum (Cambridge, MA, 1961), no. 11
Albert Edward Elsen, "Rodin's 'La Ronde' ", The
Burlington magazine (1965), vol. CVII, pp. 291, fig. 5,
294
Pierre Viguié, "Ingres et l'Age d'Or", La Revue des Deux
Mondes (December 15, 1967), p. 542
Ingres, exh. cat., Réunion des Musées Nationaux (Paris,
France, 1967), p. 286, under no. 218
Ingres: Centennial Exhibition, 1867-1967. Drawings,
Watercolors and Oil Sketches from American
Collections, exh. cat., Fogg Art Museum (Cambridge,
MA, 1967), p. x, under no. 87
Robert Rosenblum, Jean-Auguste-Dominique Ingres,
Harry N. Abrams, Inc. (New York, NY, 1967), pp. 167169, pl. 47
Paintings from the Bequest of Grenville L. Winthrop
shown in conjunction with the Ingres Centennial
Exhibition, exh. cat., Fogg Art Museum (Cambridge,
MA, 1967), no. VI
Emilio Radius and Ettore Camesasca, L'opera
completa di Ingres, Rizzoli (Milan, Italy, 1968), no. 143b,
p. 113, repr.
Dorothy W. Gillerman, Gridley McKim-Smith, and Joan
8 of 17
R. Mertens, Grenville L. Winthrop: Retrospective for a
Collector, exh. cat., Fogg Art Museum (Cambridge, MA,
1969), p. 240
Daniel Ternois and Ettore Camesasca, Tout l'oeuvre
peint d'Ingres (Paris, France, 1971), no. 144B, p. 113,
repr.
Mathieu Méras, "Un Lettre inédite d'Ingres à Luigi
Mussini et deux etudes inedites pour l'Age d'Or",
Bulletin du Musée Ingres, Amis du Musée Ingres
(Montauban, France, 1972), p. 22
Elisabeth Hardouin-Fugier, "Louis Janmot, élève
d'Ingres, ami de Delacroix", Bulletin du Musée Ingres,
Amis du Musée Ingres (Montauban, France, 1975), fig. 3
Exhibition of French Drawings Post Neo-Classicism ,
exh. cat., P. & D. Colnaghi & Co. Ltd. (London, England,
1975), under no. 108
Louis-Antoine Prat, "Trois dessins inedits d'Ingres pour
l'Age d'Or", Bulletin du Musée Ingres, Amis du Musée
Ingres (Montauban, France, December 1976), p. 31
Gianni Rizzoni and Fiorella Minervino, Ingres,
Mondadori (Milan, Italy, 1976), p. 74, fig. 1
René Huyghe, La relève de l'imaginaire: la peinture
francaise au XIXe siecle: realisme, romantisme,
Flammarion (Paris, France, 1976), p. 231, fig. 249
Evelyne Pansu, "Quelques aperçus sur la thème
iconographique de l'Age d'Or avant Ingres", Bulletin du
Musée Ingres, Amis du Musée Ingres (Montauban,
France, 1977), p. 102
Jon Whiteley, Ingres, Oresko Books Ltd. (London,
England, 1977), no. 62, p. 81, repr.
Evelyne Pansu, Ingres Dessins, Chene (Paris, France,
1977), p. 19, repr. p. 27
Hans Naef, Die Bildniszeichnungen von J.-A.-D. Ingres
(Bern, Switzerland, 1978), Vol. III, p. 423
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Ingres: Drawings from the Musée Ingres at Montauban
and Other Collections, exh. cat., Victoria and Albert
Museum (London, England, 1979), above nos. 65-69,
under no. 68, pp. 46-47
Marcel Giry, "Ingres et le Fauvisme", Actes du colloque
international, Ingres et son influence (Montauban,
France, 1980), pp. 55-60, pp. 56-57, repr. as fig. 2
Daniel Ternois, Ingres, Editions Nathan (Paris, France,
1980), pp. 108, 141, repr.
Gaetan Picon, Jean-Auguste-Dominique Ingres, Quai
des Celestins, 4 (New York, NY, 1980), p. 114; repr. in
b/w p. 115
John Spike, "Ingres at the Fogg Art Museum", The
Burlington Magazine (1981), vol. 123, no. 936, p. 190
25 Great Masters of Modern Art: Ingres, Kodansha
(Tokyo, Japan, 1981), repr. in color no. 58
Marcel Giry, Le Fauvisme: ses origines, son évolutions,
Editions Ides et Calendes (Neuchâtel, Switzerland,
1981), p. 23, 111, repr. in b/w as fig. 43
Kimio Nakayama and Shuji Takashina, Nu Feminin dans
l'Art, vol. 8: Allegories et symboles II, Zauho
Press/Editions Shueisha (Tokyo, Japan, 1981), repr. in
color no. 41
William L. Pressly, The Life and Art of James Barry,
Yale University Press (U.S.) (New Haven, CT and
London, England, 1981), text pp. 203-204, repr. in b/w
pl. 140
Hans Ebert, Jean-Auguste-Dominique Ingres,
Hanschelverlag Kunst und Gesellschaft (Berlin,
Germany, 1982), repr. in color, no. 27
Patricia Condon, In Pursuit of Perfection: The Art of J.-
A.-D. Ingres, exh. cat., Speed Art Museum (Louisville,
KY, 1983), pp. 18, 19, repr.
Carol Ockman, "Astraea Redux: A Monarchist Reading
10 of 17
of Ingres' Unfinished Murals at Dampierre", Arts
Magazine (October 1986), fig. 12 and footnotes 3, 12,
17, and 52, pps. 26 and 27
Daniel Ternois, "Une amitié romaine: les lettres d'Ingres
à Édouard Gatteaux", Actes du Colloque: Ingres et
Rome, Montauban (Montauban, 1986), pp. 17-61, pp.
22, 58-61
Avigdor Arikha, J. A. D. Ingres: Fifty Life Drawings from
the Musée Ingres at Montauban, exh. cat., Museum of
Fine Arts, Boston (Houston, TX, 1986), p. 87, repr.
Jack Flam, Matisse: the Man and His Art 1869-1918 ,
Cornell University Press (Ithaca, NY, 1986), repr. in b/w
fig. 152, p. 159
Stefan Germer, Historizitat und Autonomie: Studien zu
Wandbildern im Frankreich des 19 Jahrhunderts,
Georg Olms Verlag (New York, NY and Hildesheim,
1988), repr. in b/w abb. 22, p. 508
Aline Dardel, "Le theme de l'Age d'Or dans la peinture",
La Gazette de l'Hotel Drouot (January 27, 1989), no. 4,
no. 4, pp. 64-65, repr.
Linda Nochlin, "Seurat's Grand Jatte: An Anti-Utopian
Allegory", Art Institute of Chicago Museum Studies, The
Art Institute of Chicago (Chicago, IL, 1989), vol. XIV, no.
2, pp. 135-137, repr. in b/w p. 130
Dessins d'Ingres du musée de Montauban, exh. cat.,
Pavilion des Arts (Paris, France, 1989), pp. 366-381,
repr. b/w p. 57
Katalin Geller, La Pintura Francesa del siglo XIX,
Editorial arte y Literatura (Havana, Cuba, 1989), repr. in
color no. 11
Edgar Peters Bowron, European Paintings Before 1900
in the Fogg Art Museum: A Summary Catalogue
including Paintings in the Busch-Reisinger Museum ,
11 of 17
Harvard University Art Museums (Cambridge, MA,
1990), p. 112; repr. as no. 312
Annalisa Zanni, Ingres: catalogo completo dei dipinti,
Cantini Editore (Florence, Italy, 1990), cat. 95; pp. 123124, repr. in color
Katalin Geller, Malarstwo Francuskie w XIX wieku,
Wydawnictwa Artystyczne i Filmowe Warszawa
(Budapest, Hungary, 1990), repr. in color no. 11
Sarah Whitfield, Fauvism , Thames & Hudson (New York,
NY, 1991), pp. 150-151, repr. in b/w as fig. 127
Gaetan Picon, Ingres, Skira/Rizzoli (Geneva,
Switzerland/New York NY, 1991), repr. in color p. 86
Dr. Christine Ekelhart-Reinwetter, J. A. D. Ingres 1780-
1867: Zeichnungen und Olstudien aus dem musée
Ingres, Montauban, Ferdinandeum/Albertina
(Innsbruck/Vienna, Austria, 1991), pp. 263-264, repr. in
b/w as abb. 109
James D. Herbert, Fauve Painting: the Making of
Cultural Politics, Yale University Press (U.S.) (New
Haven, CT and London, England, 1992), repr. in b/w fig.
63 p. 121
John Elderfield, Henri Matisse: A Retrospective, exh.
cat., Museum of Modern Art, New York (New York, NY,
1992), pp. 54-55, repr. in b/w as fig. 32
Journey into the Masterpieces 19: The Canvas Seeks
the Light, Kodansha Publisher (Tokyo, Japan, Spring
1992), repr. in color 4-37, p. 88
New History of World Art, vol. 19: Neoclassic Art,
Revolutionary Epoque Art, Shogakukan Inc. (Tokyo,
Japan, 1993), repr. in b/w fig. 82
Patricia Condon, "J. A. D. Ingres: Les dessins
historiques achévés", Bulletin du Musée Ingres (1995),
no. 67-68, pp. 3-86, pp. 15, 36
Georges Vigne, Dessins d'Ingres: Catalogue raisonné
12 of 17
des dessins du musée de Montauban,
Gallimard/Reunion des Musées Nationaux (Paris,
France, 1995), p. 304
Georges Vigne, Ingres, Citadelles & Mazenod and
Abbeville Press (Paris, France; New York, NY, 1995), pp.
259, 307-308, repr. in color as fig. 263
Daniel Ternois, "Ingres et la photographie", Bulletin du
Musée Ingres (1997), no. 70, pp. 41-50, pp. 47, 50 n. 19
Paul Smith, "Joachim Gasquet, Virgil and Cézanne's
Landscape", Apollo (October 1998), vol. CXLVIII, no.
439, pp. 11-23, p. 11, repr. in b/w as fig. 1
Daniel Ternois, ed., Lettres d'Ingres à Marcotte
d'Argenteuil, Société de l'Histoire de l'Art Français
(Nogent-le-Roi, France, 1999), p. 185 n. 3, under no. 116
Valérie Bajou, Monsieur Ingres, Editions Adam Biro
(Paris, France, 1999), pp. 294-295; repr. in color as fig.
197
Gary Tinterow and Philip Conisbee, Portraits by Ingres:
Image of an Epoch, exh. cat., The Metropolitan
Museum of Art (New York, NY, 1999), pp. 359-361, fig.
206, p. 535
Jack Flam, "Matisse and Ingres", Apollo (October
2000), v. 152, no. 464, pp. 20-25, pp. 20-21, repr. in b/w
as fig. 3
Christopher Green, Art in France, 1900-1940, Yale
University Press (U.S.) (New Haven, CT, and London,
2000), p. 193, repr. as fig. 229
André Cariou and Patrick Le Nouëne, Dessins
d'artistes: Les plus beaux dessins français de musées
d'Angers, exh. cat., Somogy Éditions d'Art (Paris,
France, 2000), p. 133, under no. 69, repr. as fig. 50
Uwe Fleckner, Jean-Auguste-Dominique Ingres 1780-
1867, Könemann Verlagsgesellschaft (Cologne,
Germany, 2000), pp. 101-110; repr. in color pp. 106-107
13 of 17
as no. 103
Inken Freudenberg, "Der Zweifler Cézanne" (2001),
Kehrer Verlag, pp. 104-105, repr. in b/w
Daniel Ternois, Lettres d’Ingres à Marcotte
d’Argenteuil: dictionnaire, Librairie des Arts et MétiersEd. Jacques Laget (Nogent-le-Roi, France, 2001), pp.
31-32, 35 n. 41, 36-37, 46, 47 n. 22, 98
"New Spirits and Sacred Springs: Modern Art in France
at the Turn of the Century", exh. cat., Museum of Fine
Arts, Montreal / Art Gallery of Ontario (Montreal /
Toronto, 2002), repr. p. 40 as fig. 19
Chikashi Kitazaki, ed., Between Reality and Dreams:
Nineteenth Century British and French Art from the
Winthrop Collection of the Fogg Art Museum , exh. cat.,
National Museum of Western Art (Ueno, Japan, 2002),
pp. 66-67, cat. #1, color repr.
Margaret Werth, The Joy of Life: the idyllic in French
art, circa 1900, University of California Press (Berkeley,
CA, 2002), p. 8, repr. as fig. 5
Stephan Wolohojian, ed., A Private Passion: 19th-
Century Paintings and Drawings from the Grenville L.
Winthrop Collection, Harvard University, exh. cat., The
Metropolitan Museum of Art and Yale University Press
(New York, NY, 2003), no. 81, pp. 207-209, repr. in color
Stephan Wolohojian, Ingres, Burne-Jones, Whistler,
Renoir... La Collection Grenville L. Winthrop, exh. cat.,
Musée des Beaux-Arts de Lyon and Réunion des
Musées Nationaux (Paris, France, 2003), no. 81, pp.
217-219, repr. in color
Robert Dupin, "La Collection Winthrop", Universalia,
Encyclopaedia Universalis (Paris, France, 2004), pp.
343-344, p. 344
Alastair Wright, Matisse and the Subject of Modernism ,
Princeton University Press (Princeton NJ, 2004), p. 97,
14 of 17
pl. 49
Alt dandser, tro mit Ord!, exh. cat., Thorvaldsens
Museum (Copenhagen, Denmark, 2005), pp. 74-75, 78,
repr. in color as fig. 8
M. Battistini, Symbols and Allegories in Art, J. Paul
Getty Museum (2005), repr. in color p. 91, under "The
Ages of the World."
Vincent Pomarède, Stéphane Guégan, Louis-Antoine
Prat, and Eric Bertin, Ingres 1780-1867, exh. cat.,
Editions Gallimard (Paris, France, 2006), pp. 340-348,
361; repr. p. 361 as ill. 216
Karin H. Grimme, Jean-Auguste-Dominique Ingres,
1780-1867, Taschen GmbH (Cologne, Germany, 2006),
p. 84; repr. in color pp. 82-83
Linda Nochlin, "Seurat's Grand Jatte: An Anti-Utopian
Allegory", Critical Readings in Impressionism and Post-
Impressionism , ed. Mary Tompkins Lewis, University of
California Press (Berkeley, 2007), p. 255
Louis-Antoine Prat, Le dessin français au XIXe siècle,
Somogy Éditions d'Art (Paris, 2011), p. 187
Charles Dempsey, Joseph J. Rishel, and George T.M.
Shackelford, Gauguin, Cézanne, Matisse: Visions of
Arcadia, exh. cat., Philadelphia Museum of Art
(Philadelphia, 2012), pp. 20-22, reproduced fig. 19
Impressionist and Modern Art Evening Sale, auct. cat.,
Sotheby's, New York (May 2, 2012), p. 142, fig. 2
Vincent Pomarède and Carlos G. Navarro, Ingres, exh.
cat., Museo del Prado (Madrid, 2015)
Exhibition History
Tableaux, etudes peintes, dessins et croquis de J.-A.D. Ingres peintre d'histoire, sénateur, membre de
l'Institut, École Impériale des Beaux-Arts, Paris,
04/10/1867 - 12/31/1867
15 of 17
Exposition Ingres, Galerie Georges Petit, Paris,
04/26/1911 - 05/14/1911
Exposition Ingres, Chambre Syndicale de la Curiosité et
des Beaux-Arts, Paris, 05/08/1921 - 06/05/1921
Chinese sculpture, bronzes, jades, paintings and
drawings, Egyptian and Persian sculpture, PreColumbian art : selected from the collection of
Grenville Lindall Winthrop, Fogg Art Museum,
Cambridge, 10/01/1943 - 02/28/1944
Ingres and Degas: Two Classical Draughtsmen, Fogg
Art Museum, Cambridge, 04/24/1961 - 05/20/1961
Paintings from the Bequest of Grenville L. Winthrop
shown in conjunction with the Ingres Centennial
Exhibition, Fogg Art Museum, Cambridge, 02/12/1967 04/09/1967
Master Paintings from the Fogg Collection, Fogg Art
Museum, Cambridge, 04/13/1977 - 08/31/1977
Works by J.-A.-D. Ingres in the Collection of the Fogg
Art Museum , Fogg Art Museum, Cambridge,
10/17/1980 - 12/07/1980
Between Reality and Dreams: Nineteenth Century
British and French Art from the Winthrop Collection of
the Fogg Art Museum , National Museum of Western
Art, Tokyo, 09/14/2002 - 12/08/2002
A Private Passion: 19th-Century Paintings and
Drawings from the Grenville L. Winthrop Collection,
Harvard University, Musée des Beaux-Arts de Lyon,
Lyon, 03/15/2003 - 05/26/2003; National Gallery,
London, 06/25/2003 - 09/14/2003; The Metropolitan
Museum of Art, New York, 10/23/2003 - 01/25/2004
For Students of Art and Lovers of Beauty: Highlights
from the Collection of Grenville L. Winthrop, Harvard
University Art Museums, Fogg Art Museum,
Cambridge, 04/16/2004
16 of 17
32Q: 2200 19th Century, Harvard Art Museums,
Cambridge, 11/10/2015
Subjects and Contexts
Google Art Project
This record has been reviewed by the curatorial staff
but may be incomplete. Our records are frequently
revised and enhanced. For more information please
contact the Division of European and American Art at
[email protected]
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